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Caddo Archeology Journal, Volume 19. 2009
CCaddoaddo AArcheologyrcheology JJournalournal Volume 19 2009 CADDO ARCHEOLOGY JOURNAL Department of Sociology P.O. Box 13047, SFA Station Stephen F. Austin State University Nacogdoches, Texas 75962-3047 EDITORIAL BOARD TIMOTHY K. PERTTULA 10101 Woodhaven Dr. Austin, Texas 78753 e-mail: [email protected] GEORGE AVERY P.O. Box 13047, SFA Station Stephen F. Austin State University Nacogdoches, Texas 75962-3047 e-mail: [email protected] LIAISON WITH THE CADDO NATION OF OKLAHOMA ROBERT CAST Tribal Historic Preservation Offi cer Caddo Nation of Oklahoma P.O. Box 487 Binger, OK 73009 e-mail: [email protected] ISSN 1522-0427 Printed in the United States of America at Morgan Printing in Austin, Texas 2009 Table of Contents The Caddo and the Caddo Conference 1 Pete Gregory An Account of the Birth and Growth of Caddo Archeology, as Seen by Review of 50 Caddo Conferences, 1946-2008 3 Hester A. Davis and E. Mott Davis CADDO ARCHEOLOGY JOURNAL ◆ iii The Caddo and the Caddo Conference* Pete Gregory There was one lone Caddo at the early Caddo Conference held at the University of Oklahoma campus—Mrs. Vynola Beaver Newkumet—then there was a long gap. In 1973, the Chairman of the Caddo Nation, Melford Wil- liams, was the banquet speaker for the Conference, which was held in Natchitoches, Louisiana. A panel, consisting of Thompson Williams, Vynola Newkumet, Phil Newkumet, and Pete Gregory, was also part of that conference. Subsequent to 1973, Caddo representatives have not only been invited, but have attended the majority of the conferences. Caddo Nation chairpeople who have attended include Melford Williams, Mary Pat Francis, Hank Shemayme, Hubert Halfmoon, Elmo Clark, Vernon Hunter, and La Rue Martin Parker. -
The Caddo After Europeans
Volume 2016 Article 91 2016 Reaping the Whirlwind: The Caddo after Europeans Timothy K. Perttula Heritage Research Center, Stephen F. Austin State University, [email protected] Robert Cast Follow this and additional works at: https://scholarworks.sfasu.edu/ita Part of the American Material Culture Commons, Archaeological Anthropology Commons, Environmental Studies Commons, Other American Studies Commons, Other Arts and Humanities Commons, Other History of Art, Architecture, and Archaeology Commons, and the United States History Commons Tell us how this article helped you. Cite this Record Perttula, Timothy K. and Cast, Robert (2016) "Reaping the Whirlwind: The Caddo after Europeans," Index of Texas Archaeology: Open Access Gray Literature from the Lone Star State: Vol. 2016, Article 91. https://doi.org/10.21112/.ita.2016.1.91 ISSN: 2475-9333 Available at: https://scholarworks.sfasu.edu/ita/vol2016/iss1/91 This Article is brought to you for free and open access by the Center for Regional Heritage Research at SFA ScholarWorks. It has been accepted for inclusion in Index of Texas Archaeology: Open Access Gray Literature from the Lone Star State by an authorized editor of SFA ScholarWorks. For more information, please contact [email protected]. Reaping the Whirlwind: The Caddo after Europeans Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 License. This article is available in Index of Texas Archaeology: Open Access Gray Literature from the Lone Star State: https://scholarworks.sfasu.edu/ita/vol2016/iss1/91 -
Tonkawa Tribe of Oklahoma Ca
Tickanwa•tic Informational Guide to the History and Culture of the Tonkawa Tribe. Tonkawas photographed by Rhinehart in 1898. Standing L-R: Winnie Richards, John Rush Buffalo, William Stevens, John Allen, and Mary Richards. Seated L-R: John Williams, Grant Richards, and Sherman Miles. Ft. Oakland - Oklahoma Tonkawa Tribe of Oklahoma ca. 1980 ca. 1999 ca. 1885 - 1901 ca. 2003 On the cover: Tickanwa•tic Tribal name in Tonkawa Language means:“Real People” Pronounced: “Titch-kun-wha-titch” 1 Tonkawa Tribal History The Tonkawa belong to the Tonkawan linguistic family, that was once composed of a number of small sub tribes that lived in a region that extended west from