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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Newsletter Summer 2005.Qxd (Page 1)
TADLOW MUSIC NEWS www.tadlowmusic.com SUMMER 2005 TADLOW MUSIC JOSEPH VITARELLI The Complete Recording Package for the Film, Television and Recording Industry in LA Based American composer JOSEPH VITARELLI made his first trip to LONDON • BERLIN and PRAGUE Prague to record the score for the ground-breaking NBC TV series REVE- LATIONS produced by David Seltzer. The score was perfomed by The City of Prague Philharmonic Orchestra conducted by Jorge de Barrio and the NEW WEBSITE Prague Philharmonic Choir conducted by Jaraslav Brych. As well as his orig- Tadlow Music's website has undergone a bit of a re-vamp. Please visit inal music Joseph also found time to record selections by Mozart. Recording www.tadlowmusic.com engineer was John Timperley. KARL JENKINS PRAGUE NEWS Regular visitor to Prague, KARL JENKINS (whose albums of ADIEMUS Recent Recordings with THE CITY OF PRAGUE PHILHARMONIC ORCHESTRA and REQUIEM top the UK Classical charts) return to Prague in April to at the Barrandov Studios, Smecky Soundstage and THE PRAGUE STUDIO record tracks for an album featuring two new young tenors, Ian and Andrew ORCHESTRA at Czech TV Music Studios supervised in Prague by Tadlow Music. Amdur. Helen Connolly & Jody Jenkins produced the sessions which were engineered by Jan Holzner. RACHEL PORTMAN In April and May British composer RACHEL PORTMAN recorded the LUDWIG2 - THE MUSICAL original score for the new ROMAN POLANSKI movie of Dickens' OLIV- In a series of sessions in January and February, composer/orchestrator NIC ER TWIST. As the movie was filmed in Prague, it was logical to record RAINE recorded the orchestral tracks for the songs as well as the dramatic there. -
Memetic Proliferation and Fan Participation in the Simpsons
THE UNIVERSITY OF HULL Craptacular Science and the Worst Audience Ever: Memetic Proliferation and Fan Participation in The Simpsons being a Thesis submitted for the Degree of PhD Film Studies in the University of Hull by Jemma Diane Gilboy, BFA, BA (Hons) (University of Regina), MScRes (University of Edinburgh) April 2016 Craptacular Science and the Worst Audience Ever: Memetic Proliferation and Fan Participation in The Simpsons by Jemma D. Gilboy University of Hull 201108684 Abstract (Thesis Summary) The objective of this thesis is to establish meme theory as an analytical paradigm within the fields of screen and fan studies. Meme theory is an emerging framework founded upon the broad concept of a “meme”, a unit of culture that, if successful, proliferates among a given group of people. Created as a cultural analogue to genetics, memetics has developed into a cultural theory and, as the concept of memes is increasingly applied to online behaviours and activities, its relevance to the area of media studies materialises. The landscapes of media production and spectatorship are in constant fluctuation in response to rapid technological progress. The internet provides global citizens with unprecedented access to media texts (and their producers), information, and other individuals and collectives who share similar knowledge and interests. The unprecedented speed with (and extent to) which information and media content spread among individuals and communities warrants the consideration of a modern analytical paradigm that can accommodate and keep up with developments. Meme theory fills this gap as it is compatible with existing frameworks and offers researchers a new perspective on the factors driving the popularity and spread (or lack of popular engagement with) a given media text and its audience. -
Museum of the Moving Image Presents Month-Long Screening Series 'No Joke: Absurd Comedy As Political Reality'
FOR IMMEDIATE RELEASE MUSEUM OF THE MOVING IMAGE PRESENTS MONTH-LONG SCREENING SERIES ‘NO JOKE: ABSURD COMEDY AS POLITICAL REALITY’ Personal appearances by The Yes Men and PFFR, new work by Tim Heidecker and Gregg Turkington, and films by Chaplin, Spike Lee, Scorsese, Bruno Dumont, and more October 9–November 10, 2019 Astoria, New York, September 12, 2019—MoMI presents No Joke: Absurd Comedy as Political Reality, a fourteen-program series that chronicles some of the most inventive and ingenious ways artists—from Charlie Chaplin to The Yes Men—have reckoned with their political environments. The series features work by filmmakers and other entertainers who are producing comedy and satire at a time when reality seems too absurd to be true. Organized by guest curator Max Carpenter, No