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Schedule of Award Title Abbreviations
Award Abbreviation Associate Degree in Applied Science AssocDeg(AppSc) Associate Degree in Applied Science (Information Technology) AssocDegAppSc(IT) Associate Degree in Aviation (Professional Pilots) AssocDegAvn(ProfPil) Associate Degree in Business AssocDegBus Associate Degree in Design (Furniture) AssocDegDes(Furn) Associate Degree in Engineering Technology AssocDegEngTech Associate Degree in Engineering Technology (Advanced Manufacturing) AssocDegEngTech(AdvMan) Associate Degree in Engineering Technology (Civil Engineering) AssocDegEngTech(CivEng) Associate Degree in Engineering Technology (Civil) AssocDegEngTech(Civ) Associate Degree in Engineering Technology (Design and Development) AssocDegEngTech(Des&Dev) Associate Degree in Engineering Technology (Electrical/Electronics) AssocDegEngTech(ElecElect) Associate Degree in Engineering Technology (Mechanical) AssocDegEngTech(Mech) Associate Degree in Engineering Technology (Network Engineering) AssocDegEngTech(NetEng) Associate Degree in Engineering Technology (Network) AssocDegEngTech(Net) Associate Degree in Engineering Technology (Systems and Logistics) AssocDegEngTech(Sys&Log) Associate Degree in Fashion and Textile Merchandising AssocDegFash&TextMerch Associate Degree in Fashion Design and Technology AssocDegFashDes&Tech Associate Degree in Graphic Design AssocDegGrDes Associate Degree in Graphic Technology AssocDegGrTech Associate Degree in Health Sciences AssocDegHSc Associate Degree in Information Technology AssocDegInfoTech Associate Degree in Information Technology (System -
Allynstewart Art Resume Feb 2020
Allyn Stewart 14 Park Street Cazenovia, NY 13035 JURIED AND INVITATIONAL EXHIBITIONS OF CREATIVE WORK SOLO EXHIBITIONS 2019 Fragments of Nature: Digital Work on Paper, Rogers Environmental Education Center, Sherburne, NY 2016 Pattern & Form, New Works on Paper, Cazenovia Public Library, Cazenovia, NY 2015 Un-Mapping the Landscape, New Works on Paper, Artspace Gallery, College of Southern Nevada, North Las Vegas, Nevada 2013 Becoming Lost, Weisman Gallery, Rogue Community College, Grants Pass, OR New Work on Paper, North Florida Community College in the Hardee Center for the Arts, Madison, FL 2012 A Landscape of Geography, solo exhibition, Adirondack Lakes Center for the Arts, Blue Mountain Lake, NY 2009 Landscape of Memory II, The Zone VI Gallery, Sinclair Community College, Dayton, OH 2008 A Landscape of Memory, the Performing Arts Center Gallery, Illinois Central College, East Peoria, IL 2001 A Gathering of Armies, Visual Studies Workshop, Rochester, NY There Will Always be War and Rumors of War, Madelon Powers Gallery, East Stroudsburg University, East Stroudsburg, PA New Works on Paper, Manlius Pebble Hill School, Manlius, NY 1998 New Works (Bosnia Series), Cazenovia Public Library, Cazenovia, NY The Act of Forgetting, The Foundation Gallery, Herkimer County Community College, Herkimer, NY SELECTED JURIED EXHIBITIONS: ARTIST BOOKS & DIGITAL WORK ON PAPER 2019 Reveal, 2019 Members Exhibition, Stone Quarry Hill Art Park, Cazenovia, NY En Route, the Centre d’Art La Rectoria, Spain, faculty exchange exhibition Priority Mail: 2019 Mail -
Design, Architecture and Building Undergraduate Courses 2022
Design, Architecture and Building Undergraduate Courses 2022 No. UTS ranked Australia’s #1 young◆ 1uni Welcome to the Faculty of Design, Architecture and Building Contents UTS at a glance 02 Why design, architecture and building at UTS? 33,752 Undergraduate enrolments 10,208 Postgraduate coursework 03 Design 2199 Higher degree research 04 Bachelor of Design in Animation UTS student diversity 05 Bachelor of Design in Fashion and Textiles 29% are 25 or older 06 Bachelor of Design in Product Design 49% are female 07 Bachelor of Design in Visual Communication 50% were born outside of Australia 08 Architecture Please note the above numbers are approximates as of 09 Bachelor of Design in Architecture January 2020. 10 Bachelor of Landscape Architecture (Honours) 11 Bachelor of Design in Interior Architecture 12 Built Environment 13 Bachelor of Construction Project Management 14 Bachelor of Property Economics 15 Combined Degrees 15 Bachelor of Creative Intelligence and Innovation 15 Bachelor of Arts in International Studies 16 Degree add-ons 17 Applying to UTS Connect with us 17 How to apply 17 Admission schemes UTSDAB 17 Admission pathways UTSDAB 17 Scholarships 17 Fees and financial assistance Acknowledgement of Country UTS acknowledges the Gadigal People of the Eora Nation, the Boorooberongal People of the Dharug Nation, the Bidiagal people and the Gamaygal people upon whose ancestral lands our university stands. We would also like to pay respect to the Elders both past and present, acknowledging them as the traditional custodians of knowledge for these lands. 1 Faculty of Design, Architecture and Building Why design, architecture and building at UTS? Our students are creative and critical thinkers, connected with the best the world has to offer. -
This Copy Is for Staff Use Only
