Robbie Robertson of the Band Speaks in ILS Lecture Series

Total Page:16

File Type:pdf, Size:1020Kb

Robbie Robertson of the Band Speaks in ILS Lecture Series Dominican Scholar Press Releases Communications and Media Relations 11-16-2016 Robbie Robertson of The Band speaks in ILS lecture series Sarah Gardner Dominican University of California, [email protected] Dave Albee Dominican University of California, [email protected] Survey: Let us know how this paper benefits you. Recommended Citation Gardner, Sarah and Albee, Dave, "Robbie Robertson of The Band speaks in ILS lecture series" (2016). Press Releases. 132. https://scholar.dominican.edu/news-releases/132 This News Release is brought to you for free and open access by the Communications and Media Relations at Dominican Scholar. It has been accepted for inclusion in Press Releases by an authorized administrator of Dominican Scholar. For more information, please contact [email protected]. Robbie Robertson of The Band speaks in ILS lecture series Legendary guitarist and songwriter Robbie Robertson, best known for his work with The Band in the 1960s and 1970s, spoke before an appreciative crowd of about 500 in the Institute for Leadership Studies’ Fall Leadership Lecture Series in partnership with Book Passage at Dominican University of California on November 30. Robertson, one of Rolling Stone’s 100 greatest guitarists of all-time, discussed Testimony, his memoir of The Band’s storied career, which culminated in one of music history’s most famous farewell concerts, The Last Waltz, in 1976 in San Francisco. The book also details Robertson’s lengthy career backing legends such as Bob Dylan and Ronnie Hawkins. Writer/producer Dan Stone, founder and editor-in-chief of Radio Silence who previously has interviewed musical luminaries such as Bruce Springsteen, Patti Smith, and Elvis Costello for City Arts and Lectures, appeared in conversation with Robertson. Dominican was the only scheduled stop in the San Francisco Bay Area and Northern California on the Testimony book tour. CLICK HERE to watch video of Robertson's appearance at Dominican. CLICK HERE to read Marin Independent Journal coverage of the event. To purchase Testimony or for more information, contact Book Passage in Corte Madera by calling (415) 927-0960 extension 1 or by visiting bookpassage.com/dominican. The speaker series, a cooperative effort between Dominican’s Institute for Leadership Studies and Book Passage, features some of the country's leading figures from the worlds of business, politics, entertainment, academia, and literature. The series has entertained and educated thousands of Marin County and San Francisco Bay Area residents All events are open to the public. Free parking is available on campus in the nearby Conlan Center parking lot at the intersection of Acacia and Grand Avenues in San Rafael. The 2016-2017 Leadership Lecture Series is presented by Private Ocean, the oldest and largest privately- held wealth management firm in Marin County. Private Ocean’s commitment to community service has been a driving force behind its support of the lecture series. Bank of Marin is the Gold Level sponsor. Redwood Credit Union is the Silver Level sponsor. November 16, 2016 .
Recommended publications
  • Making Changes Happe Making Changes Happen in Terra
    CHAPTER ONE MAKING CHANGES HAPPEHAPPENN IN TERRA INCOGNITA A Process of Re-enactment I picked up my New York Times on April 20, 2012 and read that Levon Helm had died. I quietly turned to the obituary page and as I read what was written about this man, memories flooded back to me. The drinking age was twenty-one so we had to sneak in the back door off Yonge Street, Toronto’s main drag. It was a seedy section of the street below Bloor then, lined with strip joints and bars, and because of this it was one of places where you could go and hear exciting music in the early sixties. I was there with my friend, John. The two of us were freshly admitted undergraduate students at the University of Waterloo and anxious to make early marks in life. So we became concert promoters. This was a short career because even then concerts were presented by organized thugs and there was no room for amateurs like us. On one occasion we brought into town a singer who had a number one hit in Canada, Ronnie Hawkins and his band, known then as the Hawks. We got to know Ronnie pretty well and he was kind to us ingénues. About two weeks after the concert we got a phone call from Ronnie’s manager inviting us to come into the city and watch the band play for what he called an interview. So, on a Friday afternoon John and I crammed into our friend Ted’s Porsche 356 and headed down Highway 401.
