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Faculty of Social Sciences Department of Media and Society Studies
MIDLANDS STATE UNIVERSITY FACULTY OF SOCIAL SCIENCES DEPARTMENT OF MEDIA AND SOCIETY STUDIES Dissertation Topic: THE ROLE OF ZBC TV PROGRAMME “POSITIVE TALK” IN INFORMING AND EDUCATING ON HEALTH RELATED ISSUES. BY KENNY ANYWAY MAKUYANA REGISTRATION NUMBER R101268G This dissertation is submitted in partial fulfillment of the requirements of the Bachelor of Science in Media and Society Studies Honours Degree at Midlands State University. November 2013 Gweru: Zimbabwe The role of ZBC TV “Positive Talk” in informing and educating on health related issues R101268G Page i LIST OF ACROYNMS AIDS Acquired Immune Deficiency Syndrome AIPPA Access to Information and Protection of Privacy Act BSA Broadcasting Service Act FGD Focus Group Discussion GBV Gender Based Violence HIV Human-immune Virus PSI Population Services International POSA Public Order and Security Act RBC Rhodesia Broadcasting Corporation MISA Media Institute of Southern Africa MSU Midlands State University SAfAIDS Southern African HIV and AIDS Dissemination Services SRH Sexual and Reproductive Health SRHR Sexual Reproductive Health and Rights STI Sexually Transmitted Infection UNAIDS Joint United Nations Program on HIV/AIDS UNFPA United Nations Populations Fund VAN Video Audio Network VMCZ Voluntary Media Council of Zimbabwe VCT Voluntary Counseling and Testing ZBC Zimbabwe Broadcasting Corporation ZBC TV Zimbabwe Broadcasting Corporation Television ZBH Zimbabwe Broadcasting Holding ZNFPC Zimbabwe National Family Planning Council ZTV Zimbabwe Television ZUJ Zimbabwe Union of Journalists The role of ZBC TV “Positive Talk” in informing and educating on health related issues R101268G Page i ABSTRACT This study explores the role of ZBC TV programme “Positive talk” in informing and educating on health related issues targeting youths. -
Alternation Article Template
University of Groningen An Emergent Consciousness of the Role of Christianity on Zimbabwe’s Political Field Tarusarira, Joram Published in: Journal for the Study of Religion IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2016 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Tarusarira, J. (2016). An Emergent Consciousness of the Role of Christianity on Zimbabwe’s Political Field: A Case of Non-doctrinal Religio-political Actors. Journal for the Study of Religion, 29(2), 56-77. Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). The publication may also be distributed here under the terms of Article 25fa of the Dutch Copyright Act, indicated by the “Taverne” license. More information can be found on the University of Groningen website: https://www.rug.nl/library/open-access/self-archiving-pure/taverne- amendment. Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. -
Faculty of Arts Department Of
FACULTY OF ARTS DEPARTMENT OF HISTORY THE IMPACT OF COLONIAL TAXATION SYSTEM IN CHIRUMANZU DISTRICT FROM 1900- 1980. BY MICHAEL F.T MAGWARADA R136368P A DISSERTATION SUBMITTED TO THE FACULTY OF ARTS IN PARTIAL FULFILMENT OF REQUIREMENTS FOR THE BACHELOR OF ARTS (HONOURS) DEGREE IN HISTORY. MAY 2017 1 Declaration I, MICHAEL F.T MAGWARADA hereby declare that this research is my own work except where sources have been acknowledged. The work has never been submitted, nor will it ever be submitted to another University for the awarding of a degree. Signed…………………………………………………………… MICHAEL F.T MAGWARADA Date……………………………………………………………… Supervisor………………………………………………………. DR J. CHAKAWA 1 Copyright All rights reserved. No part of this dissertation may be reproduced, stored in any retrieval system, or transmitted in any form or by any means for scholarly purposes without prior written permission of the author or of Midlands State University on behalf of the author. ©Michael F.T Magwarada B.A (HONS) History Midlands State University, Zimbabwe, 2017 2 Acknowledgements The positive outcome of this dissertation would not have been consummated without the persistent support of fellow colleagues. Throughout my entire period of completing this work, I would like to express my gratitude and deep appreciation to the following people who gave me a shoulder to lean on. Mr A. Zevure mentor, brother, friend, a figure which many words can best describe his unwavering support for his academic wisdom, encouragement to my studies, strength and faith which gave me a new appreciation of the meaning and importance of education. His suggestions planted the seed of good natured forbearance. -
Africa Digests the West: a Review of Modernism and the Influence of Patrons-Cum Brokers on the Style and Form of Southern Eastern and Central African Art
