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Celebrations Cycle Tour Sunaysilah Fort New Era of CSR
Autumn, 2015 Autumn, Al Ghanjah Celebrations Cycle Tour Sunaysilah Fort New Era of CSR Printed on recycled paper We continue to engage with the community, and to see and respect human gifts in all their forms. Foreword by the For those less fortunate, we reserve 1.5% of NIAT, Chief Executive Officer distributed under our innovative and expanding Oman LNG Development Foudation (ODF). For the fortunately employed, we offer training, work openings, amenities to boost or ease production. For the less fortunate, logistical support in the form of equipment or mobility aids. Moderated growth, supported by education, training, maximised potential of human and material resources. The core values that drive our company and country’s success are inextricably entwined. I hope you enjoy reading this interesting edition of your magazine! Harib Al Kitani In this 45th year of Oman’s Modern Renaissance, we Chief Executive Officer have indeed much to celebrate, both nationally and here at Oman LNG. We have the good fortune to have HM Sultan Qaboos bin Said, a leader who launched one of the most successful Renaissance of the CONTENTS modern age, back home in good health. Our company has emerged stronger than ever from challenging times in the oil and gas market, at least Company News 2 in the pricing market. Welcome Back Your Majesty 6 Even more important to us at Oman LNG than the pricing market is the value of human life, and Oman Cycle Tour 10 we continue to uphold our safety record and to Sunaysilah Fort: A Historical Landmark 14 communicate the importance of safety through our staff, contractors, customers and to audiences Oman LNG Development Foundation: far beyond the company gates. -
Borgo of the Holy Ghost
Utah State University DigitalCommons@USU Swenson Poetry Award Winners USU Press 2001 Borgo of the Holy Ghost Stephen Mcleod Follow this and additional works at: https://digitalcommons.usu.edu/swenson_awards Part of the Creative Writing Commons Recommended Citation Mcleod, Stephen, "Borgo of the Holy Ghost" (2001). Swenson Poetry Award Winners. 10. https://digitalcommons.usu.edu/swenson_awards/10 This Book is brought to you for free and open access by the USU Press at DigitalCommons@USU. It has been accepted for inclusion in Swenson Poetry Award Winners by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. THE BORGO OF THE HOLY GHOST May Swenson Poetry Award Series THE BORGO OF THE HOLY GHOST poems by Stephen McLeod UTAH STATE UNIVERSITY PRESS Logan, Utah Utah State University Press Logan, Utah 84322-7800 Copyright © 2001 Stephen McLeod. Foreword copyright © 2001 Richard Howard. All rights reserved. Manufactured in the United States of America. “The Dead” was first published in Slate Magazine, www.slate.com. Reprinted with permission. Slate is a trademark of the Microsoft Corporation. Grateful acknowledgment is made to the editors of the following publications where versions of these poems first appeared: Agni: “Broken Gull” American Poetry Review: “What Comes Through Hearing” Barrow Street: “All Roads Lead to Kansas”; “Donation”; “The Shoulder Where It Belongs”; “That Crazy Moon” Bay Windows: “Just the Facts” Columbia: A Journal of Literature and Art: “Chronic”; “The Goldberg Variations” The Journal: “Late Reading”; “My Brother’s Ghost” The Paris Review: “At the West Street Piers”; “The Borgo of the Holy Ghost”; “Just By Deciding It” Ploughshares: “Becoming Kansas” Shenandoah: “Pieta” (appeared originally as “Michelangelo’s Pieta”) Slate: “The Dead” Southwest Review: “A.D.” Western Humanities Review: “Against Stevens”; “An Exercise For Lovers”; “For Barbara & Vincent”; “Heaven Reassigned”; “Speaking in Tongues”; “What to Do What to Say”. -
Afrindian Fictions