    [Show full text]
  • Scobie on I'm Not There
    I’M NOT THERE (1956-2007) Stephen Scobie Je est un autre—Arthur Rimbaud I’m Not There (2007) In this autumn season of 2007, I can see that I am going to be thinking a lot about the Bob Dylan song known as “I’m Not There (1956).” At least, that is the title given to it on most of its early, bootleg appearances. Now that it has finally been officially released, the sub-title date has been dropped—which is a pity (since it added an element of mystery to the song) but also understandable (since no good explanation of the date has ever been given). “I’m Not There” is perhaps the ultimate Dylan bootleg, and has always been a subject for cult idealization as the most obscure of Dylan’s “lost” songs: a major master- piece that almost no one knows, and which indeed seems to conspire actively against being known. Now, it has become the title of Todd Haynes’s movie I’m Not There, “inspired by the music and many lives of Bob Dylan”—“many” being the operative word. The film is already famous for casting six different actors to play aspects of Dylan at different points in his career. If this strategy is a gimmick, it is a successful one: the film is generating vast amounts of advance publicity, much of it based on the photographs of Cate Blanchett looking, uncannily and androgynously, like 1966 Bob. The film is not due for North American release until late November, though it has played in prestigious festivals like Toronto, New York, and Venice.
    [Show full text]
  • Robbie Robertson and the Band
    STARTS FRIDAY IN RHINEBECK, PLUS 2 WEEKEND SHOWS IN WOODSTOCK ONCE WERE BROTHERS: ROBBIE ROBERTSON AND THE BAND Robbie Robertson says, "What I really want people to realize is that this group, The Band, was one of the most unique musical entities ever in the history of rock and roll. There was never anything like it before, and there will never be anything like it again." (MORE INFO ON OUR WEBSITE / SHOWTIMES FURTHER DOWN IN THIS E-MAIL) Oct SPECIAL EVENT - RHINEBECK THEN CAME YOU A fundraiser for the Leukemia and Lymphoma Society. SATURDAY 3/14 at 12PM in RHINEBECK THEN CAME YOU is a funny and poignant coming-of-age story celebrating the love for friendship, romance and life. Maisie Williams, Asa Butterfield, and Nina Dobrev star. Q&A with director Peter Hutchings to follow the screening. More info here. Oct Now Showing in Rhinebeck (3/9 - 3/12) Portrait of a Lady on Fire Emma March 9 - 12 March 9 - 12 Mon Tue 5:40 8:10 Mon Tue 5:35 8:05 Wed 3:10 5:40 8:10 Wed 3:00 5:35 8:05 Thur 5:40 8:10 Thur 5:35 8:05 Learn More Learn More Oct Now Showing in Woodstock (3/9 - 3/12) The Assistant March 9 - 12 Mon - Thur 7:30 Learn More Oct March 13 - 19 in Rhinebeck: Emma. March 13 - 19 Fri-Sun 3:00 5:35 8:05 Mon Tue 5:35 8:05 Wed 3:00 5:35 8:05 Thur 5:35 8:05 (UK / 2020 / Directed by Autumn de Wilde) Jane Austen's beloved comedy about finding your equal and earning your happy ending, is reimagined in this delicious new film adaptation of EMMA, starring Anya Taylor-Joy in the titular role.
