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The Impact of 'Korean Wave'on Young Indonesian Females and Indonesian Culture in Jabodetabek Area
THE IMPACT OF ‘KOREAN WAVE’ ON YOUNG INDONESIAN. Putri And Reese THE IMPACT OF ‘KOREAN WAVE’ ON YOUNG INDONESIAN FEMALES AND INDONESIAN CULTURE IN JABODETABEK AREA Vandani Kencana Putri Matthias Reese Swiss German University, Tangerang, Indonesia Swiss German University, Tangerang, Indonesia Email: [email protected] Email: [email protected] Popular culture ‘Korean Wave’ has been reaching out all over the world since the year 2000 with the phenomenon intriguing people’s interests towards Korean culture and products. In fact, some Abstract people already prefer Korean culture and products to those from their own country. It is inevitable in Indonesia, too, where most of its K-Wave-enthusiasts are teenage to adult females. With this in mind, there is a possibility that Indonesian culture might eventually vanish in those individuals. Thus, this quantitative research focuses on Indonesian female K-Wavers between 15 and 30 years old who are living in the Jabodetabek area, and investigates their main medium of Korean Wave consumption and whether Korean Wave has an impact on individuals and on Indonesian culture itself. The results based on the data of 251 respondents show that internet is the main medium of Korean Wave consumption in the Jabodetabek area. Furthermore, the results injdicate that the Korean Wave does significantly impact Indonesian female K-Wavers in several aspects, but an impact of the Korean Wave on Indonesian culture could not be found. 35 BUSINESS AND MANAGEMENT STUDIES JOURNAL c MARC 2016 . VOL. 3 . NO.2 I. Background pop music (or K-Pop) also made a major contribution for the geographical orean popular culture, called extension of the Korean Wave across ‘Korean Wave’ or simply the globe. -
The Cultural Formation of Mass Incarceration
The Biography of an Institution: The Cultural Formation of Mass Incarceration Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Nicole Barnaby, B. A. Graduate Program in African American and African Studies The Ohio State University 2016 Thesis Committee: Devin Fergus, Advisor Denise Noble Lynn Itagaki Copyright by Nicole Barnaby 2016 Abstract It may be hard for some to justify how the United States imprisons over two million people when it is hailed ‘the land of the free,’ but this thesis argues that there are very real social, economic and political drivers behind this growing trend having nothing to do with crime. While mass incarceration has its roots in other older forms of racialized social control, it exists in its current form due to an array of cultural conditions which foster its existence. Utilizing the cultural studies tool known as the circuit of culture, this thesis aims to provide a holistic understanding of the articulation of social factors contributing to the existence of mass incarceration. In order to do this, mass incarceration is assessed with the use of the 5 processes of the circuit of culture (production, regulation, representation, consumption and identity) and a specific look at its relation to the Black community over time is considered. ii Vita 2012…………………………B. A. Sociology, University of Massachusetts-Dartmouth 2014-present......................Graduate Teaching Associate, Department of African American and African -
Birth and Evolution of Korean Reality Show Formats
Georgia State University ScholarWorks @ Georgia State University Film, Media & Theatre Dissertations School of Film, Media & Theatre Spring 5-6-2019 Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats Soo keung Jung [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/fmt_dissertations Recommended Citation Jung, Soo keung, "Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/fmt_dissertations/7 This Dissertation is brought to you for free and open access by the School of Film, Media & Theatre at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Film, Media & Theatre Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DYNAMICS OF A PERIPHERY TV INDUSTRY: BIRTH AND EVOLUTION OF KOREAN REALITY SHOW FORMATS by SOOKEUNG JUNG Under the Direction of Ethan Tussey and Sharon Shahaf, PhD ABSTRACT Television format, a tradable program package, has allowed Korean television the new opportunity to be recognized globally. The booming transnational production of Korean reality formats have transformed the production culture, aesthetics and structure of the local television. This study, using a historical and practical approach to the evolution of the Korean reality formats, examines the dynamic relations between producer, industry and text in the -
Linguistic Appropriation of Slang Terms Within the Popular Lexicon
