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CLASSIC, MODERN LAMPS 1967 and the Furniture Prize in 1977
2016 DESIGNERS Pandul is the sole licensed manufacturer of lamps designed by some of the very best and most well known Danish architects & designers: Furniture designer & architect Hans J. Wegner, Professor & architect Jørgen Gammelgaard, artist and sculptor Henning Koppel and most lamps by Industrial designer Erik Magnussen. HANS J. WEGNER > 1914 - 2007 > OPALA, THE PENDANT Hans J. Wegner was born in 1914 in Tønder, Denmark. In 1936, at the age of 22, he attended the School of Arts and Crafts in Copenhagen, later returning as a teacher. In 1943 he opened his own design studio and created the Chinese Chair, which, along with his 1949 Round Chair, formed the basis for many of his later chairs. The Round Chair became known simply as The Chair. While The Chair is probably the main icon of Wegner’s career, the Wishbone Chair is widely considered to be his most successful design. Hans J. Wegner was also a brilliant light designer. His pendant from 1962, “The Pendant” has been in production ever since. Both The Pendant and his futuristic Opala-series – originally designed in the seventies for Hotel Scandinavia in Copenhagen – are now manufactured by Pandul. Hans J. Wegner received many international awards for his work and in June 1997, he was awarded an Honorary Doctorate by The Royal College of Art in London. JØRGEN GAMMELGAARD > 1938 - 1991 > TIP TOP, VIP Jørgen Gammelgaard belonged to a generation of skillful furniture designers who all learned their craft in the time-honoured Danish apprenticeship tradition. Following his apprentice- ship Gammelgaard studied with Grete Jalk, and then became a student at the Danish Royal Academy’s furniture school, working under Poul Kjærholm and Ole Wanscher. -
DESIGN DESIGN Traditionel Auktion 899
DESIGN DESIGN Traditionel Auktion 899 AUKTION 10. december 2020 EFTERSYN Torsdag 26. november kl. 11 - 17 Fredag 27. november kl. 11 - 17 Lørdag 28. november kl. 11 - 16 Søndag 29. november kl. 11 - 16 Mandag 30. november kl. 11 - 17 eller efter aftale Bredgade 33 · 1260 København K · Tlf. +45 8818 1111 [email protected] · bruun-rasmussen.dk 899_design_s001-276.indd 1 12.11.2020 17.51 Vigtig information om auktionen og eftersynet COVID-19 har ændret meget i Danmark, og det gælder også hos Bruun Rasmussen. Vi følger myndig- hedernes retningslinjer og afholder den Traditionelle Auktion og det forudgående eftersyn ud fra visse restriktioner og forholdsregler. Oplev udvalget og byd med hjemmefra Sikkerheden for vores kunder er altafgørende, og vi anbefaler derfor, at flest muligt går på opdagelse i auktionens udbud via bruun-rasmussen.dk og auktionskatalogerne. Du kan også bestille en konditions- rapport eller kontakte en af vores eksperter, der kan fortælle dig mere om specifikke genstande. Vi anbefaler ligeledes, at flest muligt deltager i auktionen uden at møde op i auktionssalen. Du har flere muligheder for at følge auktionen og byde med hjemmefra: • Live-bidding: Byd med på hjemmesiden via direkte videotransmission fra auktionssalen. Klik på det orange ikon med teksten ”LIVE” ud for den pågældende auktion. • Telefonbud: Bliv ringet op under auktionen af en af vores medarbejdere, der byder for dig, mens du er i røret. Servicen kan bestilles på hjemmesiden eller via email til [email protected] indtil tre timer før auktionen. • Kommissionsbud: Afgiv et digitalt kommissionsbud senest 24 timer inden auktionen ud for det pågældende emne på hjemmesiden. -
Mobilier Scandinave 17 - 17 Scandinave Mobilier
