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Progress Report #1
Welcome to the first progress report for the 2021 World Fantasy Convention! We are pressing on, in times of Covid, and continuing to plan a wonderful in person convention in Montréal, Canada. We have a stunning guest list and a superlative team for both planning and the creation of the gathering not to be missed. We will be at the Hôtel Bonaventure, an iconic landmark in the city. The hotel is located in the heart of downtown and just outside the Old Port of Montréal. It is near major roads, right across the street from Gare Centrale, the Montréal train station, and is directly connected to two Metro stations, making it easily accessible for both motorists and public transport users. We will be able to enjoy a lavish 2.5 acres of gardens with streams inhabited by ducks and fish as well as a year-round outdoor heated pool. Our committee is busy excitedly planning a convention that will surpass your every expectation. Our theme will be YA fantasy. The field of young adult fantasy has grown from being popular to becoming a dominant category of 21st century literature, bringing millions of new readers to hundreds of new authors. We are working on a diverse program that will explore this genre that celebrates fantasy fiction in all of its forms: epic, dark, paranormal, urban, and other varieties. We invite members to share what they enjoy, what they have learned, what they have written themselves, and what they hope to see coming in the field of young adult fantasy fiction. We look forward to seeing you all in Montréal! Diane Lacey Chair Diversity Statement The committee for the 2021 World Fantasy Convention is unconditionally devoted to promoting diversity within our convention. -
Politics and Metaphysics in Three Novels of Philip K. Dick
EUGÊNIA BARTHELMESS Politics and Metaphysics in Three Novels of Philip K. Dick Dissertação apresentada ao Curso de Pós- Graduação em Letras, Área de Concentra- ção Literaturas de Língua Inglesa, do Setor de Ciências Humanas, Letras e Artes da Universidade Federai do Paraná, como requisito parcial à obtenção do grau de Mestre. Orientadora: Prof.3 Dr.a BRUNILDA REICHMAN LEMOS CURITIBA 19 8 7 OF PHILIP K. DICK ERRATA FOR READ p -;2011 '6:€h|j'column iinesllll^^is'iiearly jfifties (e'jarly i fx|fties') fifties); Jl ' 1 p,.2Ò 6th' column line 16 space race space race (late fifties) p . 33 line 13 1889 1899 i -,;r „ i i ii 31 p .38 line 4 reel."31 reel • p.41 line 21 ninteenth nineteenth p .6 4 line 6 acien ce science p .6 9 line 6 tear tears p. 70 line 21 ' miliion million p .72 line 5 innocence experience p.93 line 24 ROBINSON Robinson p. 9 3 line 26 Robinson ROBINSON! :; 1 i ;.!'M l1 ! ! t i " i î : '1 I fi ' ! • 1 p .9 3 line 27 as deliberate as a deliberate jf ! •! : ji ' i' ! p .96 lin;e , 5! . 1 from form ! ! 1' ' p. 96 line 8 male dis tory maledictory I p .115 line 27 cookedly crookedly / f1 • ' ' p.151 line 32 why this is ' why is this I 1; - . p.151 line 33 Because it'll Because (....) it'll p.189 line 15 mourmtain mountain 1 | p .225 line 13 crete create p.232 line 27 Massachusetts, 1960. Massachusetts, M. I. T. -
Panel About Philip K. Dick
Science Fiction Book Club Interview with Andrew M. Butler and David Hyde July 2018 Andrew M. Butler is a British academic who teaches film, media and cultural studies at Canterbury Christ Church University. His thesis paper for his PhD was titled “Ontology and ethics in the writings of Philip K. Dick.” He has also published “The Pocket essential Philip K. Dick”. He is a former editor of Vector, the Critical Journal of the British Science Fiction Association and was membership secretary of the Science Fiction Foundation. He is a former Arthur C. Clarke Award judge and is now a member of the Serendip Foundation which administers the award. David Hyde, a.k.a. Lord Running Clam, joined the Philip K. Dick Society in 1985 and contributed to its newsletter. When the PKDS was discontinued, he created For Dickheads Only in 1993, a zine that was active until 1997. Since then, his activities include many contributions to and editorial work for the fanzine PKD OTAKU. His book, PINK BEAM: A Philip K. Dick Companion, is a detailed publication history of PKD's novels and short stories. In 2010, David organized the 21st century's first Philip K. Dick Festival in Black Hawk, Colorado. Recently, in partnership with Henri Wintz at Wide Books, he has published two full-color bibliographies of the novels and short stories of Philip K. Dick. In early 2019 Wide Books will publish the French bibliography. On the 35th anniversary of Phil’s passing in 2017 David held a memorial celebration for PKD fans in Ft. Morgan, Colorado, the final resting place of Phil and his twin sister Jane. -
