Who Are the Three Musketeers?

Total Page:16

File Type:pdf, Size:1020Kb

Who Are the Three Musketeers? LESSON 21 TEACHER’S GUIDE Who Are the Three Musketeers? by Ken Van Gorder Fountas-Pinnell Level V Nonfiction Selection Summary The Three Musketeers, set in Paris in 1625, is a famous book in French literature. Written by Alexandre Dumas and published in 1844, it chronicles the adventures of three swordsmen named Porthos, Athos, and Aramis. These soldiers, assigned to protect the royal family, have exciting adventures as they carry out their duties. Number of Words: 1,711 Characteristics of the Text Genre • Nonfi ction Text Structure • Third-person narrative • Summary of the plot of the novel interwoven with information about the author of the novel and the historical setting of the novel Content • Author Alexandre Dumas and how he wrote • Adventures of his characters, three French swordsmen • Information about the historical setting of the novel Themes and Ideas • The Three Musketeers is a timeless tale. • Alexandre Dumas crafted three distinct “musketeer” characters • A united team is stronger than one of the individuals alone. Language and • Complex narratives told in simplifi ed style Literary Features Sentence Complexity • A mix of simple and complex sentences • Exclamations Vocabulary • Some French military terms: musketeer, Royal Academy, duel • French names followed by phonetic pronunciation Words • Many multisyllable words: eventually, exhilaration, jeopardy • Many sentences begin with next, soon and other sequence signal words Illustrations • Realistic color illustrations of author and his characters Book and Print Features • Fourteen pages of text • Headings, insets © 2006. Fountas, I.C. & Pinnell, G.S. Teaching for Comprehending and Fluency, Heinemann, Portsmouth, N.H. Copyright © by Houghton Mifflin Harcourt Publishing Company All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage or retrieval system, without the prior written permission of the copyright owner unless such copying is expressly permitted by federal copyright law. Permission is hereby granted to individual teachers using the corresponding (discipline) Leveled Readers to photocopy student worksheets from this publication in classroom quantities for instructional use and not for resale. Requests for information on other matters regarding duplication of this work should be addressed to Houghton Miffl in Harcourt Publishing Company, Attn: Contracts, Copyrights, and Licensing, 9400 SouthPark Center Loop, Orlando, Florida 32819. Printed in the U.S.A. 978-0-547-30892-0 1 2 3 4 5 6 7 8 9 10 0940 15 14 13 12 11 10 09 If you have received these materials as examination copies free of charge, Houghton Miffl in Harcourt Publishing Company retains title to the materials and they may not be resold. Resale of examination copies is strictly prohibited. Possession of this publication in print format does not entitle users to convert this publication, or any portion of it, into electronic format. 6_308920_BL_VRTG_L21_Musketeers.indd 1 1/9/10 6:26:32 PM Who Are the Three Musketeers? by Ken Van Gorder Build Background Help students use their knowledge of adventure books to visualize the story. Build interest by asking a question such as the following: What do you like about adventure stories? Read the title and author and talk about the cover. Explain Alexandre Dumas (doo Mah) was a French author whose books were translated into many languages. Introduce the Text Guide students through the text, noting important ideas and nonfi ction features. Help with unfamiliar language so they can read the text successfully. Give special attention to target vocabulary. Here are some suggestions: Page 2: Have students read the heading and locate the highlighted word. Suggested language: The text tells us that in real life and in stories in books, “events can often take an abrupt turn.” What is another word for abrupt? What are some things that might happen when an adventure story takes an abrupt turn? Page 4: Explain that a French author named Alexandre Dumas (doo Mah) wrote The Three Museketeers in 1844. Turn to page 4. The heading says “The Man Behind the Musketeers.” Read the fi rst sentence. Explain that “Alexandre” is pronounced “Alexander” and point out the phonetic pronunciation of “Dumas.” Tell them to say his name aloud with you. Ask: What other book by Dumas is listed on this page? Page 6: Read the caption. Have students fi nd the word stable. The text tells us that the the government of this king was “not very stable.” If steady is another word for stable, what does it mean that a government was “not very stable”? Pages 10–11: Point out the picture of Athos on page 10. On these pages we learn about the oldest musketeer. We’re told that he never blurted his feelings and that he wasn’t afraid to put his life in jeopardy. Describe these qualities of Athos in your own words. Now turn back to page 2 to begin reading about the adventures of the three musketeers! Target Vocabulary abrupt – taking