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Boston Symphony Orchestra Concert Programs, Season 124, 2004-2005
2004-2005 SEASON BOSTON SYM PHONY *J ORCHESTRA JAM ES LEVI N E ''"- ;* - JAMES LEVINE MUSIC DIRECTOR BERNARD HAITINK CONDUCTOR EMERITUS SEIJI OZAWA MUSIC DIRECTOR LAUREATE Invite the entire string section for cocktails. With floor plans from 2,300 to over Phase One of this 5,000 square feet, you can entertain magnificent property is in grand style at Longyear. 100% sold and occupied. Enjoy 24-hour concierge service, Phase Two is now under con- single-floor condominium living struction and being offered by at its absolute finest, all Sotheby's International Realty & harmoniously located on Hammond Residential Real Estate an extraordinary eight- GMAC. Priced from $1,725,000. acre gated community atop prestigious Call Hammond at (617) 731-4644, Fisher Hill ext. 410. LONGYEAR. a/ l7isner jtfiff BROOKLINE V+* rm SOTHEBY'S Hammond CORTLAND IIIIIIUU] SHE- | h PROPERTIES INC ESTATE 3Bhd International Realty REASON #11 open heart surgery that's a lot less open There are lots of reasons to consider Beth Israel Deaconess Medical Center for your major medical care. Like minimally invasive heart surgery that minimizes pain, reduces cosmetic trauma and speeds recovery time. From cardiac services and gastroenterology to organ transplantation and cancer care, you'll find some of the most cutting-edge medical advances available anywhere. To find out more, visit www.bidmc.harvard.edu or call 800-667-5356. Beth Israel A teaching hospital of Deaconess Harvard Medical School Medical Center Red | the Boston Affiliated with Joslin Clinic | A Research Partner of the Dana-Farber/Harvard Cancer Center Official Hospital of James Levine, Music Director Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 124th Season, 2004-2005 Trustees of the Boston Symphony Orchestra, Inc. -
Everything Essential
Everythi ng Essen tial HOW A SMALL CONSERVATORY BECAME AN INCUBATOR FOR GREAT AMERICAN QUARTET PLAYERS BY MATTHEW BARKER 10 OVer tONeS Fall 2014 “There’s something about the quartet form. albert einstein once Felix Galimir “had the best said, ‘everything should be as simple as possible, but not simpler.’ that’s the essence of the string quartet,” says arnold Steinhardt, longtime first violinist of the Guarneri Quartet. ears I’ve been around and “It has everything that is essential for great music.” the best way to get students From Haydn, Mozart, Beethoven, and Schubert through the romantics, the Second Viennese School, Debussy, ravel, Bartók, the avant-garde, and up to the present, the leading so immersed in the act of composers of each generation reserved their most intimate expression and genius for that basic ensemble of two violins, a viola, and a cello. music making,” says Steven Over the past century america’s great music schools have placed an increasing emphasis tenenbom. “He was old on the highly specialized and rigorous discipline of quartet playing. among them, Curtis holds a special place despite its small size. In the last several decades alone, among the world and new world.” majority of important touring quartets in america at least one chair—and in some cases four—has been filled by a Curtis-trained musician. (Mr. Steinhardt, also a longtime member of the Curtis faculty, is one.) looking back, the current golden age of string quartets can be traced to a mission statement issued almost 90 years ago by early Curtis director Josef Hofmann: “to hand down through contemporary masters the great traditions of the past; to teach students to build on this heritage for the future.” Mary louise Curtis Bok created a haven for both teachers and students to immerse themselves in music at the highest levels without financial burden. -
Boston Symphony Orchestra Concert Programs, Season 125, 2005-2006
