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Classical Nakedness in British Sculpture and Historical Painting 1798-1840 Cora Hatshepsut Gilroy-Ware Ph.D Univ
MARMOREALITIES: CLASSICAL NAKEDNESS IN BRITISH SCULPTURE AND HISTORICAL PAINTING 1798-1840 CORA HATSHEPSUT GILROY-WARE PH.D UNIVERSITY OF YORK HISTORY OF ART SEPTEMBER 2013 ABSTRACT Exploring the fortunes of naked Graeco-Roman corporealities in British art achieved between 1798 and 1840, this study looks at the ideal body’s evolution from a site of ideological significance to a form designed consciously to evade political meaning. While the ways in which the incorporation of antiquity into the French Revolutionary project forged a new kind of investment in the classical world have been well-documented, the drastic effects of the Revolution in terms of this particular cultural formation have remained largely unexamined in the context of British sculpture and historical painting. By 1820, a reaction against ideal forms and their ubiquitous presence during the Revolutionary and Napoleonic wartime becomes commonplace in British cultural criticism. Taking shape in a series of chronological case-studies each centring on some of the nation’s most conspicuous artists during the period, this thesis navigates the causes and effects of this backlash, beginning with a state-funded marble monument to a fallen naval captain produced in 1798-1803 by the actively radical sculptor Thomas Banks. The next four chapters focus on distinct manifestations of classical nakedness by Benjamin West, Benjamin Robert Haydon, Thomas Stothard together with Richard Westall, and Henry Howard together with John Gibson and Richard James Wyatt, mapping what I identify as -
(517) 323-8560 Agenda Delta Charter Township Planning
Supervisor Kenneth R. Fletcher Trustee Fonda J. Brewer Treasurer Howard A. Pizzo Trustee Andrea M. Cascarilla Clerk Mary R. Clark Trustee Dennis R. Fedewa Manager Brian T. Reed Trustee Karen J. Mojica Planning Department (517) 323-8560 AGENDA DELTA CHARTER TOWNSHIP PLANNING COMMISSION MEETING TUESDAY, MAY 26, 2020, REGULAR MEETING 6:00 P.M. In Compliance with Governor Whitmer’s Executive Order 2020-75, This Meeting is Being Conducted Virtually via the Zoom Remote Meeting Platform How to Connect : Via the Web Meeting URL: https://us02web.zoom.us/j/89704048112?pwd=Sy94NlVmcXZwNzFHUFlaNmcrYnlMZz09 Meeting ID: 897 0404 8112 0854 Password: 370274 Via Phone Call-In Options using the U.S. numbers: +1 312 626 6799 | +1 646 876 9923 | +1408 638 0968 | +1669 900 6833 +1 253 215 8782 | +1 301 715 8592 | +1346 248 7799 International numbers available at https://zoom.us . Meeting ID: 897 0404 8112 Password: 370274 For the hearing impaired, please call 711 to access the FCCs phone relaying service and provide one of the U.S. number call-in information above. If you need assistance connecting, please contact IT Director David Marquette at [email protected] . Public comment will be available to meeting participants. I. CALL TO ORDER II. PLEDGE OF ALLEGIANCE III. ROLL CALL IV. APPROVAL OF AGENDA 7710 West Saginaw Highway • Lansing, Michigan 48917-9712 Phone: (517) 323-8560 • Fax: (517) 323-8599 www.deltami.gov • www.facebook.com/deltatownship • www.twitter.com/deltatownship Planning Commission Agenda Tuesday, May 26, 2020, Regular Meeting Page 2 V. APPROVAL OF MINUTES • Minutes of the March 9, 2020 Planning Commission Meeting. -
The Intermediate World: a Key Concept in Beautiful Thinking
