Ike & Tina Turner Sexy Ida Mp3, Flac

Total Page：16

File Type：pdf, Size：1020Kb

Ike & Tina Turner Sexy Ida mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Sexy Ida Country: Austria Released: 1974 Style: Disco, Soul MP3 version RAR size: 1170 mb FLAC version RAR size: 1924 mb WMA version RAR size: 1404 mb Rating: 4.8 Votes: 235 Other Formats: FLAC MP1 MP2 WMA AAC DTS XM Tracklist A Sexy Ida (Part 2) 2:30 B Sexy Ida (Part 1) 3:03 Companies, etc. Record Company – United Artists Records GmbH Produced For – Ike and Tina Turner Prod. Inc. Recorded At – Bolic Sound Published By – United Artists Musik GmbH Mastered At – Sonopress Pressed By – Phonodisc GesmbH Credits Producer – Claude Williams , Gerhard Augustin, Ike Turner Written-By – Tina Turner Notes Produced for I & T T Productions, Inc. Recorded at Bolic Sound, Inglewood, California - June 1974 ℗ 1974 Made in W. Germany _______________ Artist appears as 'Ike And Tina Turner' on the labels. The entire German I & TT discography on Liberty/UA (until 1974) appears on the sleeve rear. Barcode and Other Identifiers Rights Society: GEMA Matrix / Runout (Label A): UA 35 726 A Matrix / Runout (Label B): UA 35 726 B Matrix / Runout (Runout A, stamped): S 35726 A-2 Made in Austria Matrix / Runout (Runout B, stamped): S 35726 B-2 Made in Austria Other versions Category Artist Title (Format) Label Category Country Year Ike And Tina United Artists UA-XW528-X Sexy Ida (7") UA-XW528-X US 1974 Turner* Records Ike And Tina Sexy Ida (7", Mono, United Artists UA-XW528-X UA-XW528-X US 1974 Turner* Promo) Records Ike & Tina Sexy Ida (7", Single, United Artists YD 383 YD 383 Italy 1974 Turner Juk) Records Ike & Tina United Artists N-S-14-96 Sexy Ida (7", Single) N-S-14-96 Portugal 1974 Turner Records Ike And Tina Sexy Ida (Part 2) (7", United Artists UA-XW528-X UA-XW528-X US 1974 Turner* Mono, Promo) Records Related Music albums to Sexy Ida by Ike & Tina Turner Ike & Tina Turner - Soul Sellers Tina Turner - Tina Turner Sings Country Ike & Tina Turner - Ooh Poo Pah Doo / I Wanna Jump Ike & Tina Turner - Up In Heah / Doo Wah Ditty (Got To Get Ta) Ike And Tina Turner - Original Ike And Tina Turner Ike & Tina Turner - The Greatest Hits Of Ike And Tina Turner Ike & Tina Turner - The Very Best Of Ike & Tina Turner Ike Turner - Blues Roots Tina Turner - Whole Lotta Love / Rockin' And Rollin' Ike & Tina Turner - Feel Good.

