Stephan Welz & Co
Stephan Welz & Co The Great Cellar, Alphen Estate Alphen Drive, Constantia Auction of Fine Art & Design Cape Town 7806 Started 28 Oct 2014 10:00 SAST (08:00 GMT) South Africa
Lot Description
Rowland Hilder HIGH MILL, FARNHAM, SURREY signed, dated 1952 and inscribed `To Peter Clarke, with best wishes from Rowland 1 Hilder` in pen in the margin Acquired from the artist in 1952 1 19,5 by 28cm
Rowland Hilder FROM MY WINDOW, FARNHAM (SURREY, ENGLAND) signed and inscribed with the title in the margin watercolour 2 and ink on paper Acquired from the artist in 1952 1 22 by 27cm
David Gentleman ORCHARD IN MASQUIERES; NORTHERN FRANCE; and STREET IN VILLE FRANCHE, two each signed 3 watercolour on paper 2 each: 30 by 40cm (2)
Elza Botha (Miles) MILLET, VOLSCHENK EN GONZALEZ - TORRES IN DIE KAROO linocut, signed, dated 1997, numbered 9/10 and 4 inscribed with the title in pencil in the margin 1 sheet size: 60 by 75cm
5 Edwin La Dell BATHING colour lithograph, signed Acquired from the artist in 1952 1 sheet size: 20 by 27cm
6 John Piper STREET SCENE FROM GLORIANA colour lithograph 1 sheet size: 17 by 22cm
7 William Scott THREE PEARS AND A PAN colour lithograph, signed and dated 55 in the plate 1 sheet size: 25 by 33cm
8 David Goldblatt DYING MINES OF WITWATERSRAND silver gelatin print 1 sheet size: 25 by 30cm
9 George Hallett PETER CLARKE black and white hand print, signed and inscribed `France 79` in black marker 1 sheet size: 50 by 40cm
George Hallett PETER CLARKE black and white hand print, dated 1966 and inscribed with the artist`s name, title, and `The collection of 10 Peter Clarke` on the reverse 1 sheet size: 25,5 by 20,5cm
George Hallett PETER CLARKE black and white hand-print, signed and inscribed `France April 79` and `For Bro Pete Collection 11 Private`(sic) in black marker 1 sheet size: 50 by 40cm
George Hallett DUMILE AND TABS. LONDON. black and white hand print, signed and inscribed with the title in black marker 1 sheet 12 size: 24 by 30cm
13 George Hallett FENI DUMILE black and white hand print, signed and inscribed with the title in black marker 1 sheet size: 31 by 38cm
George Hallett RONNIE BEER. LONDON `71 black and white hand print, signed, dated `71 and inscribed with the title in black marker 1 14 sheet size: 24 by 30cm
George Hallett ROBERT SITHOLE, CAPE TOWN black and white hand print, signed and inscribed `Athlone` in black marker 1 sheet 15 size: 20 by 25cm George Hallett 100 CLUB, LONDON black and white hand print, signed and inscribed with the title in black marker 1 sheet size: 24 by 16 30cm
George Hallett DUDU PUKWANA black and white hand print, signed and inscribed with the title in black marker 1 sheet size: 23,5 by 17 30cm
George Hallett SHOP-FRONT, ARSENAL ROAD, SIMONSTOWN black and white hand print, inscribed with the title on the reverse 1 18 sheet size: 16 by 22cm
19 George Hallett STREET SWEEPER, CAPE TOWN black and white hand print, signed in black marker 1 sheet size: 25 by 20cm
20 George Hallett SUNDAY AFTER-CHURCH GOSSIP, SIMONSTOWN black and white hand-print 1 sheet size: 23 by 16cm
George Hallett THE HERB SELLER, THE PARADE, CAPE TOWN black and white hand print, signed in black marker 1 sheet size: 20 21 by 25cm
Walter Whall Battiss FLOATING GODDESS silkscreen printed in colours, signed, inscribed with the title and `For Peter Clarke` in pencil 22 in the margin Acquired from the artist in 1970 1 sheet size: 56,5 by 77cm
Walter Whall Battiss FIGURES silkscreen, signed and inscribed ""for Peter Clarke"" in pencil in the margin Acquired from the artist in 23 1970 1
Walter Whall Battiss GIRLS SKIPPING silkscreen printed in colours, signed and inscribed `For Peter Clarke` in pencil in the margin 1 24 sheet size:57,5 by 77cm
Walter Whall Battiss I.S.S.O.P. silkscreen, signed and inscribed `for Peter Clarke from Walter Battiss` in pencil in the margin Gifted from 25 the artist in 1970 1 sheet size: 57 by 77cm
Walter Whall Battiss ORGY screenprint, signed and numbered 180/250 in pencil in the margin Acquired from the artist in 1972 1 20 by 26 25,5cm
Maurice Charles Louis van Essche CONGO DANCER woodcut, signed and inscribed `Artist Proof` in pencil in the margin Acquired from 27 the artist in 1950 1 sheet size: 34 by 25cm
28 Stanley Pinker THE STUDIO linocut, signed in pencil in the margin Acquired from the artist in 1970 1 sheet size: 49 by 59cm
May (Mary Ellen) Hillhouse PROCESSIONAL hard-ground and soft-ground etching printed in colours, signed, inscribed with the title and 29 numbered 21/25 in pencil in the margin Acquired from the artist 1967 1 sheet size: 44 by 31cm
Eleanor Frances Esmonde-White RECLINING FIGURES relief etching, signed and inscribed `Artist`s Proof` in pencil in the margin 30 Acquired from the artist in 1958 1 sheet size: 19 by 29cm
Eleanor Frances Esmonde-White MOTHER AND CHILD lithograph, signed and numbered 6/14 in pencil in the margin 1 sheet size: 47,5 31 by 34,5cm
Eleanor Frances Esmonde-White SWAZI RIDER lithograph printed in colours, signed and numbered 6/9 in pencil in the margin 32 Alexander, F. L., Art in South Africa, Paintings Sculpture and Graphic works since 1990, Cape Town, illustrated on p 154 Acquired from the artist in 1958 1 sheet size: ...[more] 33 Zolani Siphungela PETER CLARKE linocut, signed, numbered 3/10 and inscribed with the title in the margin 1 sheet size: 93 by 67cm
Jabulane Sam Nhlengethwa TRIBUTE TO PETER CLARKE lithograph printed in colours, signed, dated `08, numbered 6/50 and 34 inscribed with the title in pencil in the margin Acquired from the artist in 2008 1 sheet size: 57 by 75cm
35 Maurice Charles Louis van Essche CONGOLESE WOMAN signed and dated 54 mixed media on paper 1 25 by 34,5cm
36 Willie Bester JOYCE NTOBE MINI MARKET signed and dated 92 mixed media on board 0 1 55 by 95cm
Breyten Breytenbach LADY GODIVA AND THE HORSE signed, dated `62, signed and inscribed with the title and `Paris 1963` on the 37 reverse mixed media on paper 1 28 by 48cm
38 Breyten Breytenbach JAMBES DES PIERROTS signed and dated `62 mixed media on paper Acquired in Paris, 1963 1 29 by 44cm
Christo Coetzee HEAD signed, dated 4/3/97 and inscribed with the title, `96-97` and `Dear Peter (Love)` in pencil n the margin acrylic on 39 paper Gifted by the artist in 1997 1 64 by 51cm
Christo Coetzee PROFILE signed and inscribed `profile 96-3` in pencil in the margin mixed media on paper Acquired from the artist in 40 1998 1 64 by 51cm
41 Jabulane Sam Nhlengethwa JAM SESSIONS signed and dated `94 collage on paper Acquired from the artistin 1994 1 25,5 by 37cm
42 Jabulane Sam Nhlengethwa STREET SCENE signed and dated `85 collage on paper Acquired from the artist in 1986 1 22 by 32cm
43 Jabulane Sam Nhlengethwa JAZZ SINGER` and MUSICIANS, two each signed and dated `04 collage on paper 2 each: 15 by 18,5cm
44 Stanley Pinker THE GOAT signed charcoal on paper Acquired from the artist in 1965 1 35 by 51cm
45 Anna Verschoyle LANDSCAPE signed and dated 43 oil on board 1 61 by 76cm
46 Marjorie Wallace STREET AT NIGHT, PARIS signed oil on paper Acquired from the artist in 1959 1 54 by 36cm
47 Sandy Rubin Esau SNOEK SELLERS signed and dated 06 oil on board 1 33,5 by 44,5cm
Lungile Twaku HUNGER VS YOUTH signed and dated 05-03 oil on canvas Purchased from The Anglican Aids and Health Care Trust 48 Fund Raising art evening in 2009 1 70 by 85,5cm
49 Ismael Thyssen GREEN VASE signed incised and painted wood 1 54,5 by 65,5cm
Cecil Edwin Frans Skotnes HEAD woodcut, signed and numbered 10/20 in pencil in the margin Acquired from the artist in 1969 1 sheet 50 size: 31 by 27,5cm
Cecil Edwin Frans Skotnes STORY OF AN AFRICAN FARMER woodcut, signed and inscribed with the title and `Artists Proof` in pencil 51 in the margin Acquired from the artist in 1969 1 sheet size: 48 by 69cm
52 Cecil Edwin Frans Skotnes ABSTRACT woodcut, signed and inscribed `Artists Proof` in pencil in the margin 1 sheet size: 45 by 33cm Cecil Edwin Frans Skotnes ABSTRACT HEAD woodcut, signed and inscribed `Artist Print. No 3` in pencil in the margin Acquired from 53 the artist in 1969 1 sheet size: 60 by 47cm
54 Cecil Edwin Frans Skotnes ABSTRACT HEAD woodcut, signed and numbered 6/30 in pencil in the margin 1 sheet size: 90 by 65cm
Cyprian Mpho Shilakoe CAN YOU SEE THE GRAVES, CHILD? etching, signed, dated 1970, numbered 1/25 and inscribed with the title 55 in pencil in the margin Acquired from the artistin 1970 1 sheet size: 52,5 by 37,5cm
Cyprian Mpho Shilakoe LOST etching and aquatint, signed, dated 1968, numbered 12/25 and inscribed with the title in pencil in the 56 margin Acquired from the artist in 1970 1 sheet size: 33,5 by 46,5cm
Azaria Mbatha THE ROYAL WEDDING linocut, signed, dated 1983 and inscribed with the title in pencil in the margin 1 sheet size: 45 by 57 59cm
Azaria Mbatha THE RESURRECTION linocut, signed, numbered 21/50 and inscribed with the title in pencil in the margin Acquired by 58 the artist in 1968 1 sheet size: 28,5 by 32cm
Azaria Mbatha WATER INTO WINE aquatint and intaglio etching, signed and numbered 24/100 in pencil in the margin Acquired from 59 the artist`s gallery in 1970 1 sheet size: 30 by 30cm
Azaria Mbatha NO ROOM AT THE INN linocut, signed and numbered 27/50 in pencil in the margin Acquired from the artist`s gallery, 60 1970 1 sheet size: 30 by 36cm
Billy Mandindi DETENTION woodcut, signed, dated 86, numbered A/P 1/1 and inscribed with the title in the margin 1 sheet size: 47 by 61 39cm
Billy Mandindi REPRODUCTION woodcut, signed, numbered A/P 1/2, dated 86 and inscribed with the title in pencil in the margin 1 62 sheet size: 78 by 55cm
Durant Basi Sihlali CHASTITY BELT I lithograph, signed, numbered 1/10, dated 89 and inscribed with the title in pencil in the margin 1 63 sheet size: 77 by 55cm
Durant Basi Sihlali CHASTITY BELT 2 lithograph, signed, numbered 1/10, dated 89 and inscribed with the title and `For Peter, long live 64 friend, Durant` in pencil in the margin 1 sheet size: 77 by 55cm
Durant Basi Sihlali ALEXANDRA LOCATION monotype printed in colours, signed, dated 82 and inscribed with the title and `For Peter a 65 great friend` in pencil in the margin Acquired from the artist in 1990 1 sheet size: 39 by 26cm
Durant Basi Sihlali TWIN BOYS signed, dated 86, inscribed with the title, A/P and `For Peter, long live, Durant` in pencil in the margin 1 66 sheet size: 72 by 50,5cm
Sipho Hlati NINA linocut, signed, dated 86, numbered 6/10 and inscribed with the title in the margin Acquired from the artist in 1988 1 32 67 by 30cm
Sipho Hlati THINA, SINGABASEBENZI SITHI, `USUKU LOKUQALA KU-MAU LOLWETHU` (WORKER`S DAY) colour linocut, signed, 68 numbered 6/16, dated 89 and inscribed with the title in pencil in the margin 1 sheet size: 48 by 32,5cm
Sipho Hlati UNTITLED colour linocut, signed, numbered 2/10, dated 88 and inscribed with the title in pencil in the margin 1 sheet size: 69 22,5 by 19,5cm Sipho Hlati BEER CELEBRATION linocut, signed, numbered 1/10, dated 86 and inscribed with the title in pencil in the margin 1 sheet 70 size: 18,5 by 22,5cm
71 Lionel Davis ARREST colour linocut 1 sheet size: 49 by 40cm
Lionel Davis VANAAND GAT DIE POPPE DANS (sic) linocut, signed, inscribed with `A.P` and the title in pencil in the margin 1 sheet 72 size: 31 by 41cm
Lionel Davis PLAYTIME IN SHIYANE linocut, signed, dated 81 and inscribed with the title in the margin Acquired from the artistin 1982 73 1 sheet size: 40 by 50cm
Lionel Davis RECLAMATION silkscreen printed in colours, signed, dated 05 and numbered 30/30 in pencil in the margin Acquired from 74 the artist in 2005 1 sheet size: 70 by 100cm
Amos Langdown PROFILE OF PETER CLARKE lithograph, signed and dated Feb 1963 in pencil in the margin Acquired from the artist 75 in 1963 1 sheet size: 36,5 by 27cm
Amos Langdown MEN ON SCAFFOLDING hard-ground etching, signed, numbered 4/4 and dated 1961 in pencil in the margin Acquired 76 from the artist in 1961 1 sheet size: 38 by 25,5cm
Amos Langdown FIGHTING WOLVES linocut, signed and dated 1960 on the reverse Acquired from the artist in 1960 1 sheet size: 17 77 by 17cm
Amos Langdown CLEANING POULTRY drypoint etching, signed, numbered 14/16 and dated 1966 in pencil in the margin Acquired from 78 the artist in 1967 1 sheet size: 33 by 25cm
Amos Langdown THE TREE lithograph, signed, numbered 13/14 and dated 6.3.63 in pencil in the margin Acquired from the artist in 79 1965 1 sheet size: 36,5 by 27cm
John Dronsfield AFRICAN IMPROVISATIONS lithograph, signed and numbered 30/30 in pencil in the margin Acquired from the artist in 80 1959 1 47,5 by 43cm
81 John Dronsfield HEAD lithograph Acquired by the artist in 1957 1 sheet size: 31 by 24cm
Zan Louw ZOLIWE SEWING, NQAMAKWE, TRANSKEI signed, dated `87, numbered 7/15 and inscribed with the title in pencil in the 82 margin Acquired from the artist in 1990 1 sheet size: 42 by 63,5cm
Zan Louw TWO MEN AND A SMART BICYCLE, NEAR HLULEKA, TRANSKEI woodcut, signed, dated `88 and numbered 5/15 and 83 inscribed in pencil in the margin Acquired from the artist in 1990 1 sheet size: 42 by 63cm
Christo Coetzee VERTICAL SMILE screen print, signed and numbered 172/200 in the margin Acquired from the artist in 1971 1 sheet 84 size: 26 by 18cm
Kenneth Bakker SUNFLOWERS; FISH; AFRICAN THEME; CORMORANTS; CORMORANTS; HARBOUR; and FISH AND NETS, 85 seven stencil prints, each signed and inscribed with their title in pencil in the margin Acquired between 1958 and 1959 7 sheet size: 22,5 by 14,5cm
Kenneth Bakker SEA PIPES; and MARINE ABSTRACT, two linocuts, each signed and inscribed with their titles in the margins Acquired 86 from the artist in 1961 and 1960 respectively 2 the larger: 22,5 by 15cm 87 Gregoire Johannes Boonzaier MALAY QUATER linocut with watercolour, signed in pencil in the margin 1 sheet size: 14,5 by 19,5cm
88 Gregoire Johannes Boonzaier TREE linocut, signed Acquired from the artist in 1953 1 sheet size: 24 by 20cm
Chris Lovell BEHIND DORP STREET, CAPE TOWN etching, signed, numbered 7/7, dated 63 and inscribed with the title in pencil in the 89 margin 1 sheet size: 22,5 by 24,5cm
Chris Lovell UNLOADING FISH, CAPE TOWN etching, signed, numbered 8/30, dated 11.9.63 and inscribed with the title in pencil in the 90 margin Acquired from the artist in 1968 1 sheet size: 25 by 17cm
91 Selwyn Pekeur COUNTRY WOMAN WITH SICKLE signed crayon on paper 1 59 by 42cm
Albert Adams THE MOSQUE watercolour on paper Acquired from the artist in 1947 Inscribed by Peter Clarke on the reverse with `The 92 Mosque adjoining Livingston High School off Chichester Road, Claremont` 1 38 by 28cm
Marjorie Wallace INHABITANTS OF BOMB CRATERS IN THE SUBURBS OF MADRID signed and inscribed with the title ink on paper 93 Acquired from the artist in 1959 1 26 by 20cm
94 Amos Langdown THE FOREMAN signed pen, ink and wash on paper 1 27 by 23,5cm
95 John Dronsfield MALAY STREET MEAT VENDOR signed ink on paper 0 1 43 by 24cm
Marjorie Wallace WOMAN IN A DOORWAY, TOLEDO, SPAIN signed and inscribed with the title ink on paper Acquired from the artist in 96 1959 1 25 by 20cm
Stella Shawzin HERERO WOMAN lithograph, signed and inscribed with the title in pencil in the margin Acquired from the artist in 1962 97 1 sheet size: 50 by 41cm
Grethe Schonken DESIGN OF MAACK ROCK PAINTINGS, S. W. A. lithograph, signed numbered 2/10 and inscribed with the title on 98 the reverse Acquired from the artist in 1965 1 sheet size: 34 by 47,5cm
Wandile Mangeni SCENES OF POVERTY woodcut, signed, dated 86, numbered 3/100 and inscribed with the title in pencil in the 99 margin 1 sheet size: 53 by 41cm
Willem Gravett PORT JACKSON; THE WINDOW; and STILL LIFE, three etchings and sugar aquatint, each signed, numbered 2/25, 100 3/25 and AP II respectively in pencil in the margins Acquired from the artist in 1965 3 sheet size: (each approximately): 13 by 16,5cm
Joachim Voigts BUCK JUMPING; and LION, two woodcuts, each signed and inscribed with the titles in pencil in the margins Acquired 101 from the artist in 1988 2 sheet size: 20 by 25cm
Bernardine Biden CATS; CATS; and TORTOISE & SUCULENTS, three linocut and coloured stencil print, each signed Acquired from 102 the artist in 1959 2 the largest: 16 by 14,5cm (3)
Joseph Madisia TRIBAL RHYTHMS AMONGST SOCIETY linocut, signed, numbered 10/30, dated 88 and inscribed with the title in pen 103 in the margin Acquired from the artist in 1988 1 sheet size: 40 by 58,5cm
Selwyn Pekeur MAN WITH AXE woodcut, signed, dated 02, inscribed with the title and `A/P` in pencil in the margin 1 sheet size: 60 by 104 30cm Khehla Chepape Makgato MINE MAGNATE (THE MARIKANA SERIES) colour linocut, signed, numbered E/V 1/1, dated 2013 and 105 inscribed `For Peter E. Clarke, thanks for your selfless mentorship always` in pencil in the margin Acquired from the artist in 2013 1 sheet size: 70,5 by 50cm
Mphathi Livingstone Gocini DANCING TO THE BEAT OF AFRICAN MUSIC linocut, signed, numbered 1/35, dated 79 and inscribed with 106 the title in pencil in the margin Acquired from the artist in 1979 1 sheet size: 60 by 48cm
Vuyile Cameron Voyiya RHYTHM IN 3/4 TIME III linocut, signed, numbered 3/6 and inscribed with the title in the margin Williamson, S., 107 Resistance Art In South Africa, David Philip Publishing (Pty) Ltd, Claremont, 1989, illustrated on p 142 Acquired at CAP Exhibition 1 sheet size: 51 by ...[more]
Raymond Andrews FISHERFOLK screenprint, signed and numbered 4/350 in pencil in the margin Acquired from the artist in 1974 1 108 sheet size: 20 by 25,5cm
David Gentleman THE ARTIST`S HOUSE, GLOUCESTER CRESCENT, LONDON wood engraving Acquired from the artists in 1962 1 109 sheet size: 5 by 5cm
Peggy Delport CHILD ON AN DONKEY serigraph, signed and numbered 26/100 in pencil in the margin Acquired from the artist in 1970 110 1 45,5 by 59cm
Dirk Adriaan Meerkotter OCEANIC FORMS; and DIE BAAI, two etchings, each signed, dated 72 and 73, numbered 13/20 and 5/20 111 respectively and inscribed with their titles in pencil in the margin 2 sheet size: 35 by 45cm
112 Johannes Petrus Meintjes BOY AND ARUM LILLIES woodcut, signed and dated 1947 in pencil in the margin 1 sheet size: 24 by 18cm
Lippy (Israel-Isaac) Lipshitz DANCING WOMEN woodcut, signed and numbered 20/25 in pencil in the margin Gifted from the artist`s 113 daughter in 1984 1 sheet size: 25 by 20cm
Nerine Desmond WALKABOUT woodcut, signed and inscribed with the title in pencil in the margin Acquired from the artist in 1965 1 114 sheet size: 50,5 by 36cm
Wopko Jensma TWO FIGURES; WINGED ANIMAL; and GUESTUR (sic), three linocut and woodcuts, each signed and editioned in 115 pencil and ball point pen in the margin Acquired form the artist in 1971 3 sheet size: 51 by 41cm (3)
Conrad Nagel Doman Theys THE AGGRESSIVE MOTHER; and THE PRAYING MANTIS, two etchings, each signed, dated 1982 and 116 inscribed with their titles in pencil in the margin Acquired from the artist in 1983 2 sheet size: 24,5 by 17,5cm (2)
Pieter van der Westhuizen WOMAN AT A WINDOW etching, signed, dated 74, numbered 5/100 and inscribed `ETS in fragment` in 117 pencil in the margin Acquired from the artist in 1974 1 sheet size: 17 by 12,5cm
Patrick Holo UNTITLED linocut, signed, dated 84, numbered A/P 1/100 and inscribed with the title in pencil in the margin 1 sheet size: 118 31 by 21,5cm
119 Luzamba Zemba UNTITLED signed and dated 2007 mixed media on canvas board 1 31 by 61cm
120 Patrick Mokhuane ORANGES signed mixed media on board 1 24 by 41cm
Amos Langdown HORSES AND LIGHTNING copper engraving, signed, numbered 5/13 and dated 1963 in pencil in the margin 1 sheet 121 size: 38 by 26cm 122 Garth Erasmus EXPLODING HEAD signed and dated 1984 mixed media on paper 1 43 by 34cm
Amos Langdown MAN POSSESSED BY DEVIL copper engraving, signed, numbered 5/11 and dated 3.12.1962 Acquired from the artist 123 in 1965 1 sheet size: 34,5 by 22,5cm
Selwyn Pekeur FEMALE FIGURE signed with the artist`s initials in ball point pen mixed media on paper Acquired from the artist in 1983, 124 this work was a study for a linocut 1 28 by 17,5cm
125 Selwyn Pekeur THREE DANCING FIGURES collage and mixed media on paper Acquired from the artist in 1988 1 50 by 70cm
126 Bernardine Biden THE WHITE CHEST acrylic on card Acquired from the artist in 1958 1 58 by 39cm
127 Amos Langdown 3RD CLASS TICKET BOX pencil on paper 1 14 by 12cm
128 Mario Sickle NUDE signed, dated 25.12.82 and inscribed `To Peter Clarke, From Mario` pencil on paper 1 64,5 by 53cm
151 Walter Whall Battiss XENIO 2 silkscreen, numbered 11/36 and titled in the plate under the mount board 1 34,5 by 49,5cm
Walter Whall Battiss LEDA silkscreen printed in colours, signed and inscribed with the title and `artist`s proof` in pencil in the margin 1 152 sheet size: 50 by 59,5cm
Walter Whall Battiss ROCK ART silkscreen printed in colours, signed and numbered 250/250 in pencil in the margin Carman, J. & Isaac, 153 S., Walter Battiss - Gentle Anarchist, Standard Bank Gallery, Johannesburg, 2005, illustrated on p 191in colour 1 sheet size: 42 by 30cm
154 Walter Whall Battiss GIRAFFE IN THE RAIN silkscreen, signed, inscribed with the title and `A/P` in pencil in the margin 1 49 by 70cm
Walter Whall Battiss UNTITLED silkscreen, signed and numbered 250/250 in pencil in the margin Carman, J. &Isaac, S., Walter Battiss 155 - Gentle Anarchist, Standard Bank Gallery, Johannesburg, 2005, illustrated in colour on p 187 1 31 by 42cm
Norman Catherine MESSENGER; CONDEMNED; CACTUS; and MANDRILL,four colour lithographs, each signed and numbered 156 90/100, 57/90, 26/100 and 25/100 respectively in pencil in the margin 1 the largest: 60,5 by 48cm (4)
Norman Catherine JAILBIRD silkscreen printed in colours, signed and dated 1970 R.A.U. Retrospective (Rand 157 AfrikaansUniversiteit)1969 - 1979, cat. no. 13 1 sheet size: 57 by 57cm
Norman Catherine I MUST BE DREAMING lithograph, signed, numbered 34/45 and inscribed with the title in pencil in the margin 1 158 sheet size: 65 by 93,5cm
159 Norman Catherine MUTI-MAN lithograph, signed, dated `98 and numbered 30/45 in pencil in the margin 1 sheet size: 68 by 94,5cm
Norman Catherine CAT MAN lithograph, signed, dated `92, numbered 5/45 and inscribed with the title in pencil in the margin 1 sheet 160 size: 66 by 96cm
Deborah Margaret Bell BAGGAGE I lithograph, signed, dated 2000, inscribed with the title and `A. P.` in pencil in the margin 1 sheet 161 size: 65 by 50cm Deborah Margaret Bell BAGGAGE II lithograph, signed, dated 2000 and inscribed with the title and `A. P` in pencil in the margin 1 sheet 162 size: 65 by 50cm
Robert Griffiths Hodgins MISS PRISS lithograph printed in colours, signed, numbered 11/60, dated 09 and inscribed with the title in 163 pencil in the margin Joao Ferreria Gallery, Cape Town 1 sheet size: 50 by 70cm
Robert Griffiths Hodgins COACH hand-coloured photo gravure print, signed, dated 04 and numbered 3/20 in pencil in the margin 1 164 sheet size: 48 by 38cm
Robert Griffiths Hodgins AN UBER SOMETHING FROM UPPER SOMEWHERE four colour chine colle lithograph, signed and 165 numbered 3/25 in pencil in the margin 1 sheet size: 50 by 38cm
