CB 0809 Annual Report
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AUDITION for FOUR COMPANIES in One Great Workshop
Serious High School, College & Conservatory Dancers AUDITION for FOUR COMPANIES in One Great Workshop June 29, 2020 - August 2, 2020 Only 32 Dancers Accepted Classes with these Directors... Hope Muir Robert Curran Charlotte Ballet Louisville Ballet James Sofranko Adam Sklute Grand Rapids Ballet West Ballet PLUS other fantastic faculty! SUMMER 2020 INTENSIVE PERFORMANCE WORKSHOP June 29, 2020 – August 2, 2020 Study with Artistic Directors: Hope Muir, Charlotte Ballet Robert Curran, Louisville Ballet Adam Sklute, Ballet West James Sofranko Grand Rapids Ballet Monday - Saturdays 10am – 6pm (6 days per week) Tuition: $1,995 Cincinnati Ballet’s Victoria Morgan during a “Meet the Director” Lunch/Lecture • Use class as an Audition for these four companies. • Meet and ask questions of these Directors during the “Meet the Director” lecture series. • Classes in ballet technique, pointe technique, variations, together with jazz and modern will be included. Additional classes in Pilates and hip-hop will also be included. • Dance enrichment sessions of the workshops will include: question-and-answer ses- sions with professional dancers, technical theater production, video critique of his- toric ballet performances, plus discussions on resume, make-up and audition skills. • In the [Performance Intensive Workshop], you will learn what it is to be a member of a Corps de Ballet dancing with some of the finest professional dancers in the world. • All Performance Workshop Participants will be cast in a full-length production, La Bayadère. Performance: La Bayadère July 31, August 1 & 2, 2020 with Pennsylvania Ballet’s Sterling Baca and Nayara Lopes and San Francisco Ballet’s Sasha de la Sola! About Boca Ballet Theatre: Founded in 1990, Boca Ballet Theatre’s mission is to enrich the cultural landscape of our community and to educate our youth in classical ballet and concert dance through focused training, interaction with professional dancers and participation in full length ballets and contemporary choreog- raphy. -
The Shubert Foundation 2020 Grants
The Shubert Foundation 2020 Grants THEATRE About Face Theatre Chicago, IL $20,000 The Acting Company New York, NY 80,000 Actor's Express Atlanta, GA 30,000 The Actors' Gang Culver City, CA 45,000 Actor's Theatre of Charlotte Charlotte, NC 30,000 Actors Theatre of Louisville Louisville, KY 200,000 Adirondack Theatre Festival Glens Falls, NY 25,000 Adventure Theatre Glen Echo, MD 45,000 Alabama Shakespeare Festival Montgomery, AL 165,000 Alley Theatre Houston, TX 75,000 Alliance Theatre Company Atlanta, GA 220,000 American Blues Theater Chicago, IL 20,000 American Conservatory Theater San Francisco, CA 190,000 American Players Theatre Spring Green, WI 50,000 American Repertory Theatre Cambridge, MA 250,000 American Shakespeare Center Staunton, VA 30,000 American Stage Company St. Petersburg, FL 35,000 American Theater Group East Brunswick, NJ 15,000 Amphibian Stage Productions Fort Worth, TX 20,000 Antaeus Company Glendale, CA 15,000 Arden Theatre Company Philadelphia, PA 95,000 Arena Stage Washington, DC 325,000 Arizona Theatre Company Tucson, AZ 50,000 Arkansas Arts Center Children's Theatre Little Rock, AR 20,000 Ars Nova New York, NY 70,000 Artists Repertory Theatre Portland, OR 60,000 Arts Emerson Boston, MA 30,000 ArtsPower National Touring Theatre Cedar Grove, NJ 15,000 Asolo Repertory Theatre Sarasota, FL 65,000 Atlantic Theater Company New York, NY 200,000 Aurora Theatre Lawrenceville, GA 30,000 Aurora Theatre Company Berkeley, CA 40,000 Austin Playhouse Austin, TX 20,000 Azuka Theatre Philadelphia, PA 15,000 Barrington Stage Company -
Dance Theatre of Harlem
François Rousseau François DANCE THEATRE OF HARLEM Founders Arthur Mitchell and Karel Shook Artistic Director Virginia Johnson Executive Director Anna Glass Ballet Master Kellye A. Saunders Interim General Manager Melinda Bloom Dance Artists Lindsey Croop, Yinet Fernandez, Alicia Mae Holloway, Alexandra Hutchinson, Daphne Lee, Crystal Serrano, Ingrid Silva, Amanda Smith, Stephanie Rae Williams, Derek Brockington, Da’Von Doane, Dustin James, Choong Hoon Lee, Christopher Charles McDaniel, Anthony Santos, Dylan Santos, Anthony V. Spaulding II Artistic Director Emeritus Arthur Mitchell PROGRAM There will be two intermissions. Friday, March 1 @ 8 PM Saturday, March 2 @ 2 PM Saturday, March 2 @ 8 PM Zellerbach Theatre The 18/19 dance series is presented by Annenberg Center Live and NextMove Dance. Support for Dance Theatre of Harlem’s 2018/2019 professional Company and National Tour activities made possible in part by: Anonymous; The Arnhold Foundation; Bloomberg Philanthropies; The Dauray Fund; Doris Duke Charitable Foundation; Elephant Rock Foundation; Ford Foundation; Ann & Gordon Getty Foundation; Harkness Foundation for Dance; Howard Gilman Foundation; The Dubose & Dorothy Heyward Memorial Fund; The Klein Family Foundation; John L. McHugh Foundation; Margaret T. Morris Foundation; National Endowment for the Arts; New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; New England Foundation for the Arts, National Dance Project; Tatiana Piankova Foundation; May and Samuel Rudin -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