Copy Link

Recommended publications

FUTURE SOUNDS Wie Ein Paar Krautrocker Die Popwelt Revolutionierten
FVTVRE SOVNDS Wie ein paar »Krautrocker« Christoph Dallach die Popwelt revolutionierten Suhrkamp SV Christoph Dallach FUTURE SOUNDS Wie ein paar Krautrocker die Popwelt revolutionierten Suhrkamp Für Maria (MoisE) Erste Auflage 2021 suhrkamp taschenbuch 4598 Originalausgabe © Suhrkamp Verlag Berlin 2021 Suhrkamp Taschenbuch Verlag Alle Rechte vorbehalten, insbesondere das der Übersetzung, des öffentlichen Vortrags sowie der Übertragung durch Rundfunk und Fernsehen, auch einzelner Teile. Kein Teil des Werkes darf in irgendeiner Form (durch Fotografie, Mikrofilm oder andere Verfahren) ohne schriftliche Genehmigung des Verlages reproduziert oder unter Verwendung elektronischer Systeme verarbeitet, vervielfältigt oder verbreitet werden. Umschlaggestaltung : Büro Dirk Rudolph Druck : C.H.Beck, Nördlingen Printed in Germany ISBN 978-3-518-46598-1 Inhalt Vorwort von Christoph Dallach 7 Kraut 11 DIE FÜNFZIGER Nachkriegsjugend 21 Jazz 50 DIE SECHZIGER Beat 71 Haare 86 WGs 94 1968 103 Neuanfang 127 Drogen 143 Zodiak 153 Kluster 163 DIE SIEBZIGER Kessler 173 Tangerine Dream 187 Kommerz 211 Moog 215 Amon Düül 225 A. R & Machines 244 Eigenpfade 252 Weltenbummler 271 Faust 280 Austausch 314 Can 320 Plank 367 Kraftwerk 376 Neu ! 384 Forst 393 Ausland 404 Staatsfeinde 413 Rolf-Ulrich Kaiser 427 Deutsch 464 Ende 469 Heute 472 Für immer (always) 478 Biografische Notizen 493 Bildnachweise 511 Danksagung 512 Vorwort von Christoph Dallach Meine erste Krautrockplatte gewann ich in einem Preisaus- schreiben. Die Aufgabe bestand darin, innerhalb eines knap- pen Zeitfensters irgendwo anzurufen. Ich kam sofort durch. Vielleicht hatte ich Glück, vielleicht war ich aber auch der einzige Anrufer. Egal, eine Woche darauf war die Platte da : »Movies« von Holger Czukay, mit krakeliger Kugelschreiber- Signatur vom Künstler höchstpersönlich.
[Show full text]
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P.
[Show full text]
Ike & Tina Turner Los Grandes Éxitos Mp3, Flac
Ike & Tina Turner Los Grandes Éxitos mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Funk / Soul Album: Los Grandes Éxitos Country: Argentina Released: 1976 Style: Blues Rock, Soul, Funk MP3 version RAR size: 1390 mb FLAC version RAR size: 1546 mb WMA version RAR size: 1332 mb Rating: 4.6 Votes: 271 Other Formats: VOC MOD MMF AAC ASF MPC TTA Tracklist Hide Credits Proud Mary A1 3:15 Written-By – J. C. Fogerty* Come Together A2 3:37 Written-By – J. Lennon/P. McCartney* Ohh Poo Pah Doo A3 2:55 Written-By – J. Hill* Nutbush City Limits A4 2:56 Written-By – T. Turner* Sexy Ida (Part 2) A5 3:03 Written-By – T. Turner* I Want To Take You Higher A6 2:51 Written-By – S. Stewart* It's Gonna Work Out Fine B1 3:02 Written-By – R. McCoy*, S. McKinney* A Fool In Love B2 2:52 Written-By – I. Turner* Baby - Get It On B3 3:13 Written-By – I. Turner*, T. Turner* I've Been Loving You Too Long (But I Can't Stop Now) (Live) B4 8:35 Written-By – J. Butler*, L. Redding* Companies, etc. Record Company – United Artists Music And Records Group, Inc. Phonographic Copyright (p) – United Artists Music And Records Group, Inc. Credits Coordinator [Album Coordinator] – Denny Diante Executive-Producer – Ike Turner Notes The tittle and the tracklist are translated to spanish. The catalog number on the side is U.A. 8326. The catalog number on the cover and on the back cover is 8326. The album came with a "Soul Brother" sticker on the cover.
