DOCSLIB.ORG

Presentació Del Powerpoint

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Presentació Del Powerpoint Llista temàtica de pel·lícules : 1917 / Sam Mendes DRAMA Asuntos de família (2016) / Maha Haj 10.000 Km (2014) / Carlos Marquès Marcet Bailar en la oscuridad (2000) / Lars Von Trier 100 metros (2016) / Marcel Barrena El Baile de la Victoria (2009) / Fernando Trueba 12 años de esclavitud (2013) / Steve McQueen Bajo la misma estrella (2014) / Josh Boone 12 dólares (1998) / Wayne Isham El Balcón abierto (homenaje a Federico García A propósito de Llewyn Davis (2013) / Joel Coen Lorca) (1984) / Jaime Camino Actos desesperados (2000) / Gina Prince-Bythewood Barrio (1998) / Fernando León de Aranoa Adiós al lenguaje (2014) / Jean Luc Godard Beautiful thing (1996) / Hettie MacDonald La Adopción (2015) / Daniela Féjerman Begin again (2013) / John Carney Las Afinidades electivas (1996) / Paolo i Vittorio Taviani Belleza robada (1996) / Bernardo Bertolucci Agosto (2013) / John Wells El Beso de la mujer araña (1985) / Héctor Babenco A las nueve, cada noche (1967) / Jack Clayton La biblioteca de los libros rechazados (2019) / Al azar, Baltasar (1966) / Robert Bresson Bezançon Al Capone (1959) / Richard Wilson La Bicicleta verde : Wadjda (2012) Alguien voló sobre el nido del cuco (1975) / Haifaa Al-Mansour / Milos Forman Big eyes (2014) /Tim Burton Algunos hombres buenos (1992) / Rob Reiner Biutiful (2010) / Alejandro González Iñárritu Ali (2001) / Michael Mann Blancanieves (2012) / Pablo Berger Amama (2015) / Asier Altuna Blue Jasmine (2013) / Woody Allen Amantes (1991) / Vicente Aranda Bona nit, i bona sort (2005) / George Clooney Los Amantes del círculo polar (1998) / Julio Medem Una Botella en el mar de Gaza (2011) Amar beber y cantar (2014) / Alain Resnais / Thierry Binisti American gun (2002) / Alan Jacobs Boyhood : momentos de una vida (2014) Amor (2012) / Michael Haneke / Richard Linklater Amor bajo el espino blanco (2010) / Zhang Yimou Boys don’t cry (1999) / Kimberly Peirce El Amor es extraño (2014) / Ira Sachs Las Brujas de Salem (2002) / Joseph Sargent El sentido de un final (2017)/ Ritesh Batra Un Buen corazón (2009) / Dagur Kári En cuerpo y alma (2017) / Ildikó Enyedi La Buena estrella (1997) / Ricardo Franco Ana y los lobos (1972) / Carlos Saura La Buena mentira(2014) / Philippe Falardeau Antes del anochecer (2013) / Richard Linklater C.R.A.Z.Y (2005) / Jean-Marc Vallée Antes del frío invierno (2013) / Philippe Claudel La Calle de la amargura (2015) / Arturo Ripstein El Árbol (2010) / Julie Bertuccelli El Camí més llarg per tornar a casa (2014) / Sergi Arroz amargo (1949) / Giuseppe De Santis Pérez Asfalto (2000) / Daniel Calparsoro Camille Claudel 1915 (2013) / Bruno Dumont Así es la vida…(2000) / Arturo Ripstein Camino (2008) / Javier Fesser Ático sin ascensor (2014) / Richard Loncraine Camino de la cruz (2014) / Dietrich Brüggemann August (1996) / Anthony Hopkins Una Canción del pasado (2004) / Shainee Gabel Ayer no termina nunca (2013) / Isabel Coixet Drama Cuando un hombre ama a una mujer (1994) El Capital humano (2014) / Paolo Virzi / Luis Mandoki Captain Fantastic (2016) / Matt Ross Cuando tienes 17 años (2016) / André Techiné El Cardenal (1963) / Otto Preminger El Cuarteto (2012) / Dustin Hoffman La Casa de la alegría (2000) / Terence Davies Cuatro minutos (2006) / Chris Kraus El Caso Fritz Bauer (2015) / Lars Kraume Cuentos de Tokio (1953) / Yasujiro Ozu Un Castillo en Italia (2013) / Valeria Bruni Tedeschi Cumbres borrascosas (1970) / Robert Fuest Cautiva (1998) / Roger Cardinal Dallas Buyers Club (2013) / Jean-Marc Vallée La Caza (1966) / Carlos Saura Darling (1965) / John Schlesinger David Copperfield Celos da la Italiana (1964) / Antonio Pietrangeli (2000) / Peter Medak Las Cenizas de Angela (1999) / Alan Parker Demonios tus ojos (2017) / Pedro Aguilera La Chica desconocida (2016) / Jean Pierre Dardenne De pura raza (1991) / Robert Harmon El Cielo sobre Berlin (1987) / Wim Wenders Destinos (2017) / Stephan Komandarev La Cinta blanca (2000) / Michael Haneke Decisión final (1983) / George Schaefer Cisne negro (2010) / Darren Aronofsky Dobles vidas (2018) / Olivier Assayas La Ciudad de la alegría (1992) / Roland Joffé La Decisión de Sophie (1982) / Alan J. Pakula La Ciudad de los prodigios (1999) / Mario Camus Los días que vendrán (2019) / Carlos Marques-Marcet Ciudadano Kane (1941) / Orson Wells El autor (2017) / Manuel Martín La Clase (2008) / Laurent Cantet El castillo de cristal (2017) / Destin Daniel Cretton La Clase de esgrima (2015) / Klaus Haro El Defensor de las ballenas (1981) Richard Heffron El Club de los poetas muertos (1989) / Peter Weir El Déspota (1953) / David Lean La Colmena (1982) / Mario Camus El Día que Nietzsche lloró (2007) / Pinchas Perry Los archivos del pentagono (2017) /Spielberg El instante más oscuro (2017) / Joe Wright Cómplices (2000) / Rodney Gibbons El lado oscuro del corazón (1992) / Eliseo Subiela Confidencias (1974) / Luchino Visconti El repostero de Berlín (2017) / Ofir Raul Graizer Constance (1984) / Bruce Marrison Diagnóstico fatal: SIDA (1985) / John Erman Contra la pared (2004) / Fatih Akin Disparo al corazón (1998) / David Attwood Corazón gigante (2015) / Dagur Kári Doce dólares (1998) / Wayne Isham Cotton Club (1984) / Francis Ford Coppola El Doctor (1991) / Randa Haines Country life (1994) / Michael Blakemore Un Doctor en la campiña (2016) / Thomas Lilti Cowboy de medianoche (1969) / John Schlesinger Doctor Fausto (1967) / Richard Burton i Nevill Coghill Cowboys & Angels (2004) / David Gleeson La Dolce vita (1959) / Federico Fellini Crash (2004) / Paul Haggis Dolor y Gloria (2019)/Pedro Almodovar Criadas y señoras (2011) / Tate Taylor El Don del coraje (1979) / Lewis John Carlino Crimen y castigo (1935) / Joseph Sargent Dopo mezzanotte : despues de medianoche Davide El Crimen de Cuenca (1979) / Pilar Miró Dorothy Dandridge (1999) / Martha Coolidge Cristo se paró en Éboli (1979) / Francesco Rosi Dos días una noche (2014) / Jean-Pierre Dardenne Cuando fuimos campeones (1982) / Jason Miller Easy rider (1969) / Dennis Hopper Doña Clara (2016) / Kleber Mendonça El Editor de libros (2016) / Michael Grandage Elephant (2003) / Gus Van Sant Ema / Pablo Larraín La Gran apuesta (2015) / Adam McKay En busca de la felicidad (2006) / GabrieleDramaMucciano El Gran Gatsby (2013) / Baz Luhrmann En construcción (2001) / José Luis Guerín Guerreros de antaño (1994) / Lee Tamahori En la carretera (2012) / Walter Salles La Habitación de Marvin (1996) / Jerry Zaks En un patio de París (2014) / Pierre Salvadori Una Habitación con vistes (1985) / James