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1. Tah E Dil Se Likhta Hun Yaro, Arz E Musannif Yeh Kaafi Hai, Alfaaz Ke Gehne Hote Hain La Shaoor, Gar Jazba E Dil Na Ho Arz E Sukhan Mein
1. Tah e dil se likhta hun yaro, Arz e musannif yeh kaafi hai, Alfaaz ke gehne hote hain la shaoor, Gar jazba e dil na ho arz e sukhan mein 2. Duago hun yaro baqi ke lamhe yunhi kat te jaayen, Do saans tumhare do mere, kashtiye zeest paar lagayen. 3. Kya dhadakte dil ko zindadili kehte hain? Kya zinda hone ko zindagi kehte hain? Maana, ke saans ka hona zaruri hai , Hum to yaro har pal zindagi ji lete hain. 4 Maujon ne saahil se kaha aamad o raft ke dauran, Hum to aati jaati hain sahara ban ke dikha zara. 5. Zuban ho shirin dil mein dua, Jabin e niyaz hai khuda ki rah. 6. Gar taskin mile tujhe ai raat, teri baahon mein so jaun , Tasavvur tera dil mein rahe, tere rukhsat hone ke baad. 7. Kabhi ro diye kabhi ansoo piye, Tujhe ai zindagi hum muskura kar jiye 8. Us din ka soch ‘ashok’ jab yeh jahan na hoga tere paas, Kis jahan mein hoga tu aur kya hoga tere saath. 10. Lamhe jee raha hun, taqaazaa waqt ka hai, Kaun jaane kitni baqi hai lamhon ki zindagi. 11. Kis naam se pukarun tujhe ai maalik, Har shakhs se nikle hai aah kuch alag. 12. Main jis ko chahun khuda bana lun, Yeh huq hai tumko mujhko bhi? Yaqin ho jis pe khuda wahi hai, Main kyon na yaqin ko khuda bana lun? 13. Jis shauhrat ki hai talab tujhe, woh shauhrat udti chidiya hai, Jis daal pe ja kar panchhi baithe, halki hai woh daal 'ashok'? 14. -
DAILY Adhkār
ﺍﻟﻴﻮﻡ ﻭﺍﻟﻠﻴﻠﺔ DAILY adhkār Authentic Remembrances & Supplications prescribed by the Messenger of Allah DAILY adhkār Authentic Remembrances & Supplications prescribed by the Messenger of Allah Second Edition � � � � � � � N·� ÿ€@k� v� n�� c@Ô� „� Ï� «� Üa@� ·� ÿi�ä@� fib”Î� “And your Lord said: ‘Call upon Me; I will respond to you.’” (40:60) � �� @Ò�Ï� «� Ü@� k� Ó� uc@L@k� Ì@� ã”@� Ô� „� hœ@� �� � «@� � Üb� j� «@� Ÿ� €d�@a� à�gÎ� � � � � � � @Ôi@aω� fl˚� Ó� €�Î@Ô€@aÏj� Ó� vn� �Ó� ‹œ@L@� Êb«� Ü@a� à�g@ aá€a� � � � � � � � � � � � � � � � NÊ� Î� á� í@� ã� Ì@� ·� Ë� ‹»� € “When My servants ask you about Me, indeed I am near. I respond to the invocation of the supplicant when he calls upon Me. So let them obey Me, and believe in Me that they may be guided.” (2:186) “Allah says: ‘I am as My slave thinks of me, and I am with him when he remembers Me. If he remembers Me within himself, I remember him within Myself; and if he remembers Me in a gathering, I remember him in a better gathering; and if he draws one span nearer to Me, I draw one cubit nearer to him; and if he draws one cubit nearer to Me, I draw a distance of two outstretched arms nearer to him; and if he comes to Me walking, I go to him running.’” (Hadīth Qudsī, Bukhārī) ABOUT UMMAH WELFARE TRUST Recent decades have seen this final Ummah encounter unprecedented trials and calamities. Millions who have taken Allah as their Lord and His Messenger as their guide have suffered and perished amidst continuous wars, natural disasters and enforced poverty. -
As-Sabr (Tålmodighed)