[Show full text]
From King Records Month 2018
King Records Month 2018 = Unedited Tweets from Zero to 180 Aug. 3, 2018 Zero to 180 is honored to be part of this year's celebration of 75 Years of King Records in Cincinnati and will once again be tweeting fun facts and little known stories about King Records throughout King Records Month in September. Zero to 180 would like to kick off things early with a tribute to King session drummer Philip Paul (who you've heard on Freddy King's "Hideaway") that is PACKED with streaming audio links, images of 45s & LPs from around the world, auction prices, Billboard chart listings and tons of cool history culled from all the important music historians who have written about King Records: “Philip Paul: The Pulse of King” https://www.zeroto180.org/?p=32149 Aug. 22, 2018 King Records Month is just around the corner - get ready! Zero to 180 will be posting a new King history piece every 3 days during September as well as October. There will also be tweeting lots of cool King trivia on behalf of Xavier University's 'King Studios' historic preservation collaborative - a music history explosion that continues with this baseball-themed celebration of a novelty hit that dominated the year 1951: LINK to “Chew Tobacco Rag” Done R&B (by Lucky Millinder Orchestra) https://www.zeroto180.org/?p=27158 Aug. 24, 2018 King Records helped pioneer the practice of producing R&B versions of country hits and vice versa - "Chew Tobacco Rag" (1951) and "Why Don't You Haul Off and Love Me" (1949) being two examples of such 'crossover' marketing.
[Show full text]
KRAUTROCK - LSD, APO, Ohm & Om - (SWR2 / 2010) (Von Lutz Neitzert)
1 KRAUTROCK - LSD, APO, Ohm & Om - (SWR2 / 2010) (von Lutz Neitzert) 1 - Witthüser & Westrupp: "Schöpfung (aus `Der Jesuspilz´)" ("Am Anfang war nichts als Brösel...“) Am Anfang waren also irgendwelche Brösel ! Soviel scheint festzustehen - zumindest dann, wenn wir den einleitenden Worten aus Witthüser & Westrupp's merkwürdigem Meisterwerk "Der Jesuspilz" Glauben schenken wollen. Aber wer hat's erfunden ? Wer gab Ende der 60er Jahre dem ersten genuin deutschen Rockgenre seinen Namen ? "Krautrock" ! Ansprüche auf das Urheberrecht haben schon viele erhoben. 2 2 - Amon Düül: "Mama Düül und ihre Sauerkrautband spielt auf" "Mama Düül und ihre Sauerkrautband spielt auf" hieß dieser Titel von Amon Düül. Doch ebenso fragwürdig wie seine Grammatik ist auch die oft kolportierte These, daß dieses Stück Pate gestanden habe für die Namensgebung. Außer Frage steht lediglich, daß es irgendein englischer Musikredakteur gewesen ist, der das Etikett als erster verwendet hat. Wer nun genau, auch darüber streiten sich die Geister - wobei vieles auf den BBC- Radio-DJ John Peel deutet. Jedenfalls war er begeistert von dieser neuen Musik der Krauts - von jenen unerhörten Klängen aus dem German Underground - diesem obskuren musikalischen Universum zwischen Wandergitarren und Sitars, Synthesizern und Kiffer-Klavieren. Die im politischen und Militärischen so abschätzig gemeinte Bezeichnung Krauts erhielt so im Popkontext plötzlich einen zwar ironischen, aber doch eindeutig auch anerkennenden Unterton. Und daß man mit dem Begriff hierzulande neben dem Sauer- auch ein anderes (in jenen Kreisen ja nicht ganz unbekanntes) Kraut assoziierte, das war natürlich ebenso naheliegend wie gewollt. 3 Außer Frage steht auch, daß Amon Düül (mit Doppel-Ü) musikalisch und ideologisch zu den wichtigsten Interpreten, Vordenkern und Trendsettern gehörten.
