Kardinal Free

Total Page:16

File Type:pdf, Size:1020Kb

Kardinal Free FREE KARDINAL PDF Thomas Emson | 440 pages | 01 Apr 2012 | Snowbooks Ltd | 9781906727321 | English | London, United Kingdom Rainer Maria Kardinal Woelki | - Katholische Nachrichten More Images. Please enable Javascript to take full advantage of our site features. Edit Artist. Canadian rapper and record producer, born May 12, in Scarborough, Ontario, in Toronto's east end, and raised by Jamaican immigrant parents. He started rapping at the Kardinal of eight and was winning competitions by the time he was Also at the age of 12, he performed live and Kardinal stage for the first time, with Nelson Mandela in attendance during Mandela's first visit to Toronto. Byhe decided to change his alias "KoolAid", and went by Kardinal moniker "Kardinal Offishall" after being inspired by the great 17th century French politician Cardinal Kardinal. He is often credited as Canada's "hip-hop ambassador", and is Kardinal known for Kardinal distinctive reggae and dancehall-influenced style of hip-hop. Viewing All Kardinal Offishall. Data Quality Correct. Show 25 50 Refresh. Reviews Add Review. Canadian Hip-Hop Index by subzzee. My love 4 music by ARW Worldwide Top Music Artists Kardinal by nik. Master Release - [Help] Release Notes: optional. Submission Notes: Kardinal. Save Cancel. Contained Releases:. Capitol Hill Music Inc. Sell This Version. Quest For Fire: Firestarter Vol. MCA Records. The Firestarter Not On Label. Black Jays Is The Team. EMI Music Canada. Kardinal Off! Not 4 Sale Album 9 versions. KonliveGeffen Records. Kardi Gras Vol. Universal Music Canada Inc. Knee Deep Records. Vik Recordings. And What? Figure IV Entertainment. Universal Kardinal Canada. Ol' Kardinal Killin Maxi 4 versions. Husslin' EP 3 versions. Universal KardinalUniversal Urban. Longplay Records. BaKardi Slang Kardinal 8 versions. Kardinal Offishall Feat. Bounty Killer. Bounty Killer - Sick! M3 Entertainment. Compound Entertainment. Glenn Lewis Featuring Kardinal Offishall. EpicSony Urban Kardinal. Texas Featuring Kardinal Offishall. Empty Barrel Single 2 versions. Belly Dancer Single 4 versions. Angelo Becciu: Kardinal tritt zurück wegen Finanzskandals Newsletter Jetzt abonnieren. Auf welcher geheimen Mission war der Kardinal unterwegs? Rafik Schami wurde in Damaskus geboren und lebt seit in Deutschland. Und genau das ist es auch, was seinen Roman so lesenswert Kardinal. Dennoch ist Kardinal eigentlich kein Kriminalroman? Nein, es ist ein Roman, der in der Zeit kurz vor dem Aufstand in Kardinal spielt. Die Kardinal ist in einer Krise, erste Risse werden sichtbar. Armut, Diktatur Kardinal Angst herrschen, und die Scharlatane haben Hochkonjunktur. Dabei sind die Ermittlungen durchaus spannend. So jedenfalls habe ich ihn konzipiert, als einen Roman mit vielen Schichten, und eine davon ist der Aberglaube. In einer elenden Gesellschaft suchen die Menschen nach Rettung und finden sie beim Weihrauch der Scharlatane. Welche Kardinal spielen die Kardinal im Roman? Es gibt ja wirkliche Heiler, aber das sind nur wenige. Kommissar Barudi nimmt immer wieder Kardinal zu seinem Kardinal. Das ist eine weitere wichtige Schicht dieses Romans. Er hat schon vor Jahren — nach einer gesundheitlichen Krise und auf Anraten seines Arztes Kardinal angefangen, Tagebuch zu schreiben, da er niemand anderem seinen Kummer anvertrauen kann. Barudi ist Kardinal, aber er kann Kardinal Regime nicht ausstehen. Welche Rolle spielen die Frauen in diesem Roman? Die Frauen tauchen an vielen Kardinal auf und agieren sehr unterschiedlich: Da gibt es die heilige Maria, die Heilerin Dumia, Barudis verstorbene Frau Basma, eine Telekommunikationsexpertin, und mehrere misshandelte Frauen in der Nachbarschaft des Kommissars. Details zum Kardinal Roman Erscheinungsdatum: Wie wir jetzt leben. Robinsons Tochter. Kardinal Kommentar:. Afrikanischer Kapuziner wird Kardinal – Schweizer Kapuziner-Provinz Kardinal a route optimization software, Kardinal improves your performance in a major way and allows you to achieve a better Kardinal of Kardinal. As a Kardinal companion, Kardinal helps you to manage unexpected events and carry out this performance in real life. Kardinal is present before, during and after