Mobilier 15_05_17 Scandinave 17 BRUXELLES - LUNDI 15 MAI 2017 MOBILIER SCANDINAVE 17 - 17 SCANDINAVE MOBILIER Pierre Bergé & associés Société de Ventes Volontaires_agrément n°2002-128 du 04.04.02 Paris 92 avenue d’Iéna 75116 Paris T. +33 (0)1 49 49 90 00 F. +33 (0)1 49 49 90 01 Bruxelles Avenue du Général de Gaulle 47 - 1050 Bruxelles T. +32 (0)2 504 80 30 F. +32 (0)2 513 21 65 www.pba-auctions.com VENTE AUX ENCHÈRES PUBLIQUES BRUXELLES Par le Ministère de l’étude LEROY & Associés Huissiers de Justice à 1050 Bruxelles. MOBILIER SCANDINAVE 17 DATE DE LA VENTE / DATE OF THE AUCTION Lundi 15 mai 2017 - 18 heures Monday May 15th 2015 at 6:00 pm LIEU DE VENTE / LOCATION Cercle de Lorraine 6 Place Poelaert, 1000 Bruxelles EXPOSITIONS PUBLIQUES / PUBlic VIEWING Vendredi 12 mai de 11 heures à 21 heures Samedi 13 et dimanche 14 mai de 11 heures à 19 heures Lundi 15 mai de 11 heures à 18 heures Friday May 12th from 11:00 am to 9:00 pm Sunday May 13th and Saturday May 14th from 11:00 am to 7:00 pm Monday May 15th from 11:00 am to 6:00 pm TÉLÉPHONE PENDANT L’EXPOSITION PUBLIQUE ET LA VENTE CONTACT DURING VIEWINGS AND THE SALE T. +32 (0)2 274 18 88 SPECIALISTE POUR LA VENTE / SPECALIST FOR THE AUCTION Sandor Gutermann T. + 33 (0)1 49 49 90 13 - [email protected] CONTACTS POUR LA VENTE / CONTACTS FOR THE AUCTION France Jean Maffert T. -
Arne Jacobsen Arne Jacobsen
ARNEARNE JJAACOBSENCOBSEN THETHE TTONGUEONGUE THE TONGUE We fell truly, madly, deeply in love with this chair We admit it. We just fell in love. When the opportunity arose to take Arne Jacobsen’s Tongue chair under our wing at HOWE, we couldn’t resist. Does it sound crazy? That’s fine. We’re happy to say that we’re more than a little mad about this delightful chair. 4 5 A lost classic returns You see, the cutely named Tongue is a Danish design classic that went missing. Designed right after the Ant chair in 1955, the Tongue was always one of Arne Jacobsen’s favourites but never really found a home. Now the Tongue is back. 6 7 A visionary designer Arne Jacobsen (1902-1971) is one of the best known designers of the 20th century. An extraordinary man of immense vision, Arne Jacobsen occupies the pinnacle of modern Danish design. His work epitomises Danish modernism and is held permanently by museums, prized by collectors, and employed throughout the world in home, work and educational environments. 8 9 Arne Jacobsen’s childhood Arne Jacobsen was born in Copenhagen in 1902. He was an only child in a family where the father was a wholesaler and the mother was one of the first women in Denmark to be trained in banking. The family home was a true Victorian styled home which probably led a young Arne Jacobsen to paint the walls in his room white as a contrast to the lavishly decorated interior. 10 11 12 13 A natural talent for painting At the age of 11 Arne Jacobsen was sent away to a boarding school. -
81 Danish Modern, Then and Now Donlyn Lyndon
Peer Reviewed Title: Danish Modern, Then and Now -- The AIA Committee on Design, Historic Resources Committee [Forum] Journal Issue: Places, 20(3) Author: Lyndon, Donlyn FAIA Publication Date: 2008 Publication Info: Places Permalink: http://escholarship.org/uc/item/812847nf Acknowledgements: This article was originally produced in Places Journal. To subscribe, visit www.places-journal.org. For reprint information, contact [email protected]. Keywords: places, placemaking, architecture, environment, landscape, urban design, public realm, planning, design, volume 20, issue 3, forum, AIA, Donlyn, Lyndon, Danish, modern, then, now, historic, resources Copyright Information: All rights reserved unless otherwise indicated. Contact the author or original publisher for any necessary permissions. eScholarship is not the copyright owner for deposited works. Learn more at http://www.escholarship.org/help_copyright.html#reuse eScholarship provides open access, scholarly publishing services to the University of California and delivers a dynamic research platform to scholars worldwide. Forum Donlyn Lyndon, FAIA Danish Modern, Then and Now The American Institute of Architects Committee on Design Historic Resources Committee These Forum pages were printed under an agreement between Places/Design History Foundation and The American Institute of Architects. They report on the conference “Danish Modern: Then and Now,” held in Copenhagen, Denmark, in September, jointly sponsored by the Committee on Design (2008 Chair, Carol Rusche Bentel, FAIA) and the Historic Resources Committee (2008 Chair, Sharon Park, FAIA). T. Gunny Harboe, AIA, served as Conference Chair. For additional conference documentation and photos, go to: http://aiacod.ning.com/. In 2009, the COD theme will be “The Roots of Modernism and Beyond” (2009 Chair, Louis R. -
Scandinavian Design Swedish Production
