UNIVERSITY OF IOWA MUSEUM OF ART

2013–2014 ANNUAL REPORT The University of Iowa Museum of Art (UIMA) is funded by the General Education Fund of the University of Iowa (UI) through the Office of the Provost and by the generous support of its members and donors. UIMA@IMU

Cover image: Jackson Pollock (American, 1912–1956) Mural (detail), 1943 Oil and casein on canvas 1375 Highway 1 West Tel: +1 319 335 1727 95 5/8 x 237 ¾ in. (242.9 x 603.9 cm) 1840 Studio Arts E-mail: [email protected] Gift of Peggy Guggenheim, 1959.6 Reproduced with permisson from Iowa City, IA 52242-1789 Website: uima.uiowa.edu the University of Iowa Copyright ©2014 TABLE OF CONTENTS

4 • Senior Living Communities (SLC) Outreach Program • School Programs Collections Acquisitions • Advisory Board • Press Collaborations and Mentions in • Development Committee Regional Media • Members Council • Professional Activities • Museum Staff • Staff Executive Summary 5 Registrar & Collections Management 41 Sponsors 2013–14 10 • Luce Foundation Grant • Loans Curatorial 11 • Rights & Reproduction Requests • Accessions • Exhibitions • Professional Activities and Outreach • Pollock on the Move • Staff • Curatorial Initiatives • Donors and Fundraising Membership Activities 49 • Professional Activities and Outreach • Press Collaborations and Mentions in • The UIMA’s Annual pARTy Regional Media • First Fridays • Legacies for Iowa • The Director’s Circle Lecture

Audience and Participant Totals 23 Development and Finance 51

Education 24 • Exhibitions • Programming: Public, Donor/Volunteer, smART Talks • K–12 School Programs • On-Site Exhibition and Gallery Tours

UIMA 2013–2014 ANNUAL REPORT 3 UNIVERSITY OF IOWA MUSEUM OF ART 2013–2014 PERSONNEL LIST

ADVISORY BOARD MUSEUM STAFF James Hayes, Chair; Madgetta Dungy, Robert Fellows, Kate Baranowski – Gallery Attendant Alan Fredregill, Budge Gierke, Susann Hamdorf, Myrene Hoover, Betty Breazeale – Secretary Ann January, Robert S. Kinsey III, Linda Paul, Nathan Savin Kevin Chamberlain – Preparator, Legacies Kathleen Edwards – Chief Curator Steve Erickson – Preparator Sarah Luko – Registrarial Assistant DEVELOPMENT COMMITTEE Dale Fisher – Curator of Education Cory Gundlach – Curatorial Assistant Amir Arbisser, James Hayes, Myrene Hoover, Pat McFarland, Cody Gieselman – Marketing Assistant Nathan Savin, Joyce Summerwill, Alan Swanson, Buffie Tucker, Catherine Hale – Curator of African and Non-Western Art Nancy Willis, Thais Winkleblack, Darrell and Shirley Wyrick Pat Hanick – Director of Development Lexi Janezic – Preparator Amanda Lissack – Members Council Assistant MEMBERS COUNCIL D. Jeff Martin – Registrar Ellandrea Mckissack – Gallery Attendant Polly Lepic, Chair; Anna Barker, David Bright, John Chadima, Alexandra Minchich – Education Coordinator Wallace Chapell, James Conard, Tim Conroy, Jessica Doro, Sean O’Harrow – Director Will Downing, Beth Hanna, Kristin Hardy, Kay Irelan, Diane Scott/Alex Brannaman – Accountant Teresa Kelly, Emily Lennon, Kumi Morris, Matt Niebuhr, Josh Siefken – School Programs Outreach Instructor/Assistant Kathrine Nixon, Brenda Pearson, Mark Seabold, Kristen Temple, Curator of Education Mary Westbrook, Nancy Willis, Pope Yamada, Laurie Zaiger Samantha Steines – Gallery Attendant Sarika Sugla – Curatorial Assistant, Legacies Emma Van Dyke – Gallery Attendant Elizabeth Wallace – Public Relations Coordinator Yang Meng – Graphic Designer Katherine Wilson – Assistant Registrar

UIMA 2013–2014 ANNUAL REPORT 4 EXECUTIVE SUMMARY

This report serves as an overview of activities The seven primary goals for the institutional MUSEUM ATTENDANCE & of the University of Iowa Museum of Art for year can be summarized as follows: PROGRAM PARTICIPATION the university academic and fiscal year: July 1, 2013 to June 30, 2014. • further develop the expansion of The year included hugely popular programs audiences (breadth and depth), including and the year ended with the grandest finale geographical reach (e.g. grow statewide imaginable: the exhibition Jackson Pollock’s attendance) and increased interaction Mural at the J. Paul Getty Museum March With over 14,000 works of art, the University with Iowa students, academics, and 11 to June 1, 2014, attracted the highest of Iowa Museum of Art (UIMA) is one of the visitors; total of any show in the history of the most important and historically significant • prepare the institutional groundwork Getty: 304,394. This Getty collaboration is art museums in American higher education. for a new museum facility in Iowa City; clearly the most successful public project Since its founding in 1969, established with of the UIMA in recent memory and we are art donated to the university by Peggy • expand the breadth and depth of the immensely thankful to the Getty for their Guggenheim, the Elliott family, the Stanley collection, exhibitions, events, and work and support during the project and family and others, the museum has been educational offerings; beyond. widely recognized in a number of areas, • raise the national and international from 20th century American and European This attendance number helped bring the profile of the museum in the world of painting to art from West Africa, from 19th annual total for 2013–2014 to 538,260 art history, art collections, and museums; and 20th century American prints to Pre- museum visitors and program participants, Columbian ceramics and textiles, as well • increase the role of the museum and a significant increase over the previous as many other strengths. The past four further collaborative partnerships within year’s all-time record of 146,470, which itself decades have been punctuated by a series the university; develop institutional was a slight rise over 146,466 for 2011–2012 of important achievements and acquisitions partnerships across Iowa; and 91,631 for 2010–2011. It is important that have helped create the reputation that to note that the museum’s attendance has • make progress towards raising $5,000,000 it deservedly enjoys today. This long track remained steady over the period of the past in donations and pledges to create an record makes the successes in 2013–14 all few years. This record total includes 81,216 endowment fund for future exhibitions, the more impressive, given that the bar visitors to the UIMA galleries at the Figge programs, and activities; has been set so high for so long and given Art Museum in Davenport, 5,902 visitors the previous year had broken so many • strengthen staff numbers and expertise, to the UIMA@IMU space, 4,760 people performance records. so that the museum is able to handle attending member and public events, the challenges presented by the six 2,694 participating in university tours and previous goals. programs, and 25,505 students taking part

UIMA 2013–2014 ANNUAL REPORT 5 in K–12 school offerings across the state. In of the project, a tour of the current Museum both involved major publications: New Forms accordance with standard industry practice, of Art space, and a presentation of the resulted in a book that included contributions the museum is now including website traffic, vision for the new museum. This meeting from three expert authors in American art— including 32,796 visits to the Art & Life in allowed interested parties to network so Erika Doss of the University of Notre Dame, Africa web portion of the exhibition and that respondents can consider the full range Joni Kinsey of the University of Iowa, and 64,172 visits to the main UIMA website. of potential collaborators. Kathleen Edwards of the UIMA; Art & Life in Africa resulted in a website that included The RFQ participants were due to officially contributions from 32 expert authors in sub- MUSEUM FACILITY PROGRESS respond by July 1, 2014. Each development Saharan African art. team was to submit materials as detailed in The university has determined that it would the RFQ, which would lead to the selection In the Visual Classroom, found in the Richey not be feasible or responsible to continue of one team by the university. All of these space of the IMU, the UIMA hosted smaller to use the former building as a museum steps and approvals are necessary in order groupings of art that related to specific of art, as the collection can no longer be for the UIMA to progress towards a new university course offerings, such as the insured at that location. The new museum museum facility, and FY2014 was a significant recently acquired UIMA Phat Bike by Black will be reflective of the UIMA’s status as a year in this regard. Sheep Bikes, Winner of the Best Titanium top university art museum. Construction Award at the 2013 North American Handmade Bicycle Show, that On March 13, towards the end of FY2014, EXHIBITIONS & COLLECTIONS serves as a model for students taking UI the University of Iowa released its Request School of Art and Art History Professor Steve for Qualifications (RFQ) to identify potential Exhibitions drawn from the permanent McGuire’s popular bicycle design course. partners capable of developing appropriate collection and outside institutions, as well Also displayed was an extensive selection and available land for a new Museum of as loans by other collections, enhanced and of Robert Arneson’s ceramics and prints in Art, to be located directly adjacent to the broadened the offerings by the UIMA. This support of Arneson biographer Professor core of the academic campus and within year, important exhibitions were organized Jonathan Feinberg’s visit and lecture. A walking distance for students. The university by the museum, including New Forms: The small exhibition of Latin American prints envisioned the space as part of a larger Avant-Garde Meets the American Scene, coupled with a selection of Pre-Columbian mixed-use development, with a vibrant 1934–1949, Selections from the University ceramics was displayed as part of an academic combination of university, commercial, and of Iowa at the Black Box Theater in the research project by Dr. Ellen Hoobler from residential uses in keeping with the long- Iowa Memorial Union (IMU), and Art & Cornell College in Mount Vernon, IA, and term vision of downtown Iowa City. Life in Africa, also hosted in the Black Box her students. Theater in the IMU. These two exhibitions A pre-RFQ information meeting was held on were significant contributions to the body April 10. The meeting provided an overview of knowledge in their respective fields and

UIMA 2013–2014 ANNUAL REPORT 6 The UIMA’s ability to reach more people Africa Before the Boats (collaboration with EDUCATION & OUTREACH around the world is enabled by strategic Lynn Koos, Curator of the African American partnerships. One major example in 2013–14 Museum of Iowa) at the African American The education department of the museum was the two-year conservation and exhibition Museum of Iowa. More exhibitions and loans continues to offer K–12 school initiatives project on Jackson Pollock’s Mural with are planned for the upcoming year. across the state, including its teaching the J. Paul Getty Museum and the Getty programs featuring African art, American Conservation Institute in Los Angeles. The Indian and First People’s art, folk art of post-conservation exhibition between March NEW COLLECTIONS DATABASE India, Hindu icons of India, the art of comics 11 and June 1, 2014, resulted in the most & graphic novels, and Gee’s Bend quilts. popular exhibition in the history of the Getty The museum staff continued to work hard to with over 304,000 people attending. The implement and populate the new collection The museum continued to serve Iowa accompanying book and conference hosted management system, EmbARK by Gallery school programs and other related needs by by the Getty Research Institute added to the Systems. The multi-year task of inputting teaching 491 classes in 2013–2014, involving immense popularity of the project. data on collections, research material, and a number of community supporters and other information in other types of media, as volunteers of the museum. A total of 25,505 The year also saw a significant expansion of well as donor contributions to the museum’s students were reached at 99 locations in the Matthew Bucksbaum Family-sponsored holdings, continued apace throughout the nine counties and 16 communities, including Legacies for Iowa collections sharing initiative, year, supported with contributions from the Iowa cities of Ankeny, Cedar Rapids, in which the UIMA is able to loan artwork a number of donors, including the Henry Coralville, Eldridge, Hiawatha, Iowa City, and UIMA-organized exhibitions to other Luce Foundation. Maquoketa, Mount Vernon, Muscatine, museums and institutions in Iowa without North Liberty, Princeton, Solon, Spencer, a fee. This program held exhibitions in a Walcott, Washington, and West Branch. number of Iowa locations: Legacies for Iowa: NEW ACQUITISIONS Modern Masterworks from the University The program serving senior citizens of Iowa Museum of Art at the Figge Art This academic year, 51 works were accessioned continued across the state of Iowa by Museum in Davenport, Farm Life in Iowa: into the collection, making a total of over engaging a specialist professional to Photographs by A.M. Wettach at the Johnson 14,000 museum objects. In addition, 19 works implement the program. As a result, the County Historical Society, Eye on UI: Byron were acquired as part of the collection for 2013–2014 Senior Living Communities (SLC) Burford, Stuart Edie, and James Lechay at museum outreach and other related purposes. Outreach Program reached 1,151 Iowa the Figge Art Museum in Davenport, I AM: Highlights include four photographs by Alex senior citizens during 114 presentations at Prints by Elizabeth Catlett at the Maquoketa Soth as part of the outreach collection, two 15 locations in six communities: Iowa City, Art Experience, Power of Line: Prints of the screenprints by Sister Mary Corita Kent in the West Branch, Coralville, Williamsburg, Cedar European and American Etching Revival at permanent collection, and five screenprints Rapids, and Solon. the University of Northern Iowa, and Western by Andy Warhol for the research collection.