Zolani Siphungela ROCKY ROAD, diptych linocut, signed, numbered 1/5, dated 13 and inscribed with the title in pencil in the margin 1 166 sheet size: 53 by 144cm (2)
167 Azaria Mbatha EXODUS woodcut, signed and numbered 35/100 in pencil in the margin 1 sheet size: 27,5 by 29cm
Jabulane Sam Nhlengethwa A BLACK CAR; MARKET PLACE II; IDLING IDLING; JOB DONE; RUSHING; and ONE WAY,six 168 lithographs, each signed, dated 2001, numbered 8/30 and inscribed with their titles in pencil in the margin 1 each sheet size: 38 by 44,5cm (6)
Zwelethu Mthethwa LOVERS II lithograph printed in colours, signed, dated `98, numbered 4/40 and inscribed with the title in pencil in 169 the margin 1 sheet size: 64 by 44cm
Colbert Mashile LOOK AT ME, two silkscreens printed in colours, each signed, dated 06, numbered 2/8 and inscribed with `E. V.` and 170 their titles in pencil in the margin 1 each sheet size: 64 by 44cm (2)
Wayne Cahill Barker UNTITLED 1 (LOSS) monoprint and enamel on canvas, signed and dated 2006 From the `Land and Desire` series 171 1 27 by 27cm
172 Wayne C*** Barker UNTITLED 2 monoprint and enamel on canvas, signed and dated 2005 1 27 by 27cm
Wayne Cahill Barker UNTITLED 3 monoprint and enamel on canvas, signed and dated 2006 From the `Land and Desire` series 1 27 by 173 27cm
174 Wayne Cahill Barker UNTITLED 4 (DESIRE) monoprint and enamel on canvas, signed and dated 2006 1 27 by 27cm
Wayne Cahill Barker JOZI JAZZ colour lithograph, signed, dated 2006, numbered 6/9 and inscribed with the title in pencil in the margin 175 1 sheet size: 30 by 40cm
Edwine Simone Simon UNTITLED etching and aquatint on Fabriano paper, signed, dated `92 and inscribed `artist proof` in pencil in the 176 margin 1 sheet size: 98 by 69cm
177 Francois Gouws PORTRAIT OF MADIBA signed and dated 2002 on the reverse acrylic and silkscreen on canvas 1 80 by 80cm
Dylan Lewis BUFFALO BULLS serigraph, signed, numbered 15/75 and inscribed with the title in penicil in the margin 1 sheet size: 66 by 178 98cm William Joseph Kentridge 9 FILMS photolithograph poster, signed and numbered 143/200 in red pencil crayon in the margin 1 83 by 179 58cm
William Joseph Kentridge THE MAGIC FLUTE, a poster for the theatre production photolithograph, signed and numbered 141/220 in red 180 pencil in the margin with the title in both English and German 1 sheet size: 84 by 60cm
181 Philippa Hobbs TORSO woodcut, signed and dated 1989 in pencil in the margin 1 sheet size: 37 by 28,5cm
Beezy Bailey U.F.O. CATCHER hand-coloured drypoint etching, signed, inscribed with the title and numbered 10/30 in pencil in the 182 margin 1 sheet size: 100 by 37cm
Anton Kannemeyer SIXTEEN SELF-PORTRAITS silkscreen, signed, dated 2002 and numbered 1/10 in pencil in the margin 1 60 by 183 41,5cm
Jacob Hendrik Pierneef MIERSHOOP, S. W. A. (Nilant 114) linocut, signed and dated 1928 in pencil in the margin Nilant, F. E. G., 184 Pierneef Linosneë, A.A. Balkema, Cape Town, 1974, illustrated on p 149 1 21,5 by 26cm
Willem Gravett FEMALE SITTER; and LIONS HEAD, two etchings, each signed, the latter is numbered 3/10 1 the larger: 8 by 10,5cm 185 (2)
Dirk Adriaan Meerkotter TWEE PERDE colour etching and aquatint, signed, dated `93, numbered 12/30 and inscribed with the title in 186 pencil in the margin 1 sheet size: 20,5 by 16cm
Douglas Owen Portway NUDE STUDY; and UNTITLED, two etching printed in colour, signed, numbered 2/50 and 10/75 respectively in 187 pencil in the margin 0 2 the largest: 45 by 55cm
Judith Mason BOOK OF LIFE lithograph, signed, dated `76, numbered 29/100 and inscribed with the title in pencil in the margin 1 sheet 188 size: 69 by 51cm
189 Wolf Kibel SEATED FIGURE etching, signed and indistinctly numbered in pencil in the margin 1 sheet size: 20 by 15cm
Alfred Frederic Krenz MOTIF FROM RONDEBOSCH linocut, signed and numbered 98/100 in pencil in the margin 1 sheet size: 19 by 190 26cm
Frederick Hutchison Page SOUTH END P.E. linocut, signed, numbered 15/20 and inscribed with the title in the margin 1 sheet size: 63 191 by 46cm
Wolf Kibel FIGURE linocut, signed Accompanied by a copy of Kibel, F. & Dubow, N.,Wolf Kibel: A brief sketch of his life and work, Cape 192 Town, Human & Rousseau, 1968, edition limited to 750 numbered copies of which this is number 734 1 23 by 12cm
193 Dorothy Kay THE MOUNTEBANK etching, signed and inscribed with the title in pencil in the margin 1 sheet size: 25 by 20cm
Bettie Cilliers-Barnard YELLOW HEADS; and RED HEADS, two silkscreen printed in colours, each signed, dated `79 and numbered 194 250/250 in pencil in the margin 1 29 by 41cm (2)
195 François Krige SPANISH GIRL, STUDY signed charcoal on board 1 60,5 by 46cm
Christo Coetzee PROFILE OF A LADY WITH FLOWER signed twice, dated 70 and numbered 28 pen and ink and airbrush 1 21 by 196 31cm 197 Christo Coetzee STONE HERO signed, dated 72 - 82 and inscribed with the title in pencil in the margin crayon on paper 1 38 by 24cm
198 Frans Martin Claerhout FIGURE WITH WHEATSHEAF signed mixed media on paper 1 36,5 by 23cm
199 Frans Martin Claerhout FIGURES WITH PUMPKINS signed mixed media on paper 1 40 by 58cm
200 Frans Martin Claerhout FIGURE WITH FLOWERS signed mixed media on paper 1 41 by 29cm
201 Frans Martin Claerhout GIRL HOLDING A SUNFLOWER signed oil on paper 1 57,5 by 37,5cm
202 Eris Silke TWO FIGURES signed and dated 85 pencil on paper 1 29 by 20,5cm
203 Eris Silke THREE FIGURES signed mixed media on paper 1 41 by 27,5cm
204 Marjorie Wallace SELF PORTRAIT signed gouache on paper 1 46 by 37cm
205 Stanley Pinker NUDE signed pencil on paper 1 18,5 by 36,5cm
206 Pieter van der Westhuizen THE CONVERSATION signed and dated 77 ink on paper 1 43 by 37cm
207 Hendrik Christiaan Niemann PORTRAIT OF A MAN WEARING A HAT signed and dated 96 oil on paper 1 19 by 14cm
208 Michael Roos ABSTRACT FIGURE signed and dated 1978/79 acrylic on paper laid down on board 1 44,5 by 34cm
209 Edwine Simone Simon UNTITLED I; 2; 3; and 4, four each signed mixed media on paper 4 15,5 by 10cm each
210 Richard Scott CAMERMEN - BATTERY & NO. 1708 signed and dated 2007 mixed media on canvas 1 40 by 40cm
211 Richard Scott CAMERAMEN - COVER & NO. 1705 signed and dated 2007 mixed media on canvas 1 40 by 40cm
212 Durant Basi Sihlali ABSTRACT signed mixed media on paper 1 109 by 60cm
Frederick Hutchison Page THE COCKPIT signed, dated 78 and inscribed with the title in pencil in the margin oil and gouache on paper 213 1 37 by 54cm
214 Frederick Hutchison Page THE WINDOW signed and dated 78 ink on paper 1 38 by 21,5cm
Erik (Frederick Bester Howard) Laubscher STUDY FOR NORWICH LIFE TAPESTRY signed, dated 1986 and inscribed with the title in 215 pencil in the margin mixed media on paper 1 23,5 by 13cm
Armando Baldinelli NUDE signed and dated 1966 gouache and collage on paper Werth, A. Armando Baldinelli, Johannesburg, 1974, 216 illustrated on p 48 1 68 by 100cm
217 Christo Coetzee NO. 32 signed, dated 70 and inscribed `No 32` in pencil in the margin mixed media on paper 1 39,5 by 29cm Cecil Edwin Frans Skotnes HEAD each sheet signed, numbered `no 1.30`, inscribed with the title, `left panel` and `right panel` in pencil 218 in the margin respectively mixed media on paper 2 the largest: 61 by 36cm
219 Lukas van Vuuren WATER signed and dated 82 mixed media on paper 1 100 by 70cm
220 Lukas van Vuuren BOX OF BRUSHES signed and dated 84 mixed media on paper 1 98 by 97cm
221 Lukas van Vuuren BOX OF CHARCOAL signed and dated 84 mixed media on paper 1 97 by 98cm
222 Kevin Atkinson ABSTRACT LANDSCAPE signed and dated 82 mixed media on paper 1 53 by 73cm
Bettie Cilliers-Barnard DIE WERELD IS `N SPEELTONEEL - NO. 6 signed, dated 1982 and inscribed with the title on the reverse mixed 223 media on paper 1 50 by 68cm
Bettie Cilliers-Barnard DIE WERELD IS `N SPEELTONEEL - NO. 2 signed, dated 1982 and inscribed with the title on the reverse mixed 224 media on paper 1 48,5 by 64cm
225 Paul du Toit ABSTRACT signed and dated 1952 watercolour on paper 1 35 by 43cm
226 Piet Kannemeyer TWO WOMEN colour-lithograph, signed in the margin 1 sheet size: 20 by 16cm
227 Charles (Carel Antoon) Gassner GREEN ABSTRACT WITH LINES AND CIRCLES signed mixed media on paper 1 55 by 88cm
228 Charles (Carel Antoon) Gassner STILL LIFE signed mixed media on paper 1 49 by 33cm
229 Charles (Carel Antoon) Gassner ABSTRACT WITH YELLOW AND BLUE signed mixed media on paper 0 1 54 by 74cm
230 Charles (Carel Antoon) Gassner PINK FIGURE signed gouache and charcoal on paper 1 56 by 88cm
231 Charles (Carel Antoon) Gassner PINK SEATED FIGURE signed mixed media on paper 1 56 by 41,5cm
232 Alexander Rose-Innes PORTRAIT OF A YOUNG WOMAN signed pastel on paper 1 56 by 38cm
233 Bowen Boshier LIMPOPO LONGING signed and dated 93 pencil on paper 1 52 by 34cm
234 Pieter Hugo Naudé LANDSCAPE WITH ALOES signed and dated 1904 watercolour on card 1 21 by 44cm
Douglas Treasure TWO FIGURES ON A PATH; THE BLUE SKIRT; ARNSISTON; and THE HARBOUR, four signed watercolour on 235 paper 4 the largest: 20 by 35cm
John Barnett Kramer KNIGHTS SHOE SHOP, GRAHAMSTOWN signed and dated 81 mixed media on paper laid down on card 1 44 by 236 43,5cm
237 Piet Kannemeyer CHURCH SCENE signed oil on board 1 38 by 53cm William Mitcheson Timlin DRAKENSBERG MORNING signed, dated 1926 and stamped with the artist`s owl device mark watercolour on 238 paper 1 45 by 53,5cm
239 Alexis Preller A MOUNTAINOUS LANDSCAPE signed and dated 45 pencil and crayon 0 1 21,5 by 29cm
240 Alfred Frederic Krenz FINESTRAT signed and dated 1973 watercolour on paper 1 31 by 48cm
241 Dorothy Kay SHIP`S FIGUREHEAD oil and pencil on paper 1 44 by 40cm
242 Nerine Desmond BOATS ON THE BEACH signed watercolour on paper 1 26,5 by 38,5cm
243 Richard Cheales FISHERMEN ON THE BEACH signed watercolour on paper 1 55,5 by 73,5cm
244 Sydney Carter CAPE DUTCH HOUSE signed watercolour and gouache on card 1 25 by 38cm
245 Sydney Carter CAPE DUTCH HOUSE signed watercolour on paper 1 24 by 38cm
Heinie (Heinrich H.J.) Von Michaelis TWO AFRICAN FIGURES AT THE WATER`S EDGE signed and dated 54 oil on board 1 42 by 246 34cm
247 Dale Elliott COTTAGES AMONGST TREES signed oil on board 1 43 by 58cm
248 Beezy Bailey PIGS FLYING signed and dated `92 mixed media on paper 1 34 by 24cm
249 Fred Schimmel BIRDS signed and dated `75 mixed media on card laid down on board 1 45,5 by 53,5cm
250 Hennie Niemann Jnr. BOBBEJAAN signed with the artist`s initials and dated 95 oil on paper 1 19 by 26cm
251 Hennie Niemann Jnr. BOBBEJAAN signed with the artist`s initials and dated 95 oil on paper 0 1 25 by 19cm
252 Douglas Owen Portway STILL LIFE WITH BOTTLES signed and dated 81 mixed media on paper 1 49 by 64cm
253 Alexander Rose-Innes STILL LIFE WITH FLOWERS, ROSES AND PEARS signed watercolour on paper 1 53,5 by 38cm
254 Heidi Herzog STILL LIFE signed and dated 66 pastel on paper 1 56 by 48cm
255 Zakkie (Zacharias) Eloff BUCK; MONKEYS and LIONESSES,three the first two signed ink on paper 1 the largest: 23 by 33cm
256 Gregoire Johannes Boonzaier STILL LIFE WITH HIBISCUS signed and dated 1974 pastel on paper 1 35,5 by 26cm
257 Wessel Marais STILL LIFE signed oil on board 1 60 by 45cm
258 François Krige STILL LIFE OF FRUIT IN A BOWL signed oil on board 1 10 by 18cm
259 Solomon Siko FIGURES AND GEESE signed oil on board 1 90 by 90cm 260 Piet Kannemeyer THE CELLO PLAYER signed oil on board 0 1 78 by 40cm
261 Edith Florence Bullen SKY BOX signed acrylic on board 1 121 by 98,5cm
262 Frans Martin Claerhout THREE FIGURES signed oil on board 0 1 45 by 60cm
263 Eris Silke LADY OF THE LAKE signed acrylic on board 1 15 by 11cm
264 Willie Bester PORTRAIT OF A BOY IN A RED T-SHIRT signed and dated 99 oil on board with the artist`s painted frame 1 21 by 13,5cm
265 Marjorie Wallace RACHEL KNITTING signed oil on canvas 1 91 by 60cm
266 Hendrik Christiaan Niemann PORTRAIT OF A HARLEQUIN signed and dated 06 oil on card 1 20 by 18cm
267 Hendrik Christiaan Niemann HARVESTERS signed and dated 95 oil on board 1 32 by 32cm
268 Hendrik Christiaan Niemann THE READER signed and dated 08 oil on canvas laid down on board 1 19 by 17cm
269 Nigel John Dixie Hewett PORTRAIT signed and dated 13 oil on canvas board 1 41 by 31cm
270 Arlene Amaler Raviv FIGURE SEATED AT A PIANO signed oil on canvas 1 44 by 39,5cm
271 Barbara Grace Burry BUILDINGS WITHIN AN ABSTRACT LANDSCAPE signed and dated 72 oil on board 1 84 by 91cm
272 Barbara Grace Burry STREET SCENE, KALK BAY signed oil on canvas 1 61 by 75cm
273 Barbara Grace Burry SEATED WOMAN signed oil on hessian laid down on board 1 60 by 45,5cm
274 Lindsay Patton ANTIQUE ROSE signed oil on canvas 1 90 by 75cm
275 Rachelle Bomberg ABSTRACT unsigned oil on canvas 1 170 by 161cm
Michael Taylor CLANDESTINE CAVALIER (ANOTHER BATMAN) signed and dated `08 mixed media on board Joao Ferreira Gallery, 276 Cape Town 1 50 by 50cm
Dorothee Kreutzfeldt RUNNER HER III; RUNNER HER VII, and RUNNER HER IX, three signed with the artist`s initials, dated 99 and 277 inscribed with the title on the reverse oil on board Joao Ferreira Gallery, Cape Town 1 each: 44,5 by 39cm (3)
278 Melvin Brigg COMPOSITION WITH NUDE signed mixed media on board 1 50,5 by 75,5cm
George Velaphi Mzimba TIN HEAD signed and dated 92 mixed media Purchased from The Natalie Knight Gallery, Johannesburg, 1994 279 1 88 by 60cm
280 Lukas van Vuuren AIRMAIL ink on UHI plastic 1 168,5 by 108cm 281 Lukas van Vuuren SHIFTING BOX signed, dated 98 and inscribed with the title in the margin ink on UHI plastic 1 44,5 by 44,5cm
282 Gail Catlin ABSTRACT FORM signed liquid crystal 1 18,5 by 12cm
283 Paul du Toit ABSRACT MAN signed and dated 2002 acrylic on canvas 1 30 by 30cm
284 Kenneth Baker FIGURES signed and dated 74 oil on board 1 29 by 42cm
285 Kenneth Baker WOMAN IN PROFILE signed oil on board 1 34.5 by 25cm
286 Kenneth Baker THE SMOKERS signed oil on board 1 60 by 39,5cm
287 Kenneth Baker THE SMOKER signed and dated 73 oil on board 1 41 by 31cm
288 Kenneth Baker FIGURES AND CART ON A ROAD signed oil on board 1 43 by 46cm
289 Kenneth Baker HANGING UP THE WASHING signed and dated 67 oil on board 1 50 by 26cm
290 Gino Fasciotti STILL LIFE WITH ORIENTAL FIGURE AND A SHELL signed oil on canvas 1 52 by 67,5cm
291 Paddy Starling ROAD LEADING UP TO A FARM BARN signed and dated 95 oil on canvas 1 91 by 122cm
Albertus Johannes (Bokkie) Basson WORCESTER LANDSCAPE: SUMMER I bears a note of authenticity from the artist`s daughter on 292 a label adhered to the reverse oil on canvas 1 52,5 by 85cm
293 Piet Kannemeyer LANDSCAPE signed oil on board 1 37 by 52cm
294 Ruth Squibb STREET SCENE signed oil on board 0 1 41,5 by 58,5cm
295 Terence John McCaw A DUTCH LANDSCAPE signed and dated 51 oil on canvas board 0 1 29 by 39cm
Erich (Ernst Karl) Mayer BUSHVELD SCENE WITH OX WAGON signed and dated 1952 oil on canvas laid down on board 1 12,5 by 296 29,5cm
297 Erich (Ernst Karl) Mayer BUSHVELD LANDSCAPE signed oil on canvas 1 29,5 by 21,5cm
298 Edward Roworth LANDSCAPE signed oil on panel 1 16,5 by 24,5cm
299 Edward Roworth A COASTAL VIEW signed oil on board 1 29,5 by 40cm
300 Winston Churchill Masakeng Saoli ABSTRACT AFRICAN VILLAGE signed and dated 90 oil on board 0 1 58 by 94,5cm
301 Don (Donald James) Madge STREET SCENE, STELLENBOSCH signed oil on board 0 1 34 by 49cm
302 George William Pilkington COTTAGES signed oil on board 1 30 by 38cm 303 George William Pilkington THE YACHT CLUB signed oil on board 0 1 31 by 41cm
304 Johan (Johannes) Oldert COTTAGE AT NOORDHOEK signed and inscribed with the title on the reverse oil on board 0 1 24,5 by 35cm
305 Christiaan St Patrick Nice AT THE WATER`S EDGE signed oil on board 1 14,5 by 21cm
306 Johan (Johannes) Oldert FIGURES ALONGSIDE A PATH signed oil on board 1 35 by 50cm
307 Johan (Johannes) Oldert A WINDING PATH signed oil on board 0 1 44 by 60cm
308 Johan (Johannes) Oldert A COTTAGE BESIDE A RIVER signed oil on board 1 39,5 by 49cm
309 Otto Klar AN APPROACHING STORM WITHIN A LANDSCAPE signed oil on board 1 26,5 by 71cm
310 Otto Klar EXTENSIVE LANDSCAPE signed oil on board 0 1 16 by 22cm
311 Titta Fasciotti A VIEW OF THE OCEAN FROM A CLIFF signed oil on board 1 29,5 by 40cm
312 Titta Fasciotti ROCK POOL signed and dated 91 oil on canvas laid down on board 1 30 by 40cm
313 Titta Fasciotti A COTTAGE AT THE END OF A ROAD signed oil on board 1 22,5 by 34,5cm
314 Gabriel Cornelis de Jongh COTTAGES ALONGSIDE A PATH signed oil on canvas 1 120 by 74,5cm
315 Gabriel Cornelis de Jongh LADYSMITH AFTER THE RAIN signed oil on canvas 1 60 by 90cm
316 Gabriel Cornelis de Jongh STORM CLOUDS ROLLING IN signed oil on board 1 60 by 90cm
317 Gabriel Cornelis de Jongh BOLAND SCENE signed oil on canvas 1 44 by 59cm
318 Gabriel Cornelis de Jongh COTTAGES WITHIN A MOUNTAINOUS LANDSCAPE signed oil on canvas 1 91,5 by 59,5cm
319 Adriaan Hendrik Boshoff CHURCH signed oil on board 1 20 by 14cm
320 Kobus Louw BOLAND STREET SCENE WITH FIGURES signed oil on board 1 33 by 47cm
321 Christopher Tugwell A FARMHOUSE WITHIN A LANDSCAPE signed oil on board 1 38 by 74,5cm
322 Bruce Hancock FIGURES OUTSIDE COTTAGES signed oil on board 0 1 27 by 45cm
323 Bruce Hancock COTTAGES IN AN EXTENSIVE LANDSCAPE signed oil on board 0 1 35 by 48cm
324 Dino Paravano A VIEW OF KALK BAY FROM ST JAMES signed oil on board 0 1 45 by 60cm 325 Jabulane Sam Nhlengethwa TOWNSHIP SCENE signed and dated `88 mixed media on board 1 24 by 36cm
326 Carlo Sdoya EXTENSIVE LANDSCACE signed oil on board 0 1 59 by 74cm
327 Frederike Stokhuyzen BUSHVELD signed and dated 87 oil on canvas 1 58 by 88,5cm
328 Hendrik Christiaan Niemann LANDSCAPE signed and dated 08 oil on board 1 27 by 31cm
329 Gerhard J. Beukes TRAVELLING ALONG A PATH signed oil on board 1 17 by 25cm
330 Solomon Siko MUSICIANS signed and dated 04 acrylic on board 0 1 58,5 by 89cm
331 Edith Florence Bullen PAGE TWENTY-FOUR signed acrylic on board 1 60 by 60cm
332 Ruth Squibb SEA SCAPE signed oil on board 0 1 60 by 90cm
333 Olivia Scholnick LANDSCAPE signed oil on canvas 1 60 by 75cm
Moses Kottler LENA (1915) unsigned cement du P. Scholtz, J., Moses Kottler - His Cape Years, Tafelberg, Cape Town, 1976, illustrated 334 on p 121, cat. no. 9 1 height: 34,5cm
335 Basil Louis Jones ABSTRACT signed with the artist`s initials carved wood 1 height: 65cm (excluding base)
336 Lippy (Israel-Isaac) Lipshitz STANDING FIGURE signed carved wood 1 height: 15,5cm (excluding base)
337 Basil Louis Jones TORSO signed with the artist`s initials carved wood 1 height: 66,5cm (excluding base)
338 Michael Fleischer KNEELING NUDE signed with the artist`s monogram and numbered 1/9 polished bronze 1 height: 26cm
George Jaholkowski TWO DANCERS signed and dated 73 on a plaque mounted to the base bronze with a green patina 1 height: 45cm 339 (excluding base)
George Jaholkowski ABSTRACT FIGURE signed and dated 67 on a plaque mounted to the base bronze 1 height: 38cm (excluding 340 base)
341 Bernardine Biden ABSTRACT signed and dated 1978 plastic on plastic 1 height: 54cm
342 Michael Fleischer FLUTE PLAYER signed with the artist`s initials and numbered 1/6 bronze 1 height: 81cm (excluding base)
Nico Peter Jacobus Prins MOTHER CARRYING CHILD inscribed with the artist`s initials on the base carved wood 1 height: 65,5cm 343 (excluding base)
344 Stanley Nkosi FIGURE WITH INSTRUMENT signed bronze 1 height: 40cm
345 Stanley Nkosi MAN WITH ANIMAL signed bronze 1 height: 39cm Various Artists THE ALEMBIC SPIRIT: BRANDY IN THE CAPE a portfolio of ten screenprints on Hahnemuhle 300 gsm cotton paper, 346 the portfolio numbered 2/20, each print signed, numbered 2/20 and dated 1999 in pencil in the margin This portfolio has been published by Hard Ground Printmakers for the S ...[more]
347 Irma Stern ZANZIBAR Stern, I, . Zanzibar, Pretoria: J. L. Van Schaik, 1948, 4to, beige cloth, hardcover 1
Artists Various A COLLECTION OF SOUTH AFRICAN ART BOOKS 1. Berman, E., Art & Artists of South Africa, A. A. Balkema, Cape 348 Town, 1970 2. Ogilvie, G., The Dictionary of South African Painters and Sculptors, Everard Read,Johannesburg, 1988 3. Alexander, L. & Cohen, E., 150 South African Pai ...[more]
A GEORGE III MAHOGANY CHEST-ON-CHEST in two parts, the outswept pediment above a pair of short drawers, three long 361 graduating drawers below flanked by canted and fluted corners, the lower section comprising three long graduating drawers, on bracket feet, restorations 180cm high, 105cm wide, 61cm d ...[more]
A TEAK AND BRASS-MOUNTED MILITARY CHEST, 19TH CENTURY in two parts, the rectangular top above a pair of short drawers, 362 a long drawer below, the lowersection comprising two longdrawers, onturned bun feet 106,5cm high, 99cm wide, 45cm deep 1
AN ENGLISH OAKFOUR-PANELREVERSIBLESCREEN, 19TH CENTURY each panel surmounted by a broken pediment 363 andcarvedwith foliage, geometric designs, animals or mythical beasts between carved supports,shaped apron, on castors,restorations166cm high, 246cm fully extended 1
AREGENCY MAHOGANY AND ROSEWOOD DRUM TABLE the circular cross-banded top with a gilt-tooled leather-inset writing 364 surface abovefour frieze drawersdivided byfour dummy drawers, on afaceted column terminating ina tripartite base, bun feet,oncastors,stringing throughout72cm high, 120cm diame ...[more]
A SET OF SIX REGENCY MAHOGANY SIDE CHAIRS each cross-banded and inlaid top rail above a mid-rail centred by a vacant 365 cartouche, flanked by fleurs-de-lis, between curved fluted supports, tapestry stuff-over seat, on ring-turned tapering legs, restorations 6
A DUTCH FLAME MAHOGANY ARMOIRE, 18TH CENTURY in two parts, the gabled pediment centred by an acanthus-leaf cresting, a 366 pair of shaped and panelled doors below with ribbonand floralswags, enclosing three shelves and drawers, the lower bombé section centred by a fall-front enclosing a secrétaire, ...[more]
A DUTCH FLAME MAHOGANY AND BRASS-MOUNTED ARMOIRE, 18TH CENTURY in two parts, thegabledpediment centred by a 367 bow draped around a cartouche of a bust to sinister, a pair of shaped and panelled doors below carved witha similar motif and an urn flanked bybrass-topped columns, the lower bombé secti ...[more]
A DUTCH MAHOGANY AND UPHOLSTERED SOFA, 19TH CENTURY the curved and scrolling top rail above a padded back and 368 arms, stuff-over seat between foliate-carved supports, carved apron, on outswept lion-paw feet 200cm long 1
ACONTINENTALFRUITWOOD, TEAK, EBONY ANDINLAID DESK the rectangulartop above alatercentral shortdrawer, flanked by a 369 pair of drawers, on baluster-shaped legs, on stile feet,stringing throughout, restorations79cm high, 149,5cm wide, 89,5cm deep 1
A CHINESE EXPORT ROSEWOOD AND STAINED WALNUTLOW TABLE, 20TH CENTURY the circular top above ahipped waist, ruji 370 carved apron, on shaped pierced and carved legs joined by a hexagonal radiating stretcher, on scrolled feet39cm high, 79cm diameter; and A Pair of Chinese ExportRosewood and Stained ...[more]
A CHINESEAUBERGINE-TONEDLACQUER EIGHT IMMORTALS TABLE, QING DYNASTY, 18TH CENTURY the panelled square top 371 enclosed in a conforming frame, end frame ties,transverse braces to the underside,ice-plate moulded and beaded edge, recessed pierced waist adorned with raised bossed pearls, on square-sec ...[more] ANANGLO-INDIAN INLAIDMETAMORPHICWRITINGTABLE thesquare top with two hingedleaves opening to reveal a baize-lined 372 writing surface surmounted by drawers and compartments, in sizes, frieze drawer, on square-section tapering legs joined by a three- quarter stretcher 79,5cm high, 56cm square close ...[more]