Black Dancers in American Ballet in Kansas City Live Facebook Panel Discussion April 23 at 6:30 P.M
FOR IMMEDIATE RELEASE CONTACT: Ellen McDonald 816.213.4355 [email protected] For Tickets: 816.931.8993 or kcballet.org Kansas City Ballet Announces Stories of Resiliency: Black Dancers in American Ballet in Kansas City Live Facebook Panel Discussion April 23 at 6:30 p.m. WHO: * Moderator Allan S. Gray II, Former KCB board member and former board member of the Missouri Arts Council. He is also founding board member of the Kansas City Friends of Alvin Ailey. * April Berry, Former apprentice, and ballerina with ballet companies in New York, New Jersey and Washington, D.C., current Director of Community Engagement and Education at Kansas City Ballet and Kansas City Ballet School faculty member. * Karen Brown, Former ballerina with Dance Theatre of Harlem, current Assistant Professor of Dance at UMKC Conservatory, University of Missouri at Kansas City. * Whitney Huell, Former ballerina with Ballet West, current ballerina with Kansas City Ballet and Kansas City Ballet School faculty member. * Josh Bodden, former dancer with Miami City Ballet, Dance Theatre of Harlem, Cincinnati Ballet, current danseur with Kansas City Ballet and Kansas City Ballet School faculty member. WHAT: Four professional black dancers living and working in Kansas City share their journeys on navigating dance careers in the American Ballet World. Moderated by Allan S. Gray II, a respected Kansas City business professional and community leader, each panelist will impart their unique dance experiences, perspectives on diversity, inclusion and equity in ballet and respond to questions from the community sent in advance of the panel, as well as during the panel. Visit www.kcballet.org for more information. -
Weekly Newsletter
Weekly Newsletter February 16, 2016 Volume 6, Issue 3 Parent Observation Week: February 22 - 28 Next week, February 22—28, we invite parents/ Inside this issue: guardians into the studio to observe your student’s class(es) throughout the week. Parent Observation 1 Week This is a wonderful opportunity to step inside the studios Summer Intensive 1 to see firsthand what your dancer has been working on Auditions at CB and celebrate their progress so far this season. We Calendar Highlights & 2 greatly appreciate your efforts to attend in support of You may come and go as needed, but Class Updates please do not enter a studio until the your dancer! Lobby Event 2 current exercise has finished and music has stopped. Congratulations Kids 2 We kindly ask you limit the number of observers to 2 Cast! people per dancer to allow for comfortable seating for Photography is allowed during Summer Programs 3 all who attend. Please see the helpful points to the observation, however please NO FLASH! 2016 right for class observation etiquette. FUZI Shoe Fitting 4 Posting pictures to social media: If Opportunity *Note: Children’s Division classes that take place in posting observation week photos to social media sites, please post photos of Wild Sweet Love 4 Studio D have been notified separately of observation plans. only your dancer. Please refer to your email for details. Summer Intensive Auditions at Cincinnati Ballet January and February are the months when many Summer Intensive Auditions are held. There are a number of programs holding their auditions at Cincinnati Ballet. -
September 4, 2014 Kansas City Ballet New Artistic Staff and Company
