DOCSLIB.ORG

Download Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Download Pdf Programme | Programma 08/18 NOVEMBER 2018 tromppercussion.com 2 TROMP Percussion Eindhoven 2018 3 MEET & SHARE ”I got the opportunity to travel all over the world, WITH TOP MUSICIANS meet great people and work with composers.” (FROM) ALL OVER THE WORLD… Dominique Vleeshouwers Ontmoeten & uitwisselen TROMP winner 2014 met top musici (van)uit de hele wereld Competition Repertoire Days The TROMP competition is praised by participants for the Master classes by members of the jury and relaxed atmosphere in which close friendships and special laureates in Boston, Shanghai, Moscow, São Paulo, collaborations are forged. Tokyo and Amsterdam. – – Masterclasses door juryleden en laureaten in Concours Boston, Shanghai, Moskou, São Paulo, Tokio en Amsterdam. Het TROMP concours wordt door deelnemers geprezen om de ontspannen sfeer waarin hechte vriendschappen en bijzondere samenwerkingsverbanden ontstaan. Laureates Festival Investing in the future careers of the winners, TROMP The TROMP competition is in the heart of the TROMP festival provides various concert engagements in internationally where the most talented percussionists perform alongside acclaimed concert halls and festivals, both solo and with internationally well-known musicians, offering various prestigious ensembles. manifestations of percussion. – – Het TROMP concours is de kern van het TROMP festival. Laureaten Daarin treden de meest getalenteerde slagwerkers op naast internationaal gerenommeerde musici in diverse Om te investeren in de toekomst van de concourswinnaars, bezettingen en genres. biedt TROMP allerlei concerten in internationaal gerenommeerde concertzalen en festivals, solo of met prestigieuze ensembles. 4 TROMP Percussion Eindhoven 2018 5 WELCOME TROMP CONTENTS TO TROMP PERCUSSION Inhoudsopgave 2018 EINDHOVEN Welkom bij TROMP 2018 This 24th edition of the TROMP competition, again more than a Dr. Ir. Theo Tromp founded the Tromp Biennial in Eindhoven in hundred young percussion talents from around the world applied. 1970 because he felt talented young musicians had not enough The fortunate ones that were selected by the jury to participate, opportunities. Almost fifty years later TROMP has become the leading will not only come to Eindhoven to compete for prizes, but will also competition for solo percussion in the world, the ideals of its founder meet as colleagues. Experience has shown that they make close close at heart, creating opportunities and a stage for young 9 32 friendships during the competition and often initiate interesting percussionists from around the world. TROMP’s membership of the 2 TICKETS & INFO LAUREATES collaboration projects. The warm and cosy atmosphere in which our World Federation of International Music Competitions (WFIMC), which MEET & SHARE concerts & masterclasses appreciated host families even go the extra mile, is truly inspiring. can only be obtained by invitation, reflects a global recognition for with top musicians (from) – Welcoming laureates and renowned artists in the jury and on stage at this reputable competition. all over the world… 10 LAUREATEN the same time, Eindhoven becomes the vibrant percussion capital of – PROGRAMME concerten & masterclasses the world these weeks! - ONTMOETEN & UITWISSELEN – Dr. Ir. Theo Tromp riep in 1970 de Tromp Biënnale in het leven, met top musici (van)uit de hele PROGRAMMA Wishing all of our participants the best of luck and to everyone a omdat hij van mening was dat getalenteerde musici te weinig kansen wereld 33 wonderful and inspiring event, kregen. Bijna vijf decennia later is het concours uitgegroeid tot 11 REPERTOIRE DAYS het enige tweejaarlijkse concours voor solo-slagwerk ter wereld. 