Abusir: from Pliny the Elder to Google Maps
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Some Observations on the Nature of Papyrus Bonding
]. Ethnobiol. 11(2):193-202 Winter 1991 SOME OBSERVATIONS ON THE NATURE OF PAPYRUS BONDING PETER E. SCORA Moreno Valley, CA 92360 and RAINER W. SCORA Department of Botany and Plant Sciences University of California Riverside, CA 92521 ABSTRACT.-Papyrus (Cyperus papyrus, Cyperaceae) was a multi-use plant in ancient Egypt. Its main use, however, was for the production of laminated leaves which served as writing material in the Mediterranean world for almost 5000 years. Being a royal monopoly, the manufacturing process was kept secret. PI~us Secundus, who first described this process, is unclear as to the adhesive forces bonding the individual papyrus strips together. Various authors of the past century advanced their own interpretation on bonding. The present authors believe that the natural juices of the papyrus strip are sufficient to bond the individual strips into a sheet, and that any additional paste used was for the sole purpose of pasting the individual dried papyrus sheets into a scroll. RESUMEN.-EI papiro (Cyperus papyrus, Cyperaceae) fue una planta de uso multiple en el antiguo Egipto. Su uso principal era la produccion de hojas lami nadas que sirvieron como material de escritura en el mundo meditarraneo durante casi 5000 anos. Siendo un monopolio real, el proceso de manufactura se mantema en secreto. Plinius Secundus, quien describio este proceso por primera vez, no deja claro que fuerzas adhesivas mantenlan unidas las tiras individuales de papiro. Diversos autores del siglo pasado propusieron sus propias interpretaciones respecto a la adhesion. Consideramos que los jugos naturales de las tiras de papiro son suficientes para adherir las tiras individuales y formar una hoja, y que cual quier pegamento adicional se usa unicamente para unir las hojas secas individuales para formar un rollo. -
PYRAMIDS and ZIGGURATS AS the ARCHITECTONIC REPRESENTATIONS of the ARCHETYPE of the COSMIC MOUNTAIN. Part I
I Andrzej WIERCINSKI, Warszawa PYRAMIDS AND ZIGGURATS AS THE ARCHITECTONIC REPRESENTATIONS OF THE ARCHETYPE OF THE COSMIC MOUNTAIN. Part I "Is there a man of you who by anxious thought can add a cubit to the age of his life? "(The Gospel of St. Matthew, 6, 27, according to Greek text) 1. Explanation of the problem The astrobiological religion played the role of a main ideological system which regulated societies of the formative-theocratic phase of cultural development of mankind which was distinguished by the rise of cultic centers of the monumental architecture. The latter ones were the cores of early urbanisation process. This religion has precised a model of the world with well defined position of man within it, and the sense of his activities. Its essence consisted of a dynamical and informational principle of transformation of an Absolute One into pairs of polarised opposites which, in turn, create an universal frame of reference of Cardinal Points organizing the time-spatial order of rhythmically repeating and mutually synchron ised cosmic, biological and socio-cultural processes and, at last, the psychic processes of the human individual. All these was vivified, personificated and deified ( for the main assumtions of the model see: A. Wiercinski, 19761 ). The astrobiological model of the world and man was statically patterned in mutually equivalent, due to a symbolical analogisation, archetypical (in Jungian sense) and iconic-numerical representations. Among them, the main position has been occupied by: the Cosmic Mountain, the Cosmic Tree � Cosmic Ladder � Cosmic Pillar, the Mandala, the Cosmic Man� man as Microcosmos and, © Del documento, los autores. -
Was the Function of the Earliest Writing in Egypt Utilitarian Or Ceremonial? Does the Surviving Evidence Reflect the Reality?”