Joke opens October 7 with Mister America, the new pseudo-documentary by the comedy duo Tim Heidecker and Gregg Turkington—which will be presented at multiple venues on the same night—and continues through November 10, with films including General Idi Amin Dada: A Self Portrait; William Klein’s Mr. Freedom; Bruno Dumont’s Li’l Quinquin and Coincoin and the Extra-Humans; Spike Lee’s Bamboozled; Chaplin’s Monsieur Verdoux; Scorsese’s The Wolf of Wall Street; the Adult Swim TV series Xavier: Renegade Angel, with creators PFFR in person; Dusan Makavejev’s The Coca-Cola Kid; Starship Troopers; and TV Carnage, by Ontario artist Derrick Beckles. Among other special events are Heidecker and Turkington’s 2017 comic epic The Trial, followed by a live video conversation with the duo, and An Evening with The Yes Men, featuring the activist prankster team of Andy Bichlbaum and Mike Bonnano in person for a conversation with clips of their greatest stunts. -
Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 Plus New Additions to the Catalogue
CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CATALOGUE 2018 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany CEO: Jan Mojto Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com All information is not contractual and subject to change without prior notice. All trademarks used herein are the property of their respective owners. Date of Print: February 2018 © UNITEL 2018 All rights reserved Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music. -
Ten Years Supporting, Delivering & Promoting the Whole Spectrum of Animation
TEN YEARS SUPPORTING, DELIVERING & PROMOTING THE WHOLE SPECTRUM OF ANIMATION Directors Message Wow – we made it to our 10th anniversary!! Who would have thought it? From very humble beginnings – our first festival in 2004 screened at the now-defunct Rupert Street Cinema in Piccadilly – to LIAF 2013, 10 days at 3 different venues. We have survived - sort of. Over 10 years we’ve received more than 12,000 entries, screened more than 2,500 films, and had some of the most talented animators in the world come and hang out with us. And we’ve had a ball on the way. It’s time to blow our own trumpet. As well as being the largest festival of it’s kind in the UK in terms of films and programmes screened, we have a substantial touring component and we run satellite events all year-round. We’ve screened at festivals, cinemas, theatres and colleges all around the world and in the UK and hopefully we have spread the word that animation is a valid artform that is only limited by the animator’s imagination. In short, our maxim is that in animation anything can happen. Long may this be. There are far too may people to thank here (hopefully you know who you are) but the guidance and immense work-rate of my co-Director Malcolm Turner has to be acknowledged. Way back when in our ground zero - actually in the year 1999 - I still vividly recall that very first meeting Malcolm and I had with our then-colleague Susi Allender in the back garden of our Melbourne flat. -
Maia Gachechiladze
Maia Gachechiladze Personal data Date of Birth: 03.12.1959 Place of birth: Tbilisi, Georgia Marital Status: married Contact details: Residence: 21 Chavchavadze ave., 0159 – Tbilisi, Georgia Phone: (+995 32)2 91 34 12 / home Cell-phone: (+995) 599 105657 E-mail: [email protected] Key qualifications: Drama production Opera production Event’s and concert’s staging Lecturer Professional Experience: Current job: From 2014 Meliton Balanchivadzes’ Kutaisi State Opera House & Music Hall 17 Tsminda Nino street, Kutaisi-4600, Georgia Phone: (+995 431)242432 Web: Kutaisiopera.ge Position: Director From 2013 Tbilisi State Conservatoire 8/10 Alexsander Griboedov Street Tbilisi-0108, Georgia Phone:(+995 32)2 987186 Web:conservatoire.edu.ge Position: Lecturer/Producer Responsibilities and duties: Teaching acting techniques to future opera singers Conducting operas From 2005 Tbilisi State Movie and Theater University 19 Shota Rustaveli Ave., Tbilisi, Georgia Phone: (+995 32) 2 999411 - 1 - e-mail: [email protected] Web:tafu.edu.ge Position: Lecturer Associated Professor Responsibilities and duties: Teaching acting techniques to future actors Conducting onstage performances 2011-2014 Meliton Balanchivadzes’ Kutaisi State Opera House & Music Hall Position: Director 2008-2012 Tbilisi State Conservatoire Associated Professor 2005-2010 The Georgian National Opera and Ballet Theater of Tbilisi Director 2000-2005 Tbilisi State Movie and Theater University Teacher 1984-2000 Tbilisi State Movie and Theater University Associate Director 1983-2007 Tbilisi State Conservatoire Teacher Different times was working as a Stage manager with L. Ioseliami, R. Mirtskhulava, T.Abashidze, T.Bukhbinder, M.Kuchukhidze, A. Kutateladze, G.Lortkipanidze and others at Tbilisi State Movie and Theater University. -