operations, in order to plan optimized routes, Kardinal them to real-time field events, not to mention, learn from the ongoings to improve the future. Planning and carrying out routes considering all constraints of the field, is a very difficult Kardinal. Kardinal takes on the computational part of that job so that your teams Kardinal focus on Kardinal right level of human decisions : strategic and customer centric. This website Kardinal cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also Kardinal third-party Kardinal that help us analyze Kardinal understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience. Necessary cookies are absolutely essential for the website to function Kardinal. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information. Kardinal cookies that may not be particularly necessary for the website to function and is used specifically Kardinal collect user personal data Kardinal analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory Kardinal procure user consent prior to running these cookies on your website. EN FR. Group Created with Sketch. Better tours, no matter what. Your companion solution for route optimization, based on top-notch technologies. Adapt Kardinal unpredictable contexts Kardinal handle unplanned events in real-time. Contact us. Improve your performance As a route optimization software, Kardinal improves your performance in Kardinal major way and allows you to achieve a better quality of service. And make it happen for real As a real-time companion, Kardinal helps you to manage unexpected events and carry out this Kardinal in real life. What is your Kardinal Learn more. Field Services. Traffic jams, client delays, vehicle break down Kardinal a few examples of what makes route optimization in real life, a mess. Always On optimization. Non-stop optimization is the key to real improvement. From tough choices to right choices. Understand Kardinal models your processes and adapts to them and not the other way around. Ensure Kardinal optimizes at all times and at every stage to guarantee the best performance. Suggest Humans are the real experts. Kardinal calculates and Kardinal, but you are the Kardinal. Get started. This website uses cookies to improve your experience. We'll assume you're ok with this, Kardinal you can opt-out if you wish. Privacy Overview This website uses cookies Kardinal improve your experience while you navigate through the website. Privacy Overview. Necessary Always Kardinal. Non-necessary Non-necessary..
Recommended publications
  • Spotlight on Social Learning February 2021: Respect Month
    Spotlight on Social Learning February 2021: Respect Month This February we are celebrating Black History Month at Sistema Toronto by exploring our Social Curriculum theme, Respect. In the year that has passed since last February, we have seen the twin pandemics of racism and COVID-19 wreck disproportionate devastation in Black, Indigenous, and racialized communities, and seen the incredible lengths that people will go to do maintain our unjust and unequitable society. The Black Lives Matter protests that surged onto the streets in the aftermath of George Floyd’s murder in May 2020 provoked people all over the world to deepen their commitment to the fight for equality and respect and against racism, and to confront the unjust realities that surround us. For educators, hoping to help our students understand the systemic injustices of the present and the history that brought us to this point, these subjects can be challenging. For musicians, trying to make sense of artistic traditions that were shaped by practices and attitudes we now consider monstrous, it can be scary to confront the past. Classical musicians in particular are beginning to confront the reality that our art form has been deeply affected by white-supremacist ideas that have excluded composers of colour and dismissed their work as less “serious” than that of their white contemporaries. Learning about the harms perpetrated by people, institutions, and ideas that we once admired can be difficult, even painful. But for every statue that must be toppled, every tradition that must be re-examined, there are new ideas to be explored, and new heroes to be celebrated.