Afrindian Fictions Diaspora, Race, and National Desire in South Africa Pallavi Rastogi T H E O H I O S TAT E U N I V E R S I T Y P R E ss C O L U MB us Copyright © 2008 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Rastogi, Pallavi. Afrindian fictions : diaspora, race, and national desire in South Africa / Pallavi Rastogi. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8142-0319-4 (alk. paper) ISBN-10: 0-8142-0319-1 (alk. paper) 1. South African fiction (English)—21st century—History and criticism. 2. South African fiction (English)—20th century—History and criticism. 3. South African fic- tion (English)—East Indian authors—History and criticism. 4. East Indians—Foreign countries—Intellectual life. 5. East Indian diaspora in literature. 6. Identity (Psychol- ogy) in literature. 7. Group identity in literature. I. Title. PR9358.2.I54R37 2008 823'.91409352991411—dc22 2008006183 This book is available in the following editions: Cloth (ISBN 978–08142–0319–4) CD-ROM (ISBN 978–08142–9099–6) Cover design by Laurence J. Nozik Typeset in Adobe Fairfield by Juliet Williams Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the Ameri- can National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48–1992. 9 8 7 6 5 4 3 2 1 Contents Acknowledgments v Introduction Are Indians Africans Too, or: When Does a Subcontinental Become a Citizen? 1 Chapter 1 Indians in Short: Collectivity -
Andy Warhol Exhibit American Fare Summer Sets
NYC ® Monthly JULY 2015 JULY 2015 JULY NYC MONTHLY.COM VOL. 5 NO.7 VOL. AMERICAN FARE AMERICAN CUISINE AT ITS FINEST SUMMER SETS HEADLINING ACTS YOU CAN'T MISS ANDY WARHOL EXHIBIT AT THE MUSEUM OF MODERN ART B:13.125” T:12.875” C M Y K S:12.75” The Next Big Thing Is Here lated. Appearance of device may vary. B:9.3125” S:8.9375” T:9.0625” The world’s frst dual-curved smartphone display Available now. Learn more at Samsung.com/GS6 ©2015 Samsung Electronics America, Inc. and Galaxy S are trademarks of Co., Ltd. Screen images simu FS:6.3125” FS:6.3125” F:6.4375” F:6.4375” 304653rga03_HmptMnthy TL Project Title: US - GS6_2015_S5053 Job Number: S5053 Executive Creative Director: None E.C.D. C.D. A.C.D A.D. C.W. Creative Director: None Client: SAMSUNG Bleed: 13.125” x 9.3125” Associate Creative Director: None Media: MAGAZINE Trim 1: 12.875” x 9.0625” Art Director: None Photographer: None Trim 2: None Copywriter: None Art Buyer: None STUDIO PRODUCTION IA PRODUCER ACCOUNT EX. ART BUYER Illustrator: None Live: 12.75” x 8.9375” Print Production: None Insertion Date: None Gutter: 0.125” Studio Manager: None Account Executive: None Traffic: None Publications/Delivery Company: Hamptons Monthly FILE IS BUILT AT: 100% THIS PRINT-OUT IS NOT FOR COLOR. 350 West 39th Street New York, NY 10018 212.946.4000 Round: 1 Version: C PACIFIC DIGITAL IMAGE • 333 Broadway, San Francisco CA 94133 • 415.274.7234 • www.pacdigital.com Filename:304653rga03_HmptMnthy.pdf_wf02 Operator:SpoolServer Time:13:37:40 Colors:Cyan, Magenta, Yellow, Black Date:15-05-06 NOTE TO RECIPIENT: This file is processed using a Prinergy Workflow System with an Adobe Postscript Level 3 RIP. -
GAP BODHI TARU- Open Access Journal of Humanities
Volume: I, Issue: 2 ISSN: 2581-5857 An International Peer-Reviewed GAP BODHI TARU- Open Access Journal of Humanities TRADITION OF DISSENT IN SUB-CONTINENTAL FILMS: A READING OF MANISH JHA’S MATRUBHOOMI -A NATION WITHOUT WOMEN AND SHOAIB MANSOOR’S BOL Bhavin Purohit Associate Professor, English PRB Arts & PGR Commerce College, Bardoli E-mail : [email protected] ABSTRACT Cinema is one of the most revolutionary art forms today. Locally and globally film as an art form is being used to provoke, agitate, ask questions and generate new politicized communities. Experimental films in India and Pakistan have contested political, social and cultural status quo. Socially, culturally and politically marginalized groups across the globe have found adequate place in film narratives. The ulterior aim of the depiction of different categories of subalternity in films is to expand the idea of ‘art for life’s sake’. Indian film director Manish Jha’s Matrubhoomi- a Nation without Women (2005) and Pakistani film director Shoaib Mansoor’s Bol (2011) depict women issues of two different religions of two different countries. Matrubhoomi is a film based on the issue of female infanticide and female foeticide in a country like India and its effects on gender balance and the recurring social anarchy it creates. Matrubhoomi’s female protagonist Kalki is the last surviving woman who reminding of Draupadi of the Mahabharata undergoes tremendous sexual oppression within family at the hands of male family members who operate as arch patriarchs for her. The film depicts the horrors of life without woman. The narrative of Bol is based in the heart of Lahore and is placed in a house full of daughters. -
