1 Multiple 12- Lens Camera "Ch. Hofmans"

Total Page:16

File Type:pdf, Size:1020Kb

1 Multiple 12- Lens Camera 1 Multiple 12- Charles E. Hofmans, Multiplikator- Charles E. Hofmans, Lens Camera Brussels. Tropical Kamera mit 12 Otherwisene/Bruxelles, "Ch. wood body, body no. Objektiven "Ch. Appareils et Hofmans", 2849, size: (12 x) 25 Hofmans", Accessoires pour la Brussels, c. x 30 mm for plate of Brüssel, um Photographie. 1890 13 x 18 cm, 1890 Gehäuse-Nr. 2849. Für dimensions of 12 Aufnahmen (25 x camera body: 5 x 30 mm) auf Platten 13 7 4/5 x 6 1/4 in. – x 18 cm, Without doubt, a very Edelholzgehäuse mit rare collector's item 12 Meniskusobjektiven and a true museum (fixed focus), piece! – Literature: Kamerakörper: 13 x 20 "Camera's uit Belgie x 16 cm. Nur ein en Nederland", p. 39. weiteres Exemplar bekannt: "Collection Museum voor Fotografie, Antwerpen". – Zweifellos ein äußerst seltenes Stück von hoher Museumsqualität! – Literatur: "Camera's uit Belgie en Nederland", S. 39. 2500 4000 2 Rare E. Leybold's Seltener E. Leybold's Scientific 3- Nachfolger wissenschaftlich Nachfolger Color Mechanische er 3-Farben- Mechanische Projection Werkstätten Cöln Projektionsvorsat Werkstätten Cöln Attachment, a/Rh. Unusual z, um 1890 a/Rh. c. 1890 attachment with 3 Außergewöhnliches filters red/green/blue, Vorsatzgerät mit 3 tropical wood, iris Filtern rot/grün/blau 2 x stop, moveable 2 cm, lenses, lens Edelholzgehäuse, diameters approx. 1 Triebverstellungen, 2/5 in., size of the abblendbare attachment 5 ½ x 5 ½ Projektionslinsen x 5 ½ in. – Very rare (verschiebbar). attachment for Linsendurchmesser experiments with light jeweils 3 cm. – Als and colors! Lichtquelle diente eine Laterna Magica oder ein Vergrößerer. – Sehr seltenes Vorsatzgerät für Experimente mit Licht und Farbe! Größe: 14 x 14 x 14 cm. 400 500 3 Royal Mail Butcher & Sons, Royal Mail Photo Butcher & Sons, Photo Stamp London. 15-lens Stamp Camera, London. 15-linsige Camera, version for 1907 Briefmarkenkamera, 1907 simultaneous auf Platte 9 x 12 cm, exposure of 15 stamp- Gehäuse-Nr. 144, sized images on the Edelholzgehäuse, 9x12cm plate, body funktionierender no. 144, shutter Verschluß, 8 Messing- works, 8 brass Zierringe auf Front ornamental rings on fehlen (können ersetzt front missing, werden), focusing screen back. Mattscheibenrückteil. – – Very attractive Ein klassisches exhibition piece and Sammlungsstück! – desirable collector's Literatur: McKeown's item! – Literature: Price Guide 2005/06, McKeown's Price S. 173, und Michel Guide 2005/06, p. Auer, "Kameras 173, and Michel gestern und heute", S. Auer, "Kameras 276. gestern und heute", p. 276. 700 1000 4 Chor-Identar, Ets. Chotard, France. Chor-Identar, Ets. Chotard, 1947 Multiplying camera 1947 Frankreich, for 16 photos of 2 x 3 Multiplikator-Kamera cm on 9 x 12 cm für 16 Aufnahmen auf plates, lens: Saphir- Platte 9 x 12 cm, Boyer 3,5/50 mm. – Aufnahmeformat 2 x 3 Rare multiplying cm, Objektiv Saphir- camera. – Literature: Boyer 3,5/50 mm. – Francesch, Bovis and Eine selten Boucher, "Les angebotene Appareils Photo- Multiplikator-Kamera. – graphiques Français", Literatur: Francesch, p. 313, no. 1504. Bovis und Boucher, "Les Appareils Photographiques Français", S. 313, Nr. 1504. 800 1100 5 Multiple Lens Presumably England. Briefmarken- Vermutlich England. Wet-Plate Walnut, with 9 Naßplattenkamer Nußbaumholz, mit Camera, c. unmarked brass a mit 9 Objek neun unbezeichneten 1860–70 lenses for postage- tiven, um Messingobjektiven für stamp sized images 1860–70 Aufnahmen in on plate of 13 x 18 Briefmarkengröße auf cm, front standard einer Platte 13 x 18 focusing, focusing cm, Verstellung über screen back. – Rare Zahntrieb, camera in original Schiebekastenprinzip, condition! Mattscheibenrückteil. – Seltenes Stück in unrestauriertem gutem Originalzustand. 