A SUPPLEMENT BY MEDIAPLANET DISTRIBUTED WITHIN THE INDEPENDENT No.1/September ’10 SCANDINAVIAN DESIGN Erika Lagerbielke describes how she tackled the challenge of designing 3TIPS a wedding present for the Crown Princess on behalf of the Swedish people FORFOR CHICCHIC DESIGN FIT FOR ROYALTY PHOTO: PETER CEDERLING Discover Denmark Hot new trends Get design ideas Check out the and see beautiful fashion from landscapes Scandinavia 2 · SEPTEMBER 2010 A SUPPLEMENT BY MEDIAPLANET DISTRIBUTED WITHIN THE INDEPENDENT CHALLENGES In the 20th century, a roster of names from Scandinavia changed the way the world looked at design and architecture. Their legacy continues to make an impact today, as new and exciting talents emerge WE RECOMMEND Professor Ronald Jones Rising stars to look out for The lasting impact of PAGE 8 ‘They are risk-takers in design — and Scandinavian design education’ or such a small region, to shape our stylish present. Their in- cept still appeals to the Scandinavi- Scandinavia is big on fluences are seen today in chairs, ta- an design psyche. It is, says Profes- Hot trends p 4 pioneering design. If it bles, lighting, interior accessories and sor Jones, embedded in its DNA. Pro- 1. The big designers from Scandinavia had simply given the buildings. Scandinavian design is all fessor Erika Lagerbielke is the lead- making their way over to the UK world Arne Jacobsen around us — and its future as a power- ing Swedish glass designer who re- Scandinavian must sees p 10 2. The best design spots for your holidays — the Danish-born Fa- ful creative force seems more secure cently created a pre-wedding gift for ther of Modernism — than ever. -
New Nordic Cuisine Best Restaurant in the World Bocuse D'or
English // A culinary revolution highlighting local foods and combating uniform- ity has been enhancing the Taste of Denmark over the past decade. The perspec- tives of this trend are useful to everyone – in private households and catering kitchens alike. Nordic chefs use delicious tastes and environmental sustainability to combat unwholesome foods and obesity. www.denmarkspecial.dk At the same time, Danish designers continue to produce and develop furniture, tables and utensils which make any meal a holistic experience. Learn more about New Nordic Cuisine and be inspired by the ingredients, produce, restaurants and quality design for your dining experience. FOOD & DESIGN is a visual appetiser for what’s cooking in Denmark right now. Français // Une révolution culinaire axée sur les ingrédients locaux et opposée à une uniformisation a, ces 10 dernières années, remis au goût du jour les saveurs du Danemark. Cette évolution ouvre des perspectives à la disposition de tous – qu’il s’agisse de la cuisine privée ou de la cuisine à plus grande échelle. Les chefs nordiques mettent en avant les saveurs et l’environnement contre la mauvaise santé et le surpoids. Parallèlement, les designers danois ont maintenu et développé des meubles, tables et ustensiles qui font du repas une expérience d’ensemble agréable. Découvrez la nouvelle cuisine nordique et puisez l’inspiration pour vos repas dans les matières premières, les restaurants et le bon design. FOOD & DESIGN est une mise en bouche visuelle de ce qui se passe actuellement côté cuisine au Danemark. Food & Design is co-financed by: Ministry of Foreign Affairs of Denmark, The Trade Council What’s cooking in Denmark? New Nordic Cuisine Bocuse d’Or Playing among the stars Issue #9 2011 denmark Printed in Denmark EUR 10.00 // USD 13.00 Best restaurant special NZD 17.50 // AUD 13.50 ISBN No. -
Ever Y Piece C Omes with a S T Or Y
EVERY PIECE COMES WITH A STORY A WITH COMES PIECE EVERY carlhansen.com CHS omslag_2017.indd 1 03/12/16 15:52 HONEST, SUSTAINABLE DESIGN AND PRODUCTION Dedication to working with the best designers and that remains in district heating plants. Our paper materials has always been fundamental to cord, too, comes from renewable forests and is Carl Hansen & Søn, as has our commitment to biodegradable, and our leather and other honoring designers’ original ideas. upholstery materials come from tanneries and producers with strict sustainability requirements. Great design and sustainable production are inseparable. This deeply ingrained belief shapes