A Writer's Calendar
A WRITER’S CALENDAR Compiled by J. L. Herrera for my mother and with special thanks to Rose Brown, Peter Jones, Eve Masterman, Yvonne Stadler, Marie-France Sagot, Jo Cauffman, Tom Errey and Gianni Ferrara INTRODUCTION I began the original calendar simply as a present for my mother, thinking it would be an easy matter to fill up 365 spaces. Instead it turned into an ongoing habit. Every time I did some tidying up out would flutter more grubby little notes to myself, written on the backs of envelopes, bank withdrawal forms, anything, and containing yet more names and dates. It seemed, then, a small step from filling in blank squares to letting myself run wild with the myriad little interesting snippets picked up in my hunting and adding the occasional opinion or memory. The beginning and the end were obvious enough. The trouble was the middle; the book was like a concertina — infinitely expandable. And I found, so much fun had the exercise become, that I was reluctant to say to myself, no more. Understandably, I’ve been dependent on other people’s memories and record- keeping and have learnt that even the weightiest of tomes do not always agree on such basic ‘facts’ as people’s birthdays. So my apologies for the discrepancies which may have crept in. In the meantime — Many Happy Returns! Jennie Herrera 1995 2 A Writer’s Calendar January 1st: Ouida J. D. Salinger Maria Edgeworth E. M. Forster Camara Laye Iain Crichton Smith Larry King Sembene Ousmane Jean Ure John Fuller January 2nd: Isaac Asimov Henry Kingsley Jean Little Peter Redgrove Gerhard Amanshauser * * * * * Is prolific writing good writing? Carter Brown? Barbara Cartland? Ursula Bloom? Enid Blyton? Not necessarily, but it does tend to be clear, simple, lucid, overlapping, and sometimes repetitive. -
Postcoloniality, Science Fiction and India Suparno Banerjee Louisiana State University and Agricultural and Mechanical College, Banerjee [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2010 Other tomorrows: postcoloniality, science fiction and India Suparno Banerjee Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Banerjee, Suparno, "Other tomorrows: postcoloniality, science fiction and India" (2010). LSU Doctoral Dissertations. 3181. https://digitalcommons.lsu.edu/gradschool_dissertations/3181 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. OTHER TOMORROWS: POSTCOLONIALITY, SCIENCE FICTION AND INDIA A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the Requirements for the degree of Doctor of Philosophy In The Department of English By Suparno Banerjee B. A., Visva-Bharati University, Santiniketan, West Bengal, India, 2000 M. A., Visva-Bharati University, Santiniketan, West Bengal, India, 2002 August 2010 ©Copyright 2010 Suparno Banerjee All Rights Reserved ii ACKNOWLEDGEMENTS My dissertation would not have been possible without the constant support of my professors, peers, friends and family. Both my supervisors, Dr. Pallavi Rastogi and Dr. Carl Freedman, guided the committee proficiently and helped me maintain a steady progress towards completion. Dr. Rastogi provided useful insights into the field of postcolonial studies, while Dr. Freedman shared his invaluable knowledge of science fiction. Without Dr. Robin Roberts I would not have become aware of the immensely powerful tradition of feminist science fiction. -
A Brief History of Pakistani Fiction and Portrayal Of
