Florida Grand Opera to Open 2010-2011 Season with Puccini's
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557309 bk OprNext US 26/08/2004 12:30pm Page 24 bello è affrontar la morte it is good to face death gridando: libertà! crying: liberty! Amor di patria impavido Let fearless patriotic love mieta i sanguigni allori, win bloody laurels, A NIGHT AT THE OPERA poi terga i bei sudori then may mercy wipe away e i pianti la pietà. our sweat and tears. Favourite opera arias, duets and ensembles featuring RICCARDO e GIORGIO RICHARD and GEORGE Indra Thomas, Soprano • Kristine Jepson, Mezzo-Soprano All’alba! At dawn! Matthew Polenzani, Tenor • Mariusz Kwiecien, Baritone English translation by Susannah Howe and Keith Anderson (tracks 13-14) Valerian Ruminski, Bass Royal Philharmonic Orchestra • Charles Rosekrans Valerian Ruminski Charles Rosekran Photo: Harry Heleotis Photo: Erich Hartmann / Magnum Photos 8.557309 24 557309 bk OprNext US 26/08/2004 12:30pm Page 2 A Night At The Opera Basta con queste ubbie… grette e piccine! Enough of this small-minded prejudice! Firenze è come un albero fiorito Florence is like a tree in blossom, Based on Victor Hugo’s Le Roi s’amuse, Verdi’s Sextus agrees to Vitellia’s demands, to the che in piazza dei Signori ha tronco e fronde, its trunk and branches stand in the piazza dei Signori, Rigoletto centres on the curse of a father on the father of accompaniment of a basset clarinet, in the original ma le radici forze nuove apportano but its spreading roots bring new life the title, the court jester to the Duke of Mantua. The scoring, a part for the Vienna court clarinettist Anton dalle convalli limpide e feconde! from the limpid, fertile valleys! climax of the action comes in the third act. -
Los Puritanos
VINCENZO BELLINI LOS PURITANOS STREAMING METROPOLITAN OPERA HOUSE Presenta VINCENZO BELLINI LOS PURITANOS Ópera en tres actos Libreto de Cesar Pepoli, basado en el drama histórico “Têtes rondes et Cavaliers” de Jaques François Ancelot y Joseph Xavier Boniface. Reparto Elvira Anna Netrebko Arturo Eric Cutler Riccardo Franco Vassallo Giorgio John Relyea Enrichetta Maria Zifchak Gualtiero Valerian Ruminski Bruno Eduardo Valdes Coro y Orquesta del Metropolitan Opera House Dirección: Patrick Summers Producción escénica Dirección teatral Sandro Sequi Escenografía Ming Cho Lee Vestuario Peter J. Hall Dirección de TV Gary Halvorson Viernes 18 de septiembre de 2018 Transmisión vía streaming desde Metropolitan Opera House – New York, USA TEATRO NESCAFÉ DE LAS ARTES Temporada 2020 LOS PURITANOS ANTECEDENTES Toda información que se reciba con ante- cedentes sobre “Los puritanos” de Vincen- zo Bellini debe considerar que ésta es la décima y última ópera de este compositor, surgida en 1835, pocos meses antes de su temprana muerte, a los 33 años. A fines de marzo de 1833, poco después de estrenar “Beatrice di Tenda” en Vene- cia, Bellini viajó a Londres vía París, junto a la aclamada soprano Giuditta Pasta, quien encabezaría el estre- no de “Norma” en la capital inglesa. En otros teatros londinenses se presentarían también “La sonámbula” y “Capuletos y Montescos” en la misma temporada. Vincenzo Bellini Pero a Bellini le atraía mucho París, la ciu- dad más importante de Europa a la que Opera de París y encontrar una esposa, ya ya habían arribado Rossini y Donizetti, sus que hasta entonces había mantenido rela- grandes colegas belcantistas, a quienes ciones muy complejas con algunas mujeres quería seguir en la ruta geográfica y artís- casadas. -
Walt Disney Concert Hall 2003-2004 Opening Season
