James Dean & Audrey Hepburn!
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Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Being a Non-Entity with Soon-Yi Previn
Ellipsis Volume 41 Article 27 2014 Being a Non-Entity with Soon-Yi Previn Carl Hugmeyer Follow this and additional works at: https://scholarworks.uno.edu/ellipsis Part of the Nonfiction Commons Recommended Citation Hugmeyer, Carl (2014) "Being a Non-Entity with Soon-Yi Previn," Ellipsis: Vol. 41 , Article 27. DOI: https://doi.org/10.46428/ejail.41.27 Available at: https://scholarworks.uno.edu/ellipsis/vol41/iss1/27 This Creative Nonfiction is brought to you for free and open access by the Department of English and Foreign Languages at ScholarWorks@UNO. It has been accepted for inclusion in Ellipsis by an authorized editor of ScholarWorks@UNO. For more information, please contact [email protected]. Being a Non-Entity with Soon-Yi Previn Carl Hugmeyer Sometimes I realize that I’m not really putting myself out there. Being pleasant and considerate towards those around you is important, but part of me still thinks there should be something else going on. I find it hard to track down my contributions, my expressions, my statements. Partially read New Yorkers pile up and Netflix still recommends more documentaries than sitcoms. There is kale in the refrigerator, yes, and a $23 bottle of wine. Great. But is this supposed to be a model of beautiful living, to show to those who scream at their children, slapping them and then tugging at their arms as they wait for the tank to fill up at the gas station? To those who throw their Burger King wrappers out of the car window? It is dust accumulating, nothing, a mouse in the walls of the world that no one really sees or cares about except when it gets audibly worked up or so thoroughly stuck that a smell begins to emanate. -
SATURDAY MOVIES Hannah and Her Sisters DVD | Color | 1986 | 106 Min | MGM | Rated PG-13
SATURDAY MOVIES Hannah and Her Sisters DVD | Color | 1986 | 106 min | MGM | Rated PG-13 November 1, 2 p.m., 6th floor A Woody Allen Manhattan mosaic, Hannah and Her Sisters concerns the lives, loves, and infidelities among a tightly-knit artistic clan. Hannah (Farrow) regularly meets with her sisters Holly (Wiest) and Lee (Hershey) to discuss the week’s events. It’s what they don’t always tell each other that forms the film’s various subplots. Directed by Woody Allen Starring Woody Allen, Mia Farrow, Dianne Wiest, Barbara Hershey, Michael Caine, Max von Sydow, and Carrie Fisher Broadway Danny Rose DVD | Black & White | 1984 | 86 min | MGM | Rated PG November 8, 2 p.m., 6th floor Danny Rose (Allen) is a fourth rate talent agent whose client list is filled with some of the oddest acts in show business. A good-hearted loser, Danny is willing to go to extremes to keep his acts happy and get them jobs. It’s this dedication that gets him in trouble when he becomes involved with his top client’s mistress and some unfriendly gangsters who mistake Danny as her lover. Directed by Woody Allen Starring Woody Allen, Mia Farrow, Nick Apollo Forte, Paul Greco, and Frank Renzulli Film schedule continues on opposite page Elevators access the 6th floor after 1:30 p.m. All programs are free and subject to last minute change or cancellation SATURDAY MOVIES Grumpy Old Men DVD | Color | 1993 | 104 min | Warner Bros. | Rated PG-13 November 15, 2 p.m., 6th floor John and Max are elderly men living next door to each other. -
Grandmother Power: a Global Phenomenon
This PDF is NOT the entire book Grandmother Power: A Global Phenomenon by Paola Gianturco Published by To be released: October 2012 This PDF of Grandmother Power: A Global Phenomenon is only a preview and an uncorrected proof. Lifting images from mechanical files is strictly prohibited. To see the complete version, please contact Nina Ventura, Publicist: [email protected] Grandmother POWER A Global Phenomenon j PAOLA GIANTURCO Brooklyn, NY Grandmother Power: A Global Phenomenon Contents Text and photographs © 2012 Paola Gianturco All rights reserved. No part of this book may be reproduced in any manner in any media, or transmitted by any means INTRODUCTION 8 whatsoever, electronic or mechanical (including photocopy, film or video recording, Internet posting, or any other information storage and retrieval system), without the prior written permission of the publisher. HIV/AIDS 12 CANADA: Grandmothers caring for AIDS orphans in 15 African countries told Canadian grandmothers that Published in the United States by powerHouse Books, a division they didn’t want to be charity cases, but they did need “just enough.” Grandmothers in 245 groups across of powerHouse Cultural Entertainment, Inc. Canada raised $13 million over the last 6 years and sent “just enough” to those who asked. 12 37 Main Street, Brooklyn, NY 11201-1021 SWAZILAND: Youngsters run to their grandmothers as soon as their parents’ funerals are finished. All over telephone 212.604.9074, fax 212.366.5247 Sub-Saharan Africa, grandmothers adopt these AIDS orphans, sometimes supporting as many as 12 or 15 at e-mail: [email protected] a time. Grandmothers in rural Swaziland run seed nurseries and community gardens so they can feed their website: www.powerhousebooks.com many adopted boys and girls. -
