Principles of Learning

Total Page:16

File Type:pdf, Size:1020Kb

Principles of Learning TABLE OF CONTENTS Appendix A Course Information Appendix B Text Genres Appendix C Indigenous Education Documents Appendix D Reading, Oral and Writing Strategies and Resources Appendix E Key Terms and Research Information Appendix F Rubrics and Matrices Appendix G Glossary APPENDIX A Genres and Resources – Composition 10 Below is a list of possible genres that you could explore in Language Adapted Composition 10. This is not an exhaustive list. Genre Sample Writing Topics Memoir/Biography Write about a time in your life when you faced an internal struggle similar to (character’s name) to record chronologically a series of past personal events Write about an incident in your life that relates to the theme suggested in order to entertain, and to in this piece of fiction form and build relationships Describe the most embarrassing moment in your life using a humorous / with the text, with the teacher, satirical / sympathetic / suspenseful tone and with peers Narrative Missing Page’ narrative writing assignment Write a short story with a focus on characterization, tone, setting and to entertain to instruct the reader (or listener) about atmosphere, or theme cultural values to explore and Re-write the resolution of a short story / novel engage in universal themes Write and illustrate an escapist short story for a grade 4 audience Write an interpretive short story based on events in your life Turn a poem / piece of music / piece of art into narrative writing Descriptive Describe the setting of a poem, short story or novel Write a detailed character description to create a vivid impression of a person, place, object or event Write a descriptive passage based off of an image or piece of artwork Write a poem rich with descriptive details Persuasive Write a factual, compelling argument about a particular topic or issues Use persuasive techniques to create marketing materials for a new to create an argument that supports a particular stand or product or company viewpoint that the author is Write a letter to the editor arguing for _____________ taking Write a letter to a character encouraging them to pursue a different course of action than the plot goes in Expository Write a newspaper article based on a text or current event issue Write a how-to guide for ________________ to inform, explain, describe or define an idea to the reader Analysis a particular issue for causes Genres and Resources – Creative Writing 10 Below is a list of possible genres that you could explore in Language Adapted Creative Writing 10 as well as resources that could help teachers get started. This is not an exhaustive list. Genres/Topics: Poetry Drama Songs Graphic Novels Creative Non-Fiction Screenplays/writing Narrative Memoir Resources: Writing 44 https://nanowrimo.org/ (https://docs.google.com/document/d/1Om2BlZzBUw2X96lEVJG0Zgm4xa7t86X3- 8hwtt4CARI/edit# ) ( https://nanowrimo.org/forums ) https://www.scribendi.com/advice/best_writing_websites.en.html https://www.empoweringells.com/readalouds/ https://www.empoweringells.com/mentor-texts/ Lessons from Screenplay (YouTube channel) DLRC Graphic Novel Sets Genres and Resources – Literary Studies Below is a list of possible genres that you could explore in Language Adapted Literary Studies 10. This is not an exhaustive list. Genre Sample Writing Topics Personal Response Do you empathize with Teresa as she describes her struggle and addiction to alcohol in Degrassi Talks... Alcohol ? to respond personally to a Do you sympathize with Boo Radley when he feels compelled to defend piece of text Jem through an act of murder? can vary in formality from Could you be on the cover of your favourite magazine? Why or why not? highly spoken and personal to Who do you blame for Romeo and Juliet’s deaths? more academic (specialized literary terms and devices, etc. Review Write a standard review of any piece of text Write a review of this novel / short story targeted to a teenage to assess the appeal and value audience. of a literary text by providing a Review the movie version of a literary work from the perspective of the summary, evaluation, opinion original author of that work. and overall recommendation about that text Critical Response Jem’s reaction at the close of Tom Robinson’s trial is a justifiable reaction to racial injustice. Agree or disagree. to critique a literary text by Does Baz Luhrmann’s (DiCarpio) version of Romeo and Juliet capture the analyzing and making mood of the original Shakespearean tragedy? transparent the cultural values Why is allegory useful / necessary for George Orwell to describe real of the work, providing evidence people in his 1945 Animal Farm ? to support the challenges the response makes Interpretation Complete a poetry analysis. to interpret the meaning, What literary device is used predominantly throughout this text and