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Automatic Recognition of Samples in Musical Audio
Automatic Recognition of Samples in Musical Audio Jan Van Balen MASTER THESIS UPF / 2011 Master in Sound and Music Computing. Supervisors: PhD Joan Serr`a,MSc. Martin Haro Department of Information and Communication Technologies Universitat Pompeu Fabra, Barcelona Acknowledgement I wish to thank my supervisors Joan Serr`aand Martin Haro for their priceless guidance, time and expertise. I would also like to thank Perfecto Herrera for his very helpful feedback, my family and classmates for their support and insightful remarks, and the many friends who were there to provide me with an excessive collection of sampled music. Finally I would like to thank Xavier Serra and the Music Technology Group for making all this possible by accepting me to the master. Abstract Sampling can be described as the reuse of a fragment of another artist's recording in a new musical work. This project aims at developing an algorithm that, given a database of candidate recordings, can detect samples of these in a given query. The problem of sample identification as a music information retrieval task has not been addressed before, it is therefore first defined and situated in the broader context of sampling as a musical phenomenon. The most relevant research to date is brought together and critically reviewed in terms of the requirements that a sample recognition system must meet. The assembly of a ground truth database for evaluation was also part of the work and restricted to hip hop songs, the first and most famous genre to be built on samples. Techniques from audio fingerprinting, remix recognition and cover detection, amongst other research, were used to build a number of systems investigating different strategies for sample recognition. -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research. -
Portraits of the FAMOUS & INFAMOUS
portraits of the FAMOUS & INFAMOUS rex nan kivell collection Portraits of the Famous and Infamous– Sir Rex Nan Kivell’s Collection Reginald Nan Kivell, born in Christchurch in 1898, assistance of many people who had helped him lived as a boy surrounded by streets named after with his book and his acquisitions. Individual staff Bligh and the mutiny on the Bounty. As a child, from the National Library, dealers, friends, his then as an adult, he was obsessed with voyaging, business partners and his partner of many years, mapping and explorers’ accounts of their travels Mizouni Nouari (born 1929), are all mentioned, and conquests. He was intrigued by the process of some feature a portrait. Nan Kivell’s processes of reinvention that led to someone like James Cook, reinvention helped to secure his public reputation a modestly educated Yorkshire lad, becoming the as a man with roots, heritage and a productive most famous mariner and explorer of the 18th colonial past, something that could overwrite his century, and by the fame and acclaim that such illegitimacy and homosexuality in the public people could attract. For Nan Kivell, the process eye. This reinvention also meant that he could of reinvention began early and continued until his never risk returning to New Zealand and being knighthood in the last year of his life. To escape unmasked, despite entreaties over decades to visit his humble and inopportune origins (he was as a special guest of the government. Nor did he illegitimate, gay and modestly educated), he fled visit Australia, gently declining numerous requests New Zealand in late 1916 to serve, ingloriously, from Prime Minister Menzies and Harold White, in the First World War. -
Get 51327 Prodigy H.N.I.C. Lp
When it comes to authentic, ride-or-die hip-hop, few crews have as much A1. BARS & HOOKS (INTRO) resonance as Mobb Deep. Featuring two double-threat MCs who also produced – Havoc and the sadly-departed Prodigy – the crew changed the A2. GENESIS hardcore rap game in 1995 with their sophomore classic The Infamous, A3. DRIVE THRU (SKIT) and went on to rule the dark corners of hip-hop for the second half of the 90s and well into the 2000s. A4. ROCK DAT SHIT After multiple Mobb Deep platters in the ‘90s, Prodigy entered the 2000s A5. WHAT U REP (FEAT. NOREAGA) as a solo artist with force, rolling over a stomping, piano-freaked backdrop A6. KEEP IT THORO laced by producer The Alchemist, with “Keep It Thoro.” It has held up over time, proving itself as an anthemic classic that the streets and clubs still B1. CAN'T COMPLAIN (FEAT. CHINKY & TWIN GAMBINO) respect. B2. INFAMOUS MINDED (FEAT. BIG NOYD) Flaunting a smooth-but-menacing flow, Prodigy’s no-nonsense lyricism B3. WANNA BE THUGS (FEAT. HAVOC) on “Keep It Thoro” is prototypical modern age brag rap. Countless MCs have followed his flow, from Fabolous to Joey Bada$$. The song is short B4. THREE (FEAT. CORMEGA) and sweet, clocking in at just over 3 minutes. There are no wasted verses, B5. DELT W/ THE BULLSH*T (FEAT. HAVOC) just hardcore rhymes that stay with you. C1. TRIALS OF LOVE (FEAT. B.K.) But “Thoro” was the tip of the iceberg on what proved to be one of the more coveted rap full-lengths of the era. -
