Stephan Welz & Co

Total Page:16

File Type:pdf, Size:1020Kb

Stephan Welz & Co Stephan Welz & Co The Great Cellar, Alphen Estate Alphen Drive, Constantia Auction of Fine Art & Design Cape Town 7806 Started 28 Oct 2014 10:00 SAST (08:00 GMT) South Africa Lot Description Rowland Hilder HIGH MILL, FARNHAM, SURREY signed, dated 1952 and inscribed `To Peter Clarke, with best wishes from Rowland 1 Hilder` in pen in the margin Acquired from the artist in 1952 1 19,5 by 28cm Rowland Hilder FROM MY WINDOW, FARNHAM (SURREY, ENGLAND) signed and inscribed with the title in the margin watercolour 2 and ink on paper Acquired from the artist in 1952 1 22 by 27cm David Gentleman ORCHARD IN MASQUIERES; NORTHERN FRANCE; and STREET IN VILLE FRANCHE, two each signed 3 watercolour on paper 2 each: 30 by 40cm (2) Elza Botha (Miles) MILLET, VOLSCHENK EN GONZALEZ - TORRES IN DIE KAROO linocut, signed, dated 1997, numbered 9/10 and 4 inscribed with the title in pencil in the margin 1 sheet size: 60 by 75cm 5 Edwin La Dell BATHING colour lithograph, signed Acquired from the artist in 1952 1 sheet size: 20 by 27cm 6 John Piper STREET SCENE FROM GLORIANA colour lithograph 1 sheet size: 17 by 22cm 7 William Scott THREE PEARS AND A PAN colour lithograph, signed and dated 55 in the plate 1 sheet size: 25 by 33cm 8 David Goldblatt DYING MINES OF WITWATERSRAND silver gelatin print 1 sheet size: 25 by 30cm 9 George Hallett PETER CLARKE black and white hand print, signed and inscribed `France 79` in black marker 1 sheet size: 50 by 40cm George Hallett PETER CLARKE black and white hand print, dated 1966 and inscribed with the artist`s name, title, and `The collection of 10 Peter Clarke` on the reverse 1 sheet size: 25,5 by 20,5cm George Hallett PETER CLARKE black and white hand-print, signed and inscribed `France April 79` and `For Bro Pete Collection 11 Private`(sic) in black marker 1 sheet size: 50 by 40cm George Hallett DUMILE AND TABS. LONDON. black and white hand print, signed and inscribed with the title in black marker 1 sheet 12 size: 24 by 30cm 13 George Hallett FENI DUMILE black and white hand print, signed and inscribed with the title in black marker 1 sheet size: 31 by 38cm George Hallett RONNIE BEER. LONDON `71 black and white hand print, signed, dated `71 and inscribed with the title in black marker 1 14 sheet size: 24 by 30cm George Hallett ROBERT SITHOLE, CAPE TOWN black and white hand print, signed and inscribed `Athlone` in black marker 1 sheet 15 size: 20 by 25cm George Hallett 100 CLUB, LONDON black and white hand print, signed and inscribed with the title in black marker 1 sheet size: 24 by 16 30cm George Hallett DUDU PUKWANA black and white hand print, signed and inscribed with the title in black marker 1 sheet size: 23,5 by 17 30cm George Hallett SHOP-FRONT, ARSENAL ROAD, SIMONSTOWN black and white hand print, inscribed with the title on the reverse 1 18 sheet size: 16 by 22cm 19 George Hallett STREET SWEEPER, CAPE TOWN black and white hand print, signed in black marker 1 sheet size: 25 by 20cm 20 George Hallett SUNDAY AFTER-CHURCH GOSSIP, SIMONSTOWN black and white hand-print 1 sheet size: 23 by 16cm George Hallett THE HERB SELLER, THE PARADE, CAPE