CHRIS STRIKES – CV Website: Callowgroveent.Com Writer | Producer | Director | Editor Phone: 647.217.3902 Email: [email protected]

Total Page:16

File Type:pdf, Size:1020Kb

CHRIS STRIKES – CV Website: Callowgroveent.Com Writer | Producer | Director | Editor Phone: 647.217.3902 Email: Chris.Strikest@Gmail.Com Production Company: Callowgrove Entertainment Inc. CHRIS STRIKES – CV Website: callowgroveent.com Writer | Producer | Director | Editor Phone: 647.217.3902 Email: [email protected] AWARDS Ø 2017 Global Music Awards – Best Music Video winner – Stephanie Braganza “Chains of Silence” Ø 2017 The Merit Award of Awareness winner – Stephanie Braganza “Chains of Silence” Ø 2013 MuchMusic Video Awards – Pop Video of the Year nominated – Kardinal Offishall feat Karl Wolf “Turn It Up” HIGHLIGHTS & FESTIVAL APPEARANCES OF DIRECTED FILMS v 2019 – ReelWorld E20 Incubator Participant v 2019 – HotDocs CrossCurrents Recipient v 2019 – HotDocs Doc Accelerator Fellow v 2017 – Toronto Black Film Festival v 2016 – Charlotte Film Festival, Montreal Black Film Festival v 2015 – Prague Short Film Festival, Cambridge Strawberry Short Film Festival, Toronto Shorts Film Festival, Toronto Underground Film Festival, Sahar Film Festival v 2014 – Parrsborro Film Festival v 2013 - Cannes Short Corner, Hollywood Black Film Festival TRAINING • 2015 – New York, NY – John Truby Story Masterclass • 2014 – Toronto, ON – Peter D. Marshall Advance Blocking • 2012 – Toronto, ON – Dov Simens 2-Day Film School • 2006 – 07 – Toronto, ON – Centennial College Broadcast and Film SELECT WORK Title Year Role Company Documentaries HairStory: Taking Root 2019 Director / DOP / Editor Callowgrove Entertainment The Black Experience Project 2017 Director / Editor Ryan Singh Enterprises T.O. to D.C.: A Journey to Barack Obama’s 2009 Co-Writer / Director / Editor 1 Love T.O. Inauguration Films Burning Rubber 2017 Writer / Producer / Director Callowgrove Entertainment Housekeeping 2016 Writer / Producer / Director Callowgrove Entertainment Agape 2014 Director G2S Production Little White Lines 2014 Director / DOP / Editor Lucky Charms Entertainment One Night A Stranger 2013 Writer / Director Callowgrove Entertainment Music Videos Carlos Morgan “Have A Little Faith” 2018 Producer / Director / Editor Callowgrove Entertainment Shotty Horroh - Shudehill 2018 Editor Grade A Films Dexta Daps – INTRO: The Short Film 2017 Producer / Director / Editor Callowgrove Entertainment Parichay feat. Sean Kingston “Saare Mundeya Nu” 2017 Co-Producer / Co-Director Callowgrove Entertainment Dexta Daps “F**k U Mean” 2017 Producer / Director / Editor Callowgrove Entertainment Dexta Daps “Mi C Mi Bed N Miss U” 2016 Producer / Director / Editor Callowgrove Entertainment Stephanie Braganza “Chains Of Silence” 2016 Producer / Director / Editor Callowgrove Entertainment Zay “That’s My Clan” 2015 Director / Editor Callowgrove Entertainment Jazz Cartier “Count On Me” 2014 Editor Grade A Films Matthew Genovese “Nothing That I Do” 2013 Editor Grade A Films Carlos Morgan “Just Jane” 2013 Director / Editor Callowgrove Entertainment Shawn Desman “I Do” 2013 Director / Shooter / Editor The NE Inc. Kardinal Offishall feat. Karl Wolf “Turn It Up” 2012 Director / Co-Editor The NE Inc. Classified feat. Saukrates “Anything Goes” 2012 Director / D.O.P. / Editor The NE Inc. Kardinal Offishall feat. Shi Wisdom “Mr. Parker” 2012 Director / D.O.P. / Editor The NE Inc. DJ Power feat. Machel Montano & Kardinal 2012 Director / Editor The NE Inc. Offishall “Fly So High” Kardinal Offishall “Introspective” 2011 Editor Mad Rukus Ent. Kardinal Offishall “Anywhere (Ol’ Time Killin 2011 Editor Mad Rukus Ent. Part 2)” Parichay feat. Joe Louis “Tum Habib” 2011 Director / Editor Striking Videos & Production Zeds Dead & Omar Linx “Rudeboy” 2011 Editor Grade A Films Ray J feat. Ludacris “Celebration” 2010 Director / Editor Striking Videos & Production Blake Carrington “Revenge Of The Nerds” 2010 Director / Editor Striking Videos & Production Farahri “Favourite Day” 2010 Director / Editor The NE Inc. JDiggz “Get Money” 2010 Director / Editor Striking Videos & Production P. Reign “Call My Name” 2010 Editor The NE Inc. Nelly Furtado “I Wait For You” 2009 Editor Grade A Films Jarvis Church “Whole Day Long” 2009 Co-Director Grade A Films Jarvis Church “Just Like That” 2009 Co-Director Grade A Films Ron Dias feat. Blake Carrington “Toronto” 2008 Director / Editor Striking Videos & Production Sling Dadz “I’m From Jane” 2007 Director / Editor Striking Videos & Production .