CHAPTER-1 : A BRIEF HISTORY OF PAKISTANI FICTION AND PORTRAYAL OF SOCIETY IN PAKISTANI ENGLISH FICTION 1 1.1 INTRODUCTION Percy Bysshe Shelley in his masterpiece A Defence of Poetry has said that poets are ―the unacknowledged legislators of mankind.‖- (Shelly, A Defence of Poetry).The function of a legislator is to lay down the law, a settled course of action that men may follow. All literary works show us various aspects of the society from politics, economics and culture, via various genres of literature from time to time. Literature is considered to be the criticism of life because it mirrors the society, people and the time in which it is produced. Conventionally, literature holds a mirror to life. Corroborating this idea of connection of society and literature, Hippolyte Taine, a French critic gives a scientific approach to the study of literature through his theory of race, milieu and moment. According to this theory Men, Milieu and Message, cannot be separated from literature. As mentioned by the Encyclopedia Britannica: ―Race, milieu, and moment, according to the French critic Hippolyte Taine, are three principal motives or conditioning factors behind any work of art.‖- (―Race,Milieu and Moment‖, Encylopedia Britanica) The philosopher analyses the scientific approach to the work of literature to find out the motivational factor which created that work. To validate what Taine writes, there are many examples of works of literature such as portrayal of social problems during Victorian age in the novels of Charles Dickens and Thomas Hardy, the satirical presentation of society of restoration in the comedy of manners of Oscar Wilde and the portrayal of Indian society in the works of Raja Rao, Bhabhani Bhattacharya, Mulk Raj Anand, R.K.Narayan and Ruskin Bond. -
Final Evaluation of Usaid/Nepal Strengthening Political Parties, Electoral and Legislative Processes Project
Citizenship and voter registration camp in Nepal FINAL EVALUATION OF USAID/NEPAL STRENGTHENING POLITICAL PARTIES, ELECTORAL AND LEGISLATIVE PROCESSES PROJECT FINAL REPORT January 2017 This publ ication was produced at the request of the United States Agency for International Development. It was prepared independently by CAMRIS International. USAID Nepal Monitoring, Evaluation and Learning (MEL) Project SPPELP Evaluation FINAL EVALUATION OF USAID/NEPAL STRENGTHENING POLITICAL PARTIES, ELECTORAL AND LEGISLATIVE PROCESSES PROJECT PROMOTING DEMOCRATIC POLITICS IN A TRANSITIONAL POLITICAL SYSTEM January 26, 2017 USAID Nepal MEL Project: AID-367-C-15-00001 DISCLAIMER The author’s views expressed in this publication do not necessarily reflect the views of the United States Agency for International Development or the United States Government. ii USAID Nepal Monitoring, Evaluation and Learning (MEL) Project SPPELP Evaluation CONTENTS Acronyms and Abbreviations ...................................................................................................... iv Evaluation Team Members ....................................................................................................... vii Executive Summary ................................................................................................................... 1 Evaluation Purpose .................................................................................................................... 6 Project Background ................................................................................................................... -
Trg Delovne Sile in Zaposlitev Žensk V Deželah V Razvoju – Primer Nepala
UNIVERZA V LJUBLJANI FAKULTETA ZA DRUŽBENE VEDE IDA LAH MENTORICA: DR. ALEKSANDRA KANJUO MRČELA TRG DELOVNE SILE IN ZAPOSLITEV ŽENSK V DEŽELAH V RAZVOJU – PRIMER NEPALA DIPLOMSKO DELO LJUBLJANA, 2002 KAZALO 1.UVOD ..................................................................................................................................... 4 2.EKONOMSKI SISTEM IN TDS V NEPALU ....................................................................... 7 2.1.Nepalski TDS – zgodovinska makro-perspektiva............................................................ 7 2.2.Organizacijske oblike trga delovne sile – mikro-perspektiva .......................................... 9 2.3.Makro-mikro povezava .................................................................................................. 12 2.4.Strukturne spremembe v nepalski ekonomiji in gospodinjstvih med leti 1984 in 1995 14 2.5.Vladne in nevladne pobude na področju mobilizacije nepalskih žensk......................... 17 2.6.Delovna zakonodaja in razmerja na delovnem mestu.................................................... 19 3.DEJAVNIKI, KI VPLIVAJO NA STATUS ŽENSK IN NJIHOVO ZAPOSLITEV.......... 21 3.1.Kultura, religija in kastni sistem ter etnične skupine ..................................................... 21 3.2.Izobraževanje ................................................................................................................. 27 3.3.Dostop do lastništva, kapitala in denarnih posojil.......................................................... 31 3.4.Migracije zaradi -