TOWN black and white hand print, signed in black marker 1 sheet size: 20 21 by 25cm Walter Whall Battiss FLOATING GODDESS silkscreen printed in colours, signed, inscribed with the title and `For Peter Clarke` in pencil 22 in the margin Acquired from the artist in 1970 1 sheet size: 56,5 by 77cm Walter Whall Battiss FIGURES silkscreen, signed and inscribed ""for Peter Clarke"" in pencil in the margin Acquired from the artist in 23 1970 1 Walter Whall Battiss GIRLS SKIPPING silkscreen printed in colours, signed and inscribed `For Peter Clarke` in pencil in the margin 1 24 sheet size:57,5 by 77cm Walter Whall Battiss I.S.S.O.P. silkscreen, signed and inscribed `for Peter Clarke from Walter Battiss` in pencil in the margin Gifted from 25 the artist in 1970 1 sheet size: 57 by 77cm Walter Whall Battiss ORGY screenprint, signed and numbered 180/250 in pencil in the margin Acquired from the artist in 1972 1 20 by 26 25,5cm Maurice Charles Louis van Essche CONGO DANCER woodcut, signed and inscribed `Artist Proof` in pencil in the margin Acquired from 27 the artist in 1950 1 sheet size: 34 by 25cm 28 Stanley Pinker THE STUDIO linocut, signed in pencil in the margin Acquired from the artist in 1970 1 sheet size: 49 by 59cm May (Mary Ellen) Hillhouse PROCESSIONAL hard-ground and soft-ground etching printed in colours, signed, inscribed with the title and 29 numbered 21/25 in pencil in the margin Acquired from the artist 1967 1 sheet size: 44 by 31cm Eleanor Frances Esmonde-White RECLINING FIGURES relief etching, signed and inscribed `Artist`s Proof` in pencil in the margin 30 Acquired from the artist in 1958 1 sheet size: 19 by 29cm Eleanor Frances Esmonde-White MOTHER AND CHILD lithograph, signed and numbered 6/14 in pencil in the margin 1 sheet size: 47,5 31 by 34,5cm Eleanor Frances Esmonde-White SWAZI RIDER lithograph printed in colours, signed and numbered 6/9 in pencil in the margin 32 Alexander, F. L., Art in South Africa, Paintings Sculpture and Graphic works since 1990, Cape Town, illustrated on p 154 Acquired from the artist in 1958 1 sheet size: ...[more] 33 Zolani Siphungela PETER CLARKE linocut, signed, numbered 3/10 and inscribed with the title in the margin 1 sheet size: 93 by 67cm Jabulane Sam Nhlengethwa TRIBUTE TO PETER CLARKE lithograph printed in colours, signed, dated `08, numbered 6/50 and 34 inscribed with the title in pencil in the margin Acquired from the artist in 2008 1 sheet size: 57 by 75cm 35 Maurice Charles Louis van Essche CONGOLESE WOMAN signed and dated 54 mixed media on paper 1 25 by 34,5cm 36 Willie Bester JOYCE NTOBE MINI MARKET signed and dated 92 mixed media on board 0 1 55 by 95cm Breyten Breytenbach LADY GODIVA AND THE HORSE signed, dated `62, signed and inscribed with the title and `Paris 1963` on the 37 reverse mixed media on paper 1 28 by 48cm 38 Breyten Breytenbach JAMBES DES PIERROTS signed and dated `62 mixed media on paper Acquired in Paris, 1963 1 29 by 44cm Christo Coetzee HEAD signed, dated 4/3/97 and inscribed with the title, `96-97` and `Dear Peter (Love)` in pencil n the margin acrylic on 39 paper Gifted by the artist in 1997 1 64 by 51cm Christo Coetzee PROFILE signed and inscribed `profile 96-3` in pencil in the margin mixed media on paper Acquired from the artist in 40 1998 1 64 by 51cm 41 Jabulane Sam Nhlengethwa JAM SESSIONS signed and dated `94 collage on paper Acquired from the artistin 1994 1 25,5 by 37cm 42 Jabulane Sam Nhlengethwa STREET SCENE signed and dated `85 collage on paper Acquired from the artist in 1986 1 22 by 32cm 43 Jabulane Sam Nhlengethwa JAZZ SINGER` and MUSICIANS, two each signed and dated `04 collage on paper 2 each: 15 by 18,5cm 44 Stanley Pinker THE GOAT signed charcoal on paper Acquired from the artist in 1965 1 35 by 51cm 45 Anna Verschoyle LANDSCAPE signed and dated 43 oil on board 1 61 by 76cm 46 Marjorie Wallace STREET AT NIGHT, PARIS signed oil on paper Acquired from the artist in 1959 1 54 by 36cm 47 Sandy Rubin Esau SNOEK SELLERS signed and dated 06 oil on board 1 33,5 by 44,5cm Lungile Twaku HUNGER VS YOUTH signed and dated 05-03 oil on canvas Purchased from The Anglican Aids and Health Care Trust 48 Fund Raising art evening in 2009 1 70 by 85,5cm 49 Ismael Thyssen GREEN VASE signed incised and painted wood 1 54,5 by 65,5cm Cecil Edwin Frans Skotnes HEAD woodcut, signed and numbered 10/20 in pencil in the margin Acquired from the artist in 1969 1 sheet 50 size: 31 by 27,5cm Cecil Edwin Frans Skotnes STORY OF AN AFRICAN FARMER woodcut, signed and inscribed with the title and `Artists Proof` in pencil 51 in the margin Acquired from the artist in 1969 1 sheet size: 48 by 69cm 52 Cecil Edwin Frans Skotnes ABSTRACT woodcut, signed and inscribed `Artists Proof` in pencil in the margin 1 sheet size: 45 by 33cm Cecil Edwin Frans Skotnes ABSTRACT HEAD woodcut, signed and inscribed `Artist Print. No 3` in pencil in the margin Acquired from 53 the artist in 1969 1 sheet size: 60 by 47cm 54 Cecil Edwin Frans Skotnes ABSTRACT HEAD woodcut, signed and numbered 6/30 in pencil in the margin 1 sheet size: 90 by 65cm Cyprian Mpho Shilakoe CAN YOU SEE THE GRAVES, CHILD? etching, signed, dated 1970, numbered 1/25 and inscribed with the title 55 in pencil in the margin Acquired from the artistin 1970 1 sheet size: 52,5 by 37,5cm Cyprian Mpho Shilakoe LOST etching and aquatint, signed, dated 1968, numbered 12/25 and inscribed with the title in pencil in the 56 margin Acquired from the artist in 1970 1 sheet size: 33,5 by 46,5cm Azaria Mbatha THE ROYAL WEDDING linocut, signed, dated 1983 and inscribed with the title in pencil in the margin 1 sheet size: 45 by 57 59cm Azaria Mbatha THE RESURRECTION linocut, signed, numbered 21/50 and inscribed with the title in pencil in the margin Acquired by 58 the artist in 1968 1 sheet size: 28,5 by 32cm Azaria Mbatha WATER INTO WINE aquatint and intaglio etching, signed and numbered 24/100 in pencil in the margin Acquired from 59 the artist`s gallery in 1970 1 sheet size: 30 by 30cm Azaria Mbatha NO ROOM AT THE INN linocut, signed and numbered 27/50 in pencil in the margin Acquired from the artist`s gallery, 60 1970 1 sheet size: 30 by 36cm Billy Mandindi DETENTION woodcut, signed, dated 86, numbered A/P 1/1 and inscribed with the title in the margin 1 sheet size: 47 by 61 39cm Billy Mandindi REPRODUCTION woodcut, signed, numbered A/P 1/2, dated 86 and inscribed with the title in pencil in the margin 1 62 sheet size: 78 by 55cm Durant Basi Sihlali CHASTITY BELT I lithograph,