James Dean from Wikipedia, the Free Encyclopedia
Log in / create account Article Discussion Read Edit View history Search James Dean From Wikipedia, the free encyclopedia Main page This article is about the actor. For other uses, see James Dean (disambiguation). Contents James Byron Dean (February 8, 1931 – September 30, 1955) Featured content was an American film actor.[1] He is a cultural icon, best James Dean Current events embodied in the title of his most celebrated film, Rebel Without Random article a Cause (1955), in which he starred as troubled Los Angeles Donate to Wikipedia teenager Jim Stark. The other two roles that defined his stardom were as loner Cal Trask in East of Eden (1955), and Interaction as the surly farmer, Jett Rink, in Giant (1956). Dean's enduring Help fame and popularity rests on his performances in only these About Wikipedia three films, all leading roles. His premature death in a car Community portal crash cemented his legendary status.[2] Recent changes Contact Wikipedia Dean was the first actor to receive a posthumous Academy Award nomination for Best Actor and remains the only actor to Toolbox have had two posthumous acting nominations. In 1999, the Print/export American Film Institute ranked Dean the 18th best male movie star on their AFI's 100 Years...100 Stars list.[3] Languages Contents [hide] Dean in 1955 اﻟﻌﺮﺑﻴﺔ Aragonés 1 Early life Born James Byron Dean Bosanski 2 Acting career February 8, 1931 Български Marion, Indiana, U.S. open in browser customize free license pdfcrowd.com Български 2.1 East of Eden Marion, Indiana, U.S. Català 2.2 Rebel Without a Cause Died September 30, 1955 (aged 24) Česky 2.3 Giant Cholame, California, U.S. -
Kathryn J. Schubert Editor
Kathryn J. Schubert Editor Selected Film | TV WHAT BREAKS THE ICE (Post-Production) Producers | Michael Cuomo, Dustin Duke Dlouhy, Rebecca Eskreis & Michael W. Gray Credit Copy Meals Director | Rebecca Eskreis Cast | Sofia Hublitz, Brett Zimmerman, Shakira Barrera, Lukas Gage, Catherine Curtin ABOVE TO SHADOWS [Post-Production] Producers | Rob Baunoch III, Khris Baxter, Robyn K. Bennett, Mark Schacknies, Tara Sickmeier HIPZEE Director | Claudia Meyers. Producer: Rob Baunoch, Tara Sicmeier Cast | Alan Ritchson, Megan Fox, Jim Gaffigan, Olivia Thirlby DRIVER ED Producers | Helen Waters, Trish Harnetiaux Director | Amanda Cowper Cast | Jacob Ware *Premiered at Tribeca N.O.W. Showcase 2018* RUSSIAN AMERICAN [Post-Production] Producers | Michelle Booso, Molly Conners, Giulio Marantonio, Jane Oster Phiphen Pictures Director | David Gutnik Cast | FKA Twigs, Costa Ronin, Barney Harris, Sofia Vassilieva BEYOND THE NIGHT Producers | Robin C. Garvick, Erik S. Weigel NewAley Pictures, Reckless Productions Director | Jason Noto Cast | Azhy Robertson, Zane Holtz, Tommy Blanchard, Chance Kelly MARJORIE PRIME Producers | Michael Almereyda, Uri Singer Passage Pictures, FilmRise Director | Michael Almereyda. Cast | Lois Smith, Jon Hamm, Geena Davis, Tim Robbins *Premiered at Sundance Film Festival 2017* THE TRANSFIGURATION Producer | Susan Leber Transfiguration Productions, Strand Releasing Director | Michael O’Shea. Producer: Susan Leber. Cast | Eric Ruffin, Chloe Levin, Aaron Moten *Premiered at Cannes Film Festival 2016 – Un Certain Regard selection* -
Audrey Hepburn and James Bond Lead the Film and Entertainment Sale This Winter
For Immediate Release 2 November 2006 Contact: Zoë Schoon 020.7752.3121 [email protected] Audrey Hepburn and James Bond Lead the Film And Entertainment Sale This Winter Dr. No, 1962 (Sean Connery) Breakfast at Tiffany’s, 1961 (Audrey Hepburn) A Walther PP - the first gun used by James Bond Black dress by Hubert de Givenchy Estimate: £15,000-25,000 Estimate: £50,000-70,000 © 1962 Danjaq, LLC and United Artists. ©Ronald Grant Archive All rights reserved Film and Entertainment Christie’s South Kensington Tuesday 5 December, 1pm South Kensington – Christie’s Film and Entertainment sale on Monday 5th December will feature some 277 lots of props and memorabilia from film, TV and theatre. Ranging from the films of the silent era to the present day, as well as much-loved TV productions, and modern day phenomenons such Harry Potter and Star Wars, the sale is expected to realise