Ivory Detroit (2017) / Kathryn Bigelow Habitación en Roma (2010) / Julio Medem El caso Sloane (2016) / John Madden Hacia rutas salvajes (2007) /Sean Penn El Erizo (2009) / Mona Achache Hannah Arendt (2012) / Margarethe von Trotta Especiales / Éric Toledano Hechizo en la ruta Maya (1995) / Clare Peploe Esperando a Mister Bridge (1990) / James Ivory Hermosa juventud (2014) / Jaie Rosales El Espíritu de Brooklyn (1996) / Frank Rainone Un Héroe de Berlín (2016) / Stephen Hopkins La Estación de las mujeres (2015) / Leena Yadav El Hijo de Saul (2015) / László Nemes El duodécimo hombre / Harald Zwart (2017) El Hijo pródigo (1955) / Richard Thorpe Europa 1951 (1952) / Roberto Rossellini Hipòcrates (2014) / Thomas Lilti Evelyn (2002) / Bruce Beresford Hiroshima, mon amour (1959) / Alain Resnais Los Exámenes (2016) / Cristian Mungiu Una Historia del Bronx (1993) / Robert De Niro Experimenter (2015) / Michael Almereyda La Historia de Marie Heurtin (2014) / Jean P. Ameris Falcone (1999) / Ricky Tognazzi Historia de una pasión (2016) / Terence Davies Una Familia de Tokio (2013) / Yôji Yamada Historias del Kronen (1995) / Montxo Armendáriz Fanny (1961) / Joshua Logan La Hora de los valientes (1998) / Antonio Mercero Fanny & Alexander (1982) / Ingmar Bergman Ida (2013) / Pawel Pawlikowski Fátima (2015) / Philippe Faucon Los Idus de marzo (2011) / George Clooney Fences (2016) / Denzel Washington Lo Imposible (2012) / Juan Antonio Bayona Fènix 11·23 (2011) / Joel Joan i Sergi Lara Indochina (1992) / Regis Wargnier Foxtrot (2017)/ Samuel Maoz El Indomable Will Hunting (1997) / Gus Van Sant El Festin de Babette (1987) / Gabriel Axel Injusta condena (2000) / Bradley Battersby Fiebre del sábado noche (1977) / John Badham Innocence (2004) / Lucile Hadzihalilovic La Fiesta de despedida (2014) / Sharon Maymon Invictus (2009) / Clint Eastwood Fuerza mayor (2014) / Ruben Ostlund Invisibles / Gracia Querejeta (2020) Game change (2012) / Jay Roach The Invisible woman (2013) / Ralph Fiennes La Gata negra (1962) / Edward Dmytryk Irrational man (2015) / Woody Allen Gente corriente (1980) / Robert Redford Isla bonita (2015) / Fernando Colomo Gett (2014) / Ronit y Shlomi Elkabetz Jackie (2016) / Pablo Larraín Glengarry Glen Ross : éxito a cualquier precio Jane Eyre (1996) / Franco Zeffirelli (1992) / James Foley El Jardín de Alá (1936) / Richard Boleslawski Golpe de efecto (2012) / Robert Lorenz La Jaula de oro (2013) / Diego Quemada-Díez Gomorra (2008) / Matteo Garrone Jezabel (1938) / William Wyler Gracias y favores (1982) / Bruce Beresford Juan nadie (1941) / Frank Capra El Graduado (1967) / Mike Nichols El Juez (2014) / David Dobkin Julia ist (2017) / Elena Martin Drama Ma ma (2015) / Julio Medem Julia ist (2017) / Elena Martin Mandarinas (2013) / Zaza Urushadze Grandes esperanzas (1999) / Julian Jarrold Mandela (1987) / Philip Saville Gracias a dios (2018) / François Ozon Manderlay (2005) / Lars Von Trier Heartstone (2016) / Guðmundur Arnar Guðmundsson Mar adentro (2004) / Alejandro Amenábar Las Herederas (2018) / Marcelo Martinessi Más allá de las montañas (2015) / Jia
Load more

Recommended publications
  • It 2.007 Vc Italian Films On