Tap, tap, tap. The final movement is about to begin. In the heart of This unique and this eight-acre gated final phase is priced community, at the from $1,625 million pinnacle of Fisher Hill, to $6.6 million. the original Manor will be trans- For an appointment to view formed into five estate-sized luxury this grand finale, please call condominiums ranging from 2,052 Hammond GMAC Real Estate to a lavish 6,650 square feet of at 617-731-4644, ext. 410. old world charm with today's ultra-modern comforts. BSRicJMBi EM ;\{? - S'S The path to recovery... a -McLean Hospital ', j Vt- ^Ttie nation's top psychiatric hospital. 1 V US NeWS & °r/d Re >0rt N£ * SE^ " W f see «*££% llffltlltl #•&'"$**, «B. N^P*^* The Pavijiorfat McLean Hospital Unparalleled psychiatric evaluation and treatment Unsurpassed discretion and service BeJmont, Massachusetts 6 1 7/855-3535 www.mclean.harvard.edu/pav/ McLean is the largest psychiatric clinical care, teaching and research affiliate R\RTNERSm of Harvard Medical School, an affiliate of Massachusetts General Hospital HEALTHCARE and a member of Partners HealthCare. REASON #78 bump-bump bump-bump bump-bump There are lots of reasons to choose Beth Israel Deaconess Medical Center for your major medical care. Like less invasive and more permanent cardiac arrhythmia treatments. And other innovative ways we're tending to matters of the heart in our renowned catheterization lab, cardiac MRI and peripheral vascular diseases units, and unique diabetes partnership with Joslin Clinic. From cardiology and oncology to sports medicine and gastroenterology, you'll always find care you can count on at BIDMC. -
2016 Program Booklet
Rebecca Penneys Piano Festival Fourth Year July 12 – 30, 2016 University of South Florida, School of Music 4202 East Fowler Avenue, Tampa, FL The family of Steinway pianos at USF was made possible by the kind assistance of the Music Gallery in Clearwater, Florida Rebecca Penneys Ray Gottlieb, O.D., Ph.D President & Artistic Director Vice President Rebecca Penneys Friends of Piano wishes to give special thanks to: The University of South Florida for such warm hospitality, USF administration and staff for wonderful support and assistance, Glenn Suyker, Notable Works Inc., for piano tuning and maintenance, Christy Sallee and Emily Macias, for photos and video of each special moment, and All the devoted piano lovers, volunteers, and donors who make RPPF possible. The Rebecca Penneys Piano Festival is tuition-free for all students. It is supported entirely by charitable tax-deductible gifts made to Rebecca Penneys Friends of Piano Incorporated, a non-profit 501(c)(3). Your gifts build our future. Donate on-line: http://rebeccapenneyspianofestival.org/ Mail a check: Rebecca Penneys Friends of Piano P.O. Box 66054 St Pete Beach, Florida 33736 Become an RPPF volunteer, partner, or sponsor Email: [email protected] 2 FACULTY PHOTOS Seán Duggan Tannis Gibson Christopher Eunmi Ko Harding Yong Hi Moon Roberta Rust Thomas Omri Shimron Schumacher D mitri Shteinberg Richard Shuster Mayron Tsong Blanca Uribe Benjamin Warsaw Tabitha Columbare Yueun Kim Kevin Wu Head Coordinator Assistant Assistant 3 STUDENT PHOTOS (CONTINUED ON P. 51) Rolando Mijung Hannah Matthew Alejandro An Bossner Calderon Haewon David Natalie David Cho Cordóba-Hernández Doughty Furney David Oksana Noah Hsiu-Jung Gatchel Germain Hardaway Hou Jingning Minhee Jinsung Jason Renny Huang Kang Kim Kim Ko 4 CALENDAR OF EVENTS University of South Florida – School of Music Concerts and Masterclasses are FREE and open to the public Donations accepted at the door Festival Soirée Concerts – Barness Recital Hall, see p. -
The Rachel S. Thaler Concert Pianist Series, Angela Hewitt, Pianist