place suddenly, exhilaration – a feeling scrounged – gathered from without warning, p. 2 of extreme excitement, whatever happens to be blurted – spoke suddenly without happiness, or joy, p. 13 nearby, p. 12 thinking, p. 11 jeopardy – a source of danger, spiteful – wanting to deliberately comprehension – full p. 11 say or do something to hurt understanding, p. 12 oracle – someone who can someone else, p. 9 eventually – some time in the predict or see the future and stable – strong and unlikely to future, p. 6 who tells others, p. 10 break down or change, p. 6 Grade 6 2 Lesson 21: Who Are the Three Musketeers? © Houghton Mifflin Harcourt Publishing Company 6_308920_BL_VRTG_L21_Musketeers.indd 2 11/14/09 10:30:32 PM Read Have students read silently while you listen to individual students read aloud. Support their understanding of the text as needed. Remind students to use the Infer/Predict Strategy and to use text clues to fi gure out what the author means or what might happen in the future. Discuss and Revisit the Text Personal Response Invite students to share their personal responses to the text. Suggested language: Which of the musketeers was your favorite? Why? Ways of Thinking As you discuss the text, help students understand these points: Thinking Within the Text Thinking Beyond the Text Thinking About the Text • The Three Musketeers is a • Exciting adventure stories are • Sidebars provide historical fi ction book written in 1844 by timeless. information. Alexandre Dumas. • Descriptions of characters and • Realistic color illustrations • The musketeers are named settings help readers understand enable readers to visualize Porthos, Athos, and Aramis. the plot. characters. • They guard the French king and • Stories about friendship and • Short captions describe his family. loyalty have a long-lasting people and actions depicted in appeal. illustrations. © 2006. Fountas, I.C. & Pinnell, G.S. Teaching for Comprehending and Fluency, Heinemann, Portsmouth, N.H. Choices for Further Support • Fluency Invite students to choose a passage from the text to read aloud with a partner. Suggest that they choose their favorite part of the book to read expressively. • Comprehension Based on your observations of the students’ reading and discussion, revisit parts of the text to clarify or extend comprehension. Remind students to go back to the text to support their ideas. • Phonics/Word Work Provide practice as needed with words and word parts, using examples from the text. Remind students that compound words are formed by joining two words, as in swords and men form swordsmen. Provide other examples from the book such as horse and back make horseback, story and book make storybook, and nick and name make nickname. Grade 6 3 Lesson 21: Who Are the Three Musketeers? © Houghton Mifflin Harcourt Publishing Company 6_308920_BL_VRTG_L21_Musketeers.indd 3 11/5/09 10:50:09 PM Writing about Reading Vocabulary Practice Have students complete the Vocabulary questions on BLM 21.1. Responding Have students use their Reader’s Notebook to complete the vocabulary activities on page 15. Remind them to answer the Word Teaser on page 16. (Answer: stable) Reading Nonfi ction Nonfiction Features: Headings and Illustrations Remind students that nonfi ction has many features to help readers fi nd and understand important information. Headings and illustrations are two of these features. Explain that headings can be short phrases, as in this book, or complete sentences. Headings announce what the text that follows will be about. Reading the headings in a nonfi ction book is a good way to preview the book before reading the main text. Have students rewrite a heading in their own words. Illustrations are another important source of information. They help readers visualize the people, places, and events in the text. Have students look again at the illustration on page 3. Ask what information they can learn from the illustration (one man is ready to pull out his sword and fi ght; the three others look relaxed as they watch him; they do not look interested in fi ghting). Then have students choose an illustration in the book and write—in words that are different from those of the caption—what they see in the picture. Writing Prompt: Thinking Beyond the Text Have students write a response to the prompt on page 6. Remind them that when they think beyond the text, they use their personal knowledge to reach new understandings. Assessment Prompts • How is page 4 important to the book? • On page 10, the author states that Athos serves as the oracle for the group. What does that mean? • Why do readers and moviegoers continue to be interested in the characters that Dumas created? Grade 6 4 Lesson 21: Who Are the Three Musketeers? © Houghton Mifflin Harcourt Publishing Company 6_308920_BL_VRTG_L21_Musketeers.indd 4 11/5/09 10:50:42 PM English Language Development Reading Support Pair beginning and intermediate readers to read the text softly, or have students listen to the audio or online recordings.