Recommended publications
  • The South African Sale London Wednesday 19 March 2014 W1S 1SR
    Bonhams 101 New Bond Street the south african sale London Wednesday 19 March 2014 W1S 1SR +44 (0) 20 7447 7447 +44 (0) 20 7447 7400 fax the south african sale Ӏ New Bond Street, London Ӏ Wednesday March 19 2014 21431 International Auctioneers and Valuers – bonhams.com lot 15 Irma Stern Zanzibar Woman the South afrIcan Sale Wednesday 19 March at 2pm New Bond Street, London PhyI S cal condItIon of Vw Ie Ing enquIrIeS lotS In thIS auctIon Sunday 16 March Giles Peppiatt MRICS 11.00 to 15.00 +44 (0) 20 7468 8355 PLEASE NOTE THAT THERE IS Monday 17 March NO REFERENCE IN THIS 9.00 to 16.30 Hannah O’Leary CATALOGUE TO THE PHYSICAL Tuesday 18 March +44 (0) 20 7468 8213 CONDITION OF ANY LOT. 9.00 to 16.30 INTENDING BIDDERS MUST Wednesday 19 March Elizabeth Callinicos SATISFY THEMSELVES AS TO 9.00 to 12 noon +44 (0) 20 7468 8216 THE CONDITION OF ANY LOT AS SPECIFIED IN CLAUSE 14 PreVIew of hIghlIghtS [email protected] OF THE NOTICE TO BIDDERS 580 Madison Avenue, New York CONTAINED AT THE END OF 19 - 21 February Jonathan Horwich THIS CATALOGUE. 10.00 to 17.00 Global Director, Picture Sales +44 (0) 20 7468 8280 As a courtesy to intending Sale number [email protected] bidders, Bonhams will provide a 21431 written Indication of the physical South Africa condition of lots in this sale if a catalogue Penny Culverwell request is received up to 24 £25.00 +27 71 342 2670 hours before the auction starts.
    [Show full text]
  • Detective Special Agent = DET. =SA Assistant
    Detective = DET. Special Agent =SA Assistant Prosecuting Attorney =APA Unknown Male One= UM1 Unknown Male Two- UM2 Unknown Female= UF Tommy Sotomayor= SOTOMAYOR Ul =Unintelligible DET. Today is Thursday, November 6, 2014 and the time is 12:10 p.m. This is Detective with the St. Louis County Police Department's Bureau of Crimes Against Persons, . I'm here in a conference room, in the Saint Louis County Prosecuting Attorney's Office, with a, Special Agent, Special Agent of the F.B.I., and also present in the room is ... Sir, would you say your name for the recorder please? DET. Okay, and it's is that correct? That's correct. DET. Okay ... and what is your date of birth, ? DET. ...and your home address? DET. And do you work at all? DET. Do not. DET. Okay ... and what is your cell phone? What is my what now? DET. Cell phone? Number? DET. Yes Sir. DET. Okay and, a, did you say an apartment number with that? DET okay. mm hmm. DET. So ... you came down here, a, to the Prosecuting Attorney's Office, because you received a Grand Jury Subpoena, is that correct? That is correct. DET Okay and you received that Grand Jury Subpoena a few days ago? Yes. DET. Okay ... and since then, you had a conversation with a, at least one of the Prosecutors here, explaining to you that they would like you to come down to the office today, is that correct? Yes. DET. Okay, uhh ... having said that, a, I think your attendance at the Grand Jury will be later on this afternoon, or, or in a little bit here.