Ithaca College Digital Commons IC All Concert & Recital Programs Concert & Recital Programs 9-28-1999 The Rachel S. Thaler Concert Pianist Series, Angela Hewitt, pianist Angela Hewitt Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Hewitt, Angela, "The Rachel S. Thaler Concert Pianist Series, Angela Hewitt, pianist" (1999). All Concert & Recital Programs. 7773. https://digitalcommons.ithaca.edu/music_programs/7773 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons IC. Since her triumph in the 1985 international Bach piano competition in Toronto, and her subse- quent Bach recording for Deutsche Grammophon, Angela Hewitt has been hailed as "one of the outstanding Bach pianists of our time" (Sunday Times [London], 1997). In 1994 she embarked on a 10-year project to record all the major keyboard works by Bach for the Hyperion label. She has performed throughout North America and Europe, as well as in Japan, Australia, China, Mexico, and the former Soviet Union. Born into a musical family, Hewitt began her piano studies at the age of 3, performing in public at 4 and a year later winning her first scholarship. She also studied violin, recorder, singing, and classical ballet. At 9, she gave her first recital at Toronto's Royal Conservatory of Music, where she studied from 1964 to 1973. Hewitt then studied with French pianist Jean-Paul Sevilla at the University of Ottawa, from which she earned her bachelor of music degree at the age of 18. -
View PDF Online
MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
Swr2 Programm Kw 2
SWR2 PROGRAMM - Seite 1 - KW 2 / 07. - 13.01.2019 5.00 Nachrichten, Wetter Strahlung, die am Boden ankommt, Montag, 07. Januar arrangiert – sie scheint sogar einen 5.03 ARD-Nachtkonzert Beitrag zur Evolution zu leisten. Aber 0.05 ARD-Nachtkonzert Georges Bizet: wie erlangt die kosmische Strahlung Aram Chatschaturjan: „Carmen“, Suite Nr. 1 ihre enorme Energie, was hat sie mit Klavierkonzert Des-Dur Orchestre symphonique de Montréal der Bildung von Wolken zu tun, und Nareh Arghamanyan (Klavier) Leitung: Charles Dutoit wie kommt es, dass sie MDR Sinfonieorchester Moritz Hauptmann: Krebserkrankungen einerseits Leitung: Alain Altinoglu Sonatine F-Dur op. 10 Nr. 3 verursacht, aber zugleich bei ihrer Jan Dismas Zelenka: Andreas Hartmann (Violine) Behandlung hilft? Te Deum à due cori ZWV 146 Rolf-Dieter Arens (Klavier) Heike Hallaschka, Martina Lins-Reuber Alexander Glasunow: 8.58 SWR2 Programmtipps (Sopran) Konzertwalzer D-Dur op. 47 Patrick van Goethem (Countertenor) Beethoven Orchester Bonn 9.00 Nachrichten, Wetter Marcus Ullmann (Tenor) Leitung: Stefan Blunier Jochen Kupfer (Bass) Carl Philipp Emanuel Bach: 9.05 SWR2 Musikstunde Dresdner Kammerchor an der Sinfonie A-Dur Wq 182 Nr. 4 Die freie Radikale: Ihre Majestät, Hochschule für Musik Carl Maria von Kammerorchester Carl Philipp Christina von Schweden (1) Weber Emanuel Bach Mit Sylvia Roth Dresdner Barockorchester Leitung: Hartmut Haenchen Leitung: Hans-Christoph Rademann Enrique Granados: Europäische Friedensfürstin oder Antonín Dvorák: „Valses Poéticos“ op. 10 machtgierige Exzentrikerin? Die Slawische Rhapsodie As-Dur op. 45 Benjamin Grosvenor (Klavier) Meinungen über Christina von Nr. 3 Christoph Graupner: Schweden, Stockholmer Königin des Staatskapelle Dresden Flötenkonzert h-Moll GWV 219 17. Jahrhunderts, sind mehr als Leitung: Paavo Berglund Ars Musica Zürich ambivalent. -
Andrea Lucchesini SCHUBERT • LATE PIANO WORKS VOL
Andrea Lucchesini SCHUBERT • LATE PIANO WORKS VOL. II Franz Schubert Late Piano Works • Vol. II Piano Sonata No. 21 in B-flat major, D. 960 I. Molto moderato 21:54 II. Andante sostenuto 10:38 III. Scherzo. Allegro vivace con delicatezza – Trio 4:11 IV. Allegro, ma non troppo 9:05 Three Piano Pieces, D. 946 I. Allegro assai 14:36 II. Allegretto 13:08 III. Allegro 5:16 “The sad «very last» one” – Schubert’s Sonata in B-flat major “A musician visiting Vienna for the first time may well be amused for a while by the convivial hustle and bustle in the streets, and he will often stop in amazement in front of the tower of St Stephen’s Cathedral; but soon he is reminded of the city’s proximity to a