Blues in the Night
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An Actor's Life and Backstage Strife During WWII
Media Release For immediate release June 18, 2021 An actor’s life and backstage strife during WWII INSPIRED by memories of his years working as a dresser for actor-manager Sir Donald Wolfit, Ronald Harwood’s evocative, perceptive and hilarious portrait of backstage life comes to Melville Theatre this July. Directed by Jacob Turner, The Dresser is set in England against the backdrop of World War II as a group of Shakespearean actors tour a seaside town and perform in a shabby provincial theatre. The actor-manager, known as “Sir”, struggles to cast his popular Shakespearean productions while the able-bodied men are away fighting. With his troupe beset with problems, he has become exhausted – and it’s up to his devoted dresser Norman, struggling with his own mortality, and stage manager Madge to hold things together. The Dresser scored playwright Ronald Harwood, also responsible for the screenplays Australia, Being Julia and Quartet, best play nominations at the 1982 Tony and Laurence Olivier Awards. He adapted it into a 1983 film, featuring Albert Finney and Tom Courtenay, and received five Academy Award nominations. Another adaptation, featuring Ian McKellen and Anthony Hopkins, made its debut in 2015. “The Dresser follows a performance and the backstage conversations of Sir, the last of the dying breed of English actor-managers, as he struggles through King Lear with the aid of his dresser,” Jacob said. “The action takes place in the main dressing room, wings, stage and backstage corridors of a provincial English theatre during an air raid. “At its heart, the show is a love letter to theatre and the people who sacrifice so much to make it possible.” Jacob believes The Dresser has a multitude of challenges for it to be successful. -
Ampico Popular NEW MIDI and E-Roll Files Composer
Total files = 536 Ampico Popular NEW MIDI and e-roll files AA = Ampico A, AB = Ampico B Composer (Writer) order Roll issue Title Writer(s) Composer details Pianist time midi file name No. date Stephen Adams (Michael Holy City, The Adams Brockway as Kmita 56824 1919 4:52 Holy City, Brockway AA Maybrick) Crazy Words - Crazy Tune Ager Milton Ager (1893-1979) Grofe 208611 05 1927 2:48 Crazy Words, Crazy Tune, Grofe AA I Wonder What's Become of Sally? Ager Fairchild 205191 09 1924 4:28 I Wonder What's Become of Sally AA I'll Get By Ahlert Fred E. Ahlert (1892-1953) Rainger 211171 02 1929 2:42 I'll Get By, Rainger AB I'll Tell The World Ahlert Wright & Johnston 211541 05 1929 3:14 I'll Tell The World (Ahlert) AB Marianne "Marianne" Ahlert Rainger 212191 12 1929 2:44 Marianne, Rainger AB Love Me (Deja) waltz Aivaz Morse-T. Aivaz (only item) Shipman 212241 12 1929 3:20 Love Me (Aivaz), Carroll AB Am I Blue? from "On With The Show" Akst Harry Akst (1894-1963) Arden & Carroll 212031 10 1929 3:37 Am I Blue AB Away Down South Akst Clair 203051 11 1922 2:37 Away Down South (Akst), Clair AA If I'd Only Believed In You Akst Lane 208383 02 1927 5:14 If I'd Only Believed In You AA In My Bouquet Of Memories Akst Arden 210233 07 1928 4:58 In My Bouquet of Memories AB Nobody Loves You Like I Do Akst Lopez (asst) 205531 01 1925 2:38 Nobody Loves You (Akst), Lopez AA Shanghai Dream Man Akst Grofe 208621 05 1927 3:48 Shanghai Dream Man, Grofe AA Gotta Feelin' For You "Hollywood Revue" Alter Carroll 212351 01 1930 2:49 Gotta Feelin' For You, Carroll AB Hugs and -
