On the Development of Tourist Products of Poem in Qinhuangdao
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How Could Phenological Records from the Chinese Poems of the Tang and Song Dynasties
https://doi.org/10.5194/cp-2020-122 Preprint. Discussion started: 28 September 2020 c Author(s) 2020. CC BY 4.0 License. How could phenological records from the Chinese poems of the Tang and Song Dynasties (618-1260 AD) be reliable evidence of past climate changes? Yachen Liu1, Xiuqi Fang2, Junhu Dai3, Huanjiong Wang3, Zexing Tao3 5 1School of Biological and Environmental Engineering, Xi’an University, Xi’an, 710065, China 2Faculty of Geographical Science, Key Laboratory of Environment Change and Natural Disaster MOE, Beijing Normal University, Beijing, 100875, China 3Key Laboratory of Land Surface Pattern and Simulation, Institute of Geographic Sciences and Natural Resources Research, Chinese Academy of Science (CAS), Beijing, 100101, China 10 Correspondence to: Zexing Tao ([email protected]) Abstract. Phenological records in historical documents have been proved to be of unique value for reconstructing past climate changes. As a literary genre, poetry reached its peak period in the Tang and Song Dynasties (618-1260 AD) in China, which could provide abundant phenological records in this period when lacking phenological observations. However, the reliability of phenological records from 15 poems as well as their processing methods remains to be comprehensively summarized and discussed. In this paper, after introducing the certainties and uncertainties of phenological information in poems, the key processing steps and methods for deriving phenological records from poems and using them in past climate change studies were discussed: -
An Explanation of Gexing
Front. Lit. Stud. China 2010, 4(3): 442–461 DOI 10.1007/s11702-010-0107-5 RESEARCH ARTICLE XUE Tianwei, WANG Quan An Explanation of Gexing © Higher Education Press and Springer-Verlag 2010 Abstract Gexing 歌行 is a historical and robust prosodic style that flourished (not originated) in the Tang dynasty. Since ancient times, the understanding of the prosody of gexing has remained in debate, which focuses on the relationship between gexing and yuefu 乐府 (collection of ballad songs of the music bureau). The points-of-view held by all sides can be summarized as a “grand gexing” perspective (defining gexing in a broad sense) and four major “small gexing” perspectives (defining gexing in a narrow sense). The former is namely what Hu Yinglin 胡应麟 from Ming dynasty said, “gexing is a general term for seven-character ancient poems.” The first “small gexing” perspective distinguishes gexing from guti yuefu 古体乐府 (tradition yuefu); the second distinguishes it from xinti yuefu 新体乐府 (new yuefu poems with non-conventional themes); the third takes “the lyric title” as the requisite condition of gexing; and the fourth perspective adopts the criterion of “metricality” in distinguishing gexing from ancient poems. The “grand gexing” perspective is the only one that is able to reveal the core prosodic features of gexing and give specification to the intension and extension of gexing as a prosodic style. Keywords gexing, prosody, grand gexing, seven-character ancient poems Received January 25, 2010 XUE Tianwei ( ) College of Humanities, Xinjiang Normal University, Urumuqi 830054, China E-mail: [email protected] WANG Quan International School, University of International Business and Economics, Beijing 100029, China E-mail: [email protected] An Explanation of Gexing 443 The “Grand Gexing” Perspective and “Small Gexing” Perspective Gexing, namely the seven-character (both unified seven-character lines and mixed lines containing seven character ones) gexing, occupies an equal position with rhythm poems in Tang dynasty and even after that in the poetic world. -
Dissertation Section 1
