Guide to Cataloging Slotmusic Based on AACR2 Chapters 6 and 9
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Oct-Dec 2009
QEDB ifibunugmpbtt Retort Journaqutfie ’Vintage (Pfionograpfi Society quew Zeaflsz A Society formed for the preservation of Recorded Sound 9011mm 45. 3355112. 1 @anbet/ifietembzt 2009 :3 bi}? [; E‘s \..x\ . .- s \ BINGOPHONE THREE VIEWS PICTURES ON CASE UNUSUAL ZONOPHONE THE PHONOGRAPHIC RECORD I VOLUME 45, ISSUE 1 OCTOBER/DECEMBER 2009 EDITOR: W.T. Norris SECRETARY: Mrs S McGuigan 650 Two Chain Road PO. Box 19839 Swannanoa 7476 Woolston Rangiora RD. 6 Christchurch 8241 NEW ZEALAND NEW ZEALAND E- mail: [email protected] FOR YOUR INFORMATION We are fast approaching the end of another year with only one meeting yet to be held as well as our annual Christmas fimction. Our members have been most helpful with providing material for this issue ofthe magazine. The committee also has agreed for another issue in full colour. We have good stocks ofparts including horns. Your editor and secretary wish all members a very Happy Christmas and Best Wishes for 2010. Walter Norris Editor ILLUSTRATIONS Front cover BINGOPHONE Robert Sleeman obtained this little beauty, and demonstated it at a meeting at his home. Although small, has very attractive designs on the sides of the case,an at- tractive machine. ZONOPHONE This model we have not seen. This picture was taken at Donley's Swap Meet. VISIT TO TIMARU Picture taken left to right, David Peterson, Alan Brehaut, Gavin East Tony Airs, Roger Brown, John Shaw, David Peterson, Gavin East, Walter Norris Tony Airs, Gavin East, Alan Brehaut, John Shaw, David Peterson Walter Norris, John Shaw Alan Brehaut with his Symphonion music box. QUEENS DOLLS HOUSE RECORD See article by Mr Crook 2 AUTOMATIC VICTROLA MODEL 1A This machine was offered on eBay and quoted as rare. -
Spotlight on Social Learning February 2021: Respect Month
Spotlight on Social Learning February 2021: Respect Month This February we are celebrating Black History Month at Sistema Toronto by exploring our Social Curriculum theme, Respect. In the year that has passed since last February, we have seen the twin pandemics of racism and COVID-19 wreck disproportionate devastation in Black, Indigenous, and racialized communities, and seen the incredible lengths that people will go to do maintain our unjust and unequitable society. The Black Lives Matter protests that surged onto the streets in the aftermath of George Floyd’s murder in May 2020 provoked people all over the world to deepen their commitment to the fight for equality and respect and against racism, and to confront the unjust realities that surround us. For educators, hoping to help our students understand the systemic injustices of the present and the history that brought us to this point, these subjects can be challenging. For musicians, trying to make sense of artistic traditions that were shaped by practices and attitudes we now consider monstrous, it can be scary to confront the past. Classical musicians in particular are beginning to confront the reality that our art form has been deeply affected by white-supremacist ideas that have excluded composers of colour and dismissed their work as less “serious” than that of their white contemporaries. Learning about the harms perpetrated by people, institutions, and ideas that we once admired can be difficult, even painful. But for every statue that must be toppled, every tradition that must be re-examined, there are new ideas to be explored, and new heroes to be celebrated. -
Kardinal Free
