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Plural Words in Austronesian Languages: Typology and History
Plural Words in Austronesian Languages: Typology and History A thesis submitted in partial fulfilment of the requirements for the degree of Research Master of Arts in Linguistics by Jiang Wu Student ID: s1609785 Supervisor: Prof. dr. M.A.F. Klamer Second reader: Dr. E.I. Crevels Date: 10th January, 2017 Faculty of Humanities, Leiden University Table of contents Abstract ........................................................................................................................ iii Acknowledgements ....................................................................................................... iv List of tables ................................................................................................................... v List of figures ................................................................................................................ vi List of maps ................................................................................................................. vii List of abbreviations .................................................................................................. viii Chapter 1. Introduction .................................................................................................. 1 Chapter 2. Background literature ................................................................................... 3 2.1. Plural words as nominal plurality marking ....................................................... 3 2.2. Plural words in Austronesian languages .......................................................... -
Report to Office of Water Science, Department of Science, Information Technology and Innovation, Brisbane
Lake Eyre Basin Springs Assessment Project Hydrogeology, cultural history and biological values of springs in the Barcaldine, Springvale and Flinders River supergroups, Galilee Basin and Tertiary springs of western Queensland 2016 Department of Science, Information Technology and Innovation Prepared by R.J. Fensham, J.L. Silcock, B. Laffineur, H.J. MacDermott Queensland Herbarium Science Delivery Division Department of Science, Information Technology and Innovation PO Box 5078 Brisbane QLD 4001 © The Commonwealth of Australia 2016 The Queensland Government supports and encourages the dissemination and exchange of its information. The copyright in this publication is licensed under a Creative Commons Attribution 3.0 Australia (CC BY) licence Under this licence you are free, without having to seek permission from DSITI or the Commonwealth, to use this publication in accordance with the licence terms. You must keep intact the copyright notice and attribute the source of the publication. For more information on this licence visit http://creativecommons.org/licenses/by/3.0/au/deed.en Disclaimer This document has been prepared with all due diligence and care, based on the best available information at the time of publication. The department holds no responsibility for any errors or omissions within this document. Any decisions made by other parties based on this document are solely the responsibility of those parties. Information contained in this document is from a number of sources and, as such, does not necessarily represent government or departmental policy. If you need to access this document in a language other than English, please call the Translating and Interpreting Service (TIS National) on 131 450 and ask them to telephone Library Services on +61 7 3170 5725 Citation Fensham, R.J., Silcock, J.L., Laffineur, B., MacDermott, H.J. -
Victorian Historical Journal
VICTORIAN HISTORICAL JOURNAL VOLUME 87, NUMBER 2, DECEMBER 2016 ROYAL HISTORICAL SOCIETY OF VICTORIA VICTORIAN HISTORICAL JOURNAL ROYAL HISTORICAL SOCIETY OF VICTORIA The Royal Historical Society of Victoria is a community organisation comprising people from many fields committed to collecting, researching and sharing an understanding of the history of Victoria. The Victorian Historical Journal is a fully refereed journal dedicated to Australian, and especially Victorian, history produced twice yearly by the Publications Committee, Royal Historical Society of Victoria. PUBLICATIONS COMMITTEE Jill Barnard Marilyn Bowler Richard Broome (Convenor) Marie Clark Mimi Colligan Don Garden (President, RHSV) Don Gibb David Harris (Editor, Victorian Historical Journal) Kate Prinsley Marian Quartly (Editor, History News) John Rickard Judith Smart (Review Editor) Chips Sowerwine Carole Woods BECOME A MEMBER Membership of the Royal Historical Society of Victoria is open. All those with an interest in history are welcome to join. Subscriptions can be purchased at: Royal Historical Society of Victoria 239 A’Beckett Street Melbourne, Victoria 3000, Australia Telephone: 03 9326 9288 Email: [email protected] www.historyvictoria.org.au Journals are also available for purchase online: www.historyvictoria.org.au/publications/victorian-historical-journal VICTORIAN HISTORICAL JOURNAL ISSUE 286 VOLUME 87, NUMBER 2 DECEMBER 2016 Royal Historical Society of Victoria Victorian Historical Journal Published by the Royal Historical Society of Victoria 239 A’Beckett Street Melbourne, Victoria 3000, Australia Telephone: 03 9326 9288 Fax: 03 9326 9477 Email: [email protected] www.historyvictoria.org.au Copyright © the authors and the Royal Historical Society of Victoria 2016 All material appearing in this publication is copyright and cannot be reproduced without the written permission of the publisher and the relevant author. -
02 9915 8800 ©2018 Encyclopædia Britannica, Inc
Australian Articles Catalogue Britannica School is committed to ensuring that Australian students and educators always have access to the most credible source of information on curriculum topics. Use this catalogue to browse our expanding collection of locally-sourced articles and media aligned to the Australian National or State Curriculums. Articles marked with an Asterix (*) have been created to meet the curriculum perspectives identified in the NSW or VIC Curriculum. Charles Edward Kingsford Smith Primary Level Charles Nelson Perkins Colonial Australia Aboriginal and Torres Strait Islander Trade Canberra Adaptation Conservation in Australia Andrew Barton Paterson Conservation ANZAC Day Corroboree* Australia Darwin Australian Aboriginal Peoples Dawn Fraser Australian Capital Territory Douglas Mawson Australian Gold Rushes* Douglas Nicholls Australian South Sea Islanders Earth Black Wars East Timor Brisbane Ecosystem Burke and Wills Expedition Eddie Mabo Bushranger Edith Cowan Cathy Freeman Edward Dunlop © 2020 Encyclopaedia Britannica, Inc. Britannica School Australian Articles Catalogue Elizabeth and John Macarthur* Latitude and Longitude Elizabeth Kenny Life Cycle Europe Light European Exploration of Australia Lionel Rose Flags of Australia Literature for Children Flood Luís Vaz de Torres* Food chain Map and Globe Forgotten Australians Margaret Olley Force Margaret Tucker Fred Hollows Melbourne Friction Michael Long Harmony Day* Moon Harold Holt Myall Creek Massacre Heat Mungo National Park History Nellie Melba Hobart New Zealand Howard Walter Florey Norman Lindsay Human Rights North America Human Settlement Northern Territory Immigration to Australia Paul Keating Indigenous and European Contact in Pearl Gibbs Australia Arthur Phillip Indigenous Australian Country Pinjarra Massacre Indigenous Australians and the Environment Reconciliation Jessica Mauboy Reversible and Irreversible Changes John Monash Rod Laver Judith Wright Shamanism Kevin Rudd Stolen Generations © 2020 Encyclopaedia Britannica, Inc. -
Transactions and Transformations: Artefacts of the Wet Tropics, North Queensland Edited by Shelley Greer, Rosita Henry, Russell Mcgregor and Michael Wood
Transactions and Transformations: artefacts of the wet tropics, North Queensland Edited by Shelley Greer, Rosita Henry, Russell McGregor and Michael Wood MEMOIRS OF THE QUEENSLAND MUSEUM |CULTURE Volume 10 Memoirs of the Queensland Museum | Culture 10 2016 | i Brisbane | December 2016 ISSN 2205-3220 Memoirs of the Queensland Museum | Culture Volume 10 Transactions and Transformations: artefacts of the wet tropics, North Queensland Minister: Annastacia Palaszczuk MP, Premier and Minister for the Arts CEO: Suzanne Miller, BSc(Hons), PhD, FGS, FMinSoc, FAIMM, FGSA , FRSSA Editor in Chief: J.N.A. Hooper, PhD Editor: Geraldine Mate, PhD Issue Editors: Shelley Greer, Rosita Henry, Russell McGregor and Michael Wood PUBLISHED BY ORDER OF THE BOARD 2016 © Queensland Museum PO Box 3300, South Brisbane 4101, Australia Phone: +61 (0) 7 3840 7555 Fax: +61 (0) 7 3846 1226 Web: qm.qld.gov.au National Library of Australia card number ISSN 2205-3220 COVER Cover image: Rainforest Shield. Queensland Museum Collection QE246, collected from Cairns 1914. Traditional Owners, Yidinji People NOTE Papers published in this volume and in all previous volumes of the Memoirs of the Queensland Museum may be reproduced for scientific research, individual study or other educational purposes. Properly acknowledged quotations may be made but queries regarding the republication of any papers should be addressed to the CEO. Copies of the journal can be purchased from the Queensland Museum Shop. A Guide to Authors is displayed on the Queensland Museum website qm.qld.gov.au A Queensland Government Project Design and Layout: Tanya Edbrooke, Queensland Museum Printed by: Fergies CONTENTS GREER, S., HENRY, R., MCGREGOR, R. -
First Impressions: James Baroud Horizon Vision Roof Top Tent | Expedition Portal
First Impressions: James Baroud Horizon Vision Roof Top Tent | Expedition Portal EXPEDITION PORTAL FIRST IMPRESSIONS: JAMES BAROUD HORIZON VISION ROOF TOP TENT Light and compact, the newest tent from James Baroud is an innovative approach to tent design. by Christophe Noel Published on December 2nd, 2014 ike many overlanders, there was a time a few years ago when the allure of a roof top tent spurred me to search for the perfect specimen, something that would be quick to set up, offer comfortable sleep, and hopefully endure years of hard use. I thought I found the perfect solution, but the setup proved arduous, the sleep quality so-so, and then there were the host of negative attributes I didn’t fully appreciate at the time of purchase. LMy chief complaint with most roof top tents was relative to weight and collapsed size. Even on my rather large Land Rover Discovery II, most tents sat atop my roof like a pallet of bricks. Even the lighter options tipped the scales at well over 100 pounds, and as an avid backpacker, I just couldn’t believe there wasn’t a lighter more compact alternative, one that could be used on a smaller vehicle if desired. Pundits of the then current offerings were quick to tell me it just wasn’t possible to create such a tent, something I knew couldn’t be true. Fortunately, James Baroud felt the same way. The new James Baroud Horizon Vision is the tent I had been looking for years ago. At 88 pounds it is easily 20 to even 50 pounds lighter than similar tents. -
Victorian Heritage Database Place Details - 28/9/2021 the HERMITAGE
Victorian Heritage Database place details - 28/9/2021 THE HERMITAGE Location: 161 MAROONDAH HIGHWAY NARBETHONG, Murrindindi Shire 1 Victorian Heritage Register (VHR) Number: H0303 Listing Authority: VHR Extent of Registration: Shire of Healesville. No.303. The Hermitage, Maroondah Highway, Narbethong. [Victoria Government Gazette No 100 Wednesday, October 9 1974 p.3649] Statement of Significance: The Hermitage, Narbethong, is a complex of buildings which was erected in 1894 as a residence, studio and guest house on a thirty-two hectare site on the summit of Black Spur, for internationally renowned anthropological and social photographer, John William Lindt. Born in Germany, Lindt ran away to sea and arrived in Melbourne in 1862. From here he travelled and settled in Grafton, where he remained until 1876, first working for a photographer, before taking over this business, and then opening his own photographic studio. Lindt subsequently moved to Melbourne, which was a rich and rapidly developing city on his arrival in 1876, and opened a photographic studio in Collins Street, Melbourne. He immediately gained recognition amongst the prosperous members of society and gained a reputation for society, landscape and cityscape photography. He was an official photographer for an expedition of Sir Peter Scratchley to New Guinea in 1885 and for the Melbourne International Exhibition in 1888, and won medals internationally for his work. Lindt travelled extensively abroad and locally, and familiarised himself intimately with such picturesque areas of Victoria as the mountainous forests between Healesville and Marysville. Closing his studio in 1894 after losing his clientele in the financial crisis, it was to this area that Lindt moved and developed his estate, the Hermitage, where he remained until his death in 1926 at the age of 81 years. -
POLICE MOTU 41 3.1 Introduction 41 3 .2 the Mission Frontier 41 3.3 the Unofficial 'Visitors' Frontier 47 3.4 the Government Frontier 56
re . I /VA �I (its story) by Tom Dutton The University of Papua New Guinea Press 1985 Published by the University of Papua New Guinea Press Copyright T. E. Dutton 1985 © All right reserved CONTENTS First published 1985 FOREWORD Vll ISBN 9980-84-007-2 PREFACE Vlll Printed in Hong Kong by Colocraft Ltd. ACKNOWLEDGEMENTS xii A NOTE ON TERMINOLOGY X-lV Cover design by Takus David ABBREVIATIONS, SYMBOLS and OTHER CONVENTIONS xv GLOSSARY XVI Produced within the framework of the Languages for Intercultural Australian Academy of the THE LANGUAGE TODAY Communication in the Pacific Area Project of the 1. Humanities and under the academic auspices of the Union Academique 1.1 Introduction Internationale as publication No. 3 under the Project. 1.2 Distribution and Varieties No royalties are paid on this book. 1.3 General Overview of the Structure of Hiri (formerly Police) Motu 4 1.4 Pidgin Features of Hiri Motu 7 1.4.1 Sounds 7 1.4.2 Grammar 8 1.4.3 Vocabulary 16 2. IN THE BEGINNING: THE PRE-EUROPEAN SETTING 20 2.1 Introduction 20 2.2 The HTL(E) 22 2.3 The HTL(K) 29 2.4 Simplified Motu 36 3. INVASION AND THE NEW FRONTIER: SIMPLIFIED MOTU TO POLICE MOTU 41 3.1 Introduction 41 3 .2 The Mission Frontier 41 3.3 The Unofficial 'Visitors' Frontier 47 3.4 The Government Frontier 56 4. LAW AND ORDER: THE SPREAD OF POLICE MOTU 59 To Corinne, Brett and Anna 4.1 Introduction 59 4.2 MacGregor's Armed Native Constabulary 62 4.3 The Village Constable System 71 4.4 The Prison System 74 4.5 Conclusion 78 ECONOMIC AND OTHER DEVELOPMENT: 5. -
Cultural Heritage Series
VOLUME 4 PART 1 MEMOIRS OF THE QUEENSLAND MUSEUM CULTURAL HERITAGE SERIES © Queensland Museum PO Box 3300, South Brisbane 4101, Australia Phone 06 7 3840 7555 Fax 06 7 3846 1226 Email [email protected] Website www.qmuseum.qld.gov.au National Library of Australia card number ISSN 1440-4788 NOTE Papers published in this volume and in all previous volumes of the Memoirs of the Queensland Museum may be reproduced for scientific research, individual study or other educational purposes. Properly acknowledged quotations may be made but queries regarding the republication of any papers should be addressed to the Director. Copies of the journal can be purchased from the Queensland Museum Shop. A Guide to Authors is displayed at the Queensland Museum web site www.qmuseum.qld.gov.au/resources/resourcewelcome.html A Queensland Government Project Typeset at the Queensland Museum DR ERIC MJÖBERG’S 1913 SCIENTIFIC EXPLORATION OF NORTH QUEENSLAND’S RAINFOREST REGION ÅSA FERRIER Ferrier, Å. 2006 11 01: Dr Eric Mjöberg’s 1913 scientific exploration of North Queensland’s rainforest region. Memoirs of the Queensland Museum, Cultural Heritage Series 4(1): 1-27. Brisbane. ISSN 1440-4788. This paper is an account of Dr Eric Mjöberg’s travels in the northeast Queensland rainforest region, where he went, what observations he made, and what types of Aboriginal material culture items he collected and returned with to Sweden in 1914. Mjöberg, a Swedish entomologist commissioned by the Swedish government to document rainforest fauna and flora, spent seven months in the tropical rainforest region of far north Queensland in 1913, mainly exploring areas around the Atherton Tablelands. -
Canadian Signature Experiences Member List
Last updated November 2019 Member List New member as of May 2019 The National Classification of Services in French was created to inform visitors of the level of service available at tourist sites. There are 3 levels of service: French services at anytime French services upon request Promotional items and/or documentation available in French British Columbia West Coast Overlanding Escape – Hastings Overland The Sea to Sky Experience – Scenic Rush Driving Experiences Desolation Sound Widerness Discovery Cruise – Pacific Coastal Cruises and Tours Hot Springs Cove Excursion – West Coast Aquatic Safaris A Lodge on the Edge of the Rainforest – Farewell Harbour Resort Lodge Experience Life on the Edge: The West Coast Trail – Ecosummer Expeditions Grizzly Bears of the Wild: A First Nations Wildlife Journey into the Great Bear Rainforest – Sea Wolf Adventures Historic Li-Lik-Hel Mine Tour – Copper Cayuse Outfitters The Ultimate Day Tour – Prince of Whales Whale Watching and Marine Adventures A Culinary Tour through Canada’s Desert – Watermark Beach Resort/Covert Farms The Ambassador Guided Tour – Squamish Lil’wat Cultural Centre Sea Safari in the Fjord of Howe Sound – Sewell’s Marina Wildlife Tracking the Elk River Valley – Strathcona Park Lodge and Outdoor Education Centre Sea Otter Kayak Tour – West Coast Expeditions Gastronomic Gastown Tour – Vancouver Foodie Tours Crystal Hut Fondue by Snowmobile – Canadian Wilderness Adventures The Inside Passage Wilderness Circle Tour – BC Ferries Vacations Sail the Great Bear Rainforest – Bluewater Adventures -
Annual Report 2013 - 2014
Lockhart River Aboriginal Shire Council Annual Report 2013 - 2014 Page 0 Lockhart River Aboriginal Shire Council TABLE OF CONTENTS INTRODUCTION ............................................................................................................................ 2 MAP OF LOCKHART RIVER ....................................................................................................... 3 MAP OF LOCKHART RIVER TOWNSHIP .................................................................................. 4 COUNCIL VISION, MISSION STATEMENT AND GUIDING VALUES .................................... 5 MAYOR’S REPORT ...................................................................................................................... 6 CHIEF EXECUTIVE OFFICER’S REPORT ................................................................................. 7 LOCKHART RIVER HISTORY ..................................................................................................... 8 FACILITIES AND SERVICES ..................................................................................................... 12 PRIVATE ENTERPRISES ........................................................................................................... 15 OUR COUNCIL ............................................................................................................................ 17 ELECTED MEMBERS ................................................................................................................................................. 18 COUNCILLORS -
Indigenous Archives
INDIGENOUS ARCHIVES 3108 Indigenous Archives.indd 1 14/10/2016 3:37 PM 15 ANACHRONIC ARCHIVE: TURNING THE TIME OF THE IMAGE IN THE ABORIGINAL AVANT-GARDE Khadija von Zinnenburg Carroll Figure 15.1: Daniel Boyd, Untitled TI3, 2015, 56th International Art Exhibition – la Biennale di Venezia, All the World’s Futures. Photo by Andrea Avezzù. Courtesy: la Biennale di Venezia. Daniel Boyd’s Untitled T13 (2015) is not an Aboriginal acrylic dot painting but dots of archival glue placed to match the pixel-like 3108 Indigenous Archives.indd 342 14/10/2016 3:38 PM Anachronic Archive form of a reproduction from a colonial photographic archive. Archival glue is a hard, wax-like material that forms into lumps – the artist compares them to lenses – rather than the smooth two- dimensional dot of acrylic paint. As material evidence of racist photography, Boyd’s paintings in glue at the 2015 Venice Biennale exhibition physicalised the leitmotiv of archives. In Boyd’s Untitled T13 the representation of the Marshall Islands’ navigational charts is an analogy to the visual wayfinding of archival photographs. While not associated with a concrete institution, Boyd’s fake anachronic archive refers to institutional- ised racism – thus fitting the Biennale curator Okwui Enwezor’s curatorial interest in archival and documentary photography, which he argues was invented in apartheid South Africa.1 In the exhibition he curated in 2008, Archive Fever: Uses of the Document in Contemporary Art, Enwezor diagnosed an ‘archival fever’ that had afflicted the art of modernity since the invention of photography. The invention, he believed, had precipitated a seismic shift in how art and temporality were conceived, and that we still live in its wake.