Converting Audio Into Unreal UMX Format
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Hugetrackermanual.Pdf
The HUGETracker manual introduction Hi, this is the manual to hUGETracker. I wrote this program because there wasn’t a music editing tool for the Gameboy which fulfilled the following requirements: • Produces small output • Tracker interface • Usable for homebrew titles • Open source But now there is! I’d like to acknowledge 1. Christian Hackbart for creating UGE, which serves as hUGETracker’s emulation core 2. Rusty Wagner for writing the sound code which was adapted for UGE 3. Lior “LIJI32” Halphion for SameBoy, a super-accurate emulator which I used for debugging and copied the LFSR code from 4. Declan “Dooskington” Hopkins for GameLad, which I yanked the timing code from 5. Eldred “ISSOtm” Habert, who helped me navigate the Gameboy’s peculiarities and for writing an alternative sound driver for the tracker 6. Evelyn “Eevee” Woods, whose article on the Gameboy sound system was valuable in writing the music driver. 7. B00daW, for invaluable testing and debugging support on Linux. 8. The folks who created RGBDS, the assembler used for building ROMs from songs. I hope you enjoy composing in hUGETracker, and if you make any cool songs, I’d love to hear from you and potentially include them as demo tunes that come with the tracker. E-mail me at [email protected] and get in touch! -Nick “SuperDisk” Faro Contents Prerelease information ...................................................................................................................................... 4 Glossary ................................................................................................................................................................... -
COMPUTER MUSIC TOOLS Computer Music Tools
Electronic musical instruments COMPUTER MUSIC TOOLS Computer music tools • Software for creation of computer music (both single sounds and whole musical pieces). • We have already learned about: – samplers – musical instruments and software for creating instrument banks, – MIDI sequencers – software for recording, editing and playback of MIDI codes, controlling other musical instruments (hardware and software). VST Virtual Studio Technology (VST) – a standard from Steinberg. • VST plugins: – VST effects: sound effects; they receive digital sounds and they output processed sounds, – VST instruments (VSTi): they receive MIDI codes and generate digital sounds (by synthesis, sampling, etc.) and they send them to the output, – VST MIDI effects: they process MIDI codes (rarely used). • VST host: a software that sends data to plugins and collects the results. VST instruments The task of a VSTi programmer is to: • write an algorithm that generates digital sounds (using any method) according to the received parameters, • create a user interface, • define MIDI Control Change parameters and their interpretation (how they affect the generated sound). A programmer does not need to worry about input and output functions – this is the task of the host program. VST host - DAW Modern VST hosts are digital audio workstations (DAW) • audio tracks: – recorded digital sound (instruments, vocals), – use VST effects; • MIDI tracks: – only recorded MIDI codes, – control VSTi or hardware instruments, – allow for sequencer functions (MIDI code editing), – a digital sound is created only during the mastering. Advantages of VSTi Why should we use VSTi and MIDI tracks instead of simply recording sounds on audio tracks: • we can easily edit MIDI codes (individual notes), • we can modify the VSTi sound by changing its parameters, • we can change the VSTi leaving the same MIDI sequences, • we can use many instruments at the time, the processing power of a PC is the limit. -