HOLLYWOOD BOWL 2006 SEASON CHRONOLOGICAL LISTING OF EVENTS JUNE 2006 A PRAIRIE HOME COMPANION WITH Friday, June 2 at 8 PM GARRISON KEILLOR (Non-subscription) A Prairie Home Companion with Garrison Keillor Garrison Keillor Special guests to be announced America’s favorite storyteller, Garrison Keillor, returns to the Bowl with News from Lake Wobegon and special guests for a live performance of the ever-popular radio show. It’s an evening of music, storytelling, comedy and down-home fun! OPENING NIGHT AT THE BOWL Friday, June 23 at 8:30 PM (Non-subscription) Hollywood Bowl Orchestra John Mauceri, conductor André Watts, piano Carlos Santana, guitar/vocalist Additional Hall of Fame inductees to be announced Legendary performers take the stage for another memorable Opening Night at the Hollywood Bowl. This star-studded evening, including the 2006 Hall of Fame concert featuring inductee André Watts and Carlos Santana, is one of the most anticipated highlights of the season. Proceeds benefit Music Matters, the Los Angeles Philharmonic’s education programs. KCRW’S WORLD FESTIVAL Sunday, June 25 at 7 PM Sergio Mendes’ 40th Anniversary of Brasil ‘66: A Timeless Celebration Sergio Mendes Marcelo D2, special guests Maogani Quartet, special guests Additional artists to be announced Celebrate the colorful and breezy sights and sounds of Sergio Mendes’ Brazil - from his classic hits to new and timeless collaborations. It’s carnival and beyond! JULY 2006 JULY 4 th FIREWORKS SPECTACULAR Sunday, July 2 at 7:30 PM *Fireworks* Monday, July 3 at 7:30 PM (Non-subscription) Tuesday, July 4 at 7:30 PM Hollywood Bowl Orchestra Timothy Muffitt, conductor Kenny Loggins, special guest The best music, the best picnics, the best fireworks and the best of America! The Hollywood Bowl Orchestra is joined by one of the biggest hit makers in pop music, singer-songwriter Kenny Loggins as we celebrate the best of our country through music. -
National-Council-Auditions-Grand-Finals-Concert.Pdf
NATIONAL COUNCIL AUDITIONS grand finals concert conductor Metropolitan Opera Bertrand de Billy National Council Auditions host and guest artist Grand Finals Concert Joyce DiDonato Sunday, April 29, 2018 guest artist 3:00 PM Bryan Hymel Metropolitan Opera Orchestra The Metropolitan Opera National Council is grateful to the Charles H. Dyson Endowment Fund for underwriting the Council’s Auditions Program. general manager Peter Gelb music director designate Yannick Nézet-Séguin 2017–18 SEASON NATIONAL COUNCIL AUDITIONS grand finals concert conductor Bertrand de Billy host and guest artist Joyce DiDonato guest artist Bryan Hymel “Martern aller Arten” from Die Entführung aus dem Serail (Mozart) Emily Misch, Soprano “Tacea la notte placida ... Di tale amor” from Il Trovatore (Verdi) Jessica Faselt, Soprano “Va! laisse couler mes larmes” from Werther (Massenet) Megan Grey, Mezzo-Soprano “Cruda sorte!” from L’Italiana in Algeri (Rossini) Hongni Wu, Mezzo-Soprano “In quali eccessi ... Mi tradì” from Don Giovanni (Mozart) Today’s concert is Danielle Beckvermit, Soprano being recorded for “Amour, viens rendre à mon âme” from future broadcast Orphée et Eurydice (Gluck) over many public Ashley Dixon, Mezzo-Soprano radio stations. Please check “Gualtier Maldè! ... Caro nome” from Rigoletto (Verdi) local listings. Madison Leonard, Soprano Sunday, April 29, 2018, 3:00PM “O ma lyre immortelle” from Sapho (Gounod) Gretchen Krupp, Mezzo-Soprano “Sì, ritrovarla io giuro” from La Cenerentola (Rossini) Carlos Enrique Santelli, Tenor Intermission “Dich, teure Halle” from Tannhäuser (Wagner) Jessica Faselt, Soprano “Down you go” (Controller’s Aria) from Flight (Jonathan Dove) Emily Misch, Soprano “Sein wir wieder gut” from Ariadne auf Naxos (R. Strauss) Megan Grey, Mezzo-Soprano “Wie du warst! Wie du bist!” from Der Rosenkavalier (R. -
Grand Finals Concert
NATIONAL COUNCIL AUDITIONS grand finals concert conductor Metropolitan Opera Carlo Rizzi National Council Auditions host Grand Finals Concert Anthony Roth Costanzo Sunday, March 31, 2019 3:00 PM guest artist Christian Van Horn Metropolitan Opera Orchestra The Metropolitan Opera National Council is grateful to the Charles H. Dyson Endowment Fund for underwriting the Council’s Auditions Program. general manager Peter Gelb jeanette lerman-neubauer music director Yannick Nézet-Séguin 2018–19 SEASON NATIONAL COUNCIL AUDITIONS grand finals concert conductor Carlo Rizzi host Anthony Roth Costanzo guest artist Christian Van Horn “Dich, teure Halle” from Tannhäuser (Wagner) Meghan Kasanders, Soprano “Fra poco a me ricovero … Tu che a Dio spiegasti l’ali” from Lucia di Lammermoor (Donizetti) Dashuai Chen, Tenor “Oh! quante volte, oh! quante” from I Capuleti