A CAPE BEEFWOOD, STINKWOOD, AMBOYNAINLAID AND SILVER-MOUNTED ARMOIRE, LATE 18TH CENTURY in two parts, the 373 gabled pediment surmounted by foliate carving centred by a carvedoval cartouche of amaiden in profile to dexter, a pair of panelled doors below enclosing a hanging rail and three short draw ...[more]
A CAPE STINKWOOD ANDAMBOYNA INLAID RUSBANK, FIRST QUARTER 19TH CENTURY the shaped top and plain mid-rail 374 joined by a central cartouche flanked by slanted moulded splats, curved arms on shaped supports, riempie seat, the plain apron inlaid with diamond motifs, on square-section tapering legs, on s ...[more]
A CAPE STINKWOOD, TEAK, SILVER-MOUNTED,EBONY AND BONE INLAID ARMOIRE, LATE 18TH CENTURY in two parts, the 375 gabled and moulded pediment centred by a carved cresting of a figure playing a flute, a pair of panelled doors below enclosing three shelves, each door centred by an inlaidebony andbone sta ...[more]
A CAPE STINKWOOD SPLIT-SPLAT ARMCHAIR, 19TH CENTURY the shaped top rail above a pierced splat, stepped mid rail, curved 376 arms on curved supports, riempie seat, on square-section tapering legs joined by an H-stretcher, distress 1
A CAPE STINKWOOD SPLIT-SPLAT ARMCHAIR, 19TH CENTURY the shaped top rail above a pierced splat, stepped mid rail, curved 377 arms on curved supports, riempie seat, on square-section tapering legs joined by an H-stretcher, restorations 1
A CAPE STINKWOOD AND INLAID CABINET-ON-STAND, 19TH CENTURY AND LATER the gabled pediment above a dentil frieze, a 378 pair of glazed doors below enclosing a pair of shaped shelves, glazed sides, a pair of short drawers below, on upturned baluster supports, on bun feet joined by a wavy X-stretcher cent ...[more]
A PAIR OFGENNI LOUNGE CHAIRSAND OTTOMANS DESIGNEDIN 1935BY GABRIELE MUCCHI eachtwo position adjustable seat 379 between a chrome-plated steel frame,each polyurethane seat cushion, headrest and armrest cover upholstered in leather,distress 4
A BOARDROOM TABLEIN THE STYLE OF ROBIN DAY, 1950s the shaped rectangular top on square-section steel legs joined by 380 square-section side-stretchers72,5cm high, 123,5cm wide, 304,5cm long 1
A METAMORPHIC LEATHERUPHOLSTEREDVERANDA 3 SOFA DESIGNED BY VICO MAGISTRETTI, CIRCA 1983 the central seat 381 flanked by a pair of swivel seats with adjustable headrests, on a demi-lune base, distress 1
A BALANCE 25 TABLE DESIGNEDBY ARNOLD MERCKX FOR ARCO, 1980s the circular extending top above a support, on a 382 circulartaperingbase,one leaf extension, manufacturer`s label72cm high, 130cm wide, 189cm fully extended 1
A WHITE HIGH GLOSSVARNISHWALL UNITIN THE STYLE OFPHILIPPE STARCK, 20TH CENTURY in three parts, the rectangular 383 shelf above a plain back, a rectangular shelf below above three doors enclosing compartments, on steel feet, fitted for cabling 185cm high, 180,5cm wide, 61cm deep 1
A PAIR OF LOUNGE ARMCHAIRSDESIGNED BYKARL ERIK EKSELIUSIN THE1960sFOR JOC MÖBEL ABVETLANDA each padded 384 button-backbetween aluminium supports, paddedarmrest, loosetufted seat cushion,on analuminium frame, manufacturer`s label, each chair numbered 270 07 2
A PAIR OF EIGHT-LIGHT CUT-GLASS CHANDELIERS, 20TH CENTURY each scrolling support suspended froma cut-glass bowl, a 385 central string of faceted round drops below,hung throughoutwith flowerheads and faceted pear-shaped drops, fitted for electricity 36cm high, 50cm diameter 2 A LARGE ALABASTER FIGURE OF A SEATED BUDDHA, BURMA, MANDALAY PERIOD, EARLY 19TH CENTURY seated in the 391 lotus position and wearing simple monastic robes, the hands in the `Earth Witness` mudra position, the right hand touching the earth,the left open on the lap in the symbol of meditation, traces ...[more]
AN ALABASTER FIGURE OF A RECLINING BUDDHA, BURMA, MANDALAY PERIOD, EARLY 19TH CENTURY theright arm resting 392 on a small pillow, the hand supportingthe head, the left arm gently draped on the hip,thesimple monastic robe with remnants of original orange, red and black lacquer,the headdress with f ...[more]
JÜRGEN SCHADEBERG, (GERMAN/SOUTH AFRICAN, 1931-): HANS PRIGNITZ MAKES A HANDSTAND ON THE HAMBURG 401 MICHEL 1948, SILVER GELATIN PRINT, SIGNED AND INSCRIBED WITH THE TITLE AND DATE IN THE MARGIN AND ON THE REVERSE, COPYRIGHT STAMP ON THE REVERSE, LIMITED EDITION4 OF 25 unframed the plate 40 by 27cm ...[more]
ALFRED KUMALO, (SOUTH AFRICAN, 1930-2012):WINNIEAND NELSON MANDELAWITH ZINDZI MANDELA, 1961, SILVER 402 GELATIN PRINT, SIGNED AND DATED 5.12.96 IN THE IMAGE BY MANDELA, INSCRIBED MR & MRS MANDELA ON THE REVERSE BY KUMALO unframed the plate 18,5 by 24,5cm Gifted by Winnie Mandelato a legal re ...[more]
HANNES LOCHNER, (SOUTH AFRICAN, 1972-): CURIOSITY AND THE CAT, 2012, GICLÉE PRINT, SIGNED INTHE 403 MARGIN,LIMITED EDITION 1/1 unframedthe plate 100,5 by 150,5cm Accompanied by a certificate of authenticity from the photographer. 10% of theproceeds achieved for this photographwill be donated ...[more]
HANNES LOCHNER, (SOUTH AFRICAN, 1972-): LION BY LIGHTING, 2012, GICLÉE PRINT, SIGNED IN THE MARGIN,LIMITED 404 EDITION 1/1 unframed the plate 100,5 by 150,5cm Accompanied by a certificate of authenticity from the photographer. 10% of theproceeds achieved for this photograph will be donated to th ...[more]
ELI WEINBERG (LATVIAN, 1908-1981): NELSON MANDELA THE BOXER, CIRCA 1958-1962, SILVER GELATIN PRINT, SIGNED BY 405 NELSON MANDELA IN THE IMAGE, COPYRIGHT INSCRIPTION AND PRINT DATE ON THE REVERSE, LIMITED EDITION 7 OF 12 the plate 47 by 32,5cm Accompanied by two certificates of authenticity, one date ...[more]
NONTSIKELELO `LOLO` VELEKO (SOUTH AFRICAN, 1977-): KEPI IN BREE STREET AND NONO FROM THE BEAUTY IS IN THE 406 EYE OF THE BEHOLDER SERIES,2006, INKJET PRINTS, SIGNED IN THE MARGIN, LIMITED EDITION 9 OF 60 bothunframed, unexaminedeach plate 38 by 25cm Veleko trained at the Market Theatre Photo Work ...[more]
GUY TILLIM, (SOUTH AFRICAN, 1962-): HILLBROW, JOHANNESBURG, 2004, INKJET PRINT, SIGNED AND INSCRIBEDWITH THE 407 TITLE AND DATE IN THE MARGIN, LIMITED EDITION 9 OF 60 unframed, unexaminedthe plate 35 by 52cm Depicted are Tshililo and her friends sharing a one roomed apartment in Cape Agulhas, Esse ...[more]
FANIE JASON (SOUTH AFRICAN, 1953-): BRENDON SWARTBOOI, CEZPHNE ERASMUS AND STELLA THE HORSE AT HOME IN 408 NETREGFROM THEHORSE AND CART SERIES, 2001, HAND PROCESSED BLACK AND WHITELIGHTJET PRINT, SIGNED AND DATED IN THE IMAGE, INSCRIBED WITH THE SERIESNAMEAND PHOTOGRAPHER`SEMBOSSED COPYRIGHTSTAMP ...[more]
MIKHAEL SUBOTZKY, (SOUTH AFRICAN, 1981-): JOHNNY FORTUNE, 2004,INKJET PRINT, SIGNED AND DATED IN THE 409 MARGIN, LIMITED EDITION 9 OF 60 unexamined, unframed the plate 47 by 70cm 1
JÜRGEN SCHADEBERG, (GERMAN/SOUTH AFRICAN, 1931-): NELSON MANDELA IN HIS CELL ON ROBBEN ISLAND 410 (REVISIT)1994,IMAGE V, SILVERGELATIN PRINT,SIGNED AND INSCRIBED WITH THE TITLE AND DATEIN THE MARGIN ANDON THE REVERSE, LIMITED EDITION 10 OF 38 unframedthe plate 45 by 30,5cm Accompanied by a ce ...[more]
Simon Gales THE JOURNEY OF THE UNBORN signed, dated 1999 and inscribed with the title on the reverse oil on canvas laid down 411 on board 1 121 by 77cm
Simon Gales THE TEMPTRESS signed, dated 1999 and inscribed with the title on the reverse oil on canvas laid down on board 1 121 412 by 77cm E Mary Shelley THE TOWER OF LONDON; ST. PAULS FROM BANKSIDE; NELSON`S COLUMN; and THE OLD CURIOSITY SHOP, 413 four etchings, signed and inscribed with their titles in pencil in the margin 4 the largest: 20 by 15cm
414 Wassily Kandinsky TWO, ETC lithograph,signed in the plate and numbered 148/300 1 59 by 67cm
415 Antoni Clavé UNTITLED colour lithograph, signed and numbered XXVI/L in pencil in the margin 1 57 by 77cm
416 Henry Moore THREE SISTERS colour lithograph, signed and numbered 28/50 in pencil in the margin 1 sheet size: 38 by 28cm
417 Henry Moore TEN OBJECTS colour etching and aquatint, signed and numbered 19/50 in pencil in the margin 1 sheet size: 28 by 37cm
Henry Moore EIGHT SCULPTURE IDEAS color etching and aquatint, signed in the plate, signed and numbered 33/50 in pencil in the 418 margin 1 sheet size: 42 by 28,5cm
Frank Auerbach JULIA etching, signed in the plate, signed, dated 81, inscribed `proof` and `with love from Frank` in pencil in the margin 419 1 sheet size: 34,5 by 34cm
420 James Coignard ABSTRACT carborundum etching, signed and numbered 14/85 in pencil in the margin 1 114 by 94cm
Albert Irvin BERTHON screenprint, signed, dated `91, numbered 86/125 and inscribed with the title in pencil in the margin 1 39,5 by 421 53,5cm
422 Salvador Dali PORTRAIT OF PIERRE CURIE etching, signed and numbered 71/125 in pencil in the margin 1 25 by 19cm
423 Maurice de Vlaminck STREET SCENE lithograph, signed in pencil in the margin 1 sheet size: 26 by 20cm
Hitoko Urago TRIANGULAR UTOPIA signed, inscribed with the title and dated 2010 on the reverse mixed media on canvas Joao 424 Ferriera Gallery, Cape Town 1 40 by 40cm
425 Albert Everard Read LANDSCAPE WITH SHEEP signed oil on board 1 49 by 75cm
Ernest Stuart PERRANPORTH, NORTH CORNWALL signed and inscribed with the title on the reverse watercolour on paper 1 36 by 426 97cm
427 Thomas Bush Hardy OFF DOVER signed oil on panel 1 19 by 55cm
428 Anthony Gross LANDSCAPE signed oil on board 1 29,5 by 39,5cm
429 Continental School A DUTCH SCENE signed indistinctly oil on canvas 1 91 by 70cm
430 Neil Park RIO PLATA signed mixed media on paper Tara Art Centre, Rhodesia, 10 - 18 November, 1972, cat no.17 1 75 by 55cm
After Rembrandt Van Rijn THE RAISING OF LAZARUS: SMALL PLATE (Bartsch 72) etching Accompaniedby a letter from the curator 431 of The Rembrandt House Museum in Amsterdam, dated 1965, authenticating this etchingas aposthumous print circa 1700 1 15 by 11,5cm Graciela Rodo Boulanger LE POUSSETTE lithograph printed in colours, signed and numbered 75/200 in pencil in the margin Purchased 432 from Lublin Graphics, Greenwich, Connecticut, U.S.A. 1 sheet size: 76 by 55,5cm
Graciela Rodo Boulanger BALLET lithograph printed in colours, signed and numbered 17/100 in pencil in the margin Purchased from 433 Lublin Graphics, Greenwich, Connecticut, U.S.A. 1 sheet size: 76 by 56,5cm
Abraham Rattner WINDOW CLEANER lithograph printed in colours, signed and numbered 95/125 in pencil in the margin Purchased 434 from The Kennedy Graphics Catalogue and Pictorial Index, New York, 1980, cat no.292 1 sheet size: 75 by 54,5cm
Abraham Rattner THREE HEADS (THE PROPHETS) lithograph printed in colours, signed and inscribed `artist`s proof` in pencil in the 435 margin Purchased from The Kennedy Graphics Catalogue and Pictorial Index, New York, 1980, cat no 291 1 sheet size: 53 by 69,5cm
Yves Ganne CLOWN BLANC A LA MANDOLIN lithograph printed in colours, signed and numbered 182/250 Purchased from Lublin 436 Graphics, Greenwich, Connecticut, U.S.A. 1 sheet size: 68 by 53cn
Johnny Friedlaender ABSTRACT mixed media lithograph with intaglio printed in colours, signed and numbered 12/95 in pencil in the 437 margin Purchased from Lublin Graphics, Greenwich, Connecticut, U.S.A. 1 sheet size:
Johnny Friedlaender ABSTRACT LANDSCAPE etching printed in colours, signed and numbered 49/50 in pencil in the margin 438 Purchased from Lublin Graphics, Greenwich, Connecticut, U.S.A. 1 sheet size: 50 by 65,5cm
Shoichi Hasegawa FOULE etching and aquatint printed in colours, signed, inscribed with the title and numbered 151/160 in pencil in the 439 margin Purchased from Lublin Graphics, Greenwich, Connecticut, U.S.A. 1 sheet size: 57 by 76cm
Shoichi Hasegawa PROMENADE etching printed in colours, signed, inscribed with the title and numbered 56/100 in pencil in the margin 440 Purchased from Lublin Graphics, Greenwich, Connecticut, U.S.A. 1 sheet size: 76 by 57cm
Jack Levine CAIN AND ABEL lithograph, signed and inscribed `Artist Proof` in pencil in the margin Purchased from The Kennedy 441 Graphics Catalogue and Pictorial Index, New York, 1980, cat no 245 1 sheet size: 75,5 by 57cm
David Hockney DAVID HOCKNEY, THE METROPOLITAN MUSEUM OF ART EXHIBITION POSTERS, four photo lithographs printed 442 in colours Purchased from The Kennedy Graphics Catalogue and Pictorial Index, New York, 1980 4 sheet size: 71 by 89cm (4)
Victor Vasarely SPIRALE photo lithograph printed in colours, signed Purchased from TheKennedy Graphics Catalogue and Pictorial 443 Index, New York 1 sheet size: 100 by 78cm
Charlotte Reine PLEIN CIEL signed and inscribed with the title in pencil in the margin watercolour on paper Purchased from Lublin 444 Graphics, Greenwich, Connecticut, U.S.A. 1 58,5 by 38cm
Pablo Picasso JEUNE ENFANT AU MASQUE lithograph poster printed in colour, signed and numbered 1777/2000 1 sheet size: 53,5 by 445 43cm
Georges Braque FLEURS SUR FOND BLEU Purchased from Berggruen & Cie, Paris, Maitres Graveurs Contemporains, June, 1970, 446 cat. no. 44 1 sheet size: 37,5by 47,5cm
Bernard Buffet ESCAMILLO lithograph printed in colours, signed, dated 67 and numbered 47/50 in pencil in the margin 1 sheet size: 447 100,5 by 71,5cm Artists Various a portfolio of original lithographs printed in colour by artists; Aizpiri, Bardone, Brasilier, Buffet, Cottavoz, Genis, 448 Guiramand, Jansem and Minaux, each signed by the artist and numbered 91/160 in pencil in the margin, limited to 160 editions of which this is number 91, signed by ...[more]
449 Rene Genis LE BOUTON DE DALHIA signed; signed and inscribed with the title on the reverse oil on canvas 1 80 by 52,5cm
Kaiko Moti WILD HORSES signed watercolour and ink on paper Purchased from Lublin Graphics, Greenwich, Connecticut, U.S.A. 1 450 56,5 by 76cm
Johnny Friedlaender COLLINES colour etching and aquatint, signed and numbered 78/95 in pencil in the margin 1 sheet size: 47 by 451 60cm
452 Anton Heyboer UNTITLED etching and aquatint, signed and numbered 3/6 in pencil in the margin 1 sheet size: 25,5 by 31,5cm
Stanley William Hayter FAMILLE JAPONAISE engraving with soft-ground etching printed in colours, signed, numbered 59/100 and 453 inscribed with the title in pencil in the margin Published by St. Georges Gallery, London 1 sheet size: 35,5 by 24cm
Charlotte Reine DOM SA DU VENT etching, signed, inscribed with the title and numbered 110/120 in pencil in the margin 1 sheet size: 454 65 by 50cm
455 David Hockney MAN RAY silkscreen printed in colours, signed and numbered 93/100 in pencil in the margin 1 52 by 37cm
456 Geoffrey Clarke SQUARE RELIEF stamped with artist`s monogram and numbered 34 aluminium 1 23,5 by 24,5cm
457 Geoffrey Clarke SQUARE RELIEF stamped with artist`s monogram and numbered 10 aluminium 1 23 by 18,5cm
Theophile Alexandre Steinlen ETUDE D`UNE SCENE DE CAFE stamped with the artist`s monogram blue pencil on paper South African 458 National Gallery, Master Works On Paper, Cape Town, 11.10.84 This lot is sold along with a copy of The Consultancy, Steinlen 1859 - 1923 1 47 by 38cm
459 Josef Herman TWO MEN AT A TABLE signed and inscribed with the title on the reverse pen and wash on paper 1 19 by 24cm
Josef Herman A GROUP OF FISHERMEN inscribed with the artist`s name and title on the reverse oil on board This lot is sold along 460 with a copy of Mullens, E., Josef Herman: Paintings and Drawings, Evelyn, Adams & Mackay, London, 1967 1 26 by 33cm
Josef Herman RETURNING HOME signed pencil, pen, ink and watercolour on paper Josef Herman, A Peter Stuyvesant Foundation 461 Collection, cat no 49 Accompanied by a copy of the original Peter Stuyvesant Foundation Collection Catalogue 1 20 by 24cm
462 Samuel Koska ABSTRACT LANDSCAPE 1 & II, two signed oil on paper 2 the largest: 18 by 25cm
463 Jules Pascin UNE FEMME, DEUX ENFANTS ET UN CHIEN signed pen, ink, conte and watercolour 1 28 by 40cm
William Scott BALANCE II signed and dated 75 gouache on paper South African National Gallery, Master Works On Paper, Cape Town, 464 9 October 1984 Gimpel Fils Gallery, London, 1976, cat. no. 18 1 57 by 57cm
465 Herman Hahndick ADAM AND EVE signed oil on board 1 24,5 by 17,5cm
466 Herman Hahndick THE LYING BIRD OF THE WAYWARD WOOD signed oil on board 1 24,5 by 17,5cm D* Face STREET IMPROVEMENTS 9 colour screenprint with varnish on 410 gsm Somerset Satin paper, signed and numbered `AP 467 17/20` in pencil in the margin 1 sheet size
D* Face STREET IMPROVEMENTS (1) 9 colour screenprints with varnish on 410 gsm Somerset Satin paper, signed and numbered 468 `AP 17/20` in pencil in the margin 1 sheet size: 79 by 40,5cm
Grafter - THERE IS A LIGHT, AND IT NEVER GOES OUT signed and numbered 6/25 in pencil in the margin stencils, spray paint and 469 oil Purchased directlyfrom the artist 1 76 by 60cm
470 Fake * FAKE LOVE spraypaint on paper Acquired directly from the artist 1 sheet size: 70 by 50cm
Shepard Fairey THIS MACHINE serigraph, signed, dated 11 and inscribed `AP` in pencil in the margin Stolen Space Gallery, London 1 471 sheet size: 31 by 31cm
472 Fake * PAINTING GOD (GANESH) signed and numbered 2/3 on the reverse spray paint on canvas 1 80 by 80cm
Takashi Murakami TOKYO TOWER offset lithograph with cold stamp, signed and numbered 193/300 in pencil in the margin Purchased 473 directly from the artist @2009 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved. 1 sheet size: 68 by 68cm
Andy Warhol MAO lithograph printed in colours, signed in the plate and numbered 2179/2400 in pencil Produced and pressed on quality 474 woven paper in 1986 for The Museum of Art, Carnegie Institute, Pittsburgh, stamped on the reverse by the publisher CMOA (Carnegie Museum of Art) 1 sheet size: ...[more]
Andy Warhol MAO lithograph printed in colours, signed in the plate and numbered 2214/2400 in pencil in the margin Produced and 475 pressed on quality woven paper in 1986 for The Museum of Art, Carnegie Institute, Pittsburgh, stamped on the reverse by the publisher CMOA (Carnegie Museum of Art) 1 ...[more]
Mr. Brainwash FRAGILE 5 colour screenprints, signed and numbered 18/75 in pencil in the margin Acquired directly from the artist 1 476 sheet size: 57 by 76cm
Mr. Brainwash MADONNA signed and dated 2011; signed on the reverse mixed media on canvas Acquired directly from the artist 477 Accompaniedbya certificate of authentication from the artist 1 107 by 107cm
478 Mr. Brainwash JUST KIDDING sixteen-colour screen print, signed and numbered 30/100 in pencil in the margin 1 120 by 95cm
Banksy * FLYING COPPER serigraph, signed with black crayon in the print, dated 2005 and numbered 123/150 in pencil in the margin 1 479 sheet size: 100 by 70cm
480 Matthew Hindley a clay and partially glazed ikomityi (drinking vessel) signed 1 height: 12,5cm
481 Conrad Botes a clay and partially glazed ikomityi (drinking vessel) signed 1 height: 12,5cm
482 Shany van den Berg a clay and partially glazed ikomityi (drinking vessel) signed 1 height: 12,5cm
483 Dylan Lewis a clay and partially glazed ikomityi (drinking vessel) signed 1 height: 12,5cm
484 Lionel Smit a clay and partially glazed ikomityi (drinking vessel) signed 1 height: 12,5cm Diane Victor THE LAY OF THE LAND signed etching, mezzotint and embossing on paper Purchased directly from the artist 1 151,5 by 485 80,5cm
Wayne Cahill Barker WILD HORSES a label appears on the reverse bearing the artist`s name, title and medium beaded panel Everard 486 Read Gallery, Cape Town 1 75 by 75cm
487 Vusi Beauchamp A BEE silkscreen and acrylic on board Goodman Gallery, Johannesburg, Working Title, 2013 1 80,5 by 80,5cm
488 Cathy Layzell STILL LFIE signed acrylic on canvas 1 180 by 150cm
489 Shany van den Berg EN DAAR WAS `N MAN signed and dated 11 oil on board 1 25 by 38cm
490 Karin Preller STILL LIFE WITH GOOD LUCK CAT signed and dated 2013 oil on canvas 1 80 by 105cm
491 Louis Nel 28/11/2013 signed and dated 13 oil on canvas 1 100 by 120cm
492 MJ Lourens THE CHURCH STEEPLE signed and dated 2008 oil on board 1 70 by 90cm
Penny (Penelope) Siopis TRAIL signed and dated 1994 on the reverse, a label and plaque appear on the reverse bearing the artist`s 493 name and cataloguing details photocopy, cardboard and oil on board 1 20 by 28,5cm
Conor Matthew McCreedy ANDY WARHOL signed, inscribed with the title and date on the reverse pigments, oil and enamel on Belgian 494 linen 0 1 130 by 69cm
Conor Matthew McCreedy CRUSADINGSWORD ANGEL signed; signed, inscribed with the medium, title and date on the reverse 495 pigments, oil and enamel on Belgian linen 1 122 by 90,5cm
Conor Matthew McCreedy SITTING ANGEL WATCHES TUMBLING ANGEL signed; signed, inscribed with the medium, title and date 496 on the reverse pigments, oil and enamel on Belgian linen 1 91 by 60cm
497 Kevin Atkinson UNTITLED signed and dated 1968 on the reverse acrylic on canvas 1 95,5 by 122cm
Lukas van Vuuren TILTED TORSO signed, dated 83 and inscribed with the title in black marker in the margin ink on UHI plastic 1 165 498 by 109cm
499 Sidney Goldblatt ABSTRACT signed oil on canvas 1 60 by 44,5cm
500 Carl Adolph Büchner ABSTRACT signed oil on canvas laid down on board 1 40,5 by 57,5cm
Paul du Toit GOOD BAD UGLY signed and dated 2001 oil and acrylic on canvas Tsilik, P., Paul du Toit, PlanetPaul Studios, Cape 501 Town, illustrated in colour on p 67 1 150 by 260cm
502 Paul du Toit SIX FIGURES ON YELLOW signed and dated 02 acrylic on canvas 1 60 by 50cm
Matthew Hindley THE IMPOSSIBILITY OF DEATH IN THE MIND OF SOMEONE LIVING signed and dated 2012 on the reverse oil on 503 canvas 0 1 100 by 100cm 504 Matthew Hindley UNTITLED 2 signed on the reverse oil on linen 1 200 by 250cm
William Joseph Kentridge WHITE IRIS etching with aquatint printed in colours on BFK Rives, signed and numbered 12/30 in pencil in 505 the margin, published by David Krut Fine Art 1 sheet size: 120 by 79cm
William Joseph Kentridge MRS BEATON`S HOUSEHOLD MANAGEMENT (JUG) lithograph in black with hand-drawn red lines and 506 chine colle, signed and numbered 47/55 in pencil in the margin Law-Viljoen, B., William Kentridge Prints, David Krut Publishing, Johannesburg, 2006, illustrated in colour on p 86 ...[more]
Marlene Dumas PORTRAIT OF A YOUNG NELSON MANDELA lithograph on Hahnemuhle paper 310 gsm, signed, numbered 232/250, 507 dated 2008 and inscribed with the title in the margin ZAM Magazine, Amsterdam 1 45 by 35cm
508 Walter Whall Battiss RED FIGURE silkscreen, signed and inscribed `Proof 1` in pencil in the margin 1 sheet size: 54 by 39cm
Peter Clarke CROWING COCK woodcut printed in colours, signed, dated 19.12.1962, numbered 13/15 and inscribed with the title in 509 pencil in the margin 1 sheet size: 49 by 35cm
Peter Clarke WINTER SUN, AMSTERDAM two-block linocut with colour reduction, signed, dated 6.12.1962 and numbered 9/19 in 510 pencil in the margin Hobbs, P. & Rankin, E., Listening to Distant Thunder: The Art of Peter Clarke, The Standard Bank of South Africa, Johnanesburg, 2011, illustrated in ...[more]
Dumile (Zwelidumile Mxgazi) Feni-Mhlaba FIGURE HOLDING CHILD ink on paper Purchased from The Grosvenor Gallery, London 1 511 61 by 46cm