5000 7000 6 Photo- Troughton & Simms Photo-Theodolite Troughton & Simms Theodolite by Ltd., York, London. von Troughton & Ltd., York, London. Troughton & Photograph format Simms, um Aufnahmeformat 8 x Simms, c. 3 1/6 x 4 in., tropical 1901 10,5 cm (3 1/6 x 4 in.), 1901 wood, brass fittings, Edelholzgehäuse mit brass telescope, 2 Messingbeschlägen, levels, unmarked Messing-Teleskope, 2 brass lens with built- Stablibellen, in shutter, rack-and- unbezeichnetes pinion focusing, Messing-Objektiv mit focusing screen back eingebautem and one double Verschluß, cassette. Theodolite Triebeinstellung, not complete, in need Mattscheibenrückteil of attention, tripod. – und Doppelkassette. Extremely rare Theodolit unvollständig combination. – und reparaturbedürftig, Literature: Stanley auf Dreifuß montiert. – book, 1901. Extrem seltene Kombination. – Literatur: Stanley Book, 1901. 3500 5000 7 "Ives' The Dreifarben- The Kromskop" 3- Photochromoscope Stereobetrachter Photochromoscope Color Stereo Syndicate Ltd., "Ives' Syndicate Ltd., Viewer, 1895 London, with blue Kromskop", 1895 London, mit blauem and green filters (red und grünem missing). Mahogany Filtereinsatz (rot fehlt), body with brass Mahagonigehäuse mit fittings. Viewer needs Messingbeschlägen. attention. A rare Gerät bedarf der collector's item in the Pflege. – Edles und history of stereo and wertvolles 3-color photography. Sammlungsstück, – Literature: Wing, sowohl zur Geschichte "Stereoscopes", p. der Stereo- als auch 218–220. der 3-Farben- Photographie! – Literatur: Wing, "Stereoscopes", S. 218–220. 900 1400 8 Ives' Lantern The Ives' Lantern The Kromskop, c. Photochromoscope Kromskop, um Photochromoscope 1895 Syndicate Ltd., 1895 Syndicate Ltd., London. 3-color London. Dreifarben- attachment for magic Laterna-Magica- lantern, with filter set Vorsatz, mit Filtersatz red/blue/ green, lens rot/blau/ grün, mit holder (size Ø 52 Objektivhalterung für mm), 3 brass Laterna Magica Ø 52 projection lenses, mm, 3 original wooden box Messingprojektionsobj without door. – ektive, Transportkoffer. Capping plate – Abdeckplatte am missing. – Extremely Gerät fehlt (kann rare Ives' 3-color ersetzt werden). – attachment! Weitaus seltener als der Ives' Dreifarben- Betrachter! 1500 2500 9 Original Negative size 9 x 24 Miethe's Original- Negativformat 9 x 24 Bermpohl cm, from the former Dreifarben- cm, aus dem Miethe's Miethe archives. Negativ von ehemaligen Miethe- Three-Color Motif: coastal area, Bermpohl, um Archiv. Motiv: Negative, c. excellent illumination. 1903 Küstengebiet, sehr gut 1903 Absolute rarity. belichtet. Absolute (2–3/–) – Add-on: Rarität ersten Ranges! Second Miethe (2–3/–) – Dabei: negative (broken), Zweites Miethe- motif: still life. Negativ (zerbrochen), Motiv: Stilleben. 400 500 10 Baby Al-Vista The Multiscope & Baby Al-Vista The Multiscope & Film No. 2, 1906 Film Co., Burlington, No. 2, 1906 Co., Burlington, WI, WI, USA. Small USA. Kleine panoramic camera Panoramakamera für for film 120. The 120er-Film. Der winding key has to be Schlüssel zum added, release after Aufziehen muß ergänzt cocking by hand werden, Auslösen faultless. nach Spannen per Hand einwandfrei. 200 300 11 "Demaria" Demaria, Paris. Size Panorama- Demaria, Paris. Format Panoramic 7 x 23 cm, with Deltar Kamera 7 x 23 cm, mit Deltar Camera, Serie II 6,3/110 mm "Demaria", 1902 Serie II 6,3/110 mm, 2 1902 lens, shutter with two Verschlußzeiten. – speeds. – Extremely Extrem seltene rare panoramic Panorama-Kamera! camera! 