Recommended publications
  • Spotlight on Social Learning February 2021: Respect Month
    Spotlight on Social Learning February 2021: Respect Month This February we are celebrating Black History Month at Sistema Toronto by exploring our Social Curriculum theme, Respect. In the year that has passed since last February, we have seen the twin pandemics of racism and COVID-19 wreck disproportionate devastation in Black, Indigenous, and racialized communities, and seen the incredible lengths that people will go to do maintain our unjust and unequitable society. The Black Lives Matter protests that surged onto the streets in the aftermath of George Floyd’s murder in May 2020 provoked people all over the world to deepen their commitment to the fight for equality and respect and against racism, and to confront the unjust realities that surround us. For educators, hoping to help our students understand the systemic injustices of the present and the history that brought us to this point, these subjects can be challenging. For musicians, trying to make sense of artistic traditions that were shaped by practices and attitudes we now consider monstrous, it can be scary to confront the past. Classical musicians in particular are beginning to confront the reality that our art form has been deeply affected by white-supremacist ideas that have excluded composers of colour and dismissed their work as less “serious” than that of their white contemporaries. Learning about the harms perpetrated by people, institutions, and ideas that we once admired can be difficult, even painful. But for every statue that must be toppled, every tradition that must be re-examined, there are new ideas to be explored, and new heroes to be celebrated.
    [Show full text]
  • Kardinal Free
    FREE KARDINAL PDF Thomas Emson | 440 pages | 01 Apr 2012 | Snowbooks Ltd | 9781906727321 | English | London, United Kingdom Rainer Maria Kardinal Woelki | - Katholische Nachrichten More Images. Please enable Javascript to take full advantage of our site features. Edit Artist. Canadian rapper and record producer, born May 12, in Scarborough, Ontario, in Toronto's east end, and raised by Jamaican immigrant parents. He started rapping at the Kardinal of eight and was winning competitions by the time he was Also at the age of 12, he performed live and Kardinal stage for the first time, with Nelson Mandela in attendance during Mandela's first visit to Toronto. Byhe decided to change his alias "KoolAid", and went by Kardinal moniker "Kardinal Offishall" after being inspired by the great 17th century French politician Cardinal Kardinal. He is often credited as Canada's "hip-hop ambassador", and is Kardinal known for Kardinal distinctive reggae and dancehall-influenced style of hip-hop. Viewing All Kardinal Offishall. Data Quality Correct. Show 25 50 Refresh. Reviews Add Review. Canadian Hip-Hop Index by subzzee. My love 4 music by ARW Worldwide Top Music Artists Kardinal by nik. Master Release - [Help] Release Notes: optional. Submission Notes: Kardinal. Save Cancel. Contained Releases:. Capitol Hill Music Inc. Sell This Version. Quest For Fire: Firestarter Vol. MCA Records. The Firestarter Not On Label. Black Jays Is The Team. EMI Music Canada. Kardinal Off! Not 4 Sale Album 9 versions. KonliveGeffen Records. Kardi Gras Vol. Universal Music Canada Inc. Knee Deep Records. Vik Recordings. And What? Figure IV Entertainment. Universal Kardinal Canada. Ol' Kardinal Killin Maxi 4 versions.