ISSN-L: 2223-9553, ISSN: 2223-9944 Part-I: Social Sciences and Humanities Vol. 4 No. 1 January 2013 AFRICA DIGESTS THE WEST: A REVIEW OF MODERNISM AND THE INFLUENCE OF PATRONS-CUM BROKERS ON THE STYLE AND FORM OF SOUTHERN EASTERN AND CENTRAL AFRICAN ART Phibion Kangai 1, Joseph George Mupondi 2 1Department of Teacher Education, University of Zimbabwe, 2Curriculum Studies Department, Great Zimbabwe University, ZIMBABWE. 1 [email protected] , 2 [email protected] ABSTRACT Modern Africa Art did not appear from nowhere towards the end of the colonial era. It was a response to bombardment by foreign cultural forms. African art built itself through “bricolage” Modernism was designed to justify colonialism through the idea of progress, forcing the colonized to reject their past way of life. Vogel (1994) argues that because of Darwin’s theory of evolution and avant-garde ideology which rejected academic formulas of representation, colonialists forced restructuring of existing artistic practice in Africa. They introduced informal trainings and workshops. The workshop patrons-cum brokers did not teach the conventions of art. Philosophically the workshops’ purpose was to release the creative energies within Africans. This assumption was based on the Roseauian ideas integrated culture which is destroyed by the civilization process. Some workshop proponents discussed are Roman Desfosses, of colonial Belgian Congo, Skotness of Polly Street Johannesburg, McEwen National Art Gallery Salisbury and Bloemfield of Tengenenge. The entire workshop contributed to development of black art and the birth of genres like Township art, Zimbabwe stone sculpture and urban art etc. African art has the willingness to adopt new ideas and form; it has also long appreciation of innovation. -
OLGA FINAL DISSERTATION.Pdf
FACULTY OF ARTS DEPARTMENT OF HISTORY Being a dissertation submitted in partial fulfilment of the requirements of Bachelor of Arts Honours Degree in History and International Studies Women and urban agriculture from 1980-2017. A Case study of Gweru urban. By OLGA KAHONDE [R142747V] SUPERVISOR DR I. MAZAMBANI NOV 2017, ZVISHAVANE 1 TABLE OF CONTENTS Contents APPROVAL FORM .................................................................................................................. 1 RELEASE FORM ...................................................................................................................... 2 DECLARATION ....................................................................................................................... 3 DEDICATION ........................................................................................................................... 4 ACKNOWLEDGEMENTS ....................................................................................................... 5 ABSTRACT ............................................................................................................................... 6 LIST OF ACRONYMS ............................................................................................................. 7 INTRODUCTION ..................................................................................................................... 9 Aims and Objectives ............................................................................................................ 12 Literature -
Cahiers D'ethnomusicologie, 20
Cahiers d’ethnomusicologie Anciennement Cahiers de musiques traditionnelles 20 | 2007 Identités musicales Édition électronique URL : https://journals.openedition.org/ethnomusicologie/95 ISSN : 2235-7688 Éditeur ADEM - Ateliers d’ethnomusicologie Édition imprimée Date de publication : 31 décembre 2007 ISBN : 978-2-88474-071-5 ISSN : 1662-372X Référence électronique Cahiers d’ethnomusicologie, 20 | 2007, « Identités musicales » [En ligne], mis en ligne le 31 décembre 2009, consulté le 21 septembre 2021. URL : https://journals.openedition.org/ethnomusicologie/95 Ce document a été généré automatiquement le 29 septembre 2020. Tous droits réservés 1 La notion d’identité musicale se réfère autant à celle d’appartenance – qui en fonde la dimension collective – qu’à celle de goût – qui en détermine la composante individuelle. Mais cette dernière renvoie à son tour, en partie, à la société. L’identité musicale ne saurait donc être acquise une fois pour toutes. Elle résulte de processus à la fois cumulatifs et sélectifs, mais aussi conscients et subconscients, imposés et librement choisis, dont la résultante constitue « l’image sonore » d’un groupe ou d’une personne en un lieu et un temps donnés. Les contributions réunies dans ce volume abordent la question selon des angles complémentaires ; elles tendent à démontrer le caractère fluctuant de la notion d’identité dans le monde contemporain, quitte à la remettre en cause. Quel que soit son contexte de production, la musique est généralement perçue comme un signe de référence à autre chose qu’elle-même. Ce qui nous intéressera surtout ici, ce sont les modes d’identification auxquels elle se prête. Cahiers d’ethnomusicologie, 20 | 2007 2 SOMMAIRE Dossier : identités musicales Distinction et identité musicales, une partition concertante Yves Defrance Le goût musical, marqueur d’identité et d’altérité Laurent Aubert La construction paramétrique de l’identité musicale Nathalie Fernando La communication musicale comme élément d’identité culturelle chez les Lobi du Burkina Faso Filippo Colnago Jeux et enjeux identitaires abyssins. -
