Hera Dunleavy. Height 169 Cm

Total Page:16

File Type:pdf, Size:1020Kb

Hera Dunleavy. Height 169 Cm Actor Biography Hera Dunleavy. Height 169 cm Awards. 2011 Winner of the Short Film Silver Bear Award-Berlin Film Festival-Manurewa 2004 Winner of 'Best Dramatic Production'for the Radio Play'The Outsiders' 2002 Chapman Tripp Theatre Awards Nomination - Best Supporting Actress - Who 's Afraid of Virginia Woolf 1994 Chapman Tripp Theatre Awards - Winner Most Promising Newcomer - Beautiful Thing Feature Film. 2015 Inland Road Lyndie TIR Ltd (Guest) Prd. Dena Kennedy 2010 Bloodlines Pharmacist Screentime NZ Limited - Tele Feature Film (Support) Dir. Peter Burger Prd. Philly De Lacey 2009 After the Waterfall Maddie Paraffin Productions (Guest) Dir. Somone Horrocks Prd. Trevor Haysam 2007 Waiting for You Dube Film Production NZ Dir. Shyam S. R Upadhyay 2001 For Good Mel New Zealand Film Commission (Support) Dir. Stuart McKenzie 2000 Blessed Theresa Rachel Douglas Productions, NZ (Lead) Dir. Rachel Douglas 1999 A Small Life Social Worker Dir. Michael Heath Short Film. 2016 Parasites Kathryn Dir. Michael Cannon Miller PO Box 78340, Grey Lynn, www.johnsonlaird.com Tel +64 9 376 0882 Auckland 1245, NewZealand. www.johnsonlaird.co.nz Fax +64 9 378 0881 Hera Dunleavy. Page 2 Short continued... 2009 Manurewa Clancy Robbers Dog Films Dir. Sam Peacocke 2009 Amadi Della Frame Up Films 1996 O Tamaiti Various Roles Paewai Productions 1995 Permanent Wave Jane Fiona Bartlett Productions Television. 2019 The Gulf Miriam Adams Screentime (Supoort) Dir. Robert Sarkies, Gaysorn Thavatt. Prd. Philly de Lacy, Bridget Bourke, Paula Boock and Donna Malane 2018 Brokenwood Mysteries 5 Cassie South Pacific Pictures (Support) Dir. Mark Beesley Prd. Chris Bailey, Sally Campbell, Tim Balme 2012 Shortland Street Nellie Afeaki South Pacific Pictures Limited (Guest) Dir. Various Prd. Steven Zanoski 2010 Bliss - Telefeature - TVNZ Henrietta MF Films Limited (Support) Dir. Fiona Samuel Prd. Michele Fantl 2006 Rude Awakenings Series 1 Dara M F Films (Regular Recurring) 2005 Interrogation Series 1 Megan South Pacific Pictures Dir. Murray Keane 2005 Korero Mai Series 4 - 5 Trish Dir. Rawiri Paratene (Regular Recurring) 2001 Mataora Jen Aroha Films Dir. Sally-Anne Kerr 2001 Atlantis High Cop Cloud 9 Productions PO Box 78340, Grey Lynn, www.johnsonlaird.com Tel +64 9 376 0882 Auckland 1245, NewZealand. www.johnsonlaird.co.nz Fax +64 9 378 0881 Hera Dunleavy. Page 3 Television continued... 1997 Nga Wahine Carol Kahukura Productions 1997 Duggan Sarah Gibson Group Dir. Yvonne McKay 1994 True Life Stories 'The Corrine Curtis Corrine Communicado Productions Story ' 1994 Plainclothes Simone South Pacific Pictures Theatre. 