    1 UW-Madison Learning Support Services Van Hise Hall - Room 274 rev. May 3, 2019 SET CALL NUMBER: IT 2.007 VC ITALIAN FILMS ON VIDEO, (Various distributors, 1986-1989) TYPE OF PROGRAM: Italian culture and civilization; Films DESCRIPTION: A series of classic Italian films either produced in Italy, directed by Italian directors, or on Italian subjects. Most are subtitled in English. Individual times are given for each videocassette. VIDEOTAPES ARE FOR RESERVE USE IN THE MEDIA LIBRARY ONLY -- Instructors may check them out for up to 24 hours for previewing purposes or to show them in class. See the Media Catalog for film series in other languages. AUDIENCE: Students of Italian, Italian literature, Italian film FORMAT: VHS; NTSC; DVD CONTENTS CALL NUMBER Il 7 e l’8 IT2.007.151 Italy. 90 min. DVD, requires region free player. In Italian. Ficarra & Picone. 8 1/2 IT2.007.013 1963. Italian with English subtitles. 138 min. B/W. VHS or DVD.Directed by Frederico Fellini, with Marcello Mastroianni. Fellini's semi- autobiographical masterpiece. Portrayal of a film director during the course of making a film and finding himself trapped by his fears and insecurities. 1900 (Novocento) IT2.007.131 1977. Italy. DVD. In Italian w/English subtitles. 315 min. Directed by Bernardo Bertolucci. With Robert De niro, Gerard Depardieu, Burt Lancaster and Donald Sutherland. Epic about friendship and war in Italy. Accattone IT2.007.053 Italy. 1961. Italian with English subtitles. 100 min. B/W. VHS or DVD. Directed by Pier Paolo Pasolini. Pasolini's first feature film. In the slums of Rome, Accattone "The Sponger" lives off the earnings of a prostitute.
    [Show full text]
  • Locations of Motherhood in Shakespeare on Film
    Volume 2 (2), 2009 ISSN 1756-8226 Locations of Motherhood in Shakespeare on Film LAURA GALLAGHER Queens University Belfast Adelman’s Suffocating Mothers (1992) appropriates feminist psychoanalysis to illustrate how the suppression of the female is represented in selected Shakespearean play-texts (chronologically from Hamlet to The Tempest ) in the attempted expulsion of the mother in order to recover the masculine sense of identity. She argues that Hamlet operates as a watershed in Shakespeare’s canon, marking the prominent return of the problematic maternal presence: “selfhood grounded in paternal absence and in the fantasy of overwhelming contamination at the site of origin – becomes the tragic burden of Hamlet and the men who come after him” (1992, p.10). The maternal body is thus constructed as the site of contamination, of simultaneous attraction and disgust, of fantasies that she cannot hold: she is the slippage between boundaries – the abject. Julia Kristeva’s theory of the abject (1982) ostensibly provides a hypothesis for analysis of women in the horror film, yet the theory also provides a critical means of situating the maternal figure, the “monstrous- feminine” in film versions of Shakespeare (Creed, 1993, 1996). Therefore the choice to focus on the selected Hamlet , Macbeth , Titus Andronicus and Richard III film versions reflects the centrality of the mother figure in these play-texts, and the chosen adaptations most powerfully illuminate this article’s thesis. Crucially, in contrast to Adelman’s identification of the attempted suppression of the “suffocating mother” figures 1, in adapting the text to film the absent maternal figure is forced into (an extended) presence on screen.