Recommended publications
  • THE THREE MUSKETEERS by Alexandre Dumas
    THE THREE MUSKETEERS by Alexandre Dumas THE AUTHOR Alexandre Dumas (1802-1870) was born in a small French village northeast of Paris. His father had been a general under Napoleon, and his paternal grandfather had lived in Haiti and had married a former slave woman there, thus making Dumas what was called a quadroon. Napoleon and his father had parted on bad terms, with Dumas’ father being owed a large sum of money; the failure to pay this debt left the family poor and struggling, though the younger Dumas remained an admirer of the French emperor. Young Dumas moved to Paris in 1823 and took a job as a clerk to the Duke of Orleans (later to become King Louis Philippe), but soon began writing plays. Though his plays were successful and he made quite a handsome living from them, his profligate lifestyle (both financially and sexually) kept him constantly on the edge of bankruptcy. He played an active role in the revolution of 1830, and then turned to writing novels. As was the case with Dickens in England, his books were published in cheap newspapers in serial form. Dumas proved able to crank out popular stories at an amazing rate, and soon became the most famous writer in France. Among his works are The Three Musketeers (1844), The Count of Monte Cristo (1845), and The Man in the Iron Mask (1850). Dumas’ novels tend to be long and full of flowery description (some cynics suggest that this is because he was paid by the word), and for this reason often appear today in the form of abridged translations (if you ever doubt the value of such an approach, take a look at the unabridged version of Victor Hugo’s Les Miserables sometime).
    [Show full text]
  • Round 5 Round 5 First Half
    USABB National Bowl 2015-2016 Round 5 Round 5 First Half (1) Brigade 2506 tried to overthrow this leader but was stymied at Playa Giron. This man took control of his country after leading the 26th of July Movement to overthrow Fulgencio Batista; in that coup, he was assisted by Che Guevara. After nearly a (*) half-century of control, this leader passed power on to his 77-year-old brother, Raul in 2008. The Bay of Pigs invasion sought to overthrow, for ten points, what long-time dictator of Cuba? ANSWER: Fidel Castro (1) This man murdered his brother for leaping over the wall he had built around the Palatine Hill. For ten points each, Name this brother of Remus. ANSWER: Romulus Romulus and Remus were the legendary founder twins of this city. ANSWER: Rome According to legend, Romulus and Remus were abandoned in the Tiber, but washed ashore safely and were protected by this animal until shepherds found and raised them. ANSWER: she-wolf (2) This man made the film Chelsea Girls and filmed his lover sleeping for five hours in his film Sleep. This artist, who was shot by Valerie Solanas, used a fine mesh to transfer ink in order to create portraits of icons like (*) Mao Zedong and Marilyn Monroe. This artist produced silk screens in his studio, \The Factory," and he coined the term “fifteen minutes of fame." For ten points, name this Pop Artist who painted Cambell's soup cans. ANSWER: Andrew \Andy" Warhola, Jr Page 1 USABB National Bowl 2015-2016 Round 5 (2) Two singers who work in this type of location sing \Au fond du temple saint," and Peter Grimes commits suicide in this type of location.