Dumile (Zwelidumile Mxgazi) Feni-Mhlaba BENDING FIGURE WITH CHILD ink on paper Purchased from The Grosvenor Gallery, 512 London 1 61 by 46cm
513 Stanley Pinker LANDSCAPE signed mixed media on paper 1 32 by 55cm
Frederick Hutchison Page IT COULD BE LEFT FOR TOMORROW signed, dated 71 and inscribed with the title in pencil in the margin 514 gouache on paper 1 45 by 31cm
Norman Catherine OUR SERIAL LIFE II signed and dated 1974, a poem by musician, Ramsay Mackay, is printed in the lower left 515 margin airbrush on Schoellershammer paper 1 77,5 by 64cm
David Nthubu Koloane A VIEW OF THE VODACOM TOWER, JOHANNESBURG AT NIGHT signed and dated 95 oil on canvas 0 1 50 516 by 50cm
517 Billy Mandindi FIGURES AND A GECKO signed and dated 04 oil on canvas 1 60 by 88cm
518 Welcome Mandla Koboka FIGURES IN A TOWNSHIP signed oil on board 1 58 by 88cm
519 Gerard Sekoto AFRICAN FIGURES signed gouache on paper 1 32 by 47cm
520 Gerard Sekoto SUNRISE OVER A TOWNSHIP signed gouache on paper 1 22 by 32,5cm
Alfred Thoba SEX IS A WEAPON signed and dated 02 oil on board Purchased from The Natalie Knight Gallery, Johannesburg 1 42,5 521 by 57,5cm 522 Bettie Cilliers-Barnard HOUSE OF SOULS signed and inscribed with the title on the reverse acrylic on canvas 0 1 120 by 120cm
Keith Alexander LIZARDS LIVE LONGER signed and dated 1992 acrylic on canvas Robbins, D., Keith Alexander - The Artist in 523 Retrospect, Jonathan Ball Publishers, Johannesburg, 2000, illustrated in colour on p 132 1 60 by 90cm
524 Pranas Domsaitis LANDSCAPE WITH FIGURES signed with the artist`s monogram oil on card 1 31 by 38,5cm
After Anton van Wouw HUNTER DRINKING signed bronze Duffey, A.E., Anton van Wouw - The Smaller Works, Pretoria Book House, 525 Pretoria, 2008, illustrated on p 68-70 1 height: 25,5cm
526 Anton Smit TOIVA YA TOIVA I glass reinforced polymer 1 height: 195cm (excluding base)
527 Anton Smit TOIVA YA TOIVA II glass reinforced polymer 1 height: 195cm (excluding base)
Sydney Alex Kumalo ST FRANCIS OF ASSISI signed and numbered I/X bronze 1. Alexander, F. L., Art in South Africa: Painting, 528 Sculpture and Graphic work since 1900, A. A. Balkema, Cape Town, 1960, pp 127 & 141, fig. 142 2. Watter, L., `Sidney Kumalo` in Ons Kuns 3, Vrygestel deur die Stig ...[more]
Sydney Alex Kumalo LAYING FIGURE signed and numbered 6/10 bronze Purchased directly from the artist 1 height: 17cm (excluding 529 base)
Sydney Alex Kumalo HORSE signed and numbered 10/10 bronze Miles, E., Polly Street - The Story of an Art Centre, The Ampersand 530 Foundation, 2004, Johannesburg, illustrated on p 4 Purchased from the Egon Guenther Gallery, Johannesburg 1 height: 17,5cm (excluding base)
Sydney Alex Kumalo HUGGING NUDE signed and numbered 2/10 bronze with green patina Purchased from the Egon Guenther 531 Gallery, Johannesburg 1 height: 35cm (excluding base)
Jackson Mbhazima Hlungwani EVE carved wood (kiaat) Jackson Hlungwani was a deeply religious man who, after a revelatory 532 experience in 1978, dedicated his life to God. A healer and profound spiritual leader first, his artistic themes were both a dedication to, and an expression of, his fervent ...[more]
Jackson Mbhazima Hlungwani SEEING STRAIGHT carved wood (kiaat) Younge, G,. Art of the South African Townships, Thames and 533 Hudson, illustrated on p 84 1 height: 58cm
534 Jackson Mbhazima Hlungwani ABEL carved wood (kiaat) 1 height: 143,5cm
535 Jackson Mbhazima Hlungwani ANGEL carved wood (kiaat) 1 height: 60cm
536 Jackson Mbhazima Hlungwani MIRIAM carved wood (kiaat) 1 height: 92cm
537 Jackson Mbhazima Hlungwani FISHER carved wood (kiaat) 1 height: 16,5cm
Lippy (Israel-Isaac) Lipshitz TORSO signed and dated 1940 carved wood Arnot, B., Lippy Lipshitz: Biography & Catalogue Raisonne, A. 538 A. Balkema, Cape Town, 1969, illustrated on p 121, cat. no. 206 1 height: 27cm (excluding base)
539 Eben van der Merwe STILL LIFE WITH JUGS signed and dated `70 oil on board 1 40 by 54cm Cecil Edwin Frans Skotnes DESERT MASSIF (1967) signed and dated 67, a SANG label appears on the reverse oil on board The 540 South African National Gallery, Cape Town,Cecil Skotnes Retrospective, no. 30,25 September 1996 1 75 by 100cm
541 Cecil Edwin Frans Skotnes COMPOSITION signed carved and incised and painted wood panel 1 53 by 38cm
Alexis Preller ETHEREAL TOWER signed and dated 58 oil on panel Nel, K. & Berman, E., Alexis Preller: Africa, the Sun and Shadows, 542 Pan Macmillan and Shelf Publishing, South Africa, 2010, thispainting appears hangingon the wall of theartist`s studio on p 390 1 23,5 by 30cm
Erik (Frederick Bester Howard) Laubscher STILL LIFE WITH JUG, WINE GLASS AND CHERRIES signed and dated 52 oil on canvas 543 Erik Laubscher?s colourful still life studies convey a fresh pictorial narrative where he, through logic observations, created distorted forms that nevertheless remained fa ...[more]
544 Eris Silke URBAN DEBRIS signed acrylic on board 1 59,5 by 49,5cm
545 Johannes Petrus Meintjes GIRLS IN WHITE IN RAIN signed and dated 1974 oil on board 1 61 by 61cm
546 Maurice Charles Louis van Essche NUDE authenticated on the reverse by the artist`s son oil on canvas 1 64 by 49cm
547 Irma Stern AFRICAN GIRL signed and dated 1935 pencil and watercolour Purchased from the Grosvenor Gallery, London 1 45 by 35cm
548 George Mnyalaza Milwa Pemba A XHOSA CHIEF signed and dated 60 oil on canvasboard 1 40,5 by 35cm
549 Attributed to George Mnyalaza Milwa Pemba YOUNG XHOSA BOY signed and dated 61 oil on board 1 41 by 30cm
François Krige RECLINGING BUSHMAN FIGURE, recto: STUDY FOR BASUTO VILLAGE SCENE, verso signed and dated 1962 oil on 550 board Sold: Stephan Welz and Company (Pty) Limited, Johannesburg, 16 November 2010, lot 392 1 25 by 63cm
Peter Clarke LANDSCAPE WITH SHEEP signed, dated 28.3.62 and inscribed with the title on the reverse gouache on card 1 54 by 551 45cm
Peter Clarke STILL LIFE WITH FRUIT signed, dated 13.5.1958 and inscribed with the title, date, medium and an inscription on the 552 reverse oil on board ?But I must say, even years later, that I am extremely happy with that little painting you own, the one with black grapes that once belonged to ...[more]
Peter Clarke SCARECROW AND LOVERS signed and dated 27.9.1966 gouache on card Purchased directly from the artist 1 30,5 by 553 19,5cm
Peter Clarke 2 GIRLS ON A STOEP WITH A DOLL signed, dated 1972 and inscribed with the title, date and medium on the reverse oil 554 on canvasboard Acquired from the artist`s personal collection 1 20 by 21cm
555 Judith Gluckman TWO PONDERING FIGURES signed and dated 1943 oil on canvas 0 1 50 by 60cm
Walter Whall Battiss BASUTO VILLAGE screen print printed in colours Meiring, A. L., `Walter Battis` in Out Art 2, Uitgeweres van 556 Lantern, Pretoria, illustrated on p 3, cat no. II Schoonraad, M., Walter Battiss, C. Struik Publishers, Cape Town, 1976, illustrated in colour on page 29 From the ...[more] Walter Whall Battiss THE YELLOW FEATHER, recto: SIX ROOSTERS, verso both signed oil on board Sold:Stephan Welz and 557 Company (Pty) Limited, Cape Town, 11 October 1999, lot 281 This work is accompanied by a copy of the letter Battiss wrote to a previous owner, dated 18 July 1955. ?You kindly ...[more]
558 Marjorie Wallace POPPIE SE MENSE signed oil on canvas 1 59,5 by 80,5cm
Piet (Pieter Gerhardus) van Heerden FIGURES WITHIN A RURAL SETTLEMENT signed and dated indistinctly oil on canvas laid down 559 on board 1 45 by 59,5cm
560 David Botha NAMAQUALAND signed oil on board 1 50 by 75cm
Pieter Hugo Naudé ONRUS signed oil on board A gift from the artist to the wife of the pastor of the Dutch Reformed Church, Worcester, 561 Mrs N. Albertyn, thence by descent 1 29,5 by 39,5cm
562 Pieter Hugo Naudé HEX RIVER VALLEY signed oil on board 1 29 by 38,5cm
Jacob Hendrik Pierneef RUSTENBURG KLOOF signed oil on board Rustenburg Kloof was a subject which fascinated and challenged 563 Pierneef throughout his career. He painted many versions of it from en plein air oil sketches to studio works such as this piece; it was one of the subjects from his Sta ...[more]
564 Jacob Hendrik Pierneef S. W. A. LANDSCAPE signed and dated 20 oil on board 0 1 24 by 33,5cm
565 Pieter Willem Frederick Wenning HERMANUS signed oil on panel 1 29,5 by 39,5cm
Irma Stern A VIEW OF SALDANHA BAY signed and dated 1939 oil on canvas Wolpe Gallery, Cape Town This work exemplifies Irma 566 Stern?s ability to command a horizontal aspect into a vertical one creating a languid but also dramatic impact. The sea curls around the shore, landmass and buildings s ...[more]
567 George Enslin STREET SCENE, DISTRIC SIX signed and dated 62 oil on canvas Gifted by the artist to the current owner 1 45 by 65cm
568 Gregoire Johannes Boonzaier DISTRICT SIX signed and dated 1989 oil on board 1 40 by 50cm
Gregoire Johannes Boonzaier SIGNAL BOX AND RAILWAY CROSSING, KENILWORTH, CAPE signed, dated 1970 and inscribed with 569 the title on the reverse oil on canvas Boonzaier?s legacy relates to his unique talent to paint landmark buildings, structures and noteworthy landscapes. His talent in respect ...[more]
Maggie (Maria Magdalena) Laubser STILL LIFE: LEMONS ON A BRANCH signed oil on cardboard Marais, D., Maggie Laubser: Her 570 Paintings, Drawings and Graphics, 1994, Perskor Publisher: Johannesburg and Cape Town, illustrated on page 135 The private collection of Maggie Laubser and giifted to Mis ...[more]
Maggie (Maria Magdalena) Laubser LAKE SCENE WITH TREES AND BOAT pastel and pencil on cardboard Marais, D., Maggie 571 Laubser: Her Paintings, Drawings and Graphics, 1994, Perskor Publisher: Johannesburg and Cape Town, illustrated on page 130 The private collection of Maggie Laubser, and gifted t ...[more]
572 Frans David Oerder STILL LIFE WITH VASE AND ORIENTAL FIGURE signed oil on canvas 1 99 by 79cm
573 Frans David Oerder HORSE AND CARRIAGE IN A FARM YARD signed oil on canvas 1 49 by 69cm
574 Adriaan Hendrik Boshoff CATTLE signed oil on board 0 1 25 by 35cm 575 Conrad Nagel Doman Theys STILL LIFE WITH LEMONS AND A RED BOOK signed and dated 69 oil on board 1 37,5 by 43,5cm
576 Nita (Pauline Augusta Wilhelmina) Spilhaus STILL LIFE signed with the artist`s monogram oil on board 0 1 52 by 42cm
577 Errol Stephen Boyley STILL LIFE WITH ORIENTAL CERAMICS AND VESSELS signed oil on board 0 1 59 by 89cm
Dorothy Kay SHIP`S FIGUREHEAD, SWELLENDAM signed, dated 1958 and inscribed with the title oil on board South African National 578 Gallery, Cape Town, Exhibition: Dorothy Kay, June 1982 1 98 by 66cm
579 Clément (Joseph Charles Louis) Sénèque STILL LIFE WITH FISH signed and dated 13 oil on board 0 1 49 by 59cm
580 Adriaan Hendrik Boshoff CHILDREN PICKING COSMOS signed and inscribed with the title on the reverse oil on canvas 1 35 by 50cm
581 Adriaan Hendrik Boshoff THE MINE YARD signed, inscribed with the title on the reverse oil on board 1 31 by 21,5cm
582 Adriaan Hendrik Boshoff FIGURES BELOW BLUEGUMS signed oil on board 0 1 28 by 19cm
583 Alexander Rose-Innes PORTRAIT OF A LADY signed oil on board 1 53 by 33cm
Hennie Niemann Jnr. GIRL WITH A CAT signed and dated 10; signed, dated and inscribed with the title on the reverse oil on canvas 1 584 59,5 by 44,5cm
585 Vladimir Griegorovich Tretchikoff THE FLOWER SELLER signed and dated 58 oil on canvas 1 82 by 100cm
Alexander Rose-Innes THE MING POT signed; inscribed with the title on the reverse oil on canvas Sold: Stephan Welz & Co (Pty) Ltd, 586 Cape Town, 30 March 2004, lot 525 1 50 by 39,5cm
587 Adriaan Hendrik Boshoff STILL LIFE WITH BRASS POTS signed oil on board 1 59 by 74cm
588 Tinus (Marthinus Johannes) de Jongh SUNLIT LANDSCAPE signed oil on canvas 1 31 by 46cm
589 Gabriel Cornelis de Jongh A PATH LEADING UP TO A FARMHOUSE signed oil on canvas 1 59,5 by 90,5cm
A FINE HERIZ SILK RUG, NORTH WEST PERSIA,CIRCA 1880 the madder-red field withan ascending pictorial design of flowering 591 trees, with birds and people within a madder-red vine and palmette border, triple guardstripes condition: fair, minor wear, repair 1 174 by 130cm
A TEKKE TURKOMAN RUG, TURKMENISTAN, CIRCA 1900 the madder-red field with three rows ofnine guls and side guls depicted in 592 ivory, rose and blue within a madder-red varied Turkoman border, triple guardstripes, striped red end panels condition: good 1 225 by 126cm
A KESHAN PRAYER RUG, PERSIA, CIRCA 1900 the pale brown ""head and shoulder"" mehrab with arabesques, vines and leaves, 593 ivory and rose spandrels within a pale green arabesque and inscription cartouche border, one inner and two outer guardstripes condition: fair, ends slightly re ...[more] A KESHAN SILK PRAYER RUG, PERSIA,CIRCA 1920 the ivory mehrab with an ascending design of multi-coloured flowering trees and 594 shrubs with similar brown spandrels, the red border with palmettes vines and rosettes, three inner and four outer guardstripes condition: fair, minor wear 1 208 by 130cm
A SENNE KURDRUG, WEST PERSIA,CIRCA 1930 the deep indigo blue field with an overall design of connected flowerheads depicted 595 in turquoise, madder-red and ivory within a sky blue, rose border, one inner and two outer guardstripes condition: fair, ends fraying 1 203 by 136cm
A SAROUK RUG, WEST PERSIA,CIRCA 1930 the terracotta field with a bold camel-brown star medallion, ivory spandrels, all with 596 stylised vines ending in flowerheads and leaves, within a black palmette border, single guardstripe condition: good 1 206 by 132cm
A KHOROSSAN CARPET, PERSIA,CIRCA 1940 the burgundy red field with an overall cartouche design depicted in gold, rose, green, 597 beige and blue enclosing multi-coloured floral devices and birds within a similar dark indigo blue border, twin guardstripes condition: good, some moth damage in border 1 ...[more]
A MESHED CARPET, EAST PERSIA,CIRCA 1950 the red field with a bold black and brown floral star medallion, similar spandrels, all 598 with flowering shrubs and arabeques within a brown palmette border, three inner and four outer guardstripes condition: areas of wear, ends fraying 1 461 by 324cm
A TABRIZ CARPET,NORTH WESTPERSIA, CIRCA 1950 the sky blue field with a lobed red floral medallion all with multi-coloured 599 palmette leaves and flowerheads within a similar red border,single guardstripe condition: some wear 1 320 by 200cm
A KESHAN SILK RUG, PERSIA,CIRCA 1950 the red field with an indigo blue and gold floral medallion, similar spandrels, all with multi- 600 coloured flowering vines and leaves within a dark blue vine and palmette border, one inner and two outer guardstripes condition: fair, refringed 1 150 by 101cm
A FINE ISPAHAN RUG, PERSIA,CIRCA 1960 the ivory field with an overall design of one directional polychrome floral clusters and 601 perching birds within a similar ivory border, three inner and four outer guardstripes condition: fair, minor colour runs 1 245 by 159cm
A BAKHTIARI RUG, PERSIA, CIRCA 1960 the overall field with stylised compartments, each enclosing multi-coloured floral devices 602 ""Garden-design"" within an ivory serrated leaf border, single guardstripe condition: fair, refringed 1 213 by 132cm
A QUM PART SILK RUG, PERSIA,CIRCA 1960 the sky blue field with an ascending design of flowering shrubs, animals and perching 603 birds depicted in ivory, gold and brown within a similar ivory border, single guardstripe condition: good 1 208 by 142cm
A FINE ISPAHAN RUG, PERSIA,CIRCA 1960 the ivory field with a red and ivory floral star medallion, similar spandrels, all with scrolling 604 vines with leaves, flowerheads and arabesques within a similar red border, two inner and three outer guardstripes condition: good 1 225 by 149cm
A SAROUK CARPET, PERSIA, CIRCA 1960 the red field with a dark blue, ivory and pale blue floral medallion, similar spandrels, all 605 with scrolling vines with leaf palmettes and flowerheads within a dark blue palmette border, three inner and four outer guardstripes condition: good 1 395 by 297cm
A TABRIZ CARPET, NORTH WEST PERSIA,CIRCA 1970 the red field with an ivory round medallion and pendant, sky blue spandrels, 606 all with flowering vines within an ivory cartouche border, three inner and four outer guardstripes condition: good, end fraying 1 362 by 282cm
AN INDO-PERSIAN RUG, MODERN the ivory field with a sky blue and gold star medallion, red spandrels within a blue rosette border, 607 three inner and four outer guardstripes condition: good 1 188 by125cm AN ISPAHAN RUG, PERSIA, MODERN the ivory field with a floral star medallion, red and slate blue spandrels all with polychrome 608 scrolling vines with leaves and flowerheads within a slate blue palmette vine-and-leaf border, one inner and two outer guardstripes condition: good 1 172 by 107cm
A KIRMAN RUNNER, SOUTH WEST PERSIA, MODERN the plain red field with a floral pale gold border condition: fair, some minor 609 wear 1 570 by 80cm
A HAMADAN RUNNER, WEST PERSIA, MODERN the red field with three serrated diamond medallions and half medallions depicted in 610 blue and brown within an ivory geometric vine-and-rosette border condition: fair, end reduced 1 388 by 103cm
A MESHED CARPET, NORTH EAST PERSIA, MODERN the red field with an indigo blue floral medallion and pendant, similar 611 spandrels, all with floral sprays within a dark blue palmette and leaf border, two inner and three outer guardstripes condition: fair, some minor wear 1 390 by 275cm
A MESHED CARPET, EAST PERSIA, MODERN the red field with a floral dark blue medallion and pendant, similar spandrels, all with 612 stylised flowering vines within a blue rosette and vine-and-leaf border, three inner and four outer guardstripes condition: fair 1 379 by 296cm
A LONG KURDI CARPET, WEST PERSIA, MODERN the black field with four connected diamond medallions depicted in pale brown, 613 red and green within an ivory rosette border, single guardstripes condition: fair 1 299 by 111cm
A NORTH WEST PERSIAN RUNNER, MODERN the red field withseven geometric floral medallions depicted in gold, ivory and blue 614 within an ivory border, single guardstripe condition: good 1 385 by 103cm
A KESHAN CARPET, PERSIA, MODERN the red field with a floral blue and ivory medallion, similar spandrels, all with multi-coloured 615 flowering vines within a dark indigo blue palmette and arabesque border, three inner and four outer guardstripes condition: good 1 395 by 293cm
AN AFSHAR RUG, PERSIA, MODERN the madder field with three diamond medallions depicted in ivory, dark blue spandrels, all with 616 multi-coloured botehs within a madder geometric border, twin guardstripes condition: good, end fraying 1 223 by 154cm
AN ABADEH RUG, SOUTH WEST PERSIA the madder field with a small brown stepped medallion enclosing anivory gul repeated in 617 each of the brown spandrels, all with multi-coloured floral devices, within an ivory floral border, triple guardstripes condition: good 1 213 by 146cm
A HAMADAN CARPET, WEST PERSIA, MODERN the deep indigo blue field with an overall multi-coloured herati pattern, madder-red 618 vine border, one inner and three outer guardstripes condition: good 1 307 by 161cm
AN AFGHAN CARPET, MODERN the field with overall medallion depicted in dark blue and madder-red enclosing floral devices within a 619 narrow madder floral border, four inner and outer guardstripes condition: good 1 281 by 206cm
AN AFGHAN KELIM, MODERN the brown field with a lattice design of geometric flowerheads withinfive narrow borders condition: fair, 620 holed 1 309 by 190cm
AN INDO-PERSIAN PRAYER RUG, MODERN the ivory mehrab with a one directional design of flowering trees, brown spandrels, 621 within an ivory floral cartouche border, one inner and two outer guardstripes condition: good 1 156 by 92cm
A QUM SILK RUG, PERSIA, MODERN the ivory field with an overall design of polychrome floral clusters, similar terracotta spandrels, 622 within a madder-red vine and flowerhead border condition: good 1 147 by 101cm A JOSHEGHAN RUG, PERSIA, MODERN the indigo blue field with a stepped red diamond medallion and spandrels, all with multi- 623 coloured stylised flowerheads within a red geometric palmette border condition: good 1 208 by 142cm
A QUM SILK RUG, PERSIA, MODERN the black field with a floral gold medallion, all with polychrome flowering vines and leaves within 624 a golden rosette border, two inner and three outer guardstripes condition: good 1 155 by 108cm
A HEREKE SILK AND METAL RUG, TURKEY, MODERN the dark sky blue field with metal embossed floral medallion and similar 625 spandrels, all with polychrome scrolling vines with arabesques and flowerheads within a green palmette border, two inner and three outer guardstripes condition: good 1 104 by 72 ...[more]
A NAIN PART SILK PRAYER RUG, PERSIA, MODERN the ivory mehrabs with an ascending design of birds amongst flowering trees 626 and shrubs, similar black spandrels and brown border, two inner and three outer guardstripes condition: good 1 245 by 157cm
A QUM SILK RUG, PERSIA, MODERN the gold field with a small black medallion, beige spandrels, all with multi-coloured hunting 627 horsemen, deers and birds within a black cartouche border, two inner and three outer guardstripes condition: good 1 166 by 101cm
AN INDO-PERSIAN CARPET, MODERN the ivory field with a walnut floral medallion and spandrels, all with multi-coloured floral 628 devices within a rose flowerhead border, three inner and four outer guardstripes condition: good 1 307 by 223cm
A TABRIZ PART SILK RUG, PERSIA, MODERN the ivoryfield with a madder floral star medallion, similar spandrels, all with flowering 629 vines within a madder palmette andflowerhead border, two inner andthree outer guardstripes condition: good 1 210 by 147cm
A YAMUT TURKOMAN CARPET, NORTH PERSIA the red field with five rows of twelve guls and side guls depicted in ivory, brown and 630 black within a red sunburst gul border, twin guardstripes condition: fair, some wear, ends fraying 1 293 by 204cm
A CAUCASIAN RUG, AZERBIJAN, MODERN the gold field with a small round pale medallion, similar spandrels, all with floral devices 631 within a pale blue rosette border, single guardstripe condition: fair 1 190 by 124cm
A KESHAN CARPET, PERSIA, MODERN the red field with a dark blue and ivory floral medallion, similar spandrels, all with scrolling 632 vines ending in leaves, flowerheads and palmettes within a dark blue palmette border, three inner and three outer guardstripes condition:good 1 398 by 290cm
AKURDI CARPET, PERSIA, MODERN the red field with ascending design of polychrome trees, animals and floral devices within an 633 ivory palmette and vine border, four inner and four outer guardstripes condition: good 1 347 by 258cm
A BIRJALOU-SAROUK CARPET, PERSIA, MODERN the red field with a deep indigo blue floral medallion, similar spandrels, all with 634 multi-coloured flowering shrubs within a similar dark blue border, two inner and three outer guardstripes condition: fair, minor moth damage 1 531 by 325cm
A PAKISTANI CARPET, MODERN the red field with three rows of guls and side guls depicted in orange, ivory and red within a red gul 635 border, three inner and four outer guardstripes condition: good 1 249 by 159cm