    [Show full text]
  • Sonic Jihadâ•Flmuslim Hip Hop in the Age of Mass Incarceration
    FIU Law Review Volume 11 Number 1 Article 15 Fall 2015 Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt Follow this and additional works at: https://ecollections.law.fiu.edu/lawreview Part of the Other Law Commons Online ISSN: 2643-7759 Recommended Citation SpearIt, Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration, 11 FIU L. Rev. 201 (2015). DOI: https://dx.doi.org/10.25148/lawrev.11.1.15 This Article is brought to you for free and open access by eCollections. It has been accepted for inclusion in FIU Law Review by an authorized editor of eCollections. For more information, please contact [email protected]. 37792-fiu_11-1 Sheet No. 104 Side A 04/28/2016 10:11:02 12 - SPEARIT_FINAL_4.25.DOCX (DO NOT DELETE) 4/25/16 9:00 PM Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt* I. PROLOGUE Sidelines of chairs neatly divide the center field and a large stage stands erect. At its center, there is a stately podium flanked by disciplined men wearing the militaristic suits of the Fruit of Islam, a visible security squad. This is Ford Field, usually known for housing the Detroit Lions football team, but on this occasion it plays host to a different gathering and sentiment. The seats are mostly full, both on the floor and in the stands, but if you look closely, you’ll find that this audience isn’t the standard sporting fare: the men are in smart suits, the women dress equally so, in long white dresses, gloves, and headscarves.
    [Show full text]
  • Guide to Cataloging Slotmusic Based on AACR2 Chapters 6 and 9
    Library Faculty Publications Library Faculty/Staff Scholarship & Research 7-2010 Guide to cataloging slotMusic based on AACR2 Chapters 6 and 9 Marcia Barrett Jim Alberts Cyrus Ford Zarganj University of Nevada, Las Vegas, [email protected] Steve Henry Michi Hoban See next page for additional authors Follow this and additional works at: https://digitalscholarship.unlv.edu/lib_articles Part of the Cataloging and Metadata Commons Repository Citation Barrett, M., Alberts, J., Zarganj, C. F., Henry, S., Hoban, M., Weitz, J. (2010). Guide to cataloging slotMusic based on AACR2 Chapters 6 and 9. 17. Online Audiovisual Catalogers. https://digitalscholarship.unlv.edu/lib_articles/242 This White Paper is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this White Paper in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This White Paper has been accepted for inclusion in Library Faculty Publications by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. Authors Marcia Barrett, Jim Alberts, Cyrus Ford Zarganj, Steve Henry, Michi Hoban, and Jay Weitz This white paper is available at Digital Scholarship@UNLV: https://digitalscholarship.unlv.edu/lib_articles/242 Guide to Cataloging SlotMusic Based on AACR2 Chapters 6 and 9 Last updated: July2010 Created by the SlotMusic Cataloging Joint Task Force: Online Audiovisual Catalogers (OLAC) – Cataloging Policy Committee (CAPC) Music Library Association (MLA) – Subcommittee on Descriptive Cataloging (SDC) Task Force Members: Marcia Barrett, chair (OLAC) Jim Alberts (MLA) Cyrus Ford (OLAC) Steve Henry (MLA) Michi Hoban (MLA) Jay Weitz (OLAC & MLA) Contents: I.