e i Montecchi (Bellini) Elena Villalón, Soprano “Kuda, kuda, kuda vy udalilis” (Lenski’s Aria) from Today’s concert is Eugene Onegin (Tchaikovsky) being recorded for Miles Mykkanen, Tenor future broadcast “Addio, addio, o miei sospiri” from Orfeo ed Euridice (Gluck) over many public Michaela Wolz, Mezzo-Soprano radio stations. Please check “Seul sur la terre” from Dom Sébastien (Donizetti) local listings. Piotr Buszewski, Tenor Sunday, March 31, 2019, 3:00PM “Captain Ahab? I must speak with you” from Moby Dick (Jake Heggie) Thomas Glass, Baritone “Don Ottavio, son morta! ... Or sai chi l’onore” from Don Giovanni (Mozart) Alaysha Fox, Soprano “Sorge infausta una procella” from Orlando (Handel) -
Alvin Ailey Dance Foundation
2006 Spring Opera Season is sponsored by Cadillac Copyright 2010, Michigan Opera Theatre LaSalle Bank salutes those who make the arts a part of our lives. Personal Banking· Commercial Banking· Wealth Management Making more possible LaSalle Bank ABN AMRO ~ www. la sal lebank.com t:.I Wealth Management is a division of LaSalle Bank, NA Copyright 2010,i'ENm Michigan © 2005 LaSalle Opera Bank NTheatre.A. Member FDIC. Equal Opportunity Lender. 2006 The Official MagaZine of the Detroit Opera House BRAVO IS A MICHI GAN OPERA THEAT RE P UB LI CATION Sprin",,---~ CONTRI BUTORS Dr. David DiChiera Karen VanderKloot DiChiera eason Roberto Mauro Michigan Opera Theatre Staff Dave Blackburn, Editor -wELCOME P UBLISHER Letter from Dr. D avid DiChiera ...... .. ..... ...... 4 Live Publishing Company Frank Cucciarre, Design and Art Direction ON STAGE Bli nk Concept &: Design, Inc. Production LES GRAND BALLETS CANADIENS de MONTREAL .. 7 Chuck Rosenberg, Copy Editor Be Moved! Differently . ............................... ... 8 Toby Faber, Director of Advertising Sales Physicians' service provided by Henry Ford AIDA ............... ..... ...... ... .. ... .. .... 11 Medical Center. Setting ................ .. .. .................. .... 12 Aida and the Detroit Opera House . ..... ... ... 14 Pepsi-Cola is the official soft drink and juice provider for the Detroit Opera House. C INDERELLA ...... ....... ... ......... ..... .... 15 Cadillac Coffee is the official coffee of the Detroit Setting . ......... ....... ....... ... .. .. 16 Opera House. Steinway is the official piano of the Detroit Opera ALVIN AILEY AMERICAN DANCE THEATER .. ..... 17 House and Michigan Opera Theatre. Steinway All About Ailey. 18 pianos are provided by Hammell Music, exclusive representative for Steinway and Sons in Michigan. SALOME ........ ... ......... .. ... ... 23 President Tuxedo is the official provider of Setting ............. .. ..... .......... ..... 24 formal wear for the Detroit Opera House. -
The Inventory of the Phyllis Curtin Collection #1247
The Inventory of the Phyllis Curtin Collection #1247 Howard Gotlieb Archival Research Center Phyllis Curtin - Box 1 Folder# Title: Photographs Folder# F3 Clothes by Worth of Paris (1900) Brooklyn Academy F3 F4 P.C. recording F4 F7 P. C. concert version Rosenkavalier Philadelphia F7 FS P.C. with Russell Stanger· FS F9 P.C. with Robert Shaw F9 FIO P.C. with Ned Rorem Fl0 F11 P.C. with Gerald Moore Fl I F12 P.C. with Andre Kostelanetz (Promenade Concerts) F12 F13 P.C. with Carlylse Floyd F13 F14 P.C. with Family (photo of Cooke photographing Phyllis) FI4 FIS P.C. with Ryan Edwards (Pianist) FIS F16 P.C. with Aaron Copland (televised from P.C. 's home - Dickinson Songs) F16 F17 P.C. with Leonard Bernstein Fl 7 F18 Concert rehearsals Fl8 FIS - Gunther Schuller Fl 8 FIS -Leontyne Price in Vienna FIS F18 -others F18 F19 P.C. with hairdresser Nina Lawson (good backstage photo) FI9 F20 P.C. with Darius Milhaud F20 F21 P.C. with Composers & Conductors F21 F21 -Eugene Ormandy F21 F21 -Benjamin Britten - Premiere War Requiem F2I F22 P.C. at White House (Fords) F22 F23 P.C. teaching (Yale) F23 F25 P.C. in Tel Aviv and U.N. F25 F26 P. C. teaching (Tanglewood) F26 F27 P. C. in Sydney, Australia - Construction of Opera House F27 F2S P.C. in Ipswich in Rehearsal (Castle Hill?) F2S F28 -P.C. in Hamburg (large photo) F2S F30 P.C. in Hamburg (Strauss I00th anniversary) F30 F31 P. C. in Munich - German TV F31 F32 P.C. -