A PAIROF YEW OYSTER-VENEERED ANDWALNUT TRAYS ON LATER STANDS, CIRCA 1790 each radiating-veneered oval tray 641 with a wavy gallery, opposing carrying handles,each stand with a wavy apron, on square-section tapering legs, on stile feet, distress 55,5cm high, 56cm wide, 45,5cm deep Purchased from S ...[more]
AN ENGLISHOAK LOWDRESSER, LATE 18TH CENTURY AND LATER the rectangular moulded and reeded top above three short 642 drawers, wavy apron, on square-section tapering legs, restorations 79cm high, 184cm wide, 46cm deep 1 A GEORGE III MAHOGANY EXTENDING DINING TABLE each D-end above a plain frieze, on square-section tapering legs, on spade 643 feet, each end joined by a drop-side table, stringing throughout, restorations 71cm high, 107cm wide, 270cm fully extended 1
AGEORGE IIIWALNUTGENTLEMAN`S MIRROR the later shaped rectangular plate within a conforming surround, theframe suspended 644 between a pair of supports, the base with a hinged fall-front enclosing drawers and compartments, in sizes,on lopers, a central long drawer below, on bracket feet 70cm high, ...[more]
A GEORGE III MAHOGANY AND BRASS-MOUNTED CELLARET the sarcophagus-shaped and hinged lid above tapering and panelled 645 sides, the front and sides applied with brass lion-masks, on brass lion-paw feet 52cm high, 81cm wide, 60cm deep 1
AGEORGE IVSTYLE MAHOGANY EXTENDING DINING TABLE RETAILED BY J.A.S.SCHOOLBRED & CO, LONDON,19TH 646 CENTURY each D-end above a plain frieze,on tapering square-section legs, on castors, stringing throughout, stamped with retailers mark, the underside with a plaquereadingSelbat Dining Tables, ...[more]
A GEORGE IVSTYLE ASH AND ELM WINDSOR ARMCHAIR, 19TH CENTURY witha pierced wheel splat, saddle seat, on turned 647 taperinglegs joined by a shapedbox-stretcher, distress; and A George IV Style Yew andElm Windsor Armchair, 19th Century,with a pierced vase-shaped splat, saddle seat, on turned taper ...[more]
A SET OF SIX GEORGEIVSTYLE DINING CHAIRS, 20TH CENTURY comprising:a carver and five side chairs; each curved top rail 648 above a carved and scrolled mid-rail between reeded supports, stuff-over seat, on ring-turned tapering legs 6
A WILLIAM IV ROSEWOODCARD TABLE the cross-banded, shaped and hinged rectangular swiveltopenclosing a baize-lined playing 649 surface above an inlaid frieze, canted corners, on an octagonal support, four outswept legs terminating in brass caps, on castors, distress 75cm high, 91,5cm wide, 46cm deep ...[more]
AREGENCY MAHOGANY EXTENDINGDINING TABLE each D-end on a ring-turned support, on four outswept legs terminating in brass 650 caps, on castors, each end joined by a drop-side table, on square-section legs 71,5cm high, 140cm wide, 311cm fully extended 1
A SET OF EIGHT REGENCY MAHOGANY SIDE CHAIRS each reeded top, mid- and bottom rail between reeded supports surmounted 651 by finials, stuff-over seat, on turned tapering legs 8
A REGENCYMAHOGANY AND INLAID SETTEE the carved, shaped and caned backrest centred by a vacant rectangular cartouche, 652 outswept caned sides, caned seat, on gadrooned outswept legs terminating in brass lion-paw caps, on castors, distress, restorations 228cm long 1
A REGENCYMAHOGANY NIGHTSTAND the rectangular topsurmounted byathree-quarter gallery above a panelled door enclosing a 653 compartment, on square-sectiontapering legs 76cm high, 37cm wide, 35cm deep 1
A SET OF SIX HEPPLEWHITE STYLE MAHOGANY SIDE CHAIRS, 19TH CENTURY each plain top and bottom rail joined by a reeded 654 splat, stuff-over seat, on square-section tapering legs Sold: Stephan Welz& Co In Association with Sotheby`s, Johannesburg, 12 March 1990, lot 651 1
A VICTORIAN ROSEWOOD CENTRE TABLE the circular top with a gadrooned edge, on a faceted column terminating in a tripartite 655 base, lion-paw feet, on castors, distress 70,5cm high, 139cm diameter 1
A SET OF SIX VICTORIAN MAHOGANYBALLOON-BACK CHAIRS each carved open back above a needlework drop-in serpentine 656 seat, on turned tapering legs, each chair numbered to the underside, restorations 6
A VICTORIAN EBONISED AND BIRDS-EYE-MAPLE INLAIDGAMES TABLE the rectangularhinged swiveltop enclosing a baize-lined 657 playing surface andconcealing a compartment, inlaid frieze, canted corners,on turned fluted tapering supports, on carved hippedoutswept legsjoined by a fluted and turned stretc ...[more] A HARLEQUIN SET OF EIGHT WALNUT SIDE CHAIRS, 19TH CENTURY each shaped top rail above a carved mid-rail, stuff-over 658 seat, on turned tapering legs joined by a box-stretcher, restorations 8
A VICTORIAN MAHOGANY BOOKCASE in two parts, the outset cornice above a pair of glazed doors adorned with floral carvings and 659 enclosing three shelves, the lower section comprising a long ogee drawer above a pair of panelled doors adorned with floral carvings enclosing a shelf, flanked by acanthus-l ...[more]
A VICTORIAN MAHOGANY CENTRE TABLE the circular top above a plain frieze, on a turned baluster support, on foliate-carved 660 cabriole legs, on castors,distress70cm high, 104cm diameter 1
A VICTORIAN MAHOGANY CHIFFONIER the rectangular top surmounted by a shaped and carved backboard centred by a fleur-de-lys 661 cresting, a pair of ogee drawers above a pair of panelled doorsdivided by corbels, one enclosing drawers the other a cellaret, on a plinth base,distress, restorations128cm h ...[more]
AVICTORIAN MAHOGANYCENTRE TABLE the circular top above a plain frieze, on ataperinghexagonalsupport terminating in a 662 tripartite base, on castors, distress 70cm high, 127cm diameter 1
A MAHOGANYWRITING TABLE, 19TH CENTURY the rectangular top with a gilt-tooled leather-inset writing surface above a frieze 663 drawer, on ring-turned tapering legs, on castors 75cm high, 91,5cm wide, 55cm deep 1
A PAIR OF EDWARDIAN MAHOGANY AND INLAID SIDE CHAIRS each shaped top rail above a pierced and inlaid splat, stuff-over 664 seat, on square-section tapering legs, stringing throughout 1
A VICTORIAN MAHOGANY CENTRE TABLE the circular tilt-top above a plain frieze, faceted column on a quadripartite base,scrolled 665 feet, on castors, 74cm high, 137cm diameter 1
A SET OF SIX VICTORIAN MAHOGANY BALLOON-BACK CHAIRS each open back with a foliate-carved and piercedmid-rail, stuff- 666 over serpentine seat, on cabriole legs; and Another Pair, similar 8
A VICTORIAN FLAME MAHOGANY BOWFRONTED CHEST OF DRAWERS the shapedrectangulartop above a pair of short drawers, 667 three graduating long drawers below, on turned tapering legs 107,5cm high, 108cm wide, 53cm deep 1
A VICTORIAN ROSEWOOD CENTRETABLE the circular top above a plain frieze, bulbous support, drum socle, drop finial,on three 668 foliate-carved cabriole legs, on castors, distress 74,5cm high, 129cm diameter 1
A MAHOGANY BACHELOR`S CHEST OF DRAWERS, 19TH CENTURY the rectangular hinged top enclosing a compartment, three 669 long graduating drawers below, on turned tapering legs, distress, restorations 114,5cm high, 121,5cm wide, 55,5cm deep 1
AMAHOGANYOCCASIONAL TABLE, 19TH CENTURY the rectangular top on a barley-twist support, on outswept scrolling legs, bun 670 feet, distress 75cm high, 43,5cm wide, 42,5cm deep 1
A VICTORIAN MAHOGANY CUPBOARD the outset cornice above a pair of panelled arched doors enclosing three shelves, on bracket 671 feet, distress 129cm high, 103,5cm wide, 54cm deep 1
AN EBONISED AND CARVED ARMCHAIR, 19TH CENTURY the foliate-carved and pierced top rail above a padded back flanked by 672 fluted columns between conforming supports, moulded and carved arms, stuff-over seat, above a pierced andfoliate-carved apron, on roundedsquare-section legs terminating in carved ...[more] AN ENGLISHGILTWOOD MIRROR, 19TH CENTURY the rectangular plate within a moulded foliate and beaded surround, surmounted 673 by afoliate and scrolled cresting 99cm high, 67cm wide 1
A MAHOGANYGUÉRIDON, LATE 19TH CENTURY the turned dish with rim raised on abarley-twist support, onthree hipped 674 outsweptlegs carved as fish 114cm high 1
AN EDWARDIAN MAHOGANY AND INLAIDDISPLAY CABINET the outswept pediment above an inlaid frieze, a pair of astragal glazed 675 doors below enclosing three shelves, the hinged fall-front enclosing drawers and compartments, in sizes, on lopers, four graduating drawers below, on bracket feet 212cm high, 97 ...[more]
AN EDWARDIAN MAHOGANY AND INLAID MUSIC CABINET the shapedrectangular top surmounted bya back galleryinlaid with 676 bellflowers between upright supports surmounted by finials, a rectangular shelf above a conforming mirror, the hinged fall-front below inlaid with a harp andenclosing a shelf, on tap ...[more]
A LEATHER AND CLOSE-NAILED WINGBACKARMCHAIR, 20TH CENTURY the loose padded back and seat cushions between 677 padded sides, fully reclining mechanism, on fluted square-section legs 1
AN ENGLISHGILTWOOD MIRROR, 20TH CENTURY the rectangular bevelled plate within a frame decorated with a plaque in each 678 corner, urn-and-leaf cresting 88cm high, 66cm wide 1
A GILDED MIRROR, LATE 20TH CENTURY the rectangular bevelled plate within a moulded surround, the frame surmounted by a 679 foliate and scrolling cresting 184cm high, 105cm wide 1
A MAHOGANY PEDESTAL DESK, 20TH CENTURY the rectangular leather-inset writing surface above a pair of short frieze drawers, 680 each pedestal comprising three short drawers, on bracket feet 76,5cm high, 156,5cm wide, 62,5cm deep 1
ASCOTTISHFLAME MAHOGANYLINEN PRESS, 19TH CENTURY the scrolledpierced and carved pediment centred by a pierced heart 681 above a pair of panelled doors enclosing a pair of shelves, three long drawers below, on a plinth base, on fleur-de-lys carved feet, distress 236cm high, 141,5cm wide, 68cm deep ...[more]
A DUTCH OAK KIST, 18TH CENTURY the hinged domed lid enclosing a compartment with a smaller compartment with a lid to the 682 right, the front carved with circular designs and inscribed 1740, panelled sides, on square-section legs, original hardware, distress 79cm high, 131cm wide, 63,5cm deep 1
A DUTCH OAK CUPBOARD, LATE 18TH/EARLY 19TH CENTURY the moulded pediment above a pair of carved and panelled doors 683 enclosing a pair of shelves and a drawer, panelled sides, on bun feet 153cm high, 135cm wide, 56cm deep 1
A DUTCH COLONIALEBONISED BENCH, LATE 19TH CENTURY the top rail carved and pierced with dragons and foliage above 684 barley-twist spindles, a foliate-carved mid-rail below between shaped foliate-carved arms on barley-twist supports, caned drop-in seats above a carved wavy apron, on barely-twist legs ...[more]
ACONTINENTAL OAK AND FRUITWOODTABLE, LATE18TH CENTURY the shapedrectangulartop above a frieze drawer, on turned 685 tapering legs joined by a box-stretcher, on square-section feet 74cm high, 114cm wide, 109,5cm deep 1
A HARDWOOD AND BRASS-BOUNDCHEST, 20TH CENTURY the hinged rectangular top enclosing a compartment, the sides 686 attached with brass carrying handles, on bun feet 66cm high, 107cm wide, 51,5cm deep 1
A FRENCH WALNUT AND GILT-METALMOUNTED WRITING TABLE, 19TH CENTURY in two parts, the rectangular top surmounted 687 by a three-quarter gallery above apair of shaped and glazed doors, enclosing a shelf, the lower section comprising a shaped top above a linenfold apron centred by a short drawer, on ca ...[more] AGERMAN OAKDISPLAY CABINET, 19TH CENTURY in two parts, the scrolling pediment carved with tworestingpheasants facinga 688 central vacant cartouche above a carved breakfront frieze, a pair of arched panelled doors enclosing a pair of shelves flanked by fluted, reededand turned columns resting on ...[more]
AN AMERICANMAHOGANY EXTENDING DININGTABLE MANUFACTURED BY HENREDON FINE FURNITURE, 20TH CENTURY 689 the cross-banded top on an octagonal tapering support, on four reeded outswept legs, brass caps, on castors, two leaf insertions, manufacturer`s stamp 72cm high, 112cm wide, 240cm fully extended 1
AN AMERICAN FLAME MAHOGANYSIDEBOARD MANUFACTUREDBY L. & J. G. STICKLEY INC., 20TH CENTURY the moulded 690 rectangular top above three short cockbeaded drawers, three panelled doors below each enclosing a shelf, on a plinth base, manufacturer`s paper label andstamp 84cm high, 151,5cm wide, 43cm ...[more]
A CHINESE RED-LACQUER FOUR-SIDES FLAT TABLE, QING DYNASTY, LATE 18TH CENTURY/EARLY 19TH CENTURY the 691 square top housed in a conforming surround, plain frieze, on square-section tapering legs joined by hump-backed stretchers, terminating in horse-hoof feet, restorations 72cm high, 62,5cm square 1
A CHINESE SIX-PANEL REVERSIBLE PAINTEDSCREEN the front lined with fabricdepicting a valley with a pagoda and boats on the 692 water,the reverse lined with paper depictinga geometric design171,5cm high, 368cm fully extended 1
A CHINESE BLACK VARNISHAND GOLD-PAINTED DISPLAY CABINET, 20TH CENTURY the rectangular top above an ice-plate 693 mouldedfrieze, apair of glazed doors below enclosing a pair of shelves, mirrored back, glazed sides, a pair of doors below with figuresin a landscapein relief enclosing a shelf, painte ...[more]
A CAPE STINKWOOD AND YELLOWWOOD SIDE TABLE, 19TH CENTURY the rectangular top within a moulded frame, plain apron, 694 on inlaid tapering square-section legs 73cm high, 90cm wide, 62cm deep 1
A CAPEROOI ELS AND TEAKSIDE TABLE, 19TH CENTURY the shaped rectangular top above a central frieze drawer, on square- 695 section tapering legs 76,5cm high, 91cm wide, 60,5cm deep 1
A CAPE STINKWOOD SPLIT-SPLAT CHAIR, 19TH CENTURY the shaped top rail above a pierced splat, caned seat, on fluted tapering 696 square-section legs joined by an H-stretcher 1
A CAPE PINE ARMOIRE, 19TH CENTURY in two parts, the stepped pediment above a pair of shaped and panelled doors, enclosing a 697 pair of shelves and drawers, the lower bombé section comprising three long graduating drawers, on a plinth base, onturned bun feet 226,5cm high, 149cm wide, 57cm deep 1
A CAPE PINE POTTERAK, 19TH CENTURY the rectangular top above five shelves, between shaped supports 149cm high, 118cm 698 wide, 27cm deep 1
A CAPEFRUITWOOD ANDSTINKWOODRUSBANK, 19TH CENTURY the shaped top and conforming bottom rail joined by reeded 699 splats, curved arms, riempie seat, on canted square-section tapering legs joined by an H-stretcher, the back inscribed 1870186cm long 1
A SET OF EIGHT CAPE STINKWOOD SIDE CHAIRS each stepped top rail abovevertical splats,caned seat, on square-section tapering 700 legs joined by H-stretchers, restorations 8
A CAPE STINKWOOD AND YELLOWWOOD SIDE TABLE, 19TH CENTURY the shaped and moulded top above a shaped and 701 beadedapron, on cabriole legs,restorations74,5cm high, 115cm wide, 74cm deep 1
A CAPE STINKWOOD RUSBANK the shaped top and plain bottom rail joined by turned spindles, curved arms oncurved supports, 702 riempie seat, on turned tapering legs 198cm long 1 A CAPE WITELSAND YELLOWWOOD TABLE the three plank top above a plain apron, short central frieze drawer, on ring-turned 703 tapering legs 77cm high, 183cm wide, 88cm deep 1
A CAPEPINE MEELKIS, LATE 19TH CENTURY the rectangular loose fitting top above tapered and dovetailed sides, on square-section 704 legs, restorations 81,5cm high, 96cm wide, 48,5cm deep 1
ACAPE TEAK AND BRASS-BOUND WATERBALIE ON STAND, LATE 19TH CENTURY the hinged and shaped lid above tapering 705 sides, fitted with a brass tap, distress; and A Miscellaneous Collection of Four Cape Teak and Brass and Iron-Bound Balies, Late 19th Century, of various shapes and sizes the water balie 84 ...[more]
ATRANSVAAL TAMBOTIERUSBANK, 19TH CENTURY the plain top and mid-rail joined by reeded splats, shaped arms, riempie seat, 706 on square-section legs, distress 189cm long 1
A REPRODUCTION WILLOW CHAIR DESIGNED IN 1902BY CHARLES RENNIE MACKINTOSH FOR THE WILLOW TEA ROOM, 707 GLASGOW the curved back above a conforming seat, hinged flap concealing a compartment, loose seat cushion above a plain frieze, on a plinth base 1
A SET OF SIX REPRODUCTION ARGYLE CHAIRS DESIGNED IN 1899BY CHARLES RENNIE MACKINTOSH FOR CATHERINE 708 CRANSTON`S ARGYLE STREET TEAROOMS each oval and pierced top rail above a pair of plain splats, between tapering supports, drop-in seat, on square-section tapering legs joined by a three-quarter doub ...[more]
A LEATHER CONE CHAIR DESIGNED IN 1958BY VERNER PANTON the shaped backrest above a cone-shaped base, loose seat 709 cushion,on a stainless steel swivel base, distress 1
A SAPELE DINING TABLE MANUFACTURED BY FRYSTARK, 1960s the shaped rectangular top above a shaped apron, on turned 710 tapering legs, one leaf extension 73,5cm high, 91,5cm wide, 191cm fully extended 1
A SET OF SIX SAPELE DINING CHAIRS MANUFACTUREDBY FRYSTARK, 1960s each curved and padded top rail above a padded 711 seat, on turned tapering legs joined by side-stretchers 6
A HATSTAND DESIGNED BY MAKIO HASUIKE FOR GEDY, CIRCA 1970 each graduating coat hook on a tubular metal support, on a 712 circular base, manufacturer`s stamp 160cm high Japanese designer Makio Hasuike was born in Tokyo in 1938 and graduated from the Tokyo University of the Arts in 1962. He moved to I ...[more]
A DILEMMA METAMORPHIC HATSTAND/LADDER DESIGNED IN 1984 BY GIANCARLO PIRETTI FOR CASTILIA the plastic pegs 713 protruding from a metal support, on a tapering circular base,manufacturer`s stamp197cm high 1
A SWEDISH TEAK COFFEE TABLE MANUFACTURED BY AB EMMABODA MÖBELFABRIK, 20TH CENTURY the rectangular top 714 above a plain frieze, on square-section legs, manufacturer`s plaque 51,5cm high, 145cm wide, 61cm deep 1
A SWEDISH BEECH AND FRUITWOOD WRITING DESK MANUFACTURED BY AB NORDISKA KOMPANIET STOKHOLM, 20TH 715 CENTURY the rectangular book-veneered top above a pair of short drawers, on square-section tapering legs joined by an H-stretcher, manufacturer`s plaque 80cm high, 95cm wide, 45cm deep 1
A SAPELE SIDEBOARD MANUFACTURED BY BAKKER AND STEYGER, 20TH CENTURY the rectangular top above a pair of doors 716 and three short drawers, shaped apron, on turned tapering legs,distress84cm high, 137cm wide, 47cm deep 1
A SET OF THREE CHROME AND GLASS NESTING TABLES, 20TH CENTURY each demi-lune glass top within a conforming frame, 717 on square-section supports on a conforming demi-lune base,distressthe largest 43cm high, 65,5cm wide, 32,5cm deep 3 A PAIR OF ITALIAN SILVER POLYPROPYLENEBOMBO SWIVEL STOOLS DESIGNED IN 1999 BY STEFANO GIOVANNONI each 718 seat with a high back on a tapering adjustable steel support, on a circular base, manufacturer`s stamp and paper label 2
A PAIR OF ITALIAN CREAM POLYPROPYLENEBOMBO SWIVEL STOOLS DESIGNED IN 1999BY STEFANO GIOVANNONI each 719 seat with a high back on a tapering adjustable steel support, on a circular base, manufacturer`s stamp and paper label 2
720 A SET OF THREE ITALIAN SUEDE ANDPOLYURETHANELOUNGE CHAIRS, 20TH CENTURY each of spherical form on three legs 3
AN ITALIANBO TAM POLYETHYLENE STOOL DESIGNED IN 2002BY MATTEO THUN FORMAGIS in the form of a traditional African 721 headrest, manufacturer`s stamp33,5cm high, 55,5cm wide, 25cm deep 1
A SET OF SIX POLY SIDE CHAIRS DESIGNED BY ROBIN DAY FOR HILLE, MADE IN SOUTH AFRICA each polypropylene shell on 722 a P5 metal frame, manufacturer`s stamp 6
A ROSEWOODDRESSING TABLE MANUFACTURED BY GREAVES AND THOMAS, 20TH CENTURY the geometrically-shaped top 723 with amoulded edgesurmounted by arectangular mirror flanked by a pair of conforming hinged mirrors, a central drawer with brass beadingbelow enclosing compartments,in sizes,on triangular t ...[more]
AGERMAN COFFEE TABLE DESIGNED BY WILHELM KNOLL, 20TH CENTURY the radiating-veneered circular top, on rounded 724 square-section legs, manufacturer`s paper label 56cm high, 108cm diameter 1
A SET OF SIX POLY SIDE CHAIRS DESIGNED BY ROBIN DAY FOR HILLE, MADE IN SOUTH AFRICA each polypropylene shell on 725 a P5 metal frame, manufacturer`s stamp 6
A SET OF SIXWICKER TUBCHAIRS, 20TH CENTURY each with awicker backrest with a handle fitted witha handle,wicker sides, drop- 726 in upholstered seat, on three chromedtubular taperinglegs, on castors, two seat cushions lacking 6
AN ITALIANBO TAM POLYETHYLENE STOOL DESIGNED IN 2002BY MATTEO THUN FORMAGIS in the form of a traditional African 727 headrest, manufacturer`s stamp33,5cm high, 55,5cm wide, 25cm deep 1
AGLASS AND METALTWO-LIGHT FLOORLAMP, 1950s each metal support surmounted by an upturned glass shade, on a circular 728 base,distress, fitted for electricity159cm high 1
AMURANO CREAMGLASS AND GOLD-FLECKEDCHANDELIER, 20TH CENTURY eachtrumpet-shaped armbeneath flower-and- 729 leaffronds, above a domed finial, distress,not fitted for electricity 90cm high, 106cm wide 1
AN ENGLISH BRASS POCKET SEXTANT, ELLIOT BROTHERS, LONDON, LATE 19TH CENTURY the brass screw-on cover 730 inscribed Charles E. H. Symons, distress 4cm high, 7,6cm diameter 1
A BRITISH INFANTRY SWORD, MID 19TH CENTURY the curved blade with rubbed scrolls, impressed emblem, conventional bowl 731 guard with wirebound grip, the point of the blade is worn,rust to thescabbardthe blade 81,5cm long 1
A PINE AND METAL-CLAD STEAMER TRUNK, EARLY 20TH CENTURY the rectangular hinged lid surmounted by wooden strips, 732 enclosing a compartment, metal clips and hasp, the sides applied with carrying handles, the trunk applied with labels from Holland to South Africa 38,5cm high, 85cm wide, 49cm deep 1
A LOUIS VUITTON LEATHER SUITCASE, FRANCE, LATE 19TH/EARLY 20TH CENTURY patented lock, manufacturer`s label 733 numbered 750258 on the inside, lacking carrying handle, distress 22cm high, 66cm wide, 43cm deep 1 A ROYAL DOULTON ART NOUVEAU VASE, EARLY 1900s designed by Ethel Beard, the baluster form tube-lined to the shoulder with 741 abstract scrollingdesign above a blue speckled glaze, small chip to base, impressed factory mark, numerals 8528and initials EB 1 25,5cm high
A CLARICE CLIFF `GOLDSTONE` JUG VASE, 1930s of globeform with bracket handle,painted in coloured enamels with bold 742 flowerheads against a buffspeckled ground, printed Bizarrefactory mark, HANDPAINTED Goldstone, impressed numerals 634 1 15,5cm high
A CLARICE CLIFF BIZARRE `LYDIAT` PATTERN PART COFFEE SERVICE, CIRCA 1933 of conical Odilon shape, painted with 743 orange flowers on a drip glaze ground, comprising: a coffee pot, 6 cups and saucers, a milk jug and a sugar bowl, printed factory mark 15 the coffee pot 19cm high
A CASEDAYNSLEYSILVER-MOUNTEDDEMITASSE SET,MID 20TH CENTURY with pink floral motif reserved against a cream ground 744 with gilt garlands bordering a cobalt centre, comprising: 6 cups and saucers, silver hallmarked Deakin and Francis Ltd, BIrmingham,1945, printed factory mark, red painted numerals ...[more]
A WALTER MOORCROFT `ANEMONE` PATTERN VASE, 1950s of baluster form, tube-lined with anemones against a washed green 745 ground, painted initials and impressed factory mark 1 26cm high
A SPODE `ROYAL JASMINE` PATTERN PART DINNER SERVICE, 20TH CENTURY comprising: 10 dinner plates, 10 fish plates,8 746 soupcups and 10 saucers, 10 dessert bowls, 10 side plates, 5breakfast bowls, a large salad bowl,3 vegetable dishes and covers, a gravy boat and saucer,a large rectangular meat plat ...[more]