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of people who got together through Bulletin Board Systems, THE PORTUGUESE DEMOSCENE Reckless Life BBS and Infinity BBS run by the infamous Captain Hook. The scene thrived through the nineties with the uprising HISTORY of IRC and the two issues of the diskmag, Infinity, put together BY PS OF TPOLM by Garfield, VAngel and Spellcaster if my memory serves me correctly. The first documented demoscene event in Portugal The Portuguese demoscene, as most Portuguese technology, ducing cheap labour for English-owned factories of the ZX Sin- was organized in 1996 and was called the Virtual Music Con- is a fluke of chance. For many years, Portugal held last place clair Spectrum family of machines. While kids in Central and test. It was just a simple tracking competition. Groups formed among Europe’s nations in iliteracy per capita and emigration. Northern Europe were playing with their Commodores and around this time were Radioactive Design (RD) with Garfield, Certified higher education for new technologies and arts has Ataris during the late eighties, in Portugal we were consuming only been institutionalized within the last 10 years. Even large Spectrum magnetic tapes. WHILE KIDS IN CENTRAL volume capitalist markets, such as the videogame industry, AND NORTHERN EUROPE are still in their infancy in Portugal. It has only been six years, THE BIRTH OF THE PORTUGUESE at most, since serious full time jobs became available in the WERE PLAYING WITH THEIR business. In fact Portugal is a country that mostly imports and DEMOSCENE COMMODORES AND ATARIS, IN consumes technology (2.5 cellphones per person on average) The first known demo made by a Portuguese demoscener was PORTUGAL WE WERE CONSUMING instead of developing and exporting it. -
Users Manual
Users Manual DRAFT COPY c 2007 1 Contents 1 Introduction 4 1.1 What is Schism Tracker ........................ 4 1.2 What is Impulse Tracker ........................ 5 1.3 About Schism Tracker ......................... 5 1.4 Where can I get Schism Tracker .................... 6 1.5 Compiling Schism Tracker ....................... 6 1.6 Running Schism Tracker ........................ 6 2 Using Schism Tracker 7 2.1 Basic user interface ........................... 7 2.2 Playing songs .............................. 9 2.3 Pattern editor - F2 .......................... 10 2.4 Order List, Channel settings - F11 ................. 18 2.5 Samples - F3 ............................. 20 2.6 Instruments - F4 ........................... 24 2.7 Song Settings - F12 ......................... 27 2.8 Info Page - F5 ............................ 29 2.9 MIDI Configuration - ⇑ Shift + F1 ................. 30 2.10 Song Message - ⇑ Shift + F9 .................... 32 2.11 Load Module - F9 .......................... 33 2.12 Save Module - F10 .......................... 34 2.13 Player Settings - ⇑ Shift + F5 ................... 35 2.14 Tracker Settings - Ctrl - F1 ..................... 36 3 Practical Schism Tracker 37 3.1 Finding the perfect loop ........................ 37 3.2 Modal theory .............................. 37 3.3 Chord theory .............................. 39 3.4 Tuning samples ............................. 41 3.5 Multi-Sample Instruments ....................... 42 3.6 Easy flanging .............................. 42 3.7 Reverb-like echoes .......................... -
Symantec Web Security Service Policy Guide
Web Security Service Policy Guide Revision: NOV.07.2020 Symantec Web Security Service/Page 2 Policy Guide/Page 3 Copyrights Broadcom, the pulse logo, Connecting everything, and Symantec are among the trademarks of Broadcom. The term “Broadcom” refers to Broadcom Inc. and/or its subsidiaries. Copyright © 2020 Broadcom. All Rights Reserved. The term “Broadcom” refers to Broadcom Inc. and/or its subsidiaries. For more information, please visit www.broadcom.com. Broadcom reserves the right to make changes without further notice to any products or data herein to improve reliability, function, or design. Information furnished by Broadcom is believed to be accurate and reliable. However, Broadcom does not assume any liability arising out of the application or use of this information, nor the application or use of any product or circuit described herein, neither does it convey any license under its patent rights nor the rights of others. Policy Guide/Page 4 Symantec WSS Policy Guide The Symantec Web Security Service solutions provide real-time protection against web-borne threats. As a cloud-based product, the Web Security Service leverages Symantec's proven security technology, including the WebPulse™ cloud community. With extensive web application controls and detailed reporting features, IT administrators can use the Web Security Service to create and enforce granular policies that are applied to all covered users, including fixed locations and roaming users. If the WSS is the body, then the policy engine is the brain. While the WSS by default provides malware protection (blocks four categories: Phishing, Proxy Avoidance, Spyware Effects/Privacy Concerns, and Spyware/Malware Sources), the additional policy rules and options you create dictate exactly what content your employees can and cannot access—from global allows/denials to individual users at specific times from specific locations. -
