Florida Grand Opera to Open 2010-2011 Season with Puccini's
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Walt Disney Concert Hall 2003-2004 Opening Season
HOLLYWOOD BOWL 2006 SEASON CHRONOLOGICAL LISTING OF EVENTS JUNE 2006 A PRAIRIE HOME COMPANION WITH Friday, June 2 at 8 PM GARRISON KEILLOR (Non-subscription) A Prairie Home Companion with Garrison Keillor Garrison Keillor Special guests to be announced America’s favorite storyteller, Garrison Keillor, returns to the Bowl with News from Lake Wobegon and special guests for a live performance of the ever-popular radio show. It’s an evening of music, storytelling, comedy and down-home fun! OPENING NIGHT AT THE BOWL Friday, June 23 at 8:30 PM (Non-subscription) Hollywood Bowl Orchestra John Mauceri, conductor André Watts, piano Carlos Santana, guitar/vocalist Additional Hall of Fame inductees to be announced Legendary performers take the stage for another memorable Opening Night at the Hollywood Bowl. This star-studded evening, including the 2006 Hall of Fame concert featuring inductee André Watts and Carlos Santana, is one of the most anticipated highlights of the season. Proceeds benefit Music Matters, the Los Angeles Philharmonic’s education programs. KCRW’S WORLD FESTIVAL Sunday, June 25 at 7 PM Sergio Mendes’ 40th Anniversary of Brasil ‘66: A Timeless Celebration Sergio Mendes Marcelo D2, special guests Maogani Quartet, special guests Additional artists to be announced Celebrate the colorful and breezy sights and sounds of Sergio Mendes’ Brazil - from his classic hits to new and timeless collaborations. It’s carnival and beyond! JULY 2006 JULY 4 th FIREWORKS SPECTACULAR Sunday, July 2 at 7:30 PM *Fireworks* Monday, July 3 at 7:30 PM (Non-subscription) Tuesday, July 4 at 7:30 PM Hollywood Bowl Orchestra Timothy Muffitt, conductor Kenny Loggins, special guest The best music, the best picnics, the best fireworks and the best of America! The Hollywood Bowl Orchestra is joined by one of the biggest hit makers in pop music, singer-songwriter Kenny Loggins as we celebrate the best of our country through music. -
National-Council-Auditions-Grand-Finals-Concert.Pdf
NATIONAL COUNCIL AUDITIONS grand finals concert conductor Metropolitan Opera Bertrand de Billy National Council Auditions host and guest artist Grand Finals Concert Joyce DiDonato Sunday, April 29, 2018 guest artist 3:00 PM Bryan Hymel Metropolitan Opera Orchestra The Metropolitan Opera National Council is grateful to the Charles H. Dyson Endowment Fund for underwriting the Council’s Auditions Program. general manager Peter Gelb music director designate Yannick Nézet-Séguin 2017–18 SEASON NATIONAL COUNCIL AUDITIONS grand finals concert conductor Bertrand de Billy host and guest artist Joyce DiDonato guest artist Bryan Hymel “Martern aller Arten” from Die Entführung aus dem Serail (Mozart) Emily Misch, Soprano “Tacea la notte placida ... Di tale amor” from Il Trovatore (Verdi) Jessica Faselt, Soprano “Va! laisse couler mes larmes” from Werther (Massenet) Megan Grey, Mezzo-Soprano “Cruda sorte!” from L’Italiana in Algeri (Rossini) Hongni Wu, Mezzo-Soprano “In quali eccessi ... Mi tradì” from Don Giovanni (Mozart) Today’s concert is Danielle Beckvermit, Soprano being recorded for “Amour, viens rendre à mon âme” from future broadcast Orphée et Eurydice (Gluck) over many public Ashley Dixon, Mezzo-Soprano radio stations. Please check “Gualtier Maldè! ... Caro nome” from Rigoletto (Verdi) local listings. Madison Leonard, Soprano Sunday, April 29, 2018, 3:00PM “O ma lyre immortelle” from Sapho (Gounod) Gretchen Krupp, Mezzo-Soprano “Sì, ritrovarla io giuro” from La Cenerentola (Rossini) Carlos Enrique Santelli, Tenor Intermission “Dich, teure Halle” from Tannhäuser (Wagner) Jessica Faselt, Soprano “Down you go” (Controller’s Aria) from Flight (Jonathan Dove) Emily Misch, Soprano “Sein wir wieder gut” from Ariadne auf Naxos (R. Strauss) Megan Grey, Mezzo-Soprano “Wie du warst! Wie du bist!” from Der Rosenkavalier (R. -