Open Philosophy 2018; 1: 50–58 Dorthe Jørgensen* The Intermediate World: A Key Concept in Beautiful Thinking https://doi.org/10.1515/opphil-2018-0005 Received February 28, 2018; accepted April 25, 2018 Abstract: The term ‘the intermediate world’ is a key concept in Den skønne tænkning (Beautiful Thinking) and the metaphysics of experience presented by this book. The metaphysics of experience is about the experiences of transcendence and beautiful thinking that take place in the intermediate world. In the article “The Intermediate World,” this subject is introduced through a discussion of thoughts and concepts formulated by Paul Klee (Zwischenwelt), Alexander Gottlieb Baumgarten (beautiful thinking), Aristotle (phantasia), Immanuel Kant (expanded thinking), Mark C. Taylor (imagination), and Eugenio Trías (the limit). The text depicts the intermediate world as the level of experience at which the understanding does not yet distinguish between subject and object. The intermediate world is thus not a realm between human and world, nor is it something outside the world we know. The intermediate world is rather the present world in its most original state: the ‘place’ where we find the source of all experience and cognition, a source called ‘basic experience’ characterized by sensation, faith, and comprehension. In this realm, imagination is active and takes the form of an objective force rather than a subjective mental power. Imagination opens mind and world, thus allowing not-yet- actualized possibilities to become perceivable. Keywords: experience, metaphysics, Klee, aesthetics, imagination, Baumgarten, sensitivity, Trías, limit, thinking 1 Introduction The expression ‘beautiful thinking’ derives from §1 in Alexander Gottlieb Baumgarten’s Aesthetica. -
What Swiping a Griz Card at a Fraternity Really Means Page 5
swipe at your own risk What swiping a Griz Card at a fraternity really means Page 5 ARTS UM ceramics department teaches new levels of self-expression Page 12 Volume 122, Issue No. 4, September 18, 2019 KIOSK | ABOUT US OPINION | KAIMIN EDITORIAL EDITORIAL STAFF NEWSROOM STAFF Editor-in-Chief Multimedia Editor News Reporters Arts & Opinion Mutimedia Staff Cartoonist Cassidy Alexander Sara Diggins Mazana Boerboom Reporters Quinn Corcoran Cooper Malin Paul Hamby Canyon Hohenstein Daniel Duensing Business Manager Design Editors Patrick Boise Jaqueline Evans-Shaw JoAnn Martin Jazzlyn Johnson Bergen Frank-Loron Office Assistants Daylin Scott Aidan Morton Meghan Jonas Donal Lakatua Katie Lindner GRIZ GRUMBLES News & Sports Editors Erin Sargent Serena Palmer Jiakai Lou Norbert Weber An ode to Sydney Akridge Connor Simpson Jordynn Paz Liam McCollum It’s the little things, UM Helena Dore Addie Slanger Lily Soper Claire Shinner Advisers Emma Smith Jule Banville Arts & Opinion Editors Sports Reporters Designers Noelle Huser Kaitlin Clifford Hunter Wiggins Leah Sottile Drew Novak Dante Filpula Ankney Jack Marshall Constance Darlington Copy Chief What’s up with UM Parking? Why is it $241 to park The Montana Kaimin is a weekly independent student Luke Schmit Lily Johnson Luke Smith newspaper at the University of Montana. It does not condone Griffen Smith Lindsey Sewell for a year? Sorry we all can’t be bike riding hippies. or encourage any illegal activities. The Kaimin office and the Jason Upton Academic Planner University of Montana are located on land originally inhabited by the Salish People. Kaimin is a derivative of a Salish language word, “Qeymin,”‘ that is pronounced kay-MEEN and means “book,” “message,” or “paper that brings news.” Why does the price for the UM dining keep going For comments, corrections or letters to the editor, contact up each semester? Last we checked, the Food Zoo [email protected] or call (406) 243-4310. -
A Teacher's Introduction to Composition in the Rhetorical Tradition