Mashonaland Central Province : 2013 Harmonised Elections:Presidential Election Results
MASHONALAND CENTRAL PROVINCE : 2013 HARMONISED ELECTIONS:PRESIDENTIAL ELECTION RESULTS Mugabe Robert Mukwazhe Ncube Dabengwa Gabriel (ZANU Munodei Kisinoti Welshman Tsvangirayi Total Votes Ballot Papers Total Valid Votes District Local Authority Constituency Ward No. Polling Station Facility Dumiso (ZAPU) PF) (ZDP) (MDC) Morgan (MDC-T) Rejected Unaccounted for Total Votes Cast Cast Bindura Bindura Municipality Bindura North 1 Bindura Primary Primary School 2 519 0 1 385 6 0 913 907 Bindura Bindura Municipality Bindura North 1 Bindura Hospital Tent 0 525 0 8 521 11 0 1065 1054 2 POLLING STATIONS WARD TOTAL 2 1,044 0 9 906 17 0 1,978 1,961 Bindura Bindura Municipality Bindura North 2 Bindura University New Site 0 183 2 1 86 2 0 274 272 Bindura Bindura Municipality Bindura North 2 Shashi Primary Primary School 0 84 0 2 60 2 0 148 146 Bindura Bindura Municipality Bindura North 2 Zimbabwe Open UniversityTent 2 286 1 4 166 5 0 464 459 3 POLLING STATIONS WARD TOTAL 2 553 3 7 312 9 0 886 877 Bindura Bindura Municipality Bindura North 3 Chipindura High Secondary School 2 80 0 0 81 1 2 164 163 Bindura Bindura Municipality Bindura North 3 DA’s Campus Tent 1 192 0 7 242 2 0 444 442 2 POLLING STATIONS WARD TOTAL 3 272 0 7 323 3 2 608 605 Bindura Bindura Municipality Bindura North 4 Salvation Army Primary School 1 447 0 7 387 12 0 854 842 1 POLLING STATIONS WARD TOTAL 1 447 0 7 387 12 0 854 842 Bindura Bindura Municipality Bindura North 5 Chipadze A Primary School ‘A’ 0 186 2 0 160 4 0 352 348 Bindura Bindura Municipality Bindura North 5 Chipadze B -
Administration and Taxation in Former Portuguese Africa
Administration and Taxation in Former Portuguese Africa Administration and Taxation in Former Portuguese Africa 1900-1945 By Philip J. Havik, Alexander Keese and Maciel Santos Administration and Taxation in Former Portuguese Africa: 1900-1945 By Philip J. Havik, Alexander Keese and Maciel Santos This book first published 2015 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2015 by Philip J. Havik, Alexander Keese and Maciel Santos All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-7010-2 ISBN (13): 978-1-4438-7010-8 TABLE OF CONTENTS List of Illustrations .................................................................................... vii List of Tables ............................................................................................ viii Preface ......................................................................................................... x Acknowledgments .................................................................................... xiii Introduction ................................................................................................. 1 Colonial Taxation and Social “Transitions” Taxes in Colonial -
Transnational Habitus: Mariem Hassan As the Transcultural Representation of the Relationship Between Saharaui Music and Nubenegra Records
Transnational Habitus: Mariem Hassan as the transcultural representation of the relationship between Saharaui music and Nubenegra records Luis Gimenez Amoros Submitted in partial fullfilment of the requirements for the degree of Doctor of Philosophy, Rhodes University PhD (thesis) Department of Music and Musicology Supervisor: Dr Lee Watkins I Abstract This thesis expands on primary field research conducted for my MMus degree. Undertaken in the Saharaui refugee camps of southern Algeria (2004-2005) that research - based on ethnographic data and the analysis of Saharaui music, known as Haul 1- focussed on the musical system, the social context of musical performance and the music culture in Saharaui refugee camps. This doctoral research examines Saharaui Haul music as practised in Spain and is particularly focussed on its entry, since 1998, into the global market by way of the World Music label, Nubenegra records. The encounter between Saharaui musicians and Nubenegra records has created a new type of Saharaui Haul which is different to that played in the refugee camps. This phenomenon has emerged as a result of western music producers compelling Saharaui musicians to introduce musical changes so that both parties may be considered as musical agents occupying different positions on a continuum of tradition and change. Nubenegra undertook the commodification of Saharaui music and disseminated it from the camps to the rest of the world. A musical and social analysis of the relationship between Nubenegra and Saharaui musicians living in Spain will form the basis of the research in this thesis. In particular, Mariem Hassan is an example of a musician who had her music disseminated through the relationship with Nubenegra and she is promoted as the music ambassador of the Western Sahara. -