message or purpose of a what effect does it have on the overall story / reader? literary text, using evidence Who is the intended audience of this article? Support your answer with from the text references to the text. How does the author create a sympathetic mood in the readers for the character of Emily Strorm? Do our experiences shape who we are? Should music education be compulsory? Genres and Resources – New Media 10 These resources are designed to help teachers get started in accessing resources for Language Adapted New Media 10. This is not an exhaustive list. New Media is a rapidly evolving field. As a result, the language and structural features of different genres are not as entrenched as in traditional English texts. What may be frequently used now, may lose popularity in a short period of time. Teachers are encouraged to examine different genres within New Media including blogs, vlogs, podcasts, e-zines and social media stories with students to determine the language and structural features relevant to the teaching context. Blogs: https://firstsiteguide.com/characteristics-of-blog/ http://www.teachhub.com/beginners-guide-student-blogging Connect with the District Technology Team Film: Ran – directed by Akira Kurosawa The Artist – directed by Michel Hazanavicius Oral storytelling: https://www.nfb.ca/indigenous- cinema/?&film_lang=en&sort=year:desc,title&year=1917..2019 https://watch.cbc.ca/category/everything-indigenous/featured-all/fc9505b4-0cb5-4a16-aadf- 863654041afb https://storycorps.org/ Podcasts: Serial This American Life https://www.weareteachers.com/best-podcasts-for-kids/ Social media: https://sociallysorted.com.au/social-media-stories-story-format/ https://www.raconteur.net/hr/social-media-biases https://www.daytranslations.com/blog/wp-content/uploads/2018/02/general- abbreviations.jpg Youtube: Please be mindful of having students create YouTube channels as this could be a Freedom of Information and Protection of Privacy Act (FOIPPA). Encourage students to share and examine YouTube channels that are popular in their home language and culture. Lessons from a Screenplay Crash Course Fung Brothers (review before showing students for appropriate language) Podcasts There are, strictly speaking, five podcast types. 1. The Solo Podcast This might be the podcast you started off with. Basically, you and the listener, chatting away, sharing your thoughts on whatever your podcast topic might be. These days, the solo podcast is limited to very particular niches. For instance, you might be a comedian or a musician. The solo podcast, therefore, is ideal for you to share your unique slant on the world. While it might seem like an easy solution (and it is when it comes to production), the solo podcast isn’t for everyone. If you’re unsure of your point of view on a subject, for instance, then you might find yourself drying up (that is, running out of things to say, or losing your thread). It’s a good idea, therefore, to have a plan: a format. For a solo show, that might be: Introduction Topic A Transition Topic B Etc. Summary Outro When it comes to production, all you need to do is grab a microphone, find an audio recording app, hit record, and start talking. This is possible on virtually any device, which means you could conceivably publish podcasts on a daily basis (although this is perhaps too regular in most cases). 2. The Podcast Interview Talking to yourself on a weekly basis can be dull. Even if you liven things up with radio show- style sound effects, just chatting on and on, even with a plan, can prove somewhat limiting. But if you’re talking on a specialist topic, it’s always a good idea to get input from a fellow expert. To begin with, it gives the audience another voice to listen to. You might well have silky tones that rival Morgan Freeman himself, but there should always be room for someone else. How do you bring a guest into the podcast? Several options are available: Telephone — Record the interview on your smartphone using a call recording app. You’ll need to sync the data to your computer for editing (unless you have the tools to edit and upload on your phone). Skype — If you don’t have a smartphone, you can use Skype on your desktop to call other Skype accounts and telephones. With a Skype call recording tool, the audio will be captured and you’ll be able to package it into your podcast later. One-on-One — The final option is to make sure you can get a microphone under the nose of the person you’re interviewing. This may require you to spend money on additional hardware, but the end results should be good. Just remember to check the sound levels before recording commences. The format for a podcast interview would look something like this: Introduction Introduce guest Discussion Summary Outro Clearly, an interview scenario has greater time overheads than a solo podcast. It can also require more software, sound hardware, or both.