Ass--Saabbr (TTåållmmoddiigghed) . / 0 *.+ - * *+, )" ( %&' #$ ! " ABC : ?@+8" => " ;< : 93/6 7*58*' " #"6, ) 5 " 34 . 12 %&' O PL "* #MN % $ L8$" %&' 8$ * K IJ 7H G$ :6" 2- F " D*E8C" #"S- 7R O PL "* " IJ-4N" 7:N : 12'H 7'Q ”Og søg hjælp i tålmodighed og As-Salah (bønnen). Allah er sandelig med As-Sabireen (de tålmodige). Og sig ikke om dem, som bliver dræbt for Allahs skyld, ”De er døde.” Nej, de er levende, men I sanser det ikke. Og Vi vil absolut teste jer med en vis andel af frygt, sult, tab af ejendom, liv og afgrøder, men giv en glædelig nyhed til As-Sabireen; som siger, når de rammes af lidelser; ”Sandelig, vi tilhører Allah, og vi vil sandelig vende tilbage til Ham.” Disse er dem, hvorover deres Herres Salawaat (Velsignelser) og Rahmah (Barmhjertighed) bliver skænket, og det er disse, som er de vejledte.” [Al-Baqarah 2:153-157] Allah den Almægtige forklarer følgende i disse Ayaat : 1. Efter at have lært os, at Allah den Ophøjede sendte budbringere fra iblandt os, som reciterede Allahs tegn for os, rensede os for idoltilbedelse; og efter at have lært os alt hvad der blev pålagt os, af ’Aqidah punkter og regler, vi skal leve efter, for at vi ihukommer Allah og kalder til Islam. Efter det beordrede Allah den Ophøjede os til at søge hjælp i Sabr (tålmodighed og standhaftighed) og bøn. Formuleringen ( Mantooq ) i disse Ayaat har en indikativ mening; at Da’wah til Islam og praktiseringen af den islamiske Shari’ah er besværlig, og at der forekommer modgang. -
Is Entertainment Media Too Extravagant to Lead Us to Flamboyant Lifestyle? Article
82 Journal of Peace, Development and Communication Volume 04, Issue 1, June 2020 pISSN: 2663-7898, eISSN: 2663-7901 Article DOI: https://doi.org/10.36968/JPDC-V04-I01-05 Homepage: https://pdfpk.net/pdf/ Email: [email protected] Is Entertainment Media too Extravagant to Lead us to Flamboyant Lifestyle? Article: Dr. Imran Sabir Assistant Professor, Department of Sociology, Quaid-i-Azam University, Islamabad Author(s): Hifza Nazir M.Phil Scholar, Department of Sociology, Quaid-i-Azam University, Islamabad Shams-ur-Rehman Lecturer, Media & Communication Studies, Karakoram International University, Gilgit, Pakistan th Published: 30 June 2020 Publisher Information: Journal of Peace, Development and Communication (JPDC) Sabir, Imran, et al. (2020). “Is Entertainment Media Too Extravagant to Lead Us to Flamboyant Lifestyle?” Journal of Peace, Development and Communication, vol. 04, no. 01, To Cite this Article: 2020, pp. 82–106, https://doi.org/10.36968/JPDC-V04-I01-05 Dr. Imran Sabir is serving as Assistant Professor at Department of Sociology, Quaid-i-Azam University, Islamabad, Pakistan Email: [email protected] Hifza Nazir is a M.Phil Scholar at Department of Sociology, Quaid-i-Azam Author(s) Note: University, Islamabad, Pakistan Shams-ur-Rehman is serving as Lecturer at Media & Communication Studies, Karakoram International University, Gilgit, Pakistan Extravagant Entertainment Media 83 Abstract Modern world is irrevocably represented by the implicit role of media in our lives. Although scholars are enthusiastically and obdurately busy in producing huge variety of literature, its gigantic impact on our collective and individual behavior is yet to be fully known. Present research was conducted to find out the portrayal of the extent and varieties of extravagant content in Pakistani Television Dramas by employing content analysis. -
Pdf (Accessed: 3 June, 2014) 17