    [Show full text]
  • Still on the Road Session Pages 1967
    STILL ON THE ROAD 1967 RECORDING SESSIONS MARCH – MAY Byrdcliffe, New York Red Room, Bob Dylan's Home MAY – OCTOBER West Saugerties, New York Big Pink's Basement, Stoll Road OCTOBER Woodstock, New York Wittenberg Road, Rick Danko's & Levon Helm's Home 17 Nashville, Tennessee Columbia Studio A, 1st John Wesley Harding session NOVEMBER 6 Nashville, Tennessee Columbia Studio A, 2nd John Wesley Harding session 29 Nashville, Tennessee Columbia Studio A, 3rd John Wesley Harding session Bob Dylan recording sessions 1967 1620 Red Room Bob Dylan's Home Byrdcliffe, New York March-May 1967 1. Edge Of The Ocean 2. My Bucket's Got A Hole In It (Clarence Williams) 3. Roll On Train 4. Mr. Blue 5. Spanish Is The Loving Tongue (Charles Badger Clark / Billy Simon) 6. Under Control 7. Ol' Roison The Beau (trad, arr. by Bob Dylan) 8. I'm Guilty Of Loving You 9. Cool Water (Bob Nolan) 10. The Auld Triangle (Brendan Behan) 11. Poor Lazarus (trad, arr. by Bob Dylan) 12. Johnny Todd (trad, arr. by Bob Dylan) 13. Rock, Salt And Nails (Bruce Phillips) 14. Confidential (Dorinda Morgan) 15. Confidential (Dorinda Morgan) 16. 2 Dollars And 99 Cents 17. Jelly Bean 18. Any Time 19. Down By The Station 20. Hallelujah, I've Just Been Moved (trad, arr. by Bob Dylan) 21. That's The Breaks 22. Pretty Mary 23. Will The Circle Be Unbroken (A.P. Carter) 24. King Of France 25. She's On My Mind Again 26. On A Rainy Afternoon 27. I Can't Come In With A Broken Heart 28.
    [Show full text]
  • Garth Hudson's Posture Looked Familiar Sunday As He Played Keyboards with the Dixie Hummingbirds - Hunched Over the Organ in a Possessed, Mad-Scientist Manner
    NEWPORT - If you saw the movie "The Last Waltz," Garth Hudson's posture looked familiar Sunday as he played keyboards with the Dixie Hummingbirds - hunched over the organ in a possessed, mad-scientist manner. Hudson played on the veteran gospel group's latest CD and was a featured player during the Apple & Eve Newport Folk Festival. And if you've heard Hudson speak, it all makes sense. He's dedicated much of his life to performing roots music - folk playing, blues, brass arrangements, country and gospel - and passing along his knowledge. Hudson, who grew up in Canada, is a multi-instrumentalist who made his name with The Band in the 1960s until that group's original lineup ended things in 1976. Since then, he's performed in a 1990s version of The Band and with a variety of groups that play an array of styles. And he shares what he knows with younger musicians. During a recent tour of Ireland, Hudson, 67, said he met with Irish musicians and master accordionists (he plays accordion, piano, organ and saxophone) to talk about their craft and ways to improve. "Before I was done, I would get together about 40 minutes worth of tips," he said during an interview at the Folk Festival. One man, a music teacher, came back twice. "We'd have the performance and then sit back after it was over and talk about music, different ways of doing things," he said. "I enjoy helping musicians. It's always been that way." In "The Last Waltz," Robbie Robertson talks about how Hudson billed himself as a music teacher early on, when the group was the Hawks and backed singer Ronnie Hawkins, and later Bob Dylan.
    [Show full text]
  • RONNIE HAWKINS from Coast to Coast in Canada, the Name Rompin' Ronnie Hawkins Is Known As the Greatest Name in the Rock and Roll Field
    Vol. 3, No.3 Week of March 15th, 1965 RONNIE HAWKINS From coast to coast in Canada, the name Rompin' Ronnie Hawkins is known as the greatest name in the rock and roll field. Ronnie has been one of the top draws in teen shows for many years. Even though not billed as a principle on many of the shows his performance tabs him as a star. His showmanship and easy going sincere manner is the reason his fans number in hundreds of thousands. Ronnie is making money in Canada in the record business, not much, but enough to make him want to become an even bigger name,not only as a performer but as a booster for Canadian talent. In his opinion there is just as much talent in Canada as there is in the US or England and he is going to do what he can to bring this talent the proper exposure. He's off to a good start with Robbie Lane and Doug Lycett. Also coming along are the Stratotones and ScottCushnie. Hawkins formed his own record comnany, Hawk Records and has just completed the installution ui studio built along the lines of Nashville but with many new innovations. Hawkins is aware of the meagre return on re.. cordsin Canada andistherefore subsidizing the new company with money he earns playing clubs and touring the country. Another dream that came true for Ronnie Hawkins was the opening ofThe Hawks Nest, a non-alcoholic strictly for teens night club.It was always a source of disappointment to Ronnie that he could never perform for the teenagers in downtown clubs because of the age limit.