Architecture, Design and Planning Handbook 2018 This copy is for staff use only Handbooks online: sydney.edu.au/handbooks Contents Contents Honours 21 Welcome 1 Bachelor of Design in Architecture enrolment 21 A message from the Dean 1 planner Bachelor of Architecture and Environments 3 Bachelor of Design in Architecture 23 Overview 3 Bachelor of Design in Architecture 23 Bachelor in Architecture and Environment 3 Bachelor of Design in Architecture (Honours) 23 enrolment guide Course Resolutions 23 Summary of requirements 3 Master of Architecture prerequisite unit of study 3 Bachelor of Design in Architecture 25 Honours 3 Table A: Units of study in the Bachelor of Design 25 Bachelor of Architecture and Environments 3 in Architecture enrolment planner Bachelor of Design in Architecture 29 Bachelor of Architecture and Environments 5 Table A: Units of study in the Bachelor of Design 29 Bachelor of Architecture and Environments 5 in Architecture Bachelor of Architecture and Environments 5 Bachelor of Design in Architecture - Core units of 29 (Honours) study Course Resolutions 5 Junior units of study 29 Senior units of study 29 7 Bachelor of Architecture and Environments Bachelor of Design in Architecture 31 Table D: Units of study in the Bachelor of 7 (Honours)/Master of Architecture honours core Architecture and Environments units Recommended electives 31 Bachelor of Architecture and Environments 9 Master of Architecture - Prerequisite unit of study 31 Table D: Units of study in the Bachelor of 9 Architecture and Environments School electives -
Spring 2007 President’S Message Evolution Not Revolution Hen This Issue Reaches You, David S
Spring 2007 President’s Message Evolution not Revolution hen this issue reaches you, David S. Marsh 4. Evaluate the organizational structure our trail will be starting to to determine its ability to manage the W shed its winter character in goal efforts. concert with all life that embraces its 5. Assign responsibility for each goal. slender threadlike intrusion. We begin to look for signs of life emerging once again, I would like to share some of the results of seemingly so slowly at first. It is a time of our efforts with you so that you will renewal. “The seasons, like the greater understand our priorities. The long-term tides, ebb and flow across the continents. goals adopted by the Board can be found Spring advances…..It sweeps ahead like a on page 3. You should expect to hear more flood of water, racing down long valleys, about our progress as it occurs. creeping up hill sides in a rising tide” When we examined the present (Edwin Way Teale). Our anticipation organizational structure of the FLTC with increases for evidence of spring, such as reference to these long term goals, it bird migration, a phenomenon we still became apparent that it did not sufficiently understand so little about and which address the importance of increasing both brings life and excitement to the forest and Presidential Pancakes membership and marketing efforts. fields. We are approaching the vernal FLTC President David Marsh preparing Similarly, the current structure did not equinox. Change is a naturally occurring breakfast for the members of the Board at recognize the importance and need for a continual process in nature. -
2021-02-12 FY2021 Grant List by Region.Xlsx
New York State Council on the Arts ‐ FY2021 New Grant Awards Region Grantee Base County Program Category Project Title Grant Amount Western New African Cultural Center of Special Arts Erie General Support General $49,500 York Buffalo, Inc. Services Western New Experimental Project Residency: Alfred University Allegany Visual Arts Workspace $15,000 York Visual Arts Western New Alleyway Theatre, Inc. Erie Theatre General Support General Operating Support $8,000 York Western New Special Arts Instruction and Art Studio of WNY, Inc. Erie Jump Start $13,000 York Services Training Western New Arts Services Initiative of State & Local Erie General Support ASI General Operating Support $49,500 York Western NY, Inc. Partnership Western New Arts Services Initiative of State & Local Erie Regrants ASI SLP Decentralization $175,000 York Western NY, Inc. Partnership Western New Buffalo and Erie County Erie Museum General Support General Operating Support $20,000 York Historical Society Western New Buffalo Arts and Technology Community‐Based BCAT Youth Arts Summer Program Erie Arts Education $10,000 York Center Inc. Learning 2021 Western New BUFFALO INNER CITY BALLET Special Arts Erie General Support SAS $20,000 York CO Services Western New BUFFALO INTERNATIONAL Electronic Media & Film Festivals and Erie Buffalo International Film Festival $12,000 York FILM FESTIVAL, INC. Film Screenings Western New Buffalo Opera Unlimited Inc Erie Music Project Support 2021 Season $15,000 York Western New Buffalo Society of Natural Erie Museum General Support General Operating Support $20,000 York Sciences Western New Burchfield Penney Art Center Erie Museum General Support General Operating Support $35,000 York Western New Camerta di Sant'Antonio Chamber Camerata Buffalo, Inc. -
Why Design a Guide to Studying Design in Ireland Architecture Art