Ýìóëÿòîð Ìóçûêàëüíîãî Ñîïðîöåññîðà ZX Spectrum
Что делает Эмулятор AY-3-8910/12 Программа "Эмулятор музыкального сопроцессора ZX Spectrum" предназначена для проигрывания музыки, написанной для музыкального сопроцессора AY-3-8912 (или его аналогов, таких как AY-3-8910 и YM2149F). Проигрывание осуществляется путем эмулирования, то есть наличие настоящих микросхем не требуется. Дополнительно в эмулятор встроена возможность проигрывания аудиодорожек компакт дисков и MIDI-файлов. При наличии библиотеки BASS.DLL v2.2 Ian’а Luck’а эмулятор может проигрывать MP3 и MOD музыку. Эмулятор может проигрывать файлы следующих типов. 1. Дампы регистров, записанные в эмуляторах различных компьютеров: - OUT (получаемые в эмуляторе ZX Spectrum 'Z80' v3.xx by G.A. Lunter); - PSG (создаются эмулятором ZX Spectrum 'Z80 Stealth' by Mr.Kirill, а также некоторыми другими эмуляторами); - EPSG (создаются эмулятором ZX Spectrum 'Z80 Stealth'); - YM (файлы 'StSound Project' by Leonard/Oxygen, поддержаны YM2, YM3, YM3b, YM5 и YM6 подтипы); - VTX (файлы 'Vortex Project' by V_Soft); - ZXAY (файл, разработанный специально для данного эмулятора). 2. Модули популярных музыкальных редакторов ZX Spectrum: - STC – Sound Tracker v1.xx; - PSC – Pro Sound Creator v1.xx; - ASC – ASC Sound Master v0.xx–2.xx; - PT1, PT2, PT3 – Pro Tracker v1.xx–3.xx, Vortex Tracker II v1.0; - STP – Sound Tracker Pro; - FTC – Fast Tracker v1.xx; - FLS – Flash Tracker; - SQT – SQ-Tracker; - GTR – Global Tracker v1.x; - FXM – Fuxoft AY Language; - AY подтипа AMAD – модули Amadeus, аналог FXM; - PSM – Pro Sound Maker. 3. Дампы памяти ZX Spectrum или Amstrad CPC, содержащие проигрыватель для процессора Z80: - AY подтипа EMUL (файлы проектов DeliAY и AYPlay); - AYM (файлы проекта RDOSPLAY). 4. Аудиодорожки компакт дисков (CDA). Предусмотрена возможность работы сразу с несколькими приводами CD. -
Computer Demos—What Makes Them Tick?
AALTO UNIVERSITY School of Science and Technology Faculty of Information and Natural Sciences Department of Media Technology Markku Reunanen Computer Demos—What Makes Them Tick? Licentiate Thesis Helsinki, April 23, 2010 Supervisor: Professor Tapio Takala AALTO UNIVERSITY ABSTRACT OF LICENTIATE THESIS School of Science and Technology Faculty of Information and Natural Sciences Department of Media Technology Author Date Markku Reunanen April 23, 2010 Pages 134 Title of thesis Computer Demos—What Makes Them Tick? Professorship Professorship code Contents Production T013Z Supervisor Professor Tapio Takala Instructor - This licentiate thesis deals with a worldwide community of hobbyists called the demoscene. The activities of the community in question revolve around real-time multimedia demonstrations known as demos. The historical frame of the study spans from the late 1970s, and the advent of affordable home computers, up to 2009. So far little academic research has been conducted on the topic and the number of other publications is almost equally low. The work done by other researchers is discussed and additional connections are made to other related fields of study such as computer history and media research. The material of the study consists principally of demos, contemporary disk magazines and online sources such as community websites and archives. A general overview of the demoscene and its practices is provided to the reader as a foundation for understanding the more in-depth topics. One chapter is dedicated to the analysis of the artifacts produced by the community and another to the discussion of the computer hardware in relation to the creative aspirations of the community members. -
GAME CAREER GUIDE July 2016 Breaking in the Easy(Ish) Way!