    [Show full text]
  • The Career of John Jacob Niles: a Study in the Intersection of Elite, Traditional, and Popular Musical Performance
    The Kentucky Review Volume 12 Article 2 Number 1 Double Issue of v. 12, no. 1/2 Fall 1993 The aC reer of John Jacob Niles: A Study in the Intersection of Elite, Traditional, and Popular Musical Performance Ron Pen University of Kentucky, [email protected] Follow this and additional works at: https://uknowledge.uky.edu/kentucky-review Part of the Music Commons Right click to open a feedback form in a new tab to let us know how this document benefits you. Recommended Citation Pen, Ron (1993) "The aC reer of John Jacob Niles: A Study in the Intersection of Elite, Traditional, and Popular Musical Performance," The Kentucky Review: Vol. 12 : No. 1 , Article 2. Available at: https://uknowledge.uky.edu/kentucky-review/vol12/iss1/2 This Article is brought to you for free and open access by the University of Kentucky Libraries at UKnowledge. It has been accepted for inclusion in The Kentucky Review by an authorized editor of UKnowledge. For more information, please contact [email protected]. The Career of John Jacob Niles: a Study in the Intersection of Elite, Traditional, and Popular Musical Performance Ron Pen As a young and naive doctoral student, I approached my folklore professor with a dissertation proposal. Quivering with trepidation, I informed him that I intended to provide an initial biography and works of the composer and balladeer John Jacob Niles. The folklorist cast a bemused glance over his tortoise shell glasses and said: "He was a fraud. You realize, of course, that no folklorist would write his obituary." Years later, with the dissertation nestled securely on the library shelves, I recalled this conversation and attempted to reconcile my understanding of John Jacob Niles's career with the folklorist's accusation.
    [Show full text]
  • Hello, Hatchlings Families! a Few Reminders
    SESSION 3 LCCOOM EEL MEE WW Hello, Hatchlings Families! A few reminders Unexpected Calm down Respect is expected without the crowd baby’s rest Hands on Stay Engaged; exploration Silence phones Let’s go around and introduce ourselves! 1 Smile, talk, sing, share books and play with your baby. Early speech and language skills are associated with success in developing reading, writing, and social skills, in childhood and later in life. Talk, Sing, Share Books & Play. Can You Clap With Two Hands? “Mirror” the faces your baby makes, clap when your RHYME baby claps. Old Mother Goose when she wanted to wander, would fly through the air on a very fine gander. 2 There are many ways to read a story... k about wh up sto al at ke ri T you see. a es M . Once Upon a 1 3 Time 2 4 C ou t’s nt wha . in s the picture And even sing to any tune you like or make up a song! There are Bubbles in the Air Try chanting! “You can do it!” Babies’ brains learn best when you talk directly to them, not by listening to the television. Books Away 3 Name the parts of your baby’s face and talk about the faces they’re making. Who’s That Tapping on my Shoulder & Two Little Eyes to Look Around Two little eyes to look around, Two little ears to hear a sound. One little nose to smell what’s sweet... (take a deep smell) And one little mouth that likes to eat! (mmmmmmm) Use words to describe how you think your baby is feeling.
    [Show full text]
  • English 9.Pdf
    English 9 Summer Reading Short Story Selections Please read the following stories carefully. While you read and/or after you read, take notes on: ● key characters ● important conflicts ● settings ● vocabulary that is new to you After reading each story, you should be able to: ● recall the title and author of each story ● summarize each story ● determine the lesson about life offered by each story All stories are included in this PDF; below are links to the individual stories: "Sucker" by Carson McCullers (1963) …………………………………………………..page 2 ​ "Growing Up" by Gary Soto (1990) ……………………………………………………...page 10 ​ "All Summer in a Day" by Ray Bradbury (1954) ……………………………………….page 17 ​ "The War of the Wall" by Toni Cade Bambara (1980) ………………………………….page 23 ​ "Montreal, 1962" by Shauna Singh Baldwin (2012) ……………………………………..page 29 ​ "The Leap" by Louise Erdrich (2009) …………………………………………………….page 32 ​ "Nobody Listens When I Talk" by Annette Sanford (2000) …………………………….page 38 ​ "The Birds" by Daphne du Maurier (1952) ……………………………………………...page 40 ​ 1 “Sucker” by Carson McCullers It was always like I had a room to myself. Sucker slept in my bed with me but that didn’t interfere with anything. The room was mine and I used it as I wanted to. Once I remember sawing a trap door in the floor. Last year when I was a sophomore in high school I tacked on my wall some pictures of girls from magazines and one of them was just in her underwear. My mother never bothered me because she had the younger kids to look after. And Sucker thought anything I did was always swell. Whenever I would bring any of my friends back to my room all I had to do was just glance once at Sucker and he would get up from whatever he was busy with and maybe half smile at me, and leave without saying a word.
