Can »Delay« 1968 Mp3, Flac, Wma

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Can »Delay« 1968 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: »Delay« 1968 Country: Japan Released: 1983 Style: Krautrock, Psychedelic Rock, Experimental MP3 version RAR size: 1759 mb FLAC version RAR size: 1991 mb WMA version RAR size: 1698 mb Rating: 4.8 Votes: 908 Other Formats: WMA AUD DTS DMF AHX ASF AAC Tracklist Hide Credits Butterfly A1 8:20 Written-By – Czukay*, Schmidt*, Liebezeit*, Mooney*, Karoli* Pnoom A2 0:26 Written-By – Czukay*, Schmidt*, Liebezeit*, Mooney*, Karoli* Nineteen Century Man A3 4:18 Written-By – Czukay*, Schmidt*, Liebezeit*, Mooney*, Karoli* Thief A4 5:03 Written-By – Czukay*, Schmidt*, Liebezeit*, Mooney*, Karoli* Man Named Joe B1 3:54 Written-By – Czukay*, Schmidt*, Liebezeit*, Mooney*, Karoli* Uphill B2 6:41 Written-By – Czukay*, Schmidt*, Liebezeit*, Mooney*, Karoli* Little Star Of Bethlehem B3 7:09 Written-By – Czukay*, Schmidt*, Liebezeit*, Mooney*, Karoli* Companies, etc. Phonographic Copyright (p) – Spoon Records Licensed Through – Spoon Records Recorded At – Schloß Nörvenich Produced At – Inner Space Studio Manufactured By – Japan Records Inc. Credits Bass, Engineer, Edited By – Holger Czukay Design [Hüllengestaltung] – Eveline Grunwald Drums – Jaki Liebezeit Guitar – Michael Karoli Keyboards – Irmin Schmidt Photography By – Walter Kirchberger Producer – Can Vocals – Malcolm Mooney Notes Recorded 1968/69 at Schloss Nörvenich Produced at Inner Space Studio 1968 / 1969 back cover: Ⓟ 1982 licensed through Spoon Records Manufactured by Japan Records Inc. Ⓚ printed in Japan 1983 insert: Ⓟ 1882 Spoon Records Manufactured by Japan Records Inc., 1983 Licensed through Spoon Records Printed in Japan Barcode and Other Identifiers Matrix / Runout (Runout side A): [stamped] JAL-2301A1 1 A 1 + [etched] -CAN- "DELAY" Side one O ʎ2 -A Matrix / Runout (Runout side B): [stamped] JAL-2301B1 1 A 1 [etched] -CAN- "DELAY" Side Two O 12 -B Matrix / Runout (Label side A): (JAL-2301A) Matrix / Runout (Label side B): (JAL-2301B) Rights Society: JASRAC Other (Price): ¥2,300 Other versions Title Category Artist Label Category Country Year (Format) Delay 1968 Spoon SPOON 012 Can SPOON 012 Germany 1981 (LP, Album) Records Spoon Records, Delay 1968 Warner CDSPOON 12, CDSPOON 12, Can (CD, Album, Music Germany 2007 5051442-3553-2-1 5051442-3553-2-1 RE, RM) Group Central Europe Delay 1968 Japan JAL-2301 Can (LP, Album, Record, JAL-2301 Japan 1983 Promo, RE) Giraffe Spoon Delay 1968 SPOON 012, Spoon Records , SPOON 012, Spoon Can (LP, Album, Germany Unknown 012 Spoon 012 RE, Unofficial) Records Delay 1968 Spoon (SACD, SPOONSA12, Records, SPOONSA12, UK & Can Hybrid, 2006 0094636076423 Mute, The 0094636076423 Europe Album, RE, Grey Area RM) Related Music albums to »Delay« 1968 by Can Holger Czukay - CAN Can - Moonshake Can - Can DVD Can - Flow Motion Holger Czukay & Rolf Dammers - canaxis 5 Can - Saw Delight Can - Soon Over Babaluma Can - Can Holger Czukay - Movies Can - Tago Mago.