Crewes Martin.Pdf
sue barnett & associates MARTIN CREWES TRAINING 1990 Graduate, Bachelor of Arts at Western Australian Academy of Performing Arts (WAAPA) FILM 2021 EVERYTHING INBETWEEN David Knight Sha Pictures Dir: Nadi Sha 2013 PROJECT 25 The Learner Macquarie University Dir: Kathryn Millard 2012 PATRICK Dr. Wright F.G. Film Productions Dir: Mark Hartley 2006 DOA: DEAD OR ALIVE Butler Impact Pictures/Constantin Films Dir: Corey Yuen 2004 SANTA RITA Paolo Mancini S & R Productions Dir: Giorgio Capitani 2001 RESIDENT EVIL Kaplan Impact Pictures/Constantin Films Dir: Paul Anderson TELEVISION 2015 A PLACE TO CALL HOME Lewis Bligh Seven Network/Foxtel (Series 3) 2011 CROWNIES Jimmy Butcher Screentime Dir: Various 2010 TOUGH NUTS Mick Sayers The Full Box Dir: Laurance Coy 2008 CASUALTY Bob Forrester BBC Dir: Ed Bennett 2007 HEARTBEAT Skip Granada Dir: Jude Dine 2006 SCARLETT Luke Martell Lionsgate Dir; Steve Miner 2001 BAD GIRLS Guy Cullen Shed Productions Dir: Lawrence Moody 1999 DAYLIGHT ROBBERY Anthony Sullivan Hewland Int./ITV Dir: David Innes Edwards DREAM TEAM (Series 2 & 3) Luis Rodriguez Hewland International Dir: Various 1998 THE GRAND Australian Cricketer Granada Dir: Sarah Harding 1994 NEIGHBOURS Chip Kelly Grundy Television Dir: Various 1993 RFDS Injured Miner Grundy Television Dir: Various MUSIC THEATRE 2018 DREAM LOVER Steve Blauner Dream Lover Australia Dir: Simon Phillips 2017 ASSASSINS Giuseppe Zangara Luckiest Productions Dir: Dean Bryant 2016 DREAM LOVER Steve Blauner Dream Lover Australia Dir: Simon Phillips sue barnett & associates 1/96 -
San Francisco Symphony MICHAEL TILSON THOMAS MUSIC DIRECTOR
Audio And Video from the San Francisco Symphony MICHAEL TILSON THOMAS MUSIC DIRECTOR the San francisco Symphony is the first uS orchestra with its own in-house label, SfS media™, offering a distinctive series of recordings and dVds. under the leadership of music director michael tilson thomas, the orchestra has recorded a GrAMMY®-winning, critically acclaimed cycle of the symphonies of Gustav mahler. our groundbreaking Keeping Score series, available on dVd and Blu-ray, features MTT and the orchestra exploring great works and the people behind them, and is designed to make classical music accessible to those of all ages and musical backgrounds. Also on dVd is A Celebration of Leonard Bernstein: Carnegie Hall Opening Night 2008, the San francisco Symphony’s gala Bernstein concert, broadcast originally on PBS’s Great Performances. MAHLER SYMPHONY NO. 1 “it’s not unheard of for this orchestra and conductor to sound so good together; anyone who’s been going to davies Symphony hall with any frequency in recent years has heard comparable performances. But to hear the dramatic sweep and sonic depth of the performance caught so resplendently on disc—that’s another story. thomas’ dedication to live recordings has never seemed so thoroughly justified.” – San Francisco Chronicle Mahler: Symphony No. 1 SFS-0002 Hybrid SACD MAHLER SYMPHONY NO. 2 SOLOISTS Isabel Bayrakdarian Lorraine Hunt Lieberson with the San francisco Symphony Chorus “At times demoniacally dramatic, [MTT] … yields a forceful, stunning interpretation (sumptuous brass) with sepulchral undertones (strings from beyond the grave). the vocal parts are almost supernatural.… it is a decidedly classy performance.” – Le Monde Mahler: Symphony No. -
Matt Hetherington