Archive II: Laughs
Archive II: laughs. As with Stranger, I reread it every year, and Back to Live I still haven’t worn it down to the parts that annoy An e-zine by Arthur D. Hlavaty me and “I know that.” [email protected] AND ALSO Shea went on to write good, solid <https://supergee.dreamwidth.org/> historical novels with a beginning, a middle, and <http://www.maroney.org/hlavaty/> an end in that order, but also with fascinating © 2003, 2018 by Arthur D. Hlavaty. Staff: characters and small hints of metaphysical and Bernadette Bosky, Kevin J. Maroney, other weirdness. I particularly liked Shike and All Shekinah Dax, and the Valentine’s Castle Things Are Lights. Wilson’s novels were more like Rat Pack. Permission to reprint in any Illuminatus!, centered on initiation. Schrödinger’s nonprofit publication is hereby granted, on Cat was based on quantum theory, among other condition that I am credited and sent a things. James Joyce, to whom there are many copy. This is an e-zine, available in .txt, references in Wilson’s other fiction, showed up as .pdf, and *feh* landscape .pdf only. a character in Masks of the Illuminati, which actually had a tight plot structure, along with the Wilsonian stuff. In 2003 I had been doing zines for a quarter of a century, writing 100 genzines, and many many apazines. I had joined up with the Internet, with trufen, fmzfen, alt.polyamory, and rasff, among Joseph Heller others. Then I noticed livejournal, where I could do Catch-22 a blog with all the technical stuff done for me and hang out with a lot of the interesting people from Anybody who’s trying to get you killed is your the aforementioned sites. -
Radio Free Albemuth, Artshub Online, Pp
This is the published version: Marvell, Leon 2011, Radio free albemuth, ArtsHub online, pp. 1‐1. Available from Deakin Research Online: http://hdl.handle.net/10536/DRO/DU:30049943 Reproduced with the kind permission of the copyright owner. Copyright : 2011, Arts Hub Holdings Australia Radio Free Albemuth By Leon Marvell ArtsHub | Tuesday, August 16, 2011 Print this page Phil K Dick (Shea Whigham) imprisoned in FAP Headquarters, RADIO FREE ALBEMUTH. Philip Kindred Dick was one of the most important writers of the latter half of the 20th century. In fact, if you really want my opinion, he was the most important writer of the second half of the 20th century. It certainly isn’t a majority opinion, but increasingly more and more people are beginning to agree with this assessment. During his lifetime such a notion would have been considered the eccentric opinion of a few literary lunatics, or at the very least, a bunch of nerdy Sci Fi freaks. Yet it seems that genius will eventually have its day, and in the case of Dick, belated recognition has taken the form of a mad scramble to turn his rich oeuvre into a steady stream of Hollywood blockbusters. It began with Ridley Scott’s film Bladerunner (1982), adapted from Dick’s novel Do Androids Dream Electric Sheep? Initially a huge commercial flop in the United States, the film has subsequently became a cult hit everywhere else. Then Paul Verhoeven made Total Recall (1990) from a Dick short story; Christian Duguay made Screamers (1995) from the story ‘Second Variety’ and…well, the list continues, right up to the most recent adaptation, The Adjustment Bureau (Nolfi, 2011). -
Science Fiction Review 30 Geis 1979-03