4 COMPETITION SCHEDULE - TROMP blijft dicht bij de oorspronkelijke idealen van zijn oprichter WELCOME & REPERTOIRE 34 Opnieuw meldden zich voor deze 24e editie van het TROMP en creëert kansen en een podium, in de breedste zin van het – EDUCATION concours meer dan honderd jonge slagwerktalenten uit de hele woord, voor jonge slagwerkers uit de hele wereld. TROMP’s TO TROMP 2018 – CONCOURSSCHEMA – wereld aan. De gelukkigen die door de jury werden geselecteerd lidmaatschap van de World Federation of International Music & REPERTOIRE EDUCATIE om ook daadwerkelijk deel te nemen, zullen hier in Eindhoven Competitions (WFIMC) dat alleen op uitnodiging kan worden WELKOM niet alleen strijden voor de prijzen, maar ontmoeten elkaar ook als verkregen, geeft blijk van de mondiale erkenning als topconcours. BIJ TROMP 2018 collega’s. Onze ervaring leert dat zij tijdens het concours hechte 12 37 vriendschappen sluiten en vaak ook bijzondere samenwerking- 6 COMMISSIONED MUZIEKGEBOUW sprojecten bedenken. De warme en gezellige sfeer, waar onze FOREWORD COMPOSITIONS EINDHOVEN gewaardeerde gastgezinnen nog een schepje bovenop doen, biedt Mayor of Eindhoven – altijd veel inspiratie. Met laureaten en beroemde artiesten in de jury John Jorritsma COMPOSITIEOPDRACHTEN 38 en op het podium, wordt Eindhoven de levendige slagwerkhoofstad – CLUB TROMP van de wereld de komende weken! VOORWOORD 14 & FRIENDS OF TROMP Burgemeester PARTICIPANTS – Aan al onze deelnemers veel succes en iedereen een prachtig en van Eindhoven – CLUB TROMP inspirerend event gewenst, John Jorritsma DEELNEMERS & VRIENDEN VAN TROMP 7 26 39 Arthur van der Drift JURY MEMBERS COLOPHON general manager FOREWORD Chairman TROMP – – Frank Veenstra JURYLEDEN COLOFON artistic director Marijn ten Harmsen van der Beek Gaby Hendrickx – marketing manager VOORWOORD 31 voorzitter TROMP PRIZES Marijn ten Harmsen van der Beek – PRIJZEN “The level of professional development for the careers of the most talented young percussionists by TROMP is highly admired by the World Federation of International Music Competitions.” 6 TROMP Percussion Eindhoven 2018 7 MUSIC AND RHYTHM DEAR READER, MOVE YOU VALUED GUEST, Muziek en ritme raken Geachte lezer, waarde gast, ‘Music and rhythm find their way into ‘Muziek en ritme vinden hun weg tot in TROMP 2018 is bursting at the seams. Both the team and TROMP 2018 barst uit zijn voegen. Het is het team en bestuur een the secret places of the soul.’ de geheime plaatsen van de ziel.’ management are honoured to present to you a year of activities, enorm genoegen om u dit jaar activiteiten, concerten en natuurlijk concerts and of course percussion talent from all over the globe. slagwerktalenten van over de hele wereld te kunnen bieden. TROMP Percussion Eindhoven distinguishes itself through TROMP Percussion Eindhoven kenmerkt zich door verbinding en A beautiful quote from the Greek philosopher Plato. That is what Een mooie uitspraak van de Griekse filosoof Plato. Dat is wat muziek connection and collaboration. From local to international. And samenwerking. Van lokaal tot internationaal. En dat niet alleen music does. Those secret places are different for everyone. The way doet. Die geheime plaatsen zijn voor ieder mens verschillend. Hoe not just within the familiar and usual areas: binnen de gekende en gebruikelijke sectoren: music moves you, depends on the moment and the stories in your muziek je raakt, hangt af van het moment en de verhalen in je heart. Music offers entertainment, inspiration, exaltation, it touches hart. Muziek biedt vermaak, inspireert, vervoert, ontroert, troost en and comforts, and thereby often affects your mood. beïnvloedt daardoor vaak je stemming. Percussion has a particularly connecting quality Percussie heeft juist zo’n verbindende kracht According to research, the meaning of music transcends words, Volgens onderzoek is de betekenis van muziek veel groter dan because it represents street culture as well as omdat het net zo gemakkelijk de straatcultuur images and scents. This is because our brains are highly sensitive in woorden, beelden of geuren. Dat