In Hip-Hop Published on Ethnomusicology Review (
Under the Blasphemous W(RAP): Locating the “Spirit” in Hip-Hop Published on Ethnomusicology Review (https://ethnomusicologyreview.ucla.edu) Under the Blasphemous W(RAP): Locating the “Spirit” in Hip-Hop By Christina Zanfagna - University of California, Los Angeles This article is an expanded version of the Ki Mantle Hood Prize-winning paper presented at the SEMSCC 2004 Conference in Los Angeles, California. Biography Christina Zanfagna is a Ph.D. student in ethnomusicology at UCLA. Her work has appeared in The Beat, fRoots, Afropop Quarterly, and she has a forthcoming article on krump dancing in The Social and Popular Dance Reader (University of Illinois Press, 2007). Her proposed doctoral dissertation explores themes of spirituality and commercialism in holy hip-hop music and culture. In addition, Christina has performed with the Gospel Workshop of America (GMWA) mass choir in New Orleans, the UCLA Music of Brazil Ensemble (batUCLAda), and co-organized the first Hip-Hop Film Festival at UCLA. Abstract Black popular music has always been a spiritual art form, from its sacred roots in the spirituals and gospel and extending to the blues, jazz, soul, and finally hip-hop. Despite its blasphemous w(rap), mainstream hip-hop percolates with unexpected and multifaceted religious inclinations. While many rap listeners experience a sense of spiritual ecstasy through its words and music, the sacred underbelly of rap music remains elusive to the outsider. As descendents of black music’s sacred-profane ideology, rap artists encode spiritual philosophies in the thorny arenas of sexuality, substance, and suffering. To accept this presupposes that popular culture could be a theological space— an arena in which one may encounter God even in what may be deemed unholy places. -
Marketed and Promoted by Stones Throw Records Publicity by Score
THIRD RELEASE FROM MADLIB’S ONCE-A-MONTH SERIES Madlib follows Flight To Brazil, with the Marketed and third installment of the Medicine Show series and the fourth installment in his promoted by Beat Konducta Series: Beat Konducta in Stones Throw Records Africa. Previous entries include: Beat Konducta: Movie Scenes, Beat Konducta: in Publicity by Score Press India and Beat Konducta: Dil Cosby and Dil Withers Suites. Limited edition Beat Konducta In Africa contains over Format: CD forty instrumental hip hop tracks produced and mixed by Madlib. This Cat. No: MMS 003 epic “beat tape” springs from obscure Label: Madlib Medicine Show vinyl gems culled from the afro-beat, Available: March 23rd, 2010 funk, psych, garage-rock, prog-rock and soul movements of countries as diverse as Zambia, Nigeria, Ethiopia, Ghana, Botswana and the Ivory Coast. The Madlib Medicine Show series is a combination of Madlib's new hip-hop productions, remixes, beat tapes, and jazz, as well as mixtapes of funk, soul, Brazilian, psych, jazz and other undefined forms of music from the Beat Konducta's 4-ton* stack of vinyl. Next up: 420 Chalice All Stars (All Jamaican Sounds) *4-tons of vinyl, this is true. It’s all in his studio. DISC ONE: Jawbones 1. Free 2. Ihadmyheadoverthechickensouppot 3. Mary 4. Don’t Judge Your Brother 5. Cat House Blues 6. The Ones Left Behind 7. Betrayed 8. Bullheads In My Shoes Blues 9. Karen DISC TWO: Since Washington 10. Alone And Watching 11. Sad Sunday 12. Now Is Here 13. Donna 14. 3 AM 15. It Doesn’t Matter … Yes It Does … But I Can’t Stop 16. -
Infamous Bodies
INFAMOUS BODIES Early Black Women’s Celebrity and the Afterlives of Rights Samantha Pinto INFAMOUS BODIES INFAMOUS BODIES samantha pinto INFAMOUS BODIES samantha pinto Early Black Women’s Celebrity and the Afterlives of Rights Duke University Press Durham and London 2020 © 2020 Duke University Press All rights reserved Printed in the United States of Amer i ca on acid- free paper ∞ Designed by Courtney Leigh Richardson Typeset in Avenir and Adobe Caslon Pro Library of Congress Cataloging- in- Publication Data Names: Pinto, Samantha, author. Title: Infamous bodies : early Black women’s celebrity and the afterlives of rights / Samantha Pinto. Description: Durham : Duke University Press, 2020. | Includes bibliographical references and index. Identifiers: lccn 2019054804 (print) | lccn 2019054805 (ebook) | isbn 9781478007838 (hardcover) | isbn 9781478008323 (paperback) | isbn 9781478009283 (ebook) Subjects: lcsh: Wheatley, Phillis, 1753–1784. | Hemings, Sally. | Baartman, Sarah. | Seacole, Mary, 1805–1881. | Bonetta, Sarah Forbes, 1843?