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False Light, Disclosure, and Outrage Torts
_ False Light, Disclosure, and Outrage Torts Eric E. Johnson ericejohnson.com Konomark Most rights sharable Some general notes about false light, disclosure, and outrage: • They are available for natural, living persons only – not for corporations • Much of defamation doctrine applies – Identification of plaintiff – Fact vs. opinion – Substantial truth (but not for disclosure) • The First Amendment can substantially limit any of these torts – State action hurdle overcome a la NYT v. Sullivan 1 _ False Light The Elements: 1. A public statement 2. Made with actual malice 3. Placing the plaintiff in a false light 4. That is highly offensive to the reasonable person False Light Defenses: • Essentially the same as for defamation • So, for example: – A public figure will have to prove actual malice.* – A private figure, if a matter of public concern, must prove actual malice or negligence + special damages.* *That is, if actual malice is not required as a prima facie element, which it generally, but not always, is. 2 _ Disclosure The Elements: 1. A public disclosure 2. Of private facts 3. That is highly offensive to the reasonable person Disclosure Defenses: • Legitimate public interest or concern – a/k/a “newsworthiness privilege” – First Amendment requires this, even if common law in a jurisdiction would not 3 _ Outrage (a/k/a Intentional Infliction of Emotional Distress) The Elements: 1. Intentional or reckless conduct that is 2. Extreme and outrageous 3. Causing severe emotional distress Review Intrusion The Elements: 1. Physical or other intrusion 2. Into a zone in which the plaintiff has a reasonable expectation of privacy 3. -
From Google Maps to a Fine-Grained Catalog of Street Trees
From Google Maps to a Fine-Grained Catalog of Street trees Steve Bransona,1, Jan Dirk Wegnerb,1, David Halla, Nico Langb, Konrad Schindlerb, Pietro Peronaa aComputational Vision Laboratory, California Institute of Technology, USA bPhotogrammetry and Remote Sensing, ETH Z¨urich,Switzerland Abstract Up-to-date catalogs of the urban tree population are of importance for municipalities to monitor and improve quality of life in cities. Despite much research on automation of tree mapping, mainly relying on on dedicated airborne LiDAR or hyperspectral campaigns, tree detection and species recognition is still mostly done manually in practice. We present a fully automated tree detection and species recognition pipeline that can process thousands of trees within a few hours using publicly available aerial and street view images of Google MapsTM. These data provide rich information from different viewpoints and at different scales from global tree shapes to bark textures. Our work-flow is built around a supervised classification that automatically learns the most discriminative features from thousands of trees and corresponding, publicly available tree inventory data. In addition, we introduce a change tracker that recognizes changes of individual trees at city-scale, which is essential to keep an urban tree inventory up-to-date. The system takes street-level images of the same tree location at two different times and classifies the type of change (e.g., tree has been removed). Drawing on recent advances in computer vision and machine learning, we apply convolutional neural networks (CNN) for all classification tasks. We propose the following pipeline: download all available panoramas and overhead images of an area of interest, detect trees per image and combine multi-view detections in a probabilistic framework, adding prior knowledge; recognize fine-grained species of detected trees. -
Creating Google Street Views with the Samsung Gear 360 Camera By