    [Show full text]
  • Title Format Released Abyssinians, the Satta Dub CD 1998 Acklin
    Title Format Released Abyssinians, The Satta Dub CD 1998 Acklin, Barbara The Brunswick Anthology (Disc 2) CD 2002 The Brunswick Anthology (Disc 1) CD 2002 Adams Johnny Johnny Adams Sings Doc Pomus: The Real Me CD 1991 Adams, Johnny I Won't Cry CD 1991 Walking On A Tightrope - The Songs Of Percy Mayfield CD 1989 Good Morning Heartache CD 1993 Ade & His African Beats, King Sunny Juju Music CD 1982 Ade, King Sunny Odu CD 1998 Alabama Feels So Right CD 1981 Alexander, Arthur Lonely Just Like Me CD 1993 Allison, DeAnn Tumbleweed CD 2000 Allman Brothers Band, The Beginnings CD 1971 American Song-poem Anthology, The Do You Know The Difference Between Big Wood And Brush CD 2003 Animals, The Animals - Greatest Hits CD 1983 The E.P. Collection CD 1964 Aorta Aorta CD 1968 Astronauts, The Down The Line/ Travelin' Man CD 1997 Competition Coupe/Astronauts Orbit Kampus CD 1997 Rarities CD 1991 Go Go Go /For You From Us CD 1997 Surfin' With The Astronauts/Everything Is A-OK! CD 1997 Austin Lounge Lizards Paint Me on Velvet CD 1993 Average White Band Face To Face - Live CD 1997 Page 1 of 45 Title Format Released Badalamenti, Angelo Blue Velvet CD 1986 Twin Peaks - Fire Walk With Me CD 1992 Badfinger Day After Day [Live] CD 1990 The Very Best Of Badfinger CD 2000 Baker, Lavern Sings Bessie Smith CD 1988 Ball, Angela Strehli & Lou Ann Barton, Marcia Dreams Come True CD 1990 Ballard, Hank Sexy Ways: The Best of Hank Ballard & The Midnighters CD 1993 Band, The The Night They Drove Old Dixie Down: The Best Of The Band [Live] CD 1992 Rock Of Ages [Disc 1] CD 1990 Music From Big Pink CD 1968 The Band CD 1969 The Last Waltz [Disc 2] CD 1978 The Last Waltz [Disc 1] CD 1978 Rock Of Ages [Disc 2] CD 1990 Barker, Danny Save The Bones CD 1988 Barton, Lou Ann Read My Lips CD 1989 Baugh, Phil 64/65 Live Wire! CD 1965 Beach Boys, The Today! / Summer Days (And Summer Nights!!) CD 1990 Concert/Live In London [Bonus Track] [Live] CD 1990 Pet Sounds [Bonus Tracks] CD 1990 Merry Christmas From The Beach Boys CD 2000 Beatles, The Past Masters, Vol.