    [Show full text]
  • Answer Key: Parallel Structure—Exercise A
    Sheldon Lawrence, Ph.D. ©2014 www.stillwaterspress.com [email protected] Available at Amazon.com Table of Contents Meet the Sentence �����������������������������������������������������������������������������������������������������������������������01 Building a Sentence ���������������������������������������������������������������������������������������������������������������������11 Fragments ������������������������������������������������������������������������������������������������������������������������������������16 Run-on Sentences ������������������������������������������������������������������������������������������������������������������������23 Commas ����������������������������������������������������������������������������������������������������������������������������������������28 Confused Words �������������������������������������������������������������������������������������������������������������������������45 Commonly Misspelled Words ��������������������������������������������������������������������������������������������������56 Shifts in Time �������������������������������������������������������������������������������������������������������������������������������62 Parallel Structure ������������������������������������������������������������������������������������������������������������������������66 Problems with Pronouns �����������������������������������������������������������������������������������������������������������76 Capitalization�������������������������������������������������������������������������������������������������������������������������������86
    [Show full text]
  • Investigation of the Newark Police Department at 35 (July 22, 2014)
    Case 2:16-cv-01731-MCA-MAH Document 42-1 Filed 04/24/17 Page 1 of 342 PageID: 435 United States v. City of Newark, et al., Civil Action No. 16-1731 (MCA) (MAH) CONSENT DECREE Independent Monitor - First Quarterly Report Peter C. Harvey Independent Monitor April 24, 2017 Case 2:16-cv-01731-MCA-MAH Document 42-1 Filed 04/24/17 Page 2 of 342 PageID: 436 TABLE OF CONTENTS Page I. INDEPENDENT MONITOR’S AUTHORITY UNDER THE CONSENT DECREE .............................................................................................................................1 II. INTRODUCTION..............................................................................................................2 III. HISTORY AND BACKGROUND ...................................................................................3 A. City of Newark, DOJ Report and Consent Decree ..................................................3 B. Consent Decree Goals ..............................................................................................4 C. The Monitoring Team ..............................................................................................5 D. The Monitoring Process ...........................................................................................7 E. Role of NPD and City ..............................................................................................8 IV. SUMMARY OF PRIOR QUARTER ACTIVITIES ......................................................9 A. The Monitoring Team’s Communication with the Newark Community ...............10
    [Show full text]
  • 2009 Edition of Trillium to Dr
    Trillium 2009 Trillium 2009 Corey O’Connell Trillium 2009 Staff Design Caitlin Adams Krysta Daniels Victoria Stonebridge Editorial Proofreading Melissa Adamo Jessica Anton Caitlin Adams Diana Frassa Jessica Anton Lauren Hendry Krysta Daniels Jonathan Madden Diana Frassa Joia Pisani Lauren Hendry Claire Sarlo Sarah Hildebrand Jonathan Madden Layout Kristen Moledo Melissa Adamo Joia Pisani Sarah Hildebrand Kimberly Rath Kristen Moledo Claire Sarlo Kimberly Rath Victoria Stonebridge Faculty Advisor Edward Shannon ii Trillium 2009 Dedication The staff would like to dedicate the 2009 edition of Trillium to Dr. Mónica Peláez, who brought life to the 2007 and 2008 issues of Trillium. Dr. Peláez was devoted to both her work and to her students. Her substantial role in the Literature Department is dearly missed, and we wish her