south central Texas and western Oklahoma to eastern New Mexico. The Tonkawa had a distinct language, and their name, as that of the leading tribe, was applied to their linguistic family. They were one of the most warlike tribes during nearly two centu- ries of conflict with their enemy tribes on the Western plains and with the Spanish and, later, American settlers in the Southwest. Their men were famous warriors, and their chiefs bore many scars of battle. The Tonkawa women were also strong physically and vindictive in disposition. The people of this tribe were no- madic in their habits in the early his- toric period, moving their tipi villages according to the wishes of the chiefs Winnie and Chief Grant Richards ca. 1898 of the different bands. They planted a few crops, but were well known as great hunters of buffalo and deer, using bows and arrows and spears for weapons, as well as some firearms secured from early Spanish traders. -
Vanguard Label Discography Was Compiled Using Our Record Collections, Schwann Catalogs from 1953 to 1982, a Phono-Log from 1963, and Various Other Sources
Discography Of The Vanguard Label Vanguard Records was established in New York City in 1947. It was owned by Maynard and Seymour Solomon. The label released classical, folk, international, jazz, pop, spoken word, rhythm and blues and blues. Vanguard had a subsidiary called Bach Guild that released classical music. The Solomon brothers started the company with a loan of $10,000 from their family and rented a small office on 80 East 11th Street. The label was started just as the 33 1/3 RPM LP was just gaining popularity and Vanguard concentrated on LP’s. Vanguard commissioned recordings of five Bach Cantatas and those were the first releases on the label. As the long play market expanded Vanguard moved into other fields of music besides classical. The famed producer John Hammond (Discoverer of Robert Johnson, Bruce Springsteen Billie Holiday, Bob Dylan and Aretha Franklin) came in to supervise a jazz series called Jazz Showcase. The Solomon brothers’ politics was left leaning and many of the artists on Vanguard were black-listed by the House Un-American Activities Committive. Vanguard ignored the black-list of performers and had success with Cisco Houston, Paul Robeson and the Weavers. The Weavers were so successful that Vanguard moved more and more into the popular field. Folk music became the main focus of the label and the home of Joan Baez, Ian and Sylvia, Rooftop Singers, Ramblin’ Jack Elliott, Doc Watson, Country Joe and the Fish and many others. During the 1950’s and early 1960’s, a folk festival was held each year in Newport Rhode Island and Vanguard recorded and issued albums from the those events. -
American Indian Music: Even More Than Drums and Flutes a Guide to American Indian Music
American Indian Music: Even More Than Drums and Flutes A Guide to American Indian Music Prepared for the Montana Office of Public Instruction By Scott S. Prinzing, M.Ed. MusEco Media and Education Project www.MusEco.org www.EvenMore.tv Published Winter 2009 Revised January 2015 Introduction 3 Traditional American Indian Music 4 Issues to Consider for Music Educators 4 Development of American Indian Music 5 Traditional Music 5‐6 Developments by Genre 7‐12 Contemporary American Indian Music Web Resource List 13‐14 Contemporary Popular Musicians with Indian Ancestry 15 American Indian Musicians in Montana 16‐19 Montana Indian Music Hall of Fame 20 Native American Music Awards 21 American Indian Music and General Web Resources 22 Select Bibliography 23 Acknowledgments 22 About the Author 22 Appendix 25 Lesson Plan 1 25‐27 Lesson Plan 2 28‐30 Introduction The goal of American Indian Music: Even More Than Drums and Flutes is to assist Montana teachers in incorporating an appreciation for Indian music into school music and social studies curricula to meet Indian Education for All criteria. There is often confusion regarding terminology related to the study of the history and culture of the indigenous people of the North American continent. For the purposes of this handbook, the term “Native American” refers to the original human inhabitants (and their descendants) of this continent at the time of first recorded European contact (1492), including the contiguous United States, Alaska, Hawaii, Canada, Central America, and the Caribbean Islands. The term “American Indian” (or “Indian”) will refer primarily to the original inhabitants of the contiguous United States. -
