Absences from Map. the Problem of Bessarabia in the Historiographical Imaginary of Nicolae Ceausescu's Regime
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Between Worlds Contents
BETWEEN WORLDS CONTENTS 14 Acknowledgments 16 Introduction Timothy 0. Benson and Eva Forgacs SECTION 1: STYLE AS THE CRUCIBLE OF PAST AND FUTURE Chapter 1: National Traditions Germany Carl Vinnen. "Quousque Tandem," from A Protest of German Artists [1911I Wilhelm Worringer, "The Historical Development of Modern Art," from The Struggle for Art (1911) Czech-Speaking Lands Milos Jiranek, "The Czechness of our Art," Radikatni iisty (1900I Bohumil Kubista, "Josef Manes Exhibition at the Topic Salon," Prehled ii9ii) Poland Juliusz Kaden-Bandrowski, "Wyspiariski as a Painter-Poet (Personal Impressions]," Przeglqd Poranny I1907] Stanistaw Witkiewicz, Excerpts from Jon Matejko (1908) Jacek Malczewski, "On the Artist's Calling and the Tasks of Art" I1912I Wtodzirnierz Zu-tawski, "Wyspiariski's Stained Glass Windows at the Wawel Cathedral," Maski (1918] Hungary Lajos Fulep, Excerpt from Hungarian Art I1916I Yugoslavia Exhibition Committee of University Youth (Belgrade], Invitation Letter (1904) Chapter 2: New Alternatives Prague Emil Filla, "Honore Daumier: A Few Notes on His Work," Volne smery (1910] Pavel Janak, "The Prism and the Pyramid" Umeiecky mesicnik (1911] Otto Gutfreund, "Surface and Space," Umeiecky mesicnik (1912) Emil Filla, "On the Virtue of Neo-Primitivism," Volne smery (1912) Vaclav Vilem Stech, Introduction to the second Skupina exhibition catalogue (1912) Bohumil Kubista, "The Intellectual Basis of Modern Time," Ceska kutturo I1912-13] Josef Capek, Fragments of correspondence I1913] Josef Capek, "The Beauty of Modern Visual Form," Printed [1913-14I Vlastislav Hofman, "The Spirit of Change in Visual Art," Almanoch no rok [1914) Budapest Gyb'rgy Lukacs, "Forms and the Soul," Excerpt from Richard Beer-Hoffmann 11910) Karoly Kernstok, "Investigative Art," Nyugat (1910) Gyorgy Lukacs, "The Ways Have Parted," Nyugat [1910) Karoly Kernstok, The Role of the Artist in Society," Huszadik szazad (1912) Bucharest Ion Minulescu, Fragment from "Light the Torches," Revisto celorlaiti (1908) N. -
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De Styl 2x2 <rH IRH & Weimar Biflxelles OER STURM L'ESPRIT Berlin £ Wlan NOUVEAU 3 o CO a LA o .6 VIE o s £ D E Paris PQ S IU LETTRES DIE AKTION ET DES ARTS Paris ZEMIT Berlin Berlin InternaclonAIlt akllvlsta mQv^ssetl foly61rat • Sserkeutl: KattAk Uijof m Fe- leldssievkesxtO: Josef Kalmer • Sxerkesxtds^g £• klad6hlvafal: Wlen, XIIL Bei* Amallenstrasse 26. L 11 • Megjelen^s dAtuma 1922 oktdber 19 m EUfflrctM Ar: EOT £VRE: 3S.OOO osztr&k kor^ 70 ssokol, lOO dlnAr, 200 lei, SOO mArka m EQTE8 SZXM XltA: 3000 ositrAk korona, 7 siokol, lO dlnAr, 20 lei, SO mArka MA •b VIE 6vfolyam, 1. tx6m • A lapban megJelenO clkkek6rt a weriO felel. Drackerei .Elbemflfcl", Wien, IX., Berggtue 31. a sourcebook of central european avant-gardes, 1910-1930 CONTENTS 14 Acknowledgments 16 | Introduction Timothy 0. Benson and Eva Forgacs 49 Germany 50 Carl Vinnen, "Quousque Tandem," from A Protest of German Artists (1911) 52 Wilhelm Worringer, "The Historical Development of Modern Art," from The Struggle for Art (1911) 55 Czech-Speaking Lands 56 Milos Jiranek, "The Czechness of our Art," Radikalni tisty (1900) 57 Bohumil Kubista, "Josef Manes Exhibition at the Topic Salon," Prehled [1911) 59 Poland 60 ; Juliusz Kaden-Bandrowski, "Wyspianski as a Painter-Poet (Personal Impressions)," Przeglad Poranny (1907) 61 Stanistaw Witkiewicz, Excerpts from Jan Matejko (1908) 64 Jacek Malczewski, "On the Artist's Calling and the Tasks of Art" (1912) 66 Wiodzimierz Zutawski, "Wyspianski's Stained Glass Windows at the Wawel Cathedral," Maski (1918) 70 Hungary 71 ! Lajos Fulep, -
Political Fiction Or Fiction About Politics. How to Operationalize a Fluid Genre in the Interwar Romanian Literature
