Jason Whyte. Height 177 Cm
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Bruce Mason, James K. Baxter, Mervyn Thompson, Renée and Robert Lord, Five Playwrights
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. METAMORPHOSIS AT 'THE MARGIN': BRUCE MASON, JAMES K. BAXTER, MERVYN THOMPSON, RENtE AND ROBERT LORD, FIVE PLAYWRIGHTS WHO HAVE HELPED TO CHANGE THE FACE OF NEW ZEALAND DRAMA. A thesis presented in fulfilment of the requirements for the degree of Doctor of Philosophy III English at Massey University [Palmerston North], New Zealand Susan Lillian Williams 2006 11 DEDICATION I dedicate this thesis to my grandfather and my mother, neither of whom had the privilege of gaining the education that they both so much deserved. I stand on their shoulders, just as my son, David, will stand on mine. The writing of this thesis, however, would not have been possible without the unstinting assistance of Ainslie Hewton. Finally, to my irreplaceable friend,Zeb, the puppy I wanted and never had as a child. Zeb nurtured me throughout this long project and then, in the last week of completion, was called by the black rabbit. Thank you for everything you taught me Zebedee. You and I will always be playing alongside your beloved riverbank. III ABSTRACT Drama has been the slowest of the arts to develop an authentic New Zealand 'voice.' This thesis focuses on the work of five playwrights: Bruce Mason, James K. Baxter, Mervyn Thompson, Renee and Robert Lord, all of whom have set out to identify such a 'voice' and in so doing have brought about a metamorphosis in the nature of New Zealand drama. -
YOU CAN ALWAYS HAND THEM BACK Music and Lyrics by Peter Skellern THANKS to OUR SUPPORTERS
Vol. 2 No. 3 Apr 2016 Roger Hall’s YOU CAN ALWAYS HAND THEM BACK Music and lyrics by Peter Skellern THANKS TO OUR SUPPORTERS FUNDERS PRINCIPAL CORE FUNDER PARTNERS PRESENTING FUNDER PARTNER UNIVERSITY Artistic Director's Note Artistic Director Colin McColl M A J O R SUPPORTERS It's extraordinary to think that You Can Always Hand Them Back is for forty years Roger Hall has been a collaboration between Roger and entertaining us with his comedies. For Peter Skellern – distinguished UK forty years he’s charted New Zealand’s singer/songwriter – and has enjoyed social history and presented it to us tremendous success throughout New MEDIA as an entertaining and assured "good Zealand and in England. PARTNERS night out", with lots of laughs, lots of For this Auckland premiere we’re heart and a few home truths. From the lucky to have gathered a talented team early days of Glide Time and Middle Age of Hall “veterans”. Director Janice Spread through to recent hit comedies Finn and actors Darien Takle and like Who Wants to be 100? and Four Peter Hayden are all superb exponents PARTNERS SUPPORTING Flat Whites In Italy, Roger is without a of Roger’s work. Huge thanks to doubt NZ’s best-loved playwright, so them and to music director Jason Te it’s a great delight to present his latest Mete (who also appears as the third Q Theatre work for you. character in the play), choreographer SKYCITY Theatre You Can Always Hand Them Back Jeremy Birchall, set designer Rachael Herald Theatre PARTNERS puts the “grand” into grandparenting. -
Tall Poppy Syndrome & Patriarchal Femininity
Tall Poppy Syndrome & Patriarchal Femininity: An Auto-ethnographic Investigation into New Zealand’s Female-identifying Comedians BY KATIE HILL A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of a Master of Arts in Theatre Victoria University of Wellington 2021 - 2 - Abstract This practice-based and auto-ethnographic research project explores the correlation between Tall Poppy Syndrome (TPS) and patriarchal femininity in the performances of female-identifying stand-up comedians in New Zealand. I identify ways TPS, as a patriarchal ideology, has an impact on the subconscious/and or conscious choices of New Zealand’s self-deprecating female-identifying comedians in contemporary performance. I have chosen to analyse TPS through an intersectional feminist lens, focusing on ways the historical construction of patriarchal femininity directly relates to the cultural