2019 The Audience Margaret Thatcher /Bobo McDonald Auckland Theatre Company (Support ) Dir. Colin McColl 2018 The Cherry Orchard Role Carlotta Auckland Theatre Company (Lead) Dir. Colin McColl 2018 Filthy Business Eileen Auckland Theatre Company (Lead) Dir. Colin McColl 2017 Neil Gwyn Nancy/Queen Catherine Auckland Theatre Company (Core) Dir. Colin McColl 2016 To Kill A Mockingbird Miss Maudie Auckland Theatre Company Dir. Colin McColl 2016 The Curious Incident of the Dog in Judy Boone Auckland Theatre Company the Night Time Dir. Sara Brodie 2015 Rupert Various Auckland Theatre Company Dir. Colin McColl 2014 Paniora! Terry Hotai NZ Festival of the Arts Dir. Colin McColl 2014 Other Desert Cities Brooke Wyeth Auckland Theatre Company Dir. Colin McColl 2013 Midnight In Moscow Sophie Auckland Theatre Company Dir. Colin McColl PO Box 78340, Grey Lynn, www.johnsonlaird.com Tel +64 9 376 0882 Auckland 1245, NewZealand. www.johnsonlaird.co.nz Fax +64 9 378 0881 Hera Dunleavy. Page 4 Theatre continued... 2013 Anne Boelyn Various Auckland Theatre Company Dir. Colin McColl 2013 Lord of the Flies Assistant Director Auckland Theatre Company 2012 Purerehua Rosie Dir. Renee Maihi 2012 Tusk Tusk Auckland Theatre Company - The Next Big Thing Festival Dir. Hera Dunleavy 2012 Noughty Girls The Basement Theatre Dir. Hera Dunleavy 2011 The Laramie Project Pacific Institute for Performing Arts Graduation Production Dir. Hera Dunleavy 2011 Joseph and Mahina Wellington /Auckland Fringe Festival Dir. Hera Dunleavy 2011 Mary Stuart Hanna Kennedy ATC Dir. Colin McColl 2011 Outsourced Short & Sweet Festival Dir. Hera Dunleavy 2011 Calendar Girls Ruth ATC Dir. Colin McColl 2011 In The Next Room or The Vibrator Annie Auckland Theatre Company Play Dir. Colin McColl 2010 Stepping Out Dorothy ATC Dir. Colin McColl 2010 August: Osage County Ivy ATC Dir. Colin McColl 2009 God of Carnage Annette ATC Dir. Colin McColl PO Box 78340, Grey Lynn, www.johnsonlaird.com Tel +64 9 376 0882 Auckland 1245, NewZealand. www.johnsonlaird.co.nz Fax +64 9 378 0881 Hera Dunleavy. Page 5 Theatre continued... 2009 The Pohutukawa Tree Vasrious/Directors Assistant ATC Dir. Colin McColl 2009 Oliver Old Sally/Various ATC Dir. Raymond Hawthorne 2008 Female Of The Species Tess Auckland Theatre Company, NZ Dir. Colin McColl 2008 Who Needs Sleep Anyway Bella King & Various Auckland Theatre Company, NZ Dir. John Callen 2007 The Crucible Elizabeth Proctor Auckland Theatre Company, NZ Dir. Colin McColl 2005 Disgrace Lucy Lurie/Melanie Isaacs Auckland Theatre Company, NZ Dir. Colin McColl 2005 The Land of Make Believe Janice Silo Theatre, Auckland, NZ Dir. Julie Nolan 2004 Caligula Mrs Mucius Auckland Theatre Company, NZ Dir. Colin McColl 2004 Who's Afraid of Virginia Woolf Honey Auckland Theatre Company, NZ Dir. Colin McColl 2004 3 Days of Rain Nan/Lina The Court Theatre, Christchurch, NZ Dir. Cathy Downes 2004 Cloud 9 Ellen/Mrs Saunders/Lin Circa Theatre, Wellington, NZ Dir. Cathy McCrae 2003 Ghosts Regina Court Theatre, Christchurch, NZ Dir. Colin McColl 2003 Top Girls Angie Dulgret Circa Theatre, Wellington, NZ Dir. Colin McColl 2002 Who's Afraid of Virginia Woolf Honey Downstage Theatre, Wellington - Fortune Theatre, Dunedin, NZ Dir. Colin McColl PO Box 78340, Grey Lynn, www.johnsonlaird.com Tel +64 9 376 0882 Auckland 1245, NewZealand. www.johnsonlaird.co.nz Fax +64 9 378 0881 Hera Dunleavy. Page 6 Theatre continued... 