Creating Google Street Views with the Samsung Gear 360 Camera1 by Andy Lyons Last modified: November 2016 Google Street View Camera Loan Kit In October 2016, Google loaned a 360-camera kit to IGIS (a statewide technical support program in ANR), for the purposes of exploring how Google’s Street View technology can be useful for research and management at the Hopland Research and Extension Center (and ANR field stations more generally). Street View app and the Samsung Gear 360 2 The Street View app (for both Android and iOS) is what you use to create and upload Street Views. The Samsung Gear 360 is one of about four 360 cameras that the Google Street View app is setup to work with (meaning the app can control the camera pretty seamlessly). Most people use the Street View app only to view off-road street views. You can also view off-road street views in plain old Google Maps, but the Street View app makes it a little easier to find user generated content. If you have a VR device such as the Google Cardboard, you can view Street Views in 3 cardboard mode . In terms of content creation, the Street View app has three main functions: i) control the camera, ii) process images (which includes stitching them together, blurring faces and license plates, adding locations as needed, and linking nearby photos), and iii) upload the images to Google Street View (after which they’ll be available in Google Maps immediately). The Samsung Gear can also record 360 video. For that you need the Samsung Gear 360 Manager (or another app). -
Google Camera Apk Download for Android 9.0
Google camera apk download for android 9.0 Continue Although the Google Play Store has over a million apps that you can install on an Android device, the market sometimes removes popular software from its catalog such as Grooveshark Mobile and Adobe Flash Player. However, you don't have to download apps only from the official market; You can set up your device to download installation packages or APK files from elsewhere. To download a package from an email app and install it on Android, you need to download and use a third-party program. Open The Settings from the app screen or notification bar, and then tap Security. Scroll down to the device's administration and then check the Unknown Sources option. Download the attachment from your email app or mobile browser, and then open the Google Play Store from the Home or Apps screen. Search and then install Apk Installer Graphilos Studio from the Play Store. Open the app to complete the installation, and then review the folder containing the downloaded package. Select the APK file from the file manager, and then tap the Package Installer to start the setup. Follow the tips on the screen to install APK content on your smartphone. Open The Settings from the app screen or notification bar, and then tap Security. Scroll down to the device's administration and then check the Unknown Sources option. Download the attachment from your email app or mobile browser, and then open the Google Play Store from the Home or Apps screen. Search and then install Apk Installer by Array Infotech from the Play Store. -
The Fading of False Light Invasion of Privacy
\\server05\productn\N\NYS\66-1\NYS112.txt unknown Seq: 1 12-MAY-10 8:28 TWILIGHT: THE FADING OF FALSE LIGHT INVASION OF PRIVACY ANDREW OSORIO* INTRODUCTION One hundred twenty years ago Samuel Warren and Lewis Bran- deis sowed the first seeds of America’s distinct privacy law in their groundbreaking treatise The Right to Privacy.1 Through their work, the pair argued that the common law could, and should, “protect those persons with whose affairs the community has no legitimate concern, from being dragged into an undesirable and undesired publicity and to protect all persons, whatsoever[ ] their position or station, from having matters that they may properly prefer to keep private, made public against their will.”2 Seventy years later William Prosser penned his article Privacy, wherein he differentiated and cataloged what he deemed to be the various limbs of the legal sap- ling planted by Warren and Brandeis.3 In so doing, Prosser suc- ceeded in grafting onto the law a new branch, which he termed “False Light in the Public Eye.”4 Dimly conceived, Prosser claimed that this “form of invasion of privacy . consists of publicity that places the plaintiff in a false light in the public eye.”5 Adopted by the American Law Institute (ALI) in the Restatement of Torts as “Publicity Placing Person in False Light,”6 this tort has faced near constant assault from scholars since its formal recognition.7 Just * New York University School of Law, J.D. Candidate, 2010; Pomona College, B.A., 2003. I would first like to thank Dr. -
