SFL Music October 2018
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Midnight Special Songlist
west coast music Midnight Special Please find attached the Midnight Special song list for your review. SPECIAL DANCES for Weddings: Please note that we will need your special dance requests, (I.E. First Dance, Father/Daughter Dance, Mother/Son Dance etc) FOUR WEEKS in advance prior to your event so that we can confirm that the band will be able to perform the song(s) and that we are able to locate sheet music. In some cases where sheet music is not available or an arrangement for the full band is need- ed, this gives us the time needed to properly prepare the music and learn the material. Clients are not obligated to send in a list of general song requests. Many of our clients ask that the band just react to whatever their guests are responding to on the dance floor. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs they want played and avoided. Recently, we’ve noticed in increase in cli- ents customizing what the band plays and doesn’t play with very specific detail. If you de- sire the highest degree of control (allowing the band to only play within the margin of songs requested), we ask for a minimum of 100 requests. We want you to keep in mind that the band is quite good at reading the room and choosing songs that best connect with your guests. The more specific/selective you are, know that there is greater chance of losing certain song medleys, mashups, or newly released material the band has. -
Music Video As Black Art
IN FOCUS: Modes of Black Liquidity: Music Video as Black Art The Unruly Archives of Black Music Videos by ALESSANDRA RAENGO and LAUREN MCLEOD CRAMER, editors idway through Kahlil Joseph’s short fi lm Music Is My Mis- tress (2017), the cellist and singer Kelsey Lu turns to Ishmael Butler, a rapper and member of the hip-hop duo Shabazz Palaces, to ask a question. The dialogue is inaudible, but an intertitle appears on screen: “HER: Who is your favorite fi lm- Mmaker?” “HIM: Miles Davis.” This moment of Black audiovisual appreciation anticipates a conversation between Black popular cul- ture scholars Uri McMillan and Mark Anthony Neal that inspires the subtitle for this In Focus dossier: “Music Video as Black Art.”1 McMillan and Neal interpret the complexity of contemporary Black music video production as a “return” to its status as “art”— and specifi cally as Black art—that self-consciously uses visual and sonic citations from various realms of Black expressive culture in- cluding the visual and performing arts, fashion, design, and, obvi- ously, the rich history of Black music and Black music production. McMillan and Neal implicitly refer to an earlier, more recogniz- able moment in Black music video history, the mid-1990s and early 2000s, when Hype Williams defi ned music video aesthetics as one of the single most important innovators of the form. Although it is rarely addressed in the literature on music videos, the glare of the prolifi c fi lmmaker’s infl uence extends beyond his signature lumi- nous visual style; Williams distinguished the Black music video as a creative laboratory for a new generation of artists such as Arthur Jafa, Kahlil Joseph, Bradford Young, and Jenn Nkiru. -
To Download a PDF of an Interview with Valerie Ann Wilson, Founder
The Power of Access An Interview with Valerie Ann Wilson, Founder, Chairman, and Chief Executive Offi cer; Jennifer Wilson-Buttigieg and Kimberly Wilson Wetty, Co-Presidents & Co-Owners, Valerie Wilson Travel, Inc. overseeing VWFT’s membership in Virtuoso®. Kimberly was selected as a family travel special- ist for the “A-List” by Travel + Leisure consecu- tively since 2009. She is a member of the Young Presidents’ Organization (YPO). A graduate of Bucknell University with a B.A. in sociology, Kimberly began her career as a store manager for Ann Taylor in New York City. She left retail to join the travel industry as Marketing Coordinator for the Americas for CIGA Hotels. COMPANY BRIEF With high regard for personal attention to detail and customer service, Valerie