ȘTEFAN FIRICĂ POLITICAL FICTION OR FICTION ABOUT POLITICS. HOW TO OPERATIONALIZE A FLUID GENRE IN THE INTERWAR ROMANIAN LITERATURE What’s in a Genre? A reader of contemporary genre theories is compelled to conclude that, one way or another, the idea of literary class has managed a narrow escape from obsolescence. Conceptual maximalism fell behind the pragmatic call to respond to a global cultural environment for which the task of grouping, structuring, organizing, labelling remains vital for a long list of reasons, of which marketing policies are not to be forgotten. The modern story of the field has seen many twists and turns. After some theories of genre evolutionism – derived more or less from Darwinism – consumed their heyday in the 1890s–1920s1, Bakhtin (1937) took a decisive step toward a “historical poetics”, before Wellek, Warren (1948), Northrop Frye (1957), and Käte Hamburger (1957), and, later on, Gérard Genette (1979), Alastair Fowler (1982), or Jean-Marie Schaeffer (1989) returned to self- styled mixtures of formalism and historicism2. The study which pushed forward the scholarship in the field was, surprisingly or not, a fierce deconstruction of the “madness of the genre”, perceived as a self- defeating theory and practice of classification, highly necessary and utterly impossible at the same time. In his usual paradoxical manner, Derrida (1980) construes the relationship between the individual work and its set as one of 1 See, for instance: Ferdinand Brunetière, L’évolution des genres dans l’histoire de la littérature, Paris, Hachette, 1890–1892; Albert Thibaudet, Le liseur de romans, Paris, G. Crès et Cie, 1925; Viktor Shklovsky, O теории прозы [On the Theory of Prose], Москва, Издательств o “Федерация”, 1925. -
Veronica Porumbacu's
Veronica Porumbacu’s ‘Return from Cynthera’ (1966): | 1 Veronica Porumbacu’s ‘Return from Cynthera’ (1966): A Conceptual Manifesto of Socialist Feminism Ovidiu Ţichindeleanu IDEA arts + society CONTACT: Ovidiu Ţichindeleanu, IDEA arts + society, Chişinău, Moldova, and Cluj, Romania, [email protected] To cite this article: [Ovidiu Ţichindeleanu. “Veronica Porumbacu’s ‘Return from Cynthera’ (1966): A Conceptual Manifesto of Socialist Feminism.” Wagadu: A Journal of Transna- tional Women’s and Gender Studies. Fall 2020] ABSTRACT: Veronica Porumbacu (1921-1977) was a Romanian poet and translator who has been unjustly forgotten today due to her proletcultist poems of the 1950s. Yet her work was widely published and well-known during the socialist re- gime, and is especially relevant for the two decades of growth and ideological innovation of the 1960s and 1970s. In my article I analyze a remarkable vol- ume of hers published in 1966, situating it in the context of her work and in the wider frame of the political context of Romania. I argue that Return from Cythera can be considered a conceptual manifesto of socialist feminism, rely- ing on reflexive eroticism, embodied thought, and historical consciousness to challenge the surrounding patriarchal order and to claim the necessity of developing a different cultural genealogy, centered on the standpoint and ex- periences of women. © Wagadu (2020) ISSN : 1545-6196 2 | Ovidiu Ţichindeleanu Postcommunist România has tried hard to abandon its own recent past, although as visual artist Ciprian Mureşan has reminded us, strictly speaking “Communism never happened.”1 In the past three decades of “post-socialist” or “post-communist” West-oriented transition, a specific type of forgetting has been perfected in aca- demia, the public sphere, as well as the larger culture industry. -
The Tragicomedy of Romanian Communism
RESEARCH REPORT T O NATIONAL COUNCIL FOR SOVIET AND EAST EUROPEAN RESEARC H TITLE : THE TRAGICOMEDY OF ROMANIAN COMMUNIS M AUTHOR : Vladimir Tismanean u CONTRACTOR : Foreign Policy Researc h Institute PRINCIPAL INVESTIGATOR : Vladimir Tismanean u COUNCIL CONTRACT NUMBER : 903-0 4 DATE : September, 198 9 The work leading to this report was supported by funds provided b y the National Council for Soviet and East European Research . Th e analysis and interpretations contained in the report are those o f the author . a NOTE This report, based on an article to be published i n Eastern EuropeanPolitics andSocieties, is an inciden- tal product of the Council Contract identified on the title page . It is not the Final Report, which wa s distributed in August, 1989 . TABLE OF CONTENTS Page Introduction 1 Stalin's Romanian Disciples 1 1 The Comintern and the RCP 1 6 Stalinism for All Seasons 3 4 The Anti-De-Stalinization Platform 3 9 The Road to Absolute Power 43 The Manipulated Manipulator 47 Assault on the Party Apparatus 5 