MARCH-APRIL 1979 NUMBER 30 SCIENCE FICTION REVIEW $1.50 Interviews: JOAN D. VINGE STEPHEN R. DONALDSON NORMAN SPINRAD Orson Scott Card - Charles Platt - Darrell Schweitzer Elton Elliott - Bill Warren SCIENCE FICTION REVIEW Formerly THE ALIEN CRITIC P.O. Be* 11408 MARCH, 1979 — VOL.8, no.2 Portland, OR 97211 WHOLE NUMBER 30 RICHARD E. GEIS, editor & publisher CONFUCIUS SAY MAN WHO PUBLISHES FANZINES ALL LIFE DOOMED TO PUBLISHED BI-MONTHLY SEEK MIMEOGRAPH IN HEAVEN, HEKTO- COVER BY STEPHEN FABIAN JAN., MARCH, MAY, JULY, SEPT., NOV. Based on "Hellhole" by David Gerrold GRAPH IN HELL (To appear in ASIMOV'S SF MAGAZINE) SINGLE COPY — $1.50 ALIEN THOUGHTS by the editor........... 4 PUOTE: (503) 282-0381 INTERVIEW WITH JOAN D. VINGE CONDUCTED BY DARRELL SCHWEITZER....8 LETTERS---------------- THE VIVISECTOR GEORGE WARREN........... A COLUMN BY DARRELL SCHWEITZER. .. .14 JAMES WILSON............. PATRICIA MATTHEWS. POUL ANDERSON........... YOU GOT NO FRIENDS IN THIS WORLD # 2-8-79 ORSON SCOTT CARD.. A REVIEW OF SHORT FICTION LAST-MINUTE NEWS ABOUT GALAXY BY ORSON SCOTT CARD....................................20 NEAL WILGUS................ DAVID GERROLD........... Hank Stine called a moment ago, to THE AWARDS ARE Ca-IING!I! RICHARD BILYEU.... say that he was just back from New York and conferences with the pub BY ORSON SCOTT CARD....................................24 GEORGE H. SCITHERS ARTHUR TOFTE............. lisher. [That explains why his INTERVIEW WITH STEPHEN R. DONALDSON ROBERT BLOCH.............. phone was temporarily disconnected.] The GAIAXY publishing schedule CONDUCTED BY NEAL WILGUS.......................26 JONATHAN BACON.... SAM MOSKOWITZ........... is bi-monthly at the moment, and AND THEN I READ.... DARRELL SCHWEITZER there will be upcoming some special separate anthologies issued in the BOOK REVIEWS BY THE EDITOR..................31 CHARLES PLATT.......... -
Steam Engine Time 7
Steam Engine Time Everything you wanted to know about SHORT STORIES ALAN GARNER HOWARD WALDROP BOOK AWARDS HARRY POTTER Matthew Davis Ditmar (Dick Jenssen) Bruce Gillespie David J. Lake Robert Mapson Gillian Polack David L. Russell Ray Wood and many others Issue 7 October 2007 Steam Engine Time 7 If human thought is a growth, like all other growths, its logic is without foundation of its own, and is only the adjusting constructiveness of all other growing things. A tree cannot find out, as it were, how to blossom, until comes blossom-time. A social growth cannot find out the use of steam engines, until comes steam-engine time. — Charles Fort, Lo!, quoted in Westfahl, Science Fiction Quotations, Yale UP, 2005, p. 286 STEAM ENGINE TIME No. 7, October 2007 is edited and published by Bruce Gillespie, 5 Howard Street, Greensborough VIC 3088, Australia ([email protected]) and Janine Stinson, PO Box 248, Eastlake, MI 49626-0248, USA ([email protected]). Members fwa. First edition is in .PDF file format from http://efanzines.com, or enquire from either of our email addresses. In future, the print edition will only be available by negotiation with the editors (see pp. 6–8). All other readers should (a) tell the editors that they wish to become Downloaders, i.e. be notified by email when each issue appears; and (b) download each issue in .PDF format from efanzines.com. Printed by Copy Place, Basement, 415 Bourke Street, Melbourne VIC 3000. Illustrations Ditmar (Dick Jenssen) (front cover); David Russell (p. 3). Photographs Covers of various books and magazines discussed in this issue; plus photos by Cath Ortlieb (p. -
Norman Spinrad 1 Rue Frederic Sauton Paris 75004 France the TRANSMOGRIFICATION of PHILIP K. DICK by Norman Spinrad I Really Didn
Norman Spinrad 1 rue Frederic Sauton Paris 75004 France THE TRANSMOGRIFICATION OF PHILIP K. DICK by Norman Spinrad I really didn't want to write this essay, for Philip K. Dick was a close friend, his untimely death affected me deeply, and aside from a brief obituary I was cozened into writing at the time and an introduction to one volume of his collected short stories, I have been unwilling and perhaps unable to write about Phil since. But this book is intended as a critical overview of the modern literature, Phil Dick is arguably the greatest science fiction writer who ever lived and certainly a central figure in the literary history of the field, so SCIENCE FICTION IN THE REAL WORLD would not only have a