[Show full text]
Updates & Amendments to the Great R&B Files
Updates & Amendments to the Great R&B Files The R&B Pioneers Series edited by Claus Röhnisch from August 2019 – on with special thanks to Thomas Jarlvik The Great R&B Files - Updates & Amendments (page 1) John Lee Hooker Part II There are 12 books (plus a Part II-book on Hooker) in the R&B Pioneers Series. They are titled The Great R&B Files at http://www.rhythm-and- blues.info/ covering the history of Rhythm & Blues in its classic era (1940s, especially 1950s, and through to the 1960s). I myself have used the ”new covers” shown here for printouts on all volumes. If you prefer prints of the series, you only have to printout once, since the updates, amendments, corrections, and supplementary information, starting from August 2019, are published in this special extra volume, titled ”Updates & Amendments to the Great R&B Files” (book #13). The Great R&B Files - Updates & Amendments (page 2) The R&B Pioneer Series / CONTENTS / Updates & Amendments page 01 Top Rhythm & Blues Records – Hits from 30 Classic Years of R&B 6 02 The John Lee Hooker Session Discography 10 02B The World’s Greatest Blues Singer – John Lee Hooker 13 03 Those Hoodlum Friends – The Coasters 17 04 The Clown Princes of Rock and Roll: The Coasters 18 05 The Blues Giants of the 1950s – Twelve Great Legends 28 06 THE Top Ten Vocal Groups of the Golden ’50s – Rhythm & Blues Harmony 48 07 Ten Sepia Super Stars of Rock ’n’ Roll – Idols Making Music History 62 08 Transitions from Rhythm to Soul – Twelve Original Soul Icons 66 09 The True R&B Pioneers – Twelve Hit-Makers from the
[Show full text]
Kygo X Tina Turner “What's Love Got to Do with It” Out
KYGO X TINA TURNER “WHAT’S LOVE GOT TO DO WITH IT” OUT NOW Global superstar, producer and DJ, Kyrre Gørvell-Dahll – a.k.a Kygo, teams up with the incomparable, brilliant, and legendary Grammy Award winning superstar Tina Turner to unveil a remake of “What’s Love Got To Do With It” – Turner’s iconic #1 song that was inducted into the Grammy Hall of Fame and is included in Rolling Stone Magazine’s list of “The 500 Greatest Songs of All Time.” “What’s Love Got To Do With It” comes alongside a brand new video directed by Sarah Bahbah and stars Laura Harrier (Hollywood, Blackkklansman) and Charles Michael Davis (The Originals, The Vampire Diaries). Listen / Watch here HERE – out now via Sony Music International/Ultra Records/RCA Records. Says Kygo, “I couldn’t be more excited to collaborate with Tina Turner, who is an icon that I grew up listening to. ‘What’s Love Got To Do With It’ is one of my all-time favorite songs so to have a chance to rework it has been a very special moment in my career. I love working around timeless vocals and although it’s challenging to preserve elements of the original track and adding my own touch, I’m extremely happy with how it turned out!” It’s been a big summer for Kygo who back in May released his critically acclaimed third full-length album Golden Hour which features his hit single “Lose Somebody” with OneRepublic as well as “Higher Love” with Whitney Houston, the latter of which has more than 651 million audio and video streams combined and charted at Top 40 radio.
[Show full text]
Welcome, We Have Been Archiving This Data for Research And
Welcome, To our MP3 archive section. These listings are recordings taken from early 78 & 45 rpm records. We have been archiving this data for research and preservation of these early discs. ALL MP3 files can be sent to you by email - $2.00 per song Scroll until you locate what you would like to have sent to you, via email. If you don't use Paypal you can send payment to us at: RECORDSMITH, 2803 IRISDALE AVE RICHMOND, VA 23228 Order by ARTIST & TITLE [email protected] H & H - Deep Hackberry Ramblers - Crowley Waltz Hackberry Ramblers - Tickle Her Hackett, Bobby - New Orleans Hackett, Buddy - Advice For young Lovers Hackett, Buddy - Chinese Laundry (Coral 61355) Hackett, Buddy - Chinese Rock and Egg Roll Hackett, Buddy - Diet Hackett, Buddy - It Came From Outer Space Hackett, Buddy - My Mixed Up Youth Hackett, Buddy - Old Army Routine Hackett, Buddy - Original Chinese Waiter Hackett, Buddy - Pennsylvania 6-5000 (Coral 61355) Hackett, Buddy - Songs My Mother Used to Sing To Who 1993 Haddaway - Life (Everybody Needs Somebody To Love) 1993 Haddaway - What Is Love Hadley, Red - Brother That's All (Meteor 5017) Hadley, Red - Ring Out Those Bells (Meteor 5017) 1979 Hagar, Sammy - (Sittin' On) The Dock Of The Bay 1987 Hagar, Sammy - Eagle's Fly 1987 Hagar, Sammy - Give To Live 1984 Hagar, Sammy - I Can't Drive 55 1982 Hagar, Sammy - I'll Fall In Love Again 1978 Hagar, Sammy - I've Done Everything For You 1978 1983 Hagar, Sammy - Never Give Up 1982 Hagar, Sammy - Piece Of My Heart 1979 Hagar, Sammy - Plain Jane 1984 Hagar, Sammy - Two Sides