2002 Proof Catherine Court Theatre, Christchurch, NZ Dir. Peter Evans 2002 The Cherry Orchard Varia Court Theatre, Christchurch, NZ Dir. Colin McColl 2002 Ranterstantrum Bridge New Zealand Festival of the Arts 2001 Who's Afraid of Virginia Woolf Honey Court Theatre, Christchurch, NZ Dir. Colin McColl 2001 The Blue Room Circa Theatre, Christchurch, NZ Dir. Colin McColl 2000 Rosencrantz & Guildenstern are Dead Ophelia Downstage Theatre, Wellington, NZ Dir. Colin McColl 2000 Double Beat Dawn Donald Downstage Theatre, Wellington, NZ Dir. Miranda Harcourt 2000 Cat on a Hot Tin Roof Mae Flinn Downstage, Wellington, NZ 1999 Son's Alex Herald Theatre, Auckland, NZ Dir. Christian Penny 1999 Honour Sophie Circa Theatre, Wellington - Fortune Theatre, Dunedin, NZ 1998 Trash Centrepoint Theatre, Palmerston North, NZ Dir. Lucy Schmidt 1998 Honour Sophie Auckland Theatre Company, NZ 1996 Uncle Vanya Sonya Auckland Theatre Company, NZ 1996 Irirangi Bay Mary Taki Rua Productions Dir. Murray Lynch 1996 Ricordi! New Zealand International Festival of the Arts - State Opera House PO Box 78340, Grey Lynn, www.johnsonlaird.com Tel +64 9 376 0882 Auckland 1245, NewZealand. www.johnsonlaird.co.nz Fax +64 9 378 0881 Hera Dunleavy. Page 7 Theatre continued... 1995 Nga Tangata Toa Rose Watershed Theatre, NZ 1995 Whaea Kairua/Mother Hundred Eater Puawai Taki Rua Theatre, NZ 1995 The Master Builder Hilde Circa Theatre, Wellington, NZ Training. Bachelor of Performing Arts: 1993 - 1994, Toi Whaakari: New Zealand Drama School Skills. Music - Percussion Visual/Voice Commercial Credits. Please contact J&L for more information. PO Box 78340, Grey Lynn, www.johnsonlaird.com Tel +64 9 376 0882 Auckland 1245, NewZealand. www.johnsonlaird.co.nz Fax +64 9 378 0881.
Recommended publications
  • Bruce Mason, James K. Baxter, Mervyn Thompson, Renée and Robert Lord, Five Playwrights
    Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. METAMORPHOSIS AT 'THE MARGIN': BRUCE MASON, JAMES K. BAXTER, MERVYN THOMPSON, RENtE AND ROBERT LORD, FIVE PLAYWRIGHTS WHO HAVE HELPED TO CHANGE THE FACE OF NEW ZEALAND DRAMA. A thesis presented in fulfilment of the requirements for the degree of Doctor of Philosophy III English at Massey University [Palmerston North], New Zealand Susan Lillian Williams 2006 11 DEDICATION I dedicate this thesis to my grandfather and my mother, neither of whom had the privilege of gaining the education that they both so much deserved. I stand on their shoulders, just as my son, David, will stand on mine. The writing of this thesis, however, would not have been possible without the unstinting assistance of Ainslie Hewton. Finally, to my irreplaceable friend,Zeb, the puppy I wanted and never had as a child. Zeb nurtured me throughout this long project and then, in the last week of completion, was called by the black rabbit. Thank you for everything you taught me Zebedee. You and I will always be playing alongside your beloved riverbank. III ABSTRACT Drama has been the slowest of the arts to develop an authentic New Zealand 'voice.' This thesis focuses on the work of five playwrights: Bruce Mason, James K. Baxter, Mervyn Thompson, Renee and Robert Lord, all of whom have set out to identify such a 'voice' and in so doing have brought about a metamorphosis in the nature of New Zealand drama.