    [Show full text]
  • Romantic Hero, Language Arts: 5113.92. INSTITUTION Dade County Public Schools, Miami, Fla
    DOCUMENT RESUME ED 087 029 CS 201 015 TITLE Romantic Hero, Language Arts: 5113.92. INSTITUTION Dade County Public Schools, Miami, Fla. PUB DATE 72 NOTE 21p.; Authorized course of instruction for the Quinmester Program EDRS PRICE MF-$0.65 HC-$3.29 DESCRIPTORS Course Content; *Course Descriptions; Curriculum Guides; *English Instruction; Language Arts; *Literary Analysis; Novels; Poetry; *Romanticism; Secondary Education; *Teaching Guides; Western Civilization IDENTIFIERS Minicourses; *Quinmester Program ABSTRACT Developed for a high school guinmester unit on the romantic hero, this guide contains teaching strategies for a study of the characteristics of the romantic hero as he appears in various literary selections. Several major literary works are analyzed and discussed in comparison with popular culture heroes, and the portrayal of the romantic hero in the literature of western cultures is traced from the Greek culture to the present. The subject matter includes an identification of the elements of the romantic hero, the problems raised by the romantic hero, and the effects of the romantic hero on the individual today. The guide is arranged according to performance objectives, with appropriate teaching strategies listed under each objective. A list of student and teacher resources (state-adopted textbooks and references) is provided. (RB) S 01.1.4141-11.11.N1 Or111:111.111 I OUCAIION & YVC1.rARE 1`11111CP4.41. INSTIfUIL Of 1.011CA 010N 41 " . 11A III I.* V .101141/A., 1 l'1 .4 , 41 .1.1 1,160.10...4 /A A I ON, A' t. 0 110 1 411'41 0 A. NA, .)4A. # , A. 04 Pr% FOR THE AUTHORIZED COURSEOF INSTRUCTION U N/14 4 rrt C-) CD -i LANGUAGE ARTS cav Romantic Hero r-- ce) 511:1.92 5114.
    [Show full text]
  • NASAT 2012 Round 16 Tossups
    NASAT 2012 Round 16 Tossups 1. One king of this place, Bera, rebels against the Elamite king Kedorlaomer, but is told that another man “will accept nothing belonging to you, not even a thread or the thong of a sandal.” One former resident of this place leaves it to go to Zoar, protesting that he cannot reach the mountains. After leaving here, one figure fathers Ben-Ammi and Moab after drunkenly having sex with his two daughters in a cave. In this location, two angels visit a man, who protects them from a crowd that wants to have sex with them. While leaving it, one woman looks behind and turns into a pillar of salt. For 10 points, name this wicked city which Lot flees from, which is destroyed by God along with Gomorrah. ANSWER: Sodom 052-12-59-16102 2. This character preemptively creates an alibi for one action by resetting all the clocks at a friend's house. At the beginning of the novel, this character sets off on his yellow horse with a letter of invitation and is knocked out by the companions of the "man from Meung," who becomes his enemy. This character nearly kills the Comte de Wardes on a trip to London with his servant Planchet and later pretends to be Wardes during a tryst, when he discovers the fleur-de-lis branded on a woman's shoulder. This character once comically schedules three duels at noon, 1 PM, and 2 PM, and falls in love with Milady de Winter. A friend of Athos, Aramis, and Porthos, for 10 points, name this Gascon rascal, the protagonist of The Three Musketeers.
    [Show full text]
  • Read an Excerpt
    by ALEXANDRE DUMAS Adapted for the stage by MAX BUSH Dramatic Publishing Woodstock, Illinois • England • Australia • New Zealand © The Dramatic Publishing Company, Woodstock, Illinois *** NOTICE *** The amateur and stock acting rights to this work are controlled exclusively by THE DRAMATIC PUBLISHING COMPANY without whose pennission in writing no perfonnance of it may be given. Royalty fees are given in our current catalog and are subject to change without notice. Royalty must be paid every time a play is performed whether or not it is presented for profit and whether or not admission is charged. A play is performed any time it is acted before an audience. All inquiries concerning amateur and stock rights should be addressed to: DRAMATIC PUBLISHING P. O. Box 129, Woodstock, Illinois 60098 COPYRiGHT LAW GIVES THE AUTHOR OR THE AUTHOR'S AGENT THE EXCLUSIVE RIGHT TO MAKE COPIES. This law provides authors with a fair return for their creative efforts. Authors earn their living from the royalties they receive from book sales and from the performance of their work. Conscientious observance of copyright law is not only ethical, it encourages authors to continue their creative work. This work is fully protected by copyright No alterations. dele­ tions or substitutions may be made in the work without the prior written consent of the publisher. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, video­ tape, fi.lm, or any infonnation storage and retrieval system, without pennission in writing from the publisher. It may not be perfonned either by professionals or amateurs without payment of royalty.