A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details 1 The Production and Reception of gender- based content in Pakistani Television Culture Munira Cheema DPhil Thesis University of Sussex (June 2015) 2 Statement I hereby declare that this thesis has not been submitted, either in the same or in a different form, to this or any other university for a degree. Signature:………………….. 3 Acknowledgements Special thanks to: My supervisors, Dr Kate Lacey and Dr Kate O’Riordan, for their infinite patience as they answered my endless queries in the course of this thesis. Their open-door policy and expert guidance ensured that I always stayed on track. This PhD was funded by the Arts and Humanities Research Council (AHRC), to whom I owe a debt of gratitude. My mother, for providing me with profound counselling, perpetual support and for tirelessly watching over my daughter as I scrambled to meet deadlines. This thesis could not have been completed without her. My husband Nauman, and daughter Zara, who learnt to stay out of the way during my ‘study time’. -
Annual Report 2018-2019
Annual Report 2018-2019 1. MISSION STATEMENT National Council for Promotion of Urdu Language (NCPUL) started its academic and administrative operations during IX Plan w.e.f. 01.04.1996. NCPUL was declared a national Nodal Agency for promotion of Urdu in the country and recognized as an important autonomous organization of Ministry of Human Resource Development, Government of India devoted to promotion of Urdu language and mainstreaming of Urdu education. NCPUL has been given the role of networking of Urdu organizations throughout the country so as the policies of the Government could be implemented in all Urdu speaking areas of the country. For past few years NCPUL has emerged as an effective coordination mechanism for promotion of Urdu language and Urdu medium education in India. During the course of discharging its responsibilities, NCPUL has been assigned the additional responsibility of promotion of Arabic & Persian languages which have played an important role in the development of composite culture of India. The broad goals of the Council are as under:- 1) To promote, develop and propagate Urdu language. 2) To take action for making available in Urdu language, the knowledge of scientific and technological development as well as knowledge of ideas evolved in the modern context. 3) To advise the Government of India on issues connected with Urdu language and having bearing on education as may be referred to it. 4) To undertake any other activity for the promotion of Urdu language as may be deemed fit by the Council. 1 2. COMPOSITION: NCPUL has been registered as a Society under the Societies Registration Act 1860. -
Poems by Faiz
Poems by Faiz Poems by Faz°z Paiz Ahmed Paiz Translated, with an Introduction and Notes, by V. G. KIERNAN (,ff; SOUTH PUBLICATIONS, LONDON This book is copyright under the Berne Convention. All rights ar� reserved. A part from any fair dealing for the purpose of private study, reseaYch, cYiticism or review, as permitted under the Copyyight Act, r956, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, electrical, chemical, mechanical, optical, photocopying, yecording or otherwise, without the prior permission of the copyright owner. Enquiries should be addressed to the publishers. UNESCO COLL.ECTION OF REPRESENTATIVE WORKS PAKISTAN SERIES