Subcultural Appropriation of Disney Normative Characters in Countercultural Performance Responses Brady Mcdonough, Communicating Arts Dr
Subcultural Appropriation of Disney Normative Characters in Countercultural Performance Responses Brady McDonough, Communicating Arts Dr. Alison Wielgus, Department of Communicating Arts University of Wisconsin Superior Introduction Walt Disney is remembered fondly as “Uncle Walt” who re-told fairy tales in ways that were less gruesome than their originals and moved audiences to laughter and tears. Disney’s hard upbringing led to his strict personal belief system that reinforced proper behavior and a heterosexual, nuclear family structure. Fantasy was Disney’s favorite escape as a child, and he loved telling stories as an adult so much that he made it a wildly successful business. Starting in 1923 as Disney Brothers Cartoon Studio, Walt Disney began with animated shorts before eventually moving into feature-length productions. The power to reach audiences comes with the ability to convey a worldview to the public. Disney used his adaptations of fairy tales from authors such as the Brothers Grimm, Charles Perrault, and Hans Christian Anderson to entertain and teach children and adults what the perfect fantasy world could be. Disney’s versions of classic fairy tales supported a white, heterosexual, Judeo-Christian worldview known as heteronormativity. This heteronormative culture maintains a dominant status in American society called hegemony. Dominant cultures often inspire the formation of subcultures whose members do not fit the hegemonic normative culture. This paper will incorporate the work of Dick Hebdige and Judith Butler to explain subcultural creation and modes of response to hegemony, specifically through drag’s appropriation of characters. Character traits being normalized or vilified is in issue of semiotics, meaning the signs of characters and traits signify one as “good” or “evil” dependent on their performance of certain characteristics. -
Concept of Human Rights in Guru Nanak Bani
CONCEPT OF HUMAN RIGHTS IN GURU NANAK BANI THESIS SUBMITTED TO GURU NANAK DEV UNIVERSITY, AMRITSAR FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE FACULTY OF HUMANITIES AND RELIGIOUS STUDIES IN THE SUBJECT OF PHILOSOPHY 2010 Supervised By: Submitted By: Dr. Jaswinder Kaur Dhillon Nirmaljit Kaur Chairperson, Guru Ravidas Chair Guru Nanak Dev University Amritsar DEPARTMENT OF GURU NANAK STUDIES GURU NANAK DEV UNIVERSITY AMRITSAR Certificate The work included in the thesis entitled ‘Concept of Human Rights in Guru Nanak Bani’ submitted to faculty of Humanities and Religious Studies in the subject of Philosophy Guru Nanak Dev University, Amritsar for the degree of Doctor of Philosophy, was carried out by Mrs. Nirmaljit Kaur at the Department of Guru Nanak Studies, Guru Nanak Dev University, Amritsar under my supervision. This is an original work and has not been submitted for any other degree/diploma at this or any other university/institution. This thesis is fit to be considered for award of degree of Ph.D. Signature of Supervisor Declaration The work embodied in the thesis entitled ‘Concept of Human Rights in Guru Nanak Bani’ has been done by me and not submitted elsewhere for the award of any other degree. All the ideas and references have been duly acknowledged. Date: ___________ Date: _____________ Signature of Supervisor Signature of Student Acknowledgement First of all I bow my head before God Almighty who gave me to ability to complete my research work. This thesis on ‘Concept of Human Rights in Guru Nanak Bani’ is an outcome of the work done under the able supervision and guidance of Dr.