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Materiali Didattici” Del Sito Web Di Bononia University Press Alberto Manodori Sagredo FotograFia storie generi iconografie FotograFie/iconograFie Il repertorio fotografico di corredo al olumev Fotografia. tS oria, generi, iconografie è disponibile nella sezione “Materiali didattici” del sito web di Bononia University Press. Clicca qui per visualizzare le fotografie materiali didattici on line Bononia University Press Avvertenze: Le fotografie contraddistinte dal simbolo (µ) appartengono all’Archivio Manodori Sagredo di Reggio Emilia – Venezia materiali didattici on line Bononia University Press FotograFie/iconograFie fotografia AEREA Stazione Termini, 1970 ca., gelatina al bro- 00 Anonimo, veduta del quartiere latino di muro d’argento, 178x239 (µ) Parigi, 1880 ca., stereoscopica albumina, 01 Anonimo (fotografo ambulante “scattino”), 75x67 (134) su supporto di cartone (µ) riprese a sorpresa, 1930 ca., gelatina al bro- 01 Anonimo, veduta di Roma, 1880 ca., gelatina muro d’argento, 121x79 (µ) al bromuro d’argento, 121x166 (µ) 02 Fot. Goiorani (fotografo ambulante “scatti- 02 Alinari, veduta dell’area archeologica del Foro no”), per le vie di Viareggio il 22 Luglio del Romano, 1910 ca. gelatina al bromuro d’ar- 1932, Viareggio, 1932, gelatina al bromuro gento, 185x246 (µ) d’argento, 138x93 (µ) 03 Anonimo, veduta della basilica vaticana e di 03 Anonimo (fotografo ambulante “scattino”), piazza S. Pietro, 1920 ca., gelatina al bromu- famigliola, Roma, 1943, gelatina al bromuro ro d’argento, 189x272 (µ) d’argento, 129x79 (µ) 04 Anonimo, veduta della piazza del Campidoglio 04 Anonimo (fotografo ambulante “scattino”), a Roma, 1920 ca., gelatina al bromuro d’ar- Piero e Rina, Roma, 1945, gelatina al bro- gento, 89x137 (µ) muro d’argento, 109x79 (µ) 05 Paolini, Roma, piazza di S. Pietro in occasio- 05 Anonimo (fotografo ambulante “scattino”), ne di una grande cerimonia liturgica dell’An- passante, 1950 ca., gelatina al bromuro d’ar- no Santo 1925, 1925, gelatina al bromuro gento, 130x74 (µ) d’argento, 237x176 (µ) 06 Anonimo, gelataia ambulante, 1950, gelatina 06 Ministero Aeronautica, Laboratorio fotomec- al bromuro d’argento, 83x54 (µ) canico, rilievo aerofotografico di Venezia eseguito nell’anno 1911, scala 1:5000, 1913, D. ARBUS gelatina al bromuro d’argento. 600x1400 00 Diane Arbus, New York City, coppia di teen- (µ) agers, 1963 07 Ministero Aeronautica, Roma, piazza S. 01 Diane Arbus, New York, questi è Eddie Pietro ripresa dall’alto, 1930 ca., gelatina al Carmel, un gigante ebreo con i suoi geni- bromuro d’argento, 215x385 (µ) tori nel soggiorno della loro casa nel Bronx, 08 Anonimo, veduta aerea di via Nomentana, 1970 1930 ca., gelatina al bromuro d’argento, 128x173 (µ) fotografia ARCHEOLOGICA 00 George Wilson Bridges, Pompei, anfiteatro, AMBROTIPO 1848, carta salata, 168x218 00 J. Timms London, ritratto di giovane donna, 01 Giacomo Caneva, Roma, tempio di Saturno 1860 ca., 67x63 (µ) al Foro Romano, 1850, carta salata 02 Maxime Du Camp, Abu Simbel, 1850, carta fotografi AMBULANTI salata. 