komt omdat onze hersenen zeer the concert hall. Percussion fits anything and als de concertzaal vertegenwoordigt. Percussie terms of recognising patterns such as sounds and vibrations. gevoelig zijn voor het herkennen van patronen zoals klank en anyone. This is why percussion makes for such a past bij alles en iedereen. Percussie is daarom trillingen. perfect social adhesive. bij uitstek ook een maatschappelijk bindende A lot of people will be moved again this year, by performances of factor. the world’s greatest percussion talent during the bi-annual TROMP Er zullen ook dit jaar weer veel mensen geraakt worden door de competition and festival. They have come to Eindhoven from all over optredens van ‘s werelds grootste slagwerktalenten tijdens het As of the 2018 edition, TROMP plays to that fact more explicitly the globe – 15 different countries – to treat both audience and jury to tweejaarlijkse TROMP concours en festival. Vanuit heel de wereld than ever. Be surprised by innovative performances, new repertoire TROMP speelt daar vanaf editie 2018 meer dan ooit expliciet op the best performances they’ve got. I wish all the participants the best – uit 15 verschillende landen – zijn ze in Eindhoven om hun beste and unexpected locations. The Opening Night for instance, is set in. Laat u verrassen door vernieuwende performances, nieuw of luck! performance te geven voor publiek en jury. Ik wens alle deelnemers to be a spectacle in its own right. Worlds coming together: old repertoire en onverwachte locaties. Neem alleen al de Opening veel succes! and new street culture (what is it really?), wind orchestra and The Night, die een spektakel op zich belooft te worden. Werelden die bij In addition, the audience will enjoy concerts by famous artists and Ruggeds. elkaar komen: oude en nieuwe
Load more

Recommended publications
  • Wissensbilanz 2018
    UNIVERSITÄT MOZARTEUM SALZBURG Wissensbilanz 2018 Für den Inhalt verantwortlich: Rektorat Redaktion: Abteilung für Qualitätsmanagement und Entwicklungsplanung Universität Mozarteum Salzburg Mirabellplatz 1 5020 Salzburg, Austria Tel: +43 662 6198-0 www.uni-mozarteum.at Die Universität Mozarteum Salzburg Die Universität Mozarteum Salzburg bietet 77 ordentliche künstlerische und pädagogische Studien aus den Bereichen Musik, Darstellende und Bildende Kunst an. An die 1.900 junge Künstlerinnen und Künstler aus aller Welt erfahren hier eine umfassende Qualifizierung in zahlreichen Instrumentalfächern, in Komposition, Dirigieren, Gesang, Musiktheater, Schauspiel, Regie, Bühnenbild, Musik- und Tanzpädagogik, Kunst- und Werkpädagogik sowie in Musikpädagogik und Musikwissenschaft. 577 Lehrende, viele davon international renommierte Künstlerinnen und Künstler sowie Expertinnen und Experten aus den Bereichen Pädagogik und Wissenschaft engagieren sich in Forschung, Lehre sowie der Entwicklung und Erschließung der Künste. Zusammen mit den Studierenden und allen Angehörigen der Universität wird auch das Haus selbst in seiner Mission und Ausstrahlung, seinen Möglichkeiten und Potenzialen stetig weiterentwickelt. Die Geschichte des Mozarteums reicht bis ins Jahr 1841 zurück und wurde von herausragenden Persönlichkeiten aus Musik, Theater, Pädagogik, Forschung und Kunst geprägt. Die Universität Mozarteum Salzburg sieht es als ihre Aufgabe, zur Entstehung und Interpretation, Reflexion und Vermittlung von Kunst und künstlerischer Praxis einen wesentlichen Beitrag zu leisten. Zentrales Anliegen ist die optimale, möglichst individuelle Förderung ihrer Studierenden. Neben der traditionellen Rolle als exzellente Kunstuniversität hat sich die Universität Mozarteum Salzburg als Kulturbetrieb positioniert und trägt mit zahlreichen Veranstaltungen von Studierenden und Lehrenden zum Salzburger Kulturleben bei. Im Umfeld der intensiven Studien in einer Stadt, die für ihre Kultur Weltrenommee genießt, beginnen hier die Netzwerke für spätere berufliche Karrieren.