Illinois State University ISU ReD: Research and eData Theses and Dissertations 4-1-2021 Who Said It First?: Linguistic Appropriation Of Slang Terms Within The Popular Lexicon Rachel Elizabeth Laing Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the Communication Commons Recommended Citation Laing, Rachel Elizabeth, "Who Said It First?: Linguistic Appropriation Of Slang Terms Within The Popular Lexicon" (2021). Theses and Dissertations. 1385. https://ir.library.illinoisstate.edu/etd/1385 This Thesis is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. WHO SAID IT FIRST?: LINGUISTIC APPROPRIATION OF SLANG TERMS WITHIN THE POPULAR LEXICON RACHEL E. LAING 65 Pages Linguistic appropriation is an area of study that has been under-researched, even as it has become all the more relevant due to the rapid dissemination of slang and linguistic trends during the digital age. There are clear ties shown between individuals’ and groups’ identity and language. This study specifically examines the appropriation of African American Vernacular English (AAVE) and LGBT language by creating an Acceptability of Appropriation scale and assessing potential relationships between linguistic appropriation, intercultural tolerance, and LGBT tolerance. These results are then examined through the lens of the communication theory of identity (CTI) and potential identity gaps that may arise from groups using slang that does not belong to them. Implications of the study, limitations, and future research are discussed. -
Rethinking the Circuit of Culture: How Participatory Culture
G Model PUBREL-1549; No. of Pages 12 ARTICLE IN PRESS Public Relations Review xxx (2016) xxx–xxx Contents lists available at ScienceDirect Public Relations Review Rethinking the circuit of culture: How participatory culture has transformed cross-cultural communication ∗ Bridget Tombleson , Katharina Wolf Curtin University, Perth, GPO Box U1987 WA 6845, Australia a r t i c l e i n f o a b s t r a c t Available online xxx This paper explores the influence of digital communication − and in particular social media − on cross-cultural communication, based on the Circuit of Culture model. Scholarly litera- ture supports the notion that social media has changed the speed at which we communicate, Keywords: as well as removed traditional (geographical) boundaries around cross-cultural campaigns. Circuit of culture Since the introduction of digital media, the role of the public relations practitioner has Participatory culture become more strategic in order to maintain relevance with even more diverse − and Hashtag activism dispersed − audiences. Large scale campaigns, like the Human Rights Campaign to sup- Co-creation port Lesbian, Gay, Bisexual, and Transgender (LGBT) rights, have seen messages spread far Cross-cultural communication beyond the country of origin, and with that, demonstrate the ability to affect advocacy Cultural curator campaigns in other countries. The authors argue that instead of acting as cultural inter- mediaries, public relations practitioners must become cultural curators, with the skills to create meaning from audiences, who are now content creators in their own rights, and encourage a true participatory environment that sees cultural values shared as part of an organic exchange process. -
“Over-The-Top” Television: Circuits of Media Distribution Since the Internet
BEYOND “OVER-THE-TOP” TELEVISION: CIRCUITS OF MEDIA DISTRIBUTION SINCE THE INTERNET Ian Murphy A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Communication. Chapel Hill 2018 Approved by: Richard Cante Michael Palm Victoria Ekstrand Jennifer Holt Daniel Kreiss Alice Marwick Neal Thomas © 2018 Ian Murphy ALL RIGHTS RESERVED ii ABSTRACT Ian Murphy: Beyond “Over-the-Top” Television: Circuits of Media Distribution Since the Internet (Under the direction of Richard Cante and Michael Palm) My dissertation analyzes the evolution of contemporary, cross-platform and international circuits of media distribution. A circuit of media distribution refers to both the circulation of media content as well as the underlying ecosystem that facilitates that circulation. In particular, I focus on the development of services for streaming television over the internet. I examine the circulation paths that either opened up or were foreclosed by companies that have been pivotal in shaping streaming economies: Aereo, Netflix, Twitter, Google, and Amazon. I identify the power brokers of contemporary media distribution, ranging from sectors of legacy television— for instance, broadcast networks, cable companies, and production studios—to a variety of new media and technology industries, including social media, e-commerce, internet search, and artificial intelligence. In addition, I analyze the ways in which these power brokers are reconfiguring content access. I highlight a series of technological, financial, geographic, and regulatory factors that authorize or facilitate access, in order to better understand how contemporary circuits of media distribution are constituted. -
