DOCSLIB.ORG

Fall 2020 Student Recital

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Fall 2020 Student Recital Music Student Recital Fall 2020 October 28, 2020 7:30 p.m. All performances recorded Oct. 21-23, 2020 Hannah Lide Coker Recital Hall Coker University Hartsville, SC COKER UNIVERSITY McCALL SCHOOL OF VISUAL & PERFORMING ARTS FALL MUSIC STUDENT RECITAL Wednesday, October 28th 2020 – 7:30 p.m. Hannah Lide Coker Recital Hall PROGRAM “Se tu m’ami, se sospiri” .......................................................................... Giovanni Pergolesi (1710–1736) Ella Naylor, soprano, and Dr. Inhye Cho, piano “Dolente Immagine de Fille Mia” .......................................................... Giovanni Pergolesi (1710–1736) Paige Higgins, soprano, and Mrs. Kim Roberts, piano “By an’ By” .......................................................................................................... H.T. Burleigh (1866–1949) Lisa Montgomery, alto, and Dr. Inhye Cho, piano “O Shenandoah” ..................................................................................................... Traditional Samantha Harriss, soprano, and Dr. Inhye Cho, piano “Hey There” .................................................................................. Richard Adler/Jerry Ross from The Pajama Game Braxton Baynes, tenor, and Dr. Inhye Cho, piano “Create in Me a Clean Heart, O God” ......................................................... Carl F. Mueller (1840–1912) Patrick Clark, bass-baritone, and Dr. Inhye Cho, piano “American Lullaby” .............................................................................................. Gladys Rich (1892–1972) Rori Cummings, mezzo-soprano, and Prof. HyunJung Im, piano “Blow High, Blow Low” .................................. Richard Rodgers/Oscar Hammerstein II from Carousel Luke Baker, bass, and Dr. Inhye Cho, piano “Evening Song” ................................................................................................. Clara Edwards (1880–1974) Marley Owens, mezzo-soprano, and Dr. Inhye Cho, piano Nocturne No. 3 for clarinet and piano ........................................................ J. W. Kalliwoda (1801–1866) Timothy Campbell, clarinet, and Mrs. Kim Roberts, piano “I Could Have Danced All Night” ..................................... Alan Lerner/Frederick Lowe from My Fair Lady Ava Moss, soprano, and Dr.. Inhye Cho, piano “Evensong” ........................................................................................................ Liza Lehmann (1862–1918) Saviah Miller, soprano, and Mrs. Kim Roberts, piano “Sibella” ............................................................................................................. Steven Lutvak from Gentleman’s Guide to Love and Murder Perrion Porter, tenor, and Mrs. Kim Roberts, piano “Batti, Batti o bel Masetto” ............................................................................. W. A. Mozart from Don Giovanni (1756-1791) Jessica Dutton, soprano, and Prof. HyunJung Im, piano Nocturne for clarinet and piano ............................................................................ Luigi Bassi (1833-1871) Sabria Washington, clarinet, and Mrs. Kim Roberts, piano “Come Ready and See Me” ......................................................................... Richard Hundley (1932–2018) Heyward Moak, soprano, and Mrs. Kim Roberts, piano “Zueignung” .................................................................................................... Richard Strauss (1864–1949) Kristopher Wilder, tenor, and Prof. HyunJung Im, piano “Schäfers Klagenlied” ..................................................................................... Franz Schubery (1797–1828) Amariah Lawson, soprano, and Dr. Inhye Cho, piano Air on the G String ..................................................................................................... J.S. Bach (1685-1750) Aze Rodriguez, violin, and Dr. Inhye Cho, piano “My Funny Valentine” ........................................................ Richard Rodgers/Lorenz Hart from Babes in Arms Annie Cowley, soprano, and Mrs. Kim Roberts, piano Gymnopedie No. 3 .................................................................................................... Erik Satie (1866-1925) Carrie Oxendine, piano “Once Upon a December” ......................................................................... Stephen Flaherty from Anastasia (b. 1960) Annie Cowley, soprano, and Mrs. Kim Roberts, piano Etude .............................................................................................................. Johannes Rochut (1881-1952) Jerome Richardson III, trombone “Frühlingsglaube” ............................................................................................ Franz Schubert (1797–1828) Carrie Oxendine, soprano, and Prof. HyunJung Im, piano “Andante” from Bel Canto Studies ............................................................ Marco Bordogni (1789-1856) Aden Vermeersch, tuba French Suite No. 5 in G, BWV 816 ......................................................................... J.S. Bach VII. Gigue (1685–1750) Tucker Smith, piano “Voi Che Sapete” .............................................................................................. W. A. Mozart from The Marriage of Figaro (1756-1791) Alison Clodfelter, soprano, and Prof. HyunJung Im, piano This recital is presented in partial fulfillment of the requirements for students enrolled in applied music lessons. Students study with Coker Music Program Faculty: Dr. Jerron Jorgensen, voice; Dr. Christi McLain, voice; Dr. Reed Hanna, woodwinds and piano; Prof. Rita Chandler (piano); Prof. Nick Fife, brass, Dr. Michael Brown, voice; and Dr. Inhye Cho, piano. The Coker University Music Program students and faculty would like to extend a very special thanks to our collaborative pianists: Mrs. Kim Roberts Dr. Inhye Cho Prof. HyunJung Im Stay in touch! Follow the Coker University Music Area on social media for updates about future events! @cokeruniversitymusic Coker University Music .
Load more

Recommended publications
  • Representing the Best of Music Changing Lives As We Bridge to a Global Community
    Representing the best of Music Changing Lives as we bridge to a global community. Increasing the global awareness of the Lone Star Wind Orchestra through an innovative means of allowing musicians to come together globally to create great music both audibly and visibly. Creating a model that is inclusive of musicians beyond those historically connected to the Lone Star Wind Orchestra. SPECIAL THANKS Armanino Foundation Nancy A. Nasher and David J. Haemisegger Jinger and Dick Heath Texas Commission on the Arts City of Dallas Office of Arts and Culture City of Richardson Cultural Arts Commission The Arts Community Alliance (TACA) The National Endowment for the Arts GLOBAL ENSEMBLE TEAM Team Managers Support Team Members Dr. Cedric Alford, Project Director Robert Clark, Technology Dr. Barry Knezek, Artistic Manager Jolene Masone, Artistic Zach Crosby, Marketing Manager Brett Penshorn, Artistic Leo Aguilar, Operations Manager Scott Probst, Audio & Visual Eugene Migliaro Corporon, LSWO Conductor Vignesh Ramdas, Marketing Andrew Trachsel, LSYW Conductor Hunter Starnes, Audio & Visual Chris Bill, Project Consultant Austin Townsend, Marketing Frank Troyka, Education Consultant Christopher Tucker, Playbill Jonathan Villeia, Marketing Todd Watson, Attorney FOUNDERS, BOARD, & STAFF Founders Board of Trustees Staff Robert Clark Dr. Barry Knezek, Chair Eugene Migliaro Corporon, Music Director Dr. Barry Knezek Tim Thompson, Treasurer Christopher Tucker, Director of Artistic Planning Christopher Tucker Kimberly Tucker, Secretary Gae Hatton, Executive
    [Show full text]
  • Guide to the Bobby Tucker Papers
    Guide to the Bobby Tucker Papers NMAH.AC.1141 Vanessa Broussard Simmons, Craig A. Orr and Rebekah Keel Processing and encoding funded by a grant from the Council on Library and Information Resources. 2016 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 2 Arrangement..................................................................................................................... 3 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 5 Series 1: Professional Materials, 1883-2007, undated............................................ 5 Series 3: Audiovisual Materials, Undated.............................................................. 44 Bobby Tucker Papers NMAH.AC.1141 Collection Overview Repository: Archives
    [Show full text]
  • Southern Music and the Seamier Side of the Rural South Cecil Kirk Hutson Iowa State University
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1995 The ad rker side of Dixie: southern music and the seamier side of the rural South Cecil Kirk Hutson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Folklore Commons, Music Commons, Social and Cultural Anthropology Commons, and the United States History Commons Recommended Citation Hutson, Cecil Kirk, "The ad rker side of Dixie: southern music and the seamier side of the rural South " (1995). Retrospective Theses and Dissertations. 10912. https://lib.dr.iastate.edu/rtd/10912 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthiough, substandard margins, and improper alignment can adversely affect reproductioiL In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion.