churchyard which is more important to him than anything else the city has to offer, where two of the most magnificent of his fellow artists are laid to rest only a few paces from each other. So, like me, many a young musician may soon have wandered out after the first noisy days to the Währinger Kirchhof, to lay a floral offering on those tombs, even if it were a wild rose bush, as I found planted on Beethoven’s grave. Franz Schubert’s resting place was unadorned.” No more than eleven and ten years respectively had passed since the deaths of Beethoven and Schubert when Robert Schumann visited the Währing cemetery in Vienna. But the traveller from Leipzig did not content himself with merely visiting the graves: Schumann also called on Ferdinand Schubert, who looked after a wealth of unpublished manuscripts by his brother Franz. -
2004-2005 Trio Con Anima
LYNN UNIVERSITY CONSERVATORY OF MUSIC The Lynn University Conservatory of Music attracts some of the world's most talented TRIO CON ANIMA • ':.-#' • young musicians. Here, tliese student- artists, who hail from more than a dozen countries, pursue their degrees in ·instru Tuesday, June 21 2005, at 7:30 p.m. mental performance, preparing to join the , Amarnick-Goldstein Concert Hall world's leading symphony orchestras and most prestigious grad.,.ate music programs. Lynn University, ~oca Raton To build upon our excellence, we need your help. You may support the Conservatory of Shunsuke Sato, violin Music by contributing to scholarships, the CICJudio Jaffe, cello development of new programs or other Tao Lin, piano student needs. You may assist the conser vatory the fC)IIowing ways: PROGRAM THE ANNUAL FUND A gift to the Annual Fund can be designated for scholarships, various studios, special con" · Trio Op.70 No.1 in D major, Ludwig van Beethoven certs or to the General Conservatory Fund . "Ghost" Allegro vivace con brio ESTATE GIFT Largo assai ed espressivo An estate gift will provide for the conservatory in perpetuity. Your estate gift may be made as a Presto gift of appreciate~ stock, real estate or cash . Trio in E major, K. 542 Wolfgang A. Mozart FRIENDS OF THE CONSERVATORY Allegro ''As a member of the Friends of the Conservatory, Andante grazioso you will be involved in an organization that Allegro seeks to address the needs of the students and the conservatory as a whole. This organization has just completed its first year and now includes more than 100 members providing INTERMISSION major scholarship assistance to the students. -
School Catalog, the Academy, 1974
Published by Philadelphia Musical Academy, 1974 313 South Broad Street Philadelphia, Pennsylvania 19107 Preface The Philadelphia Musical Academy Catalogue is in four sections —each of which is used also separately as a brochure for its respective area. In the front of each section there is an alphabetical Table of Contents for that section. For each section, an identifying symbol is used. The symbol for this section ^J is aPorrectus; a neume from Gregorian Chant notation. Table of Contents Academy Facilities 4 Administration and Staff — listed it Biographical Notes — Faculty and Administration 13 Biographical Notes — Board of Directors 23 Board of Directors — listed 12 Electronic Music Center 5 Faculty — listed by area of specialty 8 History of the Academy 3 Map of Center City Cultural Institutions 26 Objectives of the Academy 2 Preparatory and Extension Division 5 Preparatory and Extension Division Faculty 10 Student Life in Philadelphia 25 Student Services — Placement Office, Concerts & Lectures, Counseling Services 30 N 2 aS^ Objectives of the A properly focused study of music reveals the subject both as a profession Academy andadiscipline. It develops skill, while fostering understanding; it provides information and preserves meaning; it supplies facts and seeks knowledge. Such a study insures respectforthe legacy of tradition and yet fosters the desire for the adventure of discovery. Two ingredients are essential to an institution dedicated to these aims: A professionally active faculty capable of serving as mentor and exemplar and a program of study to which the faculty is totally committed. These are abundantly represented at the Philadelphia Musical Academy. This is not to say that professional development is the only goal of the Academy. -