Grand Finals Concert
NATIONAL COUNCIL AUDITIONS grand finals concert conductor Metropolitan Opera Carlo Rizzi National Council Auditions host Grand Finals Concert Anthony Roth Costanzo Sunday, March 31, 2019 3:00 PM guest artist Christian Van Horn Metropolitan Opera Orchestra The Metropolitan Opera National Council is grateful to the Charles H. Dyson Endowment Fund for underwriting the Council’s Auditions Program. general manager Peter Gelb jeanette lerman-neubauer music director Yannick Nézet-Séguin 2018–19 SEASON NATIONAL COUNCIL AUDITIONS grand finals concert conductor Carlo Rizzi host Anthony Roth Costanzo guest artist Christian Van Horn “Dich, teure Halle” from Tannhäuser (Wagner) Meghan Kasanders, Soprano “Fra poco a me ricovero … Tu che a Dio spiegasti l’ali” from Lucia di Lammermoor (Donizetti) Dashuai Chen, Tenor “Oh! quante volte, oh! quante” from I Capuleti e i Montecchi (Bellini) Elena Villalón, Soprano “Kuda, kuda, kuda vy udalilis” (Lenski’s Aria) from Today’s concert is Eugene Onegin (Tchaikovsky) being recorded for Miles Mykkanen, Tenor future broadcast “Addio, addio, o miei sospiri” from Orfeo ed Euridice (Gluck) over many public Michaela Wolz, Mezzo-Soprano radio stations. Please check “Seul sur la terre” from Dom Sébastien (Donizetti) local listings. Piotr Buszewski, Tenor Sunday, March 31, 2019, 3:00PM “Captain Ahab? I must speak with you” from Moby Dick (Jake Heggie) Thomas Glass, Baritone “Don Ottavio, son morta! ... Or sai chi l’onore” from Don Giovanni (Mozart) Alaysha Fox, Soprano “Sorge infausta una procella” from Orlando (Handel) -
DER ROSENI(AVALIER Bv Richardstrauss
4ry"fi"A DER ROSENI(AVALIER bv RichardStrauss Our 201'1Season Sponsor is the ViterbiFamily. This production of Der Rosenkavalierisdedicated 'ln LovingMemory of Muriel S. Gluck'TitleSponsorship, and to TitleCo-Sponsors Carol Lazier and FayeWilson, Producers' Circle Sponsors Merle and TeresaFischlowitz and Ruthand Ron Leonardi. SanDiego Opera is pleasedto recognizeAmerican Express as our CorporateProducing partner. *A$-: .Til_-i-fii.i* : (in orderof vocalappearance) ACT I Octavian Anke Vondung- The Bedroomof the Marschallin The Marschallin Twyla Robinson. The Marschallin'sMajor-Domo John Duykers - 2O Minute lntermission - BaronOchs auf Lerchenau Andrew Greenan ACT ThreeNoble Orphans NatalieMann II Ava Baker Liss The GrandHall at HerrVon Faninal,s Cherylyn Larson - 2A Minute A lVilliner TiffanyCarmel lntermission - An AnimalTrainer Manuel PazCastillo ACT ill Valzacchi Joel Sorensen A PrivateRoom at an Inn A Singer Stephen Costello A Notary KevinLangan Annina HeleneSchneiderman. Therunning time is approximately 4 hours and g minutes, Herrvon Faninal l-{ans-Joachim Ketelsen. includingtwo 20-mlnuteintermissions. lVlarianneLeitmetzerin StephanieWeiss. Sceneryconslruction and painting \,ronFan inal's Major-Domo bythe San Francisco Simeon Esper OperaScenic Shop. Sophievon Faninal PatriziaCiofi. Costumes An lnnkeeper fabricatedby the San Francisco Opera Costume Simeon Esper Shop Footmenof the . Libretto