This work, originally published in 19 71 by George A lien & Unwin Ltd., was prepared fo,. tlze Pakistan Series of the Translations Collection of the United Nations Educational, Scientific and Cultural Organization (Unesco). English translation, introduction and notes: © Unesco 19 71. The present reprint edition has been authorized by Mrs. Alys Faiz and by Unesco, for publication in Pakistan by Vanguard Books (Pvt) Ltd, Lahore. Printed in Lahore at Khalid ImranPrinters Dil Mohd Road Lahore. TO ALYS FAIZ AHMED CO NTENTS FO REWORD 9 PREFACE I3 INTRODUCTION 2I POEMS FROM REMONSTRA NCE (NAQSH-E-FA RYADI) I943 I Last Night 4 9 2 God Never Send SI . 3 Nocturne 55 4 Tonight 59 5 A Scene 63 6 Love, Do Not Ask 65 7 To The Rival 69 8 Solitude 77 9 A Few Days More 7 9 IO Dogs 83 II Speak 87 12 Poetry's Theme 9I I3 Our Kind 97 1 4 To -
Responses to 100 Best Acts Post-2009-10-11 (For Reference)
Bobbytalkscinema.Com Responses/ Comments on “100 Best Performances of Hindi Cinema” in the year 2009-10-11. submitted on 13 October 2009 bollywooddeewana bollywooddeewana.blogspot.com/ I can't help but feel you left out some important people, how about Manoj Kumar in Upkar or Shaheed (i haven't seen that) but he always made strong nationalistic movies rather than Sunny in Deol in Damini Meenakshi Sheshadri's performance in that film was great too, such a pity she didn't even earn a filmfare nomination for her performance, its said to be the reason on why she quit acting Also you left out Shammi Kappor (Junglee, Teesri MANZIL ETC), shammi oozed total energy and is one of my favourite actors from 60's bollywood Rati Agnihotri in Ek duuje ke Liye Mala Sinha in Aankhen Suchitra Sen in Aandhi Sanjeev Kumar in Aandhi Ashok Kumar in Mahal Mumtaz in Khilona Reena Roy in Nagin/aasha Sharmila in Aradhana Rajendra Kuamr in Kanoon Time wouldn't permit me to list all the other memorable ones, which is why i can never make a list like this bobbysing submitted on 13 October 2009 Hi, As I mentioned in my post, you are right that I may have missed out many important acts. And yes, I admit that out of the many names mentioned, some of them surely deserve a place among the best. So I have made some changes in the list as per your valuable suggestion. Manoj Kumar in Shaheed (Now Inlcuded in the Main 100) Meenakshi Sheshadri in Damini (Now Included in the Main 100) Shammi Kapoor in Teesri Manzil (Now Included in the Main 100) Sanjeev Kumar in Aandhi (Now Included in Worth Mentioning Performances) Sharmila Togore in Aradhana (Now Included in Worth Mentioning Performances) Sunny Deol in Damini (Shifted to More Worth Mentioning Performances) Mehmood in Pyar Kiye Ja (Shifted to More Worth Mentioning Performances) Nagarjun in Shiva (Shifted to More Worth Mentioning Performances) I hope you will approve the changes made as per your suggestions. -
Honouring a Legend Zafri Mudasser Nofil “Kinara”, “Khushboo”, “Angoor”, “Libaas” , “Meera”, Everyone Knows Shilpa Shetty Kundra's Entrepreneurial Skills
