Summer 08 Continuum FINAL.Indd

Total Page:16

File Type:pdf, Size:1020Kb

Summer 08 Continuum FINAL.Indd The For family, friends, and alumni of Cistercian Preparatory School Summer 2008 MMakingaking A T wworkoRrk Geoff Marslett ‘92 Earning a living in with scenes from his upcoming feature, Mars, the arts can test even and the short, Bubblecraft. the most talented The Memorare Society was established for members of our community who wish to include Cistercian in their financial plans through bequests, trusts, wills, or other means. It’s a wonderful way for people to include the school as part of their long-term financial planning. As a member of the Memorare Society, you’ll enable us to continue educating Cistercian students and the Abbey’s young monks for many years. All while ensuring your legacy with Cistercian for generations to come. After all, Memorare means “remember.” To find out if the Memorare Society is right for you and your family, simply contact Jennifer Rotter in the Development Office today. All enquiries are welcome. Call 469-499-5406, or send an email to [email protected]. Required reading for the school year This edition will inspire you to pursue your highest ideals and goals he best preparation for this school year, I think, himself, while contemplating the transition from Tis to read this edition of The Continuum from home and Cistercian to college. front to back. You will fi nd stories to help you set Most importantly, however, this edition of The CISTERCIAN goals for the year and fi nd the motivation to keep Continuum provides many reasons for gratitude. PREPARATORY working toward them. The remodeling of the Upper School is com- SCHOOL Our cover story, “Mak- ing to a completion. Students are winning awards, ing Art Work,” shows how earning acceptances to wonderful colleges, post- Rev. Peter Verhalen ’73 Headmaster some of our artistic alumni ing personal bests in a fi nal track meet. are achieving success, each Alumni are starting, and growing, their fami- Rev. Bernard Marton Assistant Headmaster in his own way, as they pur- lies. Under the direction of Joseph Shea ’78, alum- Greg Novinski ’82 sue their passions and earn a ni are collecting contributions to endow a scholar- Dean of Students living. ship in honor of their form master, Fr. Roch. Robert J. Haaser Dr. Pruit’s story captures They are serving in combat in the Middle East. Director of Admissions how each year our incred- And we are all most grateful for the recovery of Letter from Christine Medaille ible teachers, students and Smokey Briggs ’84 from his surgery. Director of Studies the headmaster families breathe new life into I do hope that this issue will motivate you to set Janet Bucher-Long Fr. Peter Verhalen ’73 College Counselor the Cistercians’ centuries-old your goals high and to continue striving for them, Jennifer Rotter legacy of enkindling and enlightening. to stand back in humble admiration at the good- Director of Development On your own, you’ll fi nd humor throughout ness of others, especially our parents and those and Alumni Relations this issue, but I most enjoyed that of our young who have preceded us, and to give thanks for the Dan Lee Director of Athletics columnist, Will Arbery ’07. He pokes a bit of fun at many blessings in our lives. Chris Stewart ’91 President, Cistercian volume 35, number 2 in this issue Alumni Association School Board Making art work 8 Rt. Rev. Denis Farkasfalvy Rev. Roch Kereszty Cistercian alumni are fi nding ways Rev. Julius Leloczky Rev. Robert Maguire to express their creative passions Rev. Bernard Marton in a wide variety of fi elds. Why Rev. Peter Verhalen ’73 Joel K. Fontenot they do it and who might hit it big. David C. Haley Dr. Robert J. Henderson By David Stewart James M. Moroney III ’74 Peter P. Smith ’74 Darryl Ratcliff II ’04 X Jere W. Th ompson, Jr. ’74 continuum Th e Enkindled & departments David Stewart ’74 Editor & Art Director enlightened 14 School News ................................4-7 Tom B. Pruit Sports ............................................18 Copy Editor Jennifer Rotter The Class of 2008 produced lots Class Notes ..............................19-22 Assistant Copy Editor of leaders. Three among them, Afterthoughts by Will Arbery ’07 .......23 Jim Reisch On Prayer by Fr. Roch Kereszty ..........24 Photography Editor with constant support from their Th e continuum is published twice a year (winter and summer) parents, personify Cistercian’s Cover photography: by Cistercian Preparatory School. mission. By Tom Pruit courtesy of Geoff Marslett ’92 3660 Cistercian Road Irving, TX 75039 Cistercian Preparatory School was founded with the aim of preparing talented boys for the colleges of their choice by 469-499-5400 challenging their minds with excellent academic programs, molding their character through the values of Catholic education, and