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Download Book ^ Can's Tago Mago » E1MZS7WYAL2L
ZVIMZOGVKZMA < eBook < Can's Tago Mago Can's Tago Mago Filesize: 4.03 MB Reviews Simply no words to explain. It really is basic but shocks from the fifty percent of the ebook. I am just happy to explain how this is the finest pdf we have read within my personal life and could be he best ebook for possibly. (Blair Monahan) DISCLAIMER | DMCA K3QZLZZUT07P ^ Book < Can's Tago Mago CAN'S TAGO MAGO To get Can's Tago Mago PDF, please access the button under and save the file or get access to additional information that are in conjuction with CAN'S TAGO MAGO book. Bloomsbury Publishing Plc. Paperback. Book Condition: new. BRAND NEW, Can's Tago Mago, Alan Warner, Finally, a brilliant exploration of the German rock band Can's 1971 album Tago Mago. This hugely unique and influential album deserves close analysis from a fan, rather than a musicologist. Novelist Alan Warner details the concrete music we hear on the album, how it was composed, executed and recorded--including the history of the album in terms of its release, promotion and art work. This tale of Tago Mago is also the tale of a young man obsessed with record collecting in the dark and mysterious period of pop music before Google. Warner includes a backtracking of the history of the band up to that point and also some description of Can's unique recording approach taking into account their home studio set up. Interviews with the two surviving members: drummer Jaki Liebezeit, keyboardist Irmin Schmidt and bassist Holger Czukay make this a hilariously personal and illuminating picture of Can.
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Instrumental) / Holger Czukay Movies
2007/08/04 Cool In The Pool / Holger Czukay Movies Cool In The Pool (instrumental) / Holger Czukay Movies Persian Love / Holger Czukay Movies How Much Are They / Holger Czukay, Jah Wobble and Jaki Liebezeit Full Circle Handle With Care / Traveling Wilburys The Traveling Wilburys Collection Maxine / Traveling Wilburys The Traveling Wilburys Collection Runaway / Traveling Wilburys The Traveling Wilburys Collection Running Scared / Roy Orbison The Essential Roy Orbison Hope For Us All / Nick Lowe At My Age Hey Girl / Freddie Scott Birth of Soul You'll Never Leave Him / Freddie Scott The Leiber & Stoller Story Vol.3 Brown Eyed Girl / Freddie Scott Vanthology For Once In My Life / Jean DuShon 未発売 For Once In My Life / Stevie Wonder Song Review - A Greatest Hits Collection Heaven Help Us All / Ray Charles and Gladys Knight Genius Loves Company Compared To What / Dee Dee Bridgewater Red Earth Move Along (Show's Over) / Beaver Nelson Beaver Nelson's Exciting Opportunity Damaged Goods / Jud Newcomb Byzantine We Can't Go On Meeting Like This / Hummingbird We Can't Go On Meeting Like This 2007/08/11 Ngoma～D-Fumo～Pink Guitar / Sim Redmond Band Live at Grassroots I Wish I Knew / Derek Trucks Band & Susan Tedeschi live @ Oregon Zoo, Portland - June 22, 2007 (not for sale) If I Should Fall Behind / Bruce Springsteen Live In Dublin Comment / Wilco Kicking Television Armagideon Time / The Clash From Here To Eternity Bodhisattva / Steely Dan Gold Cariba / Wes Montgomery Full House The Eleven / Grateful Dead Fillmore West 1969: The Complete Recordings Playing
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Classic Albums: the Berlin/Germany Edition
Course Title Classic Albums: The Berlin/Germany Edition Course Number REMU-UT 9817 D01 Spring 2019 Syllabus last updated on: 23-Dec-2018 Lecturer Contact Information Course Details Wednesdays, 6:15pm to 7:30pm (14 weeks) Location NYU Berlin Academic Center, Room BLAC 101 Prerequisites No pre-requisites Units earned 2 credits Course Description A classic album is one that has been deemed by many —or even just a select influential few — as a standard bearer within or without its genre. In this class—a companion to the Classic Albums class offered in New York—we will look and listen at a selection of classic albums recorded in Berlin, or recorded in Germany more broadly, and how the city/country shaped them – from David Bowie's famous Berlin trilogy from 1977 – 79 to Ricardo Villalobos' minimal house masterpiece Alcachofa. We will deconstruct the music and production of these albums, putting them in full social and political context and exploring the range of reasons why they have garnered classic status. Artists, producers and engineers involved in the making of these albums will be invited to discuss their seminal works with the students. Along the way we will also consider the history of German electronic music. We will particularly look at how electronic music developed in Germany before the advent of house and techno in the late 1980s as well as the arrival of Techno, a new musical movement, and new technology in Berlin and Germany in the turbulent years after the Fall of the Berlin Wall in 1989, up to the present.