A ROYAL ALBERT `HEIRLOOM` PATTERN PART DINNER SERVICE, 20TH CENTURY comprising: 6 dinner plates, 3 fish plates, 7 747 side plates, 6 consommè cups and saucers, 6 breakfast bowls, 6 dessert bowls, 6 demitasse cups and 7 saucers, 7 saucers,2 oval platters,in sizes,a serving dish and cover, a spare co ...[more]
A GILT-METAL MOUNTED SEVRES CANISTER AND COVER, EARLY 19TH CENTURY decorated with rondels of laurel leaves 748 against a green ground, red painted mark 1 11cm high
TWONYMPHENBURG `BLANC DE CHINE` FIGURINES, 19TH CENTURY one modelled as `Bacchus`, the other as `Ceres`, 749 impressed maker`s mark and 41/1 and 40/1 respectively 2 both 30cm high
A BOHEMIAN ROYAL DUX FIGURINE OF A WATER CARRIER, EARLY 20TH CENTURY in classical style, the maiden carrying an urn 750 on her shoulder, hertunic and scarf inshot-enamel glaze with gilded highlights, raised on a circular base, pink triangle mark and impressed numerals 1063 1 36cm high
AN ASSEMBLEDMEISSEN DESSERT SERVICE, EARLY 20TH CENTURY each centrally painted with fruits, the scrolling edges 751 highlighted in green and gilt, comprising: 3 comports and 18 plates,paintedblue crossed sword mark and impressed KSPM Meissen 21 each 21cm diameter
HELEN KONIG SCAVINI (1886-1974): A LENCI FIGURINE `AVE MARIA`, CIRCA 1930 modelled as a seated young maiden stroking a 752 white rabbitat her side, areas of enamel loss, painted factory mark, MADE IN ITALY, impressed 550 1 34cm high
A LENCI FIGURINE OF A MER-CHILD, 1930s modelledkneeling and holding a large fish, another fish at her side, on a green circular 753 base, two small chips to the base, signed `Lenci TORINO-ITALIA`, with original paper label 1 the base 33cm diameter
AN ASSEMBLEDLIMOGES REYNAUD AND COMPANY `PURPLE INDIAN` PATTERNPART DINNER SERVICE, 2OTH CENTURY 754 decorated withfloral sprays and gilt highlights, comprising: 12 dinner plates, 12 fish plates, 12 soup cups and 12 saucers, 12 side plates, 12 dessert bowls, a large serving bowl, 2 vegetable dishes ...[more] A HUTSCHENREUTHER BISQUE FIGURINE `AFTER THE BATH`, 1955-1968 designed by Karl Tutter,a naked maiden modelled 755 kneeling with her hands reaching to her hair, raised on a rectangular base inscribed `K TUTTER`, printed factory mark, impressed numerals Sold: Stephan Welz and Company (Pty ) Ltd, Cap ...[more]
ESIAS BOSCH (1923-2010): THREE ASSORTED PORCELAIN ITEMS comprising: a large vase of tapering octagonal form, each side 756 paintedwith alternating abstract floral motifs in cobalt and iron on a cream ground; and2 jars and covers with abstract design on a cream ground 3 the vase 41cm high
ANDREW WALFORD (1942-): AN ASSORTED COLLECTION OF WARES comprising:2 bottle vases each oftapering rectangularform 757 withshort waisted neck, one withabstract motifpainted in tenmoku and ironglaze, the other withsimple iron and cobaltmotif on a pale ground; and 2bowls, one porcelain,both wi ...[more]
ANDREW WALFORD (1942-): AN ASSORTED COLLECTION OF STONEWARE comprising: avase of ovoid form with abstract motif in 758 tenmoku, iron and cobalt glaze;and2jars and covers with abstract motif in cobalt glaze on a cream ground, all with painted initials 3 the vase 22cm high
SONYA GERLINGS (1942-): AN EARTHENWARE PILGRIM BOTTLE with iron slip and sgraffito decoration; and A Sonya Gerlings 759 EarthenwareAbstract Mask 2 the bottle 30cm high
SONYA GERLINGS (1942-): `FLOWERING CACTUS` a central cylindrical column applied in the round with assorted cup-shaped 760 `flowers`, some damage, accompanied by furtherflowers replacements 1 54cm high
TIM MORRIS (1941-1990): A LARGE STONEWARE TWO-HANDLED PLATTER painted with abstract floral and butterfly motif in 761 tenmokuand cobalt glaze,sgraffito mark 1 41cm wide over the handles
A PAIR OF LARGE ARDMORE CANDLESTICKS, 2008 eachround central body applied to the sides with the forequarters of an 762 elephant and a leopard respectively, the elongated nozzleapplied with stylised aloe leaves and a pair ofhoopoes, raised on a detachable base painted with flowers and applied with f ...[more]
A PAIR OF LARGE ARDMORE CANDLESTICKS, 2007 each modelled with a pair of hoopoesperched on the back of a fantastical 763 elephant,raised on a tapering base painted with colourful foliage, the elongated column similarly decorated,the sconcein the form of leaves, painted factory mark and Ptd.by. Virg ...[more]
A CHINESECELADON BARBED-RIM DISH, MING DYNASTY with carved ribbed cavetto, covered overall with an olive toned glaze, 764 hairline crack, crazing;and A Small Chinese Celadon Bowl, with carved lotus cavetto under a pale olive glaze, staining 2 the larger 25cm diameter
A GROUP OF NINE CHINESE CELADON-GLAZED BOWLS, LATE 19TH CENTURY finely potted and covered overall with a pale 765 celadon glaze 9
A TANG-STYLE CHINESE CREAM-GLAZED EWER the globular body with a slender neck incised with ribbed bands, trefoil mouth, 766 applied with a double-strap dragon-form loop handle, raised on a splayed foot, cream glaze falling short of the foot; and A Chinese Carved Nanmu Panel, 19th Century, rectangular, ...[more]
A LARGE CHINESE PUNCH BOWL, EARLY 19TH CENTURY the exterior with four cartouches depicting figures at various pursuits 767 within a landscape, reserved against an iron-red ground highlighted with scrolling gilt flowers, turquiose interior, rivet repair 1 39cm high
A CHINESECANTON BLUE AND WHITE OCTAGONAL TUREEN, COVER AND STAND, 19TH CENTURY painted withpagodas in 768 ariver landscape within a lattice border, hairline cracks and chips 1 the stand 35cm wide AN ASSORTED COLLECTION OFCHINESEBLUE AND WHITE PORCELAIN, 19TH CENTURY comprising:astrainer, a warming 769 plateand an octagonal dish andsaucer 4 the strainer 32cm long
A PAIR OF CHINESE CELADON-GROUND JARDINIERS, 20TH CENTURY each paintedin cobalt with three stylised dragons and 770 foliage,with wooden stand 2 19cm high excluding stand
A CHINESE POLYCHROME MEIPING VASE, 20TH CENTURY painted overall with butterflies and fruiting pumpkin vines, the neck with 771 a band of scrolls, the interior of pale celadon, with carved wooden stand, spurious Zhuanshu mark 1 39cm high excluding stand
A CHINESE `RED DRAGON` PLATE, 20TH CENTURY with two five-clawed dragons, their teeth and claws highlighted in raised white 772 enamel, chasing a gilded flaming pearl amongst clouds, the rim with a ruyi lappet border, painted pseudo Qianlong mark 1 23cm diameter
AJAPANESE ARITABLUE AND WHITE BALUSTER JAR painted overallwith flowers and foliage, the shoulder with lappet design, 773 withturned wooden stand 1 28cm high excluding stand
A LARGE JAPANESE IMARI CHARGER, MEIJI PERIOD, 1868-1912 the centre decorated with two maidens beside a cart supporting a 774 flower-filled jardiniere enclosed within bands of shaped panels of foliage and precious objects 1 55cm diameter
A DUTCH ENGRAVED VOC DRINKING GLASS, 18TH CENTURY thefunnel bowl engraved with a three-masted ship in full sail, 775 reverse with the VOC Amsterdam monogram below an inscription `HET WELVAARENVAN DIE NEGOTIE`, supported on a double- knoppedstem enclosing tearsand aspreading conical foot 1 20 ...[more]
A NEAR PAIR OF ENGRAVED `LIBERTY` WINE GLASSES, 18TH CENTURY each bell-shaped bowl engraved with aprancing stallion 776 below abanner inscribed `LIBERTY`, the reverse with a rose, supported on a plain stem and low conical foot, ground pontils 2 18,5cm high
A PAIR OF ENGRAVED WINE GLASSES, 18TH CENTURY eachfunnel-shaped bowl engraved with a coat of arms,supported on an 777 hexagonal-faceted stem and low conical foot 2 14,5cm high
A DUTCHENGRAVED ARMORIAL WINE GLASS, 18TH CENTURY the funnel-shaped bowldecorated withthe Utrechtcoat of arms, 778 supported on a bobbin and knopped stem on a circular spreading foot 1 17cm high
A DUTCH ENGRAVED WINE GLASS, 18TH CENTURY the small funnel-shaped bowl decorated with a basket with flowers and leaves, 779 supported on a baluster stem and folded foot; and A DutchWine Glass, engraved with roses and supported on a hexagonal faceted stem and circular spreading foot 2 the talle ...[more]
`MEANDRES`: A LALIQUE BLUE-STAINED, FROSTED AND CLEAR GLASS VASE designed 1934, number 10-876, stencilled R 780 Lalique 1 46,5cm high
`OSMONDE FERN`: A LALIQUE FROSTED AND CLEAR GLASS VASE,20TH CENTURY and `Hedera`: A Lalique Frosted and Clear 781 Glass Vase, mouldedwith ivy leaves, both with etched Lalique France; and A Rosenthal Versace `Medusa`glass ashtray,etched factory mark 3 the tallest vase 20cm high
A PART SUITE OF VENETIAN WINE GLASSES, 20TH CENTURY each of fluted design, comprising: 33 red wine, 17 white wine and 782 23 champagne flutes 73
AN AURELIANO TOSO GLASS VASE DESIGNEDBY DINO MARTENS, CIRCA 1952 part of the `Oriente` series, the clear glass 783 internally decorated with asymmetric patches of bold primary colours with gold adventurine inclusions 1 46cm high A SKDROLOVICE `ANDROMEDA` GLASS VASE AND BOWL, 1953 designed by Jaroslav Beránek (1927-2006),the thickly blown 784 twisting forms in blue and green numbered 5346 and 5475 respectively 2 the vase 18cm high
A CZECH CJRIBSKA GLASSWORKS VASE, 1960s the heavy base with crimson inclusion, the elongated body with freeformrim 785 andcrimson,yellow and blue highlights 1 39,5cm high
A CZECH SKDROLOVICEGLASS VASE, 1959 designed by Jan Beránek (1933-),the thickly blown freeformglass in salmon-pink and 786 green 1 23cm high
A CZECH MSTISOV GLASSWORKS `ROMANA` VASE, CIRCA 1960 designed by Hanna Machovská,of asymmetric, curving form, 787 thickly blown in blue and pink over colourless-cased amber core, 1 18,5cm high
788 A CZECH SKDROLOVICE BLUE AND EMERALD GREEN GLASS BOWL, 1977 designed by Ladislav Palecek 1 22cm diameter
A DE LORRAINE CRYSTAL `CAVE À CHAMPAGNE`, 20TH CENTURY limitededition492 of 500, with6champagne flutes and 5 789 additional flutes, etched Crisallerie de Lorraine mark and numerals 492/500 12 50cm high
AFTER CLAUDE MICHEL CLODION (1878-1814): A BRONZE FIGURAL GROUP `BACCANALE` the base impressed `Clodion` 1 790 37cm high
A CHINESE SILK EMBROIDEREDPIANO SHAWL, 20TH CENTURY decorated with pagodas, figures and flowers on a pale cream 791 ground bordered bya crochetedfringe, 130 by 130cm;and A Spanish Silk Shawl, tan coloured,with crocheted fringe 2 the larger 130cm square excluding fringe
A CHINESE SHAPED DUAN INKSTONE inscribed with calligraphy and encased in a conforming hardwood boxsimilarly inscribed and 792 with seals 1 27cm wide
A TIBETO-CHINESE GILT BRONZE FIGURE OF VAJRABHAIRAVA AND VAJRA VETALI thepair in embrace striding onprostrate 793 figures and recumbent animals, all raised on a lotus base, Vajrabhairava with thirty-two arms radiating around the couple, his primary hands holding a skull-cup andvajra,his ferocious ...[more]
A LARGE JAPANESE BRONZE FIGURE OF A STANDING STAG, MEIJI PERIOD, 1868-1912 impressedDai Nihon Genryusai Seiya 794 seal mark,on shaped wooden base 1 75cm high excluding base
A JAPANESE CARVED IVORY NETSUKE, MEIJI PERIOD, 1868-1912 NOT SUITABLE FOR EXPORT carved witha tiger and a dragon 795 amongst six monks, each carrying an attribute, signed;A Japanese Carved Ivory Manju Netsuke, carved with an Immortal, signed; and A Japanese Carved Ivory Netsuke ofa Laughing Buddha, ...[more]
A JAPANESE CARVED IVORY OKIMONO OF A TWO-TOED ONI, MEIJI PERIOD, 1868-1912 NOT SUITABLE FOR EXPORT with two 796 toads; and A Japanese CarvedIvory Okimono ofThreeFigures FightingaLarge Ape, distress 2 both 7cm high
A JAPANESE CARVED IVORY OKIMONO OF TWO WRESTLERS, MEIJI PERIOD, 1868-1912 NOT SUITABLE FOR EXPORT 797 signed;A Japanese Carved Ivory Okimono of a Seated YoungBoy, holding a fishing rod with afish, signed, losses; and A Japanese Carved IvoryOkimono of a Warrior, signed 3 the tallest 10cm hi ...[more]
TWO JAPANESECARVED IVORY NETSUKE, MEIJI PERIOD, 1868-1912 NOT SUITABLE FOR EXPORT one carved in the form of 798 two birds seated on a half-rolled mat, each holding a leafy branch in their beak;the otherin the form of a tiger, signed 2 the taller 3cm high A GROUP OF SIXJAPANESE STAINED CARVED IVORY NETSUKES, MEIJI PERIOD, 1868-1912 NOT SUITABLE FOR EXPORT 799 variously depictinganimals and birds 12 the largest 4cm high
A JAPANESECARVED IVORY FIGURAL CANISTER AND COVER, MEIJI PERIOD, 1862-1912 NOT SUITABLE FOR EXPORT 800 thecentral cylindrical basket-weave canister with figures wearing grass skirts seated at the base offering food and drink, another climbing a ladder and further figuressurmounting the cover, s ...[more]
A JAPANESE CARVED IVORY OKIMONO OF A FARMER AND CHILD, MEIJI PERIOD, 1868-1912 NOT SUITABLE FOR EXPORT 801 the farmer holding a hoe and a cloth bundle, a filled basket and a kneeling child, holding a spray of peonies, by his side, signed, distress 1 16cm high
A JAPANESE CARVED IVORYOKIMONO OF A WOODCUTTER, MEIJI PERIOD, 1868-1912 NOT SUITABLE FOR EXPORT modelled 802 standing, leaning on an axe and smoking a pipe, a rabbit by his feet, raised on a circular base, distress, inlaid signature 1 18cm high
A JAPANESE CARVED IVORY OKIMONO OF A CHINNAN SENNIN, MEIJI PERIOD, 1868-1912 NOT SUITABLE FOR EXPORT 803 seated and holding a bowlfrom whicha dragon emerges, distressed, signed 1 15,5cm high
A JAPANESE CARVED IVORY OKIMONO OF A HUNTER SLAYING AN EAGLE, MEIJI PERIOD, 1868-1912 NOT SUITABLE FOR 804 EXPORT losses, signed 1 14,5cm high
KAII HIGASHIYAMA (1908-1999):`MOIST GREEN`, 1986 limited edition 106/2000 lithograph, depicting the scenery of Shugakuin 805 Detached Palace in Kyoto, signed and numbered 1 550 by 400cm
A VICTORIAN TORTOISESHELL AND MOTHER-OF-PEARL INLAID CARD CASE the rectangular body with hinged cover inlaid with 811 mother-of-pearl foliage, distress, 10,5cm high; A Victorian Tortoiseshell and Mother-of-pearl Card Case, the rectangular body with hinged cover inlaid with a silver cartouche, distres ...[more]
A 9CT GOLD DOUBLE SOVEREIGN CASE, MAKER`S MARK C & C, CHESTER, 1886 the rectangular body with rounded corners, the 812 hinged cover engraved with initials and the reverse engraved with a crest, 29g, 6cm high; and Nine Gold Sovereigns, comprising: 5 full, 1900-1913 and 4 half, 1892-1914, 55g in tot ...[more]
A CASED 9CT GOLD CIGARETTE CASE, SAMPSON MORDAN & CO, LONDON, 1919 the rectangular body engraved withan `S`, 813 distress, 66g, 8,5cm high 1
A 9CT GOLD CASE, ASPREY & CO LTD, CHESTER, 1928 the rectangular body with engine-turned decoration, the hinged cover 814 applied with the letters `D.L`, 26g, 6cm high 1
A 9CT GOLD CIGARETTE CASE, WALKER& HALL,BIRMINGHAM, 1930 the rectangular body with engine-turned decoration, the 815 hinged cover applied with the letters `D.L`, the interior engraved `DESMOND FROM SYLVIA. SEP. 17TH 1932.`, 147g, 10,5cm high 1
A CASED SET OF ELECTROPLATE COASTERS, CHRISTOFLE comprising: a pair of glass coasters and a wine coaster, each circular 816 body with stiff leaf rim, the wine coaster 13cm diameter; and A Cased Electroplate Tray, Christofle, Modern, the rectangular body with rounded corners, reeded rim, 41cm wide 4
AN ELECTROPLATE TWO-HANDLED CENTREPIECE, WMF, 20TH CENTURY the pierced circular body with a band of dancing 817 figures above swags, applied with leaf and scroll handles, raised on four reed and ribbon paw feet, fitted with a green glass liner, 30,5cm high 1
A PAIR OF ART NOUVEAU ELECTROPLATE-MOUNTED GREEN GLASS CLARET JUGS, WMF, 20TH CENTURY each tapering 818 cylindrical glass body mounted with an electroplate base with two female portraits in profile amongst scrolling foliage and a spout chased with scrolling foliage and flowerheads, the hinged cover wi ...[more] 819 TWO CAPE SILVER TABLE SPOONS, LAWRENCE HOLME TWENTYMAN, 19TH CENTURY 129g in total 2
820 THREE CAPE SILVER TABLE SPOONS, WILLIAM MOORE, 19TH CENTURY each terminal engraved with an initial, 167g in total 3
THREE CAPE SILVER TABLE SPOONS, PETER CLARKE DANIEL, 19TH CENTURY each terminal engraved with initials, 233g in total 821 3
A PAIR OF CAPE SILVER TABLE SPOONS, POSSIBLY PETER CLARKE DANIEL, 19TH CENTURY each terminal engraved with 822 initials, 109g in total 2
A GEORGE I SILVER TWO-HANDLED PORRINGER, INDECIPHERABLE MAKER`S MARK, LONDON, 1722 the circular body with 823 bands of gadrooning and fluting centred with a C-scroll and a vacant foliatecartouche, applied with leaf-capped scroll handles, 190g, 8,5cm high 1
A GEORGE II SILVER COFFEE POT, AYME VIDEAU, LONDON, 1743 the tapering cylindrical body applied with a turned-wooden leaf- 824 capped scroll handle, the hinged cover with an urn-shaped finial, engraved with a crest, 736g all in, 22cm high 1
A PAIR OF GEORGE III SILVER SALVERS, PETER TAYLOR, LONDON, 1748 each circular body with a pie-crust beaded rim, chased 825 with C-scrolls, shells and flowerheads, centred with a crest within a foliate cartouche, raised on three volute feet, 752g in total, 19cm diameter 2
AN ASSEMBLED SET OF SILVER CUTLERY, VARIOUS MAKERS AND DATES, LONDON AND SHEFFIELD, 1768-1911 comprising: 826 8 dessert spoons, 8 dessert forks, 6 coffee spoons, 6 teaspoons, a sugar tong, a table spoon and a marrow spoon, distress, 959g in total 31
A GEORGE III SILVER TEA CADDY, HESTER BATEMAN, LONDON, 1786 the oval body with beaded rim, the hinged cover with urn- 827 shaped finial, 328g, 11cm high 1
A PAIR OF IRISH SILVER TABLE SPOONS, JOHN OSBORN, DUBLIN, 1790 each terminal engraved with a crest, 112g in total; and 828 Three Victorian Silver Table Spoons, William Robert Smily, London, 1856, each terminal engraved with initials, 164g in total 5
A PAIR OF GEORGE III SILVER CANDLESTICKS, JOHN GREEN, ROBERTS, MOSLEY & CO, SHEFFIELD, 1800 each circular base 829 with reeded rim and a band of gadrooning, knopped cylindrical stem, detachable reeded nozzle, loaded, 18cm high 2
A PAIR OF GEORGE III SILVER SALT CELLARS, INDECIPHERABLE MAKER`S MARK, LONDON, 1804 each oval body with beaded 830 rim, raised on four shell and stepped pad feet, 173g in total, 4,5cm high 2
A GEORGE III SILVER TWO-HANDLED TRAY, NATHANIEL SMITH & CO, SHEFFIELD, 1807 the rectangular body with rounded 831 corners, gadroon and shell rim, centred with a crest, the reverse engraved`A SMALL TRIBUTE OF RESPECT AFFECTION AND GRATITUDE FROM JOHN HENRY ELRINGTON, MAJOR OF THE TOWER. TO HIS FRI ...[more]
A MISCELLANEOUS COLLECTION OF SILVER ITEMS, VARIOUS MAKERS AND DATES, LONDON AND BIRMINGHAM, 1853-1931 832 various shapes and sizes, comprising: 2 milk jugs, a mug and a sugar caster, 750g in total 4
A SCOTTISH SET OF SILVER CUTLERY, GEORGE & MICHAEL CRICHTON, EDINBURGH, 1878 each terminal engraved with a 833 crest, comprising: 12 table forks, 10 table spoons, 11 dessert forks, 10 dessert spoons, 18 fish knives, 15 fish forks, 7 teaspoons, 7 small spoons, in sizesand amustard spoon, 4211g in ...[more] A COLLECTION OF TWELVE SILVER NAPKIN RINGS, VARIOUS MAKERS AND DATES, LONDON, BIRMINGHAM, CHESTER AND 834 SHEFFIELD, 1878-1930 various shapes and sizes, some distress, 253g in total 12
A MISCELLANEOUS COLLECTION OF SILVER ITEMS, VARIOUS MAKERS AND DATES, BIRMINGHAM, SHEFFIELD, CHESTER 835 AND LONDON, 1881-1922 various shapes and sizes, comprising: a christening mug, a toast rack, a dish, an ash tray, a milk jug and a sugar bowl, 469g in total 6
A MISCELLANEOUS COLLECTION OF SILVER ITEMS, VARIOUS MAKERS AND DATES, BIRMINGHAM AND LONDON, 1898-1919 836 various shapes and sizes, comprising: a hip flask and 2 cigarette cases, 270g in total 3
A VICTORIAN SILVER TWO-HANDLED PRESENTATION CUP AND COVER, CHARLES STUART HARRIS, LONDON, 1898 the bell- 837 shaped body with acanthus leaves, swags and a band of scrolls, foliate and beaded rim, engraved on either side `TRANSVAAL HORTICULTURAL SOCIETY CHARLES WILLIAM STEPHENS MEMORIAL FLOATING TROPHY ...[more]
A MISCELLANEOUS COLLECTION OF SILVER ITEMS, VARIOUS MAKERS AND DATES, SHEFFIELD, LONDON AND 838 BIRMINGHAM, 1900-1973 various shapes and sizes, comprising: a vesta case, a cigarette case and an ashtray,203g in total 3
A MISCELLANEOUS COLLECTION OF SILVER ITEMS, VARIOUS MAKERS AND DATES, BIRMINGHAM AND SHEFFIELD, 1900- 839 1922 various shapes and sizes, comprising: 4 pierced bon-bon dishes, a cased set of 6 teaspoons and a oval dish decorated with scrolling foliage, 432g in total 11
AN EDWARDIAN SILVER GALLERY TRAY, COOPER BROTHERS & SONS LTD, SHEFFIELD, 1901 the circular body pierced with 840 four wreath, ribbon and wheat-ear rim, the centre engraved with eight signatures and an inscription, 809g, 30,5cm diameter 1
AN EDWARDIAN SILVER PEDESTAL DISH, S. GLASS, BIRMINGHAM, 1902 the pierced rectangular body with a shell, scrolling 841 foliage and gadrooned rim, raised on a pierced rectangular foot, repairs, 522g, 10,5cm high 1
AN EDWARDIAN SILVER SALVER, WILLIAM HUTTON & SONS LTD, SHEFFIELD, 1902 the circular body with gadrooned and scroll 842 pie-crust rim, centred with a scroll and foliate cartouche engraved with `FROM G.C.F ROSS TO HIS ONLY BROTHER JOHNNY.`, raised on four volute feet, 1972g, 41cm diameter 1
AN EDWARDIAN SILVER SALVER, H. J. COPPER & CO LTD, BIRMINGHAM, 1907 the circular body with a shell, C-scroll, bead and 843 reeded pierced rim, engraved with engine-turned decorations, flowerheads, ribbon swags and `SILVER WEDDING FROM OWEN 10TH JAN 1907`, 420g, 27cm diameter 1
A GEORGE V SILVER TEA CADDY, INDECIPHERABLE MAKER`S MARK, BIRMINGHAM, 1912 the octagonal body with hinged cover 844 applied with a wreath finial, distress to finial, 255g, 12,5cm high 1
A GEORGE V SILVER TWO-HANDLED TRAY, INDECIPHERABLE MAKER`S MARK, SHEFFIELD, 1931 the rectangular body with 845 rounded shell corners, gadrooned rim, applied with scroll handles, 3378g, 66,5cm wide over handles 1
A GEORGE VI SILVER SALVER, MAPPIN & WEBB, SHEFFIELD, 1940 the circular body with gadrooned pie-crust rim, engraved with a 846 crest, the reverse `FROM THE OFFICERS AND NURSING STAFF NO.7. I.B.G.H. 15TH MARCH 1944`, raised on three claw and ball feet, 335g, 20,5cm diameter 1
A GEORGE VI SILVER SALVER, WILLIAM SUCKLING LTD, SHEFFIELD, 1941 the circular body with pie-crust rim, raised on four 847 volute feet, 914g, 31.5cm diameter 1
A SILVER CIGAR BOX, WILLIAM COMYNS & SONS LTD, LONDON, 1954 the rectangular body engraved with initials, cedar lined, 848 damage, 22,5cm wide 1 A FIVE-PIECE TEA AND COFFEE SET, DESIGNED BY ERIC CLEMENTS,ELKINGTON & CO, SHEFFIELD, 1966 comprising: a 849 teapot, a coffee pot, a hot water jug, a milk jug and a two-handled sugar basin, each baluster body applied with turned-wooden loop handles, the detachable cover with turned-wooden ball fi ...[more]
A SILVER SALVER, J B CHATTERLEY & SONS LTD, BIRMINGHAM, 1968 the circular body engraved with a crest, pie-crust rim, 850 raised on four volute feet, 755g, 30cm diameter 1
A PAIR OF SILVER FIGURES OF PHEASANTS, D. J. SILVER REPAIRS, LONDON, 1972 realistically modelled,repairs, distress,795g 851 in total, the larger 13cm high 2
A SET OF FOUR SILVER FIGURES OFANIMALS, COUNTRY ARTISTS, BIRMINGHAM, 1996 realistically modelled, comprising: a field 852 mouse sitting on a mushroom, a sleeping field mouse on an apple core, a penguin and chick and a rabbit, 209g in total; and Two Continental Silver Figures of Animals, realistically ...[more]
A RUSSIAN SILVER LADLE, S. YARLEVTSIN, KAUNUS (KOVNO), ASSAYED BY KONSTANTIN KOLPAKOV, 1881 terminal 853 engraved with initials, 236g 1