off ering them guidance with both understanding and discipline. Cistercian Preparatory School does www.cistercian.org not discriminate on the basis of race, color, national or ethnic origin in the administration of its educational practices, admissions, scholarship programs, and athletic and other school administered programs. Summer 2008 3 cistercian news Fund-raising Donors generously give to all three school funds Between Sustentation, Phon- athon, and the 50th Anniversary Campaign, donors contributed a Upper School record sum to Cistercian in the past year. additions The contributions exceeded T E R C goals for each of the school’s S I th A I N C three fund-raising efforts. I R Sustentation, which funds S V I A 50 X 50 N G , T E extraordinary expenses related to the physical plant, raised $502,115, breaking the half mil- lion mark for the second consec- FRESH FACES These photos by Jim Reisch utive year and beating the goal (Top, left to show the progress on the ad- by over $100,000. right): Jorge ditions to the Upper School Phonathon also exceeded its Santamaria, and the reconfi guration of the goal, bringing in donations for JP Walsh, gym’s vestibule, which will now scholarships of $128,185. As is house the Spirit Store, video their custom, 100 percent of the lab, and publication room. All construction will be complte Class of 1983 contributed. by the fi rst day of school. Hats Finally, the 50th Anniversary off to Andres Construction. Campaign raised an astounding $8.5 million of the $15 million goal in its fi rst year. The cam- paign is envisioned as a four- year project. As a result of these outstand- ing gifts, a large-scale renova- tion and addition to the Upper School was made over the sum- mer and was completed in time for the fi rst day of school (see photos at left). The Middle School renova- tion is already scheduled to start ain 2009. “The 50th Anniversary Cam- paign is fulfi lling our dreams,” said Fr. Peter Verhalen ’73. “At every turn during the Up- per School renovation, we have opted for the more beautiful, more lasting alternative. “The renovated version re- mains true to the O’Neill Ford inspiration,” he added, “ yet it is energy effi cient, attractive, and up-to-date. “It will last us another 50 years.” 4 The Continuum cistercian news Before 2004, Harvard — pay only 10 percent of their an- the university to take a longer College destinations along with many of the highest- nual income. look at Cistercian students.” priced universities — would pay “The number of applications The ripple effect — 63 insti- New scholarships the entire tuition for a student rose 20 percent this year,” Flores tutions followed Harvard’s lead help Class of ’08 hit whose family earned $30,000 noted. But despite the increased — made a major impact on the or less. competition, fi ve Cistercian stu- number of students deciding to prestigious targets Then, over a three-year peri- dents were accepted to Harvard, attend college out of state. The Class of 2008 will, no od, the income-level was raised and four are attending doubt, be remembered as one of to $40,000 and then to $60,000. “I believe this year’s the brightest and most decorated Nevertheless, “a huge bumper crop for Cister- NUMBERS GAME classes in Cistercian’s fi rst 50 middle-class gap in the demo- cian can be attributed years. graphic profi le of the incoming to the increased number It may also lay claim to the ti- classes was developing,” said of applications from the Class of 2008 tle of “Most Fortunate” as well. Nash Flores, Harvard’s regional school and Janet Bucher- (or 64 percent) leaving Texas, On December 10, 2007, director for the State of Texas Long’s long relationship 28 most in recent history Harvard announced the most and co-chair of Harvard’s Dallas with the university,” (or 18 percent of class) signifi cant middle-class scholar- Schools Committee. Flores said. 8 attending Ivy League schools ship program in recent college So, in December, Harvard “Peter Smith ’74, attending 10 different history. announced that students whose Alex Nettune ’94, and I Texas schools A large number of universi- families earn between $60,000 also have been working 16 ties soon followed suit. and $180,000 will be required to for years to encourage attending 28 different 44 colleges and universities COLLEGE DESTINATIONS Over the past 10 years, the percentage of seniors attend- CClasslass ooff 22008008 ttakesakes ttoo tthehe rroadoad ing college out of state hovered around 50 percent or below. Sixty-four percent of the Class of 2008 are attending Texas vs. the rest school out of state. 36%%64 In all, eight from the Class of Texas Out of state 2008 are attending the Ivies. Bryan Hsu ’08 is attending the University of Pennsylvania where he’ll combine a business management degree from the Wharton School of Business with an engineering degree.