300 400 12 Elnain Color- Extraordinarily rare 3- Strahlenteilungsk Außerordentlich Separation color camera à la amera "Elnain", seltene Dreifarben- Camera, c. Bermpohl by "Elnain- um 1927/28 Kamera à la "Berm 1927/28 Kamera Werkstätte, pohl" der Elnain- Wiesbaden- Kamera Werkstätte, Hennethal", owned Wiesbaden-Hennethal, by Emil Reckmeier. Inhaber/Teilhaber Emil For 9 x 12 cm Reckmeier. Für exposures. Very rare 9x12cm-Aufnahmen. tropical wood model, Sehr seltene Tropen- serial no. 53! With Ausführung mit Serien- Schneider-Kreuznach Nr. 53, mit Schneider- "Xenar 4,5/210" lens, Kreuznach "Xenar no. 1849358 in 4,5/210" Nr. 1849358, Deckel-Compound in Deckel-Compound- shutter 1–1/100 sec., Verschluß 1–1/100 M, B, T. Beams are Sek., M, B, T. split by pellicle Strahlenteilung findet mirrors. The camera statt durch dünn was constructed by beschichtete Spiegel. Emil Reckmeier, Von Emil Reckmeier, Cologne, as an Köln, konstruierte, improved version of verbesserte Bermpohl- the "Bermpohl" by the Version, die auch von same designer. After ihm konstruiert worden a serious conflict with war. Nach Bermpohl, he left the Überwerfung mit company and Bermpohl gründete established his own Reckmeier die Firma Elnain-Kamera Elnain-Kamera Werkstätte in Werkstätte in Wiesbaden. After Wiesbaden, die aber 4000 6000 13 "Anthony" E. & H.T. Anthony, "Anthony" mit E. & H.T. Anthony, with Manufacturer, 591 Multiplikator- Manufacturer, 591 Multiplying Broadway, N.Y., Rückteil, um Broadway, N.Y., Camera Patent Nov. 11, 1884, 1885 Patent Nov. 11, 1884, Back, c. 1885 very interesting and sehr interessante und technically costly technisch aufwendige construction. Similar amerikanische to "Fairy Camera", 13 Kamera. x 18 cm. Brass Ross Spindeltriebverstellung 6 in. lens. Modified . Ähnlich "Fairy with multiplying Camera", für Format camera back for 13 x 18 cm. police photography of Messingobjektiv Ross criminal mug shots. 6 in. Back for 3 exposures, Spezialmodifikation mit one after another, Multiplikator-Rückteil with a sliding board, für kriminalistische each exposure 4,5 x Steckbrief- 3 cm. Special Photographie, Rückteil focusing back. Sharp für 3 Bilder focusing at fully nacheinander, jeweils returted bellows. – An 4,5 x 3 cm, interesting American Spezialmattscheibe. collector's item! Scharfeinstellung bei gänzlich eingefahrenem Balgen! – Ein hochinteressantes Sammlungsstück! 800 1100 14
Recommended publications
  • Shutter Stream Product Photography Software *IMPORTANT
    Quick Start Guide – Shutter Stream Product Photography Software *IMPORTANT – You must follow these steps before starting: 1. Registering the Software: After installing the software and at the time of first launch, users will be prompted with a registration page. This is required. Please fill out this form in its entirety, select ‘ShutterStream’ license type then submit – this will be automatically sent to our licensing server. Within 72 hours, user will receive their license file along with license file import instructions (sent via email to the address used at time of registration) the software. The software will remain fully functional in the meantime. 2. Setting up your Compatible Camera: Please select your specific camera model from this page for the required settings. Additional Training Documents: Shutter Stream Full User Guide: See here Features Overview Video: See Here Help Desk & Support: Help Desk: http://confluence.iconasys.dmmd.net/display/SHSKB/Shutter+Stream+Knowledge+Base Technical Support: Please email [email protected] to open up a support ticket. © Iconasys Inc. 2013-2018 Overview - Shutter Stream UI 1. Image Capture Tools 2. Image Viewing Gallery 3. Image Processing Tools 4. Live View / Image Viewing Window 5. Camera Setting Taskbar 6. Help and Options 4 6 1 3 5 2 **Make sure camera has been connected via USB to computer and powered on before launching software Shutter Stream Product Photography Workflow: Step 1 – Place an object in Cameras Field of View and Click the Live View button (top left corner of software): ‘Live View’ will stream the cameras live view to the monitor screen in real time so users can view the subject they wish to shoot before actually capturing the image.