luck in her future endeavors. We would also like to dedicate this issue to those of the Ramapo community who have served and continue to serve our country. Ashley Fischer iii Trillium 2009 Front and Back Photo Credit: Wesley Roberts Caitlin Adams iv Trillium 2009 Table of Contents i am not mistaken- Renee Dwyer.....................................................................................1 Stir with Milk- Kristen Moledo..........................................................................................1 The Color of Ache- Stephanie Platt..................................................................................3 Us- Ryan Sollers...................................................................................................................4
    [Show full text]
  • Alexis Preller and the Mapogga Lots 191 and 192
    Tuesday 18 May 2021 Session 3 at 7.00 pm Modern, Post-War and Contemporary Art Lots 171–219 Lot 192 Alexis Preller Mapogga Terrace (detail) © The Estate of Peter Clarke | DALRO 171 Although circumstances prevented Peter Clarke from extensive travel abroad, he was Peter Clarke always acutely aware of international trends. 172 SOUTH AFRICAN 1929–2014 He was drawn to German Expressionism Train Passing through and Japanese woodcuts, for instance, Peter Clarke the Karoo and he often leant heavily on the stylistic SOUTH AFRICAN 1929–2014 innovations of Diego Rivera and David Boy under the Palms signed and dated 28.10.1963; Siqueiros. Looking at the present lot, a inscribed with the title on dreamy Karoo scene foregrounded by signed and dated 10.11.1967 the reverse of the paper entangled, twinkling and wickedly sharp on the reverse of the paper mixed media on paper mixed media on paper thorns, one might assume the influence of Fig. 1: Graham Sutherland’s 27 by 38 cm 26 by 19,5 cm the great British visionaries, Samuel Palmer Thorn Head (1944), sold at R150 000 – 200 000 and Graham Sutherland (fig. 1). Christie’s, London, 2020. R80 000 – 120 000 © The Estate of Peter Clarke | DALRO 174 Dumile Feni SOUTH AFRICAN 1942–1991 Anguished Woman bronze with a dark brown patina height: 29 cm; width: 20 cm; depth: 16 cm R200 000 – 300 000 173 PROVENANCE Moving bronzes by the gifted and impulsive Dumile Feni, he received increasing international attention: his work Ephraim Ngatane Bernard Janks, and thence by particularly those cast in the artist’s lifetime, are increasingly was selected for the São Paulo Biennale in 1967, as well as descent.
    [Show full text]
  • JEWISH FFAIRS AFFAIRS JEWISH AFFAIRS JEWISH Chanukah 2017
    J EEWISHW I S H A FFFAIRSFA I R S Chanukah 2017 Price R50,00 incl. VAT Registered at the GPO as a Newspaper ISSN 0021 • 6313 Chanukah 2017 = FRONT Cover.indd 1 2017/11/26 08:28:57 AM JHB 61401/OJ Fine financial form Planning ahead can set you up for a financially secure future, especially when you have a trusted partner by your side. At Investec, we continuously explore Out of the Ordinary ways to help create and manage your wealth through Specialist Banking, Asset Management and Wealth & Investment. www.investec.com Specialist Banking Asset Management Wealth & Investment Investec Limited and its subsidiaries, including Investec Bank Limited - 1969/004763/06, registered credit providers and authorised financial service providers. Johannesburg 011 286 7000 Cape Town 021 416 1000 Durban 031 575 4000 Pretoria 012 427 8300 Port Elizabeth 041 396 6700. Chanukah 2017 = FRONT Cover.indd 2 2017/11/26 08:28:57 AM Pg 1 - 5 = Chanukah - Contents 2017.indd 1 2017/11/26 09:20:09 AM MISSION EDITORIAL BOARD In publishing JEWISH AFFAIRS, the SA EXECUTIVE EDITOR Jewish Board of Deputies aims to produce a cultural forum which caters for a wide David Saks SA Jewish Board of Deputies variety of interests in the community. The journal will be a vehicle for the publication of ACADEMIC ADVISORY BOARD articles of significant thought and opinion on Suzanne Belling Author and Journalist contemporary Jewish issues, and will aim to Dr Louise Bethlehem Hebrew University of Jerusalem encourage constructive debate, in the form of Marlene Bethlehem SA Jewish Board of Deputies reasoned and researched essays, on all matters Cedric Ginsberg University of South Africa of Jewish and general interest.