DOCUMENT RESUME ED 373 330 CS 214 452 AUTHOR Winterowd, W. Ross; Blum, Jack TITLE A Teacher's Introduction to Composition in the Rhetorical Tradition. NCTE Teacher's Introduction Series. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-5024-1; ISSN-1059-0331 PUB DATE 94 NOTE _42p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 50241-3050: $8.95 members, $11.95 nonmembers). PUB TYPE Books (010) Historical Materials (060) Guides Non- Classroom Use (055) EDRS PRICE MF01/PC06 Plus Postage. DESCRIPTORS Educational History; English Curriculum; English Instruction; Higher Education; *Intellectual History; *Rhetorical Theory; *Writing (Composition); *Writing Instruction IDENTIFIERS *Classical Rhetoric; *Composition Theory; Historical Background; Poststructuralism ABSTRACT Based on the idea that an individual cannot understand literature, philosophy, or rhetoric without knowing the field's historical content, this book traces the evolution of the growing and ever-changing field of composition/rhetoric through numerous schools of thought, including Platonism, Aristoteleanism, New Criticism, and the current poststructuralism. After a discussion of the main themes of classical rhetoric, the book offers a historical analysis of the rhetoric of 18th and 19th centuries, focusing briefly on the works of George Campbell, Hugh Blair, Samuel Taylor Coleridge, and Ralph Waldo Emerson. The book divides the current field of composition/rhetoric into five categories: current-traditio:. 1 rhetoric, romantic rhetoric, neo-classical rhetoric, new rhetoric, and new stylistics. An entire chapter in the book is devoted to the work of I. A. Richards and Kenneth Burke. The final chapter of the book offers an analysis of poststructuralism influence on composition--discussing New Criticism, deconstruction, feminist criticism, and postmodernism. -
Paths from the Philosophy of Art to Everyday Aesthetics
Paths from the Philosophy of Art to Everyday Aesthetics Edited by Oiva Kuisma, Sanna Lehtinen and Harri Mäcklin Paths from the Philosophy of Art to Everyday Aesthetics © 2019 Authors Cover and graphic design Kimmo Nurminen ISBN 978-952-94-1878-7 PATHS FROM THE PHILOSOPHY OF ART TO EVERYDAY AESTHETICS Eds. Oiva Kuisma, Sanna Lehtinen and Harri Mäcklin Published in Helsinki, Finland by the Finnish Society for Aesthetics, 2019 6 Contents 9 Oiva Kuisma, Sanna Lehtinen and Harri Mäcklin Introduction: From Baumgarten to Contemporary Aesthetics 19 Morten Kyndrup Were We Ever Modern? Art, Aesthetics, and the Everyday: Distinctions and Interdependences 41 Lars-Olof Åhlberg Everyday and Otherworldly Objects: Dantoesque Transfiguration 63 Markus Lammenranta How Art Teaches: A Lesson from Goodman 78 María José Alcaraz León Aesthetic Intimacy 101 Knut Ove Eliassen Quality Issues 112 Martta Heikkilä Work and Play – The Built Environments in Terry Gilliam’s Brazil 132 Kalle Puolakka Does Valery Gergiev Have an Everyday? 148 Francisca Pérez-Carreño The Aesthetic Value of the Unnoticed 167 Mateusz Salwa Everyday Green Aesthetics 180 Ossi Naukkarinen Feeling (With) Machines 201 Richard Shusterman Pleasure, Pain, and the Somaesthetics of Illness: A Question for Everyday Aesthetics 215 Epiloque: Jos de Mul These Boots Are Made for Talkin’. Some Reflections on Finnish Mobile Immobility 224 Index of Names 229 List of Contributors 7 OIVA KUISMA, SANNA LEHTINEN & HARRI MÄCKLIN INTRODUCTION: FROM BAUMGARTEN TO CONTEMPORARY AESTHETICS ontemporary philosopher-aestheticians -
It's Not a Fashion Statement
Gielis /1 MASTER THESIS NORTH AMERICAN STUDIES IT’S NOT A FASHION STATEMENT. AN EXPLORATION OF MASCULINITY AND FEMININITY IN CONTEMPORARY EMO MUSIC. Name of student: Claudia Gielis MA Thesis Advisor: Dr. M. Roza MA Thesis 2nd reader: Prof. Dr. F. Mehring Gielis /2 ENGELSE TAAL EN CULTUUR Teacher who will receive this document: Dr. M. Roza and Prof. Dr. F. Mehring Title of document: It’s Not a Fashion Statement. An exploration of Masculinity and Femininity in Contemporary Emo Music. Name of course: MA Thesis North American Studies Date of submission: 15 August 2018 The work submitted here is the sole responsibility of the undersigned, who has neither committed plagiarism nor colluded in its production. Signed Name of student: Claudia Gielis Gielis /3 Abstract Masculinity and femininity can be performed in many ways. The emo genre explores a variety of ways in which gender can be performed. Theories