    [Show full text]
  • • Interview with Lorenzo Tucker. Remembering Dorothy Dandridge. • Vonetta Mcgee • the Blaxploitation Era • Paul Robeson •
    • Interview with Lorenzo Tucker. Remembering Dorothy Dandridge. • Vonetta McGee • The Blaxploitation Era • Paul Robeson •. m Vol. 4, No.2 Spring 1988 ,$2.50 Co-produced with the Black Film Institute of the University of the District of Columbia .,.... ~. .# • ...-. .~ , .' \ r . t .• ~ . ·'t I !JJIII JlIf8€ LA~ ~N / Ul/ll /lOr&£ LAlE 1\6fJt1~ I WIL/, ,.,Dr 8~ tATE /lfVll" I h/ILl kif /J£ tlf1E M/tl# / wlU ~t11' BE 1II~ fr4lt11 I k/Ilt- /V6f Ie tJ]1f. 1t6/tlfV _ I WILL No~ ~'% .,~. "o~ ~/~-_/~ This is the Spring 1988 issue of der which we mail the magazine, the Black Fzlm Review. You're getting it U.S. Postal Service will not forward co- ~~~~~ some time in mid 1988, which means pies, even ifyou've told them your new',: - we're almost on schedule. - address. You need to tell us as well, be- \ Thank you for keeping faith with cause the Postal Service charges us to tell us. We're going to do our best not to us where you've gone. be late. Ever again. Third: Why not buy a Black Fzlm Without your support, Black Fzlm Review T-shirt? They're only $8. They Review could not have evolved from a come in black or dark blue, with the two-page photocopied newsletter into logo in white lettering. We've got lots the glossy magazine it is today. We need of them, in small, medium, large, and your continued support. extra-large sizes. First: You can tell ifyour subscrip­ And, finally, why not make a con­ tion is about to lapse by comparing the tribution to Sojourner Productions, Inc., last line of your mailing label with the the non-profit, tax-exempt corporation issue date on the front cover.
    [Show full text]
  • A Feminist Perspective on New Orleans Jazzwomen
    A FEMINIST PERSPECTIVE ON NEW ORLEANS JAZZWOMEN Sherrie Tucker Principal Investigator Submitted by Center for Research University of Kansas 2385 Irving Hill Road Lawrence, KS 66045-7563 September 30, 2004 In Partial Fulfillment of #P5705010381 Submitted to New Orleans Jazz National Historical Park National Park Service 419 Rue Decatur New Orleans, LA 70130 This is a study of women in New Orleans jazz, contracted by the National Park Service, completed between 2001 and 2004. Women have participated in numerous ways, and in a variety of complex cultural contexts, throughout the history of jazz in New Orleans. While we do see traces of women’s participation in extant New Orleans jazz histories, we seldom see women presented as central to jazz culture. Therefore, they tend to appear to occupy minor or supporting roles, if they appear at all. This Research Study uses a feminist perspective to increase our knowledge of women and gender in New Orleans jazz history, roughly between 1880 and 1980, with an emphasis on the earlier years. A Feminist Perspective on New Orleans Jazzwomen: A NOJNHP Research Study by Sherrie Tucker, University of Kansas New Orleans Jazz National Historical Park Research Study A Feminist Perspective on New Orleans Jazz Women Sherrie Tucker, University of Kansas September 30, 2004 Table of Contents Acknowledgments ................................................................................................ iii Introduction ...........................................................................................................1
    [Show full text]
  • Flute Oboe Clarinet