Printable Syllabus Here
ART 4101 MOVING IMAGE ART OSU ART & TECHNOLOGY SPRING 2021 JANUARY 11- APRIL 23 SYLLABUS CLASS SESSIONS Tuesdays & Thursdays 8:10AM - 10:55AM EST Hybrid Delivery Method Located on ~*~The Internet~*~ ++ occasionally Hopkins Hall 156 INSTRUCTOR Dalena Tran [email protected] Oice hours by appointment DESCRIPTION This studio course critically engages with moving images. We will generate, manipulate, and animate digital imagery into durative, artistic projects. To develop a broader context around moving images, we will watch, read, create, critique, and discuss. We will screen time-based works and study a collection of texts in relationship to historical, contemporary, and experimental uses of time-based digital media. The developments in digital imaging, computer simulation, and animation has shied notions of cinema and techniques of film/artmaking into ever-evolving forms. In the beginning of this course, we will create a constellation of short, experimental projects that aim to familiarize our art practices with various media, soware, techniques, contexts, and implications of animated computer imaging. The later duration of this course is aimed at synthesizing the relevant technical and creative concepts learned throughout the course into a self-directed, final project. Final works will be publicly exhibited at the end of the semester. Experimentation with media, non-traditional tools, platforms, and methods are encouraged. LEARNING GOALS Create original art using digital imaging, computer animation, and sequencing tools such as Blender, -
The American Opera Series May 16 – November 28, 2015
The American Opera Series May 16 – November 28, 2015 The WFMT Radio Network is proud to make the American Opera Series available to our affiliates. The American Opera Series is designed to complement the Metropolitan Opera Broadcasts, filling in the schedule to complete the year. This year the American Opera Series features great performances by the Lyric Opera of Chicago, LA Opera, San Francisco Opera, Glimmerglass Festival and Opera Southwest. The American Opera Series for 2015 will bring distinction to your station’s schedule, and unmatched enjoyment to your listeners. Highlights of the American Opera Series include: • The American Opera Series celebrates the Fourth of July (which falls on a Saturday) with Lyric Opera of Chicago’s stellar production of George Gershwin’s Porgy and Bess. • LA Opera brings us The Figaro Trilogy, including Mozart’s The Marriage of Figaro, Rossini’s The Barber of Seville, and John Corigliano’s The Ghosts of Versailles. • The world premiere of Marco Tutino’s Two Women (La Ciociara) starring Anna Caterina Antonacci, based on the novel by Alberto Moravia that became a classic film, staged by San Francisco Opera. • Opera Southwest’s notable reconstruction of Franco Faccio’s 1865 opera Amleto (Hamlet), believed lost for over 135 years, in its American premiere. In addition, this season we’re pleased to announce that we are now including multimedia assets for use on your station’s website and publications! You can find the supplemental materials at the following link: American Opera Series Supplemental Materials Please note: If you have trouble accessing the supplemental materials, please send me an email at [email protected] Program Hours* Weeks Code Start Date Lyric Opera of Chicago 3 - 5 9 LOC 5/16/15 LA Opera 2 ½ - 3 ¼ 6 LAO 7/18/15 San Francisco Opera 1 ¾ - 4 ¾ 10 SFO 8/29/15 Glimmerglass Festival 3 - 3 ½ 3 GLI 11/7/15 Opera Southwest Presents: Amleto 3 1 OSW 11/28/15 Los Angeles Opera’s Production of The Ghosts of Versailles Credit: Craig Henry *Please note: all timings are approximate, and actual times will vary. -
LA SCALA ACADEMY of LYRIC OPERA Academic Years 2021-2023