Marschallin,/FourWaiters Andrew Bennett- by Hugovon Hofmannsthai. StephenBranch. Firstperformance was held in Dresdenon January Anthony Ballard 26,1911. MichaelBlinco. Castsubject to change. A PoliceCommissioner KevinLangan Leopold Matthew Roehl. Specialthanks to San Diego Museum of Art and Torrey Mohamet FrancisGoonan. PinesChristian Church and La Jolla CountryDay School,our 2011 CommunityConversation parrners Conductor Christof Perick for Der Rosenkavalier. Director Lotfi Mansouri ScenicDesigner ThierryBosquet CostumeDesigner ThierryBosquet ri:ftt- *fr Ltt\lt* il l].:*1il5 LightrngDesigner MichaelWhitfield Sunday April 3,2011 2pm Wig and MakeupDesigner StevenW. -
The Inventory of the Phyllis Curtin Collection #1247
The Inventory of the Phyllis Curtin Collection #1247 Howard Gotlieb Archival Research Center Phyllis Curtin - Box 1 Folder# Title: Photographs Folder# F3 Clothes by Worth of Paris (1900) Brooklyn Academy F3 F4 P.C. recording F4 F7 P. C. concert version Rosenkavalier Philadelphia F7 FS P.C. with Russell Stanger· FS F9 P.C. with Robert Shaw F9 FIO P.C. with Ned Rorem Fl0 F11 P.C. with Gerald Moore Fl I F12 P.C. with Andre Kostelanetz (Promenade Concerts) F12 F13 P.C. with Carlylse Floyd F13 F14 P.C. with Family (photo of Cooke photographing Phyllis) FI4 FIS P.C. with Ryan Edwards (Pianist) FIS F16 P.C. with Aaron Copland (televised from P.C. 's home - Dickinson Songs) F16 F17 P.C. with Leonard Bernstein Fl 7 F18 Concert rehearsals Fl8 FIS - Gunther Schuller Fl 8 FIS -Leontyne Price in Vienna FIS F18 -others F18 F19 P.C. with hairdresser Nina Lawson (good backstage photo) FI9 F20 P.C. with Darius Milhaud F20 F21 P.C. with Composers & Conductors F21 F21 -Eugene Ormandy F21 F21 -Benjamin Britten - Premiere War Requiem F2I F22 P.C. at White House (Fords) F22 F23 P.C. teaching (Yale) F23 F25 P.C. in Tel Aviv and U.N. F25 F26 P. C. teaching (Tanglewood) F26 F27 P. C. in Sydney, Australia - Construction of Opera House F27 F2S P.C. in Ipswich in Rehearsal (Castle Hill?) F2S F28 -P.C. in Hamburg (large photo) F2S F30 P.C. in Hamburg (Strauss I00th anniversary) F30 F31 P. C. in Munich - German TV F31 F32 P.C. -
The Advocate Student Publications
Fordham Law School FLASH: The Fordham Law Archive of Scholarship and History The Advocate Student Publications 12-17-1971 The Advocate The Advocate, Fordham Law School Follow this and additional works at: http://ir.lawnet.fordham.edu/student_the_advocate Part of the Law Commons Recommended Citation The Advocate, Fordham Law School, "The Advocate" (1971). The Advocate. Book 31. http://ir.lawnet.fordham.edu/student_the_advocate/31 This Book is brought to you for free and open access by the Student Publications at FLASH: The orF dham Law Archive of Scholarship and History. It has been accepted for inclusion in The Advocate by an authorized administrator of FLASH: The orF dham Law Archive of Scholarship and History. For more information, please contact [email protected]. , Advocate Wins Release of Five-Year Plan On Friday, November 22, Anthony ·J. Siano, acting in of the labors of a 14-man' cOJpmission, acting under SBA 'consonance with efforts channelled through the good offices sponsorship, is a forward-looking, progressive, comprehen of The Advocate, released to the student body the text of sive document detailing proposed future growth of the Law the proposed Five-Year-Plan. The Plan, which was the result School. (For Highlights of the Plan, see Page 4) vocate The Student Newspaper 01 Fordham University School 01 Law Vol. IV - No.4 NEW YORK, N. Y. December 17, 1971 - Byrn: Ahortions Sti",..an M@,..orial Are Illegal Pris@ Announc@d By GLEN WALKER By ALLEN P. KAREN Second-year evening students at Fordham's School of Professor Robert M. BYrn, a Law have established an annual award in memory of Andrew long time foe of the right of wo M. -