Boris Godunov
Modest Mussorgsky Boris Godunov CONDUCTOR Opera in a prologue and four acts Valery Gergiev Libretto by the composer, based on the play by PRODUCTION Alexander Pushkin (1875 version, with additions Stephen Wadsworth from the 1869 version) SET DESIGNER Ferdinand Wögerbauer Saturday, October 23, 2010, 12:00–4:15 pm COSTUME DESIGNER Moidele Bickel New Production LIGHTING DESIGNER Duane Schuler CHOREOGRAPHER Apostolia Tsolaki This production of Boris Godunov was made possible by generous gifts from Karen and Kevin Kennedy, Mr. and Mrs. Howard Solomon, and Mr. and Mrs. Wilmer J. Thomas, Jr. GENERAL MANAGER Peter Gelb MUSIC DIRECTOR James Levine 2010–11 Season The 268th Metropolitan Opera performance of Modest Mussorgsky’s Boris Godunov Conductor Valery Gergiev in o r d e r o f v o c a l a p p e a r a n c e Nikitich, a police officer Xenia, daughter of Boris Valerian Ruminski Jennifer Zetlan Mitiukha, a peasant Feodor, son of Boris Mikhail Svetlov Jonathan A. Makepeace Shchelkalov, a boyar Nurse, nanny to Boris’s Alexey Markov children Larisa Shevchenko Prince Shuisky, a boyar Oleg Balashov Boyar in Attendance Brian Frutiger Boris Godunov René Pape Marina Ekaterina Semenchuk Pimen, a monk Mikhail Petrenko Rangoni, a Jesuit priest Evgeny Nikitin Grigory, a monk, later pretender to the Russian throne Holy Fool Aleksandrs Antonenko Andrey Popov Hostess of the Inn Chernikovsky, a Jesuit Olga Savova Mark Schowalter Missail Lavitsky, a Jesuit Nikolai Gassiev Andrew Oakden Varlaam Khrushchov, a boyar Vladimir Ognovenko Dennis Petersen Police Officer Gennady Bezzubenkov Saturday, October 23, 2010, 12:00–4:15 pm This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. -
The Advocate Student Publications
Fordham Law School FLASH: The Fordham Law Archive of Scholarship and History The Advocate Student Publications 12-17-1971 The Advocate The Advocate, Fordham Law School Follow this and additional works at: http://ir.lawnet.fordham.edu/student_the_advocate Part of the Law Commons Recommended Citation The Advocate, Fordham Law School, "The Advocate" (1971). The Advocate. Book 31. http://ir.lawnet.fordham.edu/student_the_advocate/31 This Book is brought to you for free and open access by the Student Publications at FLASH: The orF dham Law Archive of Scholarship and History. It has been accepted for inclusion in The Advocate by an authorized administrator of FLASH: The orF dham Law Archive of Scholarship and History. For more information, please contact [email protected]. , Advocate Wins Release of Five-Year Plan On Friday, November 22, Anthony ·J. Siano, acting in of the labors of a 14-man' cOJpmission, acting under SBA 'consonance with efforts channelled through the good offices sponsorship, is a forward-looking, progressive, comprehen of The Advocate, released to the student body the text of sive document detailing proposed future growth of the Law the proposed Five-Year-Plan. The Plan, which was the result School. (For Highlights of the Plan, see Page 4) vocate The Student Newspaper 01 Fordham University School 01 Law Vol. IV - No.4 NEW YORK, N. Y. December 17, 1971 - Byrn: Ahortions Sti",..an M@,..orial Are Illegal Pris@ Announc@d By GLEN WALKER By ALLEN P. KAREN Second-year evening students at Fordham's School of Professor Robert M. BYrn, a Law have established an annual award in memory of Andrew long time foe of the right of wo M. -
FY13 Annual Report View Report
ANNUAL REPORT 2012–13 3 Introduction 5 Metropolitan Opera Board of Directors 7 2012–13 Season Repertory & Events 14 2012–13 Artist Roster 15 The Financial Results 46 Patrons Introduction The Metropolitan Opera’s 2012–13 season featured an extraordinary number of artistic highlights, earning high praise for new productions, while the company nevertheless faced new financial challenges. The Met presented seven new stagings during the 2012–13 season, including the Met premieres of Thomas Adès’s The Tempest and Donizetti’s Maria Stuarda, the second of the composer’s trilogy of Tudor operas (with the third installment planned for a future season). All seven