FREE KARDINAL PDF Thomas Emson | 440 pages | 01 Apr 2012 | Snowbooks Ltd | 9781906727321 | English | London, United Kingdom Rainer Maria Kardinal Woelki | - Katholische Nachrichten More Images. Please enable Javascript to take full advantage of our site features. Edit Artist. Canadian rapper and record producer, born May 12, in Scarborough, Ontario, in Toronto's east end, and raised by Jamaican immigrant parents. He started rapping at the Kardinal of eight and was winning competitions by the time he was Also at the age of 12, he performed live and Kardinal stage for the first time, with Nelson Mandela in attendance during Mandela's first visit to Toronto. Byhe decided to change his alias "KoolAid", and went by Kardinal moniker "Kardinal Offishall" after being inspired by the great 17th century French politician Cardinal Kardinal. He is often credited as Canada's "hip-hop ambassador", and is Kardinal known for Kardinal distinctive reggae and dancehall-influenced style of hip-hop. Viewing All Kardinal Offishall. Data Quality Correct. Show 25 50 Refresh. Reviews Add Review. Canadian Hip-Hop Index by subzzee. My love 4 music by ARW Worldwide Top Music Artists Kardinal by nik. Master Release - [Help] Release Notes: optional. Submission Notes: Kardinal. Save Cancel. Contained Releases:. Capitol Hill Music Inc. Sell This Version. Quest For Fire: Firestarter Vol. MCA Records. The Firestarter Not On Label. Black Jays Is The Team. EMI Music Canada. Kardinal Off! Not 4 Sale Album 9 versions. KonliveGeffen Records. Kardi Gras Vol. Universal Music Canada Inc. Knee Deep Records. Vik Recordings. And What? Figure IV Entertainment. Universal Kardinal Canada. Ol' Kardinal Killin Maxi 4 versions. -
Sonic Jihadâ•Flmuslim Hip Hop in the Age of Mass Incarceration
FIU Law Review Volume 11 Number 1 Article 15 Fall 2015 Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt Follow this and additional works at: https://ecollections.law.fiu.edu/lawreview Part of the Other Law Commons Online ISSN: 2643-7759 Recommended Citation SpearIt, Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration, 11 FIU L. Rev. 201 (2015). DOI: https://dx.doi.org/10.25148/lawrev.11.1.15 This Article is brought to you for free and open access by eCollections. It has been accepted for inclusion in FIU Law Review by an authorized editor of eCollections. For more information, please contact [email protected]. 37792-fiu_11-1 Sheet No. 104 Side A 04/28/2016 10:11:02 12 - SPEARIT_FINAL_4.25.DOCX (DO NOT DELETE) 4/25/16 9:00 PM Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt* I. PROLOGUE Sidelines of chairs neatly divide the center field and a large stage stands erect. At its center, there is a stately podium flanked by disciplined men wearing the militaristic suits of the Fruit of Islam, a visible security squad. This is Ford Field, usually known for housing the Detroit Lions football team, but on this occasion it plays host to a different gathering and sentiment. The seats are mostly full, both on the floor and in the stands, but if you look closely, you’ll find that this audience isn’t the standard sporting fare: the men are in smart suits, the women dress equally so, in long white dresses, gloves, and headscarves. -
Instruction Manual
English THANK YOU FOR YOUR PURCHASE Visit our website at www.i-Luv.com Model : iMM9400/9500 Instruction Manual ©2009 www.i-Luv.com iLuv is a trademark of jWIN Electronics Corp. iPod is a trademark of Apple Inc. registered in the U.S. and other countries. iPhone is a trademark of Apple Inc. All logos and brands are property of their respective owners. iPod not included in this package. Features and specifications are subject to change without prior notification. © 2009 jWIN Electronics Corp. All rights reserved. No portion of this printed material or product enclosed herewith including design, shape or graphics, may be reproduced or transmitted in any form without the expressed written consent of jWIN Electronics Corp. by any means, electronic or mechanical, including photocopying, recording or use of an information storage and retrieval system. Any unauthorized distribution or reproduction of this printed material or product, or any portion thereof, will be prosecuted to the fullest possible extent of the law. Designed in New York, USA / Printed in China Mini Audio System for your iPhone® or iPod® INTRODUCTION TABLE OF CONTENTS Thank you for purchasing iMM9400/9500. Unpack the unit and make sure all the accessories are Getting Started put aside so they will not be lost. We recommend that you retain the original carton and packaging Compatibility 4 materials for future use, should you transport or ship the unit in the future. Main Unit Assembly and Disassembly 5 • 4-MP3 CD / Audio CD playback system with integrated universal dock for your -