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Advances in Social Science, Education and Humanities Research, volume 144 3rd International Conference on Arts, Design and Contemporary Education (ICADCE 2017) The Negotiation of Cultural Identity An Analysis of Public Diplomacy Strategies in A Cross-situational Context* He Gong Guangjin Tu School of Journalism and Communication School of Journalism and Communication Xiamen University Renmin University Xiamen, China Beijing, China Abstract—It is widely acknowledged that cultural diversity is (Andersson, Gillespie and Mackay, 2010). a critical aspect of public diplomacy seeking to communicate with international publics. However, little research-based evidence Besides individuals, governments and other organizations exists about what cultural diversity means to practitioners. This also begin their move in social media. For example, the White study examines how the attributions of cultural identity are House has opened an account on both Twitter and Facebook. negotiated in the direct and dialogical (online) conversations The White House now has a stronger presence on Twitter, among the U.S. Embassy and Chinese netizens. It captured and YouTube, Facebook and Vimeo. It even boasts its own iPhone analyzed 1,239 tweets and all the comments that appeared under application (Ng Tze Yong, 2010). the Weibo (Chinese version of Twitter) handle of the U.S. Embassy during the observation period. Within the framework In China, embassies of many countries have adopted of constructionism theory and intercultural public relations, this microblogs to directly speak with Chinese netizens. Countries article asserts that, in a cross-situations where the external including United States, Britain, France, Japan, Denmark, Italy, publics whose cultural identifications differ from those of the Australia, Egypt etc. -
An Ethnographic Approach Examining the Intersection of Societal, Social, and Cultural Elements of the Midwestern Kickball League © 2019
It’s Just a Kid’s Game: An Ethnographic Approach Examining the Intersection of Societal, Social, and Cultural Elements of The Midwestern Kickball League © 2019 Peyton J Stensland MSE, University of Kansas, 2016 BA Wartburg College, 2014 Submitted to the graduate degree program in Health, Sport and Exercise Sciences- Sport Management and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy _____________________________ Dr. Jordan Bass, Chair _____________________________ Dr. Brian Gordon _____________________________ Dr. Susan Harvey _____________________________ Dr. Ashley Herda _____________________________ Dr. Heidi Hallman _____________________________ Dr. Kelli Thomas ii Date of Defense: 6 May 2019 The dissertation committee for Peyton J Stensland certifies that this is the approved version of the following dissertation: It’s Just a Kid’s Game: An Ethnographic Approach Examining the Intersection of Societal, Social, and Cultural Elements of The Midwestern Kickball League _____________________________ Dr. Jordan Bass, Chair iii ABSTRACT For this dissertation, I conducted an interpretive ethnography of the Midwestern Kickball League (a pseudonym). The ethnography was grounded in a circuit of culture framework, and I immersed myself within the culture of the Midwestern Kickball League for the 2018 season where I attended practices, games, podcasts, charity events, social events, Game of the Weeks, and after parties. I became a participant (as) observer within the league and utilized ethnographic methods such as observations, informal and formal interviews, participant journals, a researcher diary, and material/digital products. I employed a circuit of culture model as a guide to understanding the fluid process of culture within the Midwestern Kickball League. -
Cultural Studies Barker-3618-Prelims.Qxd 10/3/2007 8:16 PM Page Ii Barker-3618-Prelims.Qxd 10/3/2007 8:16 PM Page Iii
Barker-3618-Prelims.qxd 10/3/2007 8:16 PM Page i Cultural Studies Barker-3618-Prelims.qxd 10/3/2007 8:16 PM Page ii Barker-3618-Prelims.qxd 10/3/2007 8:16 PM Page iii Cultural Studies Theory and Practice 3rd edition Chris Barker with a foreword by Paul Willis Barker-3618-Prelims.qxd 10/3/2007 8:16 PM Page iv © Chris Barker 2008 First published 2000 Second edition published 2003 This edition published 2008 Apart from any fair dealing for the purposes of research or private study, or criticism or review, as permitted under the Copyright, Designs and Patents Act, 1988, this publication may be reproduced, stored or transmitted in any form, or by any means, only with the prior permission in writing of the publishers, or in the case of reprographic reproduction, in accordance with the terms of licences issued by the Copyright Licensing Agency. Enquiries concerning reproduction outside those terms should be sent to the publishers. SAGE Publications Ltd 1 Oliver’s Yard 55 City Road London EC1Y 1SP SAGE Publications Inc. 2455 Teller Road Thousand Oaks, California 91320 SAGE Publications India Pvt Ltd B 1/I 1 Mohan Cooperative Industrial Area Mathura Road, New Delhi 110 044 SAGE Publications Asia-Pacific Pte Ltd 33 Pekin Street #02-01 Far East Square Singapore 048763 Library of Congress Control Number: 2007927246 British Library Cataloguing in Publication data A catalogue record for this book is available from the British Library ISBN 978-1-4129-2415-3 ISBN 978-1-4129-2416-0 (pbk) Typeset by C&M Digitals (P) Ltd, Chennai, India Printed in Great -
Cultural Theory and Popular Culture by John Storey