new productions, plus five revivals, were presented in movie theaters around the world as part of the Met’s groundbreaking Live in HD series, which continued to be an important revenue source for the Met, earning $28 million. Combined earned revenue for the Met (Live in HD and box office) totaled $117.3 million. This figure was lower than anticipated as the company continued to face a flat box office, complicated by the effects of Hurricane Sandy, the aftermath of which had a negative impact of approximately $2 million. As always, the season featured the talents of the world’s leading singers, conductors, directors, designers, choreographers, and video artists. Two directors made stunning company debuts: François Girard, with his mesmerizing production of Parsifal on the occasion of Wagner’s bicentennial, and Michael Mayer, whose bold reimagining of Verdi’s Rigoletto in 1960 Las Vegas was the talk of the opera world and beyond. Robert Lepage returned to direct the highly anticipated company premiere of Thomas Adès’s The Tempest, with the composer on the podium. -
The Vocal Works of Charles Lloyd, Jr.: a Performer's Guide to Selected Dramatic Works, Art Songs, and Spiritual Art Songs
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2011 The vocal works of Charles Lloyd, Jr.: a performer's guide to selected dramatic works, art songs, and spiritual art songs Charis Kelly Hudson Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Hudson, Charis Kelly, "The ocalv works of Charles Lloyd, Jr.: a performer's guide to selected dramatic works, art songs, and spiritual art songs" (2011). LSU Doctoral Dissertations. 3469. https://digitalcommons.lsu.edu/gradschool_dissertations/3469 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE VOCAL WORKS OF CHARLES LLOYD, JR.: A PERFORMER‟S GUIDE TO SELECTED DRAMATIC WORKS, ART SONGS, AND SPIRITUAL ART SONGS A Written Document Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the Requirements for the degree of Doctor of Musical Arts In The School of Music By Charis Kelly Hudson B.M., University of Tennessee at Martin M.M., Louisiana State University December, 2011 Acknowledgements It is with great pleasure that I show my gratitude to the many who were involved in the process of my composing this document. First, I would like to thank God for the opportunity to fulfill the purpose He has for me. -
Florida Grand Opera
Media Contact: Justin Moss, [email protected] , 305-854-1643 ext. 1600 Florida Grand Opera Announces the 2008-09 Season at The Adrienne Arsht Center for the Performing Arts of Miami-Dade County and The Broward Center for the Performing Arts Season opens with a new production of Verdi’s La traviata November 15, 2008 Season highlights include Lakmé by Léo Delibes and New Superstar Concert Series featuring Dmitri Hvorostovsky, Marcello Giordani and Bryn Terfel Debuts include Latina sopranos Eglise Gutiérrez & Ailyn Pérez Celebrated tenor Stephen Costello July 15, 2008 - Miami, FL – Florida Grand Opera (FGO) will open its 68th season of grand opera on November 15, 2008 with a new production of Verdi’s La traviata, directed by Bliss Hebert with sets and costumes designed by Allen Charles Klein, whose production of Verdi’s Aïda opened FGO’s inaugural season at Carnival Center (now the Adrienne Arsht Center for the Performing Arts of Miami-Dade County) in October 2006. La traviata, based on the Alexandre Dumas play La dame aux camellias, tells the story of Violetta Valéry, a courtesan who finds true love and is then forced to make a terrible sacrifice by an unforgiving society. Alternating in the role of Violetta Valéry are sopranos Eglise Gutiérrez and Ailyn Pérez. Opera News recently reviewed her performance of Violetta Valéry for Cincinnati Opera’s production of La traviata in July, 2008, saying, “It was impossible to believe these were Gutiérrez’s first Violettas: hers was a radiantly assured interpretation that many a more seasoned soprano would envy.” Ms. Gutiérrez is a rising star of the international opera world only four years after making her professional debut as Lucia in Lucia di Lammermoor in Bogotá, Colombia.