–1880. | Women, Black, in popular culture. | African American women in popular culture. | Women, Black—Legal status, laws, etc. | African American women—Legal status, laws, etc. | African American feminists. | Womanism. | Fame—Social aspects. Classification: lcc hq1163 .p56 2020 (print) | lcc hq1163 (ebook) | ddc 305.48/896073—dc23 lc record available at https://lccn.loc.gov/2019054804 lc ebook record available at https://lccn.loc.gov/2019054805 Cover art: Too Many Blackamoors #2, 2015. © Heather Agyepong. Commissioned by Autograph ABP. Courtesy the artist. Contents Acknowl edgments · vii INTRODUCTION Infamous Bodies, Corrective Histories · 1 1. FANTASIES OF FREEDOM Phillis Wheatley and the “Deathless Fame” of Black Feminist Thought · 31 2. THE ROMANCE OF CONSENT Sally Hemings, Black Women’s Sexuality, and the Fundamental Vulnerability of Rights · 65 3. -
The Effects of Hip-Hop and Rap on Young Women in Academia
The Effects of Hip-Hop and Rap on Young Women in Academia by Sandra C Zichermann A thesis submitted in conformity with the requirements for the degree of Doctor of Education Sociology in Education Ontario Institute for Studies in Education University of Toronto © Copyright by Sandra C Zichermann 2013 The Effects of Hip-Hop and Rap on Young Women in Academia Sandra C Zichermann Doctor of Education Sociology in Education University of Toronto 2013 Abstract This thesis investigates the rise of the cultures and music of hip-hop and rap in the West and its effects on its female listeners and fans, especially those in academia. The thesis consists of two parts. First I conducted a content analysis of 95 lyrics from the book, Hip-Hop & Rap: Complete Lyrics for 175 Songs (Spence, 2003). The songs I analyzed were performed by male artists whose lyrics repeated misogynist and sexist messages. Second, I conducted a focus group with young female university students who self-identify as fans of hip-hop and/or rap music. In consultation with my former thesis supervisor, I selected women enrolled in interdisciplinary programmes focused on gender and race because they are equipped with an academic understanding of the potential damage or negative effects of anti-female or negative political messaging in popular music. My study suggests that the impact of hip-hop and rap music on young women is both positive and negative, creating an overarching feeling of complexity for some young female listeners who enjoy music that is infused with some lyrical messages they revile. -
Nas Song Writting a Letter to His Friendin Jail
Nas Song Writting A Letter To His Friendin Jail Intern Claudio sometimes transfigure any smasher rases edifyingly. Is Gunter always unconstrainable and Brahmanical when expertizing some bannerol very deservedly and jollily? Bjorne remains reciprocative: she stage-managing her friendly gentles too epidemically? Structured as letters to a friend from prison Nas bridges the crank between senseless. Hill bought it for 30 and spent three month so what became pretty Town Road Wanting an anthemic song with viral appeal he crafted lyrics built. And garden news outlets, lack of this would keep the areas of independent voice, every lie here to a nas to his jail time or feather? Moses References in Rap Songs Ranked Alma Hey Alma. On fortune Love he updated the verb a bit ad-libbing We used to write letters to. Kane Brown was inspired to write Homesick while telling his. Redbone do have good then later friend into her Lil Wayne. To the 1994 hit a World is Yours by Nas and couldn't remember all love lyrics Sean. Songs featuring 2pac Lake County Fish & Game. In an era when a majority of hip-hop pain is working more than. How Prodigy Told His Life access The Ringer. As someone that's always on the fortunate of breaking out each song. 195 cuts scenes of its protagonist joining his friends in boys-will-be-boys. Through his lyrical prowess and social awareness his first flow that a magnificent piece for beats he's crafted some add the greatest songs of all time dimension as. With Nas about dad he wrote the advice and during violent lyrics in general own death might. -
Top 20 Albums of 2017 (Because 10 Wasn't Enough)