Recommended publications
  • Memetic Proliferation and Fan Participation in the Simpsons
    THE UNIVERSITY OF HULL Craptacular Science and the Worst Audience Ever: Memetic Proliferation and Fan Participation in The Simpsons being a Thesis submitted for the Degree of PhD Film Studies in the University of Hull by Jemma Diane Gilboy, BFA, BA (Hons) (University of Regina), MScRes (University of Edinburgh) April 2016 Craptacular Science and the Worst Audience Ever: Memetic Proliferation and Fan Participation in The Simpsons by Jemma D. Gilboy University of Hull 201108684 Abstract (Thesis Summary) The objective of this thesis is to establish meme theory as an analytical paradigm within the fields of screen and fan studies. Meme theory is an emerging framework founded upon the broad concept of a “meme”, a unit of culture that, if successful, proliferates among a given group of people. Created as a cultural analogue to genetics, memetics has developed into a cultural theory and, as the concept of memes is increasingly applied to online behaviours and activities, its relevance to the area of media studies materialises. The landscapes of media production and spectatorship are in constant fluctuation in response to rapid technological progress. The internet provides global citizens with unprecedented access to media texts (and their producers), information, and other individuals and collectives who share similar knowledge and interests. The unprecedented speed with (and extent to) which information and media content spread among individuals and communities warrants the consideration of a modern analytical paradigm that can accommodate and keep up with developments. Meme theory fills this gap as it is compatible with existing frameworks and offers researchers a new perspective on the factors driving the popularity and spread (or lack of popular engagement with) a given media text and its audience.
    [Show full text]
  • Ten Years Supporting, Delivering & Promoting the Whole Spectrum of Animation
    TEN YEARS SUPPORTING, DELIVERING & PROMOTING THE WHOLE SPECTRUM OF ANIMATION Directors Message Wow – we made it to our 10th anniversary!! Who would have thought it? From very humble beginnings – our first festival in 2004 screened at the now-defunct Rupert Street Cinema in Piccadilly – to LIAF 2013, 10 days at 3 different venues. We have survived - sort of. Over 10 years we’ve received more than 12,000 entries, screened more than 2,500 films, and had some of the most talented animators in the world come and hang out with us. And we’ve had a ball on the way. It’s time to blow our own trumpet. As well as being the largest festival of it’s kind in the UK in terms of films and programmes screened, we have a substantial touring component and we run satellite events all year-round. We’ve screened at festivals, cinemas, theatres and colleges all around the world and in the UK and hopefully we have spread the word that animation is a valid artform that is only limited by the animator’s imagination. In short, our maxim is that in animation anything can happen. Long may this be. There are far too may people to thank here (hopefully you know who you are) but the guidance and immense work-rate of my co-Director Malcolm Turner has to be acknowledged. Way back when in our ground zero - actually in the year 1999 - I still vividly recall that very first meeting Malcolm and I had with our then-colleague Susi Allender in the back garden of our Melbourne flat.