    FLUTE Bilderback Susan Flute Burns Maija Flute Burton Jenna Flute Cobb Victoria Flute Dominguez Dunson Yolaun Flute Levin Ava Flute Longwell Zoe Flute Mason Kayla Flute Nakano Kiyoko Flute O'Dell Nicole Flute Pelham Eleni Flute Roffmann Avery Flute Sohm Haillee Flute Tolman Samantha Flute OBOE Kleyh Hannah Oboe Monterrosa Brianna Oboe Moon Mallory Oboe Selby Sophia Oboe Smith Emily Oboe Zeller Chase Oboe CLARINET Crockett Aubrey Clarinet Elwood Alex Clarinet Forgues Carolyn Clarinet Francis Hannah Clarinet Grace Anna Clarinet Grelinger Malia Clarinet Harts Caitlin Clarinet Hoegler Jaeden Clarinet Kandlbinder Madalyn Clarinet Kowalke Alysse Clarinet Miller Maddie Clarinet Miller Dakota Clarinet Snir Barak Clarinet Spence Alyana Clarinet Stickley Jenna Clarinet Swingle Hunter Clarinet Tucker Madison Clarinet Wisdom Chelsey Clarinet Zhao Catherine Clarinet BASS CLARINET Kelly Ian Bass Clarinet Lassiter Harold Bass Clarinet Reed Haylie Bass Clarinet SAXOPHONE Baker Braden Alto Saxophone Bender Carson Alto Saxophone Dodson Reagan Alto Saxophone Dusin Matt Alto Saxophone Helmer Caden Alto Saxophone Hulen Shawn Alto Saxophone Lowstetter Ella Alto Saxophone McDonald Abigail Alto Saxophone Montigny Ashton Alto Saxophone Hungate Cheyenne Tenor Saxophone Kahn Fawad Tenor Saxophone Thornton Bryson Tenor Saxophone Day Sam Baritone Saxophone Thomas Lexi Baritone Saxophone BASSOON Abernathy Dylan Bassoon Brockman Corina Bassoon Finn Connor Bassoon Jones Katie Bassoon Marker Kayla Bassoon McNutt Van Bassoon Nicholl Logan Bassoon Tuso Landon Bassoon TRUMPET
    [Show full text]
  • 2020 Virtual Winter Band Showcase Symphonic Band Adam L. Tucker, Conductor
    The Souderton Area High School Music Department presents 2020 Virtual Winter Band Showcase Symphonic Band Adam L. Tucker, Conductor Circle in a Square…………………………………...……………..…...Ed Kiefer Greensleeves…………………………………………...………...….Alfred Reed American Salute……………………………………………...…....Morton Gould Arranged by Douglas E. Wagner 2020-2021 SAHS Symphonic Band Flute French Horn Rahela Dolha Ian Martin Riley Goshow* Bella Maldonado* Trumpet Sophia Slater Kenna Duffy Jordan Taylor* Kamryn Hartman* Laura Kennedy* Clarinet Owen Krauss Owen Funk Drew Landis* Tayler Garges* Ryan McKannan Elizabeth Kline Maddy Nase* Alli Malmquist Sarah Steffy Alex Martin Kate Taipale Trombone Julia Winebrenner Joe Armstead Kelley Zarzycki Nick Mahoney Jason Masciulli Bass Clarinet Maggie Duesberry* Tuba Caitlin Renner Alto Saxophone Jason Edwards Percussion Alexis Gerth Justin Calin Gabe Heim AJ Coates Ryann Libor* Timothy Finger William Troegler* Miranda Razzi Tenor Saxophone *- Senior Member Andrew Febus Program Notes Hello and Happy Holidays! I think we can all agree that this is weird. I’ve never had to make opening remarks in print before. Honestly, I don’t think I’ve ever written these down before in my 20 years of teaching! However, in this changing landscape, everything is weird, but what hasn’t changed is the desire to make great music, and you have these students to thank for that. It’s not a typical performance, but it still shows the dedication and perseverance these musicians have to create, rehearse and perform these pieces they have been working on since August. Their ability to overcome our unique situation and still find a way to present this concert is a testament to how wonderful these band students are, and you should be proud of them.