Chart: Top25 VIDEO DANCE
Chart: Top25_VIDEO_DANCE Report Date (TW): 2011-10-30 --- Previous Report Date(LW): 2011-10-23 TW LW TITLE ARTIST RECORD LABEL 1 1 Sexy And I Know It Lmfao Interscope Records 2 2 Pass At Me Timbaland Ft. Pitbull Interscope Records 3 3 Without You David Guetta Ft. Usher Virgin Records 4 9 Party Like A Dj (radio Killers Remix) The Glam Ft. Flo Rida, Trina dwaine Universal Records 5 14 Party Like A Dj The Glam Ft. Flo Rida,trina dwaine Universal Records 6 5 Famous Audio Playground Ft. Kardinal Offishall Canwest Musicworks 7 6 Wepa Gloria Estefan Crescent Moon Records Verve Forecast 8 7 Bass Speaker Capitol Records 9 10 Rolling In The Deep Adele Columbia Records 10 8 Give Me Everything Pitbull Ft. Ne Yo, Afrojack, Nayer Mr 305 Records 11 4 Save The World (live) Swedish House Mafia Astralwreks 12 11 Let It Go Larissa Ness Gin Tonique 13 12 Little Bad Girl David Guetta ft. Taio Cruz, Ludacris EMI France 14 13 Where Them Girls At David Guetta Ft. Nicki Minaj, Flo Rida EMI France 15 16 All About Tonight Pixie Lott Mercury Records 16 18 Show Me Love Robin S Big Beat Records 17 15 Glad You Came The Wanted Global Talent Records 18 19 Hello Martin Solveig Ft Dragonette 3Beat Music 19 Not My Daddy Eva Ft. Gucci Mane In Ya Face -Universal 20 22 Forever Wolfgang Gartner Ft. Will I Am Ultra Records 21 23 Fingers Up Hyper Crush RPM MSC, INC 22 21 I Can't Dance Dirt Nasty Ft. Lmfao Shoot to Kill Music 23 I Like It (jersey Shore Version) Enrique Iglesias & Pitbull Universal Records 24 17 Beautiful People Chris Brown Ft. -
Baby Blue Soundcrew Baby Blue Soundcrew Mp3, Flac, Wma
Baby Blue Soundcrew Baby Blue Soundcrew mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Baby Blue Soundcrew Country: Canada Released: 2002 MP3 version RAR size: 1305 mb FLAC version RAR size: 1293 mb WMA version RAR size: 1630 mb Rating: 4.3 Votes: 708 Other Formats: MP3 MP1 MIDI FLAC MMF AAC VOX Tracklist Hide Credits –Baby Blue Soundcrew Featuring Money Jane 1 Kardinal Offishall, Sean Paul & Jully Featuring – Jully Black, Kardinal Offishall, Sean Black PaulWritten-By – J. Harrow*, P. Henriques* –Baby Blue Soundcrew Featuring Something To Love 2 Saukrates Featuring – SaukratesWritten-By – A. Wailoo* Salsa Lady –Baby Blue Soundcrew Featuring 3 Featuring – Ro Ro Dolla*, SolitairWritten-By – K. Keith*, Solitair And Ro Ro Dolla* R. Francis*, S. Pitt* BaKardi Slang 4 –Kardinal Offishall Written-By – J. Harrow*, S. Pitt* Companies, etc. Phonographic Copyright (p) – Universal Music Phonographic Copyright (p) – MCA Records Copyright (c) – Pepsi-Cola Canada Ltd. Manufactured By – Universal Music Distributed By – Pepsi-Cola Canada Ltd. Record Company – Universal Studios Canada Ltd. Exclusive Retailer – Dr. Pepper Pressed By – Cinram – #20226Y25 Published By – One Man Music Published By – Warner Music Canada Published By – Dutty Rock Music Published By – Lounge Music Publishing Published By – Warner Chappell Music Canada Published By – Lucky Seven Music Published By – Kevin Keith Published By – Warner/Chappell Music Canada Ltd. Credits Concept By [Created & Developed By] – Universal Music Special Markets Notes Track 1 [published by] One Man Music / Warner Music Canada / Duttyrock Music. ℗ 2000 Universal Music. Track 2 [published by] Lounge Music / Warner Chappell Music Canada. ℗ 2000 Universal Music. Track 3 [published by] Lucky Seven Music / Kevin Keith. -
Most Requested Songs of 2009