Devon Carney, Artistic Director FOR IMMEDIATE RELEASE CONTACT: Ellen McDonald 816.444.0052 [email protected] For Tickets: 816.931.2232 or www.kcballet.org Kansas City Ballet Announces New Artistic Staff and Company Members Grace Holmes Appointed New School Director, Kristi Capps Joins KCB as New Ballet Master, and Anthony Krutzkamp is New Manager for KCB II Eleven Additions to Company, Four to KCB II and Creation of New Trainee Program with five members Company Now Stands at 29 Members KANSAS CITY, MO (Sept. 4, 2014) — Kansas City Ballet Artistic Director Devon Carney today announced the appointment of three new members of the artistic staff: Grace Holmes as the new Director of Kansas City Ballet School, Kristi Capps as the new Ballet Master and Anthony Krutzkamp as newly created position of Manager of KCB II. Carney also announced eleven new members of the Company, increasing the Company from 28 to 29 members for the 2014-2015 season. He also announced the appointment of four new KCB II dancers, which stands at six members. Carney also announced the creation of a Trainee Program with five students, two selected from Kansas City Ballet School. High resolution photos can be downloaded here. Carney stated, “With the support of the community, we were able to develop and grow the Company as well as expand the scope of our training programs. We are pleased to welcome these exceptional dancers to Kansas City Ballet and Kansas City. I know our audiences will enjoy the talent and diversity that these artists will add to our existing roster of highly professional world class performers that grace our stage throughout the season ahead. -
1415 ALICE (In Wonderland)
CONTACTS: Allie Honebrink Director of Marketing and Communications Cincinnati Ballet 1555 Central Parkway, Cincinnati, OH 45214 513.562.1137 Direct 859.468.5509 Cell [email protected] FOR IMMEDIATE RELEASE CINCINNATI BALLET PRESENTS ALICE (in wonderland) Celebrate Valentine’s Day in a dazzling world of wonder CINCINNATI, OH. Cincinnati Ballet presents the return of the wildly popular ALICE (in wonderland) this Valentine’s Day weekend, February 13-15 at the Aronoff Center for the Arts. Audiences have five opportunities to see this bold, spectacular take on Lewis Carroll’s classic stories with live instrumentation by the Cincinnati Symphony Orchestra. From the revolutionary vision of The Washington Ballet’s Septime Webre, ALICE (in wonderland) is refreshingly original, having premiered regionally in 2012, and showcases modern production elements such as elaborate, eye-popping scenery and characters who take flight. The production features gorgeous costumes by Liz Vandal and a commissioned score by Matthew Pierce. Cincinnati audiences may be familiar with Webre as the choreographer of Cincinnati Ballet’s praised production of Peter Pan, performed earlier this season. Liz Vandal is a celebrated costume designer whose unique, elaborate designs have graced the stage of Cirque du Soleil. The original score was created for an ensemble orchestra, but Cincinnati audiences will experience a version that is expanded to utilize the breadth of the magnificent Cincinnati Symphony Orchestra. Webre worked closely with composer, Pierce, throughout the creative process to give each character its own unique musical sound effects, bringing each of the favorite characters to life on stage. The vibrant cast is comprised of a combination of Cincinnati Ballet dancers, children from the Otto M. -
For Immediate Release Media Contact
FOR IMMEDIATE RELEASE MEDIA CONTACT: Jacalyn Lawton Public Relations Manager [email protected] [email protected] THEATER DISTRICT HOUSTON BOARD OF DIRECTORS APPOINTS JIM NELSON TO CHAIRMAN HOUSTON, TEXAS [Dec. 21, 2020] — Theater District Houston Board of Directors appoints Jim Nelson as its new Chairman. Nelson, Executive Director of Houston Ballet, will serve as the Chairman until September 2022. “I am honored to represent Houston’s expansive Theater District,” says Nelson. “The talent we have in our city is immense, and we have all showed the world our resiliency and creativity during this turbulent year.” Nelson succeeds Perryn Leech, who served in the role since 2014. Leech will depart Houston in March 2021 to assume the General Director seat at Canadian Opera Company, per his November announcement. “The Theater District is stronger due to Perryn’s leadership,” says Nelson. “He will be greatly missed, and we wish him the best on his next chapter.” Nelson has spent nearly his entire career in the arts. Beginning as a professional dancer, he performed for 11 years with Cincinnati Ballet, Houston Ballet and Ballet de Santiago. After retiring from the stage, Nelson was named general manager of Houston Ballet in August 2000. In 2005, he was selected for and attended the Stanford University Graduate School of Business Executive Program for Non-Profit Leaders. Since assuming the role of Houston Ballet’s Executive Director in 2012, Nelson has led the nonprofit through a period of transformational growth and acclaim. His tenure has included the pursuit of building large-scale, full-length ballets and expanding Houston Ballet's international exposure. -
University of Oklahoma Graduate College Second and Trainee Companies in the United States