[Show full text]
Directed by Morgan Neville Produced by Gil Friesen Produced by Caitrin
Directed by Morgan Neville Produced by Gil Friesen Produced by Caitrin Rogers WORLD PREMIERE U.S. DOCUMENTARY COMPETITION SUNDANCE FILM FESTIVAL 2013 Running Time: 90 minutes | Language: English SYNOPSIS Millions know their voices, but no one knows their names. In his compelling new film TWENTY FEET FROM STARDOM, award-winning director Morgan Neville shines a spotlight on the untold true story of the backup singers behind some of the greatest musical legends of the 21st century. Triumphant and heartbreaking in equal measure, the film is both a tribute to the unsung voices who brought shape and style to popular music and a reflection on the conflicts, sacrifices and rewards of a career spent harmonizing with others. These gifted artists span a range of styles, genres and eras of popular music, but each has a uniquely fascinating and personal story to share of life spent in the shadows of superstardom. Along with rare archival footage and a peerless soundtrack, TWENTY FEET FROM STARDOM boasts intimate interviews with Bruce Springsteen, Stevie Wonder, Mick Jagger and Sting to name just a few. However, these world-famous figures take a backseat to the diverse array of backup singers whose lives and stories take center stage in the film. DIRECTOR’S STATEMENT About two years ago, I sat down with Gil Friesen, a longtime music industry veteran from A&M Records, whom I only knew by reputation. He told me he wanted to make a film about backup singers. He didn’t know what the film was going to be, but he knew there was something intriguing in there.
[Show full text]
405, Dept. of African American Stds, 81 Wall Street
Prof. D. A. Brooks [email protected] Office: 405, Dept. of African American Stds, 81 Wall Street Spring 2015 Meets Tu/Th 2:30-3:45pm Location: WLH 208 Office Hours: Tu: 4-5pm, W: 3:30pm-5pm & by appointment AFAM 403/THST 431/AM STDS 386 “…Who Run the World”: Black Women and Popular Music Culture [Billie] Holiday demonstrates… the value of important lives and voices Otherwise dismissed. --Lindon Barrett, Blackness and Value My persuasion can build a nation. --Beyonce From Bessie Smith and Billie Holiday to Tina Turner and Beyonce, from Nina Simone and Grace Jones to Lauryn Hill and Nicki Minaj, black women have used various forms of musical expression as sites of social and ideological resistance and revision. Through an exploration of voice, lyricism, kinesthetic performance, instrumentality and visual aesthetics, this course examines the “world wide underground” of black women’s sonic cultures, and it re-interrogates pop music subculture theories through the intersecting prisms of race, gender, class and sexuality. It considers the ways that black women musicians operate as socio- political and cultural intellectuals, and it reads their work as historically-situated cultural texts that resonate in multiple contexts. Throughout the semester, we will explore the ways in which black women culture workers have stylized and innovated disruptive and iconic performance practices within the context of American popular music culture, from the postbellum era through the present day. Part of the aim of this course is to trace the tensions between the enormous influence and ubiquity of the black female singing voice in globalized popular cultures and the ways in which a range of entertainers have nonetheless negotiated eccentric and “obscure” musical gestures that signaled and affirmed the existence of resistant musical aesthetics in the face of panopticism.