    [Show full text]
  • Chapter 13: Drama and Theatre in and for Schools:
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Research Commons@Waikato http://waikato.researchgateway.ac.nz/ Research Commons at the University of Waikato Copyright Statement: The digital copy of this thesis is protected by the Copyright Act 1994 (New Zealand). The thesis may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use: Any use you make of these documents or images must be for research or private study purposes only, and you may not make them available to any other person. Authors control the copyright of their thesis. You will recognise the author’s right to be identified as the author of the thesis, and due acknowledgement will be made to the author where appropriate. You will obtain the author’s permission before publishing any material from the thesis. Drama and Theatre in and for Schools: Referencing the nature of theatre in contemporary New Zealand A thesis submitted in partial fulfilment of the requirements for the degree of Degree Master of Arts in Theatre Studies) at The University of Waikato by Jane Isobel Luton _________ The University of Waikato 2010 Abstract This thesis considers the nature of drama and theatre in and for schools and references the nature of theatre in contemporary New Zealand. Drama in schools in New Zealand has developed from the earliest school productions in the 1800's, through its perceived role to enrich lives, to becoming a discrete Arts subject within the New Zealand educational curriculum in 1999.
    [Show full text]
  • Jason Whyte. Height 177 Cm
    Actor Biography Jason Whyte. Height 177 cm Awards. 2014 Male Performance of the Year Award for "The Caretaker" 2014 Chapman Tripp Theatre Awards Nominee –Outstanding Performance for"Peninsula" 2011 Chapman Tripp Theatre Awards Nominee –Best Supporting Actor/Outstanding Performance for"August Osage County/When the rain 2009 Hackman Auckland Theatre Awards –Best Accent for"Flintlock Musket/Apollo 13" 2008 Chapman Tripp Theatre Awards Nominee - Best Performance-Apollo 13: Mission Control 2005 Chapman Tripp Theatre Awards Winner-Outstanding Performance-The Tutor 2005 New Zealand Screen Awards Winner-Best Performance by a Supporting Actor-The Insiders Guide to Happiness 2004 Chapman Tripp Theatre Awards Nomination-Production of the Year-Shape of Things 2003 New Zealand Film Awards Nomination-Best Actor-Kombi Nation 2003 New Zealand Film Awards Nomination-Best Screenplay-Kombi Nation 1998 Chapman Tripp Theatre Awards Nomination-Best Supporting Actor-Mojo 1998 Chapman Tripp Theatre Awards Winner-Most Original Theatre-Dirt 1997 Chapman Tripp Theatre Awards Nomination-Best Supporting Actor-Bent Feature Film. 2017 Mortal Engines Food Hawker Hungry City LTD Dir. Peter Jackson 2009 Until Proven Innocent Nicholas Reekie Dir. Peter Burger (Support) 2008 Second Hand Wedding Steve Dir. Paul Murphy (Support) 2008 Home By Christmas Bill Preston Doublehead Films Ltd (Support) Dir. Gaylene Preston Prd. Sue Rogers 2008 Avatar Cryo Mad Tech 880 Productions (Support) Dir. James Cameron PO Box 78340, Grey Lynn, www.johnsonlaird.com Tel +64 9 376 0882 Auckland 1245, NewZealand. www.johnsonlaird.co.nz Fax +64 9 378 0881 Jason Whyte. Page 2 Feature continued... 2005 Eagle vs Shark Michael Sad Animals (Support) Dir. Taika Cohen 2004 King Kong Venture Crew Big Primate Pictures (Support) Dir.