    [Show full text]
  • Printable Syllabus Here
    ART 4101 MOVING IMAGE ART OSU ART & TECHNOLOGY SPRING 2021 JANUARY 11- APRIL 23 SYLLABUS CLASS SESSIONS Tuesdays & Thursdays 8:10AM - 10:55AM EST Hybrid Delivery Method Located on ~*~The Internet~*~ ++ occasionally Hopkins Hall 156 INSTRUCTOR Dalena Tran [email protected] Oice hours by appointment DESCRIPTION This studio course critically engages with moving images. We will generate, manipulate, and animate digital imagery into durative, artistic projects. To develop a broader context around moving images, we will watch, read, create, critique, and discuss. We will screen time-based works and study a collection of texts in relationship to historical, contemporary, and experimental uses of time-based digital media. The developments in digital imaging, computer simulation, and animation has shied notions of cinema and techniques of film/artmaking into ever-evolving forms. In the beginning of this course, we will create a constellation of short, experimental projects that aim to familiarize our art practices with various media, soware, techniques, contexts, and implications of animated computer imaging. The later duration of this course is aimed at synthesizing the relevant technical and creative concepts learned throughout the course into a self-directed, final project. Final works will be publicly exhibited at the end of the semester. Experimentation with media, non-traditional tools, platforms, and methods are encouraged. LEARNING GOALS Create original art using digital imaging, computer animation, and sequencing tools such as Blender,
    [Show full text]
  • Cailen Pybus
    Pybus 1 Introduction Beyond the entrance, passing under an enormous sculpture of a minotaur’s head, you walk down a long, straight, narrow corridor with walls of indistinguishable height disappearing into blackness. Despite the sense of crampt emptiness the corridor gives you, you are all the while comforted by the presence of dozens of other wonder-struck visitors. Your group distributes among four different floors where they remain for the rest of the excursion. Your group arrives at the first chamber and watches a huge film projected on both the floor and a wall in a way you’ve never seen before. The film finishes and you proceed behind the wall screen and through the narrow maze of the second chamber while formless ‘moving’ sounds and synchronized blinking lights reflect infinitely from mirrors all around you, and you find yourself in contemplation. Finally your group arrives at the third chamber, the last chamber, where you are once again confronted by a strange screen composed of five smaller screens arranged in a cross. You twist and turn your neck to see everything you can on the screens. You’re too close to see everything on the screens in a single gaze. You move and look and absorb every strange emotion unfold on the screen and around you until the film abruptly ends. You leave the pavilion. Emerging from darkness you see an elevated view of the St. Lawrence River and the remaining Expo grounds of Ile-Notre-Dame and Ile-Sainte-Helene in the distance. Such was the experience of the Labyrinth pavilion from the National Film Board of Canada at Expo ’671.
    [Show full text]
  • Ambler Theater
    Ambler Theater Previews65A SEPTEMBER - DECEMBER 2008 Keira Knightley and Ralph Fiennes in THE DUCHESS and Ralph FiennesKeira Knightley in INCLUDES OUR MAIN ATTRACTIONS AND SPECIAL PROGRAMS A MBLERT HEATER.ORG 215 345 7855 Welcome to the nonprofit Ambler Theater The Ambler Theater is a nonprofit, tax-exempt 501(c)(3) organization. ADMISSION Give us your feedback Your film experience is the most important thing to us, so we welcome your feedback. Please let us know what we can do General ............................................................$8.50 better. Call (215) 345-7855, or email us at Members .........................................................$4.50* [email protected] Seniors (62+) Children under 18 and When will films play? Students w/valid I.D. .....................................$6.50 Matinee (before 5:00 pm) ...............................$6.50 Main Attractions Wed Early Matinee (before 2:30 pm) ...............$5.00 Film Booking. Our main films play week-to-week from Friday Affiliated Theaters Members** .........................$5.50 through Thursday. Every Monday we determine what new films will start on Friday, what current films will end on Thursday, **Affiliated Theaters Members and what current films will continue through Friday for another The Ambler Theater, the County Theater, and the Bryn Mawr Film In- week. All films are subject to this week-to-week decision-mak- ing process. We try to play all of our Main Attraction films as stitute have reciprocal admission benefits. Your Ambler membership soon as possible.