00 Anonimo, fotografa nei giardini pubblici del- 03 Francis Frith, Abu Simbel, 1855 ca., stereo- le Terme di Diocleziano a Roma, davanti alla scopica albumina, 67x72 (144) con interval- lo di 4 mm, su supporto di cartone (µ) materiali didattici on line Bononia University Press 4 Fotografie/iconografie 04 Francis Frith, Philae, 1855 ca., stereoscopica 21 Vito Generini, Meta Sudante, 1900 ca., ste- albumina, 67x67 (134) con intervallo di 1 reoscopica gelatina al bromuro d’argento, mm, su supporto di cartone (µ) 74x69 (138) con 1 mm di intervallo, su sup- 05 Francis Frith, Tempio grande di Philae, 1855 porto di cartone (µ) ca., stereoscopica albumina, 67x70 (140) 22 Anderson, Palazzo dei Cesari, 1900 ca., gela- con intervallo di 3 mm, su supporto di car- tina al bromuro d’argento, 194x256 (µ) tone (µ) 23 Anonimo, Terme di Caracalla, 1910 ca., gela- 06 Anonimo (Frith?), Tempio di Karnak, 1855 tina al bromuro d’argento, 183x240 (µ) ca., stereoscopica albumina, 74x71 (142), 24 F.lli Alinari ed., Arco di Costantino, prospetto nessun intervallo, su supporto di cartone meridionale, particolare dei bassorilievi 1910 (µ) ca., gelatina al bromuro d’argento, 190x249 07 Francis Frith, Tempio di Karnak, 1855 ca., (µ) stereoscopica albumina, 67x70 (140) con 25 Anonimo, Pompei, 1950 ca., fotolitotipia, intervallo di 4 mm, su supporto di cartone 114x93 (µ) (µ) 26 Anonimo, Catacombe di S. Sebastiano, 1930 08 Francis Frith, Tempio di Dendera, 1855 ca., ca., gelatina al bromuro d’argento, 130x80 stereoscopica albumina, 69x70 (140) con (µ) intervallo di 4 mm, su supporto di cartone (µ) fotografia d’ARCHITETTURA 09 Jules Andrieu, Tempio di Baalbek, 1870 ca., 00 Gustave Le Gray (?), Chiesa dell’Abbazia di stereoscopica albumina, 79x78 (156) senza Brantome, carta salata, 1851 intervallo, su supporto di cartone (µ) 01 Gustave Le Gray, Castello di Chenonceaux, 10 B.G., rilievo del Tempio di Atena Nike, 1870 carta salata, 1851 ca., stereoscopica albumina, 75x72 (144) 02 Gustave Le Gray, Loches, ingresso della chiesa senza intervallo, su supporto di cartone (µ) di Saint-Ours, carta salata, 1851 11 H. C. White, Atene, Tempio di Atena Nike, 03 Gustave Le Gray, Poitiers, chiesa di Notre 1903, stereoscopica albumina, 79x78 (156) Dame la Grande, carta salata, 1851 con 1 mm di intervallo, su supporto di car- 04 F.lli Alinari, Firenze, cattedrale e campanile di tone (µ) Giotto, gelatine al bromuro d’argento, fine 12 American Stereoscopic Company ed., sec. XIX (µ) Partenone, 1900 ca., stereoscopica albumi- 05 Eugene Atget, Parigi, Hotel al 22 di rue Saint na, 82x77 (154) con 1 mm di intervallo, su Sauveur, albumina, 1907 supporto di cartone (µ) 06 Eugene Atget, Parigi, scala del 7 rue de l’Estra- 13 N.P.G., Partenone, 1905, stereoscopica alla pade, albumina, 1907 gelatina al bromuro d’argento, 74x66 (132) 07 Eugene Atget, Parigi, tetto della chiesa di con 4 mm di intervallo (µ) Saint Séverin, albumina, 1903-1904 14 Anonimo, Partenone, 1860 ca., stereoscopica 08 Eugene Atget, Parigi, Hotel del marchese de albumina, 75x70 (140) senza intervallo, su Lagrange, albumina, 1901 supporto di cartone (µ) 09 Giacomo Caneva, Roma, villa campana al 15 Anonimo, Tempio di Antonino e Faustina, Celio, 1850 ca., calotipo, 212x280 1860 ca., albumina, 101x130, su supporto 10 Timothy O’ Sullivan, New Mexico, Mckinley di cartone (µ) County, Pueblo Zuni, 1873, albumina, 16 Lorenzo Suscipj, Colosseo, 1870 ca., stereo- 203x275 scopica albumina, 74x72 (154) senza inter- 11 George N. Barnard, Georgia, Atlanta, dopo vallo, su supporto di cartone (µ) la marcia di Sherman, 1864, albumina, 17 Giorgio Sommer, Arco di Tito, 1870 ca., ste- 254x357 reoscopica albumina, 73x70 (140) senza in- 12 Henry Le Lieure, Torino, stazione ferroviaria, tervallo, su supporto di cartone (µ) 1867, albumina, 258x378 (µ) 18 