Elegies for Empire The Poetics of Memory in the Late Work of Du Fu (712-770) Gregory M. Patterson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 ! 2013 Gregory M. Patterson All rights reserved ABSTRACT Elegies for Empire: The Poetics of Memory in the Late Work of Du Fu (712-770) Gregory M. Patterson This dissertation explores highly influential constructions of the past at a key turning point in Chinese history by mapping out what I term a poetics of memory in the more than four hundred poems written by Du Fu !" (712-770) during his two-year stay in the remote town of Kuizhou (modern Fengjie County #$%). A survivor of the catastrophic An Lushan rebellion (756-763), which transformed Tang Dynasty (618-906) politics and culture, Du Fu was among the first to write in the twilight of the Chinese medieval period. His most prescient anticipation of mid-Tang concerns was his restless preoccupation with memory and its mediations, which drove his prolific output in Kuizhou. For Du Fu, memory held the promise of salvaging and creatively reimagining personal, social, and cultural identities under conditions of displacement and sweeping social change. The poetics of his late work is characterized by an acute attentiveness to the material supports—monuments, rituals, images, and texts—that enabled and structured connections to the past. The organization of the study attempts to capture the range of Du Fu’s engagement with memory’s frameworks and media. It begins by examining commemorative poems that read Kuizhou’s historical memory in local landmarks, decoding and rhetorically emulating great deeds of classical exemplars. -
An Analysis of Translation Strategies for Space-Time Compressed Images in Tang Poetry
Advances in Social Science, Education and Humanities Research, volume 378 6th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2019) An Analysis of Translation Strategies for Space-Time Compressed Images in Tang Poetry Yeping Li School of International Studies Shaanxi Normal University Xi'an, China Abstract—Based on the Conceptual Blending Theory (CBT) space beauty of Li Bai's poetry [6]. [1] [2] [3] [4] [5] [6] of cognitive linguistics, by comparative analysis, this paper show that time and space relations are extremely important seeks to explore Chinese-English translation strategies for for ancient Chinese poetry. However, there is still a lack of Tang poetry that possess the compression of the space-time in-depth study on the translation of the compression of the relationship. Different English translation versions of famous space-time relationship in poetry at present. Tang poetry such as "On the Tower at Youzhou", "Looking at the Moon and Longing for One Far Away", and "On the Conceptual integration is a theory that involves space- Frontier", are taken as examples. After analysis, it is found time relation in cognitive linguistics. According to Prof. that the commonly adopted strategies for translating space- Mark Turner's book The Origin of Ideas: Blending, time compressed images include simplification or Creativity, and the Human Spark, people can build their own recombination of the compression of the space-time unity across time and space, so that they can creatively relationship. Simplifying the space-time relationship usually operate the outside world in their minds and build new and makes the translations' expressions more straightforward, but compressed concepts to understand more abstract things [7]. -
Paper Title (Use Style: Paper Title)
Advances in Social Science, Education and Humanities Research, volume 142 4th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2017) The Value of Antique Music Score in Li Bai Poem Yanshuang Hou Libai Research Center The Institute on Libai of Sichuan Province Mianyang, China 621000 School of Music University of Jinan Jinan, China 250022 School of Education Tianjin University Tianjin, China 300072 Xiaona Zhao Xinglong Guo* School of Music Libai Research Center Mianyang Normal University The Institute on Libai of Sichuan Province Mianyang, China 621000 Mianyang, China 621000 *Corresponding Author Abstract—Researching on Li Bai poem and music is mainly the present as a genius and a romantic figure who took focused on aesthetics, history and literature. Tang dynasty traditional poetic forms to new heights, and also titled as a poem and music are inter-dependent and mutually promoting. “Poem God”. It is recorded that there are about nine hundred Many studies concern on the legendary personality