gaping void at its heart if a consideration of Dick's work were omitted, it would do a disservice to his literary legacy. However, I will not be so disingenuous as to pretend to objectivity; indeed it is obvious from the two opening paragraphs that I cannot even decide upon a comfortable way of referring to my late friend and literary comrade. I cannot help but commit innumerable sins against conventional critical objectivity in this essay, which perforce must be as much a personal memoir as a piece of literary criticism. Furthermore, I freely admit that what finally moved me to break my grieved silence on the subject of Philip K. Dick was the growing amount of cultish rubbish written about Phil since his death, which, I believe, has done a disservice to the serious critical perception of the true greatness of his ouevre by obscuring its center, which has little to do with relatively minor works like VALIS and THE DIVINE INVASION, let alone the so-called "Exegesis." Gregg Rickman has entitled one book of interpreted interviews with Phil THE FINAL TESTAMENT and it concentrates mainly on VALIS, THE DIVINE INVASION, Phil's experience with the so-called "pink light" and the dybbuk of a 14th Century rabbi who supposedly dictated to him the material of the "Exegesis" upon which these novels were based. -
Hell's Cartographers : Some Personal Histories of Science Fiction Writers
Some Personal Histor , of Science Fiction Writers Robert Silverberg/Alfred Bester Harry Harrison/Damon Knight Frederick Pohl/Brian Aldiss BOSTON PUBLIC LIBRARY Digitized by the Internet Archive in 2015 https://archive.org/details/hellscartographeOObest hell’s cartographers hell’s cartographers Some Personal Histories of Science Fiction Writers with contributions by Alfred Bester Damon Knight Frederik Pohl Robert Silverberg Harry Harrison Brian W. Aldiss Edited by Brian W. Aldiss Harry Harrison HARPER & ROW, PUBLISHERS New York, Hagerstown, San Francisco, London Note: The editors wish to state that the individual contributors to this volume are responsible only for their own opinions and statements. hell’s cartographers. Copyright ©1975 by SF Horizons Ltd. All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. For information address Harper & Row, Publishers, Inc., 10 East 53rd Street, New York, N.Y. 10022. FIRST U.S. EDITION Library of Congress Cataloging in Publication Data Main entry under title: Hell’s cartographers. Bibliography: p. 1. Authors, American — Biography. 2. Aldiss, Brian Wilson, 1925- — Biography. 3. Science fiction, American — History and criticism — Addresses, essays, lectures. 4. Science fiction— Authorship. I. Aldiss, Brian Wilson, 1925- II. Harrison, Harry. PS129.H4 1975 813 / .0876 [B] 75-25074 ISBN 0-06-010052-4 76 77 78 79 10 9 8 7 6 5 4 3 2 1 Contents Introduction 1 Robert Silverberg: Sounding Brass, Tinkling Cymbal 7 Alfred Bester: My Affair With Science Fiction 46 Harry Harrison: The Beginning of the Affair 76 Damon Knight: Knight Piece 96 Frederik Pohl: Ragged Claws 144 Brian Aldiss: Magic and Bare Boards 173 Appendices: How We Work 211 Selected Bibliographies 239 A section of illustrations follows page 122 Introduction A few years ago, there was a man living down in Galveston or one of those ports on the Gulf of Mexico who helped make history. -
Programming Participants' Guide and Biographies
Programming Participants’ Guide and Biographies Compliments of the Conference Cassette Company The official audio recorders of Chicon 2000 Audio cassettes available for sale on site and post convention. Conference Cassette Company George Williams Phone: (410) 643-4190 310 Love Point Road, Suite 101 Stevensville MD 21666 Chicon. 2000 Programming Participant's Guide Table of Contents A Letter from the Chairman Programming Director's Welcome................................................... 1 By Tom Veal A Letter from the Chairman.............................................................1 Before the Internet, there was television. Before The Importance of Programming to a Convention........................... 