    [Show full text]
  • The Appropriateness of William Shakespeare's
    T.C. SELÇUK ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ İNGİLİZ DİLİ VE EDEBİYATI ANA BİLİM DALI İNGİLİZ DİLİ VE EDEBİYATI BİLİM DALI THE APPROPRIATENESS OF WILLIAM SHAKESPEARE'S RICHARD III TO FILM ADAPTATION YÜKSEK LİSANS TEZİ DANIŞMAN YRD. DOÇ. DR. GÜLBÜN ONUR HAZİRLAYAN ŞEFİKA BİLGE CANTEKİNLER KONYA, 2005 ÖZET 1930ların başında Hollywood ile birlikte yükselen Amerikan Film Endüstrisi vazgeçilmez kaynakları arasında ünlü İngiliz oyun yazarı William Shakespeare'in eserlerini ilk sıraya oturtmuştur. Sessiz sinemadan günümüz üç boyutlu animasyon film dönemine geçişte klasik Shakespeare oyunları da her yeni yönetmen ve yapımcıyla birlikte farklı bir boyut kazanmıştır. Tarihsel bir trajedi olan Shakespeare'in III. Richard adlı oyunu ilk oynandığı 1590lardan günümüze kadar geçen sürede en çok sahnelenen ama en az anlaşılan oyunlardan biri olmuştur. Buna bağlı olarak III. Richard'ın seçilen üç film uyarlaması oyunu farkh yonlerden ele almışlardır. İlk film İngiliz aktör- yönetmen Sir Laurence Oliver'in 1955 film uyarlaması III. Richard, ikincisi İngiliz yönetmen Richard Loncraine'in İngiliz aktör-yönetmen Ian McKellen ile birlikte çektiği 1995 yapımı III. Richard ve sonuncusu da Amerikalı aktör Al Pacino'nun yönetip başrol oynadığı Looking For Richard (Richard'ı Aramak) adlı filmidir. Bu çalışma, seçilen üç sahne ile oyunun kahramanı olan III. Richard'ın yükseliş ve çöküşünü temel alarak üç film uyarlaması arasındaki farklılıkları değerlendirmektedir. Ayrıca, a9ihs monoloğu, kur yapma, baştan çıkarma ile savaş sahneleri incelenerek bunların Shakespeare'in metnini ne derece yansıttıkları ve bu sahnelerin birbirinden nasıl farklı olarak ele alındığını belirtmektedir. ABSTRACT Within the rise of Hollywood productions at the beginning of the 1930s, American Film Industry put the works of famous British playwright William Shakespeare at its one of the most indispensable sources.
    [Show full text]
  • La Scorta Dear Moviegoer, Are You Tired of the Explosions and Broken
    La Scorta Dear Moviegoer, are you tired of the explosions and broken glass of True Lies , Speed, Blown Away, and Clear and Present Danger ? Weary of the cartoon characters and cartoon plots of movies like Maverick,The Mask, or Baby’s Day Out ? Ready for some real adult (no, I don’t mean that kind of “adult”) entertainment with real tension, pace and motivation which is modeled carefully on actual events? Then try La Scorta (“The Escort”), an outstanding Italian film from a director who is one to watch. La Scorta, directed by Ricky Tognazzi, is as fresh and vivid as the Italian crime headlines of the last few years, due in great part to its being based on the real experiences of one Francesco Taurisano as an investigating magistrate (called a “judge” in the sub-titles) in Sicily during the late 1980’s. It is such judges, at least the honorable ones, who have become the target of Mafia hit men as they plumbed closer and closer to the heart of Cosa Nostra operations. The most infamous of these assassinations was that of the anti-Mafia Judge Giovanni Falcone, killed in a car bomb in May 1992. This is not, then, a world of facile and meaningless blow-’em-ups where Schwarzenegger or Stallone dwell, but the real, nasty thing, happening in one of Europe’s established democracies. The film follows four policemen who find themselves assigned as the protective escort for one of these investigating magistrates working in the town of Trapani, in the far northwest corner of Sicily.