    [Show full text]
  • CD 2 Dance Description
    Dance Descriptions for FolkStyle Productions CD No. 2 “More Folk Dance Music for Kids & Teachers” 20 enjoyable ethnic dances, for all levels of learners, taught by Sanna Longden Dances on the CD Boot Scootin’ Boogie (DVD 5) and in this book: Constant Billy (DVD 5) (corresponding DVDs noted Cotton-Eyed Joe (DVD 5) in parentheses) El Vals de los Paños (DVD 5) Gathering Peasods (DVD 4) Grand March (DVD 5) Huitzilopochtli (DVD 4) I Love a Rainy Night (DVD 5) Jenny Pluck Pears (DVD 5) La Belle Catherine/Muffin Man (DVD 5) La Raspa (DVD 4) Los Machetes (DVD 4) Maypole music (DVD 4) The Minuet (DVD 5) The Peopleton Stick Dance (DVD 5) Sellenger’s Round (DVD 4) Siege of Carrick (DVD 4) The Sir Roger de Coverly (DVD 5) This book accompanies the CD Tonanzin (DVD 4) and is included in the price. The Virginia Reel (DVD 5) CONTENTS FOR CD #2 SYLLABUS Pages CD track Background and Foreward 2-3 Boot Scootin’ Boogie (U.S. country/western) 4 1 Constant Billy (ancient Morris dance) 5-6 2 Cotton-Eyed Joe (U.S. Tex-Mex) 7 3 El Vals de los Paños 8 4 Gathering Peascods (England) 9 5 Grand March, The (USA and others) 10 6 Huitzilopochtli (Mexico—Aztec) 11 7 I Love a Rainy Night (U.S. country western) 12 8 Jenny Pluck Pears (England) 13-15 9 La Belle Catherine/The Muffin Man 16 10 La Raspa (Mexico—traditional version) 17 11 La Raspa (Mexico—novelty version) 18 11 Los Machetes (Mexico—stick dance) 19 12 Los Machetes (Mexico—partner mixer) 20 12 Maypole Dances (England) 21-24 13 Minuet, The (Western Europe and U.S.) 25-26 14 Peopleton Stick Dance, The (Morris dance) 27-28 15 Sellenger’s Round (England) 29 16 Siege of Carrick (Ireland) 30 17 Sir Roger de Coverley, The (England, USA) 31 18 Strip the Willow or Reel figure 32 ----- Tonanzin (Mexico--Aztec) 33 19 Virginia Reel (England/USA) 34 20 Index of CDs and DVD/videos 35-36 Alphabetical Index of All Dances 37-38 Index by Continents and Islands 39-41 1 BACKGROUND AND FOREWORD Teaching traditional dance in educational settings by Sanna Longden Thank you so much for your order of my world dance materials.