    [Show full text]
  • Broadcasting Our Reo and Culture
    Putanga 08 2008 CELEBRATING MÄORI ACHIEVEMENT Paenga Whäwhä – Haratua Paenga BROADCASTING OUR REO AND CULTURE 28 MÄORI BATTALION WAIKATO MÄORI NETBALL E WHAKANUI ANA I TE MÄORI 10 FROM THE CHIEF EXECUTIVE – LEITH COMER Putanga GOING FORWARD TOGETHER 08 Tënä tätou katoa, Te Puni Kökiri currently has four bills being considered by 2008 Parliament – the Mäori Trustee and Mäori Development Bill, the Stories in Kökiri highlight the exciting and Mäori Purposes Bill (No 2), the Mauao Historic Reserve Vesting Bill inspirational achievement of Mäori throughout and the Waka Umanga (Mäori Corporations) Bill. New Zealand. Kökiri will continue to be a reservoir These bills, along with other Te Puni Kökiri work programmes, Paenga Whäwhä – Haratua Paenga of Mäori achievement across all economic, social highlight Mäori community priorities, including rangatiratanga, and cultural areas. iwi and Mäori identity, and whänau well-being, while The feedback we are getting is very supportive and encompassing government priorities including national identity, positive and it reinforces the continuation of our families – young and old, and economic transformation. Kökiri publication in its current form. We feel sure that the passage of these bills will lead to more Behind the scenes in areas that do not capture much success stories appearing in Kökiri where Mäori have put the public attention is a lot of important and worthwhile legislative changes to good effect in their communities. policy and legislative work that Te Puni Kökiri is intimately involved in. Leith Comer Te Puni Kökiri – Manahautü 2 TE PUNI KÖKIRI | KÖKIRI | PAENGA WHÄWHÄ – HARATUA 2008 NGÄ KAUPAPA 5 16 46 28 Mäori Battalion 5 Waikato 16 Mäori Netball 46 The 28th annual reunion of 28 Mäori In this edition we profi le Aotearoa Mäori Netball celebrated Battalion veterans, whänau and Te Puni Kökiri’s Waikato region – its 21st National Tournament in Te friends was hosted by Te Tairäwhiti’s its people, businesses, successes Taitokerau with a fantastic display of C Company at Gisborne’s Te Poho and achievements.
    [Show full text]
  • YOU CAN ALWAYS HAND THEM BACK Music and Lyrics by Peter Skellern THANKS to OUR SUPPORTERS
    Vol. 2 No. 3 Apr 2016 Roger Hall’s YOU CAN ALWAYS HAND THEM BACK Music and lyrics by Peter Skellern THANKS TO OUR SUPPORTERS FUNDERS PRINCIPAL CORE FUNDER PARTNERS PRESENTING FUNDER PARTNER UNIVERSITY Artistic Director's Note Artistic Director Colin McColl M A J O R SUPPORTERS It's extraordinary to think that You Can Always Hand Them Back is for forty years Roger Hall has been a collaboration between Roger and entertaining us with his comedies. For Peter Skellern – distinguished UK forty years he’s charted New Zealand’s singer/songwriter – and has enjoyed social history and presented it to us tremendous success throughout New MEDIA as an entertaining and assured "good Zealand and in England. PARTNERS night out", with lots of laughs, lots of For this Auckland premiere we’re heart and a few home truths. From the lucky to have gathered a talented team early days of Glide Time and Middle Age of Hall “veterans”. Director Janice Spread through to recent hit comedies Finn and actors Darien Takle and like Who Wants to be 100? and Four Peter Hayden are all superb exponents PARTNERS SUPPORTING Flat Whites In Italy, Roger is without a of Roger’s work. Huge thanks to doubt NZ’s best-loved playwright, so them and to music director Jason Te it’s a great delight to present his latest Mete (who also appears as the third Q Theatre work for you. character in the play), choreographer SKYCITY Theatre You Can Always Hand Them Back Jeremy Birchall, set designer Rachael Herald Theatre PARTNERS puts the “grand” into grandparenting.