“Was the function of the earliest writing in Egypt utilitarian or ceremonial? Does the surviving evidence reflect the reality?” Article written by Marsia Sfakianou Chronology of Predynastic period, Thinite period and Old Kingdom..........................2 How writing began.........................................................................................................4 Scopes of early Egyptian writing...................................................................................6 Ceremonial or utilitarian? ..............................................................................................7 The surviving evidence of early Egyptian writing.........................................................9 Bibliography/ references..............................................................................................23 Links ............................................................................................................................23 Album of web illustrations...........................................................................................24 1 Map of Egypt. Late Predynastic Period-Early Dynastic (Grimal, 1994) Chronology of Predynastic period, Thinite period and Old Kingdom (from the appendix of Grimal’s book, 1994, p 389) 4500-3150 BC Predynastic period. 4500-4000 BC Badarian period 4000-3500 BC Naqada I (Amratian) 3500-3300 BC Naqada II (Gerzean A) 3300-3150 BC Naqada III (Gerzean B) 3150-2700 BC Thinite period 3150-2925 BC Dynasty 1 3150-2925 BC Narmer, Menes 3125-3100 BC Aha 3100-3055 BC -
Be a Scribe Papyrus Lansing
Name ____________________________________________ Date __________ Class _______ Period ____ Quaestio: ________________________________________________________________________________ The Invention of Writing Directions: Examine the infographic and the text and answer the questions belowINFOGRAPHIC. INFOGRAPHIC Around 8000 B.C., Sumerians began using differently shaped clay tokens to represent various items of exchange, such as sheep, bread, or oil. To record economic transactions, they placed the tokens inside clay envelopes often 1 The Sumerians sometimes pressed shaped like balls. Around 3500 B.C., Sumerians began to press the tokens into Around tokens8000 B.C., into Sumerians the surface began of a clayusing enve- differently shapedclay tabletsclay tokens to make to signs. They also started marking the clay using a sharp representlope various before items placing of exchange, them within such it, as sheep, bread, or oil. To record perhaps to indicate its contents. tool called a stylus. Around 3200 B.C., they created a true writing system that economic transactions, they placed the tokens inside clay includedenvelopes symbols often that represented words or syllables. 1 The Sumerians sometimes pressed shaped like balls. Around 3500 B.C., Sumerians began to press the tokens into tokens into the surface of a clay enve- clay tablets to make signs. They also started marking the clay using a sharp lope before placing them within it, perhaps to indicate its contents. tool called a stylus. Around 3200 B.C., they created a true writing system that included symbols that represented words or syllables. Cuneiform Symbol Meaning Mountain Orchard Fish Cuneiform A scribe listed quantities of various 2 SOURCE: Stephen Bertman, Handbook to Life in Symbol commodities on this clay tablet using Ancient Mesopotamia both token impressions and a stylus. -
Storage and Handling of Manuscripts
International Journal of Humanities and Social Science Invention ISSN (Online): 2319 – 7722, ISSN (Print): 2319 – 7714 www.ijhssi.org ||Volume 6 Issue 2||February. 2017 || PP.30-32 Storage and Handling of Manuscripts Dr. Sarita Bhattacharjee Librarian, Women’s College, Silchar, Assam, India ABSTRACT: Manuscript is handwritten old document. This paper highlights the types of manuscripts that are usually found in India and also the different initiatives adopted for cataloguing the Indian manuscripts. It focuses on the guidelines for storing and also handling of the manuscripts. Keywords: Manuscript, Cataloguing of Manuscripts, National Mission for Manuscripts, India, Storage, Handling I. INTRODUCTION Manuscript means old document which is written by hand. The word „Manuscript‟ is derived from the Latin phrase „manu scriptum‟ means „written by hand‟. The Antiquities Art Treasures Act 1972 defines manuscript „as a record of scientific, historical, literary or aesthetic value and which has been in existence for not less than 75 years.‟ A manuscript is a handwritten composition on paper, cloth, metal, bark of tree, palm leaf or any other material. In India manuscripts are written in various languages and scripts. The major manuscripts are found in Sanskrit language. The Sanskrit collection of Sarasvai Mahal is the largest manuscripts of India which contain the major works of Sanskrit literature beginning with the Vedas. These manuscripts were written in palm leaf and papers. II. MANUSCRIPTS IN INDIA In the ancient times the earlier method of transferring knowledge to new generation was oral i.e. through schools called gurukulas. But it was quite difficult on the part of the learners to remember all the teachings of their Gurus. -
Reused Paper Bags – Papyrus Papermaking