    [Show full text]
  • Max's CD Collection
    Max's CD Collection (as of Mon Feb 10 18:13:08 CET 2003) 625 records by 298 artists. Pop CDs 607 records by 290 artists. Artist Title Year Notes Location (Various) Le Meilleur du Rock Progressif Européen 1994 Compilation (7,5) Mannerisms 1994 (2,19) The Glory of Gershwin 1994 (1,10) La Yellow 357 1995 Compilation (8,12) Le Meileur du Rock Progressif Instrumental 1995 (7,10) Supper's Ready 1995 (2,15) XTC - A Testimonial Dinner 1995 (2,21) The Cocktail Shaker 1997 Compilation (8,14) Select Hot! 1998 Compilation (4,6) Classic Rock vol. 10 1999 (2,13) Uncut vol. 7 1999 Compilation (2,16) Uncut vol. 9 1999 Compilation (4,9) Uncut 2000 vol. 3 2000 Compilation (4,17) Uncut - September 2001 2001 Compilation (8,15) Rock Save The Queen 2002 Compilation (9,25) Uncut - Neat Neat Neat 2002 Compilation (9,7) 10,000 Maniacs MTV Unplugged 1993 (6,42) 3 Mustaphas 3 Heart of Uncle 1989 (2,11) Soup of The Century 1990 (3,5) 4 Non Blondes Bigger, Better, Faster, More! 1992 (3,9) A A vs. Monkey Kong 1999 (9,27) Exit Stage Right 2000 Live (9,21) Hi-Fi Serious 2002 (9,14) Abel Ganz Gratuitous Flash 1982 (3,20) The Dangers of Strangers 1985 (7,11) Gullibles Travels 1987 (7,10) The Deafening Silence 1994 (7,7) AC/DC High Voltage 1976 (5,14) Let There Be Rock 1977 (3,13) Highway to Hell 1979 (5,15) Back in Black 1980 (6,40) Live 1992 Live (4,15) Alan Parsons Project, The Tales of Mystery and Imagination 1976 (7,11) The Turn of a Friendly Card 1980 (7,11) All About Eve Scarlet and Other Stories 1989 (7,3) Almond, Marc Jacques 1989 (9,4) Amos, Tori Little Earthquakes 1991 (3,14) Boys for Pele 1996 (4,9) From The Choirgirl Hotel 1998 (1,13) From The Glastonbury Hotel 1999 Live, Bootleg (1,16) To Venus And Back 1999 2 CD.
    [Show full text]
  • Awards Ceremony
    2019–20 concert season at Peabody PEABODY PREPARATORY presents the THIRTY-SIXTH ANNUAL AWARDS CEREMONY Sunday, May 31, 2020, 2:00 pm Virtual PEABODY PREPARATORY THIRTY-SIXTH ANNUAL AWARDS CEREMONY Welcome Maria Mathieson, Director of the Peabody Preparatory Opening Remarks Fred Bronstein, Dean of the Peabody Institute Announcement of Achievement Awards Recognition of Graduating Seniors 2020 Senior Spokesperson Keith Fleming Presentation of Performance Awards and Special Prizes Presentation of the Suzanne Seff Kuff Excellence in Teaching Award to Daniel Levitov Presentation of Music Certificate Awards Victoria Ritter Special Thanks ACHIEVEMENT AWARDS Lilia Anderson, cantate Elisabeth Kaiser, violin Erin Arnold, cantate Samantha Kalainov, violin Joshua Aung, voice Hongze Khor, cello Elizabeth Banyas, cantate Riya Khosla, cantate Tara Bass, flute Yehna Kim, violin Samantha Biggs, violin Andrew Krasulski, piano Logan Bitner-Parish, cantate Sydney Lavin, piano Letizia Borroni, cantate Chloe Lee, violin Kirsten Braddy, violin Alexandria Lee-Llacer, viola Jahniya Braga, violin Xavier Lee-Llacer, viola Maggie Brantley, violin Sulayman Leheny, piano Henry Bushnell, cello Kaitlyn Leitherer, harp Elizabeth Carpenter, voice and cantate Evan Leng, piano Esther Chae, piano Aaron Lieberman, cello and composition Kristina Chao, flute Olivia Lim, piano Audrey Chen, piano Zachary Liu, piano Grace Chen, flute Maria Liu, violin Eugun Alex Chung, piano Agnes Loper, violin Jaxyn Corcoran, composition Isabel Marcus, voice Jason Cox, piano Aria McCloskey,
    [Show full text]
  • "Tick Tock Tick Tock – It's Tommy Tucker Time" by Opal Louis Nations