    [Show full text]
  • 2Nd Project Funding Round 2002/2003
    Creative New Zealand Funding SECOND PROJECT FUNDING ROUND 2002/2003 This is a complete list of project grants offered in the second funding round for the 2002/2003 year. Grants are listed within artforms under Creative New Zealand funding programmes. In this round, 258 project grants totalling more than $3.3 million were offered to artists and arts organisations. More than $13.7 million was requested from 849 applications. National Dance Archive of New Zealand: Pacific Arts Association: towards the 7th Arts Board: Creative and towards archiving New Zealand dance International Symposium in Christchurch Professional Development $14,230 $11,000 CRAF T/OBJECT ART Guy Ryan: towards attendance at Impulstanz, Lynn Taylor: towards undertaking a printmaking Vienna residency in Korea Steve Fullmer: to research the construction of $3,400 $5,000 paper clay sculpture $12,000 Spinning Sun Ltd: towards research and LITERATURE development of a dance film University of Canterbury: towards a conference Objectspace: towards curatorial research for an $8,310 celebrating creative writing in New Zealand exhibition called “The Secret Life of Things” $10,000 $10,000 Throw - Disposable Choreography: towards research and development into dance MOVING IMAGE Damian Skinner and Moyra Elliot: to improvisation undertake research on New Zealand’s anglo- $7,000 Lissa Mitchell: towards undertaking a film oriental studio pottery history preservation internship in the United States $15,000 Alexa Wilson: towards a choreographic $5,000 development workshop DANCE $12,400 MOVING
    [Show full text]
  • Seeing Ourselves on Stage
    Seeing Ourselves on Stage: Revealing Ideas about Pākehā Cultural Identity through Theatrical Performance Adriann Anne Herron Smith Thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy University of Otago 2010 Acknowledgements Thanks to my Kaitiaki Rangimoana Taylor My Supervisors: Henry Johnson, Jerry Jaffe, Erich Kolig (2004-July 2006), Martin Tolich (July 2007 onwards) Thanks to my children Ruth Kathryne Cook and Madeline Anne Hinehauone Cook for supporting me in this work. Thanks also to Hilary Halba and Alison East for their help, encouragement and invigorating discussion; to friend and poet Roma Potiki who offered the title for this thesis and also engaged in spirited discussion about its contents; to Monika Smith, Adrienne Jansen, Geesina Zimmermann, Annie Hay Mackenzie and to all of my friends who have supported this project; Thanks to Louise Kewene, Trevor Deaker, Martyn Roberts and Morag Anne Baillie for technical support during this project. Thanks to all of the artists who have made this work possible: Christopher Blake, Gary Henderson, Lyne Pringle, Kilda Northcott, Andrew London and to Hilary Norris, Hilary Halba, Alison East and Lisa Warrington who contributed their time, experience and passion for the work of Aotearoa/New Zealand to this endeavour. ii Abstract This is the first detailed study of New Zealand theatrical performance that has investigated the concepts of a Pākehā worldview. It thus contributes to the growing body of critical analysis of the theatre Aotearoa/New Zealand, and to an overall picture of Pākehā New Zealander cultural identity. The researcher‘s experience of being Pākehā has formed the lens through which these performance works are viewed.
    [Show full text]
  • Hera Dunleavy. Height 169 Cm
    Actor Biography Hera Dunleavy. Height 169 cm Awards. 2011 Winner of the Short Film Silver Bear Award-Berlin Film Festival-Manurewa 2004 Winner of 'Best Dramatic Production'for the Radio Play'The Outsiders' 2002 Chapman Tripp Theatre Awards Nomination - Best Supporting Actress - Who 's Afraid of Virginia Woolf 1994 Chapman Tripp Theatre Awards - Winner Most Promising Newcomer - Beautiful Thing Feature Film. 2015 Inland Road Lyndie TIR Ltd (Guest) 2010 Bloodlines Pharmacist Screentime NZ Limited - Tele Feature Film (Support) Dir. Peter Burger 2009 After the Waterfall Maddie Paraffin Productions (Guest) Dir. Somone Horrocks 2007 Waiting for You Dube Film Production NZ Dir. Shyam S. R Upadhyay 2001 For Good Mel New Zealand Film Commission (Support) Dir. Stuart McKenzie 2000 Blessed Theresa Rachel Douglas Productions, NZ (Lead) Dir. Rachel Douglas 1999 A Small Life Social Worker Dir. Michael Heath Short Film. 2016 Parasites Kathryn Dir. Michael Cannon Miller PO Box 78340, Grey Lynn, www.johnsonlaird.com Tel +64 9 376 0882 Auckland 1245, NewZealand. www.johnsonlaird.co.nz Fax +64 9 378 0881 Hera Dunleavy. Page 2 Short continued... 2009 Manurewa Clancy Robbers Dog Films Dir. Sam Peacocke 2009 Amadi Della Frame Up Films 1996 O Tamaiti Various Roles Paewai Productions 1995 Permanent Wave Jane Fiona Bartlett Productions Television. 2012 Shortland Street Nellie Afeaki South Pacific Pictures Limited (Guest) Dir. Various 2010 Bliss - Telefeature/TVNZ Henrietta MF Films Limited (Support) Dir. Fiona Samuel 2006 Rude Awakenings Series 1 Dara M F Films (Regular Recurring) 2005 Interrogation Series 1 Megan South Pacific Pictures Dir. Murray Keane 2005 Korero Mai Series 4 - 5 Trish Dir.