charm of ninty poems created by Li Bai. Li Bai poems conquered Li Bai and some other respects, such as cultural characteristics, many people from government officials to civilians at that thought connotation and cultural influence of poetry. However, time, and he won the high prestige and status. Among the the historical trace of AMS (Antique Music Score) in Li Bai history of poem, Li Bai is one of the most prominent figures poem was obviously ignored. People concluded that Li Bai in the flourishing of Chinese poetry in the Tang Dynasty. poem can be sung through analyzing Absolutely Sentence (one kind poetry form, Jue Ju) of Tang Dynasty poetry, the Li Bai collected the classical poem and opens a new relationship between Li Bai poem and music as well as sing world first. -
China Taierzhuang International Roller Skating Shandong, China, 24 - 26 August 2018
China Taierzhuang international roller skating Shandong, China, 24 - 26 August 2018 Final Ranking Speed Senior Men Rank ID Name Ctry Time Trial 1 1900410002002 Li Wen Zhuo CHN 4,812 2 1900410006961 Gao Shi Jun CHN 5,164 3 1900410006962 Lv Xing Chen CHN 5,601 4 1900410006963 Wang Zhen CHN 5,673 5 1900410006964 Ma Dong Yang CHN 5,731 6 1900410006965 Zhou Jia Shuo CHN 5,811 7 1900410006966 Lu Ji Meng CHN 5,995 8 1900410006967 Han Yu Hang CHN 7,052 9 1900410006968 Wang Chen CHN 7,341 10 1900410006969 Qi Yi Zhen CHN DQ 10 1900410006970 Zhang Hui CHN DQ 10 1900410006971 Sun Kang Qi CHN DQ 10 1900410006972 Dan Fu Hao CHN DQ 10 1900410006973 Cui Hua Jun CHN DQ 10 1900410006974 Li Ming Jian CHN DQ 10 1900410006975 Ma Ji Chao CHN DQ 10 1900410006976 Hao Jing Peng CHN DQ 10 1900410006977 Yuan Rui Yang CHN DQ 10 1901970001772 Vo Hoai Thuong VIE DQ Final Ranking Speed Youth Men Rank ID Name Ctry Time Trial 1 1901780006979 Chen Yu An TPE 5,223 2 1900410006980 Zhang Yi Xin CHN 5,223 3 1900410006981 Zhang Jian Yang CHN 5,423 4 1070410004658 Jia Chen Yong Qing CHN 5,429 5 1900410006982 Zhang Jun CHN 5,814 6 1900410006983 Qin Pei Yao CHN 5,891 7 1900410006984 Li Zhi Xuan CHN 5,989 8 1900410006985 Zhu Guan Yu CHN 6,063 9 1060410004932 Wang Ming Yi Kang CHN 6,150 10 1900410006986 Jin Si Yu CHN 6,152 11 1900410005375 Man Xing Chen CHN 6,235 12 1900410006987 Chen Yu Jin CHN 6,296 13 1900410006988 Dong Shi Bo CHN 6,462 14 1900410006989 Zou Jia Tong CHN 6,532 15 1900410006990 Li Jia Xu CHN 6,578 16 1900410006991 Sun Zhe Yan CHN 6,706 17 1900410006992 Chang Jia -
The Hundred Surnames: a Pinyin Index
names collated:Chinese personal names and 100 surnames.qxd 29/09/2006 12:59 Page 3 The hundred surnames: a Pinyin index Pinyin Hanzi (simplified) Wade Giles Other forms Well-known names Pinyin Hanzi (simplified) Wade Giles Other forms Well-known names Ai Ai Ai Zidong Cong Ts’ung Zong Cong Zhen Ai Ai Ai Songgu Cui Ts’ui Cui Jian, Cui Yanhui An An An Lushan Da Ta Da Zhongguang Ao Ao Ao Taosun, Ao Jigong Dai Tai Dai De, Dai Zhen Ba Pa Ba Su Dang Tang Dang Jin, Dang Huaiying Bai Pai Bai Juyi, Bai Yunqian Deng Teng Tang, Deng Xiaoping, Bai Pai Bai Qian, Bai Ziting Thien Deng Shiru Baili Paili Baili Song Di Ti Di Xi Ban Pan Ban Gu, Ban Chao Diao Tiao Diao Baoming, Bao Pao Bao Zheng, Bao Shichen Diao Daigao Bao Pao Bao Jingyan, Bao Zhao Ding Ting Ding Yunpeng, Ding Qian Bao Pao Bao Xian Diwu Tiwu Diwu Tai, Diwu Juren Bei Pei Bei Yiyuan, Bei Qiong Dong Tung Dong Lianghui Ben Pen Ben Sheng Dong Tung Dong Zhongshu, Bi Pi Bi Sheng, Bi Ruan, Bi Zhu Dong Jianhua Bian Pien Bian Hua, Bian Wenyu Dongfang Tungfang Dongfang Shuo Bian Pien Bian Gong Dongguo Tungkuo Dongguo Yannian Bie Pieh Bie Zhijie Dongmen Tungmen Dongmen Guifu Bing Ping Bing Yu, Bing Yuan Dou Tou Dou Tao Bo Po Bo Lin Dou Tou Dou Wei, Dou Mo, Bo Po Bo Yu, Bo Shaozhi Dou Xian Bu Pu Bu Tianzhang, Bu Shang Du Tu Du Shi, Du Fu, Du Mu Bu Pu Bu Liang Du Tu Du Yu Cai Ts’ai Chai, Cai Lun, Cai Wenji, Cai Ze Du Tu Du Xia Chua, Du Tu Du Qiong Choy Duan Tuan Duan Yucai Cang Ts’ang Cang Xie Duangan Tuankan Duangan Tong Cao Ts’ao Tso, Tow Cao Cao, Cao Xueqin, Duanmu Tuanmu Duanmu Guohu Cao Kun E O E -
EXPANDING the LANDSCAPE of EARLY and HIGH TANG LITERATURE by XIAOJING MIAO B.A., Minzu University of China, 2011 M.A., Minzu University of China, 2014