The Trumpet Studio of Marc Reese
CONSERVATORY OF Music presents TRUMPET SPECTACULAR: THE TRUMPET STUDIO OF MARC REESE with Edmilson Gomes, trumpet Aaron Mahnken, trumpet Marc Reese, artist faculty - trumpet Lisa Leonard, piano Wednesday, March 3, 2004 7:30 p.m. Amamick-Goldstein Concert Hall de Hoemle International Center Program Concerto in F Major .................................................................... Baldassare Concerto in E-flat Major ..................................................................... Haydn Allegro Andante Allegro Legende ............................................................................................. Enescu Badinage ............................................................................................ Bozz.a Trio ............................................................................................... Boutry INTERMISSION Intrada .......................................................................................... Honneger Rustiques ............................................................................................ Bozz.a Trio ............................................................................................... Tomasi Biographies Edmilson Gomes, trumpet Edmilson graduated from the Mozarteum College of Sao Paulo, Brazil. He started his musical career in 1982 with the Youth Orchestra of Sao Paulo State. He has participated in many music festivals in Brazil and Argentina. As a guest musician, Edmilson has performed with the Sao Paulo Orchestra, Sao Paulo City .. Municipal Orchestra, Curitiba, -
ORCHESTRA DELL'accademia NAZIONALE DI SANTA CECILIA Sir
stagione di musica sinFonica 2012 - 2013 AUDITORIUM PARCO DELLA MUSICA Sala Santa Cecilia Domenica 26 maggio - ore 18 - Turno A-A1 Lunedì 27 maggio - ore 21 - Turno B Martedì 28 maggio - ore 19.30 - Turno C Orchestra dell’Accademia nazionale di santa cecilia Sir Antonio Pappano Direttore Ian Bostridge Tenore Alessio allegrini Corno Il concerto fa parte del ciclo PappanoinWeb ed è trasmesso in streaming live e on demand su www.telecomitalia.com La produzione televisiva è realizzata da La Musica di Rai3 prima parte GIUSEPPE VERDI (Roncole di Busseto, Parma 1813 - Milano 1901) Durata: 22’ circa Quartetto per archi in mi minore (versione per orchestra d’archi) Allegro Andantino Prestissimo Scherzo Fuga (Allegro assai mosso) BENJAMIN BRITTEN (Lowenstoft, Suffolk 1913 - Aldeburgh 1976) Durata: 25’ circa Serenata per tenore, corno e archi op. 31 Prologue Pastoral (Charles Cotton) Nocturne (Lord Alfred Tennyson) Elegy (William Blake) Dirge (Anonimo del XV secolo) Hymn (Ben Jonson) Sonnet (John Keats) Epilogue seconda parte ludWIG VAN BEETHOVEN (Bonn 1770 - Vienna 1827) Sinfonia n. 5 in do minore op. 67 Durata: 33’ circa Allegro con brio Andante con moto Allegro Allegro. Sempre più allegro. Presto Il concerto è ripreso dalla Terza Rete Televisiva e registrato da Radio Tre Rai per successive trasmissioni 6 Benjamin Britten, al pianoforte, con il tenore Peter Pears. dal BICENTENARIO DI VERDI AL CENTENARIO DI BRITTEN di Giovanni D’Alò Gli archivi dell’Accademia Nazionale di Santa Cecilia conser- vano ancora i documenti relativi all’unico concerto che Ben- jamin Britten tenne per l’istituzione romana il 22 aprile 1949. In quell’occasione, il compositore inglese “accompagnava” al pianoforte l’inseparabile Peter Pears in una delle tante se- rate liederistiche che in quegli anni li videro protagonisti in tutto il mondo.