    [Show full text]
  • The Three Musketeers an Adaptation by Jackie Mellor
    THE THREE MUSKETEERS AN ADAPTATION BY JACKIE MELLOR GUIN THEATRE BRITAIN©2017 1 CHARACTERS (IN ORDER OF APPEARANCE) PLANCHET (MAN SERVANT TO D’ARTAGNAN) HOT TO TROT (D’ARTAGNANS HORSE) D’ARTAGNAN COMTE DE ROCHEFORT/LORD BUCKINGHAM CAMAMBERT & BRIE (ROCHEFORT HENCHMAN) ATHOS-COMTE DE LA FERE PORTHOS ARAMIS CARDINAL RICHELIEU MILADY QUEEN ANN CONSTANCE LOUISE XIII 2 Act one, Scene 1. Music Cue #1 Opening Gascony outside the stable of D’Artagnan. Enter Planchet, D’Artagnan’s trusted man-servant and all round busy body. With a large shovel and bucket she is obviously looking for something big. Planchet: Hot To Trot, get in here. You may be able to hide from me, you filthy filly, but there’s no hiding that pong. I can see the obnoxiously smelly fumes from here. (We hear a whinny of a horse, like a giggle ). Playing funny are we. You are the only horse I know with a warped sense of humor. If I didn’t know better, I would say you weren’t a real horse at all. (Planchet starts creeping around the stage and as she passes an open stable door, the horse creep out and starts following Planchet’s every move as she continues walking around the stage ). Dear Lord, help my nostrils from exploding. I know you are close, the whiff is getting whiffier. Come out come out wherever you are you four legged beastie. (Behind you) . I’ve got a horse’s behind? You cheeky beggar. (Horse behind me) . Oh no, there isn’t (Oh yes, there is) Oh no, there .
    [Show full text]
  • MUSKETEERS This Page Left Intentionally Blank the THREE MUSKETEERS
    this page left intentionally blank FIRST AVENUE DUMAS classics THE THREE MUSKETEERS this page left intentionally blank THE THREE MUSKETEERS by Alexandre Dumas First Volume of the d’Artagnan Series FIRST AVENUE EDITIONS A division of Lerner Publishing Group D'Artagnan travels to Paris to seek his fortune. Shortly after arriving, he offends three of the King's musketeers. But the adversaries quickly become allies, as together they save the innocent and punish the wrongdoers in this swashbuckling story. French author Alexandre Dumas penned this romantic, historical novel in 1844; this English translation is in the public domain. This First Avenue Classics™ version has placed the text into a new design to make this book appealing and easier to read in both digital and paperback formats. The eBook contains a hyperlinked Table of Contents for navigation. The First Avenue Classics™ version is unabridged and has been proofed for formatting errors. Errors and alternate spellings found in the original book have not been changed. Copyright © 2014 by Lerner Publishing Group, Inc. All rights reserved. International copyright secured. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—electronic, mechanical, photocopying, recording, or otherwise—without the prior written permission of Lerner Publishing Group, Inc. First Avenue Editions A division of Lerner Publishing Group, Inc. 241 First Avenue North Minneapolis, MN 55401 USA For reading levels and more information, look up this title at www.lernerbooks.com. In fixed layout formats of this book, the main body text is set in Janson Text LT Std 55 Roman 11/15.