    [Show full text]
  • Chart: Top25 VIDEO DANCE
    Chart: Top25_VIDEO_DANCE Report Date (TW): 2011-10-30 --- Previous Report Date(LW): 2011-10-23 TW LW TITLE ARTIST RECORD LABEL 1 1 Sexy And I Know It Lmfao Interscope Records 2 2 Pass At Me Timbaland Ft. Pitbull Interscope Records 3 3 Without You David Guetta Ft. Usher Virgin Records 4 9 Party Like A Dj (radio Killers Remix) The Glam Ft. Flo Rida, Trina dwaine Universal Records 5 14 Party Like A Dj The Glam Ft. Flo Rida,trina dwaine Universal Records 6 5 Famous Audio Playground Ft. Kardinal Offishall Canwest Musicworks 7 6 Wepa Gloria Estefan Crescent Moon Records Verve Forecast 8 7 Bass Speaker Capitol Records 9 10 Rolling In The Deep Adele Columbia Records 10 8 Give Me Everything Pitbull Ft. Ne Yo, Afrojack, Nayer Mr 305 Records 11 4 Save The World (live) Swedish House Mafia Astralwreks 12 11 Let It Go Larissa Ness Gin Tonique 13 12 Little Bad Girl David Guetta ft. Taio Cruz, Ludacris EMI France 14 13 Where Them Girls At David Guetta Ft. Nicki Minaj, Flo Rida EMI France 15 16 All About Tonight Pixie Lott Mercury Records 16 18 Show Me Love Robin S Big Beat Records 17 15 Glad You Came The Wanted Global Talent Records 18 19 Hello Martin Solveig Ft Dragonette 3Beat Music 19 Not My Daddy Eva Ft. Gucci Mane In Ya Face -Universal 20 22 Forever Wolfgang Gartner Ft. Will I Am Ultra Records 21 23 Fingers Up Hyper Crush RPM MSC, INC 22 21 I Can't Dance Dirt Nasty Ft. Lmfao Shoot to Kill Music 23 I Like It (jersey Shore Version) Enrique Iglesias & Pitbull Universal Records 24 17 Beautiful People Chris Brown Ft.
    [Show full text]
  • Baby Blue Soundcrew Baby Blue Soundcrew Mp3, Flac, Wma
    Baby Blue Soundcrew Baby Blue Soundcrew mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Baby Blue Soundcrew Country: Canada Released: 2002 MP3 version RAR size: 1305 mb FLAC version RAR size: 1293 mb WMA version RAR size: 1630 mb Rating: 4.3 Votes: 708 Other Formats: MP3 MP1 MIDI FLAC MMF AAC VOX Tracklist Hide Credits –Baby Blue Soundcrew Featuring Money Jane 1 Kardinal Offishall, Sean Paul & Jully Featuring – Jully Black, Kardinal Offishall, Sean Black PaulWritten-By – J. Harrow*, P. Henriques* –Baby Blue Soundcrew Featuring Something To Love 2 Saukrates Featuring – SaukratesWritten-By – A. Wailoo* Salsa Lady –Baby Blue Soundcrew Featuring 3 Featuring – Ro Ro Dolla*, SolitairWritten-By – K. Keith*, Solitair And Ro Ro Dolla* R. Francis*, S. Pitt* BaKardi Slang 4 –Kardinal Offishall Written-By – J. Harrow*, S. Pitt* Companies, etc. Phonographic Copyright (p) – Universal Music Phonographic Copyright (p) – MCA Records Copyright (c) – Pepsi-Cola Canada Ltd. Manufactured By – Universal Music Distributed By – Pepsi-Cola Canada Ltd. Record Company – Universal Studios Canada Ltd. Exclusive Retailer – Dr. Pepper Pressed By – Cinram – #20226Y25 Published By – One Man Music Published By – Warner Music Canada Published By – Dutty Rock Music Published By – Lounge Music Publishing Published By – Warner Chappell Music Canada Published By – Lucky Seven Music Published By – Kevin Keith Published By – Warner/Chappell Music Canada Ltd. Credits Concept By [Created & Developed By] – Universal Music Special Markets Notes Track 1 [published by] One Man Music / Warner Music Canada / Duttyrock Music. ℗ 2000 Universal Music. Track 2 [published by] Lounge Music / Warner Chappell Music Canada. ℗ 2000 Universal Music. Track 3 [published by] Lucky Seven Music / Kevin Keith.