Native American Music
NATIVE AMERICAN MUSIC Anasazi ‘palace’ near Mesa Verde, CO built c. 11th century Cherokee women photographed by Edward Curtis c. 1927 Hopewell Exchange System spreads cultural practices and material goods via eastern waterways c. 200- 500 BC American Indian Boarding Schools ★ 1879: Civil War vet Henry Pratt founds “Carlisle Industrial Indian School” in PA to assimilate native cultures. ★ Becomes basis for Indian Boarding Schools across country in 20th century. ★ “[We must] kill the Indian... to save the man” The Legacy of Indian Boarding Schools ★ Cultural genocide ★ Sexual Abuse ★ Depression ★ Rampant substance abuse ★ Poverty Ghost Dance ★ Wovoka, late 19th century prophet of Paiute people, leads new religious movement throughout plains ★ Dancing/singing Ghost Dance would prepare followers for afterlife. ★ Spreads amongst numerous tribes in plains region ★ Souix ascribe militaristic visions to Ghost Dance ★ Ghost Dance movement dwindles after Wounded ★ Popularity of dance across plains brings federally Knee, but begins new precedent for inter-tribal enforced ban culture. ★ Tensions escalate, culminate in Wounded Knee Massacre of 1890 Inter-Tribal Culture / Pan-Indianism ★ Pow-Wow main secular inter-tribal event ★ ‘Pow-Wow’ historically an Algonquin designation but now pan-Indian in application. ★ Disputes regarding when/where first held, but likely in Oklahoma region Pow-Wow Music and Dance ★ Pow-Wow dance/song often descend from Great Plains regions ★ Drumming by Men ★ Gender of singing and dancing varies according to specific song/dance ★ Music, dance, gender, and regalia often specifically grouped together ★ Dancing often surrounds drummers/singers Gourd Dance ★ Simple dance characterized by slight flexing of the knees and bouncing on heels ★ More inclusive dance ★ ‘Gourd’ refers to rattles - Oklahoma City Pow-Wow, 2011 - Grass Dance ★ Warrior dance of Northern Plains. -
DISCUSSION GUIDE Table of Contents Using This Guide 3
DISCUSSION GUIDE Table of Contents Using This Guide 3 Indie Lens Pop-Up We Are All Neighbors Theme 4 About the Film 5 From the Filmmakers 6 Artist Profiles 8 Background Information 13 What is Indigenous Music? 13 Exclusion and Expulsion 14 Music and Cultural Resilience 15 The Ghost Dance and Wounded Knee 16 Native and African American Alliances 17 Discussion 18 Conversation Starter 18 Post-Screening Discussion Questions 19 Engagement Ideas 20 Potential Partners and Speakers 20 Activities Beyond a Panel 21 Additional Resources 22 Credits 23 DISCUSSION GUIDE RUMBLE: THE INDIANS WHO ROCKED THE WORLD 2 USING THIS GUIDE This discussion guide is a resource to support organizations hosting Indie Lens Pop-Up events for the film RUMBLE: The Indians Who Rocked the World. Developed primarily for facilitators, this guide offers background information and engagement strategies designed to raise awareness and foster dialogue about the integral part Native Americans have played in the evolution of popular music. Viewers of the film can use this guide to think more deeply about the discussion started in RUMBLE and find ways to participate in the national conversation. RUMBLE: The Indians Who Rocked the World is an invitation to come together with neighbors and pay tribute to Native influences on America’s most celebrated music. The film makes its PBS broadcast premiere on the Independent Lens series on January 21, 2019. Indie Lens Pop-Up is a neighborhood series that brings people together for film screenings and community-driven conversations. Featuring documentaries seen on PBS’s Independent Lens, Indie Lens Pop-Up draws local residents, leaders, and organizations together to discuss what matters most, from newsworthy topics to family and relationships. -
UNIVERSAL MUSIC • Royal Wood – Ghost Light • Rufus Wainwright
Royal Wood – Ghost Light Rufus Wainwright – Take All My Loves: 9 Shakespeare Sonnets André Rieu – Magic Of The Waltz Check out new releases in our Vinyl Section! New Releases From Classics And Jazz Inside!!! And more… UNI16-15 UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 *Artwork shown may not be final UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: Various Artists / Now! 26 Bar Code: Cat. #: 0254782454 Price Code: G Order Due: March 3, 2016 Release Date: April 1, 2016 6 02547 82454 7 File: Pop Genre Code: 33 Box Lot: 25 Key Tracks: SUPER SHORT SELL Key Points: National Major TV, Radio Online Advertising Campaign Now! Brand is consistently one of the strongest and best‐selling compilations every year The NOW! brand has generated sales of over 200 million albums worldwide Sold over 4 million copies in Canada since its debut. Includes: Justin Bieber – Sorry Selena Gomez ‐ Same Old Love Coleman Hell ‐ 2 Heads Shawn Mendes ‐ Stitches Ellie Goulding ‐ On My Mind Alessia Cara ‐ Here DNCE ‐ Cake By The Ocean Demi Lovato ‐ Confident Nathaniel Rateliff & The Night Sweats ‐ S.O.B Hedley ‐ Hello James Bay ‐ Let It Go Mike Posner ‐ I Took A Pill In Ibiza And more….. Also Available: Artist/Title: Various / Now! 25 Cat#: 0254750866 Price Code: JSP UPC#: 02547 50866 6 9 INTERNAL USE Label Name: Universal Music Canada Territory: Domestic Release Type: O For additional artist information please contact Nick at 416‐718‐4045 or [email protected] UNIVERSAL MUSIC 2450 Victoria Park Avenue, Suite 1, Toronto, ON M2J 5H3 Phone: (416) 718‐4000 Fax: (416) 718‐4218 UNIVERS AL M USI C CA NAD A N EW RELEASE Artist/Title: THE STRUMBELLAS / HOPE (CD) Cat. -
Resource Guide for Educators and Students Grades 4–12
Resource Guide for Educators and Students Grades 4–12 What is traditional music? It’s music that's passed on from one person to another, music that arises from one or more cultures, from their history and geography. It's music that can tell a story or evoke emotions ranging from celebratory joy to quiet reflection. Traditional music is usually played live in community settings such as dances, people's houses and small halls. In each 30-minute episode of Carry On™, musical explorer and TikTok sensation Hal Walker interviews a musician who plays traditional music. Episodes air live, allowing students to pose questions. Programs are then archived so you can listen to them any time from your classroom or home. Visit Carry On's YouTube channel for live shows and archived episodes. Episode 2, Jake Kouwe Jake Kouwe is an accordion player in the Cleveland, Ohio area. He leads the Chardon Polka Band, a group he founded in 2003 with the help of four high school friends. Jake got his start at age 14 when he saw Weird Al Yankovic on TV playing the "Accordion Boogie," an old rock 'n roll song from the 1950s. Jake's parents got him a thrift-store accordion and he fell in love with the instrument and with polka music. Polka music and dance originated in a central European region known as Bohemia, located in modern-day Czechoslovakia. The story of polka—fact or legend, depending on who you ask!—is that around 1830 a young peasant girl invented new dance steps to a lively tune. -
KLASSICS LIST Criteria
KLASSICS LIST criteria: 8 or more points (two per fan list, two for U-Man A-Z list, two to five for Top 95, depending on quartile); 1984 or prior release date Sources: ten fan lists (online and otherwise; see last page for details) + 2011-12 U-Man A-Z list + 2014 Top 95 KSHE Klassics (as voted on by listeners) sorted by points, Fan Lists count, Top 95 ranking, artist name, track name SLCRPS UMan Fan Top ID # ID # Track Artist Album Year Points Category A-Z Lists 95 35 songs appeared on all lists, these have green count info >> X 10 n 1 12404 Blue Mist Mama's Pride Mama's Pride 1975 27 PERFECT KLASSIC X 10 1 2 12299 Dead And Gone Gypsy Gypsy 1970 27 PERFECT KLASSIC X 10 2 3 11672 Two Hangmen Mason Proffit Wanted 1969 27 PERFECT KLASSIC X 10 5 4 11578 Movin' On Missouri Missouri 1977 27 PERFECT KLASSIC X 10 6 5 11717 Remember the Future Nektar Remember the Future 1973 27 PERFECT KLASSIC X 10 7 6 10024 Lake Shore Drive Aliotta Haynes Jeremiah Lake Shore Drive 1971 27 PERFECT KLASSIC X 10 9 7 11654 Last Illusion J.F. Murphy & Salt The Last Illusion 1973 27 PERFECT KLASSIC X 10 12 8 13195 The Martian Boogie Brownsville Station Brownsville Station 1977 27 PERFECT KLASSIC X 10 13 9 13202 Fly At Night Chilliwack Dreams, Dreams, Dreams 1977 27 PERFECT KLASSIC X 10 14 10 11696 Mama Let Him Play Doucette Mama Let Him Play 1978 27 PERFECT KLASSIC X 10 15 11 11547 Tower Angel Angel 1975 27 PERFECT KLASSIC X 10 19 12 11730 From A Dry Camel Dust Dust 1971 27 PERFECT KLASSIC X 10 20 13 12131 Rosewood Bitters Michael Stanley Michael Stanley 1972 27 PERFECT -
Newsletter 3
Megwa Ezhiweback (What’s happening now) Currents Makwa Giizis - Bear Moon February Vol.14 Issue 2 Primary Election Results In the Primary Election the following citizens will advance to the General Election. Candidates moving on to the General Election April 24th are highlighted. Votes received by candidates are shown in front of the name in bold type: Office of the Ogema Office of Tribal Chief Judge Council-9 County 22 Dave Corey 115 Austen J. Brauker 28 Gary Paul DiPiazza (sees-bak-tunse) 49 Al Metzger Oskaabaawis 233 Daniel T. Bailey 31 Jimmy Mitchell 36 Alvin Patricio 105 Jonnie J. Sam II 240 Larry “Little Thunder” Romanelli 15 Amy Gillies 38 Joshua C. Stone 95 Michael J. Ceplina 52 83 Shannon Paul Crampton Brian Loney 106 Sharron Cogswell Detz 111 Steve Parsons 67 Candace M. Chapman 16 Corey A. Wells General Election Candidate 35 Delano D. Peters articles will appear in the March edition of the Currents. Ogema 68 Jamie Friedel candidate articles (400 words) and Office of Tribal 29 Jeff Battice others (200 words) must be in to Council -At Large 84 Jessica Lynn Burger Public Affairs by 5 p.m. on March 47 5th to appear in the paper. 74 Edward Tyler Jim Medacco 29 194 Joseph Riley II John Pabami Withdrawn Marcella M. Leusby 13 Justin L. Kelsey 33 Michael J. Charlow 45 Lorretta Beccaria- Lindeman 103 Norbert Kelsey 40 Pam Medahko 80 Peggy J. Vriesman 61 Pat Ruiter 110 Sally Bell 83 Rita Annette Gale 84 Ronald Wittenberg 72 Sandra “Peanut “ Lewis 77 Sandy Mezeske 56 Steven E. -
Songs by Title
Songs by Title Title Artist Title Artist - Human Metallica (I Hate) Everything About You Three Days Grace "Adagio" From The New World Symphony Antonín Dvorák (I Just) Died In Your Arms Cutting Crew "Ah Hello...You Make Trouble For Me?" Broadway (I Know) I'm Losing You The Temptations "All Right, Let's Start Those Trucks"/Honey Bun Broadway (I Love You) For Sentimental Reasons Nat King Cole (Reprise) (I Still Long To Hold You ) Now And Then Reba McEntire "C" Is For Cookie Kids - Sesame Street (I Wanna Give You) Devotion Nomad Feat. MC "H.I.S." Slacks (Radio Spot) Jay And The Mikee Freedom Americans Nomad Featuring MC "Heart Wounds" No. 1 From "Elegiac Melodies", Op. 34 Grieg Mikee Freedom "Hello, Is That A New American Song?" Broadway (I Want To Take You) Higher Sly Stone "Heroes" David Bowie (If You Want It) Do It Yourself (12'') Gloria Gaynor "Heroes" (Single Version) David Bowie (If You're Not In It For Love) I'm Outta Here! Shania Twain "It Is My Great Pleasure To Bring You Our Skipper" Broadway (I'll Be Glad When You're Dead) You Rascal, You Louis Armstrong "One Waits So Long For What Is Good" Broadway (I'll Be With You) In Apple Blossom Time Z:\MUSIC\Andrews "Say, Is That A Boar's Tooth Bracelet On Your Wrist?" Broadway Sisters With The Glenn Miller Orchestra "So Tell Us Nellie, What Did Old Ironbelly Want?" Broadway "So When You Joined The Navy" Broadway (I'll Give You) Money Peter Frampton "Spring" From The Four Seasons Vivaldi (I'm Always Touched By Your) Presence Dear Blondie "Summer" - Finale From The Four Seasons Antonio Vivaldi (I'm Getting) Corns For My Country Z:\MUSIC\Andrews Sisters With The Glenn "Surprise" Symphony No.