Matt Hetherington HEIGHT: 6’1” EYES: Brown HAIR: Light Brown AWARDS AND NOMINATIONS WINNER | Helpmann Award for Best Actor (Musical Theatre) in 2004 for ‘Full Monty’ WINNER | Green Room Awards for Best Actor (Musical Theatre) in 2012 for ‘Next To Normal WINNER | Green Room Awards for Best Actor (Musical Theatre) in 2010 for ‘Dirty Rotten Scoundrels’ WINNER | Sydney Theatre Awards for Best Actor (Musical Theatre) in 2013 for ‘Dirty Rotten Scoundrels’ WINNER | Broadway World – Sydney for Best Actor (Musical Theatre) in 2013 for ‘Dirty Rotten Scoundrels’ WINNER | Broadway World – Melbourne for Best Actor (Musical Theatre) in 2013 for ‘Flowerchildren WINNER | Theatrepeople Pro Choice Awards 2013 (Musical Theatre) in 2013 for ‘Dirty Rotten Scoundrels’ WINNER | Victorian Theatre Guild Award for Best Actor in 1992 for ‘Big River’ NOMINATED | Glug Award for Best Actor (Musical Theatre) in 2013 for “Dirty Rotten Scoundrels” NOMINATED | Green Room Awards for Best Actor (Musical Theatre) in 2012 for ‘Promises Promises’ NOMINATED | Green Room Awards for Best Actor (Musical Theatre) in 2004 for ‘Full Monty’ NOMINATED | Green Room Awards for Best Actor (Musical Theatre) in 2003 for ‘HAIR’ FILM 10Terrorists Lead Jammed Films | 2010 Evil Never Dies Cop 2003 TELEVISION Dr Blake Mysteries - 2013 Guest ABC THE VOICE - 2012 Vocalist Nine Network | Shine AFL Grand Final - 2010 Featured Guest Vocalist Seven Network | AFL City Homicide – 2009 Guest Seven Network BYO Restaurant - 2009 Host Foxtel Marshall Law – 2002 Guest Seven Network Stingers IV – 2002 Guest -
U.S. National Tour of the West End Smash Hit Musical To
Tweet it! You will always love this musical! @TheBodyguardUS comes to @KimmelCenter 2/21–26, based on the Oscar-nominated film & starring @Deborah_Cox Press Contacts: Amanda Conte [email protected] (215) 790-5847 Carole Morganti, CJM Public Relations [email protected] (609) 953-0570 U.S. NATIONAL TOUR OF THE WEST END SMASH HIT MUSICAL TO PLAY PHILADELPHIA’S ACADEMY OF MUSIC FEBRUARY 21–26, 2017 STARRING GRAMMY® AWARD NOMINEE AND R&B SUPERSTAR DEBORAH COX FOR IMMEDIATE RELEASE (Philadelphia, PA, December 22, 2016) –– The Kimmel Center for the Performing Arts and The Shubert Organization proudly announce the Broadway Philadelphia run of the hit musical The Bodyguard as part of the show’s first U.S. National tour. The Bodyguard will play the Kimmel Center’s Academy of Music from February 21–26, 2017 starring Grammy® Award-nominated and multi-platinum R&B/pop recording artist and film/TV actress Deborah Cox as Rachel Marron. In the role of bodyguard Frank Farmer is television star Judson Mills. “We are thrilled to welcome this new production to Philadelphia, especially for fans of the iconic film and soundtrack,” said Anne Ewers, President & CEO of the Kimmel Center for the Performing Arts. “This award-winning stage adaption and the incomparable Deborah Cox will truly bring this beloved story to life on the Academy of Music stage.” Based on Lawrence Kasdan’s 1992 Oscar-nominated Warner Bros. film, and adapted by Academy Award- winner (Birdman) Alexander Dinelaris, The Bodyguard had its world premiere on December 5, 2012 at London’s Adelphi Theatre. The Bodyguard was nominated for four Laurence Olivier Awards including Best New Musical and Best Set Design and won Best New Musical at the WhatsOnStage Awards. -
CHICAGO to Tour Australia in 2009 with a Stellar Cast