    [Show full text]
  • Sonic Jihadâ•Flmuslim Hip Hop in the Age of Mass Incarceration
    FIU Law Review Volume 11 Number 1 Article 15 Fall 2015 Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt Follow this and additional works at: https://ecollections.law.fiu.edu/lawreview Part of the Other Law Commons Online ISSN: 2643-7759 Recommended Citation SpearIt, Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration, 11 FIU L. Rev. 201 (2015). DOI: https://dx.doi.org/10.25148/lawrev.11.1.15 This Article is brought to you for free and open access by eCollections. It has been accepted for inclusion in FIU Law Review by an authorized editor of eCollections. For more information, please contact [email protected]. 37792-fiu_11-1 Sheet No. 104 Side A 04/28/2016 10:11:02 12 - SPEARIT_FINAL_4.25.DOCX (DO NOT DELETE) 4/25/16 9:00 PM Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt* I. PROLOGUE Sidelines of chairs neatly divide the center field and a large stage stands erect. At its center, there is a stately podium flanked by disciplined men wearing the militaristic suits of the Fruit of Islam, a visible security squad. This is Ford Field, usually known for housing the Detroit Lions football team, but on this occasion it plays host to a different gathering and sentiment. The seats are mostly full, both on the floor and in the stands, but if you look closely, you’ll find that this audience isn’t the standard sporting fare: the men are in smart suits, the women dress equally so, in long white dresses, gloves, and headscarves.
    [Show full text]
  • Guide to Cataloging Slotmusic Based on AACR2 Chapters 6 and 9
    Library Faculty Publications Library Faculty/Staff Scholarship & Research 7-2010 Guide to cataloging slotMusic based on AACR2 Chapters 6 and 9 Marcia Barrett Jim Alberts Cyrus Ford Zarganj University of Nevada, Las Vegas, [email protected] Steve Henry Michi Hoban See next page for additional authors Follow this and additional works at: https://digitalscholarship.unlv.edu/lib_articles Part of the Cataloging and Metadata Commons Repository Citation Barrett, M., Alberts, J., Zarganj, C. F., Henry, S., Hoban, M., Weitz, J. (2010). Guide to cataloging slotMusic based on AACR2 Chapters 6 and 9. 17. Online Audiovisual Catalogers. https://digitalscholarship.unlv.edu/lib_articles/242 This White Paper is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this White Paper in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This White Paper has been accepted for inclusion in Library Faculty Publications by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. Authors Marcia Barrett, Jim Alberts, Cyrus Ford Zarganj, Steve Henry, Michi Hoban, and Jay Weitz This white paper is available at Digital Scholarship@UNLV: https://digitalscholarship.unlv.edu/lib_articles/242 Guide to Cataloging SlotMusic Based on AACR2 Chapters 6 and 9 Last updated: July2010 Created by the SlotMusic Cataloging Joint Task Force: Online Audiovisual Catalogers (OLAC) – Cataloging Policy Committee (CAPC) Music Library Association (MLA) – Subcommittee on Descriptive Cataloging (SDC) Task Force Members: Marcia Barrett, chair (OLAC) Jim Alberts (MLA) Cyrus Ford (OLAC) Steve Henry (MLA) Michi Hoban (MLA) Jay Weitz (OLAC & MLA) Contents: I.
    [Show full text]
  • Chart: Top25 VIDEO DANCE
    Chart: Top25_VIDEO_DANCE Report Date (TW): 2011-10-30 --- Previous Report Date(LW): 2011-10-23 TW LW TITLE ARTIST RECORD LABEL 1 1 Sexy And I Know It Lmfao Interscope Records 2 2 Pass At Me Timbaland Ft. Pitbull Interscope Records 3 3 Without You David Guetta Ft. Usher Virgin Records 4 9 Party Like A Dj (radio Killers Remix) The Glam Ft. Flo Rida, Trina dwaine Universal Records 5 14 Party Like A Dj The Glam Ft. Flo Rida,trina dwaine Universal Records 6 5 Famous Audio Playground Ft. Kardinal Offishall Canwest Musicworks 7 6 Wepa Gloria Estefan Crescent Moon Records Verve Forecast 8 7 Bass Speaker Capitol Records 9 10 Rolling In The Deep Adele Columbia Records 10 8 Give Me Everything Pitbull Ft. Ne Yo, Afrojack, Nayer Mr 305 Records 11 4 Save The World (live) Swedish House Mafia Astralwreks 12 11 Let It Go Larissa Ness Gin Tonique 13 12 Little Bad Girl David Guetta ft. Taio Cruz, Ludacris EMI France 14 13 Where Them Girls At David Guetta Ft. Nicki Minaj, Flo Rida EMI France 15 16 All About Tonight Pixie Lott Mercury Records 16 18 Show Me Love Robin S Big Beat Records 17 15 Glad You Came The Wanted Global Talent Records 18 19 Hello Martin Solveig Ft Dragonette 3Beat Music 19 Not My Daddy Eva Ft. Gucci Mane In Ya Face -Universal 20 22 Forever Wolfgang Gartner Ft. Will I Am Ultra Records 21 23 Fingers Up Hyper Crush RPM MSC, INC 22 21 I Can't Dance Dirt Nasty Ft. Lmfao Shoot to Kill Music 23 I Like It (jersey Shore Version) Enrique Iglesias & Pitbull Universal Records 24 17 Beautiful People Chris Brown Ft.