To do our part in protecting the world’s natural the work of our designers – and every process in resources, we continually improve our production our manufacturing facilities. We work continuously techniques, logistics and sales methods to work in to ensure healthy, safe work conditions for our ways that are as gentle as possible on our planet. craftspeople, and use only responsibly sourced, safe materials to protect our customers and the From investing in the most modern and energy- environment. efficient equipment to setting annual targets for reducing the amount of energy we use in We purchase wood from sustainably managed production, we make every effort to minimize forests and responsible sawmills with which we our footprint, striving to leave behind nothing but have long-established relationships. We use nearly beautiful furniture and a legacy of uncompromising every bit of wood we source, recycling the little craftsmanship. CRAFTING MODERN DESIGN FOR OVER A CENTURY At Carl Hansen & Søn, we believe that iconic The creative partnership began in 1949, when design is a combination of simplicity, aesthetics Carl Hansen’s son Holger Hansen took a chance on and functionality brought to life through skillful the then-unknown designer, and Wegner developed work with the highest quality materials. -
Scandinavian Design and the United States, 1890–1980
Scandinavian Design and the United States, 1890–1980 Ann-Mari Forsberg (Sweden, 1916–1992) for Märta Måås-Fjetterström, Red Crocus hanging, 1945. Cooper Hewitt Design Museum 700 N. Art Museum Dr 5905 Wilshire Blvd Milwaukee, WI 53202 Los Angeles, CA 90036 414-224-3200 323-857-6000 Exhibition Overview Scandinavian Design and the United States, 1890–1980, will be the first major international loan exhibition to examine the extensive design exchanges between the United States and the Nordic countries (Denmark, Finland, Iceland, Norway, and Sweden) during the twentieth century. The exhibition will examine how both Nordic ideas about modern design and the objects themselves had an indelible impact on American culture and material life, as well as demonstrate America’s influence on Scandinavian design. Divided into the six thematic sections described herein, the exhibition will comprise exceptionally beautiful examples of furniture, glass, ceramics, architectural drawings, jewelry and metalwork, and graphic and product design. Through rich and varied accounts of Scandinavian designers who immigrated to America and Americans who studied or worked Lillian Holm (born in Nordic countries; the ambitious campaigns to market and export Scandinavian Sweden, 1896–1979, design to American consumers via world’s fairs, museum exhibitions, and retail active United States), First Sight of New outlets; and the American and Nordic figures who championed sustainable and York, ca. 1930. Flint accessible design practice, the exhibition will present a new international narrative Institute of Arts about the history of design. Extensive didactic materials and integrated media components showing period photographs and advertisements will contextualize the objects and explicate their dual Scandinavian and American connections. -
BL Catalogue-2015.Pdf
INDEX by Lassen 2 Mogen Lassen 4 Flemming Lassen 6 Local Manufacturing 10 My Kubus 13 Frame 19 Frame App 24 NEW / Saxe 27 NEW /The Tired Man 33 Mingle 37 ML42 47 Twin 53 NEW /Stropp 59 Flow 63 Flow Cushion 69 Kubus 79 Line 85 Base 91 Kubus Bowl 95 House Graphics 105 Illustrate 109 View 113 Product Overview 121 ’LUCKILY, PEOPLE ARE DIFFERENT.’ Mogens Lassen About by Lassen by Lassen owns the rights to the designs of two of Denmark’s greatest architects Mogens Lassen (1901-1987) and Flemming Lassen (1902-1984). The Lassen brothers were extremely talented and were honoured with many awards and grants for their unique designs and iconic architecture. by Lassen is a family business whose simple mission is to carry the Lassen legacy forward - because good design lives on through new generations. 1 2 Mogens billede i ny kontekst Mogens Lassen Architect Mogens Lassen (1901-1987) is among the greatest and most influential of Danish architects, a pioneer of Danish Functionalism, and is internationally renowned for his characteristic architecture. Mogens Lassen was inspired by the German design school Bauhaus, and its geometric shapes recur often in his iconic designs. 