    [Show full text]
  • Adelaidean NEWS from the UNIVERSITY of ADELAIDE
    FREE Publication Adelaidean NEWS FROM THE UNIVERSITY OF ADELAIDE Volume 14 • Number 7 • September 2005 inside this issue 7 Adelaide home for Making new designs on prison safety computer evolution 8 Graduations photo spread 13 Open Day wrap-up 15 Helping a University treasure keep its cool 3 Five-star rating for MBA 4 Our Tall Poppies in bloom Professor Zbigniew Michalewicz Computer Science Photo by James Knowler, courtesy 6 of the Independent Weekly Jay’s success a University of Adelaide students stand joined us,” Professor Brooks said. More specifi cally, for massive and matter of balance to be big winners with a world-class “It would have to be one of the most complex problems, computers host IT expert taking up a Professorship signifi cant IT appointments at an artifi cial “problem-solvers” which with the School of Computer Science. Australian university in the last each develop an individual solution 11 20 years.” to the problem. Professor Zbigniew Michalewicz Growing healthy is regarded as one of the leading The best solutions are retained, links to China Professor Michalewicz was born in authorities in the fi eld of evolutionary Poland and worked in New Zealand the weaker ones discarded, and the computation, and started in his role before coming to international information that “evolves” from at Adelaide earlier this year. prominence while based in the that generation of problem-solvers is given to a newer generation, and The Head of Computer Science, United States for his work in the again, the best solutions are retained Professor Mike Brooks, describes relatively new fi eld of evolutionary while the weaker ones are discarded.
    [Show full text]
  • Formation of Management Knowledge in Tourism: the Romanian Case
    ANALELE ŞTIIN ŢIFICE ALE UNIVERSIT ĂŢ II „ALEXANDRU IOAN CUZA” DIN IA ŞI Num ăr special Ştiin ţe Economice 2010 FORMATION OF MANAGEMENT KNOWLEDGE IN TOURISM: THE ROMANIAN CASE Bogdan BACANU Transilvania University of Brasov Brasov, Romania [email protected] Abstract The present work analyses the creation of management knowledge in the Romanian tourism, fo- cusing on the contribution of the academic environment due to the accomplishment of specialized syllabuses. The choice of topic is motivated by the state of the Romanian tourism, characterized by a poor economic performance and by negative quotidian manifestations. The present situation of the management knowledge is reflected in the educational standard of the tourism executives, owners and managers, and also within the university educational framework related to this field. The university segment dealing with the management knowledge formation is ana- lyzed from the point of view related to its affiliation to a specialized educational system. The influence of the significant elements belonging to all the educational links is referred to the performance ex- pected. An overview of general characteristics of the present managers and owners in this industry in Romania explain the different and divergent positions of the academics and the entrepreneurs and the difficulty of a real knowledge exchange. The implicit hypothesis is the existence of a consistent gap between the necessities and compe- tences desired in the tourism management and the results of academic education. The expected result of the work is the identification of some specific causes of Romanian poor economic performance in tourism, despite the so-called potential of national resources.
    [Show full text]
  • Anne-Julie Caron with AKIKO TOMINAGA St
    2007-2008 Season Based in central Manitoba and incorporated in Alberta, Saskatchewan and Manitoba, Prairie 2007-2008 Season Debut is a charitable status organization whose goal is to encourage community presenters to strive for artistic excellence in the presentation of professional classical and world music. The organization works to strengthen the interprovincial relationship of community presenters and contribute to the career development of Canadian professional classical and world artists by creating touring opportunities. Artists who have toured with Prairie Debut since its inception in 1997 are: Anne-Julie Caron WITH AKIKO TOMINAGA St. Lawrence String Quartet Bellows and Brass MARIMBA & PIANO Ricardo Peres, piano Michael Donovan, baritone with Susan Sametz, piano in Recital Anagnoson & Kinton, piano duo Sylvie Proulx, guitar Gryphon Trio, piano trio Lee Pui Ming, piano Jasper Wood, violin with Peter Allen, piano Ian Parker, piano and Kaori Yamagami, cello George Gao Trio Lucille Chung, piano Erika Raum, violin with David Moroz, piano Les Voix Baroques Robert Pomakov, basso cantante with Brahm Goldhamer, piano Daniel Bolshoy, guitar Magnan and Parker, oboe & piano duo Guy Few, trumpet, piano and voice and Stephanie Mara, piano Fubuki Daiko, taiko drumming Denise Djokic, cello and David Jalbert, piano Gryphon Trio with Barry Shiffman, viola Generous support for this Prairie Debut tour was received from: Montreal Guitar Trio Winston Choi, piano Sophie Bouffard, soprano and David McIntyre, piano Anne-Julie Caron, marimbist and Akiko Tominaga, piano 2008/09 Season will see these exciting touring artists on the Prairie Debut roster: Les Boréades de Montréal Bellows & Brass (Encore Tour Artists) Allen Harrington, saxophone with David Moroz, piano Prairie Debut Inc.