Establishing Constitutional Malice for Defamation and Privacy/False Light Claims When Hidden Cameras and Deception Are Used by the Newsgatherer, 22 Loy
Loyola of Los Angeles Entertainment Law Review Volume 22 Number 2 Symposium: Tune in, Turn on, Cop Article 7 Out? The Media and Social Responsibility 1-1-2002 Establishing Constitutional Malice for Defamation and Privacy/ False Light Claims When Hidden Cameras and Deception Are Used by the Newsgatherer David A. Elder Neville L. Johnson Brian A. Rishwain Follow this and additional works at: https://digitalcommons.lmu.edu/elr Part of the Law Commons Recommended Citation David A. Elder, Neville L. Johnson, and Brian A. Rishwain, Establishing Constitutional Malice for Defamation and Privacy/False Light Claims When Hidden Cameras and Deception Are Used by the Newsgatherer, 22 Loy. L.A. Ent. L. Rev. 327 (2002). Available at: https://digitalcommons.lmu.edu/elr/vol22/iss2/7 This Article is brought to you for free and open access by the Law Reviews at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Loyola of Los Angeles Entertainment Law Review by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. ESTABLISHING CONSTITUTIONAL MALICE FOR DEFAMATION AND PRIVACY/FALSE LIGHT CLAIMS WHEN HIDDEN CAMERAS AND DECEPTION ARE USED BY THE NEWSGATHERER David A. Elder,* Neville L. Johnson**and Brian A. Rishwain*** "There is a photographer in every bush, going about like a roaring lion seeking whom he may devour."I "What is slander? A verdict of 'guilty'pronouncedin the absence of the accused, with closed doors, without defence or appeal, by an interestedand prejudicedjudge. ,,2 "Liars are persuaded by their own excuses to a degree that seems incredibleto others. -
Fake News and Misinformation Policy Lab Practicum (Spring 2017)
ST ANFORD Fake News & Misinformation Policy Practicum 2017 PRACTICUM RESEARCFacebookH TEAM: Research Team Jacob Finkel, JD ’19, Steven Jiang,Mufan BS ’17, Luo, PhD ‘22 Mufan Luo, PhD ’22, Rebecca Mears, JD/MPP ’19, Danaë Metaxa-Kakavouli, PhD ’20Camille, Peeples, JD ‘18 Camille Peeples, JD ’18, BrendanArjun Sasso, Shenoy,JD ’19, JD ‘19 Arjun Shenoy, JD ’19, Vincent Sheu, JD/MS ’18 , Nicolás Torres-Echeverry, JSM ’17 Google Research Team INSTRUCTOR AND PROJECTDanaë LEAD MetaxaS: -Kakavouli, PhD ‘20 Nicolás Torres-Echeverry, JSM ‘17 SENATOR RUSS FEINGOLD Edwin A. Heafey, Jr., Visiting Professor of Law Luciana Herman, Ph.D. Twitter Research Team Lecturer in Law Program Director, Law and Policy LabJacob Finkel, JD ‘19 Steven Jiang, BS ‘17 Ashwin Aravind, JD ‘18 Teaching Assistant Rebecca Mears, JD/MPP ‘19 Katie Joseff, MA ‘19 Research Assistant Reddit Research Team October POLICY CLIENT: Brendan Sasso, JD ‘19 Hewlett Foundation MadisonVincent Initiative Sheu, JD/MS ’18 2017 1 Acknowledgements This report reflects the research and analysis of an inter-disciplinary law and graduate student team enrolled in the Stanford Law School Fake News and Misinformation Policy Lab Practicum (Spring 2017). Under the guidance of instructor Senator Russ Feingold, the Edwin A. Heafey Visiting Professor of Law, the practicum surveyed the roles of four major online platforms in the spread of fake news beginning with the 2016 U.S. election. Assisting Senator Feingold in the practicum were Policy Lab Program Director and Lecturer Luciana Herman, Ph.D., and Teaching Assistant Ashwin Aravind, J.D. ’18. Brendan Sasso, J.D. ’19, served as the exceptional lead student editor for the report. -
Photographers' Guide to Privacy