Wilson Travel, Inc. (ValerieWilsonTravel.com) is one of today’s largest private, women-owned, and family-managed travel consulting fi rms in the United States. Headquartered in New York City with a diverse client base, with offi ces nationwide, stretching the Eastern Seaboard, in the Midwest, and on the West Coast. VWT’s team consists of a highly specialized and knowledgeable network of 315 Travel Advisors and Associate Agents. Valerie Wilson Travel handles the travel man- agement needs for companies and organizations in industries as diverse as fashion, publishing, fi nance, new media, pharmaceuticals and not- Jennifer Wilson-Buttigieg, Valerie Ann Wilson, and Kimberly Wilson Wetty for-profi ts. All of the Valerie Wilson Travel loca- at the opening of the New VWT headquarters at 605 Third Avenue in Manhattan tions are proud members of Virtuoso®. -
Trap Pilates POPUP
TRAP PILATES …Everything is Love "The Carters" June 2018 POP UP… Shhh I Do Trap Pilates DeJa- Vu INTR0 Beyonce & JayZ SUMMER Roll Ups….( Pelvic Curl | HipLifts) (Shoulder Bridge | Leg Lifts) The Carters APESHIT On Back..arms above head...lift up lifting right leg up lower slowly then lift left leg..alternating SLOWLY The Carters Into (ROWING) Fingers laced together going Side to Side then arms to ceiling REPEAT BOSS Scissors into Circles The Carters 713 Starting w/ Plank on hands…knee taps then lift booty & then Inhale all the way forward to your tippy toes The Carters exhale booty toward the ceiling….then keep booty up…TWERK shake booty Drunk in Love Lit & Wasted Beyonce & Jayz Crazy in Love Hands behind head...Lift Shoulders extend legs out and back into crunches then to the ceiling into Beyonce & JayZ crunches BLACK EFFECT Double Leg lifts The Carters FRIENDS Plank dips The Carters Top Off U Dance Jay Z, Beyonce, Future, DJ Khalid Upgrade You Squats....($$$MOVES) Beyonce & Jay-Z Legs apart feet plie out back straight squat down and up then pulses then lift and hold then lower lift heel one at a time then into frogy jumps keeping legs wide and touch floor with hands and jump back to top NICE DJ Bow into Legs Plie out Heel Raises The Carters 03'Bonnie & Clyde On all 4 toes (Push Up Prep Position) into Shoulder U Dance Beyonce & JayZ Repeat HEARD ABOUT US On Back then bend knees feet into mat...Hip lifts keeping booty off the mat..into doubles The Cartersl then walk feet ..out out in in.. -
SCORPIONS Lovedrive (Hard Rock)
SCORPIONS Lovedrive (Hard Rock) Année de sortie : 1979 Nombre de pistes : 8 Durée : 37' Support : CD Provenance : Acheté Nous avons décidé de vous faire découvrir (ou re découvrir) les albums qui ont marqué une époque et qui nous paraissent importants pour comprendre l'évolution de notre style préféré. Nous traiterons de l'album en le réintégrant dans son contexte originel (anecdotes, etc.)... Une chronique qui se veut 100% "passionnée" et "nostalgique" et qui nous l'espérons, vous fera réagir par le biais des commentaires ! Bon voyage ! Avec Lovedrive, SCORPIONS entame la plus extraordinaire trilogie discographique jamais enregistrée par un groupe de Rock allemand. Sans doute est-ce dû au succès rencontré par la tournée mondiale d’où fut tiré le splendide live Tokyo Tapes et qui a enfin apporté une crédibilité internationale aux arthropodes.Sans doute également l’intégration du jeune guitariste Matthias JABS (remplaçant l’excentrique Uli John ROTH, parti fonder ELECTRIC SUN, bien que l’on ressente encore parfois son apport musical) a-t-elle eu une influence sur le résultat final. Sans doute, encore, est-ce le fait de changer de label, passant de RCA à EMI. Sans doute, enfin, que la nationalité même du groupe fut un rempart contre le Punk qui a dévasté les plus grands noms de l’époque. Les conseils du producteur Dieter DIERKS expliquent également certainement le succès fulgurant remporté par ce cinquième album studio des SCORPIONS. Tout autant que la pochette (signée par l’avant-gardiste Hipgnosis) qui, une nouvelle fois (après celle fort décriée et aujourd’hui introuvable de Virgin Killer) fait jaser. -
Scorpions "The Crazy World Tour" Till Scandinavium!