MEDIA RELEASE Embargoed until 6pm November 12, 2008 We had it coming…CHICAGO to tour Australia in 2009 with a stellar cast Australia, prepare yourself for the razzle-dazzle of the hit musical Chicago, set to tour nationally throughout 2009 following a Gala Opening at Brisbane‟s Lyric Theatre, QPAC. Winner of six Tony Awards®, two Olivier Awards, a Grammy® and thousands of standing ovations, Chicago is Broadway‟s longest-running Musical Revival and the longest running American Musical every to play the West End. It is nearly a decade since the “story of murder, greed, corruption, violence, exploitation, adultery and treachery” played in Australia. Known for its sizzling score and sensational choreography, Chicago is the story of a nightclub dancer, a smooth talking lawyer and a cell block of sin and merry murderesses. Producer John Frost today announced his stellar cast: Caroline O’Connor as Velma Kelly, Sharon Millerchip as Roxie Hart, Craig McLachlan as Billy Flynn, and Gina Riley as Matron “Mama” Morton. “I‟m thrilled to bring back to the Australian stage this wonderful musical, especially with the extraordinary cast we have assembled. Velma Kelly is the role which took Caroline O‟Connor to Broadway for the first time, and her legion of fans will, I‟m sure, be overjoyed to see her perform it once again. Sharon Millerchip has previously played Velma in Chicago ten years ago, and since has won awards for her many musical theatre roles. She will be an astonishing Roxie. Craig McLachlan blew us all away with his incredible audition, and he‟s going to astound people with his talent as a musical theatre performer. -
San Francisco Symphony 2018–2019 Season Concert Calendar
Contact: Public Relations San Francisco Symphony (415) 503-5474 [email protected] www.sfsymphony.org/press FOR IMMEDIATE RELEASE / MARCH 5, 2018 SAN FRANCISCO SYMPHONY 2018–2019 SEASON CONCERT CALENDAR PLEASE NOTE: Subscription packages for the San Francisco Symphony’s 2018–19 season go on sale TUESDAY, March 6 at 10 am at www.sfsymphony.org/1819season, (415) 864-6000, and at the Davies Symphony Hall Box Office, located on Grove Street between Franklin and Van Ness. Discover how to receive free concerts with your subscription package. For additional details and questions visit www.sfsymphony.org/1819season. All concerts are at Davies Symphony Hall, 201 Van Ness Avenue, San Francisco, unless otherwise noted. OPENING NIGHT GALA with ITZHAK PERLMAN Wednesday, September 5, 2018 at 8:00 pm Michael Tilson Thomas conductor Itzhak Perlman violin Students of the Perlman Music Program San Francisco Symphony LISZT Mephisto Waltz No. 1 for Orchestra J.S. BACH Concerto No. 3 in D minor for Two Violins, Strings, and Continuo, BWV 1043 GERSHWIN Cuban Overture GARDEL Tango from Scent of a Woman BARRY Main Title from Out of Africa John WILLIAMS Theme from Schindler’s List Ennio MORRICONE Love Theme from Cinema Paradiso GERSHWIN An American in Paris SAN FRANCISCO SYMPHONY, MICHAEL TILSON THOMAS CONDUCTING Thursday, September 13, 2018 at 8 pm Friday, September 14, 2018 at 8 pm Saturday, September 15, 2018 at 8 pm Sunday, September 16, 2018 at 2 pm Michael Tilson Thomas conductor Yuja Wang piano Luke Kritzeck lighting design Clyde Scott video -
Download Cast and Crew Here