Photographers’ Guide to Privacy What every cameraman, photographer and videographer should know about invasion of privacy standards in the 50 states and D.C. Fall 2007 A primer on invasion of privacy The question of when the coverage and agrees that a news organization has omitted by reporting a misuse of taxpayer money. reporting of news becomes an invasion or played down facts that put a truthful state- (Harris v. City of Seattle, 152 Fed.Appx. 565 of privacy is a difficult one, especially for ment in its proper context. In 2003, a Florida (9th Cir. 2005)) photographers and videographers. jury awarded $18 million to Joe Anderson, The invasion of another’s privacy is a Reporting news stories in a way that the owner of a road-paving company who “tort,” meaning a civil wrong against another serves and informs the public will often entail sued over a Pensacola News Journal article that results in injury. publicizing facts or displaying images that that truthfully reported he had shot and A privacy tort occurs when a person or will embarrass or anger someone. killed his wife. However, the fact that an entity breaches the duty to leave another To make privacy matters even more diffi- investigation determined that the death was person alone. When journalists intrude on cult for journalists, courts constantly redefine a hunting accident was not mentioned until a person’s privacy and cause emotional or what is private based upon interpretations two sentences later, which Anderson said cre- monetary injury, they may be forced to pay of the elusive legal standard of a “reasonable ated a false impression that he murdered his damages. -
Augmented Reality in Cultural Heritages
AR in Cultural Historical Museum Anil Ghimire Master’s thesis in Software Engineering at Department of Computing, Mathematics and Physics, Bergen University College Department of Informatics, University of Bergen June 2019 Abstract i Acknowledgements I offer my sinceriest gratitude to my supervisors (Harald, Atle, Daniel) , new media center HVL and the bachelor groups who helped in designing the model for the project. ii Contents Abstracti Acknowledgements ii List Of Figures vi List Of Tables vii Acronyms viii Glossary ix 1 Introduction1 1.1 A word about Centre for New Media .............. 1 1.2 Motivation............................. 2 1.3 Thesis goals and Research Questions .............. 2 1.4 Related Works........................... 3 1.5 Report Structure ......................... 3 2 Background4 2.1 Museums and Technology .................... 4 2.1.1 Virtual Reality (VR)................... 5 2.1.2 Other Technologies.................... 5 2.1.3 Augmented Reality (AR) ................ 5 2.1.4AR in museums...................... 5 3 Augmented Reality : An Overview8 3.1 What isAR? ........................... 8 3.2 History ofAR........................... 9 iii 3.3 Key Technologies......................... 10 3.3.1 Display Technology.................... 10 3.3.2 Tracking and Registeration Technology......... 11 3.3.3 Registeration ....................... 13 3.3.4 Calibration ........................ 13 3.4 HowAR system works?...................... 13 3.5 Current Uses of AR........................ 14 3.6 AR frameworks.......................... 14 3.6.1 ARKit........................... 15 3.6.2 ARCore .......................... 15 3.6.3 Vuforia........................... 16 3.6.4 Comparision........................ 16 4 ARCore: An Overview 18 4.1 ARCore and Project Tango ................... 18 4.2 Development Environments ................... 19 4.2.1 Android Studio...................... 19 4.2.2 Unreal Engine....................... 19 4.2.3 Unity .......................... -
Room Layout Estimation on Mobile Devices
En vue de l'obtention du DOCTORAT DE L'UNIVERSITÉ DE TOULOUSE Délivré par : Institut National Polytechnique de Toulouse (Toulouse INP) Discipline ou spécialité : Image, Information et Hypermédia Présentée et soutenue par : M. VINCENT ANGLADON le vendredi 27 avril 2018 Titre : Room layout estimation on mobile devices Ecole doctorale : Mathématiques, Informatique, Télécommunications de Toulouse (MITT) Unité de recherche : Institut de Recherche en Informatique de Toulouse (I.R.I.T.) Directeur(s) de Thèse : M. VINCENT CHARVILLAT M. SIMONE GASPARINI Rapporteurs : M. CARSTEN GRIWODZ, UNIVERSITE D'OSLO M. DAVID FOFI, UNIVERSITE DE BOURGOGNE Membre(s) du jury : Mme LUCE MORIN, INSA DE RENNES, Président M. PASCAL BERTOLINO, UNIVERSITE GRENOBLE ALPES, Membre M. SIMONE GASPARINI, INP TOULOUSE, Membre M. TOMISLAV PRIBANIC, UNIVERSITE DE ZAGREB, Membre M. VINCENT CHARVILLAT, INP TOULOUSE, Membre Acknowledgments I would like to thank my thesis committee for giving me the opportunity to work on an exciting topic, and for the trust they placed in me. First, Simone Gasparini, I had the pleasure to have as advisor, who kept a cautious eye on my scientific and technical productions. I am certain this great attention to the details played an important role in the quality of my publications and the absence of rejection notice. Then, my thesis director, Vincent Charvillat, who was always generous in original ideas and positive energy. His advice helped me to put a more flattering light on my works and feel more optimistic. Finally, Telequid, which funded my works, with a special thought to Frédéric Bruel and Benjamin Ahsan for their great patience. I would also like to thank my referees: Prof. -