FY13 Annual Report View Report
ANNUAL REPORT 2012–13 3 Introduction 5 Metropolitan Opera Board of Directors 7 2012–13 Season Repertory & Events 14 2012–13 Artist Roster 15 The Financial Results 46 Patrons Introduction The Metropolitan Opera’s 2012–13 season featured an extraordinary number of artistic highlights, earning high praise for new productions, while the company nevertheless faced new financial challenges. The Met presented seven new stagings during the 2012–13 season, including the Met premieres of Thomas Adès’s The Tempest and Donizetti’s Maria Stuarda, the second of the composer’s trilogy of Tudor operas (with the third installment planned for a future season). All seven new productions, plus five revivals, were presented in movie theaters around the world as part of the Met’s groundbreaking Live in HD series, which continued to be an important revenue source for the Met, earning $28 million. Combined earned revenue for the Met (Live in HD and box office) totaled $117.3 million. This figure was lower than anticipated as the company continued to face a flat box office, complicated by the effects of Hurricane Sandy, the aftermath of which had a negative impact of approximately $2 million. As always, the season featured the talents of the world’s leading singers, conductors, directors, designers, choreographers, and video artists. Two directors made stunning company debuts: François Girard, with his mesmerizing production of Parsifal on the occasion of Wagner’s bicentennial, and Michael Mayer, whose bold reimagining of Verdi’s Rigoletto in 1960 Las Vegas was the talk of the opera world and beyond. Robert Lepage returned to direct the highly anticipated company premiere of Thomas Adès’s The Tempest, with the composer on the podium. -
Network Notebook
Network Notebook Fall Quarter 2017 (October - December) A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more. -
The Vocal Works of Charles Lloyd, Jr.: a Performer's Guide to Selected Dramatic Works, Art Songs, and Spiritual Art Songs
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2011 The vocal works of Charles Lloyd, Jr.: a performer's guide to selected dramatic works, art songs, and spiritual art songs Charis Kelly Hudson Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Hudson, Charis Kelly, "The ocalv works of Charles Lloyd, Jr.: a performer's guide to selected dramatic works, art songs, and spiritual art songs" (2011). LSU Doctoral Dissertations. 3469. https://digitalcommons.lsu.edu/gradschool_dissertations/3469 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE VOCAL WORKS OF CHARLES LLOYD, JR.: A PERFORMER‟S GUIDE TO SELECTED DRAMATIC WORKS, ART SONGS, AND SPIRITUAL ART SONGS A Written Document Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the Requirements for the degree of Doctor of Musical Arts In The School of Music By Charis Kelly Hudson B.M., University of Tennessee at Martin M.M., Louisiana State University December, 2011 Acknowledgements It is with great pleasure that I show my gratitude to the many who were involved in the process of my composing this document. First, I would like to thank God for the opportunity to fulfill the purpose He has for me. -
Network Notebook