UIMA 2013–2014 ANNUAL REPORT 7 PUBLIC PROGRAMS AND EVENTS History Emeritus at the University of Illinois, partnership with the Getty over the Urbana-Champaign, and trustee emeritus exhibition Jackson Pollock’s "Mural." At 2013–14 included an active calendar of of the Phillips Collection in Washington, over 304,000 people over 11 weeks, the public programs and events. The annual DC), and the New Forms exhibition lecture show garnered more visitors than any other friendraising/fundraising party was organized was presented by Dr. Ann Prentice Wagner exhibition in the history of the institution. around the theme From Splatter to Sparkle (Curator of Drawings at the Arkansas Arts Many newspapers and websites covered the —Join the Journey, celebrating the Getty Center in Little Rock). story of the conservation and exhibition by Pollock exhibition in Los Angeles. The event the J. Paul Getty Museum and the Getty was sold out and even had a waiting list (a The year also saw the inauguration of the Conservation Institute, including the Los first for the UIMA). The "First Fridays" social new SmART talks lectures, which replaced the Angeles Times, the New York Times, and art gatherings continued to be popular at the Elliott lecture series. This year, the lectures the Wall Street Journal. And it was in the new location of FilmScene on the pedestrian featured renowned experts such as Barry Wall Street Journal Speakeasy blog that the mall in Iowa City while extending its popular Bauman (independent conservator and show was declared one of “the most-talk- offering of showing the work of Iowa artists former Chicago Art Institute conservator), about exhibits of the year.” and other activities. Derek Porter (lighting expert with Derek Porter Studio), Dr. Rubie Watson (former Popular lectures were held at Art Building Director of the Peabody Museum at Harvard), UNIVERSITY COLLABORATION West, including the annual Spriestersbach and Joshua DeMonte (jewelry artist and head Lecture, which featured renowned art of the Interdisciplinary Object Design program As part of its role within the university historian Prof. Erika Doss (head of the at Towson University in Baltimore). to serve students and faculty, the UIMA Department of American Studies at the is responsible for partnering with other University of Notre Dame). The UIMA Finally, the Director’s Circle lecture in October university departments and organizations to Curator’s Circle lecture was delivered by Dr. featured John B. Henry III, director of the further visual arts education and research. Nii Quarcoopome (Curator of African Art and Flint Institute of the Arts, who spoke on the The activities of UIMA’s art and education head of the department of Africa, Oceania, nature of liking and disliking abstract art. curators, as well as other staff members, and Indigenous Americas at the Detroit have been specifically geared towards Institute of Arts and Curator of African Art at teaching and research at the School of Art the Nelson-Atkins Museum of Art in Kansas THE MUSEUM’S PROFILE and Art History, including the Grant Wood City), the Levitt Craft Lecture was given by Colony’s post-doctoral fellowship. This has Prof. Jonathan Fineberg (adjunct curator of 2013–14 was another good year for the resulted in a significant increase in class the Parrish Art Museum in Southampton, New museum’s reputation. The UIMA had use of the collections and other similar York, visiting Presidential Professor at the been featured in numerous national and collaborative initiatives with professors and University of Nebraska, the Edward William international press articles, culminating graduate teaching assistants. The number and Jane Marr Gutgsell Professor of Art in the media activity surrounding the of current and former Art and Art History

UIMA 2013–2014 ANNUAL REPORT 8 students working on projects at the UIMA The UIMA and its funding partner, the UI has increased as well. Foundation, were able to raise $2,972,854 in 2013–2014, which is a 91.9% change from the $1,548,756 raised in 2012–2013 (which STAFF NEWS was a 175.6% increase from the previous year’s total of $561,924). As a result, we are The museum cannot operate and serve the one of the first university units to make its university and the public without qualified, total goal for the current For Iowa, Forever trained, experienced staff, and two new hires More campaign, which is due to end in 2016. this year will help tackle the current workload and prepare for the upcoming challenges Accountant Diane Scott (right) retired from the Museum regarding expanding programs. The first CONCLUSION in May. Alex Brannaman (left) has taken on that role. person hired was a new assistant preparator, who was recruited from the university’s fine 2013–14 was a very successful year in many arts graduate degree program in ceramics, respects for the UIMA. The total number of and the second hire was a new assistant participants in museum programs has been curator responsible for our Legacies for Iowa astonishing, with attendance benefitting exhibitions outreach program, who recently from institutional partnerships. This helps graduated from the university’s fine arts further build a solid foundation for the graduate degree program in printmaking. future of the UIMA, and in particular, it These new positions were created with the helps build support for the next phase help of the Matthew Bucksbaum Family of the museum: creating a new facility. Foundation and will ensure that both the Of course, none of these results would outreach and installation programs of the have been possible without the generous Pat Hanick, the UIMA’s Director of Development, retired museum are effectively implemented. support of the Iowa Board of Regents, from the UI Foundation on June 27. We are happy to say the President and the Provost, other that Pat is continuing employment with the museum in a part-time “special projects” capacity, which includes university officials and colleagues, UI alumni, writing brochures, various marketing materials, and grant FINANCE AND FUNDRAISING community benefactors and volunteers, applications. partner institutions, and the backing and The UIMA had a financially successful year, participation of the people of Iowa. For this, ending FY2014 on target (save differences the museum is appreciative and thankful. with the FY2015 dateline crossover) and with a significant rise in donations and pledges.

UIMA 2013–2014 ANNUAL REPORT 9 EXHIBITION, EVENT, & EDUCATIONAL SPONSORS Thank you all for your generous support!

Anna and James Barker Integrated DNA Technologies Margaret Polson Ethel and Edwin Barker INVISION Rohrbach Associates PC Architects Jackie Blank Alan F. and Ann B. January Scheels All Sports Blank and McCune, The Real Estate Jo Lavera and Phillip E. Jones Shive-Hattery, Architecture-Engineering Company Susan H. and G. Frank Judisch Marlene and Bill Stanford Robert Bork and Sally Mills Lensing Funeral and Cremation Service Mary Jo and Richard H. Stanley Estyl and Richard Breazeale Faye Strayer Mary Calkin

Polly and Tom Lepic Joyce P. and W. Richard Summerwill Wallace and Karen Hubenthal Chappell Jeanne S. and Richard S. Levitt J. Randolph and Linda Lewis Kristin Summerwill Margaret C. Clancy Ann Machlab Alan and Liz Swanson Janet Y. and Richard V. M. Corton Marriott Hotel and Conference Center Jon Thompson Appraisals Claudia Corwin and Tony Otoadese and Yvonne McCabe Tru Art Color Graphics Family Jane McCune Buffie and Dick Tucker Craig and Catherine Quehl-Engel John R. Menninger Unique Events Sandra/Zoe Eskin Monica M. and Frank A. Mitros University of Iowa Community Credit Union FilmScene MODUS University of Iowa School of Art and Art M. C. Ginsberg – Objects of Art Katherine and John Moyers History Susann and Garry Hamdorf Ruth B. Muir U.S. Bank David Hamilton Neumann Monson Architects Elizabeth and Andrew Wallace and Family Pat and Kevin Hanick Carrie Z. Norton West Music Company Kristin Hardy and Gerry Ambrose Oaknoll Retirement Residence Mary Westbrook Hayes Lorenzen Lawyers PC Polly and Armond Pagliai Willis Law Firm/Security Abstract Myrene and H. Dee Hoover Linda and Doug Paul Nancy B. and Craig N. Willis hotelVetro Barb and Phil Peterson Carolyn Zaiser Janis C. and Kenneth A. Hubel Phelan, Tucker, Mullen, Walker, Tucker, Gail and Frank Zlatnik Hudson River Gallery – Nick Hotek and Gelman, L.L.P.

UIMA 2013–2014 ANNUAL REPORT 10

LIST OF EXHIBITIONS

FALL Also displayed was an extensive selection collection, from five paintings (including VISUAL CLASSROOM of Robert Arneson’s ceramics and prints in Jackson Pollock’s 1943 Mural) donated by support of Arneson biographer Jonathan Peggy Guggenheim, to works by Philip UIMA@IMU Feinberg’s visit and lecture. Graduate student Guston and Grant Wood, the exhibition Justin Schortgen, a teaching assistant for provided a broad overview of the terms One of the museum’s most exciting recent Ceramics I and II at the UI, reports that and motivations of American modernism, acquisitions, the UIMA Phat Bike by Black Arneson pushes students to consider that with specific focus on University of Iowa as Sheep Bikes, was displayed in the Visual art can be silly, while the finished product a hotbed of controversy and innovation, a Classroom last fall. Winner of the Best remains refined. Dr. Ellen Hoobler from place where the American Scene clashed Titanium Construction Award at the 2013 Cornell College in Mount Vernon, IA, worked with the avant-garde in ways that were North American Handmade Bicycle Show, with her students to examine Latin American central to the ongoing national debate over the bike acquisition allowed the UIMA to prints, and reflect on their connections to the future of American art. join other leading museums in pushing the historic objects from related areas. Each boundaries of what has traditionally been student selected a print and prepared label categorized as art. The object promises to information to present with it. be a rich source of education and inspiration for students taking UI School of Art and Art History Professor Steve McGuire’s popular bicycle design course while calling on audiences to consider their definitions of SEPTEMBER 14–DECEMBER 8 art and museums’ roles in presenting visual culture. New Forms: The Avant-Garde Meets the American Scene, 1934–1949, Selections from the University of Iowa Museum of Art Black Box Theater, third floor Iowa Memorial Union (IMU)

photo ©Farid A. Abraham This exhibition presented a selection of 90 objects from the collection that were created during a seminal period in the

Black Sheep Bikes (American, 1999), UIMA Phat Bike, 2013, history of 20th century American art. titanium, 40 x 70 x 29 in., Purchased with Philip D. Adler Funds, m2013.23 Addressing a significant core of the UIMA

UIMA 2013–2014 ANNUAL REPORT 12 The exhibition was co-curated by Chief of Cinematic Arts, focused on a variety of Curator Kathleen A. Edwards and Professor techniques for creating moving images that Joni L. Kinsey, with graduate curatorial are formally engaging and visually striking. assistant Sarika Sugla. An exhibition Four videos were selected for the UIMA catalogue, with essays by Edwards, Kinsey, Video Classrooms: Dark Blue by Lauren and Dr. Erika Doss (Notre Dame), with Lasko, LAPSE by Evan Kruse, Cold Soup by catalogue entries by Emily Kerrigan, UI PhD, Jon Graf, and Dreams by Max Moore. was published by UIMA and distributed by UI Press. POLLOCK ON THE MOVE

February 22–June 15 investigating the works on display. While Abstract expressionist painter Jackson ART & LIFE IN AFRICA the exhibition included brief labels and a Pollock’s seminal work Mural (1943) was Black Box Theater, third floor handout about art objects for those who conserved as part of a collaboration between Iowa Memorial Union (IMU) are not technologically inclined, its most the Getty and the University of Iowa Museum extensive information source was the of Art. The painting traveled to the Getty A key priority for the UIMA is to determine ALA website, which was accessible in the Center in Los Angeles during the summer how best to facilitate the research, teaching, exhibition space via smartphones, tablets, of 2012, where it underwent technical study and learning objectives of faculty and and computers. (Visitors who wished and conservation treatment by research students across the university, as well as to explore the show in more depth but scientists at the Getty Conservation Institute provide state and worldwide access to the lacked a suitable device were able to use (GCI) and conservators at the J. Paul Getty collections and educational resources. To one provided by the UIMA during a gallery Museum. The GCI is currently leading a meet these objectives, UIMA Curator of visit.) This curatorial strategy represents a comprehensive research effort into modern African and Non-Western Art Catherine move away from conventionally passive paints and the challenges they present in Hale, working in partnership with Professor modes of communication and toward terms of conservation. Mural is considered Christopher D. Roy of the School of Art and more participatory models of audience by many to be the most significant and Art History, developed both an exhibition engagement. influential painting in American art since and a website that featured content from World War II. The painting has been in the Professor Roy’s original landmark project, UIMA’s art collection since it was offered also called Art and Life in Africa, or ALA. VIDEO CLASSROOMS to the university by Peggy Guggenheim in Pushing the boundaries of the traditional 1948 (received in 1951). art exhibition, the new exhibition coincided Selections from student work in Image with the inauguration of the ALA website Design, a course taught by Assistant The Getty Museum regularly undertakes and invited visitors to take an active role in Professor Jesse McLean in the Department the conservation of key works of art from

UIMA 2013–2014 ANNUAL REPORT 13 institutions around the world as part of CURATORIAL INITIATIVES • Acquisition proposals completed for 70 the Getty’s overall philanthropic mission, objects, which were then accessioned and has developed an active collaboration into the collection • Art and Life in Africa website launched program where it works in conjunction • Collaborator on Mauricio Lasansky February 22. From its launch to the end with guest conservators and the curators and the First Generation, August 25– of the fiscal year on June 30, the website from institutions whose works are being September 11, Levitt Gallery, ABW had 194,161 page views. Visitors came conserved. These projects are undertaken at • Continuing research on Mural, partially from 174 countries around the world. The little or no cost to the institution in exchange funded with a grant from The Getty top ten countries with the most visitors for the opportunity to show the work in the Foundation were: United States, United Kingdom, museum’s galleries following conservation. Germany, France, Netherlands, South Prior to the conservation, GCI scientists and Africa, Spain, Nigeria, and Australia. On the Getty Museum’s painting conservators February 22 the website received Gold DONORS AND FUNDRAISING collaborated on an investigation into the at the American Advertising Awards ACTIVITIES materials and techniques of the painting Gala (http://now.uiowa.edu/2014/02/ and, together, developed a treatment ui-foundation-and-university-win- Current and future gifts of art to the approach. Once the conservation was american-advertising-awards). collection, stewardship: Deborah Lee complete, Mural was exhibited at the Getty • Final manuscript submitted, “Elizabeth (conservation), Mrs. Robert Rohm (complete), Center for three months between March Catlett at Iowa” for forthcoming UI Press Amy Conger, Karen Beall, Robert Kipniss, 11 and June 1, 2014, where it received the book “Invisible Hawkeyes” Stan Brodsky, Bruce Dorfman, Estate of highest number of visits for a show at the • Exhibition research and gifts of art Ellen Lanyon (complete), Laura Young for Getty: 304,394. The opening in March was a stewardship for Eye on UI II: Brodsky, Tom Aprile, Ron Kastner, Ruth Fine for Larry popular event, where President Sally Mason Dorfman, Kipniss, Lanyon, Figge Art Day, Betty Hahn (complete), Bruce Silverstein spoke, amongst other leaders. Museum, spring 2015 Gallery, Bezanson Estate (complete), Naomi • Collection development and research: Schedl, Hatch-Billops. Jackson Pollock (1912–56) is among the most Alden Lowell Doud bequest, for influential painters in American history. acquisition and exhibition From The Mural is widely recognized as a crucial Grand Tour to American Pop: Learning PROFESSIONAL ACTIVITIES AND watershed for the artist, and is credited with the Doud Collection, February 21– OUTREACH with inspiring the emergent Abstract May 17, 2015. Partially funded with a Expressionists of the mid-20th century. grant from the International Fine Print • Undergraduate intern completed project Mural was Pollock's first commission by Dealer’s Association. Over 150 objects examining African textiles legendary art collector Peggy Guggenheim. from the Doud bequest will be proposed • Graduate curatorial assistant continued for the collection in 2013–14. work on Art & Life in Africa website

UIMA 2013–2014 ANNUAL REPORT 14 • Curatorial assistant worked with faculty PRESS COLLABORATIONS AND and students in Visual Classroom MENTIONS IN REGIONAL MEDIA • Two undergraduate interns in Museum Studies completed catalogue raisonné • http://thegazette.com/2014/03/14/ research on Rembrandt and Dürer prints uis-african-art-collection-displayed-in- in the UIMA collection; one intern is interactive-exhibit-website/ continuing with print collection research • http://now.uiowa.edu/2014/02/ through 2014 ui-foundation-and-university-win- • Graduate curatorial assistant completed american-advertising-awards

research and work on rights and • http://littlevillagemag.com/art-and- Sarika Sugla and Kevin Chamberlain are the two new staff reproductions for the book New Forms: life-in-africa-brings-new-depth-to- members for the Legacies for Iowa. The Avant-Garde Meets the American the-uimas-permanent-collection/ Scene, 1934–1949, Selections from the This year, the Legacies program has two new University of Iowa Museum of Art staff members. Sarika Sugla, the Assistant • Research assistant wrote catalogue Curator for Legacies will be managing the entries for the book New Forms: The overall program, addressing curatorial Avant-Garde Meets the American needs, loan and exhibition logistics, and Scene, 1934–1949, Selections from the outreach. Kevin Chamberlain, the Legacies University of Iowa Museum of Art preparator, will handle the photography, • Graduate curatorial assistant and movement, and preparation of objects curatorial assistant completed research for loans and exhibitions. Both are recent on Mural for the Getty Research Institute Master of Fine Arts graduates from the With a $500,000 five-year gift from the publication, supported by a Getty University of Iowa. Foundation grant Matthew Bucksbaum Family, the UIMA has been able to bring its unique works of • Curatorial assistant completed catalogue Exhibitions that have been included in the art to museums, non-profit galleries, and raisonné research on Old Master prints Legacies’ program for this year are: in the Doud collection, supported by a art centers across the state of Iowa that Legacies for Iowa: Modern Masterworks grant from the International Fine Print meet professional museum standards. from the University of Iowa Museum of Art Dealers Association Not only does this program cover the loan fees associated with exhibitions, but On average, since April 2009, 25 celebrated Legacies actively facilitates conversations works of art spanning 70 years of Modern and engagement between UI faculty, staff, Art, curated by Kathleen Edwards, are and students, and the communities of the featured in the UIMA galleries at the Figge borrowing sites. Art Museum.