    [Show full text]
  • Tauranga Connections (2021) Biographies
    Michael Jamieson - Saxophone Michael is one of New Zealand’s most sought after saxophonists. He started playing saxophone at age 14 and completed his studies at Victoria University (Bachelor of Music) and Massey University (Honours, 1st class). He received a Massey University Cultural Award, a grant from Creative NZ, and the prestigious Patricia Pratt Music Scholarship, enabling him to undertake Masters study with Johan van der Linden at the Messiaen Academie in the Netherlands. During his study at the Messiaen Academie, Michael also received lessons from Arno Bornkamp, Niels Bijl and Willem van Merwijk from the Aurelia Saxophone Quartet. He undertook an exchange for a semester at the Conservatoire National de Région, Strasbourg, France, where he studied with Phillippe Geiss. While in France, Michael participated in masterclasses and performances with Etienne Rolin, Elipsos Saxophone Quartet and Jean-Marie Londeix. Michael also took lessons from Claude Delangle, Christian Wirth, Vincent David and Philippe Bracquart at the French Saxophone Summer School at Gap. Michael is in demand as an orchestral and chamber saxophonist, working regularly with groups such as the New Zealand Symphony Orchestra, Auckland Philharmonia, Rotterdam Philharmonic, Royal Concertgebouw Orchestra, Radio Chamber Orchestra (NL) and Netherlands Symphony Orchestra. He is the soprano saxophonist and founding member of the Hanumi Saxophone Quartet, and member of the Four Baritones and Rata Trio and ASaxQ. Michael is the saxophone section leader of the Royal NZ Navy Band and teaches classical saxophone performance at Auckland University School of Music. Michael is a D’Addario Woodwinds (reeds) and Selmer-Paris (saxophones and mouthpieces) performing artist. Justus Rozemond – Clarinet Justus studied clarinet at the New Zealand School of Music with Debbie Rawson and Phil Green.
    [Show full text]
  • GEN19719 Booklet Itunes Stenzl.Indd
    Fair Wind Works by E. Séjourné, A. Koppel, Y. Pagh-Paan, B. Hamilton, T. Takemitsu, I. Xenakis and V. Houdijk Kai Strobel, Percussion ARD INTERNATIONAL MUSIC COMPETITION Fair Wind Kai Strobel, Percussion Emmanuel Séjourné (*1961) Prelude No. 1 for Solo Marimba (2012) World Premiere Recording 01 . (07'10) Anders Koppel (*1947) Fair Wind for Solo Marimba (2020) World Premiere Recording 02 1st Movement . (05'21) 03 2nd Movement . (08'06) Younghi Pagh-Paan (*1945) Klangsäulen for Solo Percussion (2019) World Premiere Recording 04 . (08'23) Bruce Hamilton (*1966) Interzones for Vibraphone and Tape (1996) 05 . (10'48) Sammy Fain / Tō ru Takemitsu (*1930) 12 Songs for Guitar (1977) 06 Secret Love . (02'49) Iannis Xenakis (1922–2001) Rebonds A for Solo Percussion (1987–89) 07 . (07'45) Vincent Houdijk (*1981) MaPa for Solo Vibraphone (2018) World Premiere Recording 08 . (08'05) Joseph Kosma / Tō ru Takemitsu (*1930) 12 Songs for Guitar (1977) 09 Amours Perdues . (03'08) Total Time . (61'42) Interview with Kai Strobel You have become one of the most promising percussionists of your generation. What led you to play percussion? A childhood dream or chance? KS Actually both. I started playing percussion because of my older brother Marc, who was encouraged to learn how to play at an early age by our parents. My mother, a trained ac- cordionist and conductor, was particularly attracted to percussion instruments during her studies; and she was accordingly very supportive when my brother showed an interest in them. After our cellar had become well equipped with all these amazing instruments, even I couldn’t help but be fascinated by them and wanted to begin as soon as possible! What is it about the instrument that appeals to you? KS The wide variety of instruments and their versatility have always fascinated me! In ad- dition to my classical training, I took jazz drum lessons, was part of my school’s big band and toured with them throughout the USA, Thailand, Malaysia and Singapore.