TOP FREE GAME TOOLS JULY 2016 GAME FROM GAME EXPO TO GAME JOB Indie intro to VR Brought to you by GRADUATE #2 PROGRAM JULY 2016 CONTENTS DEPARTMENTS 4 EDITOR’S NOTE IT'S ALL ABOUT TASTE! 96 FREE TOOLS FREE DEVELOPMENT TOOLS 2016 53 GAME SCHOOL DIRECTORY 104 ARRESTED DEVELOPMENT There are tons of options out there in terms INDIE DREAMIN' of viable game schools, and this list is just the starting point to get you acquainted with the schools near you (or far from you, if that’s what STUDENT POSTMORTEM you prefer!). 32 BEGLITCHED 72 VIRTUALLY DESIGNED NYU Game Center students Alec Thomson and Jennu Jiao Hsia discuss their IGF Award- VR has quickly moved from buzzword, to proto- winning match three game about insecurity type, to viable business. This guide will help you within computers, and within ourselves. get started in VR development, avoiding some common pitfalls. FEATURES 78 SOUNDS GOOD TO ME! 8 BREAKING IN THE EASY(ISH) WAY! Advice for making audio (with or without) How attending expos can land you a job. an audio specialist. 18 ZERO TO HERO Hey! You want to learn low poly modeling but 84 A SELLER’S MARKET don’t know where to start? Look no further! Marketing fundamentals for your first game. With this guide, we hope to provide a good introduction to not only the software, but 90 INTRO TO GAME ENGINES also the concepts and theory at play. A brief discussion of some of the newest and most popular DO YOU NEED A PUBLISHER? 34 game engines. -
ORIGINAL GAME SOUNDTRACK —— Disc 1 —— Act I 1
ORIGINAL GAME SOUNDTRACK —— Disc 1 —— Act I 1. Hostility 5:22 2. Survival 4:44 3. Exile 6:33 4. Refinement 5:12 5. Complexity 5:30 6. Goliath 2:40 Act II 7. Darkness Eternal 4:36 8. Europa 7:51 9. Regrowth 8:20 10. Really Cold Pain 4:36 11. Meddler 5:24 12. Taurus 3:59 13. Tetrahedron 6:16 14. Enhancement 6:55 —— Disc 2 —— Act III 1. Plus Ultra 6:00 2. Unmanned 6:30 3. Far Flung 7:44 4. Discovery 5:06 5. Spiral Tide 5:33 6. Hidden Grind 3:03 Extras 7. Prepare For Overload 2:28 8. Simulator 1:58 9. Aggression 3:04 10. Tunnel 1:34 11. Decompression 1:27 12. Failure 2:40 13. Beale 1:35 14. Trinidad 1:25 15. Revival 1:21 16. Approach 1:49 17. Evacuation 0:22 18. Level Up 6:44 Total runtime 2:32:54 The soundtrack to Overload is a collection of original game music from artists around the world. Although they have unique musical backgrounds and histories, they share in common a passion for immersive platforms with untethered freedom and full control. Such an experience is Overload. Dan Wentz (Disc 1 Tracks 7, 9-12. Disc 2 Tracks 6-15, 17, 18) danwentz.com soundcloud.com/daniel-wentz It is a great honor and thrill to be involved in this project and I hope you enjoy the results of all of the hard work. I especially enjoyed seeing some familiar faces again and working on a common vision together. -
DVD-Ofimática 2014-07
(continuación 2) Calizo 0.2.5 - CamStudio 2.7.316 - CamStudio Codec 1.5 - CDex 1.70 - CDisplayEx 1.9.09 - cdrTools FrontEnd 1.5.2 - Classic Shell 3.6.8 - Clavier+ 10.6.7 - Clementine 1.2.1 - Cobian Backup 8.4.0.202 - Comical 0.8 - ComiX 0.2.1.24 - CoolReader 3.0.56.42 - CubicExplorer 0.95.1 - Daphne 2.03 - Data Crow 3.12.5 - DejaVu Fonts 2.34 - DeltaCopy 1.4 - DVD-Ofimática Deluge 1.3.6 - DeSmuME 0.9.10 - Dia 0.97.2.2 - Diashapes 0.2.2 - digiKam 4.1.0 - Disk Imager 1.4 - DiskCryptor 1.1.836 - Ditto 3.19.24.0 - DjVuLibre 3.5.25.4 - DocFetcher 1.1.11 - DoISO 2.0.0.6 - DOSBox 0.74 - DosZip Commander 3.21 - Double Commander 0.5.10 beta - DrawPile 2014-07 0.9.1 - DVD Flick 1.3.0.7 - DVDStyler 2.7.2 - Eagle Mode 0.85.0 - EasyTAG 2.2.3 - Ekiga 4.0.1 2013.08.20 - Electric Sheep 2.7.b35 - eLibrary 2.5.13 - emesene 2.12.9 2012.09.13 - eMule 0.50.a - Eraser 6.0.10 - eSpeak 1.48.04 - Eudora OSE 1.0 - eViacam 1.7.2 - Exodus 0.10.0.0 - Explore2fs 1.08 beta9 - Ext2Fsd 0.52 - FBReader 0.12.10 - ffDiaporama 2.1 - FileBot 4.1 - FileVerifier++ 0.6.3 DVD-Ofimática es una recopilación de programas libres para Windows - FileZilla 3.8.1 - Firefox 30.0 - FLAC 1.2.1.b - FocusWriter 1.5.1 - Folder Size 2.6 - fre:ac 1.0.21.a dirigidos a la ofimática en general (ofimática, sonido, gráficos y vídeo, - Free Download Manager 3.9.4.1472 - Free Manga Downloader 0.8.2.325 - Free1x2 0.70.2 - Internet y utilidades). -