    "Tick Tock Tick Tock – It's Tommy Tucker Time" by Opal Louis Nations During the winter of 1963-64, over an eleven-week period, Tucker's infectious little toe- tapping dance floor ditty, "Hi-heel Sneakers," climbed steadily up the R & B charts, stopping just short of breaking the Top Ten. Had this blues-shaded song cracked the summit's short list, Tucker's fortunes would possibly have taken him into the Rock & Roll Hall of Fame. Since then, "Hi-heel Sneakers" has been covered by everyone who is anyone, (one-hundred-and-fifty plus versions at last count), most notably Tom Jones, Elvis Presley, Sammy Davis Jr., Cleo Lane, José Feliciano, and the idiosyncratic Rahsaan Roland Kirk with whom Tucker spent his early career out in the hinterlands. For all this, Tucker ended up a forgotten man. At the time of his death back on January 22, 1982, Tan magazine in its February issue of that year confused Tucker with his then prominent namesake, Los Angeles bailbondsman and former owner of the famous Playroom Club whose mugshot was published in place of the pianist/singer/songwriter from Springfield, Ohio. Likewise, Joel Whitburn in his Top R&B Singles 1942-88 book has Tucker confused with the rockabilly teen idol namesake from Memphis who recorded "Miller's Cave" for Hi Records in the early 1960s and died disillusioned in a fire at his home in 1985. The real Tommy Tucker was born Robert Higginbotham in Springfield, Ohio on March 5, 1933. His father, Leroy, played piano in country honky tonks, his mother, Mary Woods, hailed from Chattanooga, Tennessee.
    [Show full text]
  • 2020 Virtual Winter Band Showcase Concert Band Adam L. Tucker, Conductor
    The Souderton Area High School Music Department presents 2020 Virtual Winter Band Showcase Concert Band Adam L. Tucker, Conductor 2020-2021 SAHS Concert Band Flute Baritone Saxophone Aditya Bhandari Ethan Lafredo Emily Bucher Joey Nase Rahela Dolha+ Lauren Douglas French Horn Grace Fitzhenry Sonia Dharmani Abigail Gladwell^ Jacob Dommel Riley Goshow+* Douglas Reilly Abigail Mast Shanley Wall Ashlyn Odenwald^ Ashley Paturzo Trumpet Thomas Thompson* Ang Borisow Kaitlyn Tobin Joey Crecca Kathryn Yaglenski^ Matthew Cutrona*+ Aonghas Evanick+ Clarinet Ethan Kanike Ava Beskar^ Aidan Maue Nate Eraydin Michael Petrillo^ Tayler Garges+* Michael Salter Arman Khatri Ryan Schlipf* Hannah Magdsziak Lillie Wade Gabrielle Micsion* Carter Wright Maddie Skrzat^ Preston Ziegenfuss Kassandra Smith Avery Taylor^ Trombone Naomi Thompson Joe Armstead Landon Catto Bass Clarinet Devon Maue Maggie Duesberry*+ Harvey Reilly Sam Gerhart Tuba Contra Alto Clarinet Clinton Radcliff Elizabeth Hedrick Chase Walker Alto Saxophone Percussion Zoe Bass Garrett Blankenstein+*^ Adam Borisow*+ Justin Calin+ Noah Connor Ben Christopher Dillan Lobel Chase Clemmer Lincoln Weidner Mason Kostick Hunter Weitzel^ Zane Kostick Andrew Kraus Tenor Saxophone Austin Kreyenhagen^ Andrew Febus+ Matthew Ranieri Will Stanczewski Miranda Razzi+ Rinaldo Rossi *- Senior Member +- Symphonic Band Member ^- Not present in recording Celebration for Christmas…………...…...arranged by Randall D. Standridge The Haunted Carousel………………………………………....….Erika Svanoe Hans Zimmer: Movie Milestones………………...arranged by Michael Brown Program Notes Hello and Happy Holidays! I think we can all agree that this is weird. I’ve never had to make opening remarks in print before. Honestly, I don’t think I’ve ever written these down before in my 20 years of teaching! However, in this changing landscape, everything is weird, but what hasn’t changed is the desire to make great music, and you have these students to thank for that.
    [Show full text]