materials for the arts Reused Paper Bags – Papyrus Papermaking 6th grade Unit: the Early River Valley Civilizations Essential Question: To what degree does geography determine culture? Instructional Outcome: Students will understand how the geography of the Nile River Valley influenced their papermaking and writing process by analyzing secondary sources and participating in a papermaking activity. (2 Days) Materials: Informational trade books on Egyptian geography, papyrus papermaking, hieroglyphs, & scribes. Ex: Eyewitness: Ancient Egypt. Glue, water, mixing bowl, markers, paper bags or butcher paper. http://www.sciencechannel.com/tv-•‐shows/what-•‐the-•‐ancients-•‐knew/videos/what-•‐the-•‐ancients-•‐knew-•‐i-•‐shorts-•‐ papyrus/ & http://www.metmuseum.org/collection/the-•‐collection-•‐online/search?ft=*&deptids=10&rpp=30&pg=2 CCLS: 6.3c Mesopotamia, Yellow River valley, Indus River valley, and Nile River valley complex societies and civilizations adapted to and modified their environment to meet the needs of their population. RI.6.1 Cite textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text. RI.6.2 Determine a central idea of a text and how it is conveyed through particular details; provide a summary of the text distinct from personal opinions or judgments. W.6.7 Conduct short research projects to answer a question, drawing on several sources and refocusing the inquiry where appropriate. Academic and Content Vocabulary: Hieroglyphic, Scribe, Phonogram, Ideogram, Cartouche, Printmaking, surplus, and Papyrus. Do now/hook: Students listen to an Egyptian song and read the lyrics on the screen. “When the [Nile] arises earth rejoices and all men are glad…. -
Revealing Metallic Ink in Herculaneum Papyri
Revealing metallic ink in Herculaneum papyri Emmanuel Bruna,b, Marine Cottec,d, Jonathan Wrightc, Marie Ruatc, Pieter Tacke, Laszlo Vinczee, Claudio Ferreroc, Daniel Delattref,g, and Vito Mocellah,1 aInserm U1216, F-38000 Grenoble, France; bUniversité Grenoble Alpes, Grenoble Institut des Neurosciences, F-38000 Grenoble, France; cThe European Synchrotron, 38043 Grenoble, Cedex, France; dLaboratoire d’Archéologie Moléculaire et Structurale, CNRS-Université Pierre et Marie Curie, UMR 8220, 75005 Paris, France; eDepartment of Analytical Chemistry, Ghent University, B-9000 Ghent, Belgium; fCNRS-Institut de Recherche et d’Histoire des Textes, 75016 Paris, France; gCentro Internazionale per lo Studio dei Papiri Ercolanesi, 80131 Napoli, Italy; and hConsiglio Nazionale delle Ricerche - Istituto per la Microelettronica e Microsistemi (CNR-IMM), Unità di Napoli, 80131 Napoli, Italy Edited by Richard Janko, University of Michigan, Ann Arbor, MI, and accepted by the Editorial Board February 18, 2016 (received for review October 8, 2015) Writing on paper is essential to civilization, as Pliny the Elder remarks more adherent, ink was required. Thereafter, metallic inks in his Natural History, when he describes the various types of papyri, became the standard for parchments in late antiquity and for the method of manufacturing them, and all that concerns writing most of the Middle Ages (4, 7). materials in the mid-first century AD. For this reason, a rigorous In this work, we study the chemical composition of papyrus scientific study of writing is of fundamental importance for the fragments carbonized by Mount Vesuvius’ eruption in 79 AD historical understanding of ancient societies. We show that metallic and found in the Villa dei Papiri at Herculaneum between 1752 ink was used several centuries earlier than previously thought. -
Sphinx Sphinx
SPHINX SPHINX History of a Monument CHRISTIANE ZIVIE-COCHE translated from the French by DAVID LORTON Cornell University Press Ithaca & London Original French edition, Sphinx! Le Pen la Terreur: Histoire d'une Statue, copyright © 1997 by Editions Noesis, Paris. All Rights Reserved. English translation copyright © 2002 by Cornell University All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. For information, address Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850. First published 2002 by Cornell University Press Printed in the United States of America Library of Congress Cataloging-in-Publication Data Zivie-Coche, Christiane. Sphinx : history of a moument / Christiane Zivie-Coche ; translated from the French By David Lorton. p. cm. Includes bibliographical references and index. ISBN 0-8014-3962-0 (cloth : alk. paper) 1. Great Sphinx (Egypt)—History. I.Tide. DT62.S7 Z58 2002 932—dc2i 2002005494 Cornell University Press strives to use environmentally responsible suppliers and materials to the fullest extent possible in the publishing of its books. Such materi als include vegetable-based, low-VOC inks and acid-free papers that are recycled, totally chlorine-free, or partly composed of nonwood fibers. For further informa tion, visit our website at www.cornellpress.cornell.edu. Cloth printing 10 987654321 TO YOU PIEDRA en la piedra, el hombre, donde estuvo? —Canto general, Pablo Neruda Contents Acknowledgments ix Translator's Note xi Chronology xiii Introduction I 1. Sphinx—Sphinxes 4 The Hybrid Nature of the Sphinx The Word Sphinx 2. -
Press Release Sahure