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FUTURE SOUNDS Wie Ein Paar Krautrocker Die Popwelt Revolutionierten
FVTVRE SOVNDS Wie ein paar »Krautrocker« Christoph Dallach die Popwelt revolutionierten Suhrkamp SV Christoph Dallach FUTURE SOUNDS Wie ein paar Krautrocker die Popwelt revolutionierten Suhrkamp Für Maria (MoisE) Erste Auflage 2021 suhrkamp taschenbuch 4598 Originalausgabe © Suhrkamp Verlag Berlin 2021 Suhrkamp Taschenbuch Verlag Alle Rechte vorbehalten, insbesondere das der Übersetzung, des öffentlichen Vortrags sowie der Übertragung durch Rundfunk und Fernsehen, auch einzelner Teile. Kein Teil des Werkes darf in irgendeiner Form (durch Fotografie, Mikrofilm oder andere Verfahren) ohne schriftliche Genehmigung des Verlages reproduziert oder unter Verwendung elektronischer Systeme verarbeitet, vervielfältigt oder verbreitet werden. Umschlaggestaltung : Büro Dirk Rudolph Druck : C.H.Beck, Nördlingen Printed in Germany ISBN 978-3-518-46598-1 Inhalt Vorwort von Christoph Dallach 7 Kraut 11 DIE FÜNFZIGER Nachkriegsjugend 21 Jazz 50 DIE SECHZIGER Beat 71 Haare 86 WGs 94 1968 103 Neuanfang 127 Drogen 143 Zodiak 153 Kluster 163 DIE SIEBZIGER Kessler 173 Tangerine Dream 187 Kommerz 211 Moog 215 Amon Düül 225 A. R & Machines 244 Eigenpfade 252 Weltenbummler 271 Faust 280 Austausch 314 Can 320 Plank 367 Kraftwerk 376 Neu ! 384 Forst 393 Ausland 404 Staatsfeinde 413 Rolf-Ulrich Kaiser 427 Deutsch 464 Ende 469 Heute 472 Für immer (always) 478 Biografische Notizen 493 Bildnachweise 511 Danksagung 512 Vorwort von Christoph Dallach Meine erste Krautrockplatte gewann ich in einem Preisaus- schreiben. Die Aufgabe bestand darin, innerhalb eines knap- pen Zeitfensters irgendwo anzurufen. Ich kam sofort durch. Vielleicht hatte ich Glück, vielleicht war ich aber auch der einzige Anrufer. Egal, eine Woche darauf war die Platte da : »Movies« von Holger Czukay, mit krakeliger Kugelschreiber- Signatur vom Künstler höchstpersönlich.
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Can Delay 1968 Mp3, Flac, Wma
Can Delay 1968 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Delay 1968 Country: Germany Released: 1981 Style: Krautrock, Psychedelic Rock, Experimental MP3 version RAR size: 1450 mb FLAC version RAR size: 1540 mb WMA version RAR size: 1282 mb Rating: 4.6 Votes: 357 Other Formats: VOC VOX MP1 WAV AIFF DMF MOD Tracklist A1 Butterfly 8:20 A2 Pnoom 0:26 A3 Nineteen Century Man 4:18 A4 Thief 5:03 B1 Man Named Joe 3:54 B2 Uphill 6:41 B3 Little Star Of Bethlehem 7:09 Companies, etc. Recorded At – Schloß Nörvenich Produced At – Inner Space Studio Credits Bass, Engineer, Edited By – Holger Czukay Drums – Jaki Liebezeit Guitar – Michael Karoli Keyboards – Irmin Schmidt Lacquer Cut By – J.C.* Layout [Hüllengestaltung] – Eveline Grunwald Management – Hildegard Schmidt Photography By – Walter Kirchberger Producer – Can Vocals – Malcolm Mooney Written-By – Czukay*, Schmidt*, Liebezeit*, Mooney*, Karoli* Notes Recorded 1968/69 at Schloss Nörvenich. Barcode and Other Identifiers Rights Society: GEMA Label Code: LC 7395 Matrix / Runout (Label side A): 66.22 735-01-1 Matrix / Runout (Label side B): 66.22 735-01-2 Matrix / Runout (Runout side A, hand-etched): -CAN- "DELAY" Side one 012-A Matrix / Runout (Runout side B, hand-etched): -CAN- "DELAY" Side Two 012-B J.C. Other versions Title Category Artist Label Category Country Year (Format) Spoon Records, Delay 1968 Warner CDSPOON 12, CDSPOON 12, Can (CD, Album, Music Germany 2007 5051442-3553-2-1 5051442-3553-2-1 RE, RM) Group Central Europe Delay 1968 Japan JAL-2301 Can (LP,
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Until the End of the World Music Credits