SUNDAY, APRIL 27, 2014 (PAGE-4) BOLLYWOOD BUZZ PERSONALITY "Business is a part of life" Honouring a legend Zafri Mudasser Nofil “Kinara”, “Khushboo”, “Angoor”, “Libaas” , “Meera”, Everyone knows Shilpa Shetty Kundra's entrepreneurial skills. “Lekin” and “Maachis”. The prestigious Dada Saheb Phalke He has worked on the small screen as well; Along with her businessman husband Raj Kundra, she has award could not have been conferred having created outstanding series like “Mirza on a more deserving person than Ghalib” and “Tahreer Munshi Premchand now launched her gold bullion and jewellery veteran lyricist-ffilmmaker and Ki”. He wrote lyrics for several Doordar- poet Gulzar. He was chosen for shan serials including “Hello Zindagi”, the highest official recognition “Potli Baba Ki” and “Jungle Book”. company - Satyug Gold. Sreya Basu in conversation for film personalities in India Gulzar was awarded the Sahitya for outstanding contribution Akademi Award in 2002, the Padma with the actress in Mumbai on her latest project. to the growth and develop- Bhushan in 2004. He has won a ment of Indian cinema. number of National Film Awards After trying your hand in wellness of today. A seven-member jury and 20 Filmfare Awards. He won and fitness business (Iosis Medi You launched Satyug Gold in three cities consisting of eminent the Oscar for best original song Spa), cricket (Rajasthan Royals co- (Bandra in Mumbai, Pune and Ahmedabad) artistes unanimously rec- ‘Jai ho’ with Rahman for “Slum- owner), film production simultaneously on the same day. What ommended the 79-year- dog Millionaire” in 2009. In 2010, (Dishkiyaaoon) and real estate made you come up with the idea? old Gulzar for the presti- Gulzar also won the Grammy (grouphomebuyer.com), you are I was running out of time. -
7 Most Memorable Oscar Moments Taapsee Pannu
PVR MOVIES FIRST VOL. 17 YOUR WINDOW INTO THE WORLD OF CINEMA MARCH 2017 TOTAL RECALL: 7 MOST ST GUE MemoraBle VIEW INter OScar MomeNTS SEE TAAP PANNU THE BEST NEW MOVIES PLAYING THIS MONTH: PHILLAPVR UMOVIESRI, FIRSTBADR INATH KI DULHANIYA, BEAUTY AND THE BEAST, chIPS, LIFE PAGE 1 GREETINGS ear Movie Lovers, Taapsee Pannu takes us behind the scenes of “Naam Shabana.” Dishy 007 Daniel Craig loves cooking Here’s the March edition of Movies First, your exclusive and hates guns! Join us in wishing the superstar a window to the world of cinema. Happy Birthday. After playing the character for 17 years, Hugh Jackman makes We really hope you enjoy the issue. Wish you a fabulous his final bow as Wolverine in “Logan,” our Movie of the Month. month of movie watching. Bring on the dhol and join the baraat as Varun and Alia rekindle their sparkling chemistry in “Badrinath ki Dulhania.” Regards Anushka Sharma haunts a groom-to-be in “Phillauri” while Rajkummar Rao finds himself “Trapped“ inside a Mumbai apartment. Treat yourself to the poignant “Sense of an Ending” Gautam Dutta and edgy real-life thriller “Patriots Day” this month. CEO, PVR Limited USING THE MAGAZINE We hope youa’ll find this magazine easy to use, but here’s a handy guide to the icons used throughout anyway. You can tap the page once at any time to access full contents at the top of the page. PLAY TRAILER SET REMINDER BOOK TICKETS SHARE PVR MOVIES FIRST PAGE 2 CONTENTS Join the action as Hugh Jackman reprises the role of Wolverine for one last time. -
Of Sixth Edition