    [Show full text]
  • Inquiry List (AUME)
    UNGEKLÄRTE WERKE DER ABRECHNUNG 2018 02.12.2020 Seite 2/169 WNR Name zur Identifikation TITEL VERMERK 25779674HESS/STROTTER #190 STOSSBUBE 25283433RIOS ZUNINO #ITSNOTDROUGHTITSLOOTING 25084129 DALE (FOUR OF A KIND) A MAGICAL TIME 23094799PONGER/SCHWARZ/HERBER 1 INTERVENTION 1 23603223STANZL 1 2 3 4 LUFTBALLONE 6377266BERGER 10 07 50 00 24740579PHILLIPS/BONTAN FT. 10 DAYS 25044305 SIGISMUND 10 STUECKE FUER KLAVIER SOLO 5 HUNGAROTON 22395943NICCI 1000 EMOTIONEN 21832837NAWRATA/NICKZ/URBS 10000 YEARS BEHIND ME 23223773KREIML & SAMURAI FT. 104 STRASSENPANNE 23116300MEISSNITZER 122ER POLKA 22940526WORLD OF APPLES 15 MONTHS 22485184AFRO BROS/GHETTO FLOW 18+ 23400243MINORU 187 22499567KRAEMMER 1938 IMAGE 22638842COEO/HOEPFL/VIETZ 1981 21268238ROZZ GRINDER 1990 25324516DYNOMITE 1992 25041443DEGUINES/JULIEN 1993 PANT BLISS 5 BANDCAMP 22789190DE ROO /HELBLING/DE ROO 1998 GRUENDUNG VON ATTAC 24087565 BLASSNIGG/HELBLING 1999 FUND DER HIMMELSSCHEIBE 24606347THE INSECTS/LOCKE 1ST TRIP 3363170PEDARNIG /PONGAUER 2 WEISEN 25590328BATTISTA /BATTISTA 2000 22789198WEGSCHEIDER /HELBLING 2001 DIE LEICHTIGKEIT DES LEIDES 22789202KERER /HELBLING 2002 EXCHANGE YAP 22789206STUPPNER /HELBLING 2003 ISABEL DIE WINDSBRAUT 22789211FUENTES /HELBLING 2004 LANGSAM IHREN SHRITT 22789218PLANKENSTEINER/HELBLING 2005 22789222OHRWALDER /HELBLING 2006 DER TANZ DER CEPHELDEN 22789225SPRENGER /HELBLING 2007 WARM UP 22789228 WOLF/HELBLING 2008 UNWORT DES JAHRES 22789232BRAMBOECK /HELBLING 2009 - 1809 22789242KERSCHBAUMER /HELBLING 2011 SOG 22789249TELFSER /HELBLING 2013 CONSEQUENZ
    [Show full text]
  • Concert: Ithaca College Symphony Orchestra: 2010 Concerto Competition Winners Ithaca College Symphony Orchestra
    Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 3-7-2010 Concert: Ithaca College Symphony Orchestra: 2010 Concerto Competition Winners Ithaca College Symphony Orchestra Jeffery Meyer Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Ithaca College Symphony Orchestra and Meyer, Jeffery, "Concert: Ithaca College Symphony Orchestra: 2010 Concerto Competition Winners" (2010). All Concert & Recital Programs. 4493. https://digitalcommons.ithaca.edu/music_programs/4493 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Annual Concerto Concert ITHACA COLLEGE SYMPHONY ORCHESTRA Jeffery Meyer, conductor 2010 Concerto Competition Winners Elena Galvan, soprano Marco Schirripa, marimba Isaac Shiman, violin Rachel Perry, alto saxophone Ford Hall Sunday, March 7, 2010 4:00 p.m. PROGRAM l The Last Three Minutes (1997) Brooke Joyce (b. 1973) Quel guardo, il cavaliere; Gaetano Donizet"· So anch'io la virtu magica (1797-184SJ from Don Pasquale Elena Galvan, soprano Concerto for Marimba and String Orchestra Emmanuel Sejourne (b. 1961) I. Tempo Souple II. Rhythmique Energique Marco Schirripa, marimba Violin Concerto in D minor, Op. 47 Jean Sibelius (1865-1957) I. Allegro moderato Isaac Shiman, violin INTERMISSION Concertina da camera Jacques Ibert for Alto Saxophone and Orchestra (1890-1962) I. Allegro con moto II. Largetto-Animato molto Rachel Perry, alto saxophone The Firebird Suite (1919) Igor Stravinsky (Zhar'-ptitsa; L'oiseau de feu) (1882-1971) I. Introduction II.