3 4 Flemming Lassen Architect Flemming Lassen (1902-1984) was a Modernist and part of the movement that brought Functionalism to Denmark. Flemming Lassen is particularly well known for his work with Arne Jacobsen on the award-winning House of the Future and Søllerød Town Hall, and his furniture has also achieved international recognition. 5 6 7 8 Locally made & fine Craftsmanship ”Good craftsmanship should be appreciated.” Mogens Lassen, the man behind the quotation and designer of the iconic Kubus candleholder, was well aware of the importance of craftsmanship. -
Reassessment of Values and Aesthetics in Contemporary Nordic Design Skou, Niels Peter; Munch, Anders V
University of Southern Denmark New Nordic and Scandinavian retro Reassessment of values and aesthetics in contemporary Nordic design Skou, Niels Peter; Munch, Anders V. Published in: Journal of Aesthetics & Culture DOI: 10.3402/jac.v8.32573 Publication date: 2016 Document version: Final published version Citation for pulished version (APA): Skou, N. P., & Munch, A. V. (2016). New Nordic and Scandinavian retro: Reassessment of values and aesthetics in contemporary Nordic design. Journal of Aesthetics & Culture, 8(1), [32573]. https://doi.org/10.3402/jac.v8.32573 Go to publication entry in University of Southern Denmark's Research Portal Terms of use This work is brought to you by the University of Southern Denmark. Unless otherwise specified it has been shared according to the terms for self-archiving. If no other license is stated, these terms apply: • You may download this work for personal use only. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying this open access version If you believe that this document breaches copyright please contact us providing details and we will investigate your claim. Please direct all enquiries to [email protected] Download date: 30. Sep. 2021 Journal of AESTHETICS & CULTURE Vol. 8, 2016 New Nordic and Scandinavian Retro: reassessment of values and aesthetics in contemporary Nordic design Niels Peter Skou and Anders V. Munch* Department of Design and Communication, University of Southern Denmark, Odense, Denmark Abstract Anders V. Munch, Dr. Phil., is a The ‘‘New Nordic’’ label has spread in the design world professor in design culture at the Depart- since 2005, but it is quite difficult to distinguish from the ment of Design and Communication, Uni- image of ‘‘Scandinavian Design’’ and the heritage of values versity of Southern Denmark, Kolding. -
Onecollection-Finn-Juhl.Pdf
1912-1989 1912-1989 1912-1989 The 5 categories Finn Juhl – education, working and life The furniture sculptor reflects on the art of his time Finn Juhl’s furniture design – a cabinetmaker’s challenge Completeness in the interior Finn Juhl – international reputation Timeline Prizes Onecollection A/S has the sole rights worldwide to produce and market the furniture of We are very honoured working with the furniture art of Finn Juhl. He played an impor- the architect Finn Juhl (1912-1989). tant role in the time of unrest and upheaval within the development of Danish furniture design and put Denmark on the map of international design through his work. How to get the best out of the story Decoration In 2001 the rights were handed over personally by Finn Juhl’s widow, the music – and theatre publisher Hanne Wilhelm Hansen. After her death in 2003 the copyright belongs This gives us a certain obligation towards gathering and re-communicating knowledge The story is divided into 5 categories. Furniture to the Wilhelm Hansen Foundation which Onecollection is working with. of Finn Juhl and his work. This categorisation is chosen in order to create a complete impression of Finn Juhl by Today Finn Juhl is considered the father of the concept “Danish Modern” or “Danish With the history we should like to invite you into the universe of Finn Juhl, where his presenting different facets of Finn Juhl as a person and as an architect. Exhibition Design”. passion for the art got a significant impact on his work as a furniture architect.