BAYAAZ OF SIXTH EDITION All these nohay are available on: www.youtube.com/OldNohay (Links included with the text of each Nauha) Request to recite Surah-e-Fatiha for: Asghar Mirza Changezi (ibne Mirza Mumtaz Hussain) Noor Jehan Begum (binte Syed Wirasat Ali Rizvi) Agha Meher Qasim Qizalbash (ibne Agha Mumtaz Hussain) Naveed Banoo, Saeed Banoo & Fahmeed Banoo (binte Raza Haider Rizvi) All the Shayar E Ahlebait and Nauhakhwans who have passed away And All Momineen and Mominaat English Transliteration of Contents 1. Janab Aale Raza .................................................................................. 13 1.1. Pukari laash pe Zehra mere Hussain Hussain ....................................................13 1.2. Salaam Khak-na shi no n-pa .......................................................................................13 2. Janab Afsar Lucknowi Sahib ............................................................... 15 2.1. Raat aadhi aa gayi ai Jaan e Madar ghar mein aao .........................................15 3. Janab Ahsan Tabatabai Sahib ............................................................. 16 3.1. Karbala aaye thay Shah, Dunia se jaane ke liye ................................................16 4. Janab Ali Raza Baqri Sahib ................................................................. 17 4.1. Asghar Huñ Maiñ Asghar .........................................................................................17 5. Mohtarma Akthar Sahiba .................................................................... 18 5.1. -
Azamgarh Dealers Of
Dealers of Azamgarh Sl.No TIN NO. UPTTNO FIRM - NAME FIRM-ADDRESS 1 09185100008 AZ0019063 BOMBAY SUPARY STORE CHAUKTAHSIL SADAR, AZAMGARH. 2 09185100013 AZ0039267 BAJRANG IRON STORE THEKMA TAHSIL LALGANG AZAMGARH 3 09185100027 AZ0055527 BARBWAL HOMAO HALL ASIFGANJ,SADAR, AZAMGARH. 4 09185100032 AZ0058356 GULAB CHAND BRIJ PAL DAS ASIFGANJ, AZAMGARH. 5 09185100046 AZ0067666 MEDICO PHARMA AGENCY KURMI TOLA SADAR, AZAMGARH. 6 09185100051 AZ0069266 HAINIMEN PYOUR DRUGS COMPANY CIVIL LINES, AZAMGARH. 7 09185100065 AZ0080507 RAM LAKHAN JAISWAL TARWA, AZAMGARH. 8 09185100070 AZ0074855 DHARM DAV CONT. SUFDDINPUR AZAMGRH 9 09185100079 AZ0080734 RAM MEDICAL AGENCY PHARPUR AZAMGARH 10 09185100084 AZ0081089 VINDO GLASS IMPORIAL CHAUK TAHSIL SADER AZAMGARH 11 09185100098 AZ0086052 RAM JATAN YADAV B.K.O. DAGARPUR, AZAMGARH. 12 09185100107 AZ0090190 VIDAYRTHI PUSTAK MANDIR PAHARPUR, AZAMGARH. 13 09185100112 AZ0090328 RAVENDRA TRADERS DIHA AZAMGARH 14 09185100126 AZ0093095 RAJENDRA KASHTHA INDUSTRIES KAPTANGANJ, AZAMGARH. 15 09185100131 AZ0094057 MURALI COLD STORES & ICE FACTARI BELAISA, AZAMGARH. 16 09185100145 AZ0095670 DHANAI RAM PYARE LAL LAL GANJ AZAMGRH 17 09185100150 AZ0096280 ROYAL MEDICAL STORE KHATRI TOLA, AZAMGARH. 18 09185100159 AZ0097079 RAM ADHAR CONTRACTOR KAPTANGANJ, AZAMGRH. 19 09185100164 AZ0097738 RAMA INT BHATTA SARRA AZAMGARH 20 09185100178 AZ0099868 ROSHANI MAHAL KHATRI TOLA, AZAMGARH. 21 09185100183 AZ0101920 BALIRAM ENTERPRISES LALGANJ T.LALGANJ,AZAMGARH. 22 09185100197 AZ0102036 RANJEET SINGH THEKEDAR AKSHAIBAR, AZAMGRH. 23 09185100206 AZ0103127 BENI MEDICAL HALL UTROULA BUDHANPUR AZAMGARH. 24 09185100211 AZ0103957 ROHITAS TRADERS CO. HARI KI CHUNGI AZAMGARH 25 09185100225 AZ0105181 RAM DARASH B.K.O. HATHIPUR, AZAMGARH. 26 09185100230 AZ0105815 RAM PHER YADAV ENT BHATTA HAKARIPAR, AZAMGARH. 27 09185100239 AZ0106312 CHASMA SAGAR MATVARGANJ, AZAMGARH. 28 09185100244 AZ0110652 KISAN AUTO CENTER BOMBAY HOUSE,ROADWAYS, AZAMGARH.