    [Show full text]
  • The Three Musketeers in the Novel by Alexandre Dumas “The Three Musketeers”
    SOCIAL INFLUENCES OF D’ARTAGNAN TOWARD THE THREE MUSKETEERS IN THE NOVEL BY ALEXANDRE DUMAS “THE THREE MUSKETEERS” Rosmaidar1, Dewi Canggih2 Dosen Universitas Bina Darma1, Mahasiswa Universitas Bina Darma2 Jalan Ahmad Yani No.3 Palembang Sur-el: [email protected], [email protected] Abstract: This study is to describe the kinds of social influences of D’Artagnan toward the three musketeers in the Novel “The Three Musketeers”. ”The Three Musketeers” set in seventeenth- century England and France, this classic rip – roaring tale tells of valour, intrigue and love. “The Three Musketeers”, Athos, Porthos and Aramis, and their companion, D’Artagnan, fight and love their way through a series of hair-raising adventures. This study used the descriptive method. The writers used the technique of documentation, where the data were collected from books, dictionaries, and internet.D’Artagnan social influences toward The Three Musketeers are divided into (1) Friendship, (2) Charisma, (3) Reputation, and, (4) Conformity. In charisma effect divided into two subjects (a) Leadership and (b) Power. He has given good and big effect to The Three Musketeers through his social influences. Keywords: The Three Musketeers, D’artagnan, Social Influence Abstrak: Penelitian inibertujuan untuk menggambarkan jenis pengaruh sosial dari D'Artagnan menuju three musketeers dalam Novel “The Three Musketeers”. “The Three Musketeers” diatur dalamabad ketujuh belas Inggris dan Perancis, kisah ini bercerita tentang keberanian, intrik dan cinta. “The Three Musketeers”, Athos, Porthos dan Aramis, dan teman mereka, D'Artagnan, melawan dan mencintai cara mereka melalui serangkaian petualangan yang menegangkan. Penelitian ini menggunakan metode deskriptif. Penulis menggunakan teknik dokumentasi, di mana data dikumpulkan dari buku-buku, kamus, dan internet.
    [Show full text]
  • The Three Musketeers
    1 Diamonds and Gold It was April 1625. Queen Anne of France was in her bedroom with her maid, Constance. The Queen was very unhappy. The King wanted her to wear some diamonds at a dance. The diamonds were a present to the Queen from the King. The dance was in two weeks’ time. ‘I cannot wear the diamonds. I gave them to the Duke of Buckingham,’ Anne told Constance. ‘But now the Duke is in England. The King will be very angry.’ The Queen started to cry. Constance knew the Queen was right. The diamonds were a big problem. Then Constance had an idea. ‘Madam,’ she said. ‘I know someone who can help you.’ ‘Really? Who?’ asked the Queen. ‘I have a friend,’ Constance replied. ‘His name is D’Artagnan. He is the bravest man in France.’ ‘Oh Constance! Go and ask him now,’ the Queen said. ‘I hope he can do it. I will give him a lot of money. But tell him it must be a secret.’ ‘I will, Madam,’ Constance said. She left the palace and ran to D’Artagnan’s home. She knocked on the door. ‘Hello?’ D’Artagnan shouted. ‘Who is it?’ ‘It’s me, Constance,’ she replied. D’Artagnan opened the door. D’Artagnan was a young man who wanted to be a musketeer in the King’s army. He was brave and handsome. He was in love with Constance. 8 ‘My darling!’ D’Artagnan said. He tried to kiss Constance, but she stopped him. Constance was very pretty and she loved D’Artagnan.