    [Show full text]
  • The Photographic Revolution Back in 1877 a 23 -Year-Old Bank Clerk, George Eastman, Took up Photography As a Hobby
    the photographic revolution Back in 1877 a 23 -year-old bank clerk, George Eastman, took up photography as a hobby. Like all picturetakers of his time, he carried a huge camera and tripod, chemicals, a tent for a darkroom, and other equipment. He had to make a "wet plate" by coating a light-sensitive emulsion on a piece of glass immediately before he exposed it. Picturetaking at that time was hard work, but Eastman felt it could be made easier and more fun. After many experiments in his mother's kitchen, he found a way to mass- produce photographic dry plates, and in 1880 he started to make them com­ mercially in a rented loft in the downtown section of Rochester, N. Y . In 1884 Eastman introduced a paper-base "film," and in 1888, the No.1 Kodak Camera - the small box camera which simplified photography so that anyone could take pictures. Eastman himself coined the trademark "Kodak" and the famous advertising slogan "You press the button, we do the rest." The Kodak camera caught on quickly, and the company sold over 100,000 of them in the first eight years. Today, some 52 million Americans take more Picturetaking in the days before Kodak cameras. than two billion snapshots each year. Picture­ taking has become America's number- one hobby. 2 © 1962 Eastman Kodak Company -I.. .. 1 I ~ , The No. 1 Kodak The first Folding New styling was fea· The popular Brownie Camera of 1888 sim· Brownie Camera was tured in Baby Brown­ Starflash Camera was plified photography. offered in 1904.
    [Show full text]
  • Completing a Photography Exhibit Data Tag
    Completing a Photography Exhibit Data Tag Current Data Tags are available at: https://unl.box.com/s/1ttnemphrd4szykl5t9xm1ofiezi86js Camera Make & Model: Indicate the brand and model of the camera, such as Google Pixel 2, Nikon Coolpix B500, or Canon EOS Rebel T7. Focus Type: • Fixed Focus means the photographer is not able to adjust the focal point. These cameras tend to have a large depth of field. This might include basic disposable cameras. • Auto Focus means the camera automatically adjusts the optics in the lens to bring the subject into focus. The camera typically selects what to focus on. However, the photographer may also be able to select the focal point using a touch screen for example, but the camera will automatically adjust the lens. This might include digital cameras and mobile device cameras, such as phones and tablets. • Manual Focus allows the photographer to manually adjust and control the lens’ focus by hand, usually by turning the focus ring. Camera Type: Indicate whether the camera is digital or film. (The following Questions are for Unit 2 and 3 exhibitors only.) Did you manually adjust the aperture, shutter speed, or ISO? Indicate whether you adjusted these settings to capture the photo. Note: Regardless of whether or not you adjusted these settings manually, you must still identify the images specific F Stop, Shutter Sped, ISO, and Focal Length settings. “Auto” is not an acceptable answer. Digital cameras automatically record this information for each photo captured. This information, referred to as Metadata, is attached to the image file and goes with it when the image is downloaded to a computer for example.