phenomenon of Tall Poppy Syndrome. I aim to connect this relationship to the ways New Zealand female-identifying comedians ‘perform’ autobiographical comedy, as part of expected social and cultural conventions. As I want to investigate the impact of TPS in an exclusively New Zealand context, my research isolates its case studies to comedians who make comedy primarily for a New Zealand audience, discussing international comedians as a point of comparison. - 3 - ACKNOWLEDGEMENTS The completion of this thesis would not have been possible without the invaluable guidance and support of my peers, friends and family. To my supervisor, Dr. Nicola Hyland - your counsel on my academic, practical and wellbeing needs was immensely helpful. Many of my anxieties were eased by your kind and understanding approach to teaching. -
HOWARD ASHMAN ALAN MENKEN Based on the Film by Roger Corman Screenplay by Charles Griffith
books & lyrics by music by HOWARD ASHMAN ALAN MENKEN based on the film by Roger Corman screenplay by Charles Griffith 1 PRINCIPAL FUNDERS WELCOME It’s not hard to see why LITTLE SHOP OF HORRORS remains one of New York City’s longest-running cult musicals. The infectious, toe-tapping tunes, the goofy CORE FUNDERS PREMIER PARTNER characters and the sublimely funny bite of its story-line have been delighting audiences since 1982. Now those masters of music theatre, director Simon Coleman and musical director Jason Te Mete – together with their supremely talented cast and creative team, bring you a refreshingly new '80s take on this old favourite. MAJOR SUPPORTERS MAJOR VENUE PARTNER Love and thanks to them all. Thanks too, to you, our audience, for your support of Auckland Theatre Company throughout the year. Proud to be NZ's Most Awarded Proud to be the selected caterers Our 2013 season is about to be launched and there are plenty of goodies on offer so check out Winery and Sponsor of ATC of Auckland Theatre Cmpany a brochure or visit our website www.atc.co.nz from mid November. Remember a subscription to ATC might be the ideal Christmas present for that hard-to-buy-for friend or relative. On behalf of us all at ATC, very best wishes to you and your loved ones for the forthcoming festive season. TERTIARY EDUCATION PARTNER MEDIA PARTNERS Enjoy your time on Skid Row! We look forward to seeing you at the theatre in 2013. Regards, Colin McColl SUPPORTING PARTNERS Artistic Director, Auckland Theatre Company 2012 VENUE PARTNERS THE EDGE / Q / -
GHCV-Full-June 18
Gary Henderson: a full CV of published work and professional history. June 2018 PUBLISHED WRITING 2017 What To Write About An essay published in The Fuse Box Essays on writing from Victoria University's International Institute of Modern Letters Edited by Emily Perkins and Chris Price Publisher: Victoria University Press 2013 Skin Tight In conjuction with a season by Epsilon Productions The Park Theatre, London Publisher: Bloomsbury Methuen Drama 2007 Three Plays Skin Tight, Mo & Jess Kill Susie, An Unseasonable Fall of Snow Publisher: Playmarket OPERA LIBRETTO Star Navigator (current, ongoing) Librettist. A collaboration with Tim Finn, Tom McLeod, Simon Phillips West Australian Opera / New Zealand Opera 2017 Workshop with full presentation NZ Opera With Tim Finn and Tom McLeod Director: Simon Phillips Musical Director: Tom McLeod 2016 Workshop with NZ Opera with Tim Finn and Tom McLeod Director: Simon Phillips Musical Director: Brad Cohen (WA Opera) 2016 Workshop with Victorian Opera Company with Tim Finn & Tom McLeod Director: Simon Phillips Musical Director: Richard Mills (VO) 2015 Excerpt presentated in Auckland Festivals 2015 "Raw" series Lyricist / composer: Tim Finn Orchestrator: Tom McLeod Librettist: Gary Henderson Director: Stuart Maunder, NZ Opera THEATRE WRITING Things That Matter (upcoming) Commissioned by the Auckland Theatre Company Based on the book ‘Things That Matter’ by David Galler The Breath of Silence (current) Commissioned by The Court Theatre Shepherd (written 2014) Commissioned by The Court Theatre, Christchurch 2015 The Court Theatre, Christchurch Director: Gary Henderson My Bed My Universe (written 2013) Commissioned by Massive Company, Auckland 2014 Massive Company / Auckland Concert Chamber / Mangere Arts Centre Director: Sam Scott A collaboration with Massive Company, Chris O'Connor, and NZTrio. -
Conference Proceedings Platinum Plus
Transportation Group New Zealand Conference 2019 CONFERENCE PROCEEDINGS PLATINUM PLUS PLATINUM GOLD BRONZE EXHIBITORS AWARDS SPONSOR INFORMATION PROGRAMME James Campbell Welcome to the conference Monday 4 March Andrew Martindale Conference committee Tuesday 5 March Dr Rodney Tolley Information desk times Wednesday 6 March 3M finalists Car parking Poster rapid fires & poster viewing Bike parking MONDAY Engagement/people & travel planning Catering & dietary requirements Greg Ellis Changing processes & technology Luggage storage Thomas Small Public transport/road space allocation Useful numbers Mayor Justin Lester Active modes Wi-Fi Elizabeth Halsted Event app Isabel Dedring WEDNESDAY Name badge categories Mark Ames Claire Pascoe Evacuation procedures Karyn Sinclair Mike Davidson Twitter competitions Hon Phil Twyford Claire Covacich Poster session Duncan Campbell Ann-Marie Head Mac’s Brewbar Myles Lind Richard Landon-Lane & 3M welcome function Patricio Gallardo Stuart Hamilton Stantec conference dinner Jerry Khoo Land use & planning Judges Amir Kayal Pedestrian & safety Paper reviewers Kevin Reid Awards Voting for people’s choice for best Mobility & growth presenters Resilience DELEGATE LIST Delegate survey Urban improvement Presentations & photos post Road safety conference Recycling name badges TUESDAY Transport to airport Dr Glen Koorey Oceania, level 3 floor plan Dr Shane Turner & Mike Smith Amokura Gallery, level 4 floor plan Bridget Carden Exhibitors & sponsors Andrew Bell Designing tomorrow’s transport systems—today stantec.com/newzealand Information Programme Monday Tuesday Wednesday Delegate List Delegate List Wednesday Tuesday Monday Programme Information CONFERENCE WELCOME Welcome back to Wellington for 2019 Engineering New Zealand Transport Group conference. The organising committee and I are really excited to have you back in our beautiful city, and you’re sure to experience the delights it has to offer with the social package developed throughout the event. -
Hera Dunleavy. Height 169 Cm
Actor Biography Hera Dunleavy. Height 169 cm Awards. 2011 Winner of the Short Film Silver Bear Award-Berlin Film Festival-Manurewa 2004 Winner of 'Best Dramatic Production'for the Radio Play'The Outsiders' 2002 Chapman Tripp Theatre Awards Nomination - Best Supporting Actress - Who 's Afraid of Virginia Woolf 1994 Chapman Tripp Theatre Awards - Winner Most Promising Newcomer - Beautiful Thing Feature Film. 2015 Inland Road Lyndie TIR Ltd (Guest) Prd. Dena Kennedy 2010 Bloodlines Pharmacist Screentime NZ Limited - Tele Feature Film (Support) Dir. Peter Burger Prd. Philly De Lacey 2009 After the Waterfall Maddie Paraffin Productions (Guest) Dir. Somone Horrocks Prd. Trevor Haysam 2007 Waiting for You Dube Film Production NZ Dir. Shyam S. R Upadhyay 2001 For Good Mel New Zealand Film Commission (Support) Dir. Stuart McKenzie 2000 Blessed Theresa Rachel Douglas Productions, NZ (Lead) Dir. Rachel Douglas 1999 A Small Life Social Worker Dir. Michael Heath Short Film. 2016 Parasites Kathryn Dir. Michael Cannon Miller PO Box 78340, Grey Lynn, www.johnsonlaird.com Tel +64 9 376 0882 Auckland 1245, NewZealand. www.johnsonlaird.co.nz Fax +64 9 378 0881 Hera Dunleavy. Page 2 Short continued... 2009 Manurewa Clancy Robbers Dog Films Dir. Sam Peacocke 2009 Amadi Della Frame Up Films 1996 O Tamaiti Various Roles Paewai Productions 1995 Permanent Wave Jane Fiona Bartlett Productions Television. 2019 The Gulf Miriam Adams Screentime (Supoort) Dir. Robert Sarkies, Gaysorn Thavatt. Prd. Philly de Lacy, Bridget Bourke, Paula Boock and Donna Malane 2018 Brokenwood Mysteries 5 Cassie South Pacific Pictures (Support) Dir. Mark Beesley Prd. Chris Bailey, Sally Campbell, Tim Balme 2012 Shortland Street Nellie Afeaki South Pacific Pictures Limited (Guest) Dir. -
Discussion Paper
Review of theatre ARTS COUNCIL OF NEW ZEALAND AOTEAROA Discussion Paper June 2015 Contents 1. About the review and this paper .................................................................. 3 Purpose of this theatre review ......................................................................................... 3 The review process so far ................................................................................................. 3 Next steps ......................................................................................................................... 4 2. The context for the review ........................................................................... 5 What we mean by ‘theatre’ .............................................................................................. 5 The New Zealand theatre environment today ................................................................. 5 About Creative New Zealand and our goals ..................................................................... 5 Challenges for New Zealand theatre ................................................................................ 8 3. Supporting New Zealand theatre: Analysis and questions ............................. 9 Creative New Zealand support for theatre: Overview ..................................................... 9 Key infrastructure roles for theatre under the Tōtara programme ............................... 13 Other Tōtara programme issues .................................................................................... -
Community Grants April 2018 – March 2019
THE LION FOUNDATION | Community Grants List April 2018 – March 2019 COMMUNITY GRANTS APRIL 2018 – MARCH 2019 CHAIRMAN’S REPORT CHIEF EXECUTIVE’S REPORT The Lion Foundation is a charitable trust that has been a cornerstone of the 2018-19 has proved another successful year with The Lion Foundation dis- New Zealand gaming industry since 1985. During this time, we have built up tributing over $38 million of grants to support valuable community projects a proud record of fund-raising for the community and to date we have raised through New Zealand. This is a very pleasing result which has been achieved over $920 million to help people to do good things. This is an outstanding through a complete team effort involving our committed venue operators, achievement and reinforces our aim of being a leading charitable trust in this country and one that is nationally recognised and respected. suppliers, industry partners and our talented Board and staff. Looking back, the past year is another one that we are also very proud of. As The Regional Grants Committees, that are comprised of well-respected Chairman, it is my pleasure to report that for the fifth consecutive year on year, locally based people, also play a significant role in the decision-making The Lion Foundation has increased the amount of funding we have distribut- process by ensuring regionally generated funds are directed at programmes and ed to community organisations in grants. This is a very pleasing result and organisations that positively impact on local communities. illustrates our commitment to growing our productivity and increasing returns to authorised purposes. -
Publications List 2006A.Indd
TABLE OF CONTENTS Faculty of Architecture and Design 2 Architecture 2 Design 5 Faculty of Commerce and Administration 8 Accounting and Commercial Law 8 Economics and Finance 15 Government 21 Information Management 30 Management 36 Marketing and International Business 46 Faculty of Education 53 Early Childhood Teacher Education 53 Education Faculty Offi ce 55 Education Studies 56 Primary and Secondary Teacher Education 62 Te Kura Mäori 65 Faculty of Humanities and Social Sciences 67 Art History, Classics and Religious Studies 67 Asian and European Languages and Cultures 71 English, Film, Theatre and Media Studies 81 History, Philosophy, Political Science and International Relations 89 Linguistics and Applied Language Studies 89 Maori Studies (Te Kawa a Mäui) 97 Music 100 Nursing, Midwifery and Health 108 Social and Cultural Studies 113 Va’aomanü Pasifi ka 117 Faculty of Law 120 Law 120 Faculty of Science 132 Biological Sciences 132 Chemical and Physical Sciences 146 Geography, Environment and Earth