Architecture Why DesignArt & Design Education A guide to Craft Design studying design Fashion Design in Ireland Furniture Design Graphic Design/ Visual Communication Industrial Design/ Product Design Interior Architecture Interior Design New Media/ Multimedia Textile Design Institute of Designers in Ireland Foreword There are many different possibilities for students who wish to study design in Ireland. Whether you are interested in graphics, crafts, fashion or interiors, you can choose from a number of different courses. Most of the courses detailed are applied for through the CAO system (ask your teacher or guidance counsellor for details) while others can be applied for directly to the colleges. You are advised to contact the colleges directly to ask about admission procedures, portfolios and interviews, which may form part of the selection process. Much information can also be gleaned by exploring college websites. Sometimes it’s difficult to know what exactly a course will entail, especially if you have not studied the subject before. You should ask your art teacher and your guidance counsellor for their advice. Try to visit any college you are interested in, attend open days and email queries to the college admissions departments, who can send you out an information pack. Design courses offer many different creative career possibilities. However, all courses involve hard work and dedication in order to achieve the best possible future in design. Good luck in your future. 01 Studying design in Ireland Architecture The following pages hope to help you to better understand what specific areas of design are Art & Design Education and to inform you about different design courses on offer. -
Bachelor of Design Foundation Course SEMESTER I Sr
Bachelor of Design Foundation Course SEMESTER I Sr. Th Pr Subject TC Hours Internal External Total No. C C Th Pr Th Pr Drawing and Sketching 100 marks continuous 1 4 - 4 120 100 (c) evaluation Environmental Studies 2 4 4 - 60 25 75 100 (c) Fundamental of Design 3 4 2 2 90 25 25 50 25 100 (c) 25+25=50/2=25 4 Communication Skills (c) 4 3 1 75 15 10 60 15 100 History of Art & Design 5 4 3 1 75 15 10 60 15 100 (c) 20 500 SEMESTER II Th Pr Sr. No. Subject TC Hours Internal External Total C C Th Pr Th Pr 1 Art Appreciation (c) 4 3 1 75 15 10 60 15 100 Technical Drawing- 100 marks continuous 2 4 - 4 120 100 Foundation (b) evaluation 3 Advance Design (c) 4 2 2 90 25 25 50 25 100 25+25=50/2=25 100 marks continuous 4 Material Studies (b) 4 - 4 120 100 evaluation Computer Application 100 marks continuous 5 4 - 4 120 100 for Design evaluation 20 500 Fashion Design SEMESTER III Sr. Subject TC Th C Pr C Hrs Internal External Total No. Th Pr Th Pr Fundamentals of Illustration & 1 4 0 4 120 100 marks continuous evaluation 100 Design Concept 2 Introduction to Pattern Making 4 0 4 120 100 marks continuous evaluation 100 Introduction to Garment 3 4 0 4 120 100 marks continuous evaluation 100 Construction 4 Introduction to Textile 4 4 0 60 25 75 100 History of fashion (Indian & 5 4 4 0 60 25 75 100 Western) and women's studies TOTAL 20 500 SEMESTER IV Sr. -
Strategies for Assessing the Responsiveness of Design Programs to the Context of Practice
Thank you all for coming to this presentation on major futures issues for institutions. The NASAD Working Group on NASAD working group the Future of Design and Design Education has been meeting for several years to address the issue of the future direction of design and design education. I’m Karen Hughes, from the University of Cincinnati, and have been honored to work with my esteemed colleagues: Eric Anderson, Carnegie Mellon University The Future of Design and Design Education Meredith Davis, North Carolina State University Susan King Roth, Virginia Commonwealth University Strategies for assessing the responsiveness and David Weightman, Univ of Illlinois, of design programs to the context of practice Urbana Champaign Working group members: Karen Monzel Hughes, University of Cincinnati, Chair Eric Anderson, Carnegie Mellon University Meredith Davis, North Carolina State University Susan King Roth, Virginia Commonwealth University David Weightman, University of Illinois/Urbana-Champaign October 2011 Slide 1 Many of you probably attended our session at last’s year’s National Meeting in Cincinnati, in which we reported our findings NASAD working group and made recommendations. Today we will take that a step further and talk about strategies for assessing the responsiveness of design programs to the context of practice. Building upon that information presented last year, we will present a set of questions we hope design educators and administrators will ask themselves as they develop curricula for the future. We will illustrate with examples of how various design schools have addressed these questions, in hopes of sparking recognition of how you might implement changes in your own Design curricula. -
Prospectus-2021.Pdf