2 Notes 57 The Tragicomedy of Romanian Communis m Vladimir Tismanean u Un monde sans tyrans serait aussi ennuyeux qu'un jardi n zoologique sans hyenes . E . M . Cioran, Histoire et utopi e Now, despite eternal cabals in the inner clique and unendin g shifts of personnel, with their tremendous accumulation o f hatred, bitterness, and personal resentment, the Leader' s position can remain secure against chaotic palace revolution s not because of his superior gifts, about which the men in hi s intimate surroundings frequently have no great illusions, bu t because of these men's sincere and sensible conviction tha t without him everything would be immediately lost . -
Proquest Dissertations
LITERATURE, MODERNITY, NATION THE CASE OF ROMANIA, 1829-1890 Alexander Drace-Francis School of Slavonic and East European Studies, University College London Thesis submitted for the degree of PhD June, 2001 ProQuest Number: U642911 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest U642911 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 ABSTRACT The subject of this thesis is the development of a literary culture among the Romanians in the period 1829-1890; the effect of this development on the Romanians’ drive towards social modernization and political independence; and the way in which the idea of literature (as both concept and concrete manifestation) and the idea of the Romanian nation shaped each other. I concentrate on developments in the Principalities of Moldavia and Wallachia (which united in 1859, later to form the old Kingdom of Romania). I begin with an outline of general social and political change in the Principalities in the period to 1829, followed by an analysis of the image of the Romanians in European public opinion, with particular reference to the state of cultural institutions (literacy, literary activity, education, publishing, individual groups) and their evaluation for political purposes. -
Resistance Through Literature in Romania (1945-1989)
DePaul University Via Sapientiae College of Liberal Arts & Social Sciences Theses and Dissertations College of Liberal Arts and Social Sciences 11-2015 Resistance through literature in Romania (1945-1989) Olimpia I. Tudor Depaul University, [email protected] Follow this and additional works at: https://via.library.depaul.edu/etd Recommended Citation Tudor, Olimpia I., "Resistance through literature in Romania (1945-1989)" (2015). College of Liberal Arts & Social Sciences Theses and Dissertations. 199. https://via.library.depaul.edu/etd/199 This Thesis is brought to you for free and open access by the College of Liberal Arts and Social Sciences at Via Sapientiae. It has been accepted for inclusion in College of Liberal Arts & Social Sciences Theses and Dissertations by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. Resistance through Literature in Romania (1945-1989) A Thesis Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts October, 2015 BY Olimpia I. Tudor Department of International Studies College of Liberal Arts and Social Sciences DePaul University Chicago, Illinois Acknowledgements I am sincerely grateful to my thesis adviser, Dr. Shailja Sharma, PhD, for her endless patience and support during the development of this research. I wish to thank her for kindness and generosity in sharing her immense knowledge with me. Without her unconditional support, this thesis would not have been completed. Besides my adviser, I would like to extend my gratitude to Dr. Nila Ginger Hofman, PhD, and Professor Ted Anton who kindly agreed to be part of this project, encouraged and offered me different perspectives that helped me find my own way. -
FINAL REPORT International Commission on the Holocaust In