    [Show full text]
  • Gsff18 Brochure
    CONTENTS TICKETS Introduction 3 £7.00 (£5.00 concessions) Opening Screening: What Makes A Glasgow Short? 3 Concessions apply to children under 16, full-time International Competition 4–5 students, over-60s, Jobseekers Allowance or Income Support recipients and registered disabled people. Please Award Winners 5 produce proof of eligibility when purchasing or collecting Scottish Competition 6 tickets. Some events are individually priced or free of Blueprint: Scottish Independent Shorts 7 charge – see listings for details. GFT CineCard and 15–25 NFTS Scotland presents Eva Riley 7 Card discounts apply. Ten Years of FilmG 7 CERTIFICATION The Forgotten Films of Falconer Houston 7 Films not certified by the BBFC are marked N/C and Calendar 8–9 accompanied by an age recommendation e.g. N/C 15 Kalampag Tracking Agency: 10 + (suitable for ages 15 and older, no-one under 15 will Experimental Films & Videos from the Philippines be admitted). Screenings marked with this icon are Nguyễn Trinh Thi 10 captioned for deaf and hard-of-hearing audiences, with BSL interpreters for Q&As. Death and Killing in Southeast Asia 10 Symposium: Archives, Activism, Aesthetics 10 HOW TO BUY Apichatpong Weerasethakul 11 In Advance Kevin Jerome Everson: now y’all have to look at us 11 From Thursday 1 February tickets can be purchased Babe live + New Scottish Music Videos 12 from glasgowfilm.org/gsff. Tickets can be purchased online until one hour before the screening. Alternatively, Big Fun In The Big Town + Hip Hop Shorts 12 from Thursday 1 February tickets can be purchased + after party with Tomboy from Glasgow Film Theatre box office, in person or by Transit Arts presents Soft Cells 13 telephone (£1.50 booking fee applies to telephone Don Hertzfeldt: World of Tomorrow 1 & 2 13 bookings).
    [Show full text]
  • Psychological Realism in Modern Animation: Greater Unities of Form and Content
    1 Psychological Realism in Modern Animation: Greater Unities of Form and Content A Thesis Presented By Zack Shaw To The Department of English In partial fulfillment of the requirements for the Master of Arts degree In the field of English Northeastern University Boston, Massachusetts April, 2017 2 Psychological Realism in Modern Animation: Greater Unities of Form and Content A Thesis Presented By Zack Shaw ABSTRACT OF THESIS Submitted in partial fulfillment of the requirements for the degree of Master of Arts in English in the College of Social Sciences and Humanities Northeastern University April 2017 3 In his “The Myth of Total Cinema,” André Bazin offers his version of the historical narrative of filmmaking technologies, in which filmmakers move closer towards realistic representations with their work due to advancements in technologies. These technologies include camera mobility and volume, sound and microphone technology, set design, etc. There is a similar historical narrative for animation and animation filmmakers, where the technologies have improved over the years to create polished pieces of cinema with perfected colors and lines. Before these technologies, commonly used techniques posed limitations that actually impinged on the representation of the images; the images seemed less controlled because of clunky animation. In this way, these technological advances are less visually intrusive for an audience, and the images are more controllable. This thesis argues that contemporary animators have begun to reverse this trend, using antiquated animation techniques that intrude upon the quality of the image. Yet, the goal for these filmmakers is not to create jarring images without purpose but to create a harmonious message between the form of animation and the content that feels more psychologically real, rather than visually real.
    [Show full text]
  • Sundance Institute Announces Short Film Awards for 2016 Sundance Film Festival
    FOR IMMEDIATE RELEASE Media Contact: January 26, 2016 Elizabeth Latenser 435.658.3456 [email protected] SUNDANCE INSTITUTE ANNOUNCES SHORT FILM AWARDS FOR 2016 SUNDANCE FILM FESTIVAL Thunder Road Wins Grand Jury Prize ​ (L­R) Maman(s), Credit: Sundance Film Festival; The Procedure, Credit: Jacob Rosen; Thunder Road, Credit:Jim Cummings. ​ ​ ​ ​ ​ ​ Park City, UT — Sundance Institute announced today the jury prizes in short filmmaking at the 2016 Sundance Film ​ Festival. The Short Film Grand Jury Prize, awarded to one film in the program of 72 short films selected from ​ ​ 8,712 submissions, went to Thunder Road by director and screenwriter Jim Cummings. The awards were ​ ​ ​ ​ ​ ​ ​ presented at a ceremony in Park City, Utah; full video of the ceremony is at youtube.com/sff. The Short Film ​ ​ program is presented by YouTube. This year's Short Film jurors are: star and co­creator of Comedy Central’s Key & Peele, Keegan­Michael Key; development executive at Amazon Studios, Gina Kwon; and chief film critic for MTV, Amy Nicholson. Short Film awards winners in previous years include World of Tomorrow by Don Hertzfeldt, SMILF by Frankie Shaw, ​ ​ ​ ​ Of God and Dogs by Abounaddara Collective, Gregory Go Boom by Janicza Bravo, The Whistle by Grzegorz ​ ​ ​ ​ ​ Zariczny, Whiplash by Damien Chazelle, FISHING WITHOUT NETS by Cutter Hodierne, The Tsunami and the ​ ​ ​ ​ ​ Cherry Blossom by Lucy Walker and The Arm by Brie Larson, Sarah Ramos and Jessie Ennis. ​ ​ ​ The short film program at the Festival is the centerpiece of Sundance Institute’s year­round efforts to support short filmmaking, including a series of daylong workshops and a traveling program of short films.