(Below are the credits for the music in the English version, followed by the credits, in German, for the extended restored version): English-language music credits: Musical Score Graeme Revell Musical Score Graeme Revell Solo Cello and Additional Improvisation David Darling Music Supervision Gary Goetzman and Sharon Boyle Picture and Music Editor Peter Przygodda MUSIC Music Coordinators Barklie K. Griggs Jennifer Quinn-Richardson Dana K. Sano Music Recording and Mixing Studios Tritonus Studios, Berlin Music Editor (Synch) Dick Bernstein (Offbeat Systems) Music Mixing Engineer Gareth Jones 2nd Sound Engineer Gerd Krüger Assistant Maro Birkner Additional Music Recordings Hansa Tonstudios, Berlin MUSIC TITLES IN ORDER OF APPEARANCE: "GALKAN" Appears on "Les Aborigènes, Chants et Danses de l'Australie du Nord" Phonogramme ARN 64056 Courtesy of Arion "SAX & VIOLINS" Performed by Talking Heads Lyrics and Music by David Byrne Music by Chris Frantz, Jerry Harrison, Tina Weymouth Producer Steve Lillywhite and Talking Heads Mixed by Kevin Killen Publisher Bleu Disque Music Co. Inc./ Index Music admin. by WB Music Corp./ASCAP Courtesy of Warner Bros. Records Inc./Sire Records Company/FLY Talking Heads Appear Courtesy of EMI Records Ltd. "SUMMER KISSES, WINTER TEARS" Performed by Elvis Presley Writers Jack Lloyd, Ben Weissman, Fred Wise Publisher WB Music Corp./Erica Music/ ASCAP Courtesy of RCA Records Label of BMG Music "MOVE WITH ME" Performed by Neneh Cherry Writers Neneh Cherry/Cameron Mcvey Producer Booga Bear/Jonny Dollar Publisher Virgin Music Ltd/Copyright Control/ BMI/PRS Courtesy of Circa Records, Ltd. "IT TAKES TIME" Performed by Patti Smith and Fred Smith Writers Fred Smith and Patti Smith Producer Fred Smith Publisher Druse Music Inc/Stratium Music, Inc./ASCAP Courtesy of Arista Records, Inc.
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Eurythmics in the Garden Mp3, Flac, Wma
Eurythmics In The Garden mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: In The Garden Country: Germany Released: 1981 Style: New Wave, Pop Rock, Synth-pop MP3 version RAR size: 1257 mb FLAC version RAR size: 1797 mb WMA version RAR size: 1520 mb Rating: 4.8 Votes: 770 Other Formats: VOX XM MP3 MPC AAC WMA RA Tracklist Hide Credits English Summer A1 4:00 Drums – Clem BurkeGuitar – Dave Stewart*, Roger Pomphrey Belinda A2 3:58 Drums – Robert GörlFrench Horn – Holger Czukay Take Me To Your Heart A3 3:32 Drums – Jaki Liebezeit She's Invisible Now A4 3:27 Drums – Clem Burke Your Time Will Come A5 Brass – Holger Czukay, Jaki Liebezeit, Marcus Stockhausen*Drums – Clem BurkeGuitar – 4:30 Holger Czukay, Roger Pomphrey Caveman Head B1 3:56 Drums – Clem BurkeGuitar, Other [Shouting] – Roger Pomphrey Never Gonna Cry Again B2 3:02 Drums – Jaki LiebezeitFrench Horn – Holger CzukaySaxophone – Sir Timothy Wheater* All The Young (People Of Today) B3 4:11 Drums – Jaki Liebezeit Sing-Sing B4 4:03 Drums – Clem BurkeGuitar – Roger Pomphrey Revenge B5 4:31 Drums – Clem BurkeOther [Laughing] – Krista Fast Companies, etc. Made By – RCA Schallplatten GmbH Phonographic Copyright (p) – Dilkusa Music B.V. Recorded At – Conny's Studio Phonographic Copyright (p) – RCA Ltd. Credits Bass, Keyboards, Synthesizer, Backing Vocals – Dave Stewart* Design – Rocking Russian Keyboards, Synthesizer, Percussion, Flute, Vocals – Annie Lennox Photography By – Peter Ashworth Producer – Conny Plank, Eurythmics Written-By – Annie Lennox, Dave Stewart*, Roger Pomphrey (tracks: A1, B1) Notes Recorded at Conny's studio, Cologne between February 81 & June 81. "Jaki Liebezeit" is credited as "Jackie Liebzeik" on the album credits.