    [Show full text]
  • Program13 2 X
    MONDAY 14. 10. 2013 Lecturer Country Theme Room 7.15 - 8.45 Bogdan BACANU Romania Strategic Management A325 9.00 - 10.30 Stefaan van RYSSEN Belgium Social Network in Marketing A303 TUESDAY 15. 10. 2013 Lecturer Country Theme Room 9.00 - 10.30 Stefaan van RYSSEN Belgium Social Network in Marketing B374 United The Crisis in the Economic and Monetary 10.45 - 12.15 Kevin John ROWLES E115 Kingdom Union 10.45 - 12.15 Adam DRAB Poland Handling Difficulties Customer and Clients A100 10.45 - 12.15 Olaf FLAK Poland Modern Management Techniques B357 10.45 - 12.15 Katarzyna HYS Poland Mystery Shopping B261 12.30 - 14.00 Katarzyna HYS Poland Mystery Shopping A001 WEDNESDAY 16. 10. 2013 Lecturer Country Theme Room 7.15 - 8.45 Adam DRAB Poland International Marketing Blunders A100 Miroslawa 9.00 - 10.30 Poland Business Demography E510 SZEWCZYK 9.00 - 10.30 Natalia MOROZOVA Russia Marketing and Business Tourism B136 9.00 - 10.30 Wim BUEKENS Belgium Coping with the Innovation Paradoxes E115 Information and Knowledge Management in 9.00 - 10.30 Ulrike STOPKA Germany Enterprises under the Special Focus of Web A001 2.0 Tools and Methods Yusuke Japanese Monetary Policy and Banking 9.00 - 10.30 Japan Sector Development in the Deflationary A101 MATSUZAWA Economy Organizational culture, national cultures and organizational cultures, culture shock, 9.00 - 10.30 Liliana HAWRYSZ Poland A303 leadership in organization and national culture, the seven cultures of capitalism 10.45 - 12.15 Adam DRAB Poland Consumer Behaviour in Turbulent Times E107 Japanese Monetary Policy and Banking Yusuke Sector Development in the Deflationary 10.45 - 12.15 Japan A404 MATSUZAWA Economy 16.
    [Show full text]
  • Concert & Recital Programs Concert & Recital Programs
    Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 4-7-2019 Concert: Ithaca College Orchestras Octavio Más-Arocas Calvin Wiersma Andrew J. Kim Ithaca College Orchestras Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Más-Arocas, Octavio; Wiersma, Calvin; Kim, Andrew J.; and Ithaca College Orchestras, "Concert: Ithaca College Orchestras" (2019). All Concert & Recital Programs. 5340. https://digitalcommons.ithaca.edu/music_programs/5340 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Ithaca College Orchestras Octavio Más-Arocas, music director and conductor Calvin Wiersma, director of Shostakovich Andrew J. Kim, conductor Ford Hall Sunday, April 7th, 2019 4:00 pm @ ITHACA COLLEGE School of Music Program The Gates of Argos Nick O' Brien (b. 1996) World Premiere, IC Orchestras Fanfare Project Chamber Symphony in C Minor, op.110a Dmitri Shostakovich arr. Barshai (1906-1975) Intermission Symphony for Post-Moderns Jonathan Rainous (b. 1992) World Premiere Winner of the IC Orchestral Composition Competition 2019 Andrew J. Kim, conductor Concerto for Marimba and Strings Emmanuel Séjourné I. Tempo souple (b. 1961) II. Rythmique, énergique Ujjal Bhattacharyya Octavio Más-Arocas, conductor Piano Concerto No. 4 in C Minor, op. 44 Camilie Saint-Saëns II. Allegro vivace – Andante – Allegro (1835-1921) Alexei Aceto Concerto for Erhu and Orchestra, Houyuan Wu "Red Plum Capriccio" (1946-1999) Kin Szeto Danza Ritual: A Caribbean Overture Emmanuel Berrido (b.