I - !!! I* CAST T WHOgS-, WHO IN THN SItrlIS (Errse*rl:le' u/S Bill ALEJAI{DRA }IATOS tEnsexzble} From Caracas, JAQUEZ ANDBf Broadway: ri{otow'n {Swing)' Venezuela. She is thrilled to be part of this ireau- Devuuey, Irtn-r' SciJ:elli) (Rudolpho). Broadrvayl titul east. Starting her training in her country Natianal Tour l\atilda OfY I (Trip Allen), Apollo Ct*h Hulent $ and continuing herJance career in LA aad NY' NYC: Spanrle,r I ''?he (Featnred Beats By TY credlts inelude "Americas Got Talent-" Dancer). Nationai Commelcial: T playing LeBron Best Time Ever" (F{BCi- Theater cledils include Dre l'eaturing Pharrell. Lasl seen , Chicago flative and Crtrmen An Afro-Cubart Musical. Special James in Le\roil: The Mltsittrl- '{ati and Moill tharks to my lamily. merto.rs and the Universe' Tisch graduate. Much iove to CTC. Brick @alekitty @justiaquez DEQUINA fr'IOOBE (Backup Vocolisr, College FIICOLE SPENCER (Eizseatble) AfBr traiilhg at in Dance Gitl, Ensemble, ulS Nicki Mnrron, Rachel Marrot) Tampa Ballet Center, she earned her BFA f cretiits include: Broadrvay: Legallr* Btoncle (Pilar). Ii*/e Shop of frcm Florida Stati Unive$it)'. Far-orite g Tour Capair/Swing). fJorrors {Chiffon), Two Gentlemen o! Ve rona, flapp -t Ditl' Dancittg National {Dance $ Inaugural Royal kincess, g Da1's {Joyce}" ffnir. Nat'l Touts: Fluslatlarlce (Kiiri)' The Potal Off-Broadrvay, 4 i$adea's Big Hoppy F**riJ-r" (Rose)' Film: Jo;'f,rl Andrea Bocelii. ard SNL. Nicole sends all her love to ; ldoi.re (Devonne), Mcdea's Big llappy Family. Ghast Mom, Dad, andChris! Tov,* Rachet Gettiag Married, Cttnp- TY: "Lz'N & Order: SVU" {guest star), "Racirtg For Time" LAU*EN TANNER (.luj*s) is delighted to be patt {: {Tsnya}, "Third Watch" iTania Manroe), "Al1 Falls ol The Bodlgu* tll Lauren is a graduale of Oklahoma Down" (Nycole). -
The Many Faces of “Dinah”: a Prewar American Popular Song and the Lineage of Its Recordings in the U.S
View metadata, citation and similar papers at core.ac.uk brought to you by CORE The Many Faces of “Dinah” The Many Faces of “Dinah”: A Prewar American Popular Song and the Lineage of its Recordings in the U.S. and Japan Edgar W. Pope 「ダイナ」の多面性 ──戦前アメリカと日本における一つの流行歌とそのレコード── エドガー・W・ポープ 要 約 1925年にニューヨークで作曲された「ダイナ」は、1920・30年代のアメリ カと日本両国におけるもっとも人気のあるポピュラーソングの一つになり、 数多くのアメリカ人と日本人の演奏家によって録音された。本稿では、1935 年までに両国で録音されたこの曲のレコードのなかで、最も人気があり流 行したもののいくつかを選択して分析し比較する。さらにアメリカの演奏家 たちによって生み出された「ダイナ」の演奏習慣を表示する。そして日本人 の演奏家たちが、自分たちの想像力を通してこの曲の新しい理解を重ねる中 で、レコードを通して日本に伝わった演奏習慣をどのように応用していった かを考察する。 1. Introduction “Dinah,” published in 1925, was one of the leading hit songs to emerge from New York City’s “Tin Pan Alley” music industry during the interwar period, and was recorded in the U.S. by numerous singers and dance bands during the late 1920s and 1930s. It was also one of the most popular songs of the 1930s in Japan, where Japanese composers, arrangers, lyricists and performers, inspired in part by U.S. records, developed and recorded their own versions. In this paper I examine and compare a selection of the American and Japanese recordings of this song with the aim of tracing lines ─ 155 ─ 愛知県立大学外国語学部紀要第43号(言語・文学編) of influence, focusing on the aural evidence of the recordings themselves in relation to their recording and release dates. The analysis will show how American recordings of the song, which resulted from complex interactions of African American and European American artists and musical styles, established certain loose conventions of performance practices that were conveyed to Japan and to Japanese artists. It will then show how these Japanese artists made flexible use of American precedents, while also drawing influences from other Japanese recordings and adding their own individual creative ideas. -
PAX MUSICAMUSICA 2011 Touring Year • Client Tour Stories 2011 Highlights What’S Inside Baltimore Symphony Orchestra