CUL T CULTURAL FIFTH EDITION U FIFTH EDITION R THEORYAND JOHN STOREY AL POPULAR THEORY CULTURE AN INTRODUCTION AN CULTURAL D In this fifth edition of his successful Cultural Theory and Popular Culture: An Introduction, John Storey has extensively revised the text throughout. As before, the book presents a clear and critical survey P of competing theories of and various approaches to popular culture. O PULA Retaining the accessible approach of previous editions, and using relevant and appropriate examples from the texts and practices of popular culture, this new edition remains a key introduction to the area. AND R THEORY NEW TO THIS EDITION CUL • Extensively revised, rewritten and updated • Improved and expanded content throughout including: • New chapter on ‘Race’, racism and representation T U • New sections on the Panoptic Machine and Convergence Culture RE • Continued explicit links to the new edition companion reader Cultural Theory and Popular Culture: A Reader POPULAR • More illustrative diagrams and images AN INTRODUCTION • Fully revised, improved and updated companion website at www.pearsoned.co.uk/storey providing practice questions and extension activities, as well as annotated links to relevant sites on the web and further reading, and a glossary of key terms, to promote further understanding of the study of cultural theory and popular culture The new edition remains essential reading for undergraduate and postgraduate students of cultural studies, media studies, communication studies, the sociology of culture, popular culture and other related subjects. CULTURE JOHN STOREY is Professor of Cultural Studies and Director of the Centre for Research in Media and Cultural Studies at the University of Sunderland. -
The Designer's Role in Supporting Cultural Representations Through
Facilitating Diversity: The Designer’s Role in Supporting Cultural Representations Through Multi-Script Type Design and Research A thesis submitted to the School of Visual Communication Design, College of Communication and Information of Kent State University in partial fulfillment of the requirements for the degree of Master of Fine Arts By Natalie Snodgrass December 2018 A thesis written by Natalie Snodgrass B.A., Cleveland State University, 2016 M.F.A., Kent State University, 2018 Approved by Aoife Mooney, M.A., Thesis Advisor, Assistant Professor, School of Visual Communication David Robins, Ph.D., Interim Director, School of Visual Communication Amy Reynolds, Ph.D., Dean, College of Communication and Information Table of Contents page Table of Contents ........................................................................................................................ iii List of Figures .............................................................................................................................. vi Acknowledgements ................................................................................................................... viii Abstract ....................................................................................................................................... ix Chapter I. Introduction ..................................................................................................................... 1 a. Methodology ..................................................................................................................... -
The Cultures of International Management Carlos B
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Clute Institute: Journals International Business & Economics Research Journal – July 2008 Volume 7, Number 7 The Cultures Of International Management Carlos B. Gonzalez, California State Polytechnic University, Pomona ABSTRACT In this paper I present an approach based on Cultural Studies to conceive of and pursue cultural inquiry in international management. For this purpose, I first develop a genealogical framework for understanding how the international management literature has engaged with culture over the past forty years. This framework focuses on decisions that international management scholars have made as they attempt to address culture in their research. It also focuses on the consequences of these decisions, which have skewed the field towards certain intellectual positions and have maintained culture as a problematic concept. In the last section I present an alternative approach situated within Cultural Studies to address the problem of culture in international management scholarship. Keywords: culture, research, international management INTRODUCTION ulture is a key concept in international management scholarship both for research that focuses on managing cultural differences among individuals in organizations as well as research that makes C comparisons across organizations in different geographic settings (Adler, 1984). It is assumed that culture is central for organizational processes, as it influences managerial performance and how organizations adapt to their environment (e.g. Roberts & Boyacigiller, 1984; Erez & Earley, 1993; Sekaran, 1983). Given the presumed influence culture exerts on organizational processes, both the at micro level of human behavior and at the macro level of organizational adaptation, international management scholars have put great effort into developing a science of culture.