A POSSIBLY RUSSIAN SILVER CHAIN MAIL PURSE, .900 STANDARD the scrolling engine-turned frame with a wheat-ear rim, 854 centred with a wreath and ribbon cartouche engraved with initials, 191g 1
A DUTCH SILVER THREE-PIECE COFFEE SET, COPENHAGEN, G. BJERREGAARD, 20TH CENTURY comprisng: a coffee pot, a 855 milk jug, a two-handled sugar basin, each hammered baluster body with two scroll and bead cartouches, a band of S-scrolls, applied with a harp-shaped handle, the hinged cover with an acorn fi ...[more]
A CONTINENTAL SILVER SALVER the circular body with C-scroll, flowerheads and gadrooned rim, stamped `SILVER`, 443g, 27,5cm 856 diameter 1
A CONTINENTAL SILVER DISH, APPARENTLY UNMARKED the circular body engraved with nine cartouches with figures and beading 857 centred witha flowerhead, 453g, 25cm diameter 1
AN ENGLISH MAHOGANY LONGCASE CLOCK, CIRCA 1810 the 34cmwhite enamelled circulardial with Roman numerals, two 871 subsidiary dialsfor seconds and date respectively, four pillar bronze striking movement, the circular hood with two side windows, the panelled door with stringing, on a plinth base, on b ...[more]
AN ENGLISH FLAMEMAHOGANY BRACKET CLOCK, JOHN HOLLAND, CHESTER, CIRCA 1820 the21cmcream dial with Roman 872 numerals, inscribed John Holland,Chester,a double fuseeanchor movement striking the half and full hour on a bell, the stepped top surmounted by a pine cone finial, the dial below with gold ...[more]
AN ENGLISH MAHOGANYLONGCASE CLOCK, W. GREEN, GRANTHAM,CIRCA 1830 the 32cmpainteddialwith Arabic 873 minutesandRoman hour numerals, inscribedW. Green, Grantham,subsidiary seconds dial,date aperture,a royalscenein the arch,painted spandrels in all four corners, eight-day four pillar bell s ...[more]
A FRENCH EBONISEDBRACKET CLOCK RETAILED BYJ.A.S. SHOOLBRED & CO LTD, CIRCA 1850 the 10,5cm white 874 enamelledchapter ringwith Arabic numerals, inscribed J.A.S. Shoolbred & Co, Made in Paris, eight-day gong striking movement by Japy Frères, stamped on the backplate DH and Japy Frères, the ...[more]
A FRENCH EBONISED AND BRONZE PORTICO CLOCK, CIRCA 1850 the 10cm bronze dial with Roman numerals, the backplate 875 inscribed Lahorne & Filswith aneight-day gong striking movement,the architectural case with four columns supporting a moulded entablature applied witha scrollingmount, on a plint ...[more] A FRENCH EIGHT-DAY BRASS CARRIAGE CLOCK, CIRCA 1890 the 8,5cm by 5cmwhiterectangular enamelled dial with Roman 876 numerals andsubsidiary alarm dial, cylinder escapementstriking on a bell, glazed door andpanels,shaped handle 11cm high excluding handle Buyers are advised that a service is recomme ...[more]
ASILVERPAIR-CASED POCKET WATCH, WILTER, LONDON, 18TH CENTURY the silver dial with blackRoman numerals and outer 881 arcaded calibrated ring with Arabicfive-minute divisions, date aperture at 6 o`clock, the case engraved with wrigglework inscription, outer silver case decorated with a Classical sce ...[more]
AN 18CT GOLD OPEN-FACED POCKET WATCH the white dial with black Roman numerals and outer calibrated ring, subsidiary dial 882 for seconds at 6 o`clock, the case engraved with a crest and a monogram, later metal bow, distress, diameter of bezel 49mm 1
AN 18CT GOLD OPEN-FACED POCKET WATCH the white dial with black Arabic numerals and outer calibratedring, subsidiary dial for 883 seconds at 6 o`clock, plain case, distress, diameter of bezel 43,5mm 1
AN 18CT GOLD OPEN-FACED POCKET WATCH the gilt dial with gilt Roman numerals and flat-chased floral decoration, the case with 884 engine-turned decoration and scrolling foliage, distress, key lacking, diameter of bezel 40,5mm; and 9ct Gold Open-faced Pocket Watch, diameter of bezel 32,5mm 2
A LADY`S DIAMOND-SET 18CT GOLDWRISTWATCH, AUDEMARS PIGUET manual, the cushion-shaped silvered dial with diamond- 885 set hour markers, rope-twist bezel, on an integral 18ct gold bracelet strap with folding clasp, width of bezel 28,5mm 1
A LADY`S STAINLESS STEEL WRISTWATCH, DESIGNED BY VIVIANNA TORUN BÜLOW-HÜBE FOR GEORG JENSEN manual, 886 the circular silvered dial on an integral stainless steel bangle of tapered, concave form, impressed GEORG JENSEN, STAINLESS STEEL, DENMARK and TORUN and numbered 227,diameter of bezel 33mm, accomp ...[more]
A LADY`SSTAINLESS STEEL WRISTWATCH, DESIGNED BY VIVIANNA TORUN BÜLOW-HÜBE FOR GEORG JENSEN manual, the 887 circular silvered dial, on an integral stainless steelasymmetrical cuff bangle, impressed GEORG JENSEN, STAINLESS STEEL, DENMARK and TORUN and numbered 226, diameter of bezel 33mm 1
A LADY`S 18CT GOLD WRISTWATCH, LONGINES manual, the circular silvered dial with gilt baton hour markers, on an integral 18ct 888 gold bracelet strap, accompanied by a Longines case, diameter of bezel 172mm 1
A LADY`S 18CT GOLDWRISTWATCH, PIAGET reference no. 4154B12, manual, the rectangular gilt dial with linear pattern, the canted 889 rectangular bezel with similar decoration, on an integral 18ct gold bracelet with folding clasp, width of bezel 20mm 1
A LADY`S 18CT GOLDWRISTWATCH, PIAGET reference no. 93401, manual, the oval tiger`s eye dial with octagonal bezel, on a black 890 leather strap with Piaget buckle, width of bezel 23,5mm 1
A LADY`S 18CT GOLD WRISTWATCH, PIAGET reference no. 8148, quartz, the canted rectangular black dial with mother-of-pearl inlay 891 and gilt dot track, stepped bezel, on a black leather strap with Piaget buckle, width of bezel 20,5mm 1
A LADY`S 18CT GOLD WRISTWATCH, PIAGET reference no. 41543, manual, the rectangular two-tone dial with canted rectangular 892 bezel with geometric pattern, on a black leather strap with Piaget buckle, width of bezel 20mm 1
A LADY`S 18CT GOLD WRISTWATCH, PIAGET reference no. 9902, manual, cushion-shaped dark brown dial, on a black leather strap 893 with Piaget buckle, width of bezel 23mm 1
A LADY`S DIAMOND-SET WRISTWATCH manual, the circular silvered dial with black Arabic numerals, the bezel and part of the strap 894 set with round brilliant- and single-cut diamonds weighing approximately 4.68cts in total, in platinum, the strap completed by cord with metal clasp, diameter of bezel 22, ...[more] A LADY`S DIAMOND-SET WRISTWATCH manual, the rectangular engine-turneddial with black Arabic numerals and inner calibrated 895 track, the bezel and part of the bracelet millegrain set with single-cut diamonds, width of bezel 14mm 1
A LADY`S 9CT GOLD WRISTWATCH, ROTARY manual, the oval gilt dial with black baton hour markers, on an integral 9ctgoldbracelet 896 strap, width of bezel 15,4mm 1
A LADY`S 9CT GOLD WRISTWATCH manual, the circular white enamelled dial with blue and black Arabic numerals, on a 897 blackgrosgrain ribbon strap with metal fittings, diameter of bezel 26,5mm 1
A GOLD-PLATED WRISTWATCH, BAUME ET MERCIER manual, the circular champagne-coloured dial with gilt baton hour markers, 898 on a later brown leather strap, diameter of bezel 33mm 1
A STAINLESS STEEL WRISTWATCH, CARTIER RONDE SOLO reference no. 2934, the circular silvered dial with black Roman 899 numerals, inner calibrated ring with Arabic 13-24 numerals, date aperture at 3 o`clock, sapphire cabochon-set crown, on a stainless steel bracelet with double deployant clasp, accompani ...[more]
A STAINLESS STEEL WRISTWATCH, CARTIER DIVAN reference no. 2612, automatic, the rectangular engine-turned dial with black 900 Roman numerals and inner minute track, centred sweeping seconds, broad bezel and faceted sapphire-set crown, on a black leather strap with Cartier buckle, accompanied by an addi ...[more]
A STAINLESS STEEL WRISTWATCH, CARTIER TANK FRANÇAISE reference no. 2465, quartz, the square white dial with black 901 Roman numerals, date aperture at 3 o`clock, sapphire cabochon-set crown, on a stainless steel bracelet with double-deployant clasp, width of bezel 25mm 1
A STAINLESS STEEL WRISTWATCH, CARTIER SANTOS quartz, the circular white dial with black Roman numerals and outer 902 calibrated track, the bezel with screw-head motifs, sapphire cabochon-set crown, on a black leather strap, diameter of bezel 28,5mm 1
A STAINLESS STEEL WRISTWATCH, DUNHILL DUNHILLION FACET manual, the rectangular silvereddial with black baton hour 903 markers and square outer calibrated track, faceted crystal and conforming case, on a black leather strap with Dunhill buckle, width of bezel 21,3mm 1
AN 18CT ROSE GOLD WRISTWATCH, GIRARD-PERREGAUX reference no. 2535, manual, the rectangular black dial with 904 giltarrowhead hour markers, plain broad bezel with extended lugs, on a brown leather strap with Girard-Perregaux buckle, width of bezel 24mm, accompanied by guarantee booklet and manual, Gir ...[more]
A STAINLESS STEEL WRISTWATCH, JAEGER LECOULTRE MEMOVOX automatic, the circular silvered dial with gilt baton hour 905 markers, centred subsidiary dial for alarm, centred sweeping seconds, plain bezel, on a later synthetic strap, diameter of bezel 37mm 1
AN 18CT GOLD WRISTWATCH, PIAGET reference no. 9741, manual, cushion-shaped tiger`s eye dial, on a tan leather strap with 906 Piaget buckle, width of bezel 29mm 1
AN 18CT GOLDWRISTWATCH, PIAGET reference no. 71726, quartz, the canted rectangular gilt dial with gilt dot track, conforming 907 hobnail-patterned bezel, on a black leather strap with Piaget buckle, width of bezel 24mm 1
AN 18CT GOLD WRISTWATCH, PIAGET reference no. 9465, manual, trapezoid-shaped gilt dial, on a black leather strap with Piaget 908 buckle, width of bezel 30mm 1
AN 18CT GOLDWRISTWATCH, PIAGET reference no. 80287, quartz, the rectangular black dial with gilt baton hour markers, on a black 909 leather strap with Piaget buckle, width of bezel 23mm 1 AN 18CT GOLDWRISTWATCH, PIAGET reference no. 40800, manual, the rectangular gilt dial with horizontal fluting, conforming bezel, 910 on a caramel-coloured leather strap with Piaget buckle, width of dial 20mm 1
AN 18CT GOLD WRISTWATCH, PIAGET reference no. 13603, automatic, the circular gilt dial with black Arabic numerals and inner 911 minute track, plain bezel, sapphire cabochon-set crown, on a later brown leather strap, diameter of bezel 32,3mm 1
A STAINLESS STEEL WRISTWATCH, TAG HEUER AQUARACER reference no. WAF111Z, quartz, the circular black dial with Arabic 912 numeral and luminescent baton and dot hour markers, outer calibrated ring with 5-minute divisions, date apertures at 6 o`clock, subsidiary dials for alarm and constant seconds, unid ...[more]
A CASED PEARL STICK PIN, LATE 19TH CENTURY mounted with a pearl measuring approximately 8,2mm diameter, in 18ct gold, 921 pearl not tested for origin, French assay marks, accompanied by the retailer`s fittedcase, Pellegrin, 78 La Canebière, Marseille 1
ALATE VICTORIANAMETHYST AND SEED PEARL HINGEDBANGLE hollow, the terminals intertwined to the front and centred with an 922 amethyst and seed pearl flowerhead motif, in 15ct gold, distress, inner width approximately 57mm; A Victorian Pendant, of Etruscan Revival design, oval, centred with a foiled p ...[more]
A LATE VICTORIAN DIAMOND AND ENAMEL LOCKET PENDANT of circular form withsteel blue guilloché enamel, centredwith a 923 flowerhead clusterof old- and senaille-cut diamonds, the bale and conforming surround millegrain set with further senaille-cut diamonds, the reverse with a glazed compartment conta ...[more]
A MISCELLANEOUS GROUP OF JEWELLERY ITEMS including: a Victorian 9ct gold and seed pearlbrooch and matching pendant 924 earrings, distress, and a Victorian 9ct gold and seed pearl pendant, distress 9
925 A 9CT GOLD FOB CHAIN composed of curb links, graduated in size,later metal clip, approximately 430mm in length 1
A 9CT GOLD FOB CHAIN composed of hollow curb links, graduated in size, attached with a 9ct gold and metal locket, approximately 926 368mm in length 1
927 A 9CTGOLD GUARD/MUFF CHAIN composed of fancy-link chain, approximately 1610mm in length 1
A PAIR OF GEM-SET EARRINGS of Etruscan Revival design, each designed as inter-locking rings embellished with filigree and foiled 928 pink gems, suspending a graduated foxtail fringe, with later 9ct gold shepherd`s hook fittings, distress 2
A RUBY AND DIAMOND RING designed as two opposing heart-shaped motifs, each centred with a circular-cut ruby, embellished with 929 old- and senaille-cut diamonds, in 18ct gold, size O1/2 1
A SAPPHIRE AND DIAMOND RING designed as a flowerhead cluster, centred with an ovalsapphire weighing approximately 930 0.80cts,enclosed within a conforming surround of old-cut diamonds weighing approximately 0.60cts in total, in platinum, size M 1
A DIAMOND RING claw set to the centre with a round brilliant-cut diamond weighing approximately 0.42cts and an old-cut diamond 931 weighing approximately 0.2cts, enclosed within a scalloped oval surround pavé set with old-cut diamonds, in 18ct white and yellow gold, size N3/4 1
932 ANEDWARDIANDIAMOND RING star set to the centre with three old-cut diamonds, in 18ct gold, Birmingham hallmarks, size M 1
AN 18CTGOLD BRACELET of gate-link design, the clasp in the form of a padlock, approximately 182mm in length; and A Pair of 18ct 933 Gold Pendant Earrings, of similar design, with 9ct gold butterflies 3 A MISCELLANEOUS GROUP OF JEWELLERY ITEMS including: a cased opal, seed pearl and 15ct gold bar brooch and a Candida 934 silver brooch with fruiting vine motif, distress 12
935 A 9CT GOLD BRACELET of gate-link design, the clasp in the form of a padlock, approximately 185mm in length 1
A CITRINE BROOCH the collet-setoval mixed-cut citrine weighing approximately 29.2cts, embellished with granules and twisted-wire 936 decoration, in 15ct gold 1
A MISCELLANEOUS GROUP OF GEM-SET RINGS including: a garnet and single-cut diamond ring in the form of a flowerhead cluster, 937 in18ct gold , size N1/2, distress 5
A 9CT GOLD BRACELET of gate-link design, the clasp in the form of a padlock, later metal jump-link terminals, distress, approximately 938 200mm in length 1
A PAIR OF DIAMOND EARRINGS each centred with a claw-set round brilliant-cut diamond weighing approximately 1.60cts in total, 939 enclosed within a conforming surround of roundbrilliant- and single-cut diamonds weighing approximately 0.40cts in total, in 18ct white gold, with 9ct gold butterflies 2
A DIAMOND RING claw set to the centre with a round brilliant-cut fancy browndiamond weighing 5.2620cts, the shoulders embellished 940 with round brilliant-cut diamonds weighing approximately 0.42cts in total, in 18ct white gold, size P The central diamond accompanied by an EGL Diamond Report, no. 130 ...[more]
A DIAMOND RING designed as two parallel bands centred with a round brilliant-cut diamond weighing approximately 1.75cts, enclosed 941 within a square-shaped surround of round brilliant-cut diamonds weighing approximately 1.0cts in total, embellished above and below with rows of baguette-cut diamonds w ...[more]
A DIAMOND RING collet set to the centre with a radiant-cut brownish-yellow diamond weighing approximately 1.26cts, the conforming 942 surround and shoulders embellished withround brilliant-cut diamonds weighing approximately 0.81cts in total, in 18ct white and yellow gold, size M 1
A DIAMOND RING claw set to the centre with around brilliant-cut cognac-coloured diamond weighing approximately 1.0cts, the cushion- 943 shaped surround and shoulders embellished with round brilliant-cut diamonds weighing approximately 0.80cts in total, in 18ct white gold, size M 1
A DIAMOND CHOKER designed as a series of cruciform motifs suspending a fringe, embellished withroundbrilliant-cut diamonds 944 weighing approximately 11.13cts in total, in 18ct white gold, approximately 340mm in length; and A Pair of Diamond Pendant Earrings, en suite, embellished with round brillia ...[more]
A DIAMOND RING designed as interlocking circular motifs centred with a flower-head cluster, embellished with round brilliant-, single- 945 and baguette-cut diamonds weighing approximately 1.43cts in total, in 14ct white gold, size M 1
A DIAMOND RING centred with a cushion-shaped motif, the bifurcated shoulders supporting teardrop-shaped motifs, pavé set with 946 round brilliant-cut diamonds weighing approximately 0.90cts in total, in 18ct white gold, size L1/2 1
A PAIR OF TANZANITE AND DIAMOND PENDANT EARRINGS each claw set with an emerald-cut tanzanite weighing 3.745cts in total, 947 embellished with baguette-, princess- and round brilliant-cut diamonds weighing approximately 1.22cts in total, in 18ct white gold The tanzanites accompanied bya Coloured Gemst ...[more]
A TANZANITE AND DIAMOND PENDANT NECKLACE en suite to previous lot, the pendant claw set with an emerald-cut tanzanite 948 weighing 2.862cts, embellished with baguette-, princess- and round brilliant-cut diamonds weighing approximately 0.93cts in total,suspended on afine cable-link chain, in 18ct whi ...[more] A PAIR OF DIAMOND PENDANT EARRINGS each designed as an articulated line of round brilliant-, marquise- and princess-cut 949 diamonds weighing approximately 1.36cts in total suspending apear-shaped yellow-coloured diamond weighing approximately 1.0cts in total, enclosed within a conforming surround of ...[more]
A TANZANITE RING claw set to the centre with an emerald-cut tanzanite weighing 2.6760cts, the conforming surround millegrain set 950 with round brilliant-cut diamonds weighing approximately 0.41cts in total, the shoulders channel set with princess-cut diamonds weighing approximately 0.48cts in total, ...[more]
A PAIR OF DIAMOND PENDANT EARRINGS each of teardrop design, set throughout with round brilliant-cut diamonds weighing 951 approximately 1.19cts in total, post-and-clip fittings, in 18ct white gold 2
A STAR SAPPHIRE AND DIAMOND PENDANT centred with an oval star sapphire weighing approximately 20.27cts enclosed within a 952 surround of overlapping circular motifs highlighted with round brilliant-cut diamonds weighing approximately 1.10cts in total, in 18ct gold; and A 9ct White Gold Necklace, compo ...[more]
A DIAMOND BROOCH designed as scrolling ribbons, claw set with a round brilliant-cut diamond weighing 1.0780cts, in 14ct gold, 953 currently unmounted The diamond accompanied by an EGLDiamond Report, no. 140806399/521347, stating it to be colour J and VVS2 clarity 1
A DIAMOND RING claw set with a round brilliant-cut diamond weighing 1.4800cts, in 18ct white and yellowgold, distress to mount, size 954 N, currently unmounted The diamond accompanied by an EGL Diamond Report, no. 140706089/521093, stating it to be colour Q and VVS2 clarity; and by an EGL worksheet i ...[more]
A DIAMOND RING claw set with a round brilliant-cut diamond weighing 0.8760cts, in platinum and 18ct white gold, size L1/2, distress to 955 mount, currently unmounted The diamond accompanied by an EGL Diamond Report, no. 140706079/521093, stating it to be colour I and SI1 clarity. 1
A DIAMOND RING centred with a claw-set princess-cut diamond weighing 0.7338cts, the tapered shank set throughout with 956 roundbrilliant-cut diamonds weighing approximately 0.63cts in total, in platinum, size L 1/2 The central diamond accompanied by an EGL Diamond Report, no. 20338654/10185, stating ...[more]
A DIAMOND RING, OLGA centred with a collet-set round brilliant-cut diamond weighing approximately 0.80cts, the shoulders with 957 braided design embellished with round brilliant- and single-cut diamonds weighing approximately 0.39cts in total, in 18ct gold, size K 1
A PAIR OF DIAMOND EAR STUDS, THEO FENNELL each of domed form, centred with a Swiss-set round brilliant-cut diamond 958 weighing approximately 0.20cts in total, impressed maker`s mark,London hallmarks, in 18ct rose gold, accompanied by a Theo Fennell case and outer card box 2
AN EMERALD AND DIAMOND PENDANT claw set to the centre with an emerald-cut emerald weighing approximately 7.56cts, 959 embellished with a round brilliant-cut diamond weighing approximately 0.59cts, the conforming double surround and bale set throughout with round brilliant-cut diamonds weighing approxi ...[more]
AN EMERALD AND DIAMOND RING channel set to the centre with a row of baguette-cut emeralds weighing approximately 3.25cts in 960 total, embellished above and below with borders of pavé-set brilliant-cut diamonds weighing approximately 0.76cts in total, in platinum, size N1/2 1
A PAIR OF EMERALD AND DIAMOND PENDANT EARRINGS each designed as an articulated line of carré- and baguette-cut 961 emeralds weighing approximately 1.45cts in total, embellished with round brilliant-cut diamonds weighing approximately 2.60cts in total, in 18ct white gold, with 9ct white gold butterflie ...[more] A PAIR OF DIAMOND AND EMERALD PENDANT EARRINGS each trefoil surmount suspending a bar terminating in a drop centred 962 with a pear-shaped black diamond, embellished with round brilliant-cut diamonds weighing approximately 0.54cts in total, and calibré- and carré-cut emeralds, in 18ct gold 2
A PAIR OF DIAMOND EARSTUDS each of flowerhead form, claw set with round brilliant-cut diamonds weighing approximately 1.32cts 963 in total, in 18ct white gold 2
A PAIR OF EMERALD AND DIAMOND EARRINGS each designed astwo oval motifsclaw set to the centrewith an oval mixed-cut 964 emerald weighing approximately 1.20cts in total, embellished with round brilliant-cut diamonds weighing approximately 1.0cts in total, in 18ct white gold 2
A SINGLE-STRAND PEARL NECKLACE composed of seventy-three cultured pearls, approximately 7,5mm to 7,9mm diameter, with a 965 14ct white and yellow gold reededball clasp 1
AN EMERALD AND DIAMOND RING designed as a row of four claw-set circular-cut emeralds alternating with three round brilliant-cut 966 diamonds weighing approximately 0.33cts in total, in 18ct gold, size N1/2 1
AN EMERALD AND DIAMOND RING centred with a rectangular step-cut emerald weighing approximately 0.31cts enclosed within a 967 conforming surround of single-cut diamonds weighing approximately 0.14cts, in 18ct white and yellow gold, size M; A 9ct Gold Fancy- Link Chain Necklace, approximately 420mm in le ...[more]
A TOURMALINE AND DIAMOND RING claw set with an emerald-cut green tourmaline weighing approximately 2.75cts enclosed within 968 a conforming surround of round brilliant-cut diamonds weighing approximately 0.42cts in total, in 14ct gold, size N1/2 1
969 A TOURMALINE RING centred with a baguette-cut green tourmaline weighing approximately 0.86cts, in 18ct gold, distress, size P 1
A JADE-LIKE STONE PENDANT/BROOCH carved to the front in the form of Hotei, in 9ct gold; and A 9ct Gold Necklace, composed of 970 fancy-link chain, approximately 600mm in length 2
971 TWO JADE BANGLES each designed as a domed hoop, inner diameter of the larger approximately58mm 2
972 A PAIR OF MALACHITE CUFF LINKS each of rectangular form, secured to the centre with a double frame, torpedo fittings, in 9ct gold 2
973 A GEM-SET RING decorated with mythological animals and centred with a collet-set synthetic green spinel, in 18ct gold, size O 1
A PAIR OF GEM-SET PENDANT EARRINGS each designed as an articulated lineof collet-set brilliant-cut diamonds suspending an 974 ovalcabochon green gem within ageometric motif embellished with onyx and further brilliant-cut diamonds, in 9ct white gold 2