    [Show full text]
  • Baby Blue Soundcrew Baby Blue Soundcrew Mp3, Flac, Wma
    Baby Blue Soundcrew Baby Blue Soundcrew mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Baby Blue Soundcrew Country: Canada Released: 2002 MP3 version RAR size: 1305 mb FLAC version RAR size: 1293 mb WMA version RAR size: 1630 mb Rating: 4.3 Votes: 708 Other Formats: MP3 MP1 MIDI FLAC MMF AAC VOX Tracklist Hide Credits –Baby Blue Soundcrew Featuring Money Jane 1 Kardinal Offishall, Sean Paul & Jully Featuring – Jully Black, Kardinal Offishall, Sean Black PaulWritten-By – J. Harrow*, P. Henriques* –Baby Blue Soundcrew Featuring Something To Love 2 Saukrates Featuring – SaukratesWritten-By – A. Wailoo* Salsa Lady –Baby Blue Soundcrew Featuring 3 Featuring – Ro Ro Dolla*, SolitairWritten-By – K. Keith*, Solitair And Ro Ro Dolla* R. Francis*, S. Pitt* BaKardi Slang 4 –Kardinal Offishall Written-By – J. Harrow*, S. Pitt* Companies, etc. Phonographic Copyright (p) – Universal Music Phonographic Copyright (p) – MCA Records Copyright (c) – Pepsi-Cola Canada Ltd. Manufactured By – Universal Music Distributed By – Pepsi-Cola Canada Ltd. Record Company – Universal Studios Canada Ltd. Exclusive Retailer – Dr. Pepper Pressed By – Cinram – #20226Y25 Published By – One Man Music Published By – Warner Music Canada Published By – Dutty Rock Music Published By – Lounge Music Publishing Published By – Warner Chappell Music Canada Published By – Lucky Seven Music Published By – Kevin Keith Published By – Warner/Chappell Music Canada Ltd. Credits Concept By [Created & Developed By] – Universal Music Special Markets Notes Track 1 [published by] One Man Music / Warner Music Canada / Duttyrock Music. ℗ 2000 Universal Music. Track 2 [published by] Lounge Music / Warner Chappell Music Canada. ℗ 2000 Universal Music. Track 3 [published by] Lucky Seven Music / Kevin Keith.
    [Show full text]
  • August 9 2012
    FREE Events/Festivals Wellness, Education & Sports Groups And many other fun activities In the GTA February 2019 Created by: Amber – Recreation Therapist 4-5 CAMH • Please check with event coordinators to ensure the event is taking place. • This booklet is designed to offer general information of events taking place in Toronto that are free. • Events are subject to change. Created by: Amber – Recreation Therapist 4-5 CAMH Sections in the Guide Daily Events and Groups that take place throughout the city Coming Up Events taking place the following month Multi-day Events Events taking place for more than 1 day Ongoing Events Events or groups that take place on a regular basis throughout 2017 Community Centres that are Free Listing of all the community centres in Toronto that offer free programming Welcome Policy Information on the Welcome Policy available at recreation and community centres in the City of Toronto Other Free Resources and Free to Join Groups in the community to check out on your own & Recreation and Leisure based community groups that are free to join Resources To find more events and groups in the city Where to borrow music instruments, book a writing space, etc Created by: Amber – Recreation Therapist 4-5 CAMH Created by: Amber – Recreation Therapist 4-5 CAMH Single Day Events February 01 2019 (Friday) Ball Workshop for Functional Mobility Join an instructor certified by the Canadian Centre for Activity and Aging (CCAA) to learn to how to use a small exercise ball to improve posture, upper-lower body strength, balance and flexibility. Participants will receive a small ball.