[Show full text]
Inside out Simply the Best
Inside Out Simply The Best WORKSHEET A Anna Mae Bullock was born in 1) ________ , on November 26th, 1939. She lived with her grandmother in Nutbush, Tennessee until her grandmother died, in 3) ________ . Anna Mae then moved to St. Louis to live with her mother. She became a regular at a nightclub called Club Manhattan, where she met Ike Turner, who was lead singer for a band called the Kings of Rhythm. Anna started singing with the band and when she was twenty, she recorded 5) ________ , which reached the Top 40 in 1959. She moved to Los Angeles with Ike and he changed her name to 7) ________ . They got married in 1961. In 1969, after years of touring, Ike and Tina teamed up with producer Phil Spector and recorded 9) ________ . It was quite successful in the U.S. but more successful in Europe. More hits followed, but Ike’s behaviour was growing more and more violent towards Tina. She left him in 1976 and in 11) ________ they got divorced. Tina agreed to let Ike keep everything they had earned during their marriage, so she was now free but broke. The first few years of her solo career were difficult, although once again she had more success in Europe. Her big break came in 13) ________ . Her album Private Dancer featured the song What’s Love Got To Do With It, which reached No. 1 on both sides of the Atlantic. She continued to be in demand for the rest of the 80s. In 1991 she recorded Simply the Best, and in the same year she was inducted into the Rock and Roll Hall of Fame.
[Show full text]
Magazin 05-2002
2 Oldie Markt 05/02 Plattenbörsen Plattenbörsen 2001 Datum Stadt/Land Veranstaltungs-Ort Veranstalter / Telefon 1. Mai Ingolstadt Theater Günther Zingerle ¤ (091 31) 30 34 77 1. Mai Bochum Rundsporthalle ReRo ¤ (02 34) 30 15 60 1. Mai Saarbrücken Congresshalle ReRo ¤ (02 34) 30 15 60 4. Mai Leipzig Messe Stefan Meiner ¤ (03 41) 699 56 80 4. Mai Kiel Legienhof Aftermath ¤ (04 31) 80 19 31 4. Mai Mannheim Alte Feuerwache Wolfgang W. Korte ¤ (061 01) 12 86 62 4. Mai München Colosseum S. Riedl ¤ (089) 53 81 93 98 5. Mai Wuppertal Stadthalle Blue Velvet ¤ (02 71) 33 44 51 5. Mai Dortmund Westfalenhalle(Goldsaal) Manfred Peters ¤ (02 31) 48 19 39 5. Mai Nürnberg Z-Bau Ralf Schudt ¤ (091 31) 431 93 5. Mai Frankfurt Jahrhunderthalle Höchst Wolfgang W. Korte ¤ (061 01) 12 86 62 5. Mai Donauwörth Schwabenhalle Günther Zingerle ¤ (091 31) 30 34 77 5. Mai Aachen Eurogress JoKo-Promotion ¤ (02 71) 23 20 00 9. Mai Cham Stadthalle Günther Zingerle ¤ (091 31) 30 34 77 11. Mai Heidelberg Karlstorbahnhof Blue Velvet ¤ (02 71) 33 44 51 11. Mai Ludwigsburg Forum am Schlosspark Günther Zingerle ¤ (091 31) 30 34 77 12. Mai Braunschweig Stadthalle-Congreß Saal Maic Oppermann ¤ (053 37) 94 85 31 12. Mai Köln E-Werk Wolfgang W. Korte (061 01) 12 86 62 12. Mai Giessen Kongreßhalle ReRo ¤ (02 34) 30 15 60 18. Mai ‘s-Hertogenbosch/NL Helftheuvel Ton Verhagen ¤ (00 31) 135 72 26 13 18. Mai Lörrach Burghof J.Ballin/D.Bräuer ¤ (076 21) 898 08 25. Mai Karlsruhe Badnerlandhalle Neureut Ludwig Reichmann ¤ (01 79) 697 43 12 25.
[Show full text]