Abkürzungs-Liste ABKLEX
Abkürzungs-Liste ABKLEX (Informatik, Telekommunikation) W. Alex 1. Juli 2021 Karlsruhe Copyright W. Alex, Karlsruhe, 1994 – 2018. Die Liste darf unentgeltlich benutzt und weitergegeben werden. The list may be used or copied free of any charge. Original Point of Distribution: http://www.abklex.de/abklex/ An authorized Czechian version is published on: http://www.sochorek.cz/archiv/slovniky/abklex.htm Author’s Email address: [email protected] 2 Kapitel 1 Abkürzungen Gehen wir von 30 Zeichen aus, aus denen Abkürzungen gebildet werden, und nehmen wir eine größte Länge von 5 Zeichen an, so lassen sich 25.137.930 verschiedene Abkür- zungen bilden (Kombinationen mit Wiederholung und Berücksichtigung der Reihenfol- ge). Es folgt eine Auswahl von rund 16000 Abkürzungen aus den Bereichen Informatik und Telekommunikation. Die Abkürzungen werden hier durchgehend groß geschrieben, Akzente, Bindestriche und dergleichen wurden weggelassen. Einige Abkürzungen sind geschützte Namen; diese sind nicht gekennzeichnet. Die Liste beschreibt nur den Ge- brauch, sie legt nicht eine Definition fest. 100GE 100 GBit/s Ethernet 16CIF 16 times Common Intermediate Format (Picture Format) 16QAM 16-state Quadrature Amplitude Modulation 1GFC 1 Gigabaud Fiber Channel (2, 4, 8, 10, 20GFC) 1GL 1st Generation Language (Maschinencode) 1TBS One True Brace Style (C) 1TR6 (ISDN-Protokoll D-Kanal, national) 247 24/7: 24 hours per day, 7 days per week 2D 2-dimensional 2FA Zwei-Faktor-Authentifizierung 2GL 2nd Generation Language (Assembler) 2L8 Too Late (Slang) 2MS Strukturierte -
Openmpt Manual Help Document and Function Reference 1
OpenMPT Manual Help Document And Function Reference 1 Introduction Acknowledgments This manual, like OpenMPT itself, was created by a group of voluntary contributors to be able to offer a single, well-written, consistent and up-to-date help document for OpenMPT. It is largely based on the original works of Harbinger and his Offline Help Manual [1], which he wrote over the course of many years. It is very well possible that this manual still contains wrong facts, incomplete or hard to understand sections. Errors do not fix themselves, so you are invited to join our wiki at http:/ / wiki. openmpt. org/ where you can edit, fix and extend the manual’s source. OpenMPT is or has been maintained by: Name Years of activity Contact (@opеnmpt.өrg) Johannes Schultz 2008 - 2012 sagamusix Ahti Leppänen 2005 - 2011 relabs Robin Fernandes 2004 - 2007 rewbs Sergiy Pylypenko 2007 pelya Eric Chavanon 2004 - 2005 ericus Trevor Nunes 2004 plastik_s Olivier Lapicque 1997 - 2003 olivier Further code has been contributed by coda, kode54 and xaimus. This manual has been generated on September 22, 2012. References [1] http:/ / forum. openmpt. org/ index. php?topic=4387. 0 About OpenMPT 2 About OpenMPT What is Open ModPlug Tracker? To put it simply, Open ModPlug Tracker (OpenMPT) has always been and will always be an application that makes it easy to compose music. Using mostly a text-based event editing system, plus several expanded features including MIDI input and VST plugins, this free software has enough user-friendliness and flexibility to please all composers from the EDM tracker to the experimentalist to the classical composer.