    [Show full text]
  • Most Requested Songs of 2009
    Top 200 Most Requested Songs Based on nearly 2 million requests made at weddings & parties through the DJ Intelligence music request system in 2009 RANK ARTIST SONG 1 AC/DC You Shook Me All Night Long 2 Journey Don't Stop Believin' 3 Lady Gaga Feat. Colby O'donis Just Dance 4 Bon Jovi Livin' On A Prayer 5 Def Leppard Pour Some Sugar On Me 6 Morrison, Van Brown Eyed Girl 7 Beyonce Single Ladies (Put A Ring On It) 8 Timberlake, Justin Sexyback 9 B-52's Love Shack 10 Lynyrd Skynyrd Sweet Home Alabama 11 ABBA Dancing Queen 12 Diamond, Neil Sweet Caroline (Good Times Never Seemed So Good) 13 Black Eyed Peas Boom Boom Pow 14 Rihanna Don't Stop The Music 15 Jackson, Michael Billie Jean 16 Outkast Hey Ya! 17 Sister Sledge We Are Family 18 Sir Mix-A-Lot Baby Got Back 19 Kool & The Gang Celebration 20 Cupid Cupid Shuffle 21 Clapton, Eric Wonderful Tonight 22 Black Eyed Peas I Gotta Feeling 23 Lady Gaga Poker Face 24 Beatles Twist And Shout 25 James, Etta At Last 26 Black Eyed Peas Let's Get It Started 27 Usher Feat. Ludacris & Lil' Jon Yeah 28 Jackson, Michael Thriller 29 DJ Casper Cha Cha Slide 30 Mraz, Jason I'm Yours 31 Commodores Brick House 32 Brooks, Garth Friends In Low Places 33 Temptations My Girl 34 Foundations Build Me Up Buttercup 35 Vanilla Ice Ice Ice Baby 36 Bee Gees Stayin' Alive 37 Sinatra, Frank The Way You Look Tonight 38 Village People Y.M.C.A.
    [Show full text]
  • “Northern Touch” - the Rascals
    “Northern Touch” - The Rascals [Hook: Kardinal Offishall] Yo... We notorious; ain't nobody can bang with us Rascalz, Checkmate, Kardinal and Thrust Choclair coming down with that Northern touch, yo... Why you people wanna bang with us Ain't nobody can hang with us Rascals, Checkmate, Kardinal and Thrust Choclair coming down with the Northern touch Tiggy touch, biggie baby... [Verse 1: Rascalz] Check the lingo we spread through the atmosphere So distinctive no other style comes near So when you hear you've got to peer over the ledge to get a glance To know who is the man with the talents Flipping my words like my body on the apparatus Sky's the limit so I'm bound to break through the stratus With these rhymes that are classics Forget the fads and the fashions Step in and make on the microphone Aiyo world domination is the base of foundation No time wasting Fire walk we trail blazing Burn to the next destination Flexing on this world exploration Teamed with the best in the nation Yes and who that be Custom design fine rhymes into salary All the way from t-dot to the van city all stars Rude boys freak you like a fantasy Word up... [Interlude: Choclair] Yes from the northwest And the t-dot, o-dizot check [Verse 2: Choclair] I like chillin, Monday Night Raw watching Me and Dan-E-O at the SkyDome when it's in town My peoples know I just be regular So haters start dissin But steady reciting my lyrics All with my dick in they mouth They swallowin Talking bout they need oxygen People need to know Choclair Don't move in no slow-mo Into women like
    [Show full text]
  • Black Canadian Music Awards 2020 Winners
    Black Canadian Music Awards 2020 Winners TOBi // Growth, City Blues // Hip-Hop // Ontario // English Born in Nigeria, 26 year old TOBi immigrated to Canada with his father at 8 years old. He went from rapping to writing R&B, afropop, pop music and alternative music as well. He writes almost all of the lyrics in his music and he has started producing and writing for other artists locally and internationally. Naya Ali // Get It Right, Godspeed // Rap // Quebec // English Born in Ethiopia and now living in Montreal, she started creating music only 2 years ago and she’s already on billboards in downtown Toronto. She’s drawing a lot of attention in Canada and abroad with her unique flow, flamboyant but calm personality and high energy performances. RAAHiiM // Peak (Fet Up), Red Light // R&B //Ontario // English Singer, songwriter, and producer from Toronto, he grew up singing in church and talent shows across North America. At 17 he was selected to join the 2014 class of The Remix Project's recording program. His writing and production skills, along with his silky voice paved the way to some major collaborations. Hunnah // Away, Think About It // R&B // Ontario // English Nineteen-year-old singer-songwriter from Toronto who started honing his voice in church at the age of 4. He began writing and recording music by the age of 15. In 2017, Dylan released his first independent project entitled “Red Like Crimson” and draw the attention of some high-profile artists in Toronto. Dylan Sinclair // Home, Ask Me // R&B // Ontario // English She began her musical education with piano lessons at age 4, and by age 9 she was performing at church and writing her own original songs.