    [Show full text]
  • BALNEO Balneo Research Journal RESEARCH Vol
    BALNEO Balneo Research Journal RESEARCH www.bioclima.ro/Journal.htm Vol. 5 No. 2 May 2014 pISSN: 2069-7597 eISSN: 2069-7619 Editorial Board PeePeePeerPee rrr----reviewreview Board Editing Regulations Publisher: Romanian Association of Balneology /// Editura Balneara eISSN: 20692069----7676767619191919 pISSN: 20692069----7597759775977597 Frequency: 4 issues/year LicenseLicense: Balneo Research Journal Profile International title : Balneo Research Journal Index name : BALNEO Publisher : Romanian Association of Balneology (Bucharest) ISSN : 2069-7597 eISSN : 2069-7619 Frequency : 4 issues per year, plus addenda website : http://bioclima.ro/Journal.htm DESCRIPTION Balneo Research Journal provides a platform for researchers, physicians and other interested authors to publish their articles about rehabilitation, physical medicine and balneology in a multidisciplinary, peer- reviewed, open-access journal, with many life aspects for research, medicine, balneo-tourism, medical tourism, natural therapeutic factors, rehabilitation medicine and kinetotherapy. Submit your articles by e- mail: [email protected] or by using the Open Journal System At the present moment, Balneo Research Journal is part of the international data bases as follow: getCITED ;;; IndexCopernicus ,,, WAME ,,, EBSCOhost ,,, Universal Impact Factor ,,, CrossRef ,,, DOAJ ,,, Electronic Journals Library (GIGA) ,,,National LibrarLibraryy of Medicine --- NLM (USA) Uniform Requirements for Manuscripts Submitted to Biomedical Journals: Writing and Editing for Biomedical Publication
    [Show full text]
  • BALNEO Balneo Research Journal RESEARCH Vol
    BALNEO Balneo Research Journal RESEARCH www.bioclima.ro/Journal.htm Vol. 5 No. 3 September 2014 pISSN: 2069-7597 eISSN: 2069-7619 Editorial Board PePePeerPe ererer----reviewreview Board Editing Regulations Publisher: Romanian Association of Balneology /// Editura Balneara eISSN: 20692069----7777619619619619 pISSN: 20692069----7597759775977597 Frequency: 4 issues/year LicenseLicense: Balneo Research Journal Profile International title : Balneo Research Journal Index name : BALNEO Publisher : Romanian Association of Balneology (Bucharest) ISSN : 2069-7597 eISSN : 2069-7619 Frequency : 4 issues per year, plus addenda website : http://bioclima.ro/Journal.htm DESCRIPTION Balneo Research Journal provides a platform for researchers, physicians and other interested authors to publish their articles about rehabilitation, physical medicine and balneology in a multidisciplinary, peer- reviewed, open-access journal, with many life aspects for research, medicine, balneo-tourism, medical tourism, natural therapeutic factors, rehabilitation medicine and kinetotherapy. Submit your articles by e- mail: [email protected] or by using the Open Journal System At the present moment, Balneo Research Journal is part of the international data bases as follow: getCITED ;;; IndexCopernicus ,,, WAME ,,, EBSCOhost ,,, Universal Impact Factor ,,, CrossRef ,,, DOAJ ,,, Electronic Journals Library (GIGA) ,,,National LibrLibraryary of Medicine --- NLM (USA) Uniform Requirements for Manuscripts Submitted to Biomedical Journals: Writing and Editing for Biomedical Publication
    [Show full text]