The Wordy Worlds of Popular Music in Eastern and Southern Africa
This article was downloaded by: [University of Liverpool] On: 06 January 2015, At: 06:11 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Journal of Language, Identity & Education Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/hlie20 The Wordy Worlds of Popular Music in Eastern and Southern Africa: Possible Implications for Language-in-Education Policy Sinfree Makoni a , Busi Makoni a & Aaron Rosenberg a a Pennsylvania State University , Published online: 16 Feb 2010. To cite this article: Sinfree Makoni , Busi Makoni & Aaron Rosenberg (2010) The Wordy Worlds of Popular Music in Eastern and Southern Africa: Possible Implications for Language-in-Education Policy, Journal of Language, Identity & Education, 9:1, 1-16, DOI: 10.1080/15348450903476824 To link to this article: http://dx.doi.org/10.1080/15348450903476824 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content. -
Chapungu Sculpture Park
CHAPUNGU SCULPTURE PARK Do you Chapungu (CHA-poon-goo)? The real showcase within the Centerra community is the one-of-a-kind Chapungu Sculpture Park. Nestled in the foothills of the Rocky Mountains, this 26-acre outdoor cultural experience features more than 80 authentic stone sculptures carved by artisans from Zimbabwe displayed amongst beautiful natural and landscaped gardens. The entire walking park which is handicap accessible, orients visitors to eight universal themes, which include: Nature & Environment • Village Life • The Role of Women • The Elders • The Spirit World • The Family The Children • Custom & Legend. Whether you are an art enthusiast or just enjoy the outdoors, this serenity spot is worth checking out. Concrete and crushed rock used from the makings of the sculptures refine trails and lead you along the Greeley and Loveland Irrigation Canal and over bridges. Soak in the sounds of the birds perched high above in the cottonwood trees while resting on a park bench with a novel or newspaper in hand. Participate in Centerra’s annual summer concert series, enjoy a self guided tour, picnic in the park, or attend Visit Loveland’s Winter Wonderlights hosted F R E E A D M I S S I O N at the park and you are bound to have a great experience each time you visit. Tap Into Chapungu Park Hours: Daily from 6 A.M. to 10:30 P.M. Easily navigate all the different Chapungu Sculpture Park is conveniently located just east of the Promenade Shops at Centerra off Hwy. 34 and regions within Chapungu Located east of the Promenade Shops Centerra Parkway in Loveland, Colorado. -
Kenya Report 2 — Kenya Report Kenya Report — 3
Taxation and State Building in Kenya: Enhancing Revenue Capacity to Advance Human Welfare Dr. Attiya Waris, Assistant Lecturer, School of Law, University of Nairobi with Matti Kohonen, Tax Justice Network International Secretariat, Jack Ranguma, Tax Research Institute and Alvin Mosioma Tax Justice NetworkAfrica — August, 2009 KENYA REPORT 2 — KENYA REPORT KENYA REPORT — 3 Tax Justice Country Report Series This is the second in a series of country reports that tackle tax justice issues. The This series is edited by: purpose of these reports is: Matti Kohonen Tax Justice Network Intl. Secretariat Content • To analyze tax structures including national tax systems, distribution of 38 Stanley Avenue, Chesham tax, and incentive structures Bucks HP5 2JG, United Kingdom • To explore emerging national or regional themes Email: [email protected] 5 Foreword • To create specific case studies focusing on inequalities in tax systems Website: www.taxjustice.net • To address the extent and practice of tax avoidance and evasion Blog: taxjustice.blogspot.net 7 Introduction • To discuss current and future tax advocacy issues. Tel: +33 (0)1.70.23.28.39 Mob: +33 (0)6.21.65.93.08 13 Tax System in Kenya This report on tax justice in Kenya was written by the Tax Justice Network Africa Fax: +33 (0)1.48.03.92.46 (TJN-A) and the Tax Justice Network International Secretariat (TJN-IS). 21 The Political Economy of Taxation Please address all queries to: The report is based on research conducted between November 2008 and April 2009 Alvin Mosioma 27 Tax and Inequalities: The Missing Link by Attiya Waris, Matti Kohonen, Alvin Mosioma, and Jack Ranguma.