2 television, there were movies. Before movies, there Workicon Programming - Then and Now........................................3 were printed books. Before printed books, there were The Minicon Moderator Tip Sheet................................................... 5 manuscripts. Before manuscripts, there were tablets. A Neo-Pro's Guide to Fandom and Con-dom.................................. 9 Before tablets, there was talking. Each technique Chicon Programming Managers..................................................... 15 improved on its successor. Yet now, six thousand years Program Participants' Biographies................................................... 16 after this progression began, we humans do most of our teaching and learning through the earliest method: unadorned, unmediated speech. Programming Director’s Welcome -
Psychological Terror and Social Fears in Philip K. Dick's Science Fiction
Belphégor Giuliano Bettanin Psychological Terror and Social Fears in Philip K. Dick's Science Fiction As it developed during the twentieth century, the genre of science fiction has often used themes belonging to horror literature. In point of fact, these two genres have a good deal in common. Most obviously, science fiction and horror share a fantastic background and a detachment from the probabilities of realistic fiction. Also, the birth of science fiction is closely connected to the development of the gothic novel. Mary Shelley's Frankenstein, which is commonly considered proto-science fiction, also represents a nineteenth-century development of the gothic novel. In addition, Herbert George Wells, whose work lies at the basis of modern science fiction, wrote at least one gothic novel, The Island of Doctor Moreau.1 The fusion of horror and science fiction has often generated figures of terrifying and evil aliens, robots that rebel against their human creators, and apocalyptic, post-thermonuclear-global-war scenarios. In this brief essay I shall analyze the ways in which Philip K. Dick incorporated horror themes into his oeuvre and the highly original results he obtained by mingling the two genres. For this purpose I shall discuss several of his short stories and his early novel Eye in the Sky. Besides the already mentioned motifs of the alien, the rebel robot and the atomic holocaust, Dick develops a mystical-religious motif as he explores a number of metaphysical problems that are strictly connected to his most characteristic interest in epistemological questions. From the moment of the publication of his first short stories and novels in the 1950s, Dick became one of the most representative authors of American social science fiction. -
And Philip K. Dick Wept
And Philip K. Dick Wept Steve Mizrach Many people have seen Philip K. Dick as a unique figure in science fiction. I would argue that some of the themes in his writing anticipated the particular science fiction movement that so many people now call "cyberpunk". Not surprisingly, he is often not included in the canons of this genre, but if his writing were closely examined, there are many reasons why he should have been. Clearly, Dick frequently dealt with the theme "what is human ?" by introducing characters that dealt with precisely that dilemma - the replicants of Do Androids Dream of Electric Sheep - by beginning to question the difference between man and machine. If in the cyberpunk novel humans are beginning to cross the man/machine boundary by replacing more and more of their "meat" with cybernetic implants, then often Dick's characters - like Commander Data on Star Trek - are frequently seeking to become more human. Philip K. Dick eventually answered this question (it was more easy for him than "what is real ?") by suggesting that the hallmark of humanity was kindness. Palmer Eldritch did not lose his humanity by his artificial implants ("stigmata") or even by becoming consumed by an intelligent Fungus from the Prox system. Instead, Philip K. Dick hints his humanity was lost when his compassion finally was also, which is why Leo Bulero triumphs over him. Philip K. Dick never denied the possibility that machines might know kindness, and Deckard himself comes to this conclusion in Do Androids Dream of Electric Sheep. All kinds of beings and races inhabit Philip K.