Top 200 Most Requested Songs Based on nearly 2 million requests made at weddings & parties through the DJ Intelligence music request system in 2009 RANK ARTIST SONG 1 AC/DC You Shook Me All Night Long 2 Journey Don't Stop Believin' 3 Lady Gaga Feat. Colby O'donis Just Dance 4 Bon Jovi Livin' On A Prayer 5 Def Leppard Pour Some Sugar On Me 6 Morrison, Van Brown Eyed Girl 7 Beyonce Single Ladies (Put A Ring On It) 8 Timberlake, Justin Sexyback 9 B-52's Love Shack 10 Lynyrd Skynyrd Sweet Home Alabama 11 ABBA Dancing Queen 12 Diamond, Neil Sweet Caroline (Good Times Never Seemed So Good) 13 Black Eyed Peas Boom Boom Pow 14 Rihanna Don't Stop The Music 15 Jackson, Michael Billie Jean 16 Outkast Hey Ya! 17 Sister Sledge We Are Family 18 Sir Mix-A-Lot Baby Got Back 19 Kool & The Gang Celebration 20 Cupid Cupid Shuffle 21 Clapton, Eric Wonderful Tonight 22 Black Eyed Peas I Gotta Feeling 23 Lady Gaga Poker Face 24 Beatles Twist And Shout 25 James, Etta At Last 26 Black Eyed Peas Let's Get It Started 27 Usher Feat. Ludacris & Lil' Jon Yeah 28 Jackson, Michael Thriller 29 DJ Casper Cha Cha Slide 30 Mraz, Jason I'm Yours 31 Commodores Brick House 32 Brooks, Garth Friends In Low Places 33 Temptations My Girl 34 Foundations Build Me Up Buttercup 35 Vanilla Ice Ice Ice Baby 36 Bee Gees Stayin' Alive 37 Sinatra, Frank The Way You Look Tonight 38 Village People Y.M.C.A. -
“Northern Touch” - the Rascals
“Northern Touch” - The Rascals [Hook: Kardinal Offishall] Yo... We notorious; ain't nobody can bang with us Rascalz, Checkmate, Kardinal and Thrust Choclair coming down with that Northern touch, yo... Why you people wanna bang with us Ain't nobody can hang with us Rascals, Checkmate, Kardinal and Thrust Choclair coming down with the Northern touch Tiggy touch, biggie baby... [Verse 1: Rascalz] Check the lingo we spread through the atmosphere So distinctive no other style comes near So when you hear you've got to peer over the ledge to get a glance To know who is the man with the talents Flipping my words like my body on the apparatus Sky's the limit so I'm bound to break through the stratus With these rhymes that are classics Forget the fads and the fashions Step in and make on the microphone Aiyo world domination is the base of foundation No time wasting Fire walk we trail blazing Burn to the next destination Flexing on this world exploration Teamed with the best in the nation Yes and who that be Custom design fine rhymes into salary All the way from t-dot to the van city all stars Rude boys freak you like a fantasy Word up... [Interlude: Choclair] Yes from the northwest And the t-dot, o-dizot check [Verse 2: Choclair] I like chillin, Monday Night Raw watching Me and Dan-E-O at the SkyDome when it's in town My peoples know I just be regular So haters start dissin But steady reciting my lyrics All with my dick in they mouth They swallowin Talking bout they need oxygen People need to know Choclair Don't move in no slow-mo Into women like -
Black Canadian Music Awards 2020 Winners
Black Canadian Music Awards 2020 Winners TOBi // Growth, City Blues // Hip-Hop // Ontario // English Born in Nigeria, 26 year old TOBi immigrated to Canada with his father at 8 years old. He went from rapping to writing R&B, afropop, pop music and alternative music as well. He writes almost all of the lyrics in his music and he has started producing and writing for other artists locally and internationally. Naya Ali // Get It Right, Godspeed // Rap // Quebec // English Born in Ethiopia and now living in Montreal, she started creating music only 2 years ago and she’s already on billboards in downtown Toronto. She’s drawing a lot of attention in Canada and abroad with her unique flow, flamboyant but calm personality and high energy performances. RAAHiiM // Peak (Fet Up), Red Light // R&B //Ontario // English Singer, songwriter, and producer from Toronto, he grew up singing in church and talent shows across North America. At 17 he was selected to join the 2014 class of The Remix Project's recording program. His writing and production skills, along with his silky voice paved the way to some major collaborations. Hunnah // Away, Think About It // R&B // Ontario // English Nineteen-year-old singer-songwriter from Toronto who started honing his voice in church at the age of 4. He began writing and recording music by the age of 15. In 2017, Dylan released his first independent project entitled “Red Like Crimson” and draw the attention of some high-profile artists in Toronto. Dylan Sinclair // Home, Ask Me // R&B // Ontario // English She began her musical education with piano lessons at age 4, and by age 9 she was performing at church and writing her own original songs. -