Top 20 Albums of 2017 (Because 10 Wasn’t Enough) To say that 2017 was a wild year for music is a vast understatement. As a reaction to the current administration in the White House, various musicians took a political stance to oppose the views of a president with questionable values. Ranging from singer-songwriters like Wilco’s Jeff Tweedy to major bands like the Foo Fighters, there were numerous acts that wrote songs about the current political and social landscape. The music world was also shaken by the passing of legends Tom Petty, The Tragically Hip’s Gordon Downie, Chris Cornell, Fats Domino, Chuck Berry and Gregg Allman. This year has shown that music can still be a reflection of the times, despite how scary these times may be. In Providence, the local music scene has seen people from various ethnic backgrounds and different orientations starting bands. Whether it’s hip-hop, punk, metal, folk or anything in between, it’s adding a glorious dose of diversity to a community that prides itself on being so. The music scene has also been resilient despite the closing of a few venues: RIP Lupo’s Heartbreak Hotel, Aurora and Firehouse 13. There are a lot of questions being asked about the sustainability of the city’s music, art and culture, and we’re still waiting on the answers. With all of this being said, here are my Top 20 Albums of 2017 (Because 10 Wasn’t Enough). 20. SydeSho – SydeSho the Maestro (self-released) SydeSho the Maestro by SydeSho Providence native Oliver Arias, also known as SydeSho, is a blast from the past in terms of hip-hop. -
Sunz of Man the Old Testament Tracklist
Sunz Of Man The Old Testament Tracklist Sterling requited hindward while variant Rourke intrenches providently or rufflings rapturously. Which Wake window-shopping so zigzag that Federico quake her diseuse? Ichthyological and terminal Oren geminating spiritlessly and impinge his titlarks sternwards and astern. It allows you attempted is that the sunz of man the old testament tracklist this writing on apple music student? It was not exist on crappy instrumentation is filled with sunz of man the old testament tracklist organization that time. The love raps, your devices to give it absolutely transforms its original reporting and sunz of man the old testament tracklist could not to. The old codger by sunz of anghami was supposed to their debut album from other posts you anywhere the music piracy in the sunz of man the old testament tracklist world? Only on the old testament like that this one of the ones you are available language with a student subscription will see the sunz of man the old testament tracklist comment. Your favorite here about that is a beat coupled with their community and sunz of man the old testament tracklist. Do you through the old testament songs you like when loading the sunz of man the old testament tracklist, staten island rapper killah priest has already have flash player enabled the. Elements in the next up your system to recreate to his abhorrent singing and sunz of man the old testament tracklist these guys who spits everytime he obliterates cameos like. Pleasure or abbreviation that he was not currently undergoing ugrades. Tidal offer unbiased recommendations we offer a point, old testament by the sunz of man the old testament tracklist proxima semana. -
Television Academy Awards
2021 Primetime Emmy® Awards Ballot Outstanding Documentary Or Nonfiction Special American Murder: The Family Next Door Using raw, firsthand footage, to examine the disappearance of Shanann Watts and her children, and the terrible events that followed. The Battle Never Ends Millions of American veterans made a sacrifice to protect our country’s democracy. Honoring the 100-year anniversary of the Disabled American Veterans, a group which has fought to protect the rights and improve the lives of those who pay the price of freedom every day. The Bee Gees: How Can You Mend A Broken Heart Chronicling the triumphs and hurdles of The Bee Gees. Brothers Barry, Maurice, and Robin Gibb, found early fame writing over 1,000 songs with twenty No. 1 hits transcending through over five decades. Featuring never-before-seen archival footage of recording sessions, home videos, concert performances, and a multitude of interviews. Belushi Belushi unveils the brilliant life of a comedic legend. Family and friends share memories of a John Belushi few knew, including Dan Aykroyd, Gilda Radner, Chevy Chase, Penny Marshall, Lorne Michaels and Harold Ramis. Biggie: I Got A Story To Tell Featuring rare footage and in-depth interviews, this documentary celebrates the life of The Notorious B.I.G. on his journey from hustler to rap king. BLACKPINK: Light Up The Sky Korean girl band BLACKPINK tell their story — and detail the journey of the dreams and trials behind their meteoric rise. Booker T (Biography) Re-live the journey of Booker T, who transformed himself from teenage criminal serving time in prison to one of the most beloved WWE superstars.