    [Show full text]
  • Process Camera, Stripping, and Platemaking. Teacher Guide. INSTITUTION Mid-America L)Cational Curriculum Consortium, Stillwater, Okla
    DOCUMENT RESUME ED 327 663 CE 056 673 AUTHOR Feasley, Sue C., Ed. TITLE Graphic Arts: Process Camera, Stripping, and Platemaking. Teacher Guide. INSTITUTION Mid-America l)cational Curriculum Consortium, Stillwater, Okla. REPORT NO 90-007460 PUB DATE 90 NOTE 285p.; For related documents, see CE 056 671-672. AVAILABLE FROM Mid-America Vocational Curriculum Consortium, Inc., 1500 West Seventh Avenue, Stillwater, OK 74074 (order no. 802001: $22.00). PUB TYPE Guides - Classroom Use - Guides (For Teachers) (052) EDRS PRICE MF01 Plus Postage. PC Not Available from EDRS. DESCRIPTORS Behavioral Objectives; Competency Based Education; Course Descriptions; Curriculum Guides; =Graphic Arts; Learning Activities; =Photographic Equipment; *Photography; Postsecondary Education; Production Techniques; Secondary Education; Units of Study ABSTRACT This curriculum guide is the second in a three-volume series of instructional materials for competency-based graphic arts instruction. Each publication is designed to include the technical content and tasks necessary for a student to be employed in an entry-level graphic arts occupation. Introductory materials include an instructional/task analysis that correlates job training with related information for this course; a list of tools, equipment, and materials; and a list of 12 references. Each of the seven instructional units includes some or all of these basic components: performance objectives; suggested activities for teachers and students; information sheets; assignment sheets; job sheets; visual aids; tests; and answer keys. Units are planned for more than one lesson or class period. Unit topics include the process camera and other darkroom equipment; line photography; halftone photography; other darkroom techniques; overview of procass color photography; stripping procedures; and platemaking procedures.
    [Show full text]
  • DMC-LC1 Manual
    LC1PP.book 1 ページ 2004年1月26日 月曜日 午後6時50分 Digital Camera Operating Instructions Model No.DMC-LC1PP Before use, please read these instructions completely. For USA assistance, please call: 1-800-272-7033 or send e-mail to : [email protected] For Canadian assistance, please call: 1-800-561-5505 or visit us at www.panasonic.ca VQT0G87 LC1PP.book 2 ページ 2004年1月26日 月曜日 午後6時50分 Safety Safety Dear Customer, Carefully observe copyright laws. We would like to take this opportunity to Recording of pre-recorded tapes or thank you for purchasing this Panasonic discs or other published or Digital Camera. Please read these broadcast material for purposes Operating Instructions carefully and other than your own private use may keep them handy for future reference. infringe copyright laws. Even for the purpose of private use, recording of Information for Your certain material may be restricted. Safety • Please note that the actual controls and components, menu items, etc. of your Digital Camera may look WARNING somewhat different from those shown TO REDUCE THE RISK OF FIRE in the illustrations in these Operating OR SHOCK HAZARD AND Instructions. ANNOYING INTERFERENCE, USE • SD Logo is a trademark. ONLY THE RECOMMENDED • Other names, company names, and ACCESSORIES AND DO NOT product names printed in these EXPOSE THIS EQUIPMENT TO instructions are trademarks or RAIN OR MOISTURE. DO NOT registered trademarks of the REMOVE THE COVER (OR BACK); companies concerned. THERE ARE NO USER SERVICEABLE PARTS INSIDE. THE SOCKET OUTLET SHALL BE REFER SERVICING TO QUALIFIED INSTALLED NEAR THE SERVICE PERSONNEL. EQUIPMENT AND SHALL BE EASILY ACCESSIBLE. Notice: This product has parts that contain a small amount of mercury.