“The Mic Is My Piece”: Canadian Rap, the Gendered “Cool Pose,” and Music Industry Racialization and Regulation Francesca D’Amico
Document generated on 09/26/2021 3:33 p.m. Journal of the Canadian Historical Association Revue de la Société historique du Canada “The Mic Is My Piece”: Canadian Rap, the Gendered “Cool Pose,” and Music Industry Racialization and Regulation Francesca D’Amico Volume 26, Number 1, 2015 Article abstract Over the course of the 1980s and 1990s, Black Canadian Rap artists, many of URI: https://id.erudit.org/iderudit/1037204ar whom are the children of Caribbean-born immigrants to Canada, employed the DOI: https://doi.org/10.7202/1037204ar hyper-racialized and hyper-gendered “Cool Pose” as oppositional politics to intervene in a conversation about citizenship, space, and anti-blackness. See table of contents Drawing from local and trans-local imaginings and practices, Black Canadian rappers created counter-narratives intended to confront their own sense of exclusion from a nation that has consistently imagined itself as White and Publisher(s) rendered the Black presence hyper-(in)visible. Despite a nationwide policy of sameness (multiculturalism), Black Canadian musicians have used Rap as a The Canadian Historical Association / La Société historique du Canada discursive and dialogical space to disrupt the project of Black Canadian erasure from the national imagination. These efforts provided Black youth with the ISSN critically important platform to critique the limitations of multiculturalism, write Black Canadian stories into the larger framework of the nation state, and 0847-4478 (print) remind audiences of the deeply masculinized and racialized nature of 1712-6274 (digital) Canadian iconography. And yet, even as they engaged in these oppositional politics, rappers have consistently encountered exclusionary practices at the Explore this journal hands of the state that have made it increasingly difficult to sustain a Black music infrastructure and spotlight Canadian Rap’s political and cultural intervention. -
No Bitin' Allowed a Hip-Hop Copying Paradigm for All Of
20 Tex. Intell. Prop. L.J. 115 Texas Intellectual Property Law Journal Fall, 2011 Article NO BITIN’ ALLOWED: A HIP-HOP COPYING PARADIGM FOR ALL OF US Horace E. Anderson, Jr.a1 Copyright (c) 2011 Intellectual Property Law Section of the State Bar of Texas; Horace E. Anderson, Jr. I. History and Purpose of Copyright Act’s Regulation of Copying 119 II. Impact of Technology 126 A. The Act of Copying and Attitudes Toward Copying 126 B. Suggestions from the Literature for Bridging the Gap 127 III. Potential Influence of Norms-Based Approaches to Regulation of Copying 129 IV. The Hip-Hop Imitation Paradigm 131 A. Structure 131 1. Biting 131 2. Beat Jacking 133 3. Ghosting 135 4. Quoting 136 5. Sampling 139 B. The Trademark Connection 140 C. The Authors’ Rights Connection 142 D. The New Style - What the Future of Copyright Could Look Like 143 V. Conclusion 143 VI. Appendix A 145 VII. Appendix B 157 VIII. Appendix C 163 *116 Introduction I’m not a biter, I’m a writer for myself and others. I say a B.I.G. verse, I’m only biggin’ up my brother1 It is long past time to reform the Copyright Act. The law of copyright in the United States is at one of its periodic inflection points. In the past, major technological change and major shifts in the way copyrightable works were used have rightly led to major changes in the law. The invention of the printing press prompted the first codification of copyright. The popularity of the player piano contributed to a reevaluation of how musical works should be protected.2 The dawn of the computer age led to an explicit expansion of copyrightable subject matter to include computer programs.3 These are but a few examples of past inflection points; the current one demands a similar level of change.