Network Notebook Summer Quarter 2017 (July - September) A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more. -
Repertoire and Performance History Virginia Opera Repertoire 1974-2020
Repertoire and Performance History Virginia Opera Repertoire 1974-2020 1974–1975 Initial Projects LA BOHÈME – January 1975 N LA TRAVIATA – June 1975 N 1975–1976 Inaugural Subscription Season TOSCA – October/November 1975 N LUCIA DI LAMMERMOOR – January 1976 N THE BARBER OF SEVILLE – March/April 1976 N 1976–1977 RIGOLETTO – October/November 1976 N IL TROVATORE – January 1977 N THE IMPRESARIO/I PAGLIACCI – March/April 1977 N 1977–1978 MADAMA BUTTERFLY – October/November 1977 N COSÌ FAN TUTTE – January/February 1978 N MARY, QUEEN OF SCOTS – American Premiere– April 1978 N 1978–1979 CARMEN – October/November 1978 N THE DAUGHTER OF THE REGIMENT – January 1979 N DON GIOVANNI – March/April 1979 N 1979–1980 LA BOHÈME – October/November 1979 N A CHRISTMAS CAROL – World Premiere – December 1979 N DON PASQUALE – January/February 1980 N THE TALES OF HOFFMAN – March 1980 N 1980–1981 PORGY AND BESS – October/November 1980 N, R HANSEL AND GRETEL – December 1980 N WERTHER – January/February 1981 N I CAPULETI E I MONTECCHI – March/April 1981 N 1981–1982 FAUST – October/November 1981 N CINDERELLA – December 1981 N LA TRAVIATA – January 1982 N THE MAGIC FLUTE – March 1982 N 1982–1983 DIE FLEDERMAUS – October/November 1982 N, R AMAHAL AND THE NIGHT VISITORS – December 1982 N MACBETH – January 1983 N THE ELIXIR OF LOVE – March 1983 N 1983–1984–Inaugural Subscription Season Richmond NORMA – October 1983 R GIANNI SCHICCHI/SUOR ANGELICA – December 1983 R RIGOLETTO – January 1984 N, R THE GIRL OF THE GOLDEN WEST – February/March 1984 N 1984–1985 THE MARRIAGE -
Florida Grand Opera
Media Contact: Justin Moss, [email protected] , 305-854-1643 ext. 1600 Florida Grand Opera Announces the 2008-09 Season at The Adrienne Arsht Center for the Performing Arts of Miami-Dade County and The Broward Center for the Performing Arts Season opens with a new production of Verdi’s La traviata November 15, 2008 Season highlights include Lakmé by Léo Delibes and New Superstar Concert Series featuring Dmitri Hvorostovsky, Marcello Giordani and Bryn Terfel Debuts include Latina sopranos Eglise Gutiérrez & Ailyn Pérez Celebrated tenor Stephen Costello July 15, 2008 - Miami, FL – Florida Grand Opera (FGO) will open its 68th season of grand opera on November 15, 2008 with a new production of Verdi’s La traviata, directed by Bliss Hebert with sets and costumes designed by Allen Charles Klein, whose production of Verdi’s Aïda opened FGO’s inaugural season at Carnival Center (now the Adrienne Arsht Center for the Performing Arts of Miami-Dade County) in October 2006. La traviata, based on the Alexandre Dumas play La dame aux camellias, tells the story of Violetta Valéry, a courtesan who finds true love and is then forced to make a terrible sacrifice by an unforgiving society. Alternating in the role of Violetta Valéry are sopranos Eglise Gutiérrez and Ailyn Pérez. Opera News recently reviewed her performance of Violetta Valéry for Cincinnati Opera’s production of La traviata in July, 2008, saying, “It was impossible to believe these were Gutiérrez’s first Violettas: hers was a radiantly assured interpretation that many a more seasoned soprano would envy.” Ms. Gutiérrez is a rising star of the international opera world only four years after making her professional debut as Lucia in Lucia di Lammermoor in Bogotá, Colombia.