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE SECOND AND TRAINEE COMPANIES IN THE UNITED STATES: AN ANALYSIS OF PAST AND PRESENT MISSIONS A THESIS SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of MASTER OF FINE ARTS IN DANCE By TYE ASHFORD LOVE Norman, Oklahoma 2016 SECOND AND TRAINEE COMPANIES IN THE UNITED STATES: AN ANALYSIS OF PAST AND PRESENT MISSIONS A THESIS APPROVED FOR THE SCHOOL OF DANCE BY ______________________________ Mr. Jeremy Lindberg, Chair ______________________________ Mr. Ilya Kozadayev ______________________________ Mr. Robert Bailey © Copyright by TYE ASHFORD LOVE 2016 All Rights Reserved. Acknowledgements I first want to thank my extraordinary committee members who without their inspiration in class and in life this document could not be possible, chair Jeremy Lindberg, as well as Ilya Kozadayev and Robert Bailey. I also want to thank the faculty of the University of Oklahoma School of Dance for their continuous support throughout my career, and valuable guidance from Dean Mary-Margaret Holt. I am also lucky to have the best family you could ask for, and their support is priceless. The phone call from home everyday is something I always look forward to. Thank you so much Mom and Dad! I also want to salute my amazing wife who is my biggest fan, thesis editor, best friend, and greatest love. I want to dedicate this document to my late mentor, John Magnus. John inspired many, including myself, to pursue a career in dance with his incredible passion and knowledge of guiding dancers. A passion I hope to pass down to future generations. -
Abstract Geographies of Neoliberal Regulation And
ABSTRACT GEOGRAPHIES OF NEOLIBERAL REGULATION AND THE EVERYDAY URBAN EXPERIENCE: A CASE STUDY OF OVER-THE-RHINE, CINCINNATI Jean-Paul David Addie This thesis analyses the impacts of neoliberal urbanism through conducting a qualitative case study of the inner-city neighbourhood of Over-the-Rhine, Cincinnati. Drawing upon the geographic concept of 'actually existing' neoliberalism, combined with in-depth interviews with neighbourhood organisations, community advocacy groups and residents in Over-the-Rhine, I explore the complex, often contradictory and dialectical relationships between neoliberal regulatory-institutional restructuring, the production of urban space, and the practices of everyday life. Played out against a background of racial tension and civil unrest, the creation of a new, neoliberal institutional landscape in Over-the-Rhine politically and economically disenfranchises the most marginalised neighbourhood inhabitants through re-articulating urban and political space, and re-imagining the ideological form and function of the inner city and the urban poor. I assert the significance of place-based studies to explore the place-specific articulations of neoliberal urbanism and in doing so, present directions for future research. GEOGRAPHIES OF NEOLIBERAL REGULATION AND THE EVERYDAY URBAN EXPERIENCE: A CASE STUDY OF OVER-THE-RHINE, CINCINNATI A Thesis Submitted to the Faculty of Miami University in partial fulfilment of the requirements for the degree of Master of Arts Department of Geography by Jean-Paul David Addie Miami University -
1998 October
September/October 1998 Ohio News Photographer Page 2 Ohio News Photographer September/October 1998 NPPA Television Airborne seminar lands in Columbus ONPAOhio News Photographers Association The 1998 Airborne TV Seminar is c Working smarter as a team - before you poised for takeoff with stops in Columbus, leave the station, while you're in the field Ohio on December 4th and 5th and and while you're putting it all together. Board Chairman Bob DeMay Charlotte, North Carolina on Sunday, c The NPPA Editor of the Year will offer tips Phone (330) 747-1471 December 6th. on what the Team can do to help an editor do "Making the TeamWork" is the theme. justice to your work. E-mail [email protected] Both photographers and reporters are c You'll hear insights about "writing with encouraged to attend this program, offered pictures." Marrying words and pictures to by the National Press Photographers make memorable stories. President Ed Suba, Jr. Foundation. c Pictures and sound as writing tools. Headliners include: Jonathan Malat - c Doing it all - what do photographers need Phone (800) 777-9477 NPPA Television Photographer of the Year to know? What do reporters need to know. E-mail not yet from KARE-TV in Minneapolis; Inge Gill - c Critiques of your work - suggestions for NPPA Editor of the Year from KCNC-TV in improving your stories for both reporters Denver; Kim Riemland (Reporter/anchor and photographers. Vice president (Still) Lisa Dutton KOMO-TV) and her husband Tim Griffis Bring your favorite reporter. Any (photojournalist KOMO-TV; Boyd Huppert, reporter accompanied by a photographer Phone (419) 724-6143 Reporter, from KARE-TV in Minneapolis.