    [Show full text]
  • Alexandre Dumas, the Three Musketeers (Chapters 4 and 5)
    Alexandre Dumas, The Three Musketeers (Chapters 4 and 5) It is young D’Artagnan’s first day in Paris, having come there in hopes of becoming a Musketeer. While he is visiting the chief Musketeer, Treville, he looks out the window and notices a man who had insulted him a day or two before walking in the street. D’Artagnan bursts out, hoping to fight the man. D’Artagnan, in a state of fury, crossed the antechamber at three bounds, and was darting toward the stairs, which he reckoned upon descending four at a time, when, in his heedless course, he ran head foremost against a Musketeer who was coming out of one of M. de Treville’s private rooms, and striking his shoulder violently, made him utter a cry, or rather a howl. “Excuse me,” said d’Artagnan, endeavoring to resume his course, “excuse me, but I am in a hurry.” Scarcely had he descended the first stair, when a hand of iron seized him by the belt and stopped him. “You are in a hurry?” said the Musketeer, as pale as a sheet. “Under that pretense you run against me! You say, ‘Excuse me,’ and you believe that is sufficient? Not at all, my young man. Do you fancy because you have heard Monsieur de Treville speak to us a little cavalierly today that other people are to treat us as he speaks to us? Undeceive yourself, comrade, you are not Monsieur de Treville.” “My faith!” replied d’Artagnan, recognizing Athos, who, after the dressing performed by the doctor, was returning to his own apartment.
    [Show full text]
  • The Three Musketeers the Atlanta Shakespeare Company Staff Artistic Director Jeff Watkins
    The Three Musketeers The Atlanta Shakespeare Company Staff Artistic Director Jeff Watkins Director of Education and Training Laura Cole Development Director Rivka Levin Education Staff Kati Grace Brown, Tony Brown, Andrew Houchins, Adam King, Amanda Lindsey, Samantha Smith Box Office Manager Becky Cormier Finch Marketing Manager Jeanette Meierhofer Company Manager Joe Rossidivito Unless otherwise noted, photos appearing in this study guide are courtesy of Daniel Parvis Photography Study guide by Kati Grace Brown and Samantha Smith The Atlanta Shakespeare Company 499 Peachtree St NE Atlanta GA 30308 404-874-5299 www.shakespearetavern.com Like the Atlanta Shakespeare Company on Facebook and follow ASC on Twitter at @shakespearetav. Understanding the World of the Play GascoNy The regioN coNsists of the NortherN foothills of the PyreNees mouNtaiN chaiN aNd exteNds from the Basque CouNtry aloNg the FraNce-SpaiN border iN the extreme southwesterN corNer of FraNce Calais A seaport 21 miles by sea from Dover (the shortest crossiNg from ENglaNd). ON aN islaNd Now bordered by caNals aNd harbour basiNs, Calais origiNated as a fishiNg village. It was improved by the couNt of FlaNders iN 997 aNd was fortified by the couNt of BoulogNe iN 1224. The Louvre The graNd palace that houses aN art museum, which dates back to the late twelfth ceNtury, is a true lessoN iN architecture: from 1200 to 2011, the most iNNovative architects have iN turN built aNd developed the Louvre. LoNg the seat of power, this royal resideNce was also home to FreNch heads of state uNtil 1870 aNd is oNe of the major backdrops to the history of Paris aNd of FraNce.
    [Show full text]
  • THE THREE MUSKETEERS: Know-The-Show Guide
    The Shakespeare Theatre of New Jersey 2019 THE THREE MUSKETEERS: Know-the-Show Guide Ken Ludwig’s The Three Musketeers Know-the-Show Audience Guide researched and written by the Education Department of Artwork by Scott McKowen The Shakespeare Theatre of New Jersey 2019 THE THREE MUSKETEERS: Know-the-Show Guide In this Guide – The Three Musketeers: An Introduction ..................................................................................... 2 – The Life of Alexandre Dumas .................................................................................................... 4 – Ken Ludwig, Adapter ................................................................................................................ 6 – The Three Musketeers: A Short Synopsis .................................................................................... 7 – Who’s Who in the Play ............................................................................................................. 8 – Musketeers Through the Ages .................................................................................................... 9 – Commentary & Criticism ........................................................................................................ 10 – In This Production ................................................................................................................... 11 – Explore Online ....................................................................................................................... 12 “Ken Ludwig’s The Three Musketeers”
    [Show full text]