Luswerg, Arco di Costantino, 1860 ca., ste- 13 Deroche & Heyland, Milano, Galleria reoscopica albumina, 72x70 (140) senza in- Vittorio Emanuele II in costruzione, 1868, tervallo, su supporto di cartone (µ) albumina, 265x315 (µ) 19 Underwood & Underwood ed., Arco di Tito 14 Enrico Canè, Roma, interno del Palazzo e Meta Sudante, 1905, stereoscopica albumi- Industriale della ditta F.lli Bocconi, 1890 ca., na, 80x77 (154) con 1 mm di intervallo, su albumina, 287x392 supporto di cartone (µ) 15 Fot. Anderson ed., Roma, cupola michelan- 20 Underwood & Underwood ed., Palatino, giolesca, 1930 ca., gelatina al bromuro d’ar- 1900 ca., stereoscopica albumina, 84x77 gento con viraggio, 254x195 (µ) (154) con 1 mm di intervallo, su supporto 16 Fot. Anderson ed., Roma, Cappella Sforza di cartone (µ) nella basilica di S. Maria Maggiore (part.), materiali didattici on line Bononia University Press 5 1930 ca., gelatina al bromuro d’argento, 04 Fot. Felici, Musei Vaticani: Sala a Croce Greca, Fotografie/iconografie 194x257 (µ) Roma, 1900 ca., stereoscopica albumina su 17 Anonimo, interno della Basilica Vaticana, supporto di cartone, 82x76 (152) (µ) 1880 ca., albumina, 189x256 (µ) 05 Fot. Felici, Roma, Musei Vaticani: Galleria 18 F.lli Alinari ed., Roma, portico d’accesso al Chiaramonti, Roma, 1900 ca., stereoscopi- Cortile di Palazzo Farnese, 1930 ca., gelatina ca albumina su supporto di cartone, 82x75 al bromuro d’argento, 193x248 (µ) (150) (µ) 19 Fot. Anderson ed., portale rinascimentale del- 06 Fot. Alinari, Gruppo scultoreo del Lacoonte, la chiesa di S. Maria di Loreto a Roma, 1930 1890 ca., albumina, 250x190 (µ) ca., gelatina al bromuro d’argento, 253x200 07 Anonimo, Musei Vaticani, Apoxiomenos, (µ) 1880 ca., albumina, 372x278 (µ) 20 Irving Underhill, New York, Masonic Temple, 08 G. Pedo, Louvre, particolare del busto della 1930 ca. (µ) Venere di Milo, Roma, 1890 ca., albumina, 21 American Studio, New York, Equitable 378 x268 (µ) Building, 1930 ca. 09 Anonimo, Basilica di S. Pietro in Vaticano, 22 Làszlò Moholy-Nagy, scala, 1936 statua dell’apostolo Pietro, 1900 ca., gelatina 23 Berenice Abbot, New York. Nightview, 1932 al bromuro d’argento, 267x200 (µ) 24 Alfred Stieglitz, New York, Rockefeller Center 10 N.P.G., Roma, Galleria Borghese, Paolina dall’Hotel Shelton, 1935, gelatina al bromu- Borghese, 1900 ca., stereoscopica gelatina al ro d’argento 241x187 bromuro d’argento, 74x71 (142) (µ) 25 Berenice Abbot, New York, Exchange 11 Fot. Alinari, Assisi, Basilica di S. Francesco, Place, 1936, gelatina al bromuro d’argento uno degli episodi della vita di S. Francesco, 187x114 1900 ca., gelatina al bromuro d’argento, 26 Werner Mantz, Colonia, Karkerfeld, casa per 252x192 (µ) appartamenti, 1928, 387x224 12 Anonimo, Venezia, angelo musicante di 27 Margaret Bourke White, New York, Chrysler Giovanni Bellini (part.), 1880 ca., gelatina al Building, 1931 bromuro d’argento colorata, 237x190 (µ) 28 Fot. Vasari ed., stazione Ostiense a Roma, 13 Fot. Anderson, Cappella Sistina in Vaticano, 1938 ca., gelatina al bromuro d’argento, Giudizio universale di Michelangelo, 1900 182x254 (µ) ca., gelatina al bromuro d’argento, 252x199 29 Roberto Bossaglia, Roma, 1986. (EUR, pa- (µ) lazzo della Civiltà del Lavoro) 14 Fot. Alinari, Roma, Galleria dell’Accademia 30 Ballerini & Fratini ed. Firenze, colonia FIAT di S. Luca, Susanna al bagno di Palma il a marina di Massa, 1935 ca.
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