Recommended publications
  • Today's Adult English Language Learner
    Meeting the Language Needs of TODAY’S ADULT ENGLISH LANGUAGE LEARNER Companion Learning Resource CONTENTS INTRODUCTION About This Resource 2 How Can We Meet the Language 3 Needs of Today’s Adult ELLs? How to Navigate This Resource 4 INSTRUCTIONAL IMPLICATIONS What Is Rigorous Adult ELA 5 Instruction? What Does Rigorous Adult ELA 6 Instruction Look Like? Welcome to Meeting the Language Needs of Today’s Adult English CONCEPTS IN ACTION Engaging Learners With 7 Language Learner: Companion Learning Resource. Here you will find Academic Language Teaching Through Projects to Meet examples of approaches, strategies, and lesson ideas that will lead you 13 Rigorous Language Demands to more engaging, rigorous, and effective English language acquisition Accessing Complex Informational Texts 18 (ELA) instruction. You will also find numerous links to websites, videos, Employing Evidence in Speaking 21 audio files, and more. Each link is an invitation to explore rigorous ELA and Writing Building Content Knowledge 23 instruction more deeply, guiding you to enhanced teaching and learning! Conclusion 25 ADDITIONAL RESOURCES Companion Learning Resource A project of American Institutes for Research Resource Index 26 Acknowledgments: Author: Patsy Egan Vinogradov, ATLAS, Hamline University Reviewer: Susan Finn Miller, Lancaster Lebanon IU 13 Works Cited 27 Editors: Mariann Fedele-McLeod and Catherine Green Appendix: Permissions INTRODUCTION ABOUT THIS RESOURCE Adult English language learners (ELLs) are in transition. They are receiving adult education services in order to transition into the next phase in their lives. To do this successfully, they may need to become more comfortable and confident in navigating their communities, obtain skills to find or advance employment, This RESOURCE or perhaps earn a college degree.
    [Show full text]
  • DAILY Commoiwealth, MANSION HOUSE, W EI SI U Ell HOUSE
    his country, in the battles of Palo Alto, Reseca de Leave was granted to bring in the following bills: Also a bill to amend an act entitled, an act to THE DAILY COMMONWEALTH. la Palma.and Monterey, and in his last and unparal- To Mr. GARNETT a bill for the benefit of the construct a road from Rochester to Russeilville; re- Frankfort Advertisements. leled achievement at Buena Vista their admiration heirs of J. II. Andersen, deceased; referred. ferred. of his virtues, his modesty, his justice, his kindness To Mr. ASKINS a bill to revise and amend the To Mr. HUGHES a bill for the benefit of FRANKFORT.. WEDNESDAY, JAN. 5, 1843. and benevolence to the soldiers under his command, charter of Augusta, CytithJana and Georgetown Clerks in Union Circuit and County Courts; re- FRANKFORT SHOE STORE, and that, if possible, more elevated and manly spir- Turnpike road; referred. ferred. (Sign of the Hig lloot.) KENTUCKY LEGISLATURE. it of moderation and magnanimity, which he has Also a bill to provide for running a line between Mr. HUGHES offered the following: uniformly displayed towards the defeated and pros- the counties of 31cCracken and Pendleton; referred. Resolved, That the committee on the Judiciary be subscriber would respectfully tall the attention r.f his THE curtomers and visiters generally, to Lis large stock of foes hereby tender to him the McAd-amiz- instructed to inquire as to the propriety of publishing IN SENATE. trate of his country To Mr. TALBUTT a bill to grade and e of Kentucky There- all local laws, &.C.; lost.
    [Show full text]
  • W E've a Story to T Ell December 16, 2018
    N N I V E R S h A A t A IN R A Child’s View of the Living Nativity N T BR 5 U O Y O 7 O The Living Nativity has been a ministry of our church for over 50 years. My family moved K . M to Birmingham in 1970 and I can remember participating when I was a child. Back then, the manger was on the driveway coming down from the preschool education porte cochere. Gabriel and the multitude of angels appeared on the roof of the porte cochere. To get to the roof, the 1944 2019 angels were told to hold the bottom of their white robe in their mouth and climb an old ladder. B Years later, the old ladder was replaced by steps on some scaffolding. You had to watch those A H angels. If you turned your back, they would start throwing rocks off the roof at the shepherds P C T U R down below. I S T C H When my son was four, someone asked him what he wanted to be in the Living Nativity. He carefully thought for a minute and announced he wanted to be one of the sheep. For the 50th anniversary of the show, we had angels ranging from 2 to 92. What an exciting time to see so many generations coming together, listening to Dr. Nelson’s voice telling the story of the birth of Christ. One of the families living near the church has a special needs N I V E R child.