    [Show full text]
  • Matt Chamberlain. Height 182 Cm
    Actor Biography Matt Chamberlain. Height 182 cm Feature Film. 2010 Hook Line and Sinker Frank Torchlight Productions Dir. Andrea Bosshard/Shane Loader 2009 Insatiable Moon Tony De Villiers The Insatiable Moon Ltd (Support) Dir. Rosemary Riddell Prd. Mike Riddell, Pip Piper&Rob Taylor 2008 Under The Mountain Uncle Cliff Redhead Films Ltd (Support) Dir. Jonathan King Prd. Richard Fletcher 2007 Avatar Lieutenant Colonel 880 Productions Dir. James Cameron 2006 Black Sheep Oliver Oldsworth Live Stock Films (Support) Dir. Jonathan King Prd. Philippa Campbell 2004 King Kong Venture Crew Big Primate Pictures (Support) Dir. Peter Jackson 2003 In My Fathers Den Jeff IMFD Productions/UK (Support) Dir. Brad McGann 2000 Stickmen Hugh Stick Films Dir. Hamish Rothwell 1995 Frighteners Wayne WingNut Films Dir. Peter Jackson 1993 The Last Tattoo Helmsman Capella International /Plumb Productions (Support) Dir. John Reid PO Box 78340, Grey Lynn, www.johnsonlaird.com Tel +64 9 376 0882 Auckland 1245, NewZealand. www.johnsonlaird.co.nz Fax +64 9 378 0881 Matt Chamberlain. Page 2 Short Film. 2011 Stumped Farmer This Tall To Ride Productions (Lead) Dir. Jack Nicol 1992 Rush Hour New Zealand Drama School Productions Dir. Ian Mune Television. 2021 One Lane Bridge Season 2 D. I Preston Great Southern Television NZ (Recurring Guest) Dir. Peter Burger 2019 One Lane Bridge D I David Preston Great Southern Television Dir. Various Prd. Carmen Leonard 2018 Murder is Forever Leo Fisher Dir. Chis Dudman Prd. Netflix 2017 The Interns Performer TVNZ Prd. Gareth Williams & Tim Batt 2017 Roman Empire 2 Germanicus Stephen David Entertainment (Guest) Dir. John Ealer Prd.
    [Show full text]
  • THEATRE 2020 Master Builder , 'Solness' Auckland Theatre Company, Dir: Colin Mccoll
    Andrew Grainger Hair Brown - Light Eyes Green Height 6'2'' / 188 cm DOB 1965 Notes: British accent. FEATURE FILM 2018 Meg, 'Morris's Lawyer' Warner Bros, Dir: Jon Turteltaub 2017 The Breakerer Upperers, 'Peter Stallone' Piki Films, Dir: Jackie Van Beek/Madeleine Sami 2015 6 Days, 'Ray Tucker' GFC Ltd, Dir: Toa Fraser 2014 25 April, 'Edmund Bowler' GFC Ltd, Dir: Leanne Pooley 2014 The Dark Horse, 'Clive' Four Knights Film, Dir: James Napier Robertson 2008 The Lovely Bones, 'Foreman' Dreamworks, Dir: Peter Jackson 2007 Kiss Me Deadly, 'Detective' ApolloProMovie & Co/Filmproduktion, Dir: Ron Oliver 2001 In the Beginning, 'Esau' NBC, Dir: Kevin Conner 2001 Mean Machine, 'Ketch' SKA, Dir: Barry Skolnick 2001 Spy Game, 'Andrew Unger' Zaltman Films Ltd, Dir: Tony Scott 2000 Large, 'Norman Gates' Film Four, Dir: Justin Edgar 1998 Parting Shots, 'Best Man' Michael Winner Ltd, Dir: Michael Winner TELEVISION 2019 The Brokenwood Mysteries: season VI, 'Alden' South Pacific Pictures, Dir: Various 2019 The letter for the King, 'Pox Faced Captain' Netflix, Dir: Various 2018 The Bad Seed , 'John Stevens' South Pacific Pictures, Dir: Various 2018 Straight Forward, 'Des Patterson' Screentime Productions, Dir: Charlie Haskell & Ric Pellizzeri 2018 Westside: Series IV, 'Declan' South Pacific Pictures , Dir: Various 2017 The Shannara Chronicles , 'Cogline (recurring)' MTV, Dir: Various 2015 The Making of the Mob 2: Chicago, 'Big Bill Thompson' AMC, Dir: John Ealer 2015 Ash vs Evil Dead, 'Lt. Boyle' Starz Evil Dead NZ Ltd, Dir: Various directors 2014 When We
    [Show full text]
  • Rob Mokaraka. Height 180 Cm
    Actor Biography Rob Mokaraka. Height 180 cm Awards. 2015 Performance of the Year - All Our Sons 2015 Winner of Best Actor Award - Inc 'd 2014 Winner-Best Actor in the Short Film INC 'D, Wairoa Maori Film Festival 2014 Winner-Best Short Film INC 'D, Wairoa Maori Film Festival 2007 Chapman Tripp Theatre Awards - Winner - Best New Playwright - Strange Resting Places 2001 Chapman Tripp Theatre Awards -Winner - Most Promising Newcomer - Have Car Will Travel Feature Film. 2007 Bride Flight Young Mozzie New Holland Pictures Dir. Ben Sombogaart 2002 Aidiko Insane Jobs NZ Film Commission (Pimp) Dir. Adam Larkin 1999 A Night In Voo Doo Dir. Mike Wallace 1999 Speechless, Nurse Dir. Graham Tuckett Short Film. 2011 The Lawn Mower Men Of Kapu Blue Batch Dir. Libby Hakaraia Prd. Tainui Stephens 2011 UpHill Tim Dir. Jackie Van Beek 2004 Tama Tu Waika Aio Films /Defender Films (Lead) Dir. Taika Cohen Prd. Cliff Curtis&Ainsley Gardiner PO Box 78340, Grey Lynn, www.johnsonlaird.com Tel +64 9 376 0882 Auckland 1245, NewZealand. www.johnsonlaird.co.nz Fax +64 9 378 0881 Rob Mokaraka. Page 2 Short continued... 2002 The Freezer Rob MF Films Dir. Paolo Rotondo Television. 2018 It Takes a Village Ropata Awa Films Dir. Tammy Davis Prd. Julian Arahanga 2018 The Dead Lands Hako Randolph TDL Limited Dir. Peter Meteherangi Taiko Burger, Michael Hurst Prd. Matthew Metcalfe, Fraser Brown 2014 When We Go to War Maori Captain Jump Film and TV Limited Dir. Peter Burger Prd. Robin Scholes and Janine Dickins 2011 Nga Reo Hou-Strange Resting Places Various Eyeworks New Zealand Ltd /Black Inc Media Ltd Dir.
    [Show full text]
  • The Bicultural Landscape & Māori Theatre
    The bicultural landscape & Māori theatre Note: Teachers can decide for themselves when to provide this contextual material to their class in relation to the work on the plays – before (to set the context), during (as issues arise), or after (as a discovery from the plays) – depending on individual class dynamics and teacher planning preferences. The interest in working with Purapurawhetū and The Pohutukawa Tree together is that they stand fifty years apart in the history of New Zealand theatre, and show fifty years of difference in the way they evoke New Zealand identity. We can take them as marker posts in defining our bicultural landscape. A working definition of ‘bicultural’ We live in a country that draws on both Māori and ‘Western’ cultures for its mainstream heritages. We call that two-fold cultural heritage ‘biculturalism’. Although many diverse immigrant groups fit into the mix of New Zealand society, the value systems and history that define our national identity are Māori and ‘Western’. The term ‘Western’ does not, of course, refer only the geographical west of Europe (which is the origin of the term) – it has become a way of naming the English-speaking global culture. In New Zealand we call it Pākehā. The relationship between the two cultures, as we know, is not stable. It is always changing, just as the cultures themselves are changing. The term ‘bicultural’ describes this interaction, not a place of arrival. This section of the project offers a brief history of the way theatre has approached bicultural interaction in New Zealand, and invites the making of new performances that describe that interaction – both as it has been in the past and as it may be in the future.
    [Show full text]