on gender, masculinity and femininity will be used to analyze both the lyrics and the music videos of these two bands, indicating how they perform gender lyrically and visually. Likewise a short introduction on emo music will be given, to gain a better understanding of the genre and the subculture. It will become clear that the emo subculture allows for men and women to explore their own identity. This is reflected in the music associated to the emo genre as well as their visual representation in their music videos. This essay will explore how both a male fronted band, My Chemical Romance, and a female fronted band, Paramore, perform gender. All studio albums and official music videos will be used to investigate how they have performed gender throughout their career. -
The Aesthetic Mind This Page Intentionally Left Blank the Aesthetic Mind Philosophy and Psychology
The Aesthetic Mind This page intentionally left blank The Aesthetic Mind Philosophy and Psychology EDITED BY Elisabeth Schellekens and Peter Goldie 1 3 Great Clarendon Street, Oxford OX26DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York # the several contributors 2011 The moral rights of the authors have been asserted Database right Oxford University Press (maker) First published 2011 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Data available Typeset by SPI Publisher Services, Pondicherry, India Printed in Great Britain on acid-free paper by MPG Books Group, Bodmin and King’s Lynn ISBN 978–0–19–969151–7 13579108642 Contents List of Figures viii Notes on Contributors ix Introduction 1 Elisabeth Schellekens and Peter Goldie Part I. -
Songs by Artist
DJU Karaoke Songs by Artist Title Versions Title Versions ! 112 Alan Jackson Life Keeps Bringin' Me Down Cupid Lovin' Her Was Easier (Than Anything I'll Ever Dance With Me Do Its Over Now +44 Peaches & Cream When Your Heart Stops Beating Right Here For You 1 Block Radius U Already Know You Got Me 112 Ft Ludacris 1 Fine Day Hot & Wet For The 1st Time 112 Ft Super Cat 1 Flew South Na Na Na My Kind Of Beautiful 12 Gauge 1 Night Only Dunkie Butt Just For Tonight 12 Stones 1 Republic Crash Mercy We Are One Say (All I Need) 18 Visions Stop & Stare Victim 1 True Voice 1910 Fruitgum Co After Your Gone Simon Says Sacred Trust 1927 1 Way Compulsory Hero Cutie Pie If I Could 1 Way Ride Thats When I Think Of You Painted Perfect 1975 10 000 Maniacs Chocol - Because The Night Chocolate Candy Everybody Wants City Like The Weather Love Me More Than This Sound These Are Days The Sound Trouble Me UGH 10 Cc 1st Class Donna Beach Baby Dreadlock Holiday 2 Chainz Good Morning Judge I'm Different (Clean) Im Mandy 2 Chainz & Pharrell Im Not In Love Feds Watching (Expli Rubber Bullets 2 Chainz And Drake The Things We Do For Love No Lie (Clean) Wall Street Shuffle 2 Chainz Feat. Kanye West 10 Years Birthday Song (Explicit) Beautiful 2 Evisa Through The Iris Oh La La La Wasteland 2 Live Crew 10 Years After Do Wah Diddy Diddy Id Love To Change The World 2 Pac 101 Dalmations California Love Cruella De Vil Changes 110 Dear Mama Rapture How Do You Want It 112 So Many Tears Song List Generator® Printed 2018-03-04 Page 1 of 442 Licensed to Lz0 DJU Karaoke Songs by Artist -
Zerohack Zer0pwn Youranonnews Yevgeniy Anikin Yes Men
Zerohack Zer0Pwn YourAnonNews Yevgeniy Anikin Yes Men YamaTough Xtreme x-Leader xenu xen0nymous www.oem.com.mx www.nytimes.com/pages/world/asia/index.html www.informador.com.mx www.futuregov.asia www.cronica.com.mx www.asiapacificsecuritymagazine.com Worm Wolfy Withdrawal* WillyFoReal Wikileaks IRC 88.80.16.13/9999 IRC Channel WikiLeaks WiiSpellWhy whitekidney Wells Fargo weed WallRoad w0rmware Vulnerability Vladislav Khorokhorin Visa Inc. Virus Virgin Islands "Viewpointe Archive Services, LLC" Versability Verizon Venezuela Vegas Vatican City USB US Trust US Bankcorp Uruguay Uran0n unusedcrayon United Kingdom UnicormCr3w unfittoprint