    [Show full text]
  • Most Requested Songs of 2009
    Top 200 Most Requested Songs Based on nearly 2 million requests made at weddings & parties through the DJ Intelligence music request system in 2009 RANK ARTIST SONG 1 AC/DC You Shook Me All Night Long 2 Journey Don't Stop Believin' 3 Lady Gaga Feat. Colby O'donis Just Dance 4 Bon Jovi Livin' On A Prayer 5 Def Leppard Pour Some Sugar On Me 6 Morrison, Van Brown Eyed Girl 7 Beyonce Single Ladies (Put A Ring On It) 8 Timberlake, Justin Sexyback 9 B-52's Love Shack 10 Lynyrd Skynyrd Sweet Home Alabama 11 ABBA Dancing Queen 12 Diamond, Neil Sweet Caroline (Good Times Never Seemed So Good) 13 Black Eyed Peas Boom Boom Pow 14 Rihanna Don't Stop The Music 15 Jackson, Michael Billie Jean 16 Outkast Hey Ya! 17 Sister Sledge We Are Family 18 Sir Mix-A-Lot Baby Got Back 19 Kool & The Gang Celebration 20 Cupid Cupid Shuffle 21 Clapton, Eric Wonderful Tonight 22 Black Eyed Peas I Gotta Feeling 23 Lady Gaga Poker Face 24 Beatles Twist And Shout 25 James, Etta At Last 26 Black Eyed Peas Let's Get It Started 27 Usher Feat. Ludacris & Lil' Jon Yeah 28 Jackson, Michael Thriller 29 DJ Casper Cha Cha Slide 30 Mraz, Jason I'm Yours 31 Commodores Brick House 32 Brooks, Garth Friends In Low Places 33 Temptations My Girl 34 Foundations Build Me Up Buttercup 35 Vanilla Ice Ice Ice Baby 36 Bee Gees Stayin' Alive 37 Sinatra, Frank The Way You Look Tonight 38 Village People Y.M.C.A.
    [Show full text]
  • “Northern Touch” - the Rascals
    “Northern Touch” - The Rascals [Hook: Kardinal Offishall] Yo... We notorious; ain't nobody can bang with us Rascalz, Checkmate, Kardinal and Thrust Choclair coming down with that Northern touch, yo... Why you people wanna bang with us Ain't nobody can hang with us Rascals, Checkmate, Kardinal and Thrust Choclair coming down with the Northern touch Tiggy touch, biggie baby... [Verse 1: Rascalz] Check the lingo we spread through the atmosphere So distinctive no other style comes near So when you hear you've got to peer over the ledge to get a glance To know who is the man with the talents Flipping my words like my body on the apparatus Sky's the limit so I'm bound to break through the stratus With these rhymes that are classics Forget the fads and the fashions Step in and make on the microphone Aiyo world domination is the base of foundation No time wasting Fire walk we trail blazing Burn to the next destination Flexing on this world exploration Teamed with the best in the nation Yes and who that be Custom design fine rhymes into salary All the way from t-dot to the van city all stars Rude boys freak you like a fantasy Word up... [Interlude: Choclair] Yes from the northwest And the t-dot, o-dizot check [Verse 2: Choclair] I like chillin, Monday Night Raw watching Me and Dan-E-O at the SkyDome when it's in town My peoples know I just be regular So haters start dissin But steady reciting my lyrics All with my dick in they mouth They swallowin Talking bout they need oxygen People need to know Choclair Don't move in no slow-mo Into women like
    [Show full text]
  • Black Canadian Music Awards 2020 Winners
    Black Canadian Music Awards 2020 Winners TOBi // Growth, City Blues // Hip-Hop // Ontario // English Born in Nigeria, 26 year old TOBi immigrated to Canada with his father at 8 years old. He went from rapping to writing R&B, afropop, pop music and alternative music as well. He writes almost all of the lyrics in his music and he has started producing and writing for other artists locally and internationally. Naya Ali // Get It Right, Godspeed // Rap // Quebec // English Born in Ethiopia and now living in Montreal, she started creating music only 2 years ago and she’s already on billboards in downtown Toronto. She’s drawing a lot of attention in Canada and abroad with her unique flow, flamboyant but calm personality and high energy performances. RAAHiiM // Peak (Fet Up), Red Light // R&B //Ontario // English Singer, songwriter, and producer from Toronto, he grew up singing in church and talent shows across North America. At 17 he was selected to join the 2014 class of The Remix Project's recording program. His writing and production skills, along with his silky voice paved the way to some major collaborations. Hunnah // Away, Think About It // R&B // Ontario // English Nineteen-year-old singer-songwriter from Toronto who started honing his voice in church at the age of 4. He began writing and recording music by the age of 15. In 2017, Dylan released his first independent project entitled “Red Like Crimson” and draw the attention of some high-profile artists in Toronto. Dylan Sinclair // Home, Ask Me // R&B // Ontario // English She began her musical education with piano lessons at age 4, and by age 9 she was performing at church and writing her own original songs.