in excess of £500,000. Two superb selections of Audrey Hepburn and James Bond memorabilia lead the sale. The highlight of the Audrey Hepburn section is the sleek black Givenchy dress made for her in the much-loved 1961 classic film, Breakfast at Tiffany’s. This famous dress was personally donated to the current owners, Monsieur and Madame Lapierre by Hubert de Givenchy, who designed Hepburn’s wardrobe for the film. It has an estimate of £50,000-70,000 and is being auctioned on behalf of the charity City of Joy Aid, which benefits the under-privileged in India. Other Hepburn highlights include an exquisite black Givenchy two-piece cocktail suit from the 1963 film Charade (estimate £8,000-12,000) which is as wearable today as it was then, an original costume design by Edith Head for Audrey Hepburn in Sabrina, 1954, (estimate £3,000-5,000) and a selection of original cinema posters, photographs and autograph material associated with the films Hepburn starred in (estimates start at £200). -
James Dean: Magnificent Failure
Gay San Francisco: Eyewitness Drummer 133 James Dean: Magnificent Failure Written in 1960 and revised in September 1961, this feature essay was published in Preview: The Family Entertainment Guide, June 1962. I. Author’s Eyewitness Historical-Context Introduction written July 29, 2007 II. The feature article as published in Preview: The Family Entertainment Guide, June 1962 III. Eyewitness Illustrations I. Author’s Eyewitness Historical-Context Introduction written July 29, 2007 Revealing the Iconography of Drummer: When James Dean Met Marlon Brando, Heath Ledger, and Jake Gyllenhaal Marlon Brando: “Stella!” James Dean: “You’re tearing me apart.” Jake Gyllenhaal to Heath Ledger: “I wish I knew how to quit you.” As soon as we teenagers invented and liberated our tortured selves in the pop culture of the deadly dull 1950s, my leather bomber jacket morphed in meaning from “play clothing” to teen symbol. I was swept up by the movie Blackboard Jungle (1955) and its theme song, Bill Haley’s “Rock around the Clock,” which was played every ten minutes on the radio because no other white rock-n-roll songs yet existed. At the same instant, I found my first lover in James Dean, in his jackets, his motorcycle, his face, his attitude, his verite. When he was killed at age twenty-four on September 30, 1955, I was sixteen, a junior in high school, and stricken with grief. Even though I was in the Catholic seminary and was a sexually pure boy, art and literature and movies cancelled my chances of being paro- chial. (In 2007, it is more difficult to come out as a progressive Catholic ©Jack Fritscher, Ph.D., All Rights Reserved—posted 05-05-2017 HOW TO LEGALLY QUOTE FROM THIS BOOK 134 Jack Fritscher, Ph.D. -
False Authenticity in the Films of Woody Allen
False Authenticity in the Films of Woody Allen by Nicholas Vick November, 2012 Director of Thesis: Amanda Klein Major Department: English Woody Allen is an auteur who is deeply concerned with the visual presentation of his cityscapes. However, each city that Allen films is presented in such a glamorous light that the depiction of the cities is falsely authentic. That is, Allen's cityscapes are actually unrealistic recreations based on his nostalgia or stilted view of the city's culture. Allen's treatment of each city is similar to each other in that he strives to create a cinematic postcard for the viewer. However, differing themes and characteristics emerge to define Allen's optimistic visual approach. Allen's hometown of Manhattan is a place where artists, intellectuals, and writers can thrive. Paris denotes a sense of nostalgia and questions the power behind it. Allen's London is primarily concerned with class and the social imperative. Finally, Barcelona is a haven for physicality, bravado, and sex but also uncertainty for American travelers. Despite being in these picturesque and dynamic locations, happiness is rarely achieved for Allen's characters. So, regardless of Allen's dreamy and romanticized visual treatment of cityscapes and culture, Allen is a director who operates in a continuous state of contradiction because of the emotional unrest his characters suffer. False Authenticity in the Films of Woody Allen A Thesis Presented To the Faculty of the Department of English East Carolina University In Partial Fulfillment of the Requirements for the Degree MA English by Nicholas Vick November, 2012 © Nicholas Vick, 2012 False Authenticity in the Films of Woody Allen by Nicholas Vick APPROVED BY: DIRECTOR OF DISSERTATION/THESIS: _______________________________________________________ Dr. -
Through Her Lens Datasheet