Scorpions - The Crazy World Tour! 2017-06-08 10:43 CEST Scorpions "The Crazy World Tour" till Scandinavium! Fredagen den 24 november intar legendariska Scorpions Scandinavium i Göteborg med sin ”The Crazy World Tour”! Detta blir deras första turné i Norden på väldigt många år och ryktet säger att scenshowen är större och bättre än någonsin. Mer än 50 år har gått sedan den tid då de unga Klaus Meine, Rudolf Schenker och Matthias Jabs gick på gatorna i Hannover, som just hade vaknat ur efterkrigstidens förlamning, med en skottkärra fylld med sina instrument och förstärkare. Sedan dess har Scorpions kommit att bli Tysklands, eller snarare en av Europas mest framgångsrika rockband genom tiderna. Otaliga band inklusive Smashing Pumpkins, Green Day, Korn och System of a Down har gjort coverversioner av Scorpions låtar genom åren. "Rock You Like A Hurricane" har tolkats över 150 gånger av olika artister. De grundades i Hannover, Västtyskland 1965. Scorpions blev en del del av den första metal-vågen på 70-talet med sitt debutalbum "Lonesome Crow" från 1972. Bandet nådde sedan arenanivå med de legendariska albumen "Love Drive", "Virgin Killer" och "Animal Magnetism". På 1980-talet släppte Scorpions en rad Billboard-ettor med "Love at First Sting" och "Blackout", inklusive flera Topp-10-singlar med "Rock You Like a Hurricane" och "No One Like You" samt ett antal framgångsrika singlar såsom ”Send Me an Angel”, " Still Loving You" och sist men inte minst "Wind of Change". Det ikoniska rockbandet har sålt över 100 miljoner album världen över och fått en uppsjö priser och utmärkelser. -
CH Rental 5/27/15 10:38 AM Page 1
06-14 DCINY_CH Rental 5/27/15 10:38 AM Page 1 Sunday Afternoon, June 14, 2015, at 2:00 Isaac Stern Auditorium / Ronald O. Perelman Stage Iris Derke, Co-Founder and General Director Jonathan Griffith, Co-Founder and Artistic Director presents Future Vibrations THE CENTRAL OREGON YOUTH ORCHESTRA AMY GOESER KOLB, Founder and Executive Director JULIA BASTUSCHECK, Director EDDY ROBINSON, Director GEORGE GERSHWIN An American in Paris arr. John Whitney CAMILLE SAINT-SAËNS Bacchanale from Samson and Delilah arr. Merle J. Isaac CHRISTOPHER TIN Iza Ngomso (New York Premiere) PETER ILYICH 1812 Overture , Op. 49 TCHAIKOVSKY arr. Jerry Brubaker OTTORINO RESPIGHI Pines of Rome (Pines of the Appian Way) arr. Stephen Bulla Brief Pause PLEASE SWITCH OFF YOUR CELL PHONES AND OTHER ELECTRONIC DEVICES. 06-14 DCINY_CH Rental 5/27/15 10:38 AM Page 2 VANCOUVER POPS SYMPHONY TOM KUO, Director JOE HISAISHI My Neighbor Totoro JOHN POWELL How to Train Your Dragon MICHAEL GIACCHINO Star Trek: Into Darkness ALAN MENKEN Aladdin Intermission MUSIC FOR TREBLE VOICES FRANCISCO J. NÚÑEZ, Guest Conductor JON HOLDEN, Piano DISTINGUISHED CONCERTS SINGERS INTERNATIONAL WOLFGANG AMADEUS Papageno-Papagena Duet MOZART arr. Doreen Rao FRANCISCO J. NÚÑEZ Misa Pequeña para Niños (A Children’s Mass) I. Señor, Ten Piedad II. Gloria a Dios III. Creo en Dios IV. Santo, Santo, Santo V. Cordero de Dios SLOVAKIAN FOLK SONG Dobrú Noc (Good Night) arr. Victor C. Johnson JIM PAPOULIS Sih’r Khalaq (Creative Magic) arr. Susan Brumfield Love Lies Under the Old Oak Tree FRANCISCO J. NÚÑEZ Pinwheels FRANCISCO J. NÚÑEZ La Sopa de Isabel (Elizabeth’s Soup) We Want To Hear From You! Upload your intermission photos and post-show feedback to Twitter, Instagram, and Facebook! #FutureVibrations @DCINY DCINY thanks its kind sponsors and partners in education: Artist Travel Consultants, VH-1 Save the Music, Education Through Music, High 5, WQXR. -