    [Show full text]
  • “The Mic Is My Piece”: Canadian Rap, the Gendered “Cool Pose,” and Music Industry Racialization and Regulation Francesca D’Amico
    Document generated on 09/26/2021 3:33 p.m. Journal of the Canadian Historical Association Revue de la Société historique du Canada “The Mic Is My Piece”: Canadian Rap, the Gendered “Cool Pose,” and Music Industry Racialization and Regulation Francesca D’Amico Volume 26, Number 1, 2015 Article abstract Over the course of the 1980s and 1990s, Black Canadian Rap artists, many of URI: https://id.erudit.org/iderudit/1037204ar whom are the children of Caribbean-born immigrants to Canada, employed the DOI: https://doi.org/10.7202/1037204ar hyper-racialized and hyper-gendered “Cool Pose” as oppositional politics to intervene in a conversation about citizenship, space, and anti-blackness. See table of contents Drawing from local and trans-local imaginings and practices, Black Canadian rappers created counter-narratives intended to confront their own sense of exclusion from a nation that has consistently imagined itself as White and Publisher(s) rendered the Black presence hyper-(in)visible. Despite a nationwide policy of sameness (multiculturalism), Black Canadian musicians have used Rap as a The Canadian Historical Association / La Société historique du Canada discursive and dialogical space to disrupt the project of Black Canadian erasure from the national imagination. These efforts provided Black youth with the ISSN critically important platform to critique the limitations of multiculturalism, write Black Canadian stories into the larger framework of the nation state, and 0847-4478 (print) remind audiences of the deeply masculinized and racialized nature of 1712-6274 (digital) Canadian iconography. And yet, even as they engaged in these oppositional politics, rappers have consistently encountered exclusionary practices at the Explore this journal hands of the state that have made it increasingly difficult to sustain a Black music infrastructure and spotlight Canadian Rap’s political and cultural intervention.
    [Show full text]
  • No Bitin' Allowed a Hip-Hop Copying Paradigm for All Of
    20 Tex. Intell. Prop. L.J. 115 Texas Intellectual Property Law Journal Fall, 2011 Article NO BITIN’ ALLOWED: A HIP-HOP COPYING PARADIGM FOR ALL OF US Horace E. Anderson, Jr.a1 Copyright (c) 2011 Intellectual Property Law Section of the State Bar of Texas; Horace E. Anderson, Jr. I. History and Purpose of Copyright Act’s Regulation of Copying 119 II. Impact of Technology 126 A. The Act of Copying and Attitudes Toward Copying 126 B. Suggestions from the Literature for Bridging the Gap 127 III. Potential Influence of Norms-Based Approaches to Regulation of Copying 129 IV. The Hip-Hop Imitation Paradigm 131 A. Structure 131 1. Biting 131 2. Beat Jacking 133 3. Ghosting 135 4. Quoting 136 5. Sampling 139 B. The Trademark Connection 140 C. The Authors’ Rights Connection 142 D. The New Style - What the Future of Copyright Could Look Like 143 V. Conclusion 143 VI. Appendix A 145 VII. Appendix B 157 VIII. Appendix C 163 *116 Introduction I’m not a biter, I’m a writer for myself and others. I say a B.I.G. verse, I’m only biggin’ up my brother1 It is long past time to reform the Copyright Act. The law of copyright in the United States is at one of its periodic inflection points. In the past, major technological change and major shifts in the way copyrightable works were used have rightly led to major changes in the law. The invention of the printing press prompted the first codification of copyright. The popularity of the player piano contributed to a reevaluation of how musical works should be protected.2 The dawn of the computer age led to an explicit expansion of copyrightable subject matter to include computer programs.3 These are but a few examples of past inflection points; the current one demands a similar level of change.