Protecting the Media's First Amendment Rights in Florida: Making False Light Plaintiffs Play by Defamation Rules
File: Avidan.351.GALLEY(g).doc Created on: 1/4/2006 3:45:00 PM Last Printed: 1/25/2008 2:21:00 PM PROTECTING THE MEDIA’S FIRST AMENDMENT RIGHTS IN FLORIDA: MAKING FALSE LIGHT PLAINTIFFS PLAY BY DEFAMATION RULES Patricia Avidan∗ I. INTRODUCTION In December 2003, a Pensacola, Florida jury awarded Joe A. Anderson Jr. $18.28 million because it found that an article in a local newspaper portrayed Anderson in a false light.1 The claim stemmed from a Pensacola News Journal article focusing on Anderson’s road-paving business and the political influence it wielded.2 The article also disclosed that, in 1988, Anderson shot and killed his wife.3 According to Anderson, the facts in the article ∗ © 2005, Patricia Avidan. All rights reserved. Executive Editor, Stetson Law Re- view. B.F.A., University of Utah; M.S. (Journalism), Columbia University; J.D., magna cum laude, Stetson University College of Law. Ms. Avidan is currently a law clerk to the Honorable Michael G. Williamson, United States Bankruptcy Judge, United States Bank- ruptcy Court, Middle District of Florida. This Comment is dedicated to my partner in every adventure, my husband Alan. Thanks to Professor James Lake, Professor Ann Piccard, my Notes & Comments Edi- tor, Cindy Betancourt, and Articles Editor, Amy Carstensen, for their helpful com- ments and guidance during the writing of this article. 1. Anderson Columbia Co., Inc. v. Gannett Co., Inc., No. 2001 CA 001728 (Fla. Cir. Ct. 1st Dist. filed Aug. 28, 2001); see also $18.28-Million Awarded in Suit against Newspa- per, St. -
Digitalization and Television Newspictures As Evidence and As Libel
Loyola of Los Angeles Entertainment Law Review Volume 9 Number 2 Article 2 3-1-1989 One Technological Step forward and Two Legal Steps Back: Digitalization and Television Newspictures as Evidence and as Libel Don E. Tomlinson Follow this and additional works at: https://digitalcommons.lmu.edu/elr Part of the Law Commons Recommended Citation Don E. Tomlinson, One Technological Step forward and Two Legal Steps Back: Digitalization and Television Newspictures as Evidence and as Libel, 9 Loy. L.A. Ent. L. Rev. 237 (1989). Available at: https://digitalcommons.lmu.edu/elr/vol9/iss2/2 This Article is brought to you for free and open access by the Law Reviews at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Loyola of Los Angeles Entertainment Law Review by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. ONE TECHNOLOGICAL STEP FORWARD AND TWO LEGAL STEPS BACK: DIGITALIZATION AND TELEVISION NEWSPICTURES AS EVIDENCE AND AS LIBEL* Don E. Tomlinson** I. Introduction ............................................. 237 II. History of Television Newspictures as Admissible Evidence ................................................ 241 III. The Relationship of Television Newspictures to Libel ..... 244 IV. From Analog to Digital: A Revolution in Television Technology .............................................. 249 V. Concerns About and Uses of Digitexed Television Newspictures ............................................ 252 VI. Possible New Life for False Light Privacy Invasion ........ 255 VII. Analysis and Conclusions ................................ 256 I. INTRODUCTION Digitalization, the technological revolution now taking place in tele- vision,' will have a profound impact on the admissibility of television newspictures as evidence,2 and on the status of television newspictures as * Parts of this article appeared in two earlier articles by the author.