    [Show full text]
  • Michael Godby
    Home Truths Domestic Interiors in Michael Godby South African Collections 03 HomeDomestic Interiors in SouthTruths African Collections Front Cover: Eduard Vuillard (1868-1940), Interior with Figures under a Lamp, 1909, gouache on paper, 44.5 x 64.7cm, Johannesburg Art Gallery 409. Back Cover: George Pemba (1912-2001), Untitled (Woman Expelling a Man from a House), 1988, oil on board, 57.1 x 71.5cm, Tatham Art Gallery 1702. Catalogue published by PRIMAVERA PUBLISHING, Cape Town, 2016, to accompany the exhibition ‘Home Truths: Domestic Interiors in South African Collections’ at Iziko South African National Gallery and the Sanlam Gallery, Bellville. [email protected]. All images: Copyright the artists and collections. Text: copyright Michael Godby. Design: Carlos Marzia and Michael Godby. Production and co-ordination: Carlos Marzia. Printing and binding: ISBN 978-0-620-70624-7 HomeDomestic Interiors in SouthTruths African Collections Michael Godby 1. Lisa Brice (b1968), Make your Home your Castle, 1995, mixed media, dimensions variable, Iziko South African National Gallery 96/3. Contents Home Truths: Welcome 01 I. Interior Worlds 01 II. Behind Closed Doors 01 III. The World Outside 01 IV. Inside Out 01 Conclusion 01 Acknowledgements and Thanks 01 Select Further Reading 01 Author Biography 01 8 Unlike Landscape, Still Life and their own studios, and landscapes, to background of other pictorial subjects. Portraiture, the Domestic Interior has convert three-dimensional spaces in Madonna and Child compositions, for never been a recognized category in the same way. For the same reason, example, were frequently set in a domestic European academic artistic practice: no Domestic Interiors, as well as Still Life and interior, in part, of course, to underline exhibitions were arranged under this Landscape subjects, were the starting point the human aspect of the Holy Family.
    [Show full text]
  • Africartmarket.Today
    AFRICA ART MARKET REPORT TM Modern & Contemporary TaBLE OF CONTENTS INTRODUCTION ............................ P.2 T HE DIASPORA ...................P.35 AND THE GLOBAL Art FINDINGS .................................... P.5 DISCOURSE • Overview by Osei G. Kofi RANKINGS ...................................P.9 • Julia Grosse & Yvette Mutumba • Tumelo Mosaka • Mimi Errol • Top 100 modern art • Mustapha Orif • Lionel Manga • Top 100 contemporary art • Nii Andrews • Top 5 lots sold at auction all categories • Top 10 modern art lots sold at auction A rtISTS ............................... P.53 • Top 10 contemporary art lots sold at auction IN THE DIASPORA • Wanguechi Mutu • Yinka Shonibare MARKETPLACES ........................P.21 2016 ............................ P.59 A UCTION HOUSE ......................P.31 TEACH THE FUTURE MARKET SHARE • Makgati Molebatsi • Moncef Msakni • Julia Grosse & Yvette Mutumba • Tumelo Mosaka • Mustapha Orif 1 INTRODUCTION THE SEGMENT THAT RESISTS THE ART MARKET CRISIS The global market of modern and contemporary African art Bids that exceeded the symbolic threshold of US$1 million rose by performed strongly in 2016 with a sell-through rate of 72% in a 200%, including 50% for modern art and 50% for contemporary morose context of the international art market and the slowing- art. Among the buoyant examples was the extremely mediatised down of African economies. This segment proved to be an exception. Bowie/Collector sale organised by Sotheby’s in London on 10-11 November 2016 saw all 17 works by African artists find buyers, This vitality was led by modern art1 with a sell-through rate of the works totalling £341,875 (with buyer premium), equivalent to 76% and 55% in value of the total amount of sales, reaching US$425,504 seven times over the pre-sale estimate.
    [Show full text]