2020 C'nergy Band Song List
Song List Song Title Artist 1999 Prince 6:A.M. J Balvin 24k Magic Bruno Mars 70's Medley/ I Will Survive Gloria 70's Medley/Bad Girls Donna Summers 70's Medley/Celebration Kool And The Gang 70's Medley/Give It To Me Baby Rick James A A Song For You Michael Bublé A Thousands Years Christina Perri Ft Steve Kazee Adventures Of Lifetime Coldplay Ain't It Fun Paramore Ain't No Mountain High Enough Michael McDonald (Version) Ain't Nobody Chaka Khan Ain't Too Proud To Beg The Temptations All About That Bass Meghan Trainor All Night Long Lionel Richie All Of Me John Legend American Boy Estelle and Kanye Applause Lady Gaga Ascension Maxwell At Last Ella Fitzgerald Attention Charlie Puth B Banana Pancakes Jack Johnson Best Part Daniel Caesar (Feat. H.E.R) Bettet Together Jack Johnson Beyond Leon Bridges Black Or White Michael Jackson Blurred Lines Robin Thicke Boogie Oogie Oogie Taste Of Honey Break Free Ariana Grande Brick House The Commodores Brown Eyed Girl Van Morisson Butterfly Kisses Bob Carisle C Cake By The Ocean DNCE California Gurl Katie Perry Call Me Maybe Carly Rae Jespen Can't Feel My Face The Weekend Can't Help Falling In Love Haley Reinhart Version Can't Hold Us (ft. Ray Dalton) Macklemore & Ryan Lewis Can't Stop The Feeling Justin Timberlake Can't Get Enough of You Love Babe Barry White Coming Home Leon Bridges Con Calma Daddy Yankee Closer (feat. Halsey) The Chainsmokers Chicken Fried Zac Brown Band Cool Kids Echosmith Could You Be Loved Bob Marley Counting Stars One Republic Country Girl Shake It For Me Girl Luke Bryan Crazy in Love Beyoncé Crazy Love Van Morisson D Daddy's Angel T Carter Music Dancing In The Street Martha Reeves And The Vandellas Dancing Queen ABBA Danza Kuduro Don Omar Dark Horse Katy Perry Despasito Luis Fonsi Feat. -
Bruno Mars Ft. Travie Mccoy All I Need
Bruno Mars ft. Travie McCoy All I Need C#min F#min # ## # 4 Ó Œ ‰ ≈ r ‰ ≈ r ≈ Œ ‰ ≈ r & 4 œ œ œ. œ œ œ. œ œ œ œ œ. œ Su gar co ca andho ney Thats ? #### 4 ∑ 4 w C#min ˙ F#min ˙ A 4 # ## # ‰ ≈ r ‰ œ. j ‰ & œ œ. œ œ œ. œ. œ œ œ œ. œ œ j what you taste like tome Nowallœ œ œ I need is yourœ 4 ? # ## # ˙ ˙ w F#wmin C#min C#min 7 # ## # j j j œ. & œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Œ sex to wash it down uh come here girl right nowœ œ 7 # ? ## # w ˙ ˙ w [Verse 1: Travie McCoy] [Verse 2: Travie McCoy] I’m a British boy so I can British things The world is ours Like nibble on your earlobe and let your body sing Put your head back, see the stars You’re my violin and I’m a string I like you just the way you are like Bruno Mars With every breath you take I won’t let it sting I know I can, call me Laz So let me in open the doors I love your thighs, I love your ass What yours is mine, what mine is yours Now give me your flower ‘cause I’ma give advance Where’s your pussy, give me your paws And I’m about to die, without a pass And I don’t mind if it’s you goin’ through my drawers I hope, think you can keep a secret before I ask Keep it clean ‘cause we gettin’ in a mess Oh no oh no you’re runnin’ Baby girl, yeah you’re better in the flash My tongue just like you’re cocoa I heard from your friends that I’m better than your ex Oh no oh no I think you need some cream upon you And if you real then I’m better than your next You think I got chick, what’s her name Banoffee pie, you’re my sweet talk I ain’t lying you’re my man That’s one of the reasons that you’re my sweetheart You’re the only picture inside my frame So when I meet us repeat fast Let’s wash it down with sex, no champagne Why don’t we just take it slow so we love [Hook: Bruno Mars] Sugar, cocoa and honey ............................ -