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Holger Czukay, Köln Juni 2004
Interview mit Holger Czukay, Köln Juni 2004 ?: Herr Czukay, sie haben schon Ende der 60er Jahre mit Tonband-Loops gearbeitet. Sind Loops für Sie ein relevantes, musikalisches Thema? Holger Czukay: Ja, ganz klar. Wie auch zum Beispiel die Remixe sind die Loops eine Kunstform, die an die Zeit und an die technische Entwicklung gebunden ist. Mit Can haben wir das recht früh angefangen. Weil die Digitaltechnik nicht entwickelt worden war, haben wir Loops mit Analogtechnik, also mit dem Tonband, gemacht. Wir mussten das machen, weil wir als Instrumentalisten nicht gut genug waren. Wir mussten massive Korrekturen anbringen, und mit den Korrekturen fängt eigentlich alles an. Die Aufnahme war eigentlich kein Problem, aber da waren so und soviel Fehler drin, weil wir alles andere als perfekt waren. Wir hätten eine Talentprobe gar nicht bestanden. Was uns groß gemacht hat, war unsere Vision: erstens mit kleinsten Einheiten, also Loops, die Grundlage für unsere Musik zu schaffen. Und zweitens, dass selbst unsere allerersten Aufnahmen, die wir eingespielt haben, alles beinhalten sollte, ohne etwas auszusagen. Das ist ein ganz wichtiges Argument, denn wenn Sie alles beeinhalten und nichts aussagen, dann sind sie cool. Die Musik, die sich daraus entwickelte, muss in dem, was wir das Grundband genannt haben, enthalten sein. ?: Warum soll man als Musiker nichts aussagen? Czukay: Wenn Sie etwas aussagen, dann nehmen Sie sich ja alles weg. Dann fangen sie an, zu interpretieren, und Interpretation ist das letzte, was wir wollen... ?: Das erinnert an bestimmte Aussagen von Künstlern der Minimal Art, zum Beispiel Donald Judd, der in Zusammenhang mit seiner Kunst von „specific objects“ gesprochen hat: Reihen von Objekten, die nur für sich selbst stehen..
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Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent.
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ALBUMS BARRY WHITE, "WHAT AM I GONNA DO with BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50S YOU" (Prod
DEDICATED TO THE NEEDS OF THE MUSIC RECORD INCUSTRY SLEEPERS ALBUMS BARRY WHITE, "WHAT AM I GONNA DO WITH BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50s YOU" (prod. by Barry White/Soul TO ME" (prod.by Baker,Harris, and'60schestnutsrevved up with Unitd. & Barry WhiteProd.)(Sa- Young/WMOT Prod. & BobbyEli) '70s savvy!Fast paced pleasers sat- Vette/January, BMI). In advance of (WMOT/Friday'sChild,BMI).The urate the Lennon/Spector produced set, his eagerly awaited fourth album, "Sideshow"men choosean up - which beats with fun fromstartto the White Knight of sensual soul tempo mood from their "Magic of finish. The entire album's boss, with the deliversatasteinsupersingles theBlue" album forarighteous niftiest nuggets being the Chuck Berry - fashion.He'sdoingmoregreat change of pace. Every ounce of their authored "You Can't Catch Me," Lee thingsinthe wake of currenthit bounce is weighted to provide them Dorsey's "Ya Ya" hit and "Be-Bop-A- string. 20th Century 2177. top pop and soul action. Atco 71::14. Lula." Apple SK -3419 (Capitol) (5.98). DIANA ROSS, "SORRY DOESN'T AILWAYS MAKE TAMIKO JONES, "TOUCH ME BABY (REACHING RETURN TO FOREVER FEATURING CHICK 1116111113FOICER IT RIGHT" (prod. by Michael Masser) OUT FOR YOUR LOVE)" (prod. by COREA, "NO MYSTERY." No whodunnits (Jobete,ASCAP;StoneDiamond, TamikoJones) (Bushka, ASCAP). here!This fabulous four man troupe BMI). Lyrical changes on the "Love Super song from JohnnyBristol's further establishes their barrier -break- Story" philosophy,country -tinged debut album helps the Jones gal ingcapabilitiesby transcending the with Masser-Holdridge arrange- to prove her solo power in an un- limitations of categorical classification ments, give Diana her first product deniably hit fashion.