FINAL REPORT of the International Commission on the Holocaust in Romania Presented to Romanian President Ion Iliescu November 11, 2004 Bucharest, Romania NOTE: The English text of this Report is currently in preparation for publication. © International Commission on the Holocaust in Romania. All rights reserved. DISTORTION, NEGATIONISM, AND MINIMALIZATION OF THE HOLOCAUST IN POSTWAR ROMANIA Introduction This chapter reviews and analyzes the different forms of Holocaust distortion, denial, and minimalization in post-World War II Romania. It must be emphasized from the start that the analysis is based on the United States Holocaust Memorial Museum’s definition of the Holocaust, which Commission members accepted as authoritative soon after the Commission was established. This definition1 does not leave room for doubt about the state-organized participation of Romania in the genocide against the Jews, since during the Second World War, Romania was among those allies and a collaborators of Nazi Germany that had a systematic plan for the persecution and annihilation of the Jewish population living on territories under their unmitigated control. In Romania’s specific case, an additional “target-population” subjected to or destined for genocide was the Romany minority. This chapter will employ an adequate conceptualization, using both updated recent studies on the Holocaust in general and new interpretations concerning this genocide in particular. Insofar as the employed conceptualization is concerned, two terminological clarifications are in order. First, “distortion” refers to attempts to use historical research on the dimensions and significance of the Holocaust either to diminish its significance or to serve political and propagandistic purposes. Although its use is not strictly confined to the Communist era, the term “distortion” is generally employed in reference to that period, during which historical research was completely subjected to controls by the Communist Party’s political censorship. -
Institutul De Studii Istorice Si Social
NR. INVENTAR: 3229 ARHIVELE NAŢIONALE SERVICIUL ARHIVE NAŢIONALE ISTORICE CENTRALE BIROUL ARHIVE CONTEMPORANE FOND INSTITUTUL DE STUDII ISTORICE ŞI SOCIAL-POLITICE FOTOTECA – Portrete INVENTAR 3414 u.a. Arhivele Nationale ale Romaniei PREFAŢĂ 1. Istoricul creatorului fondului - Institutul de Studii Istorice şi Social-Politice Institutul de Studii Istorice şi Social-Politice (I.S.I.S.P.) a devenit funcţional la 26 martie 1951, sub denumirea de Institut de Istorie a Partidului, având ca principal scop cercetarea şi (re)scrierea istoriei mişcării muncitoreşti, socialiste (social-democrate) şi comuniste din România şi din lume în conformitate cu propaganda oficială şi linia politico-ideologică a P.M.R./P.C.R. Relaţia Institutului cu Partidul Comunist este demonstrată prin directa tutelare a acestuia de către Comitetul Central al Partidului. Problema înfiinţării unui asemenea institut s-a discutat încă din anul 1950, când prin Hotărârea Biroului Politic al C.C. al P.M.R. nr.2/1950 s-a decis organizarea Institutului de Istorie a Partidului, însă noua instituţie şi-a început oficial activitatea un an mai târziu, la data de 8 mai 1951. Comitetul Politic Executiv al P.C.R. a hotărât la 22 martie 1966 transformarea Institutului de Istorie a Partidului în Institutul de Studii Istorice şi Social- Politice de pe lângă C.C. al P.C.R. Institutul era condus de un consiliu ştiinţific din care iniţial făceau parte şi unii dintre principalii lideri comunişti români: Gheorghe Gheorghiu- Dej, Ana Pauker, Vasile Luca, Teohari Georgescu, Lothar Rădăceanu, Iosif Chişinevschi, Alexandru Moghioroş, Gheorghe Apostol, Constantin Pârvulescu, Ion Niculi, Leonte Răutu, Mihail Roller, Gheorghe Stoica, Sorin Toma, A. -
Intellectuals and Public Discourse
Intellectuals and Public Discourse: Talking about Literature in Socialist Romania By Mihai-Dan Cîrjan Submitted to Central European University History Department In partial fulfillment of the requirements for the degree of Master of Arts Supervisor: Professor Constantin Iordachi Second Reader: Professor Balázs Trencsényi CEU eTD Collection Budapest, Hungary 2011 Copyright in the text of this thesis rests with the Author. Copies by any process, either in full or part, may be made only in accordance with the instructions given by the Author and lodged in the Central European Library. Details may be obtained from the librarian. This page must form a part of any such copies made. Further copies made in accordance with such instructions may not be made without the written permission of the Author. CEU eTD Collection i Abstract This thesis is a contribution to the study of intellectuals under state socialism. It aims to analyse the structure of the Romanian literary field during and after the liberalisation period of the 1960s. It does this by following the trajectory of two Romanian