    [Show full text]
  • COMD 3642 – Topics in Animation & Motion Graphics
    COMD COMD Topics in Animation & Motion Graphics New York City College of Technology The City University of New York Department of Communication Design COMD 3642 – Topics in Animation & Motion Graphics Course Description This course will provide an overview and study of the history of animation and motion graphics. Each class will focus on the work of various animators within a specific time period or genre, from the early magic lantern shows of the late nineteenth century to current and emerging digital animation technologies. The course objective is to explore the lives and environments, artistic and narrative influences of these animators. This will be accomplished through a series of discussions, lectures, assignments, and viewing DVDs and videos. 3 cl hrs, 3 cr Prerequisites 3500 level courses Course Objectives INSTRUCTIONAL OBJECTIVES ASSESSMENT For the successful completion of this Evaluation methods and criteria course, students should be able to: Understand a fundamental principle of the Students will demonstrate knowledge by human eye: the persistence of vision. creating a simple flip-book. Demonstrate knowledge of the evolution Students will demonstrate knowledge by and development of early forms of re-creating Optical Toys in a series of animation and motion graphics. assignments. Understand animation's influence on Students will demonstrate knowledge of popular culture and identify the important this by researching and writing a critical animators in history. paper exploring these societal influences. 10.25.14_LC 1 COMD COMD Topics in Animation & Motion Graphics INSTRUCTIONAL OBJECTIVES ASSESSMENT Define the major innovations developed by Students will demonstrate knowledge of Disney Studios. these innovations through discussion and research.
    [Show full text]
  • Norfolk Chamber Music Festival Also Has an Generous and Committed Support of This Summer’S Season
    Welcome To The Festival Welcome to another concerts that explore different aspects of this theme, I hope that season of “Music you come away intrigued, curious, and excited to learn and hear Among Friends” more. Professor Paul Berry returns to give his popular pre-concert at the Norfolk lectures, where he will add depth and context to the theme Chamber Music of the summer and also to the specific works on each Friday Festival. Norfolk is a evening concert. special place, where the beauty of the This summer we welcome violinist Martin Beaver, pianist Gilbert natural surroundings Kalish, and singer Janna Baty back to Norfolk. You will enjoy combines with the our resident ensemble the Brentano Quartet in the first two sounds of music to weeks of July, while the Miró Quartet returns for the last two create something truly weeks in July. Familiar returning artists include Ani Kavafian, magical. I’m pleased Melissa Reardon, Raman Ramakrishnan, David Shifrin, William that you are here Purvis, Allan Dean, Frank Morelli, and many others. Making to share in this their Norfolk debuts are pianist Wendy Chen and oboist special experience. James Austin Smith. In addition to I and the Faculty, Staff, and Fellows are most grateful to Dean the concerts that Blocker, the Yale School of Music, the Ellen Battell Stoeckel we put on every Trust, the donors, patrons, volunteers, and friends for their summer, the Norfolk Chamber Music Festival also has an generous and committed support of this summer’s season. educational component, in which we train the most promising Without the help of so many dedicated contributors, this festival instrumentalists from around the world in the art of chamber would not be possible.