CALL FOR APPLICATIONS LA SCALA ACADEMY OF LYRIC OPERA academic years 2021-2023 Photo: Mario Wurzburger AT SCHOOL WITH LA SCALA LA SCALA ACADEMY he La Scala Academy provides thorough, in-depth OF LYRIC OPERA training to professional figures involved in the ounded by Riccardo Muti in 1997 under the artistic performing arts through its four departments: T direction of Leyla Gencer (and later of her successors Music, Dance, Stagecraft, Management. Its broad FMirella Freni and Renato Bruson), the La Scala Academy curriculum ranges from basic and core training courses of Lyric Opera carries forward the legacy of the “Cadetti to specialization courses and professional workshops. della Scala” school instituted in 1950 by Arturo Toscanini to The highest level of instruction is ensured by Teatro conserve and transmit the Italian operatic tradition to the alla Scala professionals, acclaimed performers, and new generations. renowned experts in the performing arts. The Academy provides young opera singers with a solid The teaching method derives from the philosophy of background in voice and music, honing their technical and learning by doing and prepares students for their future interpretive skills in a two-year program to prepare them for career through intense daily exposure to the performing a successful professional career. arts in a real world context. The teaching staff is composed of artists of the highest caliber who are able to transmit their stage experience to the students. They are led by Luciana D’Intino, head instructor, in charge of vocal and interpretive technique. Among her colleagues are the opera coaches Vincenzo Scalera, Umberto FOUNDING PARTNERS Finazzi, James Vaughan, Nelson Guido Calzi, and Michele D’Elia for role studies, and the director Marina Bianchi, who teaches stage arts. -
Summer 08 Continuum FINAL.Indd
The For family, friends, and alumni of Cistercian Preparatory School Summer 2008 MMakingaking A T wworkoRrk Geoff Marslett ‘92 Earning a living in with scenes from his upcoming feature, Mars, the arts can test even and the short, Bubblecraft. the most talented The Memorare Society was established for members of our community who wish to include Cistercian in their financial plans through bequests, trusts, wills, or other means. It’s a wonderful way for people to include the school as part of their long-term financial planning. As a member of the Memorare Society, you’ll enable us to continue educating Cistercian students and the Abbey’s young monks for many years. All while ensuring your legacy with Cistercian for generations to come. After all, Memorare means “remember.” To find out if the Memorare Society is right for you and your family, simply contact Jennifer Rotter in the Development Office today. All enquiries are welcome. Call 469-499-5406, or send an email to [email protected]. Required reading for the school year This edition will inspire you to pursue your highest ideals and goals he best preparation for this school year, I think, himself, while contemplating the transition from Tis to read this edition of The Continuum from home and Cistercian to college. front to back. You will fi nd stories to help you set Most importantly, however, this edition of The CISTERCIAN goals for the year and fi nd the motivation to keep Continuum provides many reasons for gratitude. PREPARATORY working toward them. The remodeling of the Upper School is com- SCHOOL Our cover story, “Mak- ing to a completion. -
MICHELE MARIOTTI, Director
MICHELE MARIOTTI, Director Michele Mariotti ha sido director musical del Teatro Comunale de Bolonia entre 2015 y 2018. Nació en la ciudad de Pésaro, dónde estudió composición musical en el Conservatorio Rossini y dirección de orquesta en la Accademia Musicale Pescarese con Donato Renzetti, graduándose con honores. En 2005 hizo su debut operístico dirigiendo El barbero de Sevilla de Rossini en Salerno, Italia. En noviembre de 2007 dirigió la ópera Simon Boccanegra para la inauguración de la temporada 2007-2008 del Teatro Comunale de Bolonia. Tras el éxito de esta producción fue nombrado director titular de la Orquesta del Teatro Comunale (2008-2014) con la que dirigió óperas como I Puritani, La gazza ladra, Idomeneo, Carmen, Risorgimento y El prisionero, La Cenerentola, La Traviata, Las bodas de Fígaro, Norma, Nabucco, Così fan tutte, Guillaume Tell, Attila, Werther, Un ballo in maschera, La Flauta Mágica, Don Carlo y el Réquiem de Verdi y de Mozart además de numerosos conciertos. Dirigió además el Coro y Orquesta de Bolonia en Tokio, en Moscú en París y en Turín, y ha grabado CDs con Juan Diego Flórez para el sello Decca y con Nino Machaidze para Sony. Michele Mariotti ha dirigido en el Teatro alla Scala de Milán, Teatro Regio de Turín, Teatro San Carlo de Nápoles, Teatro Massimo de Palermo y Teatro Comunale de Florencia. Ha actuado en el Rossini Opera Festival de Pésaro, Festival Verdi de Parma, Sferisterio de Macerata, Metropolitan Opera de Nueva York, Royal Opera House Covent Garden de Londres, Ópera de París, Lyric Opera de Chicago, Opera de Los Ángeles, Festival de Wexford y en Wallonie Opera de Lieja, entre otros.