Sciences 161 Mathematics, Statistics and Computer Science 177 Psychology 183 Centres and Institutes 193 International Institute of Modern Letters 193 Institute for the Study of Competition and Regulation 196 Stout Research Centre 198 University Teaching Development Centre 200 Staff and Student Research 2006 1 FACULTY OF ARCHITECTURE AND DESIGN ARCHITECTURE Chapters Wood P, ‘’Charles Tole, Landscape with Shed, 1978’’, in Inview: Works from the VUW Art Collection (Wellington, Adam Art Gallery, Victoria University, 2006), pp. 50-51. Articles Holden G, McKenzie L, ‘Aspirations, Experience and Inspiration: Potential Implications of Conceptions of Leadership in Higher Education’, Organisation Development Topical Papers, 11, December (2006), pp. 7-13. -
Staff Studenttb.Pmd
Staff and Student Research 2002 - Staff Staff and Student Research V ictoria University of W 2002 2002 ellington Published by the Research Office Victoria University of Wellington PO Box 600 Wellington, New Zealand ISSN 1174-121X CONTENTS FACULTY OF ARCHITECTURE AND DESIGN 2 Architecture 2 Design 4 FACULTY OF COMMERCE AND ADMINISTRATION 6 Accounting and Commercial Law 6 Economics and Finance 8 Government 13 Information Management 15 Management 21 Marketing and International Business 31 FACULTY OF HUMANITIES AND SOCIAL SCIENCES 35 Art History, Classics and Religious Studies 35 Asian and European Languages and Cultures 42 Education (including Women’s Studies) 45 English, Film and Theatre 56 History, Philosophy, Political Science and International Relations 60 Linguistics and Applied Language Studies 67 Leisure and Heritage Studies 76 Maori and Pacific Studies - Te Kawa a Maui 77 Music 78 Nursing and Midwifery 82 Social and Cultural Studies 87 FACULTY OF LAW 91 Law 91 FACULTY OF SCIENCE 97 Biological Sciences 97 Chemical and Physical Sciences 103 Earth Sciences 109 Mathematics and Computing Sciences 124 Psychology 129 CENTRES 136 Health Services Research Centre 136 International Institute of Modern Letters 137 Institute of Policy Studies 140 New Zealand Institute for the Study of Competition and Regulation 140 Stout Research Centre 143 Treaty of Waitangi Research Unit 145 University Library 146 University Teaching Development Centre 147 Victoria Link 147 Staff and Student Research 2002 1 FACULTY OF ARCHITECTURE AND DESIGN Architecture Books/Scholarly Editions Taylor, M., Preston, J. and Charleson, A.W., Moments of Resistance (Sydney, Archadia Press, 2002), 104pp. Articles Charleson, Andrew, ‘Beyond Utility’, New Zealand Timber Design Journal, 3, 11 (2002), pp. -
Reverse Chameleon in the Kiwi Jungle
Reverse chameleon in the Kiwi jungle: Identity construction of Pasifika theatre makers Thesis submitted in partial fulfilment for the requirements for the Degree Doctor of Philosophy University of Canterbury Kata Fülöp 2012 Word count: 98,765 1 Contents Contents ........................................................................................................................................ 2 1. Chapter 1: Introduction ...................................................................................................... 11 1.1 Thesis structure........................................................................................................... 13 1.2 Methods ...................................................................................................................... 15 1.3 Positioning .................................................................................................................. 15 1.4 Style ............................................................................................................................ 16 2. Chapter 2: Conceptual framework ..................................................................................... 17 2.1 Pacific migration to New Zealand ............................................................................... 17 2.2 Biculturalism and multiculturalism in New Zealand ................................................... 19 2.2.1 Biculturalism ........................................................................................................... 19 2.2.2