UIMA 2013–2014 ANNUAL REPORT 15 Eye on UI: Byron Burford, Stuart Edie, James Power of Line: Prints of the European and This large and comprehensive exhibition Lechay American Etching Revival of 43 prints was first exhibited at UIMA, A survey of paintings by mid-20th century UI This exhibition, curated by Professor Joni and traveled to the University of Northern School of Art and Art History faculty from L. Kinsey and Chief Curator Kathleen A. Iowa September 20–December 2, 2013. In the UIMA collection is currently on display Edwards, with UI students, consists of key conjunction with the exhibition, Professor at the Figge Art Museum. examples of late 19th and early 20th century Joni L. Kinsey gave a lecture that provided technical experimentation, intellectual a deeper understanding of the subject for inquiry, and aesthetic expression, including UNI students and faculty. maritime and landscape subjects and scenes of everyday life.

I AM: Prints by Elizabeth Catlett Elizabeth Catlett (1915–2012) was the first student recipient of a Master of Fine Arts degree from the University of Iowa. She received her MFA in 1940—in an era when being African American, female, and an artist constituted three strikes against her. Yet given these challenges, Elizabeth Catlett went on to become one of the most distinguished and celebrated artists

James Lechay Frederick Stuart Church The Tomasinis, 1966 The Mermaid, 1880 Oil on canvas Etching in green ink UI graduate student Thomas Deaton helps an MAE student Gift of James and Rose Lechay Gift of J. Thomas and Debra Gabrielson Lee with the relief printmaking process.

UIMA 2013–2014 ANNUAL REPORT 16 of our time. The exhibition, curated by objects, including a Yoruba Divination Kathleen Edwards, features 24 prints from Tapper and Twin Figure, Dan Kagle mask, the collection. Bwa plank mask, Senufo Firespitter mask, Igbo Spirit Maiden mask, and Baga serpent This exhibition was loaned to the figure, was exhibited at the AAMI January Maquoketa Art Experience (MAE) and 11, 2013–March 29, 2014. was displayed March 31–May 30, 2014. This venue underwent extensive facilities renovations in order to raise their art Art and Life in Africa center to a professional standard that After the Art and Life in Africa exhibition could accommodate the UIMA loan. This closed in June, it was adapted for travel as exhibition raised many conversations within part of the Legacies project. The ALA website the Maquoketa community, ranging from and the UIMA Mapping Project will provide issues of identity to general exhibition readily accessible resources for educators in and gallery success. Kathleen Edwards the communities receiving this exhibition gave two lectures about Catlett at MAE, and offer options for different kinds of and the additional programming that the engagement. Of course, communities that UIMA facilitated between MAE and the do not host the exhibition will be able to UI Printmaking department and Grant draw on these online resources in their Wood Colony allowed for MAE visitors to teaching/learning activities in and outside of benefit from lectures and workshops that the classroom, too. Currently, the UIMA is in provide participants with a comprehensive conversations with the Dubuque Museum of understanding of this artist’s work and Art to loan a small segment of the original Cote d’Ivoire; Senufo peoples process. Art and Life in Africa exhibition November Mask [kpelie] Wood 18, 2014–January 25, 2015. The Stanley Collection

Western Africa Before the Boats In addition, the UIMA is currently in many 16, a performance event at the National This collaboration with Lynn Koos, Curator ongoing discussions in preparation for Czech and Slovak Museum and Library on of the African American Museum of Iowa upcoming loans with new venues for the November 30, an exhibition loan to the (AAMI), identified the key African sculptures 2014–2015 year, including the loan of Grant Faulconer Gallery at Grinnell College in from the UIMA collections that were Wood’s Plaid Sweater and original Bonnie the Spring of 2015, and a possible drawing integrated into her exhibition, Western Doon sweater to the Dubuque Museum exhibition to the Waldemar A. Schmidt Art Africa Before the Boats. This loan of eight of Art on display October 1–November Gallery at Wartburg College.

UIMA 2013–2014 ANNUAL REPORT 17 PRESS COLLABORATIONS AND achievements and pledge support for MENTIONS IN REGIONAL MEDIA upcoming projects at the University of Iowa Museum of Art (UIMA). • “UNI Gallery of Art to present UIMA’s Legacies for Iowa exhibition The Power of Line.” UNI Newsroom, September 23. http://uni.edu/ newsroom/uni-gallery-of-art-to- present-uima%E2%80%99s-legacies- for-iowa-exhibition-the-power-of-line.

• “UIMA’s Power of Line opens Sept. Maddison Spencer (left) and Benjamin Farlow, students 30 at UNI.” IowaNow, September 12. at Linn-Mar High School in Marion, hold Ere Ibeji (twin figures) from Nigeria; Yoruba peoples. This example of http://now.uiowa.edu/2013/09/uimas- African art brought to their school through the outreach power-line-opens-sept-30-uni. efforts of the UI Museum of Art and is part of the UIMA Jackson Pollock (American, 1912–1956), Mural (detail), School Programs Collection. Jordan Edberg is the student 1943, oil and casein on canvas, 95 5/8 x 237 ¾ in. • “Catlett exhibit to be shown in in the background. (242.9 x 603.9 cm), Gift of Peggy Guggenheim, 1959.6, Maquoketa.” Clinton Herald, March Reproduced with permisson from the University of Iowa 29. http://www.clintonherald.com/ 2. President Mason honors UIMA supporters, lifestyles/x1387894551/Catlett-exhibit- Iowa Now–Sep 19, 2013: Five Iowa City 4. UI briefs regents committee on Museum to-be-shown-in-Maquoketa. “Artist residents and a downtown development of Art replacement plans, Iowa Now–Sep Never forgot a life mission.” Herald- group were honored this week for their 10, 2013: University of Iowa officials briefed Leader, May 8. support of the University of Iowa Museum members of the Board of Regents, State of of Art (UIMA). ... Numerous other institutions across Iowa are hosting UIMA exhibitions and art as ... Press releases and coverage 2013–2014: further examples over the year

1. UIMA sets new record for annual audience total, Iowa Now–Dec 16, 2013: The University of Iowa Museum of Art (UIMA) set an all-time museum record for attendance 3. UIMA seeks artists to create wearable art, at events, programs, and exhibitions during Iowa Now–Dec 4, 2013: UIMA seeks the 2012–13 academic ... artists to create wearable art ... the year's photo by Tim Schoon (2008)

UIMA 2013–2014 ANNUAL REPORT 18 5. Henry Luce Foundation funds aid UIMA, 8. UIMA's First Friday features Busch's blues, Iowa Now–Jul 2, 2013: The University of Phipps' photos, Iowa Now–Sep 4, 2013: Iowa Museum of Art (UIMA) has received a Wellman, IA, June 2013, a photo by Barry special $40,000 grant from the American art Phipps, will be among those on display at program of the Henry Luce Foundation, ... the UI Museum of Art's First Friday reception on Sept. 6. Photo courtesy of ...

Assistant to the Curator of Education Chris Merkle shows artwork from the University of Iowa Museum of Art Education Collection to students at Willowwind School in Iowa City.

7. UIMA's Power of Line opens Sept. 30 at UNI, Iowa Now–Sep 12, 2013: Two Iowa Regent universities are providing Iowans in the Waterloo/Cedar Falls area—and all who travel there—with an opportunity to see and enjoy the works ...

Grant Wood's Plaid Sweater will be among the works of art digitized by the UIMA with grant funding from the Henry Luce Foundation.

Wellman, IA, June 2013, a photo by Barry Phipps. Photo courtesy of Barry Phipps. 6. UIMA K–12 Schools Program reaches more than 18000 students, Iowa Now– Jul 16, 2013: More than 18,400 Iowa K–12 students learned about art through hands- on presentations featuring original works of James Abbot McNeill Whistler (America, 1834–1903), The Forge, 1861, Drypoint, 9 13/16 x 13 1/4 in. (24.9 x 33.7 cm), art from around the world this past year, ... Gift of Wylie Mullen, M.D., 1997.163

UIMA 2013–2014 ANNUAL REPORT 19 9. UIMA First Friday features woven art 10. UIMA lecture focuses on New Deal works 12. UI Museum of Art says 'Hooray for May!', Iowa Now–Oct 21, 2013: Come celebrate of art, Iowa Now–Oct 28, 2013: UIMA lecture Iowa Now–Apr 24, 2014: Come celebrate “The Woven Life” at the next University of focuses on New Deal works of art. Share “Hooray for May!” at the next University of Iowa Museum of Art (UIMA) First Friday on on facebook ... 6, at 7:30 p.m. in 240 Art Iowa Museum of Art (UIMA) First Friday on Friday, Nov. 1, from 5–7 p.m. at hotelVetro. Building West on the University of Iowa Friday, May 2, from 5 to 7 p.m. at FilmScene, For $5, indulge ... campus. “The American ... on the ...

Ann Prentice Wagner

11. Splatter to Sparkle—Join the Journey!, Iowa Now–Mar 14, 2014: The University of Iowa Museum of Art (UIMA) will hold its annual Museum Party from 8 to 11 p.m. Saturday, April 12, in the Oakdale Ballroom of the Coralville ...

Jan Friedman, Prairie Fire: Regrowth, 20" x 28", Image courtesy of Jan Friedman

Jackson Pollock (American, 1912–1956), Mural, 1943, oil and casein on canvas, 95 5/8 x 237 ¾ in. (242.9 x 603.9 cm), Gift of Peggy Guggenheim, 1959.6, Reproduced with permisson from the University of Iowa

UIMA 2013–2014 ANNUAL REPORT 20 13. UI seeks land development proposals 16. Washington Post Getty videos explain for new Museum of Art, Iowa Now–Mar conservation of Jackson Pollock's 1943 13, 2014: The University of Iowa released Mural Los Angeles Times–Mar 11, 2014: today its Request for Qualifications (RFQ) In 1959 Guggenheim donated Mural to to ... The former UI Museum of Art (UIMA) the University of Iowa, where it's now a building was flooded in June 2008, and ... centerpiece in the collection of the Museum of Art. The UIMA website—which ...

17. San Francisco Chronicle Mural restoration prompts wearable works of art Washington Times–Apr 4, 2014: IOWA CITY, Iowa (AP) – When Christiana Byrne began designing a Walter Wellington Quirt (American, 1902–1968) , Returned on the Shield, 1947, oil on canvas, 39 3/4 in. x 29 1/2 in., wearable work of ... “The UIMA Members University of Iowa Museum of Art, Gift of Roy D. Neuberger Council, who acted as the jury for the wearable art ... 15. Restored Mural to return to Iowa this

Blue Interior with Two Girls, Henri Matisse, 1947, Oil on summer, Iowa Now–Jan 27, 2014: Jackson canvas, University of Iowa Museum of Art Collection, Gift Pollock's Mural, Iowa's most famous painting of Owen and Leone Elliott, 1968.38 and one of the world's most ... This program not only provides works of art from the 14. New Forms now on display in IMU, UIMA's 14,000-plus ... Iowa Now–Sep 23, 2013: Addressing a significant core of the UIMA collection, from Jackson Pollock's ... of American modernism, with specific focus on Iowa as a hotbed of University of Iowa graduate student Christiana Byrne shows off her wearable art piece at the UI Studio Arts Building. controversy ... Photo by Tim Schoon

UIMA 2013–2014 ANNUAL REPORT 21 18. Can digital fabrication be handmade?, 19. $500000 gift to benefit UI Museum of 21. UI's African art collection displayed in Iowa Now–Apr 14, 2014: ... he presents the Art's statewide collections ..., Iowa Now–Sep interactive exhibit, website The Gazette, latest University of Iowa Museum of Art 5, 2013: The Forge, 1861, by James Abbot Eastern Iowa Breaking News and Headlines– SmartTalk Thursday, ... to participate in this McNeill Whistler (American, 1834–1903) is Mar 14, 2014: UI Professor of Art History program, contact the UIMA in advance at part of “Legacies for Iowa: A University of Christopher Roy partnered with University 319-335-1727. Iowa Museum of Art Collections Sharing ... of Iowa ... Hale to create the Art and Life in Africa site, http://africa.uima.uiowa.edu/.

20. What Will Watson Do with a Power8 Brain?, HPCwire–Aug 27, 2013: Apache's Hadoop and UIMA (Unstructured Information Management Architecture) frameworks also played a role in Watson's software. The area where Watson ...

Joshua DeMonte with one of his large sculpture-like jewelry pieces. Photo courtesy of artist.