writers inside the institutional and discursive structures of the literary field. The two case studies provide the opportunity to discuss the effects of the state’s institutionalisation of culture. The thesis claims that the co-option of the intelligentsia in the administrative system and the structure of informal networks developed within the state’s institutions made the literary field a complex site where members of the intelligentsia and of the bureaucratic elite engaged in multiple negotiations for state resources. In this scenario the boundaries between the two elites, far from being clear cut, constantly shifted within the confines of state administration. -
Cultural Liminality and Hybridity: the Romanian "Transition"
Cultural Liminality and Hybridity: The Romanian "Transition" Monica Popescu, University ofPennsylvania In Tarrying with the Negative, Slavoj Zizek discusses the fascinating image of the Romanian flag with its national emblem cut out as a most "salient index of the 'open' character of a historical situation in its becoming," which is characteristic of "that intermediate phase when the former Master-Signifier, although it has already lost the hegemonical power, has not yet been replaced by the new one" (1993:1). With this image, Zizek opens up a discussion not only about a brief "intermediate phase" (as his own interpretation would read), but also about an indeterminately long period of cultural, political, and economic ambiguity, a time of hybridity which most Eastern European countries have termed "Transition."1 There has to be something inherently appealing about the term and the promises of its semantic configuration since, more than a decade after 1989, most postcommunist countries still admit to be in Transition. In transition to what, one could legitimately ask. The answer seems to have been lost somewhere along the way, or it seems so obvious (to a Western democratic system and a capitalist economy) that it can be easily left implicit. Transition stands for cultural uncertainty, for economic or politic blunders that are easier to forgive because the "true order" has not yet been achieved. This cultural "inbetweenness" is prolific and seductive since Transition also stands for cultural ventures with new expressive vocabularies that include grotesque, violent language or imagery, and nudity. In short, Transition has become a rhetorical strategy, a magic word in postcommunist countries-a word that is hardly expected to explain the status quo, but which provides a convenient label that can excuse negative aspects of the society. -
ALL CHANGE! the Romanian Film Festival in London, 6Th Edition 1 - 4 May 2009 Curzon Mayfair, 38 Curzon Street, London W1J 7TY
ALL CHANGE! The Romanian Film Festival in London, 6th Edition 1 - 4 May 2009 Curzon Mayfair, 38 Curzon Street, London W1J 7TY The sixth edition of the Romanian Film Festival in London will open very soon, bringing to London the ‘creme de la creme’ of Romanian cinema. This year's title - ‘ALL CHANGE!’ - is a reflection on the rapidly expanding talent that has emerged from the recently hailed Romanian New Wave, with debut features alongside new work by established directors. The theme of change is equally visible in the films’ stories, many of them served with a good dose of humour. Special guests from Romania will be attending selected screenings: actor and director Horatiu Malaele, screen legend Victor Rebengiuc, veteran director Stere Gulea, charismatic star Andi Vasluianu, and documentary film director Andrei Dascalescu. All our guests will take part in a special working lunch at the Ratiu Foundation, 18 Fitzhardinge St, London W1, on Saturday 2 May 2009, at 12pm. Book at [email protected] “We are very happy to present a new edition of our Film Festival”, said Mr Nicolae Ratiu, Chairman of the Ratiu Foundation. “From our first event back in 2003, we brought to London the very best films, and we are proud to have presented the works of directors such as Lucian Pintilie, Cristi Puiu, Cristian Mungiu, Corneliu Porumboiu, and the late Cristian Nemescu – to name but a few of the best known names. Through its high level of achievement, Romanian cinema is probably our best export, raising the level of awareness on the subject of our country, its people and its culture.