    [Show full text]
  • How Educators Can Advocate for English Language Learners
    How Educators Can Advocate for English Language Learners ALL IN! TABLE OF CONTENTS LISTEN UP! ...................................................................................................................4 WHY ADVOCATE FOR ENGLISH LANGUAGE LEARNERS? ...............................6 Underserved and Underrepresented .................................................................7 All Advocacy Is Local .............................................................................................8 Demographics Are Destiny ..................................................................................9 ADVOCACY IN ACTION ......................................................................................... 10 Five Steps to ELL Advocacy ................................................................................11 Web Resources ....................................................................................................13 Additional Rtng ....................................................................................................13 CURRICULUM ACCESS AND LANGUAGE RIGHTS............................................ 15 Ensuring Equal Access ........................................................................................15 Valuing Home Languages ..................................................................................16 Advocacy Strategies ............................................................................................16 Scenario 1 .............................................................................................................17
    [Show full text]
  • National Register of Historic Places Registration Form
    NPS Form 10-900 OMB No. 1024-0018 United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in National Register Bulletin, How to Complete the National Register of Historic Places Registration Form. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. 1. Name of Property Historic name: _Cedar Hill _________________________________________________ Other names/site number: Reed, Mrs. Elizabeth I.S., Estate;_________________________ “Clouds Hill Victorian House Museum”____________________ Name of related multiple property listing: ____N/A_______________________________ (Enter "N/A" if property is not part of a multiple property listing _____ _______________________________________________________________________ 2. Location Street & number: __4157 Post Road___________________________________________ City or town: _Warwick____ State: __RI_ Zip Code: __ 02818___County: _Kent______ Not For Publication: Vicinity: ____________________________________________________________________________ 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this x nomination ___ request for determination
    [Show full text]
  • State Historic Preservation Office Ramona M
    North Carolina Department of Cultural Resources State Historic Preservation Office Ramona M. Bartos, Administrator Governor Pat McCrory Office of Archives and History Secretary Susan Kluttz Deputy Secretary Kevin Cherry February 18, 2014 MEMORANDUM TO: Kate Husband Office of Human Environment NCDOT Division of Highways FROM: Ramona M. Bartos .t)A-AcS SUBJECT: Replace Bridge 273 on SR 1346 (White Oak Road) over Messer Branch, Haywood County, ER 14-0261 Thank you for transmitting the Historic Structures Survey Report for the above-referenced undertaking. We have reviewed the materials that we received on February 10, 2014 and concur that the Teague House (HWO510) is eligible for listing in the National Register of Historic Places under Criterion C as outlined in the report. The above comments are made pursuant to Section 106 of the National Historic Preservation Act and the Advisory Council on Historic Preservation's Regulations for Compliance with Section 106 codified at 36 CFR Part 800. Thank you for your cooperation and consideration. If you have questions concerning the above comment, contact Renee Gledhill-Earley, environmental review coordinator, at 919-807-6579 or renee.gledhill- earleyancdcr.gov. In all future communication concerning this project, please cite the above referenced tracking number. cc: Mary Pope Furr, NCDOT Location: 109 East.jones Street, Raleigh NC 27601 Mailing Address: 4617 Mail Service Center, Raleigh NC 27699-4617 Telephone/Fax: (919) 807-6570/807-6599 HISTORIC ARCHITECTURAL RESOURCE REPORT INTENSIVE EVALUATION FOR TEAGUE HOUSE Replace Bridge No. 273 on SR 1346 (White Oak Road) over Messer Branch Haywood County North Carolina Department of Transportation WBS No.
    [Show full text]
  • EIAWARE Fax: (302) 831-6765 (Country Code 1)
    English Language Institute SITYoF 189 West Main Street, Newark, Delaware 19716 Phone: (302) 831-2674 Email: [email protected] EIAWARE Fax: (302) 831-6765 (Country code 1) ARRIVAL FORM IMPORTANT: To be placed in Ell housing you must complete and return this form. After you return this form, you will receive confirmation of your housing reservation. The confirmation will come by email with your shuttle reservation (if requested) approximately 2 weeks before you begin your studies. Please return this form to the Ell by fax using the number printed above. Student Name: «FULLNAME» Student ID#: «StudentiD» Gender: «GENDER " E-Mail: «MSTREET1» Session(s): «STARTDATE» to «ENROLLDATE» Agent: «Agent_name" Agent email: «Agent_email" IMPORTANT: Your housing reservation will not be made until you send this form, with your flight information, by fax to t he Ell. FLIGHT INFORMATION Arrival Airport: 0 PHILADELPHIA INTERNATIONAL AIRPORT 0 Other ____________ NOTE: We cannot make transportation arrangements for airports other than Philadelphia International Airport. Airline: Flight# Arrival Date: Arrival Time: Last connecting city before arriving in Philadelphia: AIRPORT TRANSPORTATION REQUEST Please choose one of the following: D I, cc FIRSTNAME» cclASTNAME» , request that the Ell make airport transportation arrangements for me. By providing my cred it card information below, I authorize the Ell to contact Delaware Express Shuttle on my behalf to arrange for airport pick-up. I understand that if the above flight information changes it is my responsibility to notify Delaware Express of such changes at 302-454-7800. I further understand that if I do not notify Delaware Express of changes or cancellations my credit card will be charged.
    [Show full text]
  • ELL Level 1 Activities
    Beginning with the End in Mind: Using Backward Design to Support Level 1 English Language Learners Chrissy Matthews & IAACE Annual Conference French Lick, Indiana Merindy Carpenter Wednesday, April 25, 2018 Session #3 3:05-4:05pm Level 1 English Language Learners • Who is this session focused on? • Beginning level students testing in the Level 1A or 1B Reading and Listening CLAS-E test books. • What are the demographics of beginning level students? • Illiterate in their own language to Doctoral degrees in their countries • Low socioeconomic status to wealthy • No English to a few years of English courses in their country • What do beginning students need? • Confidence, Community, Vocabulary, and Repetition Backward Design is our Road Map! • First, we consider the destination (our assessment, TABE CLAS-E)! • What are our goals? • Demonstrated student success = GAINS! • Demonstrated teacher effectiveness = GAINS! • Then, we plan the trip (lessons)! • Lesson plans guide us step-by-step toward our goal. Backward Design • Start with the outcome– Set learning goals based the desired results. What do you want the students to know, understand, and be able to do? • This can be overwhelming with Level 1 ELLs, who need to learn everything! • Use assessments to drive planning. We demonstrate student growth (and teacher effectiveness) using the TABE CLAS-E Reading and Listening tests. • Break down the content that must be mastered to be successful on the assessment. • Design activities (lessons) to achieve desired results! • Consider scope and sequence of lessons, learning styles, and teaching methods. • Emphasize repetition for beginning ELLs, and loop back around to cover the content in (especially if your program has rolling enrollment).
    [Show full text]
  • Ell 1E5 570 ' CS 20 5 4,96;
    . MC0111117 VESUI17 Ell 1E5 570 ' CS 20 5 4,96; AUTHOR McLean, Ardrew M. TITLE . ,A,Shakespeare: Annotated BibliographiesendAeaiaGuide 1 47 for Teachers. .. INSTIT.UTION. NIttional Council of T.eachers of English, Urbana, ..Ill. .PUB DATE- 80 , NOTE. 282p. AVAILABLe FROM Nationkl Coun dil of Teachers,of Englishc 1111 anyon pa., Urbana, II 61.801 (Stock No. 43776, $8.50 member, . , $9.50 nor-memberl' , EDRS PRICE i MF011PC12 Plus Postage. DESCRIPTORS Annotated Biblioal7aphies: *Audiovisual Aids;'*Dramt; +English Irstruction: Higher Education; 4 *InstrUctioiral Materials: Literary Criticism; Literature: SecondaryPd uc a t i on . IDENTIFIERS *Shakespeare (Williaml 1 ABSTRACT The purpose of this annotated b'iblibigraphy,is to identify. resou'rces fjor the variety of approaches tliat teachers of courses in Shakespeare might use. Entries in the first part of the book lear with teaching Shakespeare. in secondary schools and in college, teaching Shakespeare as- ..nerf crmance,- and teaching , Shakespeare with other authora. Entries in the second part deal with criticism of Shakespearear films. Discussions of the filming of Shakespeare and of teachi1g Shakespeare on, film are followed by discu'ssions 'of 26 fgature films and the,n by entries dealing with Shakespearean perforrances on televiqion: The third 'pax't of the book constituAsa glade to avAilable media resources for tlip classroom. Ittries are arranged in three categories: Shakespeare's life'and' iimes, Shakespeare's theater, and Shakespeare 's plam. Each category, lists film strips, films, audi o-ca ssette tapes, and transparencies. The.geteral format of these entries gives the title, .number of parts, .grade level, number of frames .nr running time; whether color or bie ack and white, producer, year' of .prOduction, distributor, ut,itles of parts',4brief description of cOntent, and reviews.A direCtory of producers, distributors, ard rental sources is .alst provided in the 10 book.(FL)- 4 to P .