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Goodbye Yesterday
Power Amplifier Frans de Wit Signature Origin Signature Century Author: Uwe Kirbach Photography: Rolf Winter Goodbye yesterday Once in a blue moon, a product ap- Amazement and astonishment are, at their best, two of the most beautiful emotions of which humans are capable. They tear you pears on the high-end market that from your everyday consciousness and enable you to have an al- leaves all technical convention in most child-like direct experience. This happened to me one day a few months ago, thanks to a newly-installed amplifier, and my the dust. This is undoubtedly true of amazement grew with every album I played. The setup was a pair the Signature Century power ampli- of Cessaro Wagners, fed by Jadis JA 80 power amps, and the whole system was really singing. However, there was also an amp that had fier from the Dutch designer Frans been sitting around in my listening room for some time, whose de Wit and his company Signature sound had made a favourable impression on me at several hifi shows. On the one hand, I wanted to try out the Signature Century Origin. So what does it sound like? power amp, but on the other hand not necessarily with the Wag- ners – why would you hook up a pair of high-efficiency speakers to a power amp that can deliver 400 watts into 2 Ohms, and, if pushed, has the capacity to supply up to 40 amperes (and accor- PDF image-hifi.com 2/2017 ding to the manufacturer, will be stable at any vol- have to wait until after the Cessaros made way for the ume with any speaker)? It doesn't normally sound power-hungry YG Acoustics Haileys in the listening good when an amp is working right at its lowest le- room.
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Sommer Og Lager Salg! 1
Sommer og lager salg! 1. august til 1. September 2012 Kun kr 175,- pr cd eks. frakt Bestill fra listen under så langt lageret rekker NY SESONG NYE OG TIMER BENYTT ANLEDNINGEN TIL Å FORNYE DITT MUSIKKBIBLIOTEK CD-er til redusert pris bestilles på mail [email protected] Vi bekrefter bestillingen, sender faktura pr. mail som må betales før cd-ene sendes ut . Husk navn og postadresse for levering og faktura Fortsatt god sommer! PRESENTER CHART HIP HOP Chart attack step cardio winter 11 Dance reggea Street dance 3 Back to Rythm Chart attack step cardio autum 11 Chart attack step cardio autumn 09 CHRISTMAS Back to groove Balazs Chart attack toning spring 10 Xmas finals Bravo Chart attack toningwinter10 megamix x- mas hits Calvinography Mega Hits Chart hits summer 11 white christmas Crispy ans Creamy - Balazs 2011 most wanted club hits step and Marry christmas Cool Vibration - Balazs dance DISCO Dance sensation - Sweppy Beats 2011 most wanted chart hits high cool and the gang meets boney m Dance sensation - Jessica E impact Disco fever 90s eurodance Dance sensation - Lenonel O 10 years move ya pim 90 RETRO Dance sensation - Patric G 10 years move ya Dance sensation -Christina Reiter step experience chart hits autumn 09 Disco fever 5 Dance and Feel - Patric L step experience chart hits summer 11 Disco meets house good vibration groove is in the house 80 pop meets house step sensation anton todrov decade 00 - 09 chart hits 126 bpm 80 pop meets house 2 Feel my beat - Robert S party kracker Disco meets house 2 Free- Sebastian Piateck cardio
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