    [Show full text]
  • Still on the Road: 1974 Tour of America with the Band
    STILL ON THE ROAD 1974 TOUR OF AMERICA WITH THE BAND JANUARY 3 Chicago, Illinois Chicago Stadium 4 Chicago, Illinois Chicago Stadium 6 Philadelphia, Pennsylvania The Spectrum – Afternoon 6 Philadelphia, Pennsylvania The Spectrum – Evening 7 Philadelphia, Pennsylvania The Spectrum 9 Toronto, Ontario, Canada Maple Leaf Gardens 10 Toronto, Ontario, Canada Maple Leaf Gardens 11 Montreal, Quebec, Canada Forum de Montreal 12 Montreal, Quebec, Canada Forum de Montreal 14 Boston, Massachusetts Boston Gardens – Afternoon 14 Boston, Massachusetts Boston Gardens – Evening 15 Largo, Maryland Capital Centre 16 Largo, Maryland Capital Centre 17 Charlotte, North Carolina Coliseum 19 Hollywood, Florida Hollywood Sportatorium – Afternoon 19 Hollywood, Florida Hollywood Sportatorium – Evening 21 Atlanta, Georgia The Omni 22 Atlanta, Georgia The Omni 23 Memphis, Tennessee Mid-South Coliseum 25 Fort Worth, Texas Tarrant County Convention Center Arena 26 Houston, Texas Hofheinz Pavilion – Afternoon 26 Houston, Texas Hofheinz Pavilion – Evening 28 Nassau, New York Nassau County Coliseum 29 Nassau, New York Nassau County Coliseum 30 New York City, New York Madison Square Garden 31 New York City, New York Madison Square Garden – Afternoon 31 New York City, New York Madison Square Garden – Evening FEBRUARY 2 Ann Arbor, Michigan Crisler Arena, University Of Michigan 3 Bloomington, Indiana Assembly Hall, Indiana University 4 St. Louis, Missouri Missouri Arena – Afternoon 4 St. Louis, Missouri Missouri Arena – Evening 6 Denver, Colorado Coliseum – Afternoon 6 Denver,
    [Show full text]
  • 1975 San Francisco, CA Kezar Stadium SNACK Sunday ,
    March 23, 1975 San Francisco, CA Kezar Stadium SNACK Sunday , .........J.t..t.r ~ s.t.,Mlr.1, 1'75 Neil Young in SNACK ~·olk-rock sUlll'n-lar :'\e,I Krtth Younq, the Ooobie 81ulll1'r,, and the ~liracles huve been Promoter 8111 Gruham, added lo the Sund111 111 announcmg Young's :>iACK benefit concert rcir booklni:. noted thal the the S.F. sehools' sports and seven-boor show's roster Is cultural programs. in Ke- now complete zar Stadlum March ZJ be gmnmg at 10 a m Joan Baez, Jerry Gar­ cia. TW'er of Power, San­ Jommg Youn11 wtU be tana, Graham Centrnl Sta· drummer Levon Helm and lion. Jeffen;on7Slarshlp and bassl•t Rick Dan!.o of The others have already been Band and KUilansl Ben JIIIIOllllCed. 16 Ollla•b ltrlbunc Mon., March 24, 1975 Brande end Dylan Starsof SNACK1 Are You Ready For The Country Ain't That A Lot Of Love Looking For A Love Loving You Is Sweeter Than Ever I Want You The Weight Helpless FROMENGI..AW Knockin' On Heaven's Door Will The Circle Be Unbroken SNEAK PR~ Rick Danko – bass Bob Dylan –guitar, piano, harmonica Tim Drummond – guitar Levon Helm – drums Garth Hudson – keyboards Ben Keith – pedal steel guitar Neil Young - piano, guitar Notes: Broadcast live on K-101 radio. _.. THE PEARLFISH ERS t,yGeorgos8int IN ENGLISH produced by San Francisco Opera Kurt Herbert Adler, General Director at the PARAMOUNT THEATRE TUESDAY, APRIL 8 al 8:00 P.M. .8 Pwt lV-Tues.,'Mar. 25, 1975 l.llf ... )!OBERT HILBURN $200,000- SNACK Time--A Line-Up of Who Needs It? Talent in Live Stereo .
    [Show full text]
  • The Old, Weird America the World of Bob Dylans Basement Tapes 1St Edition Download Free
    THE OLD, WEIRD AMERICA THE WORLD OF BOB DYLANS BASEMENT TAPES 1ST EDITION DOWNLOAD FREE Greil Marcus | 9780312572914 | | | | | Greil Marcus Completing a pickup band with pianist Barry Goldberg, plus Butterfield's drummer Sam Lay and his bassist Jerome Arnold, Dylan rehearsed through the night and showed up the next day, on Newport's main stage, ready to experiment. Using bootleg recordings of Bob Dylan as a starting point, he dissected the American subconscious in Invisible Republic : Bob Dylan's Basement Tapespublished in From the balladeer who first presented himself not as the son of a respectable middle-class Jewish family from northern Minnesota but as a vagabond runaway who had no idea if his parents were dead or alive, to the dandy who when controversy over his turn to the pop arena erupted declared that his investment in folk music had been a con from the start, he was, it was sometimes said, a different person every time you saw him. The best thing I got from this book was exposure to Mr. Gathering in New York with the members of his touring band, the Hawks, he wrote joke songs and reimagined American folk and blues. With Dylan singing a barbed Plains States drawl and his rhythm guitar pressing for speed, Bloomfield jumps the train and drives it: "I remember," said Sim Webb, Casey Jones's fireman when the Illinois Central smashed into a freight train near Vaughn, Mississippi, on April 30,"that as I jumped from the cab Casey held down the whistle in a long, piercing scream. Wikiquote has quotations related to: Greil Marcus.