PRESS RELEASE Belgian Archaeological Mission to Elkab discovers important fragment of unique Old Kingdom royal statue Since 2009, the Belgian Archaeological Mission to Elkab, directed by Dr. Dirk Huyge of the Royal Museums of Art and History in Brussels, has focused its research on the settlement area of Elkab. Excavation campaigns in 2009, 2010 and 2012 have revealed the presence of a vast habitation area, situated within the Late Period Great Walls, immediately north and west of the temple zone. The oldest occupation phase dates back to the prehistoric Badarian culture (ca. 4200 BC); the most recent one concerns the early Old Kingdom (ca. 2700-2500 BC). The finds at Elkab demonstrate a continuous occupation of the site during almost two millennia. They bear witness to the on-the-spot gradual transition from a prehistoric (Neolithic/Predynastic) village lifestyle to a fully-developed Old Kingdom urban society. The latest test trenches executed at the site in February-March 2015 have allowed the mission to better document both the important 2 nd Dynasty habitation layers, including substantial rectangular buildings with large walls and stone foundations, as well as the late Predynastic (Naqada III period) occupation. The most exceptional find of the 2015 campaign, however, was that of a fragment (base and lower part of legs) of an Old Kingdom royal statue. The preserved height is 21.7 cm. The inscriptions on the fragment have been independently verified and read by Egyptologists Prof. John Coleman Darnell (Yale University, New Haven, US) and Dr. Luc Delvaux (Royal Museums of Art and History, Brussels, Belgium). -
The History and Description of Africa and of the Notable Things Therein Contained, Vol
The history and description of Africa and of the notable things therein contained, Vol. 3 http://www.aluka.org/action/showMetadata?doi=10.5555/AL.CH.DOCUMENT.nuhmafricanus3 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org The history and description of Africa and of the notable things therein contained, Vol. 3 Alternative title The history and description of Africa and of the notable things therein contained Author/Creator Leo Africanus Contributor Pory, John (tr.), Brown, Robert (ed.) Date 1896 Resource type Books Language English, Italian Subject Coverage (spatial) Northern Swahili Coast;Middle Niger, Mali, Timbucktu, Southern Swahili Coast Source Northwestern University Libraries, G161 .H2 Description Written by al-Hassan ibn-Mohammed al-Wezaz al-Fasi, a Muslim, baptised as Giovanni Leone, but better known as Leo Africanus. -
Glossing the Past: the Fifth Dynasty Sun Temples, Abu Ghurab and the Satellite Imagery
PES XIX_2017_studied_90-136_PES 14.12.17 9:47 Stránka 110 1 1 0 PES XIX/2017 GLOSSING THE PAST: THE FIFTH DYNASTY SUN TEMPLES Fig. 1 Historical cartography of the Abusir plateau in comparison (from left to right): Lepsius’ map (1849: pl. 32), De Morgan’s map (1897: pl. 11) and the Franco-Egyptian map (EMHR 1978, sheet 21). The circles enclose the two missing Pyramids Lepsius XVI and Lepsius XXVIII Glossing the past: the Fifth Dynasty sun temples, Abu Ghurab and the satellite imagery Massimiliano Nuzzolo – Patrizia Zanfagna On the northernmost foothill of the Abusir plateau, which is usually known as Abu Ghurab, a few hundred meters from the royal necropolis, the Fifth Dynasty pharaohs built some of the most intriguing monuments of ancient Egyptian architecture, the so-called sun temples. So far, however, only two of the six temples known from the textual sources of the time have been identified and systematically excavated, i.e. that of Userkaf and Nyuserre. Four sanctuaries still remain to be discovered. The present paper has thus the aim to shed some light on their possible locations by means of the combined analysis of archaeological evidence, historical cartography and new remote sensing imagery. Over the past two decades, remote sensing techniques have well as the identification of a complex system of commu- been increasingly used in Egyptology for the study and re- nication, dating back to the Old Kingdom, between the construction of the archeological landscape of ancient Red Sea coast and the copper mines of the Wadi Maghara Egypt and the analysis of its topographical and spatial pe- (Mumford – Parcak 2003: 83–116; Parcak 2004a: culiarities. -
The Beautiful Burial in Roman Egypt
OXFORD STUDIES IN ANCIENT CULTURE AND REPRESENTATION General Editors Simon Price R. R. R. Smith Oliver Taplin OXFORD STUDIES IN ANCIENT CULTURE AND REPRESENTATION Oxford Studies in Ancient Culture and Representation publishes signiWcant inter- disciplinary research into the visual, social, political, and religious cultures of the ancient Mediterranean world. The series includes work which combines diVerent kinds of representations which are usually treated separately. The overarching programme is to integrate images, monuments, texts, performances and rituals with the places, participants, and broader historical environment that gave them meaning. The Beautiful Burial in Roman Egypt Art, Identity, and Funerary Religion CHRISTINA RIGGS 1 3 Great Clarendon Street, Oxford ox2 6dp Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With oYces in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © Christina Riggs 2005 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2005 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization.