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A Retrospective Diagnosis of RM Renfield in Bram Stoker's Dracula
Journal of Dracula Studies Volume 12 Article 3 2010 All in the Family: A Retrospective Diagnosis of R.M. Renfield in Bram Stoker’s Dracula Elizabeth Winter Follow this and additional works at: https://research.library.kutztown.edu/dracula-studies Part of the English Language and Literature Commons, Feminist, Gender, and Sexuality Studies Commons, and the Film and Media Studies Commons Recommended Citation Winter, Elizabeth (2010) "All in the Family: A Retrospective Diagnosis of R.M. Renfield in Bram Stoker’s Dracula," Journal of Dracula Studies: Vol. 12 , Article 3. Available at: https://research.library.kutztown.edu/dracula-studies/vol12/iss1/3 This Article is brought to you for free and open access by Research Commons at Kutztown University. It has been accepted for inclusion in Journal of Dracula Studies by an authorized editor of Research Commons at Kutztown University. For more information, please contact [email protected],. All in the Family: A Retrospective Diagnosis of R.M. Renfield in Bram Stoker’s Dracula Cover Page Footnote Elizabeth Winter is a psychiatrist in private practice in Baltimore, MD. Dr. Winter is on the adjunct faculty at Johns Hopkins where she lectures on anxiety disorders and supervises psychiatry residents. This article is available in Journal of Dracula Studies: https://research.library.kutztown.edu/dracula-studies/vol12/ iss1/3 All in the Family: A Retrospective Diagnosis of R.M. Renfield in Bram Stoker’s Dracula Elizabeth Winter [Elizabeth Winter is a psychiatrist in private practice in Baltimore, MD. Dr. Winter is on the adjunct faculty at Johns Hopkins where she lectures on anxiety disorders and supervises psychiatry residents.] In late nineteenth century psychiatry, there was little consistency in definition or classification criteria of mental illness. -
Janus Head 2.4.18
Janus Head Journal of Interdisciplinary Studies in Literature, Continental Philosophy, Phenomenological Psychology, and the Arts. Copyright © 2018 by Trivium Publications, Pittsburgh, PA All rights reserved. Printed in the United States of America Requests for permission to reproduce material from this work should be sent to Permissions, Trivium Publications, P.O. Box 8010 Pittsburgh, PA 15216 ISSN: 1524-2269 0 0 1 2 3 4 5 6 7 8 9 0 0 Contents Articles The Castle of Debris: Tatsuya Tatsuta’s Formative Abstract Representation of Lacanian Desire George Saitoh 5 Vampires, Viruses, and Verbalisation: Bram Stoker’s Dracula as a genealogical window into fin-de-siècle science Hub Zwart 14 Psychological Perceptiveness in Pushkin’s Poetry and Prose Steven C. Hertler 54 Rousseau’s Languages: Music, Diplomacy, and Botany Fernando Calderón Quindós and M. Teresa Calderón Quindós 80 A Review of the Theoretical Bases of the Beats’ Repudiation of Capitalism Ehsan Emami Neyshaburi “Moral Enigma” in Shakespeare’s Othello? An Exercise in 94 Philosophical Hermeneutics Norman Swazo 128 Into The Void: Nietzsche’s Confrontation With Cosmic Nihilism Clay Lewis 156 Fiction <Nature> Carol Roh Spaulding 190 Poetry At the Locker 208 Total Eclipse 209 Invitation to a Relation 212 Michaela Mullin Notes on Contributors 213 Janus Head 5 The Castle of Debris: Tatsuya Tatsuta’s Formative Abstract Representation of Lacanian Desire George Saitoh “There are only two tragedies in life: not getting what one desires, and getting it.” – Oscar Wilde The Castle of Debris is situated first from the entrance to the large exhibition hall in Tokyo’s National Art Centre. -
Bram Stoker, Homosocial Desire and the Stokerian Biographical Project
Brno Studies in English Volume 37, No. 2, 2011 ISSN 0524-6881 DOI: 10.5817/BSE2011-2-4 Brigitte Boudreau Libidinal Life: Bram Stoker, Homosocial Desire and the Stokerian Biographical Project Abstract This paper offers an examination of the Stokerian biographical project and shows how many biographies of Bram Stoker are invested in uncovering the elu- sive relationship between this little-known author and the actor Henry Irving. An exploration of Stokerian biographies reveals how Stoker has been constructed as a man who experienced same-sex desire, as revealed through his own “autobio- graphical” texts, such as Personal Reminiscences of Henry Irving and Dracula. Eve Kosofsky Sedgwick’s concept of “homosocial desire” provides a useful theoretical framework within which to explore a sample selection of Stokerian biographies, including those of Daniel Farson, Phyllis A. Roth, Barbara Belford and Paul Murray. This paper maintains that the theories surrounding Stoker’s li- bidinal life are generally well-grounded, yet to this day several questions remain unanswered. For many biographers, the life of the author of Dracula continues to be shrouded in mystery. Key words Bram Stoker; biography; Personal Reminiscences of Henry Irving; Dracula; Eve Kosofsky Sedgwick; homosocial desire We were struck with the fact, that in all the mass of material of which the record is composed, there is hardly one authentic document; nothing but a mass of type- writing [...] (Dracula) In late-nineteenth-century England, sexual attitudes which deviated from the norm were both demonized and feared. This is reflected in the works of Victorian author Bram Stoker, for whom adherence to tradition and fixed gender roles were of utmost importance. -
Mike Shepherd, When Brave Men Shudder: the Scottish Origins of Dracula
Victorian Popular Fictions Volume 1: Issue 1 (Spring 2019) Mike Shepherd, When Brave Men Shudder: The Scottish Origins of Dracula. Newcastle upon Tyne: Wild Wolf Publishing, 2018, 244 pp. £12.99 paper ISBN: 978-1907954696 Carol Senf So much has been said about Dracula, arguably one of the most popular books ever written, and so much of what is said is largely speculative (was Stoker a feminist or a man who feared and/or hated women?) or entirely false (he modelled his literary vampire on Vlad III of Wallachia). It is therefore a genuine pleasure to read and review a book that explores the Scottish inspiration for Dracula, as well as several of Stoker’s other novels and short fiction. When Brave Men Shudder may not answer all your questions about Dracula, but Shepherd’s extraordinarily well researched study definitely belongs on the bookshelves of all people who are interested in Stoker and his most famous work. It also provides a number of insights into Stoker’s writing process and demonstrates how he wove together various materials. The man responsible for this extraordinary study is not a literary critic but a geologist who lives in Cruden Bay, where Stoker spent at least twelve holidays, and where he also wrote parts of Dracula and also set The Watter’s Mou’ (1895) and The Mystery of the Sea (1902), as well as “Crooken Sands” (1894). Prior to writing When Brave Men Shudder, Shepherd wrote a geology textbook and Oil Strike North Sea, a history of North Sea Oil. A native of North East Scotland, Shepherd pored over archival material, interviewed local people, and visited the localities associated with Stoker, including the Kilmarnock Arms Hotel and nearby cottages, Slains Castle, the Skares, and the Watters’ Mou’. -
Front Matter
Cambridge University Press 978-1-107-15317-2 — The Cambridge Companion to ‘Dracula' Edited by Roger Luckhurst Frontmatter More Information Bram Stoker’s Dracula is the most famous vampire in literature and film. This new collection of sixteen essays brings together a range of internationally renowned scholars to provide a series of pathways through this celebrated Gothic novel and its innumerable adaptations and translations. The volume illuminates the novel’s various pre-histories, critical contexts and subsequent cultural transformations. Chapters explore literary history, Gothic revival scholarship, folklore, anthropology, psychology, sexology, philosophy, occultism, cultural history, critical race theory, theatre and film history and the place of the vampire in Europe and beyond. These studies provide an accessible guide of cutting-edge scholarship to one of the most celebrated modern Gothic horror stories. This companion will serve as a key resource for scholars, teachers and students interested in the enduring force of Dracula and the seemingly inexhaustible range of the contexts it requires and readings it might generate. is Professor in Modern and Contemporary Literature at Birkbeck College, University of London. His previous publications include The Mummy’s Curse: The True Story of a Dark Fantasy (2012) and critical studies of the films The Shining (2013) and Alien (2014). He has also co-edited books including The Fin de Siècle: A Reader in Cultural History c. 1880–1900 (2000) and Transactions and Encounters: Science and Culture in the Nineteenth Century (2002). He has edited numerous Gothic classics, including Robert Louis Stevenson’s Strange Case of Jekyll and Hyde (2006), Bram Stoker’s Dracula (2011) and H. -
Il Mistero Del Mare
Bram Stoker Il Mistero del Mare A cura di Mirko Zilahi de’ Gyurgyokai Indice Introduzione 7 Capitolo I Preveggenza 17 II Gormala 23 III Un’antica nenia 29 IV Le alluvioni di Lammas 35 V Il Mistero del Mare 43 VI Gli strumenti del destino 53 VII Dalle epoche e dai luoghi più remoti della terra 59 VIII Una corsa sulla spiaggia 71 IX Confidenze e scritti segreti 83 X Un orizzonte sereno 95 XI Nel crepuscolo 105 XII Il codice cifrato 113 Titolo originale: The Mystery of the Sea XIII Un giro tra le montagne 121 Traduzione dall’inglese di Mirko Zilahi de’ Gyurgyokai XIV Un segreto condiviso 129 XV Una cena inconsueta 137 © 2012 Nutrimenti srl XVI Rivelazioni 143 Prima edizione aprile 2012 XVII L’incarico di Sam Adams 149 www.nutrimenti.net via Marco Aurelio, 44 – 00184 Roma XVIII Fuochi d’artificio e Giovanna d’Arco 157 XIX Sul cambiare nome 163 Art director: Ada Carpi XX Cameratismo 171 ISBN 978-88-6594-139-3 ISBN 978-88-6594-140-9 (ePub) XXI Il vecchio e il nuovo Far West 177 ISBN 978-88-6594-141-6 (MobiPocket) XXII Il castello di Crom 183 XXIII I servizi segreti 189 Introduzione XXIV Un piano ingegnoso 195 XXV Un ragionamento induttivo 201 XXVI Un intero giorno di nozze 209 XXVII L’ingresso alla caverna 215 XXVIII Voci nel buio 223 XXIX Il monumento 231 XXX Il passaggio segreto 237 XXXI L’avventura di Marjory 243 XXXII Lo scritto perduto 251 XXXIII Don Bernardino 261 XXXIV L’onorificenza 269 XXXV Il Tesoro del Papa 277 XXXVI Cresce la marea 285 XXXVII Giorno e notte 293 XXXVIII Il dovere di una moglie 301 XXXIX Un visitatore inaspettato 307 XL L’adempimento di una promessa 315 La sera di sabato 20 aprile 1912, nella sua abitazione al civico 26 di XLI Il tesoro ritrovato 323 George Square, a pochi passi dal Tamigi, muore l’uomo che i XLII Uno scontro 333 maggiori giornali del tempo ricordano come direttore del Ly- XLIII L’onore di uno spagnolo 341 ceum Theatre e agente di Sir Henry Irving (1838-1905), l’attore XLIV La voce nella polvere 349 più celebre e ammirato del teatro vittoriano. -
Dracula Or the Hybrid Forms of Stoker's Vampirism
Dracula or the Hybrid Forms of Stoker’s Vampirism Chantal Chambaz To cite this version: Chantal Chambaz. Dracula or the Hybrid Forms of Stoker’s Vampirism. Literature. 2012. dumas- 00929877 HAL Id: dumas-00929877 https://dumas.ccsd.cnrs.fr/dumas-00929877 Submitted on 14 Jan 2014 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Dracula or the Hybrid Forms of Stoker’s Vampirism Nom : CHAMBAZ Prénom : Chantal UFR LANGUES ETRANGERES Mémoire de master 1 recherche - 18 crédits – Langues, littérature et civilisations étrangères Spécialité : Etudes anglophones Sous la direction de Madame Caroline BERTONECHE Membre du jury : Monsieur Cyril Besson Année universitaire 2011-2012 Acknowledgements I would like to thank Mrs Caroline Bertonèche for her help and her constant presence to support my work. 2 TABLE OF CONTENTS Introduction p 5 I. The Mythic Figure of the Vampire p 10 A. The Vampirical Book of Genesis p 12 1) The Vampire’s Bestiary p 12 a) Around the World in Five Creatures p 12 b) Introducing Dracula p 14 2) Once Upon a Time… The History of Vampires from Gilles de Rais to Erzsebet Bathory p 14 3) The Killer Vampire: your Next Door Neighbour p 16 a) The Vampire of Düsseldorf p 17 b) The Vampire of Sacramento p 17 B. -
A Disease with a Bite: Vampirism and Infection Theories in Bram Stoker's Dracula Duy Dang
XULAneXUS Volume 10 | Issue 2 Article 1 4-1-2013 A Disease with a Bite: Vampirism and Infection Theories in Bram Stoker's Dracula Duy Dang Follow this and additional works at: https://digitalcommons.xula.edu/xulanexus Recommended Citation Dang, Duy (2013) "A Disease with a Bite: Vampirism and Infection Theories in Bram Stoker's Dracula," XULAneXUS: Vol. 10 : Iss. 2 , Article 1. Available at: https://digitalcommons.xula.edu/xulanexus/vol10/iss2/1 This Article is brought to you for free and open access by XULA Digital Commons. It has been accepted for inclusion in XULAneXUS by an authorized editor of XULA Digital Commons. For more information, please contact [email protected]. Dang: A Disease with a Bite: Vampirism and Infection Theories in Bram S ! ! Volume 10, Issue 2, April 2013. Scholarly Note. 1-10. ! <http://xulanexus.xula.edu/textpattern/index.php?id=165> ! A Disease with a Bite: Vampirism and Infection Theories in Bram Stoker’s Dracula Duy Dang, Biology, Pre-Medicine Faculty Mentor: Dr. Oliver Hennessey, English Abstract This literary analysis takes a historicist approach to Bram Stoker’s 1897 gothic novel, Dracula, and places the novel’s images of vampirism and disease in the context of Victorian medical knowledge. In studying Dracula and its subtext, it can be seen that vampirism is not only a curse that resurrects the dead as blood- Duy Dang is a Biology Pre- sucking monsters, but is also a metaphor for disease. As a disease, Medicine major from Harvey, LA. vampirism can be seen relating to several illnesses present in Bram After graduation in May 2015, Stoker’s time (such as cholera) through the concepts and necessary Dang plans to attend medical conditions for infection (e.g. -
Introduction
Notes Introduction 1. The new series was called the Acme Library Series and the first novel pub- lished in the series was Arthur Conan Doyle’s The Parasite in 1894. 2. See Hughes (2000). Glover’s (1996) and Hughes’s monographs were instru- mental in the development of Stokerian criticism at this period. Hughes and Smith’s collection of essays on Stoker, Bram Stoker: History, Psychoanalysis and the Gothic (1998), was also published in this period. 3. For sexual and gender readings, see, for instance, Roth (1997), Craft (1984) and Cranny-Francis (1988). On the colonial resonances of Dracula, see Arata (1990). For a study of the vampire figure, see Frayling (1991), Senf (1988) and Auerbach (1995). 4. See, for instance, Moses (1997). 5. Tóibín, however, describes Irving as ‘tyrannical’, but the relationship between Irving and Stoker was complex and should not be interpreted as one of tyranny and subjugation. 6. See Hopkins (2007), Wynne (2006, 2011, 2012) and Hoeveler (2012). Daly connected the Irish playwright Dion Boucicault to Stoker’s The Snake’s Pass (1995, 1999). 7. For instance, there are only fleeting references to Stoker in Foulkes’s excel- lent collection of essays on Henry Irving (2008). 8. Peter Haining and Peter Tremayne argue that between 1870 and 1876 the Wildes ‘acted in loco parentis to Bram and undoubtedly had an influence imparting information on Irish folklore to him’ (1997: 68). 9. In an unpublished letter to Stoker written from Paris and dated 24 July 1875, Ward asks Stoker to convey her love to the Wildes and describes how her mother has planted the ivy which they brought from the Wilde garden (Stoker Correspondence). -
Dottorato Di Ricerca Titolo Tesi
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Archivio istituzionale della ricerca - Università di Cagliari Università degli Studi di Cagliari DOTTORATO DI RICERCA Studi filologici e letterari Ciclo XXVI TITOLO TESI Letteratura e identità irlandese nell'opera di Bram Stoker Settore scientifico disciplinare di afferenza L-LIN/10 Presentata da: Manuel Cadeddu Coordinatore Dottorato prof.ssa Cristina Lavinio Relatore/Tutor prof. Mauro Pala Esame finale anno accademico 2013 – 2014 1 Indice Introduzione p. 3 Capitolo 1 – Inquadramento e materiali 1.1 Nascita di una nazione p. 17 1.2 Letteratura e identità irlandese p. 27 1.3 Presentazione dei materiali analizzati p. 30 Capitolo 2 – Rappresentazioni irlandesi 2.1 Cenni biografici p. 35 2.2 Prime rappresentazioni irlandesi: ‘The Primrose Path’ p. 48 2.3 Nel cuore dell’Irlanda: The Snake’s Pass p. 57 2.4 Gradi di separazione: Stoker e il Revival p. 90 2.5 Vampiri irlandesi? p. 100 Capitolo 3 – Stoker e il folklore 3.1 Il ruolo del folklore nella creazione dell’identità nazionale p. 109 3.2 Folklore in The Snake’s Pass p. 122 3.3 Dracula: un caso ancora aperto p. 139 Capitolo 4 – Stoker e la politica 4.1 Stoker e i politici p. 147 4.2 A Philosophical Home Ruler p. 152 4.3 Idee per lo sviluppo di una piccola nazione: The Lady of the Shroud p. 157 Conclusioni p. 177 Bibliografia p. 193 2 3 Introduzione Il presente studio deriva dall’incontro tra due diversi interessi di ricerca, uno riguardante i legami che si instaurano tra letteratura e identità (sia personale che nazionale) e il ruolo svolto dalla letteratura nella formazione e definizione di tali identità, l’altro riguardante il recente desiderio di riappropriazione di Bram Stoker come autore irlandese che si può notare sia in ambito accademico sia presso il grande pubblico. -
Bram Stoker's Storytelling in Dracula
PALACKÝ UNIVERSITY OLOMOUC FACULTY OF ARTS Department of English and American Studies Michal Šubrt English Philology Bram Stoker’s Storytelling in Dracula Bachelor Thesis Supervisor: PhDr. Matthew Sweney, Ph. D. Olomouc 2017 Prohlašuji, že jsem tuto bakalářskou práci vypracoval samostatně pod odborným dohledem vedoucího práce a uvedl jsem všechny použité podklady a literaturu. V Olomouci dne…………… Podpis…………… Table of Contents Introduction ................................................................................................................................... 5 1. Bram Stoker .............................................................................................................................. 6 1.1. Childhood ........................................................................................................................... 6 1.2. Education ........................................................................................................................... 7 1.3. Theatre ............................................................................................................................... 8 1.4. Whitman, Irving and other Men of Influence .................................................................... 9 2. Gothic Horror .......................................................................................................................... 14 2.1. Gothic Horror and its Features ......................................................................................... 14 2.2. The Setting, Atmosphere -
Supernatural Tales of Aberdeenshire
- 1 - Preface Discover north-east Scotland’s undiscovered treasures in Fraserburgh and Buchan. Walk and wander to your heart’s content on the sandy beaches and along cliff-tops; observe Scotland’s only mainland gannet colony (yes, the fish is good too!), and learn about the lives of generations of local people who have fished and worked there. Cruden Bay's most famous holidaymaker, Bram Stoker, drew inspiration for his greatest literary creation Dracula - from these very shores. One of Fraserburgh’s most notorious tales concerns the Wine Tower and the Laird’s Daughter – but don’t forget to also discover Peterhead’s Ghosts of the Plague. A little further south you can uncover the delights of Bennachie and Forvie Sands – land of the Demon Priest, the Devil’s Stane, Twice Buried Mary - and not forgetting Jock the Giant! Royal Deeside is where the Queen’s summer residence can be found, but was once home to Lumphanan’s witches. Discover this beautiful valley on a touring route; the North East 250 is a circular touring route incorporating the north-east coast and Speyside’s whisky country. In the south of Aberdeenshire, The Mearns has dark tales of aristocratic cannibals, and a female assassin with a grudge against a king to offer. The Mearns is also where a mystical Kelpie once roamed – but now it’s more famous for its award-winning fish and chips and quaint fishing villages like Johnshaven. For more information on Aberdeenshire, explore VisitAberdeenshire. - 1 - Contents 1 BRAM STOKER AND CRUDEN BAY Page 1 2 THE LEGEND OF THE WINE TOWER Page