    [Show full text]
  • Rpt on Larder Lake Gold Prospect
    32D84NE0439 63.4053 MCGARRY 010 lARPER Consulting Service H H. Grant Harper P. Eng., President Consulting Engineer b Geologist 314 Hendon Avenue Willowdale, Ontario M2M 1B2 (416) 225-7412 March 23, 1981 The Officers and Directors CME Resources Inc. Suite 500, 67 Richmond St. West Toronto , Ontario M5H 1Z5 RE : Larder Lake Gold Prospect Gentlemen : At your request I have made an analysis of the mineral potential of your two separate but almost contiguous claim groups located in McGarry Township, Larder Lake Mining Division, Ontario. The western group adjoins the major gold mine belonging to Kerr Addison Mines Ltd. Recently, some very deep drilling along the strike of the Larder Lake Break by major companies has sparked intense ex- . ploration interest in the area. Several years ago Mr. Murray Axmith asked me to investigate these properties. At that time I searched the Afro and the Resident Geologist©s Files and generally collected all available data. I did not analyse the data as interest in the property waned. I be lieve that most, if not all, of the pertinent data are in my possession . Information at my disposal includes the following. 1. Diamond Drill logs for holes 3 to 15 inclusive. These holes were drilled between February 1937 and September 1941. Some of the logs are signed by Alan C. Lee. All of these logs are for holes located on the west claim group. RE: Larder Lake Gold Prospect Page 2 2. Drill log 4H by C.F. Cockshut drilled in March of 1946. Mr. Cockshut is now connected with the Brantford office of Greenshields fc Co.
    [Show full text]
  • Guide to Residence Hall Living, and Code of Student Conduct
    TABLE OF CONTENTS Mission................................................................................1 Residential Life Policies & Community Standards...............2 Covid-19 Policies………………………………………………………………...2-4 Residential Services & Facilities.........................................14 Residential Security Office: Residential, Personal and General Safety Policies ............................................17 Procedures for Residence Hall Living................................25 University Services............................................................32 Telephone Resource List......................................Back Cover HOUSING AND RESIDENTIAL LIFE MISSION STATEMENT Housing and Residential Life strives to create a safe and inclusive residential environment which develops and supports opportunities for intellectual and social development and prepares students to become purposeful contributors to our global society. Each University housing facility is managed by a Residential Life staff member who supervises a trained staff which includes Student Graduate Assistants and Student Resident Assistants who have the authority to enforce the License Agreement, Guide to Residence Hall Living, and Code of Student Conduct. Housing and Residential Life 4 Speare Commons, Speare Hall, Lower Lobby 617.373.2814 (voice) 800.240.7666 (voice/outside of Boston) 617.373.8794 (fax) 617.373.4019 (TTY) [email protected] (email) www.northeastern.edu/housing HOUSING AND RESIDENTIAL LIFE COMMUNITY STANDARDS All students are responsible for
    [Show full text]
  • ENL Teacher Professional Development: Autobiographical Exploration of Funds of Knowledge Sari Brodey Indiana University- Purdue University Columbus Mentor: Dr
    ENL Teacher Professional Development: Autobiographical Exploration of Funds of Knowledge Sari Brodey Indiana University- Purdue University Columbus Mentor: Dr. Laura B. Liu, Ed.D. Introduction Digital Story: Funds of Knowledge Professional Standards for Teaching English as a Second or Other Language (TESOL) Purpose: The purpose of this OSR project is to reflect on how development Assignment: This assignment completed in Introduction to Bilingual of an autobiographical digital story about my cultural funds of knowledge: Education invited ENL teacher candidates to develop a digital story TESOL Standard 2a: Candidates demonstrate knowledge of how about their own family’s cultural funds of knowledge. The story had dynamic academic, personal, familial, cultural, and social contexts, (1) supported self-reflection as an ELL teacher (TESOL 2e); a narrative and explored some aspect important to the candidate. including sociopolitical factors, impact the education of ELLs. (2) cultivated greater appreciation for ELL challenges in schools (TESOL 2a); By reflecting on our own funds of knowledge as candidates, we (3) guided my development of a lesson plan to engage elementary ELL and prepared to appreciate the funds of knowledge of the English TESOL Standard 2d: Candidates devise and implement methods to learn students in reflection on their funds of knowledge to share with others. Language Learners (ELL) in our current and future classrooms. about personal characteristics of the individual ELL (e.g., interests, motivations, strengths, needs) and their family (e.g., language use, I drew upon this principle in developing the unit plan below. literacy practices, circumstances) to develop effective instructional practices. Theoretical Framework Unit Overview: ELL Family Recipes as Funds of Knowledge TESOL Standard 2e: Candidates identify and describe the impact of Funds of Knowledge: Understanding the Concept Teaching Context his/her identity, role, cultural understandings, and personal biases and conscious knowledge of U.S.
    [Show full text]