2021 ADMISSIONSAdmissions for Artisans/Children of Artisans Message from Chairman The National Institute of Fashion Technology welcomes you partake in a shared vision for the future. Our students are equipped with the latest information in innovation and technology in the entire value chain of design and fashion. They are encouraged to respect the rich Indian Heritage, and derive the best from our way of life, and our own traditional arts and handicrafts. We take incredible pride in instilling ethical values in our students that have gone on to make a mark, and have positively influenced the industries we serve and our society in general. NIFT has continuously strived to adopt the global standards in fashion education by aligning its teaching methods to interactive and evolving education systems, aimed at creating a unique learning experience that blends heritage, cultivates aesthetic virtuosity in an environment of freedom of inquiry and cognition. The revamped curriculum focuses on multidisciplinary learning, to the students to solve real life challenges but also facilitate them to carve out new and unique paths for themselves. application - in addition to celebrating diversity and fostering inclusivity, sensitising students to cultural and social contexts, which is vital in personality building and develops individuals as change agents in the society. The alumni of NIFT are recognised as adept professionals in a myriad of creative fields, and their success stories are a source of pride for the institute. Industry- Academia interfaces throughout the course provide a cutting-edge learning experience to our students. The Industry oriented learning environment through internships and Graduation projects allows for real time learning for the students. -
Industrial Design at the University of Botswana: Designing Designers As If Botswana’S Setting Matters
Industrial Design at the University of Botswana: Designing Designers as if Botswana’s Setting Matters Samuel Khumomotse Lecturer (Design & Technology) Faculty of Engineering & Technology University of Botswana P/Bag 0061, Gaborone, Botswana Tel: (267)355 4316Fax: (267) 352 309, Email: [email protected] Abstract The University of Botswana is proposing to introduce an undergraduate degree program in Industrial Design. It is inevitable that a new program must have local relevance while not loosing touch with the global realities. This paper discusses the need for the course, the proposed program structure and its rationale within Botswana’s social, economic and industrial setting. The submission discusses global factors that were considered in designing the program. It also highlights the implementation plan in terms of student enrolment and their exits profile, staff, resources both existing and projected, and industry collaboration. The article would be of use to policy makers, Industrial Design academics and design professionals who would like to understand how to design new courses in context. The paper arrives at an inevitable conclusion that the aim of the program is to produce designers who will operate efficiently within Botswana’s peculiar environment. (140) Keywords Industrial Design Design Education Industrial Design Curriculum Design Education Context Botswana Industrial Design Bibliographic Note Samuel Khumomotse, B.Ed (D&T) is a Lecturer in Design & Technology at the University of Botswana and coordinator of the proposed undergraduate Industrial Design programme. He holds a Master of Design Degree from the University of Technology Sydney, Australia and a Bachelor of Education in Design and Technology from the University of Botswana. -
A Y 20 20 -2 1
AY 2020-21 About AnantU Anant National University (AnantU), India’s first Design University, is located in an expansive, lush green campus in the World Heritage City of Ahmedabad. It was established as a private university in 2016 by an Act of Legislature of the State of Gujarat. AnantU aims to bridge the gap between contemporary socio- economic challenges and sustainable solutions through design thinking. Its widely acclaimed, international and national faculty facilitate a holistic design education with a liberal arts perspective. The academic experience at the University focuses on developing the self, while simultaneously building domain expertise and providing industry exposure. AnantU offers full-time programmes at undergraduate and postgraduate levels. Need-based scholarships are available for all programmes. Why Design? It is estimated that India will require about 62,000 designers by 2020* to solve the various socio-economic and ergonomic problems it faces today. However, as of 2016, there were only 7,000 qualified designers and 5,000 design students in the country. AnantU aims at filling this gap by providing high-quality design education and inspiring the youth to develop sustainable solutions. Anant National University firmly believes that designers can work across sectors and find creative solutions to some of the most critical problems of today. Hence, in addition to the academic discourse and hands- on experience, AnantU focuses on building foundational competencies of empathy, communication, collaboration, critical thinking and personal leadership among its students to prepare them to solve global challenges. *source : https://www.britishcouncil.in/sites/default /files /the_future_of_design_education_in_india.pdf Why Ahmedabad? The world is changing, and the markets and regions of innovation are shifting from the developed nations to the developing ones where design thinking is strongly rooted in the cultures present.