TITLE INFORMATION Tel: +1 212 645 1111 Email: [email protected] Web: https://www.accartbooks.com/us Through Her Lens The Stories Behind the Photography of Eva Sereny Iconic Images Eva Sereny ISBN 9781851498925 Publisher ACC Art Books Binding Hardback Territory USA & Canada Size 9.33 in x 11.81 in Pages 224 Pages Illustrations 100 color Price $65.00 One of the largest archives of film-set photography and editorial magazine shots from the '70s and '80s Introduction by Jacqueline Bisset and Charlotte Rampling Archive contains almost 100 unseen pictures, all narrated by Eva Sereny herself: a top professional photographer, working in a male- dominated field Includes shots from the sets of several great classical films ('The Great Gatsby', 'The Night Porter', and 'Indiana Jones and the Temple of Doom', and more) Stories and photography intermingle on the pages of this gorgeous homage to '70s and '80s cinema and celebrity. Including rare and never-before- seen images, Through Her Lens is a wonderful collection of images and memoires that capture the spirit of the age. From unexpected late-night calls from Romy Schneider, to a stay at Paul Newman's home in Connecticut; from working on set with Bernardo Bertolucci, Werner Herzog, Steven Spielberg and Sydney Pollack, to lounging poolside with Raquel Welch; Sereny reveals her favorite moments from working behind the lens. This is the first photographic retrospective of Sereny's star-studded career, including nearly 100 never-before-seen images complemented by Eva's own stories. Eva Sereny started to pursue her career in photography in the late '60s and she quickly rose to prominence in her field, despite that photography was very much seen as a 'male' art. -
Bringing the Dead Back to Life: Preparing the Estate for a Post-Mortem Acting Role
BRINGING THE DEAD BACK TO LIFE: PREPARING THE ESTATE FOR A POST-MORTEM ACTING ROLE by Ben Laney* I. INTRODUCTION ................................................................................... 350 II. HOW TO BRING THE DEAD BACK TO LIFE .......................................... 352 A. Proactive Recreation ................................................................... 352 B. Retroactive Recreation ................................................................. 354 C. Retroactive Recreation for Completely New Roles ...................... 355 1. Peter Cushing — Rogue One ................................................. 356 2. Tupac Shakur — Coachella 2012 .......................................... 357 3. Other Examples ..................................................................... 358 D. The Challenges of Bringing the Dead Back to Life ...................... 358 1. Legal Issues ........................................................................... 359 2. Artistic Issues ........................................................................ 359 III. A SYNERGY — DIGITAL IMMORTALITY COUPLED WITH LEGAL IMMORTALITY ..................................................................................... 360 A. The Right to Publicity .................................................................. 360 B. Character Versus Actor ............................................................... 362 C. The Commercial Use of a Likeness of a Dead Actor ................... 365 1. State-Based Post-mortem Rights to Publicity ....................... -
Scanned Using Scannx OS15000 PC
^uest director chosen for Otterbein Theatreei You’ll want to grab a stool and film versions, which rere- Among the other major ant director, and senior,senior. att the counter for “Come tained the same actresses as characters are Stella May, Anne Barnes is stage man-man ; Back To The Five & Dime, the trio of aging fans: Sandy (junior JoBeth Phalen), now ager for the production. Jimmy Dean, Jimmy Dean,” Dennis. Cher, and Karen a fat, married, tough-talk Tickets for “Come Back to to be presented by the Black. ing, and hard-drinking the Five & Dime, Jimmy Otterbein College Theatre, Basically, “Jimmy Dean” woman, and Edna Louise Dean, Jimmy Dean,” a play Feb. 7-10, at 8:15 p.m. in is a story about a group of (sophomore Charlotte which employs adult themes Cowan Hall. Dr. Roy Bowen, kids in a-^dried up, dusty Dougherty), now as before, and language, are available former director of theatre at Texas town in the middle of a wispy waif, although very at the Cowan Hall-box office The Ohio State University, nowhere and how the near pregnant with her seventh from 1-4:30 p^.m. weekdays, will direct. by filming of “Giant,” Dean’s child. and at the door for one hour An Otterbein graduate. last movie before he died in While the play is about preceding each perform- ' Dr. Bowen, has spent more the high-speed crash of his Dean as. the ultimate cult than 30 years in theatrical Porche in 1955, has affected figure, there are any num work in the Columbus area, their lives.