BEYOND THE LYRIC: EXPANDING THE LANDSCAPE OF EARLY AND HIGH TANG LITERATURE by XIAOJING MIAO B.A., Minzu University of China, 2011 M.A., Minzu University of China, 2014 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of Asian Languages and Civilizations 2019 This thesis entitled: Beyond the Lyric: Expanding the Landscape of Early and High Tang Literature written by Xiaojing Miao has been approved for the Department of Asian Languages and Civilizations Dr. Paul W. Kroll, Professor of Chinese, Committee Chair Dr. Antje Richter, Associate Professor of Chinese Dr. Ding Xiang Warner, Professor of Chinese Dr. Matthias L. Richter, Associate Professor of Chinese Dr. Katherine Alexander, Assistant Professor of Chinese Dr. David Atherton, Assistant Professor of Japnanese Date The final copy of this thesis has been examined by the signatories, and we find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. ii Miao, Xiaojing (Ph.D., Asian Languages and CivilizationEnglish) Beyond the Lyric: Expanding the Landscape of Early and High Tang Literature Thesis directed by Professor Paul W. Kroll This dissertation investigates what Tang (618-907) literature was in its own time, as opposed to how it has been constructed at later times and for different critical purposes. The core of this dissertation is to diversify and complicate our understanding of Tang literature, including Tang poetry, from the perspective of self-(re)presentation, and by bringing out certain genres, works, and literati that have been overlooked. -
Governing Those Who Live an “Ignoble Existence”: Frontier Administration and the Impact of Native Tribesmen Along the Tang D
Governing those who live an “ignoble existence”: Frontier administration and the impact of native tribesmen along the Tang dynasty’s southwestern frontier, 618-907 A.D. by Cameron R. Stutzman A.S., Johnson & Wales University, 2008 B.A., Colorado State University, 2011 A THESIS submitted in partial fulfillment of the requirements for the degree MASTER OF ARTS Department of History College of Arts and Sciences KANSAS STATE UNIVERSITY Manhattan, Kansas 2018 Approved by: Major Professor Dr. David A. Graff Copyright © Cameron R. Stutzman 2018. Abstract As the Tang dynasty rose to power and expanded into the present-day provinces of Sichuan and Yunnan, an endemic problem of troublesome frontier officials appeared along the border prefectures. Modern scholars have largely embraced Chinese historical scholarship believing that the lawlessness and remoteness of these southwestern border regions bred immoral, corrupt, and violent officials. Such observations fail to understand the southwest as a dynamic region that exposed assigned border officials to manage areas containing hardship, war, and unreceptive aboriginal tribes. Instead, the ability to act as an “effective” official, that is to bring peace domestically and abroad, reflected less the personal characteristics of an official and rather the relationship these officials had with the local native tribes. Evidence suggests that Tang, Tibetan, and Nanzhao hegemony along the southwestern border regions fluctuated according to which state currently possessed the allegiance of the native tribesmen. As protectors and maintainers of the roads, states possessing the allegiance of the local peoples possessed a tactical advantage, resulting in ongoing attacks and raids into the border prefectures by China’s rivals. -
The Analysis of Music Elements in Li Bai's Poems
2017 International Conference on Humanities, Arts and Language (HUMAL 2017) The Analysis of Music Elements in Li Bai's Poems Xiaona Zhao1, Yanshuang Hou2, 3, 4, Xinglong Guo4, * 1School of Music, Mianyang Normal University, Mianyang City, China 2School of Education, Tianjin University, Tianjin City, China 3School of Music, University of Jinan, Jinan City, China 4The Institute on Libai of Sichuan Province, Libai Research Center, Mianyang City, China *Corresponding Author Keywords: Li Bai's poems, Music elements, Music thoughts. Abstract: From the present research results, most studies on Li Bai's poems are from the angle of literary poetry, and few people pay attention to the music elements and music ideas in his poems. This paper starts from the background of politics, economics, culture and history in Tang Dynasty, focuses on Li Bai's culture belief foundation and his poetry works on music-accompanied dance, attempts to explore the causes, performance and the nature of the music thoughts in Li Bai's poems by combining previous research results. In this way, the author hopes to learn more about music thoughts from Tang Dynasty, enrich the understanding of poets, and broaden the new field of Li Bai's poetry research. 