The University of Iowa Museum of Art, The Stanley Collection, X1986.492

UIMA 2013–2014 ANNUAL REPORT 22 THE BREAKDOWN: WEBSITE VISITORS – 96,968 total 2013–2014 EXHIBITIONS AND EVENTS – AUDIENCE & PARTICIPANT 411,889 total • 32,796 visits to Art & Life in Africa web portion of exhibition TOTAL • 4,760 at UIMA member and public events • 64,172 visits to UIMA website • 81,216 visited UIMA galleries at the Figge 538,260 people Art Museum in Davenport (including 8,241 visitors to the exhibition A Movable Museum: Works from the UIMA School Programs Collections at the Figge Art Museum) • 5,902 UIMA@IMU visitors EDUCATION AND OUTREACH – • 1,257 viewed Legacies exhibitions at 29,403 total the Maquoketa Art Experience • 25,505 in K–12 school programs • 304,394 visitors to the Getty exhibition (includes 513 presentations, 491 classes, in Los Angeles 98 locations, 16 communities, 9 counties)

• 11,727 visitors to UIMA art at the • 2,694 in UI tours and programs African American Museum of Iowa in Cedar Rapids • 53 in other college tours

• 2,019 visitors to the UIMA’s Power of Line • 1,151 at Senior Living Communities exhibition at the University of Northern Iowa in Cedar Falls

• 500 viewed Video Classrooms presentations

• 114 participated in other UIMA programs (private tours, Members Council tours, other presentations) Education Coordinator Alexandra Minchich describes a cloth to students in Mt. Vernon, IA.

UIMA 2013–2014 ANNUAL REPORT 23

EDUCATION

EXHIBITION interdisciplinary curriculum. Through PROGRAMMING this program, UIMA Education Partners JUNE 7–AUGUST 3 (including private foundations, corporate Public A MOVABLE MUSEUM: sponsors, and individuals) have funded the • August 17: Iowa State Fair WORKS FROM THE UIMA SCHOOL purchase of artworks that travel to schools, PROGRAMS COLLECTIONS libraries, and other educational settings. Works from five continents, demonstrating Figge Art Museum, Davenport, IA a wide range of media, are incorporated into the classroom experience. For the first In June of 2008, the University of Iowa time art objects from the School Programs Museum of Art was one of many structures Collections were on view in a comprehensive on the university’s campus that were exhibition at the Figge Art Museum. The affected by severe flooding. The UIMA exhibition was an experiment intended to was faced with the challenge of continuing inform our ideas about using the UIMA to educate people about art without a School Programs Collections, within the traditional museum environment. Based on future UIMA as well as in the community. committed and consistent outreach efforts, the UIMA School Programs have grown to This exhibition, curated by Dale Fisher The Iowa State Fair provides fantastic outreach become a focal point for the museum’s opportunities for the UIMA. Here, Assistant Curator of and Josh Siefken, was comprised of Education Josh Siefken demonstrates the fit of a wooden Education Department as it continues to seminal works from each of the six UIMA mask on a child. serve K–12 students of Iowa across the School Programs Collections. The themes represented were: African Art, American • September 16: The Bette Spriestersbach Indian and First People’s Art, Comics and Distinguished Lecture, “American Graphic Novels, The Art of India: Hindu Icons Moderns in the 1930s and 40s: The and The Art of India: Folk Arts, Gee’s Bend Triumph of Diversity," by Erika Doss. She Quilts, and Ceramics and Contemporary was the director of the American Studies Craft. program and professor of fine arts at the University of Colorado, Boulder, for 21 years. Currently she works as an art historian and chairperson of the Department of American Studies at the University of Notre Dame.

UIMA 2013–2014 ANNUAL REPORT 25 • September 25: Lecture, “Traditions collaboration with Java House, Iowa City. and Trends in Pueblo Pottery of the Presenter: Dale Fisher Southwest,” by Dale Fisher at Old Capitol • November 16 lecture, “Traditions Museum and Trends in Pueblo Pottery of the • September 26: Jeanne and Richard Southwest,” by Dale Fisher at Old Levitt Lectureship: American Crafts in Capitol Museum (September 25 program Context: “A Troublesome Subject: The repeated at the request of the public) Art of Robert Arneson,” by Jonathan • December 12: “Grounds for Art: Hindu Fineberg. He is the adjunct curator of Icons,” collaboration with Java House, the Parrish Art Museum in Southampton, Iowa City. Presenter: Josh Siefken New York, visiting Presidential Professor • January 16: “Grounds for Art: Gee’s Bend Nii Quarcoopome at the University of Nebraska, and the Quilts,” collaboration with Java House, Edward William and Jane Marr Gutgsell Iowa City. Presenter: Dale Fisher • April 10: Lecture, “Perspectives on Professor of Art History Emeritus at the • March 10: “Comics and Graphic Novels,” African Art and Life: Projects, Passions, University of Illinois, Urbana-Champaign. Arts on Grand, Spencer, IA. Presenter: and Pet Peeves over Fifty Years,” by He is also a trustee emeritus of the Dale Fisher Herbert Cole, a professor emeritus of Phillips Collection in Washington, DC, • March 20: "Elizabeth Catlett and the Department of the History of Art where he was founding director of the the Women of Gee’s Bend Quilts;" and Architecture at the University of Center for the Study of Modern Art. Maquoketa Art Experience, Maquoketa California, Santa Barbara. • October 17: “Grounds For Art: African Iowa. Presenter: Dale Fisher • June 12: Public Opening for A Moveable Art,” collaboration with Java House, • March 27: Curator’s Circle Lecture, Museum: Works from the UIMA School Iowa City. Presenter: Dale Fisher “In Search of the ‘African’ in Art Programs Collections • November 6: Lecture, “The American Museum Installations: The Remaking • Exuberant Politics Film Series: Political Scene: Place in New Deal Art,” by Ann of the DIA African Art Gallery,” by Nii artists engaging in directed creative Prentice Wagner, Curator of Drawings Quarcoopome, Curator of African Art efforts, activities devising interventions at the Arkansas Arts Center in Little and head of the department of Africa, of street theater, peaceful protesters Rock, who has previously worked for the Oceania, and Indigenous Americas at the with cameras, and animators with axes Smithsonian American Art Museum, the Detroit Institute of Arts and Curator of to grind—all of these are expressions National Portrait Gallery, George Mason African Art at the Nelson-Atkins Museum of “exuberant” politics. This film and University, Towson State University, and of Art in Kansas City. video series arose from a call to curators the University of Maryland, College Park. to assemble an exuberant program • November 14: “Grounds for Art: featuring creative responses to historical American Indian and First Peoples Art,” and contemporary political issues. The

UIMA 2013–2014 ANNUAL REPORT 26 works conceptualize the politics of SmART Talks projects in architectural lighting and product protect, and depict new forms of social design. He has been instrumental in the In the fall of 2013 the UIMA introduced the action. Films included Dream Factory evolution of lighting design education and is “Smart Talks” series. Planned and executed curated by Aily Nash, curator of films a tenured associate professor and director of by Elizabeth Wallace, these talks are fueled and video work at Basilica Hudson and the MFA lighting design program at Parsons by a passion for the arts and the desire an editor of a film criticism program at The New School for Design in New York City. to challenge museum audiences. They are the Berlinale International Film Festival, designed to open an inspiring discussion and Andrew Norman Wilson, a 2011 As director of the Peabody (Anthropology) between the leaders of the art world and recipient of the Dedalus Foundation Museum at Harvard University (1997–2004), our community. MFA Fellowship and the Edward Ryerson Dr. Rubie Watson was deeply involved in Fellowship; An Ingenious Response to the repatriation of many Native American Speakers over the past year included Barry Colonialism curated by Pablo de Ocampo, objects and human remains to tribal officials Bauman, an art conservator who served in artistic director of the Images Festival, throughout the United States. In her talk, the Conservation Department at the Art one of the largest platforms for the she discussed her personal experience of Institute of Chicago for eleven years, leaving exhibition of artist-made film and video these efforts at the Peabody and the United as the associate conservator of paintings. In in North America, and God’s Special States federal law Native Americans Graves 1983 he founded the Chicago Conservation Envoys curated by Abigail Addison, Protection and Repatriation Act (NAGPRA). Center which became the largest private associate director at Animate Projects, facility in America. Major projects included the UK’s only arts charity that supports the conservation of 172 flood-damaged and promotes artists’ animation. paintings for the Chicago Historical Society • October 22: Exuberant Politics Film and the preservation of more than 300 Series, Dream Factory WPA and pre-WAPA murals for the Chicago • November 12: Exuberant Politics public schools. In 2004, Bauman left the Film Series, An Ingenious Response private sector to establish America’s first to Colonialism national conservation laboratory dedicated • December 3: Exuberant Politics to offering complimentary conservation Film Series, God’s Special Envoys services to museums and nonprofit organizations. Donor/Volunteer Events Rubie Watson • October 22: Director’s Circle Derek Porter, the co-owner and principal • March 9–13: Patron trip to Los Angeles designer of Derek Porter Studio, leads • April 30: Volunteer Appreciation philosophical interests, collaborative Reception thinking, and detail development for

UIMA 2013–2014 ANNUAL REPORT 27 Joshua DeMonte is a professor and artist K–12 School Programs Grant Wood Elementary School, operating in Baltimore, Maryland. He Iowa City • 25,505 students currently runs the Interdisciplinary Object Grounds for Art, Java House, Iowa City • 513 presentations to 491 classes, in Design program and Object Lab at Towson Handicare, Inc., Coralville 98 locations, in 16 communities, in 9 University. His jewelry work combines Harding Middle School, Cedar Rapids counties the qualities of traditional adornment Hawkeye Caucus, Iowa State Capitol, • Total list of locations visited: and architectural form. The pieces, when Des Moines oriented on the figure, transform the wearer A Moveable Museum: UIMA School Hoover Elementary School, Iowa City into the landscape or figure existing within Programs Exhibition, Figge Art Museum, Hoover Elementary School, Cedar Rapids the architectural space. Davenport Hoover Elementary on Campus Care, A Moveable Museum: UIMA School Iowa City Programs, Figge Art Museum docent Hoover Elementary Parent Teacher training; Davenport Association Meeting, Iowa City A Moveable Museum: UIMA School Horace Mann Elementary School, OUTREACH and ON-SITE Programs, Figge Art Museum docent Iowa City training; Davenport PRESENTATIONS Horn Elementary School, Iowa City A Moveable Museum: UIMA School Iowa City Community School Districts: Programs, Public Opening; Figge Art Core Curriculum and Arts Integration Museum, Davenport Workshop, Iowa City A Moveable Museum: UIMA School Iowa City West High School, Iowa City Programs, Public Program; Figge Art Iowa State Fair, Des Moines Museum, Davenport John F. Kennedy High School, Arts on Grand, Spencer Cedar Rapids Beadology, Iowa City Kate Wickham Elementary School, Briggs Elementary School, Maquoketa Coralville City High School, Iowa City Kirkwood Elementary School, Coralville Central Elementary School, Cedar Rapids Coralville Lincoln Elementary School, Spencer East Elementary School, Ankeny Linn-Mar High School, Cedar Rapids Eldridge Branch, Scott County Library, Longfellow Elementary School, Iowa City

Curator of Education Dale Fisher shares information about Eldridge Lucas Elementary School, Iowa City the School Programs Collections with elementary school Garner Elementary School, North Liberty Madison Elementary School, Cedar Rapids students in Spencer, IA. Goodwill of the Heartland, Cedar Rapids Mann Elementary, Iowa City

UIMA 2013–2014 ANNUAL REPORT 28 Maquoketa Art Experience, Maquoketa University of Iowa Class: First Year University of Iowa Museum of Art Senior Mary Welsh Elementary, Williamsburg Seminar: Drawn into Learning: Use Living Communities Program, Highland Musser Library, Muscatine Cartoons to Improve Your Writing, Ridge, Williamsburg Nixon Elementary School, Hiawatha Iowa City University of Iowa Museum of Art Senior Norman Borlaug Elementary School, University of Iowa International Living Communities Program, Iowa City/ Coralville Programs: Human Rights Day, Iowa City Johnson County Senior Center, Iowa City North Central Junior High School, University of Iowa Museum of Art: University of Iowa Museum of Art Senior North Liberty Museum Studies Program: Topics in Living Communities Program, Lantern Northwest Junior High School, Coralville Museum Studies: The Continuing Role Park, Coralville OVM Summer Camp, Iowa School for of Museum Collections, Iowa City University of Iowa Museum of Art Senior the Blind, Iowa City University of Iowa Museum of Art Living Communities Program, Legacy Old Capitol Museum Lecture: Traditions Gallery Instructor Advisory Meeting, Senior Living Community, Iowa City and Trends in Pueblo Pottery of the Iowa City University of Iowa Museum of Art Senior Southwest, Iowa City University of Iowa Museum of Art Living Communities Program, Melrose Penn Elementary School, North Liberty Gallery Instructor Meetings, Iowa City Meadows, Iowa City Prairie Creek Intermediate School, University of Iowa Museum of Art Senior University of Iowa Museum of Art Senior Cedar Rapids Living Communities Docent Meetings, Living Communities Program, Meth- Prairie Trail Elementary School, Ankeny Iowa City Wick Community: Independent Living, Princeton Branch, Scott County Library, University of Iowa Museum of Art Cedar Rapids Princeton Senior Living Communities Program, University of Iowa Museum of Art Senior Regis Middle School, Cedar Rapids Briarwood, Iowa City Living Communities Program, Meth- Robert A. Lee Recreation Center, University of Iowa Museum of Art Senior Wick Community: Skilled Nursing Care, Iowa City Living Communities Program, Crestview Cedar Rapids Shimek Elementary School, Iowa City Nursing and Rehab Center, West Branch University of Iowa Museum of Art Senior Southeast Elementary School, Ankeny University of Iowa Museum of Art Senior Living Communities Program, Oaknoll, Southeast Jr. High School, Iowa City Living Communities Program, Emerson Iowa City Spencer High School, Spencer Point, Iowa City University of Iowa Museum of Art Senior Spencer Middle School, Spencer University of Iowa Museum of Art Living Communities Program, Solon Spencer Public Library, Spencer Senior Living Communities Program, Nursing Care Center, Solon St. James Elementary School, Hawthorne Inn at Windmill Pointe, University of Iowa Museum of Art Senior Washington Coralville Living Communities Program, Walden Terrace Elementary School, Ankeny Place, Iowa City Twain Elementary School, Iowa City

UIMA 2013–2014 ANNUAL REPORT 29 University of Iowa Museum of Art Senior Mount Vernon Linda Paul: 8 Living Communities Program, Windmill Muscatine Sara Wolfson: 10 Manor, Coralville North Liberty Elizabeth Clothier: 7 University of Iowa Museum Studies Princeton Emily Lennon: 5 Program: Advanced Collections Care Solon Gail Zlatnik: 3 and Management, Iowa City Spencer Carol Klein: 12 University of Iowa Museum Studies Walcott Docents, Figge Art Museum, Davenport: 59 Program: Collections Care and Washington Management Class, Iowa City West Branch Van Allen Elementary School, North Liberty Viola Gibson Elementary School, Counties: 9 Cedar Rapids Clay ON-SITE EXHIBITION AND Walcott Branch, Scott County Library, Iowa GALLERY TOURS Walcott Jackson (*denotes University of Iowa Classes) Washington Elementary School, Johnson Mount Vernon Linn • 1,446 participants Washington High School, Cedar Rapids Muscatine • 67 tours/presentations to 30 groups/ Weber Elementary School, Iowa City Polk classes West Liberty Elementary School, Scott • Total list of groups: West Liberty Washington Advanced Collections Care & Wickham Elementary School, Iowa City Management Willowwind School, Iowa City Basic Drawing (3 classes) Staff totals: Cornell College Dale Fisher: 166 Create, Imagine, Play, Human Towns: 16 Josh Siefken: 167 Development in the Arts (9 classes) Ankeny Alex Minchich: 58 Docent Meeting (2 meetings) Cedar Rapids Chris Merkle: 2 Elements of Art (2 classes) Coralville ESL Academic Listening (2 classes) Eldridge ESL: High-Intermediate Listening & Hiawatha Docent/Gallery Teacher totals: Communication Skills Iowa City Jude Langhurst: 14 Exploring Forms in Clay 1 (5 classes) Maquoketa Kathrine Nixon: 2 FEMA, Homeland Security, State of Iowa

UIMA 2013–2014 ANNUAL REPORT 30 First Year Chinese: Second Semester Gallery Attendant totals: Melrose Meadows, Iowa City (3 classes) Ellandrea Mckissack: 4 Meth-Wick Community: Independent First Year Seminar: Works of Art Emma Van Dyke: 3 Living, Cedar Rapids Germany in the World Kate Baranowski: 3 Meth-Wick Community: Skilled Nursing Goodwill CR Day Habilitation Samantha Steines: 2 Care, Cedar Rapids History of Prints Oaknoll, Iowa City IIE Writing: High Intermediate Solon Nursing Care Center, Solon Introduction to Arts Management Docent/Gallery Teacher totals: Walden Place, Iowa City (2 classes) Gail Zlatnik: 1 Windmill Manor, Coralville Kirkwood Elementary Jude Langhurst: 2 Towns: 6 Lone Tree Art Class Sara Wolfson: 1 Cedar Rapids Private Tour: Art and Life in Africa Teresa Kelly: 1 Coralville Private Tour: Pat Hanick & Kay Braverman Iowa City (2 tours) Solon Private Tour: UIMA@IMU (2 tours) SENIOR LIVING COMMUNITIES West Branch Romantic Revolution (SLC) PROGRAM Williamsburg Samuel Green: Washington High School Class • 1,151 participants Topics in Museum Studies: The • 114 presentations, in 15 locations, in 6 Continuing Role of Museum Collections communities, in 4 counties Counties: 4 Cedar University Club • Total list of locations visited: Iowa UI New Faculty and Staff Orientation (14) Briarwood, Iowa City Johnson Western Civilization III (2 classes) Crestview Nursing and Rehab Center, Linn Writers' Seminar: Poetry West Branch

Writing about the Visual Arts (2 classes) Emerson Point, Iowa City Hawthorne Inn at Windmill Pointe, Staff totals: Coralville Alex Minchich: 2 Highland Ridge, Williamsburg Christopher Merkle: 3 Iowa City/Johnson County Senior Center, Staff totals: Emily Lennon: 41 Iowa City Dale Fisher: 24 Whitney Wright: 22 Lantern Park, Coralville Josh Siefken: 6 Docent/Gallery Teacher totals: Legacy Senior Living Community, Alex Minchich: 26 Ann Ford: 9 Iowa City Becky Hall: 7

UIMA 2013–2014 ANNUAL REPORT 31 Estyl Breazeale: 7 SCHOOL PROGRAMS Jerry Laktonen (American; Alutiiq, b. 1951) Gail Zlatnik: 15 COLLECTIONS ACQUISITIONS Dunqiiq Mask Red cedar, feathers, pigment, reeds, sinew Jill Lauer: 2 (in chronological order, according to Jude Langhurst: 6 date of acquisition) UIMA School Programs Collections, AIS.44 Kathrine Nixon: 16 Jerry Laktonen (American; Alutiiq) Linda Behrendt: 4 Côte d’Ivoire; Senufo peoples Sea Otter Paddle Madeline Sullivan: 4 Kponyungo (Poro society mask) Red cedar, pigment, dentalium, beads, Madgetta Dungy: 2 Wood, pigment feathers, sinew, string Phyllis Lance: 9 UIMA School Programs Collections, AAE.22 UIMA School Programs Collections, AIS.45 Suzanne Nelson: 1 Teresa Kelly: 6 Mali; Bamana peoples Timber Vavalis (Canadian; Tlingit) Winona Lyons: 8 Ci Wara (male dance crest) Raven and Coho Paddle Wood, leather, brass, fabric, fiber Red cedar, pigment, copper, string UIMA School Programs Collections, AAS.34 UIMA School Programs Collections, AIS.46

Mali; Bamana peoples Canada; Tlingit peoples Ci Wara (female dance crest) Paddle Wood, leather, brass, fabric, fiber Yellow cedar, leather UIMA School Programs Collections, AAS.35 UIMA School Programs Collections, AIS.47

Derrick Kaamasee (American; Zuni) David Yazzie (American; Diné) Eagle power figure Eagle power figure Pipestone, turquoise Jet, mother of pearl, turquoise UIMA School Programs Collections, AIS.41 UIMA School Programs Collections, AIE.51

Canada; Haida peoples Rodney Laiwakete (American; Zuni) Totem pole (reproduction) Horse power figure Metal composite Mother of pearl, turquoise, coral UIMA School Programs Collections, AIS.42 UIMA School Programs Collections, AIE.52

Gryn White (Canadian; Haida) Ephran Chavez (American; Zuni) Totem Pole Mole power figure Argillite Jet, turquoise UIMA School Programs Collections, AIS.43 UIMA School Programs Collections, AIE.53

UIMA 2013–2014 ANNUAL REPORT 32 BOMA (Canadian; Haida) Alec Soth (American, b. 1969) Marsha Myers (American) Totem pole (reproduction) Miguel, Ten Months Old. Woodville Farm Casserole dish Marble composite Labor Camp, 2013 Stoneware ceramic UIMA School Programs Collections, AIE.54 Photograph UIMA School Programs Collections, CCC.27 UIMA School Programs Collections, GNC. 23C Timber Vavalis (Canadian; Tlingit) Bede Clarke (American, b. 1956) Raven Paddle Alec Soth (American, b. 1969) Yunomi Red cedar, pigment, copper, string Near Albany, 2012 Wood-fired stoneware ceramic UIMA School Programs Collections, AIE.55 Photograph UIMA School Programs Collections, CCC.28 UIMA School Programs Collections, GNC. 24C Brad Walker (American) and Andrew Bede Clarke (American, b. 1956) Hennessey (American) Alec Soth (American, b. 1969) Yunomi Avengers: Ultron Quest, pg. 2, Marvel Comics, Abandoned Day Care Center, Dover, Ohio, Wood-fired stoneware ceramic 2012 2012 UIMA School Programs Collections, CCC.29 Paper, ink, pencil Photograph UIMA School Programs Collections, GNC.19 UIMA School Programs Collections, GNC. 25C Chris Gustin (American, b. 1952) Yunomi Mitchell Breitweiser (American) Judi Cassell (American) Wood-fired stoneware ceramic Captain America: The Chosen, no. 2, pp. Hare’s Looking at You, Kid, 1950 by Chuck UIMA School Programs Collections, CCC.30 18–19, Marvel Comics, 2007 Jones, reproduced in 2008, Warner Brothers Paper, ink, pencil Acetate, acrylic paint Ryan Myers (American, b. 1977) UIMA School Programs Collections, UIMA School Programs Collections, Vessel, 2013 GNC.20A–B GNC.26A–C Stoneware ceramic, cork UIMA School Programs Collections, Don Kramer (Korean-American) and Wayne Guatemala CCC.31A–B Faucher (American) Worry doll wreath Batman, no. 653, pg. 4, DC Comics, 2006 Cotton, thread, wire Ryan Myers (American, b. 1977) Paper, ink, pencil Gift of Dr. Lawrence F. and Marilyn E. Staples Vessel, 2013 UIMA School Programs Collections, GNC.21 UIMA School Programs Collections, CCC.25 Stoneware ceramic UIMA School Programs Collections, CCC.32 Alec Soth (American, b. 1969) Hmong peoples Codey and Jodi, Engadine, 2012 Story cloth Ryan Myers (American, b. 1977) Photograph Cotton, thread Vessel, 2013 UIMA School Programs Collections, GNC. 22C Gift of Dr. Lawrence F. and Marilyn E. Staples Stoneware ceramic UIMA School Programs Collections, CCC.26 UIMA School Programs Collections, CCC.33

UIMA 2013–2014 ANNUAL REPORT 33 Brad Schwieger (American) Salubi Onakufe (Nigerian, b. 1952) Inocencio Vásquez Yunomi Viscosity–Missouri River Habitat Mask, 2005 Stoneware ceramic Intaglio viscosity print Wood, pigment UIMA School Programs Collections, CCC.34 UIMA School Programs Collections, CCC.40 UIMA School Programs Collections, CCC.47 Gift of Dale Fisher Douglas Navarra (American) Inocencio Vásquez Yunomi Milagros Mask Mask, 2005 Stoneware ceramic Mask, Male Wood, pigment UIMA School Programs Collections, CCC.35 Wood, pigment UIMA School Programs Collections, CCC.48 UIMA School Programs Collections, CCC.41 Bill Gossman (American) Peet Robison (American, 1949–2012) Yunomi Milagros Mask Vase, 1974 Stoneware ceramic Mask, Female Hand-blown glass UIMA School Programs Collections. CCC.36 Wood, pigment UIMA School Programs Collections, CCC.49 UIMA School Programs Collections, CCC.42 Jeff Oestreich (American, b. 1947) India; Hindu Yunomi Gabino Reyes (Mexican) Ganesha murti Stoneware ceramic Crocodile, 2005 Marble UIMA School Programs Collections, CCC.37 Wood, pigment UIMA School Programs Collections, IHI.49 UIMA School Programs Collections, CCC.43 Epifanio Fuentes (Mexican) and Laurencia Malaysian Santiago (Mexican) Moisés Jiménez (Mexican) Embroidered pillow Goat, 2005 Rabbit, 2005 Cotton, silk, velvet, thread, glass Wood, pigment, fiber Wood, fiber, pigment The Alden Lowell Doud Collection UIMA School Programs Collections, CCC.38 UIMA School Programs Collections, CCC.44 UIMA School Programs Collections, LDC.1 Gift of Dale Fisher Agustín Cruz Tinoco (Mexican) Japanese Christopher Cozier (Trinidadian, b. 1959) Guelaguetza de Oaxaca (a summer festival), Horse seal Structures and Enclosures, 2005 2005 Stone Pencil, ink on newsprint and drawing paper Wood, pigment The Alden Lowell Doud Collection UIMA School Programs Collections, CCC.39 UIMA School Programs Collections, CCC.45 UIMA School Programs Collections, LDC.2 Gift of Dale Fisher Margarito Melchor Fuentes (Mexican) Elephant, 2005 Wood, pigment UIMA School Programs Collections, CCC.46

UIMA 2013–2014 ANNUAL REPORT 34 Unknown Unknown Mexico Teacup and saucer Mask (tongue sticking out) Mask (jade) Hand-painted porcelain Wood, pigment Jadeite The Alden Lowell Doud Collection The Alden Lowell Doud Collection The Alden Lowell Doud Collection UIMA School Programs Collections, LDC.3A–B UIMA School Programs Collections, LDC.9 UIMA School Programs Collections, LDC.15

Adamie Inukpuk (Canadian; Inuit, b. 1943) Unknown Java Whale Mask (blue eyes) Architectural fragment Stone Wood, pigment, glass Wood, pigment, metal The Alden Lowell Doud Collection The Alden Lowell Doud Collection The Alden Lowell Doud Collection UIMA School Programs Collections, LDC.4 UIMA School Programs Collections, LDC.10 UIMA School Programs Collections, LDC.16

Adamie Inukpuk (Canadian; Inuit, b. 1943) Unknown Java Man holding a seal Mask (orange eyes) Mask (fangs) Stone Wood, pigment, glass Wood, pigment The Alden Lowell Doud Collection The Alden Lowell Doud Collection The Alden Lowell Doud Collection UIMA School Programs Collections, LDC.5 UIMA School Programs Collections, LDC.11 UIMA School Programs Collections, LDC.17

Myanmar Unknown Angola or Democratic Republic of the Dancer statue Mask (snake beard) Congo; Chokwe peoples Wood, pigment Wood, pigment Mwana Pwo (mask) The Alden Lowell Doud Collection The Alden Lowell Doud Collection Wood, fiber UIMA School Programs Collections, LDC.6A–B UIMA School Programs Collections, LDC.12 The Alden Lowell Doud Collection UIMA School Programs Collections, LDC.18 Thailand Unknown Buddha statue Mask (turtle) Peru Wood, pigment Turtle plastron Lotus basket The Alden Lowell Doud Collection The Alden Lowell Doud Collection Wood, reeds UIMA School Programs Collections, LDC.7 UIMA School Programs Collections, LDC.13 The Alden Lowell Doud Collection UIMA School Programs Collections, LDC.19 Java Unknown Garuda mask Mask (ox) Wood, pigment Wood, pigment The Alden Lowell Doud Collection The Alden Lowell Doud Collection UIMA School Programs Collections, LDC.8 UIMA School Programs Collections, LDC.14

UIMA 2013–2014 ANNUAL REPORT 35 Ron Netten (American) Bede Clarke (American, b. 1956) Red Starr (American; Sioux, b. 1937) Vessel with lid Plate, 2012 Vessel Earthenware ceramic Earthenware ceramic, glaze Earthenware ceramic UIMA School Programs Collections, UIMA School Programs Collections, CCC.54 Gift of Dr. Lawrence F. and Marilyn E. Staples CCC.50A–B Gift of Dale Fisher UIMA School Programs Collections, AIS.53

Pal Wright (American) Carl Radke (American) Gloria Garcia (American; Tewa, b. 1942) Vessel, 1989 Vase Vessel Earthenware ceramic Glass Earthenware ceramic UIMA School Programs Collections, CCC.51 UIMA School Programs Collections, CCC.55 Gift of Dr. Lawrence F. and Marilyn E. Staples Gift of Dale Fisher UIMA School Programs Collections, AIS.54 Marlin Pinto (American; Hopi) Flora Rodriguez (American; Casa Grandes) Snake Dancer Kachina Unknown Vessel, c. 1940 Cottonwood, pigment Scrimshaw tusk Earthenware ceramic Gift of Dr. Lawrence F. and Marilyn E. Staples Tusk UIMA School Programs Collections, AIS.48 UIMA School Programs Collections, AIS.50 Gift of Dr. Lawrence F. and Marilyn E. Staples Gift of Dale Fisher UIMA School Programs Collections, SPC.1 Sandra Quandelacy (American; Zuni) Erik Fender (American, Tewa, b. 1970) Power figure necklace Iowa Pot Stone, turquoise, beads, metal, string Pottery shard from a field Earthenware ceramic, mica Gift of Dr. Lawrence F. and Marilyn E. Staples Earthenware ceramic UIMA School Programs Collections, AIS.49 UIMA School Programs Collections, AIS.51 Gift of Dr. Lawrence F. and Marilyn E. Staples UIMA School Programs Collections, AIE.57 Robert Friedman (American, b. 1956) Barabara Talahytena (American; Hopi) Vessel with lid, 1986 Badger Kachina Iowa Earthenware ceramic Cottonwood, pigment, yarn, felt Pottery shard from a field UIMA School Programs Collections, Gift of Dr. Lawrence F. and Marilyn E. Staples Earthenware ceramic CCC.52A–B UIMA School Programs Collections, AIE.56 Gift of Dr. Lawrence F. and Marilyn E. Staples Gift of Dale Fisher UIMA School Programs Collections, AIS.55 Lar Chapella (American; Hopi) Unknown Morning Singer Kachina Gregory M. Lonewolf (American; Tewa) Tray Cottonwood, pigment Cottontail Rabbit Glass Gift of Dr. Lawrence F. and Marilyn E. Staples Earthenware ceramic UIMA School Programs Collections, CCC.53 UIMA School Programs Collections, AIS.52 Gift of Dr. Lawrence F. and Marilyn E. Staples UIMA School Programs Collections, AIE.58

UIMA 2013–2014 ANNUAL REPORT 36 Elizabeth Medina (American; Zia/Jemez) Minnie Vigil (American; Tewa, b. 1931) Marilyn Henderson (American; Acoma) Vessel Vessel Storyteller Earthenware ceramic Earthenware ceramic Earthenware ceramic Gift of Dr. Lawrence F. and Marilyn E. Staples Gift of Dr. Lawrence F. and Marilyn E. Staples Gift of Dr. Lawrence F. and Marilyn E. Staples UIMA School Programs Collections, AIS.56 UIMA School Programs Collections, AIS.59 UIMA School Programs Collections, AIS.63

Paul and Dorothy Gutierrez (American; Tewa/ Mary Small (American; Jemez, b. 1940) Vangie Tafoya (American; Jemez/Tewa) Díne) Seed pot Vessel Mudhead Earthenware ceramic Earthenware ceramic Earthenware ceramic Gift of Dr. Lawrence F. and Marilyn E. Staples Gift of Dr. Lawrence F. and Marilyn E. Staples Gift of Dr. Lawrence F. and Marilyn E. Staples UIMA School Programs Collections, AIS.60 UIMA School Programs Collections, AIS.64 UIMA School Programs Collections, AIE.59 Phyllis Tafoya (American; Tewa) Bertie Pascaul (American; Santa Ana) Gwen Tafoya (American; Tewa, b. 1965) Vessel Bowl Seed pot Earthenware ceramic Earthenware ceramic Earthenware ceramic Gift of Dr. Lawrence F. and Marilyn E. Staples Gift of Dr. Lawrence F. and Marilyn E. Staples Gift of Dr. Lawrence F. and Marilyn E. Staples UIMA School Programs Collections, AIS.61 UIMA School Programs Collections, AIS.65 UIMA School Programs Collections, AIE.60 Minnie Vigil (American; Tewa, b. 1931) Rose Bitah (American; Díne) Corn Moquino (American; Zia/Hopi) Wedding vase Tree of Life Vessel Earthenware ceramic Wool Earthenware ceramic Gift of Dr. Lawrence F. and Marilyn E. Staples Gift of Dr. Lawrence F. and Marilyn E. Staples Gift of Dr. Lawrence F. and Marilyn E. Staples UIMA School Programs Collections, AIS.62 UIMA School Programs Collections, AIE.63 UIMA School Programs Collections, AIS.57 Yolanda Velarde (American; Tewa, b. 1961) Kenya or Tanzania; Massai peoples American; Zuni peoples Vessel Beaded apron Power figure vessel Earthenware ceramic Beads, metal, string, thread Earthenware ceramic, turquoise, stone, Gift of Dr. Lawrence F. and Marilyn E. Staples UIMA School Programs Collections, AAS.36 feathers, wood UIMA School Programs Collections, AIE.61 Gift of Dr. Lawrence F. and Marilyn E. Staples Kenya or Tanzania; Massai peoples UIMA School Programs Collections, AIS.58A–E Evon (American; Acoma) Spear Seed pot Wood, metal Earthenware ceramic UIMA School Programs Collections, AAS.37 Gift of Dr. Lawrence F. and Marilyn E. Staples UIMA School Programs Collections, AIE.62

UIMA 2013–2014 ANNUAL REPORT 37 Kenya or Tanzania; Massai peoples Albert Eustache (American; Zuni) Brian Hattie (American; Zuni) Spear Wolf power figure Raven power figure Wood, metal Marble, turquoise, sinew, beads Jet, turquoise UIMA School Programs Collections, AAS.38 UIMA School Programs Collections, AIS.66 UIMA School Programs Collections, AIS.72

Kenya or Tanzania; Massai peoples Albert Eustache (American; Zuni) Wilfred Cheama (American; Zuni) Spear Mountain lion power figure Bobcat power figure Wood, metal Pipestone, turquoise Picasso marble, turquoise UIMA School Programs Collections, AAS.39 UIMA School Programs Collections, AIS.67 UIMA School Programs Collections, AIS.73

Kenya or Tanzania; Massai peoples Michael Coble (American; Zuni) Stewart Quandelacy (American; Zuni) Bow Horned toad power figure Bear power figure Wood, animal hide Serpentine, turquoise Quartz, turquoise UIMA School Programs Collections, AAS.40 UIMA School Programs Collections, AIS.68 UIMA School Programs Collections, AIS.74

Edgar Martin (American, 1898–1960) Derrick Kaamasee (American; Zuni) Wilfred Cheama (American; Zuni) Boots and Her Buddies, 1939 Six direction power figures Ram power figure Paper, pencil, ink Picasso marble, turquoise Picasso marble, turquoise UIMA School Programs Collections, GNC.27 UIMA School Programs Collections, AIS.69 UIMA School Programs Collections, AIS.75

V.T. Hamlin (American, 1900–1993) Wilfred Cheama (American; Zuni) Bryston Bowannie (American; Zuni) Alley Oop, 1939 Mountain lion power figure Shark power figure Paper, pencil, ink Picasso marble, turquoise Marble, turquoise UIMA School Programs Collections, GNC.28 UIMA School Programs Collections, AIS.70 UIMA School Programs Collections, AIE.65

Merrill Blosser (American, 1892–1983) Herbert Him (American; Zuni) Stewart Quandelacy (American; Zuni) Freckles and His Friends, 1939 Bear power figure Bear power figure Paper, non-photo blue pencil, pencil, ink Picasso marble, mother of pearl, turquoise Quartz, turquoise UIMA School Programs Collections, GNC.29 UIMA School Programs Collections, AIS.71 UIMA School Programs Collections, AIE.66

Fred Harman (American, 1902–1982) Wilfred Cheama (American; Zuni) Kurt Weiser (American, b. 1950) Red Ryder, 1939 Six directions power figures Nightshade Paper, pencil, non-photo blue pencil, ink Picasso marble, turquoise China-painted porcelain UIMA School Programs Collections, GNC.30 UIMA School Programs Collections, AIE.64 UIMA School Programs Collections, CCC.56A–B

UIMA 2013–2014 ANNUAL REPORT 38 PRESS COLLABORATIONS AND PROFESSIONAL ACTIVITIES the Hawkeye Caucus in Des Moines, IA MENTIONS IN REGIONAL MEDIA • Participated in the Arts Integration Dale Fisher Conference: Exploring an Approach to • 12.16.13, Linn-Mar Community School Curator of Education Teaching at the John F. Kennedy Center District News, “AP Art Students WOW’d for the Performing Arts in Washington, by UIMA”, https://linnmar.k12.ia.us/ • Adjunct Instructor, UI Museum Studies D.C. news/display.asp?pid=6FFB65756F- Program • Participated in the Arts Integration BA483D86B5774207D1FC3D • Lecturer, UI Department of Teaching strategic planning meeting at the Iowa • 2.17.14, Des Moines Register, “UIMA brings and Learning City Community School District African Art to Prairie Trail Elementary • Visited the Detroit Institute of Art, • Co-hosted Jonathan Fineberg and Ann School,” http://archive.desmoinesregister. Flint Institute of the Arts, University of Prentice Wagner com/apps/pbcs.dll/gallery?Avis=D2&Da- Michigan Museum of Art (Ann Arbor), • Supervised writing of all labels for and to=20140217&Kategori=COMM&Lopen- and the Broad Art Museum at Eastern installation of A Moveable Museum: r=302170139&Ref=PH Michigan University (East Lansing) UIMA School Programs Collections • 4.7.14, Spencer Daily Reporter, “Graphic researching concepts for the new UIMA exhibition at the Figge Art Museum, art presentation to tour through Spencer • Attended the 2014 National Art Davenport, IA this week,” http://www.spencerdailyre- Education Association Conference, • Provided docent training for A Moveable porter.com/story/2067933.html “Spark: Fusing Innovative Teaching and Museum: UIMA School Programs • 6.4.14, River Cities’ Reader, “A Moveable Emerging Technologies” in San Diego, Collections exhibition at the Figge Art Museum: Works from the UIMA School CA Museum, Davenport, IA Programs Collection,” http://www. • Represented UIMA Education programs • Provided supervision of UI Museum rcreader.com/news-releases/a-moveable- at the Hawkeye Caucus in Des, Moines, Studies Program interns and UIMA@ museum-works-from-the-uima-school- IA IMU Gallery Attendants programs-collection/ • Participated in the Iowa Alliance for Arts • Maintained funding for UIMA School • 9.2.14, Iowa City Press-Citizen, “UI Mu- Education Leadership Conference in Des Programs grants and donations; seum of Art K-12 program is a success”, Moines, IA successfully submitted and reported http://www.press-citizen.com/story/ • Attended the “Jackson Pollock's on three grants (an anonymous family news/local/2014/09/02/ui-museum-art- Mural: Transition, Context, Afterlife” foundation, Humanities Iowa, and the k-program-success/14936719/ symposium at the Getty Museum in Los Community Foundation of Johnson • 9.2.14, Cedar Rapids Gazette, “UI Art Angeles, CA County), maintained relationships with Museum brings art to schools”, http:// • Attended the American Alliance of corporate sponsors (US Bank, Scheel’s), thegazette.com/subject/life/ui-art-mu- Museums conference in Seattle, WA individual donors, and the Ankeny seums-brings-art-to-schools-20140902 • Represented UIMA School Programs at Parent-Teachers Association

UIMA 2013–2014 ANNUAL REPORT 39 • Served on the Advisory Board of the Collections (including making STAFF Ceramics Center (Cedar Rapids, IA) acquisitions) • Performed all deliveries of UIMA School Chris Merkle left his position as Assistant Programs Collections to local locations to the Curator of Education to attend law for school presentations and public school at Drake University in Des Moines, Josh Siefken programs IA (July 31). Assistant Curator of Education • Prepared UIMA School Programs Collections information for integration Alex Minchich replaced Chris Merkle after • Represented the UIMA at the Iowa into EmbARK collections management one month of training, on August 1. The title Museum Association annual meeting system of the position was changed to Education in Sioux City, IA Coordinator. • Represented UIMA School Programs at Whitney Wright served as coordinator the Hawkeye Caucus in Des Moines, IA for the UIMA Senior Living Communities • Participated in the Arts Integration Chris Merkle Program in the Fall of 2013. strategic planning meeting at the Iowa Assistant to the Curator City Community School District Emily Lennon began serving as the • Provided all audiovisual and technical • Successfully applied for grants from coordinator for the UIMA Senior Living support for UIMA Public Programs Humanities Iowa and the Community Communities Program in February, 2014. • Co-hosted Jonathan Fineberg and Ann Foundation of Johnson County for Prentice Wagner partial support of UIMA Senior Living • Wrote all labels for and installed A Communities Program Moveable Museum: UIMA School Programs Collections exhibition at the Figge Art Museum, Davenport, IA • Provided docent training for A Moveable Alex Minchich Museum: UIMA School Programs Education Coordinator Collections exhibition at the Figge Art Museum, Davenport, IA • Represented UIMA School Programs at • Assisted with supervision of UI Museum the Hawkeye Caucus in Des Moines, IA Studies Program interns and UIMA@IMU • Participated in the Arts Integration Gallery Attendants strategic planning meeting at the Iowa • Performed all collections management City Community School District duties for UIMA School Programs

UIMA 2013–2014 ANNUAL REPORT 40

REGISTRARIAL ACTIVITIES

LUCE FOUNDATION GRANT • Bastien-Lepage, Le Retour des Champs, Coyote, Arizona, 2006.245; Moran, 2006.141; Champney, Cupid, 2006.294; Morning on the St. John's, Florida, The Henry Luce Foundation grant has been Church, The Mermaid, 2006.134; 2006.254; Moran, The Bridge in the Pass used to proceed with work that lays the Colman, The Olive Trees of the Riviera, of Glencoe, Scotland, 2006.267; Moran, foundation for creating a rich educational 2006.275; Coxe, Home Again, 2006.314; An Apple Orchard, Easthampton L.I. environment for research for art and art Dielman, The Mora Players, 2006.222; (Mulford's Orchard), 2006.299; Parrish, history departments, the University of Fagan, Headwaters of the Sacramento Fish Houses, Rocky Neck, 2006.233; Iowa community, and the general public. (after Thomas Hill), 2006.94; Farrer, Parrish, En Port, 2006.263; Parrish, Low This grant has provided money to fund Winter Evening, 2006.288; Ferris, Tide, Bay of Fundy, 2006.296; Pennell, technology purchases, staffing, and work Maiden Holding Fruit, 2006.360; Freer, Below Chestnut Street Bridge, 2006.261; hours that begin the process of providing an The Veil (Honeysuckle), 2006.220; Slocombe, A Winter Evening, 2006.116; online research database for users to access Gaugengigl, And Drive the Dull Cares Smillie, Sentinel Rock, Yosemite, documents and detailed information related Away, 2006.218; Gaugengigl, Mischief, 2006.152; Smillie, Sleep (after Walter to the ‘Top 100 American Art’ objects at the 2006.290; Gifford, The Mouth of the Shirlaw), 2006.250; Smillie, Double University of Iowa Museum of Art (UIMA). Apponigansett, 2006.257; Gregory, Hollyhocks, 2006.269; Weir, Study of a Madison Square, New York City, Woman's Head, 2006.317; Weir, Study 2006.216; Haden, Battersea Reach/Old of a Woman's Head, 2006.318; Whistler, LOANS Chelsea, Out of Whistler's Window, The Forge, 1997.163; Wood, His Own 2006.105; Haden, Windmill Hill No. 1, Doctor, 2006.224 Incoming 2013–14 2006.293; Lalanne, Rue Des Marmousets, • Fifteen incoming loans with a total of Vieux Paris, 2006.279; Mielatz, The Old 169 items for exhibitions, classroom use, Rendezvous, Newport, R.I., 2006.260; proposed purchases and acquisitions. Mielatz, Out of Commission, 2006.308; Outgoing 2014 Moran, Long Beach, York Harbor, Maine, • Art, Activism, and Civil Rights in the Outgoing 2013 2006.203; Moran, Forest (after Thomas 1960s, Venues: Brooklyn Museum, • The Power of Line: Prints of the Moran), 2006.138; Moran, The Haunt of Brooklyn, New York, March 7–July 6; European and American Etching Revival the Muskrat, East Hampton, 2006.295; Hood Museum of Art, Hanover, New from the University of Iowa Museum of Moran, Evening, 2006.127; Moran, The Hampshire, August 30–December 21, Art, University of Northern Iowa Gallery Edge of the Swamp (after W.L. Picknell), 2014; Blanton Museum of Art, Austin, of Art, Cedar Falls, IA, September 30– 2006.163; Moran, Harvest in San Juan, Texas, February 8–May 3, 2015 December 2 New Mexico, 2006.226; Moran, The • Gilliam, Red April, 1971.11

UIMA 2013–2014 ANNUAL REPORT 42 • I AM: Prints by Elizabeth Catlett, ACCESSIONS Virginia A. Myers (American, 1927–) Maquoketa Art Experience, Maquoketa, A Travers Les Ages (Through the Ages) IA, March 17–June 12 70 accessioned and museum purposes items c. 1975 • Sharecropper, 2002.4; The School is were acquired in the 2013–2014 year. Engraving, aquatint, drypoint, burnishing, Closed, 2006.56; Double Profile, 2006.58; and scraping on Arches paper 50 5/8 x 26 in. (128.59 x 66.04 cm) Which Way?, 2006.60; The Lesson, Accessions included five works of ceramics, Gift of the Enzo Macagno Estate, 2013.27 2006.62; My Sons, 2006.64; Madonna, six drawings, four photographs, and 36 2006.66; Venedora de Manzanas, prints. Accessioned items were obtained Leola N. Bergmann (American, 1912–2011) 2006.68; Maternity, 2006.70; Bread, through 50 donations and one purchase. Hadrian and Antinous, 1968 2006.72; Singing Their Songs, from For The total number of art accessioned for Etching, soft-ground, drypoint on paper My People, 2006.74C; To Marry, from 2013–2014 was 51 items. 22 5/8 x 18 1/4 in. (57.47 x 46.36 cm) For My People, 2006.74E; All The People, Gift of the Enzo Macagno Estate, 2013.28 from For My People, 2006.74G; Malcolm X Speaks for Us, 2006.75; Mimi, 2013.5; Erich Wolfsfeld (German, 1884–1956) André Dunoyer de Segonzac (French, • Matisse, la figura. La forza della linea, Untitled (New Year's card), 1951 1884–1974) l'emozione del colore, Palazzo Dei Etching on paper, 9 11/16 x 7 3/4 in. La Ferme á L'aire en Fin D'Apres-Midi (The Diamanti, Ferrara, Italy, February 22– (24.61 x 19.69 cm) Farm in Late Afternoon), 1926 June 15 Gift of Craig Becker and Judith Becker Bryant, Etching on Van Gelder Zonen paper • Matisse, Blue Interior with Two Girls, 2013.24 15 3/4 x 20 in. (40.01 x 50.8 cm) The Nancy and Frank A. Seiberling Jr. Family 1968.38 Erich Wolfsfeld (German, 1884–1956) Collection, 2013.29 Untitled (New Year's card), 1952 Etching on paper, 7 11/16 x 9 1/4 in. Byron Burford (American, 1920–2011) (19.53 x 23.5 cm) Variation on Mildred, 1970 Gift of Craig Becker and Judith Becker Bryant, Silkscreen on paper, 24 x 19 1/4 in. RIGHTS & REPRODUCTION REQUESTS 2013.25 (60.96 x 48.9 cm) The Nancy and Frank A. Seiberling Jr. Family In 2013–14, we received requests for 87 Erich Wolfsfeld (German, 1884–1956) Collection, 2013.30 UIMA works to be reproduced in/ for Untitled (cropped version from Susanna and research purposes, catalog raisonné, the Elders), n.d. Alvar Sunol Munoz-Ramos (Spanish, 1935–) exhibition catalogs, magazines, academic Etching on paper, 7 1/8 x 9 1/4 in. 1981 publications, UI outreach. (18.1 x 23.5 cm) Lithography and embossing on Japon paper Gift of Craig Becker and Judith Becker Bryant, 24 3/4 x 34 5/8 in. (62.87 x 87.95 cm) 2013.26 Gift of Alan and Vilma Packard, 2013.31

UIMA 2013–2014 ANNUAL REPORT 43 Luis Gordillo (Spanish, 1934–) David Itchkawich (American, 1937–) Nicole Pietrantoni (American, 1981–) Prueba de Taller (Workshop Proof), 1984 A Scene from ISLAND OF THE ZOMBIE The eye’s a snare for the world (Grassland Screenprint in nine colors on paper PLANTS, 1974 Theme), 2012 27 1/8 x 19 in. (68.9 x 48.26 cm) Etching on paper, 5 1/2 x 7 1/2 in. Monoprint with bleach and salt on laser cut Gift of Alan and Vilma Packard, 2013.32 (13.97 x 19.05 cm) paper and burnt wood, 27 x 20 7/8 x 3/4 in. Gift of G. Ronald and Patricia Kastner, (68.58 x 53.02 x 1.91 cm) Luis Gordillo (Spanish, 1934–) 2013.37 Purchased with funds from Willard L. and Untitled, 1984 Susan Boyd in Honor of Sara Lindberg, Screenprint in three colors on paper David Itchkawich (American, 1937–) 2013.46 19 5/8 x 13 3/4 in. (49.85 x 34.93 cm) A Really Big One at the Jeu d'Orange Table, Gift of Alan and Vilma Packard, 2013.33 1971 Martin Smith (British, 1950–) Etching on Arches paper, 7 3/8 x 11 in. Untitled (vessel), c. 1980 David Itchkawich (American, 1937–) (18.73 x 27.94 cm) Red earthenware, 6 1/2 x 8 1/4 x 6 in. The Signing of The Wastelands Treaty, 1983 Gift of G. Ronald and Patricia Kastner, (16.51 x 20.96 x 15.24 cm) Etching on paper, 7 7/16 x 11 3/16 in. 2013.38 Gift of James H. Burke, 2013.47 (18.89 x 28.42 cm) Gift of G. Ronald and Patricia Kastner, David Itchkawich (American, 1937–) Paul Caponigro (American, 1932–) 2013.34 Sunday Afternoons with Cousin Armando, Stonehenge Portfolio 1,5,6,10,11,12, 1975 introduction, title page, box, dedication, David Itchkawich (American, 1937–) Etching on on paper, 7 1/2 x 11 1/4 in. 1967–1972/printed in 1978 Serpents in the Meeting House, 1993 (19.05 x 28.58 cm) Silver gelatin on Stonehenge paper Etching on Arches paper, 11 x 14 7/8 in. Gift of G. Ronald and Patricia Kastner, 21 1/8 x 17 in. (53.66 x 43.18 cm) (27.94 x 37.78 cm) 2013.39 Gift of Frederick M. Smith, 2013.48a,e,f,j,k,l Gift of G. Ronald and Patricia Kastner, 2013.35 Jirí­ Anderle (Czech, 1936–) Kitagawa Utamaro (Japanese, 1753–1806) Mademoiselle Henrietta als Flora, 1985 Three courtesans of Matsuba-ya House, David Itchkawich (American, 1937–) Soft-ground etching a la poupée on Holland 1797–1800 Street Scene with Whorehouse, 1980 paper, 25 3/8 x 18 3/4 in. (64.45 x 47.63 cm) Woodblock on paper, 20 x 34 1/4 in. Etching on paper, 7 1/2 x 11 3/16 in. Gift of Susan L. Palamara, in memory of Rose (50.8 x 87 cm) (19.05 x 28.42 cm) and John Palamara, 2013.45 The Novick Collection of Japanese Prints Gift of G. Ronald and Patricia Kastner, Gift of Melvin R. and Naomi J. Novick, 2013.36 2013.49a-c

UIMA 2013–2014 ANNUAL REPORT 44 Brice Marden (American, 1938–) William A. Christenberry (American, 1936–) Tadashige Ono (Japanese, 1909–1990) The Skowhegan Print, 1979 Untitled (store window), 1973 River Side, c. 1965 Etching and sugarlift aquatint on Rives BFK Type C on Kodak paper, 8 x 10 in. Woodcut on Japanese paper 18 x 14 in. (45.72 x 35.56 cm) (20.32 x 25.4 cm) 5 1/8 x 8 11/16 in. (13.02 x 22.07 cm) The Alden Lowell Doud Collection, 2014.1 The Alden Lowell Doud Collection, 2014.14 The Alden Lowell Doud Collection, 2014.19

Romualdo Moscioni (Italian, 1849–1925) Hendrick Goltzius (Dutch, 1558–1617) Unknown Tempio di Vesta, Chiesa di Santa Maria del Pietá, 1596 Untitled (Arch of Titus), c. 1825 Sole, plate 317 from Roma, 1900 Engraving on paper, 7 3/4 x 5 1/2 in. Watercolor on paper, 10 7/8 x 7 5/8 in. Albumen on paper, 7 3/4 x 10 in. (19.69 x 13.97 cm) (27.62 x 19.37 cm) (19.69 x 25.4 cm) The Alden Lowell Doud Collection, 2014.15 The Alden Lowell Doud Collection, 2014.2 The Alden Lowell Doud Collection, 2014.10 Giovanni Benedetto Castiglione (Italian, Tadashige Ono (Japanese, 1909–1990) Sherry Kerlin (American, 1944–) 1609–1664) Early Spring, c. 1965 A giant crayon falls, 1981 La Melancholia, before 1647 Woodcut on Japanese paper Graphite, colored pencil, crayon, ink, collage Etching on ivory laid paper 5 5/8 x 9 in. (14.29 x 22.86 cm) on board, 8 1/8 x 9 1/2 in. (20.64 x 24.13 cm) 8 7/16 x 4 7/16 in. (21.43 x 11.27 cm) The Alden Lowell Doud Collection, 2014.20 The Alden Lowell Doud Collection, 2014.11 The Alden Lowell Doud Collection, 2014.16 Tadashige Ono (Japanese, 1909–1990) Romualdo Moscioni (Italian, 1849–1925) Unknown By the Lumberyard, c. 1965 Tomba di Cecilia Metella, plate 357 from Untitled (drawing in reverse after the Woodcut on Japanese paper Roma, 1900 Annibale Carracci engraving Pietá the "Christ 5 3/4 x 9 1/8 in. (14.61 x 23.18 cm) Albumen on paper, 7 7/8 x 9 7/8 in. of Caprarola," 1597), 1644 The Alden Lowell Doud Collection, 2014.22 (20 x 25.08 cm) Ink on vellum, 5 3/8 x 6 3/4 in. The Alden Lowell Doud Collection, 2014.12 (13.65 x 17.15 cm) Sister Mary Corita Kent (American, 1918– The Alden Lowell Doud Collection, 2014.17 1986) Rembrandt Harmenszoon van Rijn (Dutch, Earthworld 1606–1669) Annibale Carracci (Italian, 1560–1609) Screenprint on paper, 6 3/4 x 15 3/4 in. Christ Driving the Money Changers from the Pietá (the "Christ of Caprarola"), 1597 (17.15 x 40.01 cm) Temple, 1635 Engraving, etching, and drypoint on paper 4 The Alden Lowell Doud Collection, 2014.23 Etching with drypoint on laid paper 15/16 x 6 3/8 in. (12.54 x 16.19 cm) 5 5/16 x 6 9/16 in. (13.49 x 16.67 cm) The Alden Lowell Doud Collection, 2014.18 Sister Mary Corita Kent The Alden Lowell Doud Collection, 2014.13 A purely sinister judgement Screenprint on paper, 6 3/4 x 15 3/4 in. (17.15 x 40.01 cm) The Alden Lowell Doud Collection, 2014.24

UIMA 2013–2014 ANNUAL REPORT 45 Susan Beiner (American, 1962–) Adriaen Collaert (Dutch, c. 1560–1618) George E. Ohr (American, 1857–1918) Hedonistic Vow, c. 2000 The Flight into Egypt, Plate 12 from Beatae Untitled (small jar) Porcelain, 9 1/2 x 13 1/4 x 6 in. Intacta Semper Virginis Mariae (The Life Glazed ceramic, 2 3/4 x 3 1/4 in. (24.13 x 33.66 x 15.24 cm) of the Virgin), after Stradanus (Jan van der (6.99 x 8.26 cm) The Alden Lowell Doud Collection, 2014.27a-b Straet), c. 1589 The Alden Lowell Doud Collection, 2014.43 Engraving on paper, 5 1/2 x 7 7/8 in. David Itchkawich (American, 1937–) (13.97 x 20 cm) Unknown (School of Raphael?) The Constantine Brod Family at the Beach The Alden Lowell Doud Collection, 2014.34 Untitled (drapery study), 16th–17th century Etching on paper, 7 1/2 x 11 in. Red chalk on paper, 6 9/16 x 4 11/16 in. (19.05 x 27.94 cm) Leola N. Bergmann (American, 1912–2011) (16.67 x 11.91 cm) The Alden Lowell Doud Collection, 2014.28 Tucson The Alden Lowell Doud Collection, 2014.8 Etching and drypoint on paper Bennett Bean (American, 1941–) 11 3/8 x 15 3/8 in. (28.89 x 39.05 cm) Gifford Beal (American, 1879–1956) Untitled (Vase), c. 1980–1984 The Alden Lowell Doud Collection, 2014.35 Untitled (rowboats in Central Park, New Pit-fired, painted, and gilded earthenware, 9 York), c. 1930 3/8 x 4 1/2 x 4 3/8 in. (23.81 x 11.43 x 11.11 cm) Ulfert Wilke (American, 1907–1987) Drypoint on paper, 12 1/2 x 14 13/16 in. (31.75 The Alden Lowell Doud Collection, 2014.29 Untitled, 1977 x 37.62 cm) Trace monotype on paper, 13 x 8 in. The Alden Lowell Doud Collection, 2014 Unknown (33.02 x 20.32 cm) Untitled (Coliseum), 19th century The Alden Lowell Doud Collection, 2014.39 Nineteen objects were acquired for museum Watercolor on paper, 11 x 13 1/2 in. purposes including seven works of ceramics, (27.94 x 34.29 cm) Reginald Marsh (American, 1898–1954) four drawings, one other arts, five prints, The Alden Lowell Doud Collection, 2014.3 Locomotive going through Jersey City, 1930 and two sculptures. Museum purposes items Etching on paper, 5 3/4 x 11 in. were obtained through donations. Mayer Shacter (American, 1943–) (14.61 x 27.94 cm) Untitled (teapot with lid), 1984 The Alden Lowell Doud Collection, 2014.40 Andy Warhol (American, 1928–1987) Glazed earthenware, 5 1/8 x 7 7/8 x 3 5/8 in. Pete Rose, 1985 (13.02 x 20 x 9.21 cm) Unknown Screenprint on Lenox Museum Board The Alden Lowell Doud Collection, 2014.32a-b Untitled (interior of Campo Santo, Pisa), 39 5/16 x 31 1/2 in. (99.85 x 80.01 cm) c. 1845 Extra, out of the edition. Designated for Watercolor on paper, 13 3/4 x 9 7/8 in. research and educational purposes only. (34.93 x 25.08 cm) Gift of The Andy Warhol Foundation for the The Alden Lowell Doud Collection, 2014.41 Visual Arts, Inc. © The Andy Warhol Foundation for the Visual Arts, Inc., M2013.40

UIMA 2013–2014 ANNUAL REPORT 46 Andy Warhol (American, 1928–1987) Andy Warhol (American, 1928–1987) Unknown Cowboys and Indians (Annie Oakley), 1986 Hans Christian Andersen, 1987 Untitled (dancing faun, after "Fauno Screenprint on Lenox Museum Board Screenprint on Lenox Museum Board Danzante," Pompeii), late 19th century 36 x 36 in. (91.44 x 91.44 cm) 38 x 38 in. (96.52 x 96.52 cm) Bronze on marble support Extra, out of the edition. Designated for Extra, out of the edition. Designated for 17 1/2 x 6 3/4 x 9 1/8 in. research and educational purposes only. research and educational purposes only. (44.45 x 17.15 x 23.18 cm) Gift of The Andy Warhol Foundation for the Gift of The Andy Warhol Foundation for the The Alden Lowell Doud Collection, m2014.31 Visual Arts, Inc. Visual Arts, Inc. © The Andy Warhol Foundation for the Visual © The Andy Warhol Foundation for the Visual Victor Jean Nicolle (French, 1754–1826) Arts, Inc., M2013.41 Arts, Inc., M2013.44 Column of Marcus Aurelius, Rome, 1887–1911 Andy Warhol (American, 1928–1987) Unknown Watercolor and ink on paper Cowboys and Indians (Sitting Bull), 1986 Untitled (Tempio di Nettuno a Pesto), 19th 5 1/2 x 4 1/8 in. (13.97 x 10.48 cm) Screenprint on Lenox Museum Board century The Alden Lowell Doud Collection, m2014.33 35 15/16 x 35 15/16 in. (91.28 x 91.28 cm) Watercolor, pen, and ink on paper Extra, out of the edition. Designated for 3 5/8 x 4 1/2 in. (9.21 x 11.43 cm) Unknown research and educational purposes only. The Alden Lowell Doud Collection, m2014.21 Untitled (Silenus pitcher), c. 1830 Gift of The Andy Warhol Foundation for the Porcelain, 4 1/4 x 3 5/8 x 2 1/4 in. Visual Arts, Inc. Unknown (10.8 x 9.21 x 5.72 cm) © The Andy Warhol Foundation for the Visual Untitled (design for a neoclassical frieze) The Alden Lowell Doud Collection, m2014.36 Arts, Inc., M2013.42 Pen and ink on paper mounted on board 2 3/4 x 12 3/8 in. (6.99 x 31.43 cm) Unknown Andy Warhol (American, 1928–1987) The Alden Lowell Doud Collection, m2014.25 Untitled (cat bookend), Staffordshire, c. 1850 Hans Christian Andersen, 1987 Porcelain, 7 x 3 5/8 x 2 7/8 in. Screenprint on Lenox Museum Board Unknown (17.78 x 9.21 x 7.3 cm) 39 7/8 x 40 in. (101.28 x 101.6 cm) Untitled (Greek Revival building), c. 1820 The Alden Lowell Doud Collection, m2014.37a Extra, out of the edition. Designated for Watercolor, graphite on paper research and educational purposes only. 3 7/8 x 8 7/8 in. (9.84 x 22.54 cm) Unknown Gift of The Andy Warhol Foundation for the The Alden Lowell Doud Collection, m2014.26 Untitled (cat bookend), Staffordshire, c. 1850 Visual Arts, Inc. Porcelain, 7 x 3 5/8 x 2 7/8 in. © The Andy Warhol Foundation for the Visual Unknown (17.78 x 9.21 x 7.3 cm) Arts, Inc., M2013.43 Untitled (Narcissus, after "Young Baccus," The Alden Lowell Doud Collection, m2014.37b Pompeii), c. 1890 Bronze, 15 3/8 x 7 1/2 x 6 3/8 in. (39.05 x 19.05 x 16.19 cm) The Alden Lowell Doud Collection, m2014.30

UIMA 2013–2014 ANNUAL REPORT 47 Josiah Wedgwood & Sons (British) PROFESSIONAL ACTIVITIES AND Untitled (vase with two ram heads), OUTREACH 1780–1795 Black basalt, 7 1/4 x 5 1/8 in. • Museums and Intellectual Property in a (18.42 x 13.02 cm) Digital World, AAM Webinar The Alden Lowell Doud Collection, m2014.4 • Principles of Collection Management, Campbell Center, Mount Carroll, Illinois William Hackwood (British, c. 1753–1836) The Griffin Candlestick (after Sir William • Web Kiosk training, Gallery Systems, Chambers), Wedgwood, late 18th century New York, NY Black basalt, 12 1/4 x 3 1/4 x 6 1/4 in. • Met with curators and registrars at (31.12 x 8.26 x 15.88 cm) the Seattle Museum of Art, the Burke The Alden Lowell Doud Collection, m2014.42 Museum, and the UBC Museum of Anthropology regarding pace planning Unknown for the new museum building. Untitled (peacock vase) Glazed ceramic, 7 7/8 x 6 in. (20 x 15.24 cm) The Alden Lowell Doud Collection, m2014.5

Unknown STAFF Untitled (vase), 1915–1920 Glazed stoneware, 8 1/8 x 5 1/4 in. Volunteers: (20.64 x 13.34 cm) The registrarial department has been The Alden Lowell Doud Collection, m2014.6 privileged to have Willi Mendelsohn, a MA student in modern art and architecture, Richard Joseph Anuszkiewicz (American, volunteer over the summer for a total of 46.5 1930–) hours. Willi has been scanning object files Untitled (bowl), 1976 in connection with the Luce Foundation’s Enamel over steel, 5 1/4 x 8 3/8 in. digitization grant. (13.34 x 21.27 cm) The Alden Lowell Doud Collection, m2014.7

UIMA 2013–2014 ANNUAL REPORT 48 MEMBERSHIP ACTIVITIES

THE UIMA’S ANNUAL PARTY

The Museum hosted its annual fundraiser on show, which featured garments and jewelry April 12 with Jackson Pollock’s Mural as the created by local artists. Winners were chosen inspiration. The party, held at the Coralville by party attendees. All entries were then Marriott Hotel and Conference Center, was displayed in downtown Iowa City businesses entitled “From Splatter to Sparkle—Join the for two weeks. Journey.” Honorary chairpersons were Trish and John Koza. Over $30,000 was raised The Museum staff would like to thank the for the 2014–2015 academic year. A live Members Council and Party Committee theatrical performance traced the path of Co-chairs Tim Conroy and Laurie Zaiger Mural, from inception to its home at the for their support and dedication in making University of Iowa, and concluded with this happen! a Pollock-inspired, wearable-art fashion

Left to right: Writer/director of the “Pollock Impromptu” presentation Meg Eginton, with fashion show winners Dawn Wearable art was displayed in downtown business Harbor, Debra Sutherland, and Loyce Arthur. UIMA Director Sean O’Harrow is pictured in the middle of the group. windows for two weeks following the party.

UIMA 2013–2014 ANNUAL REPORT 49 FIRST FRIDAYS THE DIRECTOR’S CIRCLE LECTURE

First Fridays are popular social gatherings the lobby of HotelVetro in Iowa City, then The Director’s Circle lecture was held on of museum supporters and general art later in the year, the initiative was moved to October 22 at the University Club in Iowa lovers, and as a result are a major part of the FilmScene in Iowa City, which has agreed to City, and featured John B. Henry III, director museum calendar of events. This initiative a partnership that is proving to be mutually of the Flint Institute of the Arts, who spoke involves various art themes and popular beneficial for both organizations. on the topic “Why some people hate Iowa artists, including Jan Friedman in Abstract Art.” This event was well-attended. November, Laura Young in December, Emily Martin in January, and Nancy Purington in February. These events took place in

UIMA 2013–2014 ANNUAL REPORT 50

DEVELOPMENT ACTIVITIES

UIMA ART AWARDS

Four Iowa City residents and a downtown Toward the Purchase of Works of Art; Robert development group were honored for Fellows, Webster and Gloria Gelman Award their support of the UIMA. UI President for Outstanding Service to the Museum Sally Mason and Museum of Art Director through Volunteer Involvement; Chunghi Sean O’Harrow presented the awards at a Choo, Frank Seiberling Award for Significant reception held at the president’s residence Faculty Contributions to the Museum; and in September. Recipients included Debra Marc Moen and the Moen Group, Ulfert Gabrielson Lee, Elliott/Stanley Award for Wilke Award for Significant Contributions Outstanding Contributions to the Museum’s toward Museum Outreach. The museum Permanent Collections through Donations of congratulates and thanks all of the award Works of Art; James H. Burke, Edwin Green recipients for their generous contributions. Award for Outstanding Contributions Made

UI President Sally Mason presents Robert Fellows with the Webster and Gloria Gelman Award for Outstanding Service to the Museum through Volunteer Involvement. (photo by Miranda Meyer)

UIMA 2013–2014 ANNUAL REPORT 52 UIMA 2013–2014 ANNUAL REPORT 53 UIMA 2013–2014 ANNUAL REPORT 54 UIMA 2013–2014 ANNUAL REPORT 55 UIMA 2013–2014 ANNUAL REPORT 56 FINANCIAL SUMMARY

Statement of Revenues and Expenses For the year ended June 30, 2014

With comparative statement for the yearsended June 30, 2013 and June 30, 2012

Operating Revenues: 2014 (FY14) 2013 (FY13) 2012 (FY12) UI General Education Funds (GEF) $1,078,363 $1,010,623 $954,522 UI Better Futures for Iowans 53,296 UI Endowment Fund 10,800 10,619 10,695 UI Provost Office Adler Acquisition Funds 50,000 Private Grants 49,957 63,600 25,500 Miscellaneous Income (Fees, Sales) 26,985 20,360 15,456 Transfers from UI Foundation 209,832 185,804 365,763 Total Operating Revenues 1,375,937 1,394,302 1,371,936

Operating Expenses: Education 93,458 111,831 102,329 Exhibitions 198,425 120,432 151,198 Collection Management/Technical 61,236 50,386 36,660 Administration 36,615 38,360 34,734 Development 35,511 28,984 11,516 Foundation Fundraising Expense 82,977 Promotion 7,303 14,566 34,137 Art and Equipment 111,731 98,336 Salaries 1,014,337 932,590 930,750 Total Operating Expenses 1,558,616 1,395,485 1,384,301 Operating (Loss) ($182,679) ($1,183) ($12,365)

UIMA 2013–2014 ANNUAL REPORT 57 Notes to Statement of Revenues and Expenses

2014 (FY14):

Balance Funding Source Revenues Expenses Operating (Loss) Explanation Forward The promotion account ended with an General Education encumbrance of $2,358 for a radio advertising $950 $1,078,363 $1,076,955 $1,408 Funds (GEF) contract. $950 balance forward -$2,358 ending encumbrance = $1,408 loss.

UI Endowment Fund 123,962 10,800 69,467 (58,667) Used balance forward to fund art purchases.

Timing of grant acceptances created revenue and expense differences. Some grants were Private Grants 2,100 49,957 31,153 18,804 recorded as revenue late in FY14 but the expenses were not going to be charged until FY15.

Used balance forward to help fund expenses, Miscellaneous Income 139,748 26,985 72,731 (45,746) as the UIMA strategically spent down some (Fees, Sales) of its cash reserve balance. In many cases account balance forwards were used to provide financial support, which resulted in the revenue (transfer) amounts being less than the corresponding expense Transfers from UI 28,773 209,832 308,310 (98,478) amounts. The insurance to cover Mural Foundation while at the Sioux City Art Center (SCAC) was expensed in June for $83,992. The SCAC reimbursed the UIMA for the insurance expense during FY15. TOTAL $1,375,937 $1,558,616 ($182,679)

UIMA 2013–2014 ANNUAL REPORT 58 uima.uiowa.edu