Classical Movements, Inc. PAXPAX MUSICAMUSICA 2011 Touring Year • Client Tour Stories 2011 Highlights What’s Inside Baltimore Symphony Orchestra ........... 9 202 Concerts Canterbury Youth Chorus ................. 15 Arranged College of William and Mary ............ 10 Worldwide Collège Vocal de Laval ...................... 11 Read more inside! Children’s Chorus of Sussex County ............................... 7 Dallas Symphony Orchestra Proud to Start and Chorus .................................... 9 Our 20th Year Drakensberg Boys’ Choir .................... 2 Eric Daniel Helms Classical Movements New Music Program ...................... 5 Rwas established in El Camino Youth Orchestra ................ 7 1992, originally Fairfield County Children’s Choir .......................... 15 operating as Blue George Washington University Choir .. 7 Heart Tours and Greater New Orleans providing exclusive Youth Orchestra ............................ 4 tours to Russia. Harvard-Radcliffe Orchestra ............... 3 Ihlombe! South African Rapidly, more Choral Festival ............................. 14 countries were added, Marin Alsop (Baltimore Symphony Orchestra Music Director), David Los Angeles Children’s Choir ........... 15 attracting more and Rimelis (Composer), Dan Trahey (OrchKids Director of Artistic Melodia! South American Program Development) and Neeta Helms (Classical Movements Music Festival ................................ 6 more extraordinary President) at the premiere of Rimelis’ piece OrchKids Nation Minnesota Orchestra .......................... -
Pacific Boychoir Academy 215 Ridgeway Avenue 1 " $ * ' * $ Oakland, CA 94611 # 0 : $ ) 0 * 3 510-550-7229 " $ " % &
Day School Grades 4-8 After-School Choirs Grades Pre K-12 2004 GRAMMY Winner: Best Classical Album 2010 GRAMMY Winner: Best Classical Album & Best Choral Performance CONTACT: Jonathon Hampton Associate Director of Music & Outreach Pacific Boychoir Academy 215 Ridgeway Avenue 1 " $ * ' * $ Oakland, CA 94611 # 0 : $ ) 0 * 3 510-550-7229 " $ " % & . : PacificBoychoir.org PACIFIC BOYCHOIR TO REPRESENT CALIFORNIA IN EUROPE PRE-TOUR CONCERT SHARES THE BEST OF A CAPPELLA CHORAL MUSIC Oakland, California (April 17, 2015)—Oakland’s GRAMMY-winning Pacific Boychoir Academy (PBA) presents a tour send-off concert of entirely a cappella, classical choral masterworks and traditional American folk songs, May 2nd at 8:00pm at the Cathedral of Christ the Light in downtown Oakland. The all-male SATB chorus of young men ages 9-18 will sing Medieval chant to Romantic motets by cherished composers, Bruckner, Mendelssohn, Rheinberger, Stanford, and Rachmaninoff, including Os justi, Ablendied, Bogoroditse Devo, and more. PBA’s elite high school quintet, Continuum, also performs the Renaissance favorites Ave verum corpus by Byrd and Ave Maria by Palestrina. Contemporary American works on the program include hymns and spirituals by composers Eric Whitacre, André J. Thomas, Alice Parker, Hall Johnson, William L. Dawson, and others; favorites such as Shenandoah, Steal Away, Ain’-a That Good News, and special arrangements of Billy Joel’s Lullabye and Ladysmith Black Mambazo’s rendition of Amazing Grace—Nearer, My God, to Thee. This repertoire is being prepared for PBA’s upcoming tours of Utah, Wyoming, and Colorado in June, and Germany, Austria, and Luxembourg in July. The choir will tour domestically with their day school training choir and advanced-level after-school choir, which have toured over 20 states since the organization’s founding in 1998.