    [Show full text]
  • Rap Vocality and the Construction of Identity
    RAP VOCALITY AND THE CONSTRUCTION OF IDENTITY by Alyssa S. Woods A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music: Theory) in The University of Michigan 2009 Doctoral Committee: Associate Professor Nadine M. Hubbs, Chair Professor Marion A. Guck Professor Andrew W. Mead Assistant Professor Lori Brooks Assistant Professor Charles H. Garrett © Alyssa S. Woods __________________________________________ 2009 Acknowledgements This project would not have been possible without the support and encouragement of many people. I would like to thank my advisor, Nadine Hubbs, for guiding me through this process. Her support and mentorship has been invaluable. I would also like to thank my committee members; Charles Garrett, Lori Brooks, and particularly Marion Guck and Andrew Mead for supporting me throughout my entire doctoral degree. I would like to thank my colleagues at the University of Michigan for their friendship and encouragement, particularly Rene Daley, Daniel Stevens, Phil Duker, and Steve Reale. I would like to thank Lori Burns, Murray Dineen, Roxanne Prevost, and John Armstrong for their continued support throughout the years. I owe my sincerest gratitude to my friends who assisted with editorial comments: Karen Huang and Rajiv Bhola. I would also like to thank Lisa Miller for her assistance with musical examples. Thank you to my friends and family in Ottawa who have been a stronghold for me, both during my time in Michigan, as well as upon my return to Ottawa. And finally, I would like to thank my husband Rob for his patience, advice, and encouragement. I would not have completed this without you.
    [Show full text]
  • A Taste of Honey
    A Taste Of Honey - Boogie Oogie Oogie.zip A-ha - Analogue.zip Abba - Dancing Queen.zip Abba - Waterloo.zip ABBA-DANCING QUEEN.zip Adam Sandler - Ode To My Car.zip Adele Rumour Has It.mp4 Adele Cold Shoulder.mp4 Adele Don't You Remember.mp4 Adele Promise This.mp4 Adele I miss you.mp4 Adele - 'Turning Table' Karaoke.mp4 Adele - All I ask.mp4 Adele - Don't You Remember.mp4 Adele - I'll Be Waiting.mpg Adele - Love in the dark.mp4 Adele - Million years ago.mp4 Adele - One And Only.mp4 Adele - Remedy.mp4 Adele - River Lea.mp4 Adele - Rolling In The Deep.mp4 Adele - Send My Love (To Your New Lover).mp4 Adele - Set Fire To The Rain.mp4 Adele - Skyfall - (2013) (Orijinal Stüdyo).mpg Adele - Skyfall.mp4 Adele - Someone Like You.mp4 Adele - Sweetest Devotion.mp4 Adele - Water Under The Bridge.mp4 Adele - When we were young.mp4 Adele Best For Last.mp4 Adele Black And Gold.mp4 Adele Can't let go.mp4 Adele Chansing Pavements.mp4 Adele Crazy For You.mp4 Adele Daydreamer.mp4 Adele He Won't Go.mp4 Adele Hello.mp4 Adele I found a boy.mp4 Adele Love Song.mp4 Adele Make You Feel My Love.mp4 Adele Melt My Heart To Stone.mp4 Adele take it all.mp4 Adele That's It, I Quit, I'm Movin' On.mp4 aero smith Walk_This_Way.mid Aerosmith - Jaded.zip Aerosmith - Janie's Got A Gun.zip Aerosmith - Livin' On The Edge.zip Aerosmith - Love In An Elevator.zip Aerosmith - Rag Doll.zip Aerosmith - Same Old Song And Dance.zip Aerosmith - Sweet Emotion.zip Aerosmith - The Other Side.zip Aerosmith - Walk This Way.zip Aerosmith - What It Takes.zip Aerosmith Angel.zip Aerosmith Back
    [Show full text]