A PAIR OF OPAL, EMERALD AND SEED PEARLPENDANT EARRINGS each of articulated design, embellished withpear-shapedand 975 circular cabochon opals, circular-cut emeralds and seed pearls, in 14ct gold 2
A JADE-LIKE STONE PENDANT pierced and carved on either side with a pair of stylised opposing dragons above a polished ovoid 976 plaque 1
A PAIR OF CORAL, JADE-LIKE STONE AND DIAMOND PENDANT EARRINGS NOT SUITABLE FOR EXPORT each of articulated 977 design, the coral button surmounts above geometric motifs embellished with brilliant-cut diamonds weighing approximately 0.18cts in total, suspending carved pear-shaped pendants, in 18ct white ...[more] A SINGLE-STRAND PEARL NECKLACE composed of thirty-three cultured pearls, graduated in size, approximately 10mm to 13mm in 978 diameter, with a 14ct gold ball clasp 1
A PAIR OF DIAMOND AND PEARL PENDANT EARRINGS each designed as an articulated line of round brilliant-cut diamonds 979 weighing approximately 1.06cts in total, suspending an oval-shapedcultured pearl approximately 12,4mm diameter, in 9ct white gold 2
A DIAMOND ENHANCER/ BROOCH in the form of a stylised bow, embellished with round brilliant- and marquise-cut diamonds 980 weighing approximately 2.33cts in total, in 18ct white and yellow gold; and Two Single-strand Pearl Necklaces,composed of seventy-one and sixty-seven semi-baroque cultured pearls ...[more]
AN 18CT GOLD `TRINITY DE CARTIER` RING, CARTIER in rose, white and yellow gold, accompanied bya Cartier certificate, case 981 and outer box, size N 1
A DIAMOND AND RUBY RING, CARTIER the domed band centred with a row of three collet-set carré-cut diamonds weighing 982 approximately 0.48cts in total, graduated in size, alternating withtwopear-shaped mixed-cut rubies, in 18ct rose gold, impressed maker`s mark, accompanied by a Cartier certificate, ...[more]
A DIAMOND TENNIS BRACELET claw set with forty-two round brilliant-cut diamonds weighing approximately 6.72cts in total, in 14ct 983 white gold, approximately 188mm in length 1
A DIAMOND TENNIS BRACELET claw set with a series of circular-cut black diamonds weighing approximately 3.52cts in 984 totalalternating with round brilliant-cut near-colourless diamonds weighing approximately 1.12cts in total, in 18ct white gold, approximately 180mm in length 1
A DIAMOND PENDANT designed as a fleur-de-lis motifdrop set witha circular-cut black diamond weighing approximately 0.57cts, 985 embellished with near-colourless baguette-, marquise- and round brilliant-cut diamonds weighing approximately 1.85cts in total, in 18ct white gold; and A 9ct White Gold Nec ...[more]
A DIAMOND PENDANT in the form of a Latin cross, embellished with round brilliant-cut diamonds weighing approximately 0.81cts in 986 total, in 9ct white gold; and A 9ct White Gold Necklace, composed of cable-link chain, approximately 450mm in length 2
A DIAMOND PENDANT the circular motif pavé set with round brilliant-cut diamonds weighing approximately 0.80cts in total, in 18ct 987 white gold; and A 9ct White Gold Necklace, composed of fine box-link chain, approximately 450mm in length 2
988 AN 18CTGOLD NECKLACE composed of fancy-link chain, approximately 420mm in length 1
A CITRINE, DIAMOND AND ENAMEL RING centred with an oval citrine weighing approximately 14.88cts enclosed within a conforming 989 surround of round brilliant-cut diamonds weighing approximately 0.68cts in total, the shank partially embellished with enamel in shades of yellow and black, in 18ct gold, si ...[more]
A BLUE TOPAZ AND PORCELAIN `CHANDRA` RING, BULGARI the white porcelain shank centred with an oval cabochon blue topaz, 990 impressed maker`s mark, in 18ct gold, size L1/2 1
991 A BLUE TOPAZ RING centred with an emerald-cut blue topaz weighing approximately 18.2cts, in 18ct gold, size M1/2 1
A SMOKY QUARTZ RING claw set with an emerald-cut smoky quartz, in 9ct gold, size I; and Two Synthetic Spinel Solitaire Rings, in 992 9ct gold 3 A THREE-STRAND PEARL NECKLACE composed of fifty-five, fifty-eight and sixty-one semi-baroque cultured pearls respectively, 993 approximately 6,5mm diameter, the 9ct gold clasp centred with a circular-cut smoky quartz enclosedwithin a conformingfoliate surround 1
A ROSE QUARTZ RING centred with an elongated oval cabochon rose quartz, enclosed within a conforming plain surround, in 14ct 994 gold, size N1/2 1
A KUNZITE RING designed as a flowerhead, claw set to the centre with an oval mixed-cut kunzite weighing approximately 5.0cts, the 995 stylised petals embellished with single-cut diamonds weighing approximately 0.045cts in total, in 9ct gold, size P 1
A PAIR OF MORGANITE AND DIAMOND PENDANT EARRINGS each cruciform surmount claw set with round brilliant-cut diamonds 996 weighing approximately 1.50cts in total, suspending a briolette-cut morganite drop weighing approximately 37.16cts in total, the rose gold-plated caps embellished with further round ...[more]
A GEM-SET RING centred with a circular panelenclosing a butterfly with flowerheads and leaves, embellished with circular-cut 997 amethysts and garnets and navette-shaped peridot and blue topaz, highlighted with round brilliant-cut diamonds weighing approximately 1.75cts in total, in 18ct white gold, ...[more]
A BLUE TOPAZ RING the broad shank designed as alternating polished and textured bands centred with an oval mixed-cut blue topaz 998 weighing approximately 11.39cts, in 9ct gold, size R1/2 1
A CITRINE AND PERIDOT RING of asymmetrical design, claw set with an oval mixed-cut citrine and an oval mixed-cut peridot 999 embellished with single-cut diamonds weighing approximately 0.04cts in total, in 9ct gold, size M1/2 1
A CITRINE RING claw set with an oval mixed-cut citrine weighing approximately 11.08cts, the shoulders with textured finish, in 18ct 1000 gold, size N 1
1001 A CITRINE RING claw set with a canted square citrine weighing approximately 15.46cts, in 9ct gold, size M1/2 1
1002 AN AQUAMARINE RING claw set with an emerald-cut aquamarine weighing approximately 6.25cts, in 18ct gold, size N1/2 1
A TURQUOISE BROOCH, KURT JOBST centred with a oval cabochon turquoise, enclosed within a conforming domed surround, 1003 impressed Jobst, in 18ct gold 1
1004 AN 18CT GOLD NECKLACE, KURT JOBST composed of a series of circular links, impressed Jobst, approximately 457mm in length 1
A TURQUOISE AND AMETHYST RING centred with an oval cabochon turquoise enclosed within a conforming surround of circular-cut 1005 amethysts, in 14ct gold, size M 1
A TURQUOISE BEAD NECKLACE composed of nine strands of enhanced turquoise beads, approximately 4mm diameter, the 14ct gold 1006 clasp with cushion-shaped cabochon composite turquoise, approximately 435mm in length 1
A CERAMIC AND DIAMOND RING designed asacanted rectangular, turquoise-coloured plaque centred with a circular red cabochon 1007 enclosed within a conforming surround of round brilliant-cut diamonds weighing approximately 0.26cts in total, in 18ct gold, size M 1
AN INTER-CHANGEABLE GEM-SET RING designed as three solitaire settings claw set with an emerald-cut aquamarine weighing 1008 approximately 66.5cts, an emerald-cut citrine weighing approximately 149.2cts and an oval chequerboard-cut citrine weighing approximately 195.8cts respectively, in 14ct gold, size ...[more] A DOUBLE-STRAND PEARL NECKLACE comprising forty-eightand fifty-three cultured pearls respectively, approximately 6.5 to 7.0mm 1009 diameter,the 14ct white gold clasp of stylised foliate design and embellished with circular-cut sapphires and cultured pearls 1
1010 A 9CT GOLD NECKLACE composed of free-form links with granule highlights, approximately 775mm in length 1
1011 A 9CT GOLD NECKLACE composed of fancy curb-link chain, approximately 570mm in length 1
A 14CT GOLD BRACELET designed as a series of rectangular plaques joined by two cable-link chains, embellished with diamond- 1012 shaped motifs and scrolling decoration, approximately 191mm in length 1
AN AMETHYST BRACELET composed of a series of open-work links, eachcentred with a circular-cut pale amethyst, in 9ct gold, 1013 approximately 167mm in length, accompanied by two additional links, modified; and A 15ct Gold Brick-link Bracelet, approximately 180mm in length, accompanied by two sections o ...[more]
A GARNET BEAD NECKLACE composed of nine strands of garnet beads of various shapes and sizes, the 9ct gold clasp with initials, 1014 approximately 790mm in length 1
A GARNET AND DIAMOND RING designed as two intertwined bands embellished with pavé-setbrilliant-cut diamonds weighing 1015 approximately 0.52cts in total and centred with a claw-setoval mixed-cut garnet weighing approximately 3.56cts, in 14ct white and yellow gold, size O1/2 1
A GARNET RING designed as a flowerhead cluster, in 18ct gold, size P1/2; A Cultured Pearl Ring, in 9ct gold, size N; and A Sapphire 1016 Ring, centred with a circular-cut white sapphire, probably synthetic, and embellished on either side with circular-cut blue sapphires, in 18ct white gold, size M1/2 ...[more]
A GARNET AND DIAMOND RING centred with a round cabochon garnet enclosed within a conforming surround of round brilliant-cut 1017 diamonds weighing approxmately 0.12cts in total, the shoulders with stylised woven design, in 18ct gold, size N3/4 1
A GARNET, TSAVORITE AND SEED PEARL RING of flowerhead design, centred with an emerald-cut garnet embellished with circular- 1018 cut tsavorites and seed pearls, in 9ct gold, size M1/2 1
A PAIR OF DIAMOND EARRINGS each set with a round brilliant-cut diamond weighing approximately 0.60cts in total, in 18ct white 1019 gold; A Diamond Pendant, en suite, set with a round brilliant-cut diamond weighing approximately 0.30cts; An 18ct White Gold Snake- link Chain Necklace, approximately 448mm ...[more]
A DIAMOND RING centred with a band of channel-set baguette-cut diamonds weighing approximately 0.44cts in total, alternating with 1020 panels of claw-set round brilliant-cut diamonds weighing approximately 0.4cts in total,between borders of millegrain-set round brilliant- cut diamonds weiging approxima ...[more]
A DIAMOND RING composedof three bands claw set to the centre with a round brilliant-cut diamond weighing approximately 0.28cts, in 1021 18ct white and yellow gold, size O 1
1022 A PAIR OF 14CT GOLD HOOP EARRINGS each composed ofhollow tube, inner diameter approximately 50mm 2
A MISCELLANEOUS GROUP OF JEWELLERY ITEMS including: a 14ct gold cruciform pendant and a 9ct gold cable-link chain, later 1023 gold-plated clasp, approximately 700mm in length 5
A DIAMOND PENDANT claw set with a round brilliant-cut diamond weighing approximately 0.26cts, in 18ct white gold; and A 9ct White 1024 Gold Necklace, composed of fine box-link chain, approximately 450mm in length 2 A DIAMOND RING centred with a claw-set round brilliant-cut diamond weighing approximately 1.06cts, flanked on either side with a 1025 tapered baguette-cut diamond weighing approximately 0.16cts in total, in 18ct white and yellow gold, size K 1
A DIAMOND RING centred with a row of round brilliant-cut diamonds alternating with pairs of smaller round brilliant-cut diamonds, 1026 flanked above and below with bands of millegrain round brilliant-cut diamonds, total diamond weight approximately 1,21cts, in 18ct white gold, size O1/2 1
A DIAMOND AND RUBY RING centred with a collet-set round brilliant-cut diamond weighing approximately 0.50cts, the shoulders 1027 embellished with rows ofcircular-cut rubies, in 18ct white and yellow gold, size P 1
A SYNTHETIC RUBY AND DIAMOND RING claw set to the centre with a row of three oval mixed-cut synthetic rubies, embellished with 1028 four old-cut diamonds weighing approximately 0.72cts in total, in 18ct gold, size I1/2 1
1029 A RUBY RING centred with three collet-set oval cabochon rubies, in 18ct gold, size K1/2 1
A SAPPHIRE AND DIAMOND RING centred with a lattice-patterned panel of brilliant-cut diamonds and carré- and triangular-cut 1030 sapphires, in 18ct white gold, size M1/2 1
A GEM-SET RING the broad domed ring centred with an oval cabochon sapphire weighing approximately 2.53cts, the shoulders 1031 highlighted with circular-cut white gems, in 18ct gold, size R 1
A GEM-SET RING designed as a navette-shaped motif centred with an oval mixed-cut silver topaz,embellished with circular-cut white 1032 gems, probably silver topaz,and calibré-cut blue gems, possiblysapphires, in 9ct gold, size N 1
1033 A 22CTGOLD NECKLACE composed of fancy-link chain,approximately 405mm in length 1
1034 A 9CT GOLD NECKLACE composed of rolled curb-link chain, distress, approximately 488mm in length 1
1035 AN 18CTGOLD BRACELET composed of eight strands of wheat-link chain, approximately 197mm in length 1
1036 AN 18CT GOLD BRACELET composed of two strands of omega-link chain with textured finish, approximately 187mm in length 1
1037 A 14CT GOLD BRACELET the broad band composed of zigzag links, approximately 195mm in length 1
AN INDIANGEM-SET AND ENAMEL NECKLACE designed as three teardrop-shaped motifs, graduated in size, each centred with apink 1038 tourmaline panel carved on either side with lotus blossoms, embellished with foiled senaille-cut diamonds and suspending a fringe of emerald beads,the reverse enamelled in s ...[more]
A PAIR OF INDIAN GEM-SET PENDANT EARRINGS each of stylised lotus blossom and bird design,embellished with foiled senaille- 1039 cut diamonds and enamelled in shades of red and green, suspending a fringe of seed pearls and emerald and ruby beads, the reverse with polychrome enamel, post fittingswith sc ...[more]
A PAIR OF EGYPTIAN LAPIS LAZULI AND ENAMEL PENDANT EARRINGS after the design of a pectoral found in King 1040 Tutankhamun`s tomb, each embellished with lapis lazuli and enamelled in shades of blue and red, Egyptian hallmarks, shepherd`s hook fittings, in 18ct gold 2
A GEM-SET RING in the form of a dragon`s head, its horns supporting a trilliant-cut gem, probably garnet, embellished with circular-cut 1041 rubies, the eyes highlighted with green gems, possibly tsavorites, in 18ct gold, size N 1 TWO PEARL BROOCHES each of foliate design, one embellished with seed pearls, in 18ct gold, the other with cultured pearls and 1042 circular-cut rubies, in 14ct gold, the brooches joined by a chain 2
A MISCELLANEOUS GROUP OF JEWELLERY ITEMS including: a hollow hinged 9ct gold bangle, oval, Birmingham hallmarks, inner 1043 width approximately 62mm,and a citrine and 14ct gold brooch, distress 6
A MISCELLANEOUS GROUP OF JEWELLERY ITEMS including: a tiger`s eye and9ct gold pendant, a 9ct gold fine curb-link 1044 chainnecklaceapproximately462mm in lengthandthree 9ct gold signet rings, distress 10
A PAIR OF 18CT GOLD CUFFLINKS each of cylindrical form embellishedwith textured finish andpolished, oblique-angled ends, in 18ct 1045 gold, torpedo fittings 2
APAIR OF 18CT GOLD CUFFLINKS each oval, engraved with a `C`, Swedish hallmarks, swivel-back fittings; and Two Pairs of 9ct Gold 1046 Cufflinks 6
A MISCELLANEOUS GROUP OF JEWELLERY ITEMS including: a pair of mother-of-pearl and diamond collar studs, in platinum and 1047 18ct gold, and a pair of 9ct gold cuff links 13
A DIAMOND ANDCOIN-MOUNTED NECKLACE centred with a 1996 Natura `The Elephant`Quarter Ouncegold coin, suspended ona 1048 curb-link chain, the terminals embellished with single-cut diamonds weighing approximately 0.11cts in total, in 9ct gold, approximately 410mm in length 1
A DIAMOND AND COIN-MOUNTED PENDANT the 1996 Natura `The Elephant` Quarter Ounce gold coin enclosed within a 9ct gold 1049 frame embellished with single-cut diamonds weighing approximately 0.14cts in total; and A 9ct Gold Necklace, composed of curb-link chain, approximately 555mm in length 2
A DIAMOND AND COIN-MOUNTED PENDANT the 1971 South African OneRand gold coin enclosed within an 18ct white and yellow 1050 gold frame embellished with brilliant-cut diamonds weighing approximately 0.40cts in total; and An 18ct Gold Necklace, composed of curb-link chain, approximately 465mm in length ...[more]
AN IVORY AND COIN-MOUNTED BROOCH NOT SUITABLE FOR EXPORT of circular form, centred with a 1912 Half Sovereign gold 1051 coin; and A Quartz and Seed Pearl Brooch, in 9ct gold 2
A DIAMOND DEMI-PARURE comprising: a necklace, a bracelet and a pair of earrings, each designed as a series of brick links centred 1052 with an oval motif pavé set with round brilliant-cut diamonds weighing approximately 3.48cts in total, in 9ct white and yellow gold, the earrings with post-and-clip fit ...[more]
1053 A 9CT GOLD NECKLACE designed as three rows of brick links, graduated in size, approximately 440mm in length 1
1054 A 9CT GOLD NECKLACE composed of hollow fancy-link chain, approximately 430mm in length 1
1055 AN 18CT GOLD NECKLACE composed ofcurb-link chain, approximately 515mm in length 1
1056 AN 18CT GOLD NECKLACE composed of rope-link chain, approximately 915mm in length 1
1057 A MISCELLANEOUS GROUP OF GEM-SETRINGS of various designs, in 18ct gold, distress 3 A SILVER PENDANT, DESIGNED BY BENT GABRIELSEN FOR GEORG JENSEN of stylised broom design, impressed maker`s and 1058 designer`s marks, DENMARK and numbered 142; and A Silver Necklace, Georg Jensen, composed ofelongated oval links with hammered finish alternating with circular links, of continuous desig ...[more]
A SILVER BANGLE, DESIGNED BY BENT GABRIELSENFOR GEORG JENSEN designed as three bands, two to the front and one to 1059 the reverse, united with flared terminals, impressed maker`s and designer`s marks, DENMARK and numbered 246, inner width approximately 640mm 1
A SILVER PENDANT, DESIGNED BY NANNA AND JØRGEN DITZEL FOR GEORG JENSEN of stylised clam-shell form, impressed 1060 designers` and maker`s marks, DENMARK and numbered 328; and A Silver Necklace, composed of faceted trace-link chain, toggle and ring clasp, approximately 820mm in length 2
A SILVER PENDANT NECKLACE, GEORG JENSEN the pendant designed as a cushion-shaped motif embellished with three vertical 1061 ribs and highlighted with oxidisation, suspended on a belcher-link chain, the pendant with impressed maker`s mark, DENMARK and numbered 462, the necklace with impressed maker`s ma ...[more]
A SILVER BRACELET, GEORG JENSEN designed as a graduated series of beads, one with oxidised `cave` detail, impressed maker`s 1062 mark, DENMARKand numbered 441, approximately 212mm in length; and A Pair of Pendant Earrings, of similar design 3
A SILVER BANGLE, DESIGNED BY VIVIANNA TORUNBÜLOW-HÜBE FOR GEORG JENSEN the tapering concave bangle with 1063 flattened terminals and detachable, plain-polished,oval motif to the centre, the bangle withimpressed maker`s and designer`s marks, DENMARK andnumbered 203, the central motifunsigned andim ...[more]
A PAIR OF SILVER EARRINGS, GEORG JENSEN each of shaped and flared baton design, partially impressed maker`s mark and 1064 numbered 116A, converted to post fittings; and A Pair of Silver Pendant Earrings, Georg Jensen, each of concave navette-shape, impressed maker`s mark and numbered 131, convertedto ...[more]
A SILVER PENDANT, GEORG JENSEN of draped disc design, partially impressed with maker`s mark, DENMARK and numbered 358; 1065 and A Silver Ring, Georg Jensen, impressed maker`s mark, size P 2
1066 A TOURMALINE PENDANT collet set with a barrel-cut bi-colour tourmaline weighing approximately 20.0cts, in silver 1
AN OPAL AND DIAMOND PENDANT/BROOCH centred with an oval cabochon opal weighing approximately 13.11cts enclosed within 1067 an undulating ribbon surround embellished with round brilliant-cut diamonds weighing approximately 0.51cts in total, in 18ct gold 1
1068 AN UNMOUNTED BRIOLETTE-CUT KUNZITE weighing approximately 41.10cts 1
1069 AN UNMOUNTED OVAL MIXED-CUT AQUAMARINE weighing approximately 6.78cts 1
A BRONZE CURRENCY TOKEN, LATE 19TH/EARLY 20TH CENTURY The seed bead, from which African beadwork is made, has a 1091 history that stretches back over five hundred years. Glass beads were originally made in Venice from where bead making spread to the town of Lablonec in northern Bohemia, today the Czech ...[more]
A WOODEN AND BEADED NECKLACE, 1950s the single strand of beads with two wooden panels, each panel incised with geometric 1092 patterns and inset with diamond-shaped mirrors 30,5cm long 1
1093 A WOODEN AND BEADED NECKLACE, 1960s single strand interspersed with carved and pierced wooden panels 47cm long 1
1094 A PAIR OF BEADED BANDOLIERS, 1960s each of multiple strands of beads each 58cm long 2 1095 A BEADED NECKLACE, 1930s interspersed with three beaded panels 37cm long 1
1096 A BEADED COLLAR, 1930s decorated in alternating rows of coloured beads 1
1097 A BEADED BANDOLIER, 1940s 46cm long 1
1098 TWO BEADED BLANKET PINS, 1950s each above a beaded panel the larger 14by 9cm 2
1099 A SET OF COPPER AND BRASS NECK RINGS, FIRST QUARTER 20TH CENTURY one stamped with geometric designs QTY
A MAPOTO, 1890s the partially beaded surface with geometric design and stylised letters 56by 57cm A mapoto is a flat apron worn by 1100 married women as everyday wear.Similar to serving an apprenticeship, the beading proficiency of the woman improves with practice as does the quality of the patter ...[more]
1101 A MAPOTO, CIRCA 1910 the partially beaded surface above a beaded panel with stylised house design, leather backing 57by 58cm 1
1102 A MAPOTO, 1940s the partially beaded surface beneath a beaded flap, leather backing 58by 54cm 1
TWO WOVEN AND BEADED IKAPO, 1880s each base with a beaded panel Ikapo are used to cover beer pots and prevent insects 1103 from entering the pot 2
1104 A BRASS NECK RING, 1920s the rim with geometric design 1
1105 A COPPER NECK RING, 1920s the rim with geometric design 1
A COMPLETE SET OF BEADED ISIGOLWANI, 1960s each ring of woven grass and applied with beadwork These beaded arm,leg and 1106 waistrings are worn by young women after their initiation ceremony to indicate that they are of marriageable age. They are made by binding grass together to form the ring whic ...[more]
A COLLECTION OF FOUR BEADED GHABIS, 1960s comprising: one for a three year old, two for a five to seven year old and one for a 1107 twelve year old A ghabi is an apron worn by young girls and made by their mothers. It is one of the first pieces of beadwork worn by Ndebele women and is the beginning o ...[more]
A COLLECTION OF FOUR BEADED GHABIS, 1960s comprising: one for a one-year-old, one for an eight-year-old, one for a ten-year- 1108 old and one for a twelve-year-old, the last with plastic and glass beads 4
A COLLECTION OF FOUR BEADED GHABIS, 1970s comprising: one for a one-year-old, one for a six-year-old, one for a ten-year-old 1109 with plastic beads and a metal bracelet and one for a twelve-year-old 4
A COLLECTION OF FOUR BEADED GHABIS, 1970s comprising: one for a three-year-old, one for a five-year-old, one for an eight- 1110 year-old, and one for a twelve-year-old beaded with an aeroplane motif 4
A COLLECTION OF FOUR BEADED GHABIS, 1970`s comprising: one for a four-year-old, one for a five-year-old with a laterbeaded 1111 panel, one for an eight-year-old and one for a twelve-year-old 4