    [Show full text]
  • FFF 2012 Program.Qxp
    Opening Events! • Tuesday, March 6th Wednesday Morning • March 7th 12:00 p.m. Opening Press Conference at the Fargo Theatre 9:00 a.m. Registration / Box Office Opens Best in Show Announcements 10:00 a.m. My Hometown • Animation (7 min) Directed by Jerry Levitan and Terry Tompkins, PRE-PARTY • 5:00 - 7:45 p.m. Toronto, ON, Canada – In 2009, Yoko Ono wrote a 220 Broadway • Downtown Fargo timeless message of home, hope, faith and love. Weaving a storyline that encompasses children and places from all over the world, this animation plays out 8:00 p.m. LIVE! AND IN PERSON – Jay and Silent Bob Get Old My Hometown Yoko’s instructional positivism, using a backdrop of her voice, recorded especially for this film. By way of a New Jersey Quick Stop, Kevin Smith and Jason Mewes 10:10 a.m. Falling • Experimental (7 min) Directed by Karim Azimi, Aradbil, Iran have become bona fide pop culture icons. Their on-screen alter egos Jay and A human being is exiled to roam and endure loneliness. Silent Bob are far more than small-town, small-time pot dealers. Armed with Smith’s trademark 10:20 a.m. Serial Killer • Student Film (3 min) Directed by Adam Jacobs, Brooklyn Park, MN dialogue (peppered with carnal references, cultural observations, and pop-culture diatribes) they Two chaps have an argument about the mysterious man skipping towards them. Falling are pranksters, lovers, action heroes and prophets. 10:25 a.m. Heliotropes • Animation (4 min) Directed by Michael Langan – The parallel goals of man and nature are explored through the most primitive “One speaks..
    [Show full text]
  • Of SHOWS SHOW ANIMATION
    11 ALL NEW ANIMATED INTERNATIONAL SHORTS ACME FILMWORKS PRESENTS the 17TH ANNUAL ANIMATION of Buy DVDs and downloads of films from past SHOW SHOWS Animated Show of Shows www.animationshowofshows.com “ The animated short film is a great art form - always beautiful, innovative, and extremely entertaining. The Animation Show of Shows is the best place to see all the latest and greatest animated short films. You will never be disappointed. ” John Lasseter, Chief Creative Officer Pixar and Walt Disney Animation Studios * Special appearance by Curator, Producer Ron Diamond, check theaters for dates and times. * Hollywood, CA • Arclight Cinemas • Sept 24 - Oct 1 Silver Spring, MD • AFI Silver Theatre • Oct 23 - Oct 29 * Santa Ana, CA • The Frida Cinema • Oct 2 - Oct 8 * Seattle, WA • SIFF Egyptian Theatre • Oct 30 - Nov 5 GLOUSTER, MA, • The Cape Ann Cinema • Oct 2 - Oct 4 Larkspur, CA • The Lark Theater • Oct 30 - Nov 5 ALBANY, NY • Spectrum 8 Theatres • Oct 5 one night only * VANCOUVER, BC • Rio Theatre • Nov 1 one night only * San Francisco, CA • Vogue Theatre • Oct 9 - Oct 15 * PORTLAND, OR • CINEMA 21 Theatre • Nov 13 - Nov 19 * CHICAGO, IL • Gene Siskel Film Center • Oct 16 - Oct 22 * Eugene, OR • Bijou Art Cinemas • Nov 13 - Nov 19 © 2015 The Animation Show of Shows, Inc. PittsburgH, PA • Melwood Screening Room • Oct 16 - Oct 22 Denver, CO • Denver Film Society SIE FilmCenter • Nov 27 - Dec 3 The 17th Annual (2014 - 2015) Animation Show of Shows A whimsical story about living an impractical life based on a childhood promise. While playing on stilts as a child, Percival Pilts declares that he’ll ‘never again let his John Lewis and Janette Goodey’s feet touch the ground!’ Australia 2014 The Story of Percival Pilts Golden Gate Award, San Francisco Intl.
    [Show full text]