The Joy of the Physical in the Digital Age
REACH OUT AND TOUCH THE JOY OF THE PHYSICAL IN THE DIGITAL AGE 17/03/2020 12:33 Welcome_3 THE THINGS WE TOUCH MEAN MORE TO US. We become attached to them. We understand them more deeply, rely on them, gravitate towards them. Print is a haptic experience. This publication – with its thought-provoking essays, eye-opening statistics, powerful illustrations and tactile pages – takes you on a journey to discover how the power of touch changes the way we think, feel and behave; and ultimately, infuences how we spend our money. Print is an enduring force in the digital age. We remember text and recall brand advertising more when we encounter them in print. We trust the printed word more than the pixellated one. Print excites the senses in a way that no other medium can replicate. Reach Out And Touch is published as a partnership If print were invented now, you would be amazed at this haptic medium – between Sappi Europe it’s a wonder format you can touch, carry and feel. Reading a magazine, book and John Brown. or newspaper – even a leafet or menu – is an experience that engages more of our senses by virtue of the paper’s physicality. As such, print can be a physical manifestation of a brand and our perception of it – it is trust, quality and value come to life in three dimensions. 8 Baldwin Street, Leading global paper manufacturer Sappi and award-winning content creator London EC1V 9NU. Tel +44 20 7565 3000, John Brown are passionate about paper, storytelling and engaging consumers in [email protected] a way that surprises and delights. -
Simon Mcbride and Hugh Cornwell
Waterloo Street, St. Helens WA10 1PX www.citadel.org.uk Box Office: 01744 735436 Press Release: Tuesday 2nd July 2013 FOR IMMEDIATE RELEASE This week at The Citadel Arts Centre, St Helens Simon McBride and Hugh Cornwell The Citadel Arts Centre will be welcoming Simon McBride on Thursday 4 July and Hugh Cornwell of the Stranglers fame on Saturday 6 July 2013. Predicted to be the next Irish blues guitar hero in the footsteps of Rory Gallagher and Gary Moore, former Young Guitarist of the Year Simon McBride has undeniable guitar artistry combined with a fine voice and a real knack for creating memorable hooks and great melodies. His latest CD Crossing The Line is a fiery amalgam of guitar skills, songcraft and character-soaked vocals, spinning tales of girls, gambling and corporate avarice. Recorded in Northern Ireland and The USA, mixing of the album was placed in the experienced hands of New York-based Peter Denenberg, the veteran producer and engineer whose CV takes in everyone from Deep Purple to the Spin Doctors and Robert Cray. Rewind to the early-’90s, and you didn’t have to squint to spot future greatness in the unassuming kid from Belfast, who picked up his first guitar at ten and eschewed formal lessons to bend his fingers around the music of Free, Jeff Beck and Hendrix. Aged 15, Simon won Guitarist’s hotly-contested Young Guitarist of the Year competition in a Wembley Conference Centre showdown, and at 16, he turned pro, leaving education behind to wow the world as a hired gun in projects than ranged from metal with Sweet Savage, to R&B and soul with ex-Commitments vocalist Andrew Strong.