unelected.org UndisclosedAnon Ukraine UGNazi ua_musti_1905 U.S. Bankcorp TYLER Turkey trosec113 Trojan Horse Trojan Trivette TriCk Tribalzer0 Transnistria transaction Traitor traffic court Tradecraft Trade Secrets "Total System Services, Inc." Topiary Top Secret Tom Stracener TibitXimer Thumb Drive Thomson Reuters TheWikiBoat thepeoplescause the_infecti0n The Unknowns The UnderTaker The Syrian electronic army The Jokerhack Thailand ThaCosmo th3j35t3r testeux1 TEST Telecomix TehWongZ Teddy Bigglesworth TeaMp0isoN TeamHav0k Team Ghost Shell Team Digi7al tdl4 taxes TARP tango down Tampa Tammy Shapiro Taiwan Tabu T0x1c t0wN T.A.R.P. Syrian Electronic Army syndiv Symantec Corporation Switzerland Swingers Club SWIFT Sweden Swan SwaggSec Swagg Security "SunGard Data Systems, Inc." Stuxnet Stringer Streamroller Stole* Sterlok SteelAnne st0rm SQLi Spyware Spying Spydevilz Spy Camera Sposed Spook Spoofing Splendide -
Shawyer Dissertation May 2008 Final Version
Copyright by Susanne Elizabeth Shawyer 2008 The Dissertation Committee for Susanne Elizabeth Shawyer certifies that this is the approved version of the following dissertation: Radical Street Theatre and the Yippie Legacy: A Performance History of the Youth International Party, 1967-1968 Committee: Jill Dolan, Supervisor Paul Bonin-Rodriguez Charlotte Canning Janet Davis Stacy Wolf Radical Street Theatre and the Yippie Legacy: A Performance History of the Youth International Party, 1967-1968 by Susanne Elizabeth Shawyer, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May, 2008 Acknowledgements There are many people I want to thank for their assistance throughout the process of this dissertation project. First, I would like to acknowledge the generous support and helpful advice of my committee members. My supervisor, Dr. Jill Dolan, was present in every stage of the process with thought-provoking questions, incredible patience, and unfailing encouragement. During my years at the University of Texas at Austin Dr. Charlotte Canning has continually provided exceptional mentorship and modeled a high standard of scholarly rigor and pedagogical generosity. Dr. Janet Davis and Dr. Stacy Wolf guided me through my earliest explorations of the Yippies and pushed me to consider the complex historical and theoretical intersections of my performance scholarship. I am grateful for the warm collegiality and insightful questions of Dr. Paul Bonin-Rodriguez. My committee’s wise guidance has pushed me to be a better scholar. -
Flash Mob Marketing in an International Context
Hofer akademische Schriften zur Digitalen Ökonomie Herausgegeben von Andreas Wagener Band 2 Sarah Stadelhofer Flash Mob Marketing in an International Context Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. Hofer akademische Schriften zur Digitalen Ökonomie Herausgegeben von Prof. Dr. Andreas Wagener Professur für eCommerce und Social Media an der Hochschule Hof / University of Applied Sciences Band 2 Sarah Stadelhofer Flash Mob Marketing in an International Context Der vorliegende Text wurde ursprünglich im SS2015 als Bachelorarbeit an der Hochschule für Angewandte Wissenschaften Hof, Fakultät Wirtschaft, Studiengang Internationales Management (BA), eingereicht und betreut durch Prof. Dr. Andreas Wagener, Professur für eCommerce und Social Media © 2015 Druck und Verlag: Hochschule Hof, Fachbereich Wirtschaft, Alfons-Goppel-Platz 1, D-95028 Hof Alle Rechte vorbehalten. Das Werk ist urheberrechtlich geschützt. Nachdruck oder Vervielfältigung, auch als Übersetzung, ist verboten. ISBN: 978-3-935565-36-3 Flash Mob Marketing in an International Context Bachelor Thesis University of Applied Sciences Hof Faculty of Business International Management Submitted to: Submitted by: Prof. Dr. Andreas Wagener Sarah Stadelhofer Alfons-Goppel-Platz 1 Unter-Wiesen-Weg 5 95028 Hof 78224 Singen Hof, 26-05-2015 26 Table of Contents II Table of Contents List of