    [Show full text]
  • Inferring Theme and Decoding Figurative Language in Hip
    Northside Hip Hop Archive Curriculum Resource Guide: English, Grade 10, Academic/Applied (ENG2D/P) – Lesson 3 Lesson Title The Message: Inferring Theme and Decoding Figurative Language in Hip Hop Expectations: Learning Goals Assessment Make inferences about Lyrical Spotlight MEDIA: Interpreting Messages 1.2 interpret media texts, including theme increasingly complex texts, identifying and explaining the overt and Identify and explain Analyze the Bars implied messages they convey metaphor and simile Materials Audio: k-os’ “ELEctrik HeaT - the SeekwiLL” MEDIA: Critical Literacy 1.5 identify the perspectives and/or biases Handout: k-os’ “ELEctrik HeaT - the SeekwiLL” lyrics evident in media texts, including increasingly complex texts, and Highlighters comment on any questions they may raise about beliefs, values, identity Summative Task: Lyrical Spotlight Reflection: Look Back exit slips LCD Projector, Laptop and Internet access READING: Extending Understanding of Texts 1.5 extend understanding of both simple and complex texts by making connections between the ideas in them and personal knowledge, experience, and insights; other texts; and the world around them Analyze the Bars Assessment The teacher briefly reviews the concept of metaphor and simile. The teacher discusses the Opportunities idea of theme as a human understanding that emerges from a text, explaining how song content and style supports this understanding. Students listen to the song “ELEctrik HeaT Assessment - the SeekwiLL” by k-Os (www.nshharchive.ca/curriculum/english.html). They examine a FOR Minds OnMinds written copy of the lyrics in small groups. Using highlighters, they look for metaphors, Learning: Time: 20 similes and rhyme. Each group chooses an example of figurative language and writes it on Group lyrics chart paper/the board for all to read.
    [Show full text]
  • “The Mic Is My Piece”: Canadian Rap, the Gendered “Cool Pose,” and Music Industry Racialization and Regulation Francesca D’Amico
    Document generated on 09/26/2021 3:33 p.m. Journal of the Canadian Historical Association Revue de la Société historique du Canada “The Mic Is My Piece”: Canadian Rap, the Gendered “Cool Pose,” and Music Industry Racialization and Regulation Francesca D’Amico Volume 26, Number 1, 2015 Article abstract Over the course of the 1980s and 1990s, Black Canadian Rap artists, many of URI: https://id.erudit.org/iderudit/1037204ar whom are the children of Caribbean-born immigrants to Canada, employed the DOI: https://doi.org/10.7202/1037204ar hyper-racialized and hyper-gendered “Cool Pose” as oppositional politics to intervene in a conversation about citizenship, space, and anti-blackness. See table of contents Drawing from local and trans-local imaginings and practices, Black Canadian rappers created counter-narratives intended to confront their own sense of exclusion from a nation that has consistently imagined itself as White and Publisher(s) rendered the Black presence hyper-(in)visible. Despite a nationwide policy of sameness (multiculturalism), Black Canadian musicians have used Rap as a The Canadian Historical Association / La Société historique du Canada discursive and dialogical space to disrupt the project of Black Canadian erasure from the national imagination. These efforts provided Black youth with the ISSN critically important platform to critique the limitations of multiculturalism, write Black Canadian stories into the larger framework of the nation state, and 0847-4478 (print) remind audiences of the deeply masculinized and racialized nature of 1712-6274 (digital) Canadian iconography. And yet, even as they engaged in these oppositional politics, rappers have consistently encountered exclusionary practices at the Explore this journal hands of the state that have made it increasingly difficult to sustain a Black music infrastructure and spotlight Canadian Rap’s political and cultural intervention.
    [Show full text]