1. Introduction Li Bai (701-762), whose courtesy name was Taibai, and was also known as the Hermit of Green Lotus. He is a great romantic poet of Tang Dynasty. Li Bai worships La Tzu and Chuang Tzu, and learns Taoism all his life. In the ancient times, poetry and music were as one thing. Poetry was the core and music was the carrier. -
Book Reviews
EAST ASIAN PUBLISHING AND SOCIETY East Asian Publishing and Society 2 (2012) 309-313 brill.com/eaps Book Reviews Manifest in Words, Written on Paper: Producing and Circulating Poetry in Tang Dynasty China. Christopher M. B. Nugent. Cambridge, Harvard University Asia Center, 2010. ISBN 9780674056039. $39.95. Christopher Nugent’s study is nothing less than a social history of poetry in Tang China. This is not clear at the beginning: the work begins largely as a polemic challenging the habit readers have of assuming that the transmission of medieval texts is reliable. As he suggests, Golden Age verse is very much a construct based on circulation, publication, and canoniza- tion procedures that took place mostly during the Song Dynasty: “what we think of as ‘Tang poetry’ is a very different beast from ‘poetry during the Tang’ ” (p. 4). In contrast, if we compare the Chinese case to that of medieval Europe (and use many of the insights of recent Western textual scholars), we are left with the unnerving conclusion that our seem- ingly stable texts have been altered considerably in the hands of copyists who made simple errors or, in many cases, had no qualms about changing the text as they saw fit in the name of “improvement.” This insight, the author points out, may have serious repercussions for Chinese literary interpretation, since the act of reading has long been seen as the recon- struction of the “writing self”, rooted in the claim that a good reader can come to know the poet intimately through his perfect inscription in the poem. -
Review on Frontier Poetry Research
ISSN 1799-2591 Theory and Practice in Language Studies, Vol. 5, No. 9, pp. 1971-1975, September 2015 DOI: http://dx.doi.org/10.17507/tpls.0509.29 Review on Frontier Poetry Research Ying Zhao Institute of Chinese Language and Literature, Southwest University, Chongqing, China Abstract—This Essay reviews the research on the concept of Frontier Poetry since 1980s, and the researches on the origin development, poet writings, and aesthetic characteristics of Frontier Poetry. Three propositions are put forward based on these reviews: firstly, frontier poetry needs to be defined scientifically and accurately so that further researches can be carried out. Secondly, the origin of frontier poetry needs to be differentiated scientifically. Lastly, more attention needs to be put on the research on frontier poetry as a unique style of poetry. Poetry researches should not be restricted to Tang Dynasty. Fore and aft, transverse researches and interdiscipline researches on frontier poetry need to be carried out. Index Terms—frontier poetry, origin development, poet writings, aesthetic characteristics I. INTRODUCTION There are many styles of Chinese ancient poetry. For example, pastoral poetry, love poetry, praise poetry, and frontier poetry. Frontier poetry has a long history, and becomes an important component of Chinese ancient poetry. Different from other poetry styles, frontier poetry expresses the political life of the individuals, the political relations and actions of the countries and political groups. In addition, frontier poetry has an obvious frontier region characteristic as it takes frontier as the main object. Xu Zong writes in The History of Tang Poems: Frontier Poetry is the outcome of the culture of a special region.