    [Show full text]
  • My Mother's Camera
    Manning 1 Pam Manning Marydorsey Wanless Retro Camera Seminar AR399 F April 10, 2011 My Mother’s Camera The Kodak Brownie camera has a long history with the Eastman Kodak company which began in February 1900 with the introduction of a very basic cardboard box camera with a simple lens that took 2¼ inch square pictures and cost only $1. The Brownie introduced the concept of snapshot photography and was intended to introduce photography to everyone, not just professional photographers (Kodak). What is considered one of the greatest slogans in advertising history, “You push the button, we do the rest” reinforced the simplicity of the Brownie camera (American Heritage). Designed and marketed for children, the Brownie camera was named after popular characters created by Palmer Cox, a children’s author and illustrator. Cox was the Walt Disney of his day. His Brownie characters were as well known in the 1880’s as Mickey Mouse is today (Kodak). Like Disney’s characters, Cox’s Brownies often appeared in ads. They helped sell everything from candies to cigars, coffee to ice cream, and even painkillers. Brownie dolls, games, puzzles, and trading cards were eagerly sought. And so was the Brownie camera, far beyond anyone’s expectations (Kodak). My history with the Kodak Brownie began when my mother took my picture with her Kodak Brownie Hawkeye. She would direct me to stand in a certain pose or perform a certain task. When she was happy with what she saw she would then back away from me, hold the camera about waist height, look down into the viewfinder and click.
    [Show full text]
  • Introduction
    CINEMATOGRAPHY Mailing List the first 5 years Introduction This book consists of edited conversations between DP’s, Gaffer’s, their crew and equipment suppliers. As such it doesn’t have the same structure as a “normal” film reference book. Our aim is to promote the free exchange of ideas among fellow professionals, the cinematographer, their camera crew, manufacturer's, rental houses and related businesses. Kodak, Arri, Aaton, Panavision, Otto Nemenz, Clairmont, Optex, VFG, Schneider, Tiffen, Fuji, Panasonic, Thomson, K5600, BandPro, Lighttools, Cooke, Plus8, SLF, Atlab and Fujinon are among the companies represented. As we have grown, we have added lists for HD, AC's, Lighting, Post etc. expanding on the original professional cinematography list started in 1996. We started with one list and 70 members in 1996, we now have, In addition to the original list aimed soley at professional cameramen, lists for assistant cameramen, docco’s, indies, video and basic cinematography. These have memberships varying from around 1,200 to over 2,500 each. These pages cover the period November 1996 to November 2001. Join us and help expand the shared knowledge:- www.cinematography.net CML – The first 5 Years…………………………. Page 1 CINEMATOGRAPHY Mailing List the first 5 years Page 2 CINEMATOGRAPHY Mailing List the first 5 years Introduction................................................................ 1 Shooting at 25FPS in a 60Hz Environment.............. 7 Shooting at 30 FPS................................................... 17 3D Moving Stills......................................................
    [Show full text]
  • Express Camera Auction 27Th June 2018 at 10:00
    Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) Express Camera Auction 27th June 2018 at 10:00 Viewing 26th June 2018 10:00-16:00 For enquiries relating to the sale: Saleroom One Please contact: 81 Greenham Business Park NEWBURY RG19 6HW Telephone: 01635 580595 Fax: 0871 714 6905 Email: [email protected] www.specialauctionservices.com Austin Mike Spencer Farahar Express Cameras Cameras Bid Here Without Being Here All you need is your computer and an internet connection and you can make real-time bids in real-world auctions at the-saleroom.com. You don’t have to be a computer whizz. All you have to do is visit www.the-saleroom.com and register to bid - its just like being in the auction room. A live audio feed means you hear the auctioneer at the same time as other bidders. You see the lots on your computer screen as they appear in the auction room and the auctioneer is aware of your bids the moment you make them. Just register and click to bid! 7. Kodak Retina Cameras, 13. 35mm Film Strip Projectors, models include, Retina Ib with 50mm Ellis & Newton Ltd with Leech series f/2.8 Schneider-Kreuznach lens (G), II 3’’ lens, Pullin Optics with Pulnar 4’’ Retina IIa (2) and a Retinette Ib (100mm) f/2.8 lens, both in wooden £40-60 carry cases £30-50 14. A Kodascope Model C 1. Four TLR Cameras, models Projector, including lens, reels, in include, Rolleicord II with triostar makers case £20-40 7.5cm f/3.5 lens, a Mamiyaflex with Sekor 7.5cm f3.5 lens, a Ricoh super 44 with Riken 6cm f/3.5 lens and a Semiflex with a Berthot 75mm f/4.5 lens £50-70 8.
    [Show full text]
  • Eurl Rémy FOURNIE MARDI 17 NOVEMBRE 2015 À 15 H 00
    Eurl Rémy FOURNIE Commissaire-Priseur habilité SVV (agrément 2002-308) 7 rue d’Astorg 31000 TOULOUSE – Tél 05.61.12.52.07- Fax 05.61.12.52.00 – site : www.interencheres.com/31007 E-mail :[email protected] – Site internet : www.interencheres.com/31007 MARDI 17 NOVEMBRE 2015 à 15 H 00 APPAREILS PHOTOS 21 Boitier LEICA R3 électronic (Portugal) avec objectif Elmarit R 2,8 /24 ; sac cuir 800/1000 22 Objectif Elmarit R 2,8/135 (sac) 300/500 23 Visoflex III (système complet en boite avec notice) 200/300 24 Boitier LEICA M5 avec objectif Summicron 2/50 (sac) (avec boite et notice) 600/800 25 Objectif Elmar 3,5/65 (boite) 100/150 26 Objectif télé-Elmarit 2,8/90 (boite 150/200 27 Objectif Minolta Wroktor 2,8/35 (sac) 100/150 28 Ensemble : cellule à main Lunasix 3, filtre orange, filtre jaune, convertisseur M/vis, tête pivotante, filtre 100/200 + PS amovible, pare-soleil 35 et 50, pare-soleil 90 et 135, rail macro (incomplet) 29 Agrandisseur Leitz avec objectif Focotar 4,5/50 50/100 30 Boitier Leica IIIa avec objectif Sumitar 2/50 (étui) 300/400 31 Boitier Leica IIIf avec objectif Sumicron 2/5 (étui) 400/500 32 Objectif Leitz Telyt 4,5/200 200/300 33 Objectif Leitz Hektor 4,5/135 (étui) 150/200 34 Objectif Leitz Hektor 4,5/135 (étui) 100/150 35 Objectif Foca Robot téléxenar 4,5/150 (étui) 200/300 36 Accessoires Leitz Wetzlar (A : 0,85 62 : 1) 50/100 37 Chambre Photo-Hall – 5 rue Scribe à Paris 50/100 38 Rolleiflex 3,5 F (6x6) objectif Zeiss Planar 3,5/75 300/500 39 Pentacon six TL, avec objectif Zeiss flektogon 4/50 ; on joint un objectif Zeiss Biometar 2,8/80 et un 150/250 viseur à cellule 40 Contax II a avec objectif Zeiss Biogon 4,5/21 (avec étui, viseur multifocale, pare-soleil et deux filtres) ; 200/300 on y joint un objectif Zeiss Sonar 2/50 et un objectif Zeiss Sonar 4/135 ; on y joint brochure et livre 41 Voigtlander Bessamatic avec objectif Zoomar 2,8/36-82 (avec étui et lentille) 200/300 42 Bronica zenca C2 (6x6), avec objectif Nikkor 2,8/75 (étui) 250/350 43 Exakta 135 avec objectif Zeiss Jena Tessar 2,8/50 ; on y joint un objectif macro-télé Quinar 2,8/135.
    [Show full text]
  • The Ground Glass, Inc. Is a Group of Photographers That Meet in Westchester County, NY
    The Ground Glass, Inc. is a group of photographers that meet in Westchester County, NY. http://thegroundglass.org/ Ground Glass info & member names in red. -bacon, olive oil, paper towels, vanilla ice Sept., 2014 cream (better than Breyers), Kirkland Signa- ture trash bags. Here’s a link that might be of interest to a photographer traveling to India: http://travel.siliconindia.com/news/Top-Most- If interested in participating in New York Beautiful-Places-of-Landscape-Photography-i Photo Festival, go to n-India-aid-3925.html. http://nyph.at/PhotoWorld2014. BTW; The geologic history of the Deccan “Nature, Historical Architecture and Land- Traps is well worth a read: scape Photography on Lake Erie Islands”, http://en.wikipedia.org/wiki/Deccan_Traps. program #21772JRH by Road Scholar. “Exhibition of Panoramic Landscapes by Wil- liam Lulow” at Club Fit Briarcliff, 584 North State Road, Briarcliff Manor, NY, Sept. 2 - 30. Meet the artist Sunday, Sept. 7, from 1 to 4 pm. ConsumerReports on Costco. CR rates the following Kirkland products very highly: ! 1 Pat thinks that some reader might find a Guide to Facebook Business Page Timelines might be of interest to someone: http://offers.hubspot.com/guide-to-facebook- business-page-timelines?utm_campaign=Kick back+Email&utm_source=email& Wonder what a negative critique of a photo book results in, in Iran? http://petapixel.com/2014/08/18/photographer s-iran-sentenced-75-lashes-giving-officials-ph oto-book-bad-reviews/ The history of photography in less than 5 minutes: www.youtube.com/watch?v=XaGUL8B-BrE Selfies in the 19th century? Skillful and amusing: http://ibnlive.in.com/photogallery/16592-1.ht http://alexandracameronphotography.blogspot ml .com/2011/12/feature-interview-365-days-joel -robison.html.
    [Show full text]
  • Panorama Time
    http://www.diva-portal.org This is the published version of a paper published in . Citation for the original published paper (version of record): Simbelis, V. (2017) Time and Space in Panoramic Photography Acoustic Space, 16(4): 233-245 Access to the published version may require subscription. N.B. When citing this work, cite the original published paper. Permanent link to this version: http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-224616 -RENEWABLE FUTURES- Time and Space in Panoramic Photography Vygandas “Vegas” Šimbelis KTH Royal Institute of Technology, Stockholm, Sweden Abstract This article intends to show a usage-hacking case of everyday technology for creating visual narratives. The photographic art project “Panorama Time” is discussed through a techno-cultural perspective and examines the spatial-temporal dimension in panoramic photography, which, in this case, is a digital camera in a mobile phone. The post-media condition and its characteristic of embracing the fusion of different media in one device without specifying any single one is examined in our project through the combination of photographic and cinematographic processes combined in the mobile device. The rolling shutter feature, which is the technological core of digital cameras, enables the strip-photography technique, in our case used in a panoramic technique to deliver a set of concepts: glitch, repetition, frozen frames, and similar. Through deliberate navigation and control, the user breaks the panoramic view, and thus the project’s technique presents the distinction between fault and glitch aesthetics. We show examples and demonstrate the process of creating our digital photography art project “Panorama Time”.
    [Show full text]
  • Glossary of Terms Glossaryfor TECHNICAL SUPPORT CALL 866-SEE-MORE
    i2i Video Surveillance Solutions Glossary of Terms GlossaryFOR TECHNICAL SUPPORT CALL 866-SEE-MORE CCTV Glossary In order to choose the best CCTV security system and CCTV Cameras, you will need to understand some basic terminology. Below is a glossary of CCTV terms to help you discuss your surveillance system needs with your sales representative. Terms Aperture Aperture is the area of the camera lens that gathers light. The iris of the CCTV lens controls the size of aperture. Auto Iris Auto iris lenses adjust for changing light conditions in a camera view. If the sun shines on a camera with an auto iris lens, the lens will adjust the amount of light so the picture remains clear. BNC A type of coaxial cable connector that consists of a pin and a spring loaded locking mechanism. Commonly used for secure termination of CCTV cabling and cameras. Box Camera A common type of camera that has rectangular shape. Box cameras often have interchangeable lenses and offer a versatile platform for a variety of applications. CCD Charge Coupled Device - a light sensitive imaging device for almost all cameras. Typical sizes for CCTV cameras: 1/2”, 1/3”& 1/4”. C Mount Type of screw-on mounting for CCTV camera lenses. C mount lenses need an adapter ring when used with CS mount cameras (see CS Mount). Coaxial Cable (COAX) Coaxial cable is a cable type that has a signal wire surrounded by a protective braided shield commonly used connect cameras back to the DVR. Compression Compression techniques are used in digital CCTV to reduce the file sizes of recorded video images.
    [Show full text]