    [Show full text]
  • The Band's Last Stand
    'age 12 Berkeley Barb, December 3-9. 1976 Dylan Digs In The Band's Last. by Michael Snyder Standless" with the Band on chorus harmonies. A tribute to their common Canadian ori­ hey billed it as The Last Waltz. gins. Fellow Canuck Joni Mitchell, in Catchy. An attractive logo for thrift shop calico and leotard, had the posters and T-shirts. A great consummate chutzpah to perform three title for a movie. The Band's songs off her latest album rather than T something more fitting. farewell to live performance. In Pana- vision. The most awesome assemblage of When Richard Manuel began "An Irish rock's nobility since the Woodstock mud- Lullabye," it was inevitable that Van bath. Morrison should-join in. Morrison, who It happened as it had been foretold. recently returned to the British Isles Joni Mitchell with The Band's Robbie A coked-out Neil Young (center) jammed Port-o-sans and peanuts maintained the after a number of years in Marin County, Robertson. with Bandmembers Rick Danko (left) and lucky 5000 who lined up outside Winterland was positively electrifying (maroon rhine- Robbie Robertson. on Thanksgiving. Carnations adorned the stone-encrusted leisure suit notwithstan­ Dylan show up and walk across a vat of for extra texture. Ringo sat behind the spiffy and the scuzzy alike. Two hundred ding). white wine? The word was that he had second drum kit and Ron Wood plugged and fifty turkeys went under the knife. During the midnight intermission, local imported the baked salmon for the vege­ in next to Clapton. The effect was bog­ Narsai's did the catering.
    [Show full text]
  • Legends, Icons & Rebels
    A Teacher’s Guide for LEGENDS, ICONS & REBELS: MUSIC THAT CHANGED THE WORLD By Robbie Robertson, Jim Guerinot, Sebastian Robertson and Jared Levine TUNDRA BOOKS A DIVISION OF RANDOM HOUSE OF CANADA LIMITED HC: 9781770495715 EPUB: 9781770495739 ABOUT THE BOOK In Legends, Icons & Rebels, celebrated musician Robbie Robertson and passionate music industry insiders Jim Guerinot, Sebastian Robertson and Jared Levine pay tribute to twenty-seven extraordinary artists whose innovations have shaped contemporary music. Rock and roll legends Buddy Holly and Elvis Presley, reggae originator Bob Marley, jazz greats Louis Armstrong and Billie Holiday, folk icons Joni Mitchell and Bob Dylan, country stars Johnny Cash and Patsy Cline, and soul sensations Aretha Franklin and James Brown are just some of the artists who are featured. Using thoughtful profiles, evocative illustrations, Robbie’s personal anecdotes and legendary audio recordings, the authors reveal the artists’ lives and their music—the surprising challenges they faced, the musical influences that shaped them and the power of their music to inspire other artists, touch listeners and shine a light on social injustice. The Common Core State Standards call for a special emphasis on informational text and the use of multiple text forms in the exploration of a topic. This guide provides discussion questions, writing prompts, research activities and presentation opportunities that reflect the English Language Arts Common Cores Standards as well as offer cross curricular links to music, social studies and visual arts. BEFORE READING 1. As a class, brainstorm a list of qualities a musician needs to be successful. Now ask students to think about what it takes to become a musical legend.
    [Show full text]