    [Show full text]
  • 43E Festival International Du Film De La Rochelle Du 26 Juin Au 5 Juillet 2015 Le Puzzle Des Cinémas Du Monde
    43e Festival International du Film de La Rochelle du 26 juin au 5 juillet 2015 LE PUZZLE DES CINÉMAS DU MONDE Une fois de plus nous revient l’impossible tâche de synthétiser une édition multiforme, tant par le nombre de films présentés que par les contextes dans lesquels ils ont été conçus. Nous ne pouvons nous résoudre à en sélectionner beaucoup moins, ce n’est pas faute d’essayer, et de toutes manières, un contexte économique plutôt inquiétant nous y contraint ; mais qu’une ou plusieurs pièces essentielles viennent à manquer au puzzle mental dont nous tentons, à l’année, de joindre les pièces irrégulières, et le Festival nous paraîtrait bancal. Finalement, ce qui rassemble tous ces films, qu’ils soient encore matériels ou virtuels (50/50), c’est nous, sélectionneuses au long cours. Nous souhaitons proposer aux spectateurs un panorama généreux de la chose filmique, cohérent, harmonieux, digne, sincère, quoique, la sincérité… Ambitieux aussi car nous aimons plus que tout les cinéastes qui prennent des risques et notre devise secrète pourrait bien être : mieux vaut un bon film raté qu’un mauvais film réussi. Et enfin, il nous plaît que les films se parlent, se rencontrent, s’éclairent les uns les autres et entrent en résonance dans l’esprit du festivalier. En 2015, nous avons procédé à un rééquilibrage géographique vers l’Asie, absente depuis plusieurs éditions de la programmation. Tout d’abord, avec le grand Hou Hsiao-hsien qui en est un digne représentant puisqu’il a tourné non seulement à Taïwan, son île natale mais aussi au Japon, à Hongkong et en Chine.
    [Show full text]
  • Ordinary Heroes: Depictions of Masculinity in World War II Film a Thesis Submitted to the Miami University Honors Program in Pa
    Ordinary Heroes: Depictions of Masculinity in World War II Film A thesis submitted to the Miami University Honors Program in partial fulfillment of the requirements for University Honors with Distinction by Robert M. Dunlap May 2007 Oxford, Ohio Abstract Much work has been done investigating the historical accuracy of World War II film, but no work has been done using these films to explore social values. From a mixed film studies and historical perspective, this essay investigates movie images of American soldiers in the European Theater of Operations to analyze changing perceptions of masculinity. An examination of ten films chronologically shows a distinct change from the post-war period to the present in the depiction of American soldiers. Masculinity undergoes a marked change from the film Battleground (1949) to Band of Brothers (2001). These changes coincide with monumental shifts in American culture. Events such as the loss of the Vietnam War dramatically changed perceptions of the Second World War and the men who fought during that time period. The United States had to deal with a loss of masculinity that came with their defeat in Vietnam and that shift is reflected in these films. The soldiers depicted become more skeptical of their leadership and become more uncertain of themselves while simultaneously appearing more emotional. Over time, realistic images became acceptable and, in fact, celebrated as truthful while no less masculine. In more recent years, there is a return to the heroism of the World War II generation, with an added emotionality and dimensionality. Films reveal not only the popular opinions of the men who fought and reflect on the validity of the war, but also show contemporary views of masculinity and warfare.
    [Show full text]
  • October 11, 2011 (XXIII:7) Arthur Penn, BONNIE and CLYDE (1967, 112 Min)
    October 11, 2011 (XXIII:7) Arthur Penn, BONNIE AND CLYDE (1967, 112 min) Directed by Arthur Penn Writing credits David Newman & Robert Benton and Robert Towne (uncredited) Produced by Warren Beatty Original Music by Charles Strouse Cinematography by Burnett Guffey Film Editing by Dede Allen Art Direction by Dean Tavoularis Costume Design by Theadora Van Runkle Earl Scruggs....composer: Foggy Mountain Breakdown Alan Hawkshaw....musician: "The Ballad of Bonnie and Clyde" Warren Beatty...Clyde Barrow Faye Dunaway...Bonnie Parker Michael J. Pollard...C.W. Moss Gene Hackman...Buck Barrow Estelle Parsons...Blanche Denver Pyle...Frank Hamer DAVID NEWMAN (February 4, 1937, New York City, New York Dub Taylor...Ivan Moss – June 27, 2003, New York City, New York) has 18 writing Evans Evans...Velma Davis credits: 2000 Takedown, 1997 “Michael Jackson: His Story on Gene Wilder...Eugene Grizzard Film - Volume II”, 1985 Santa Claus, 1984 Sheena: Queen of the Jungle, 1983 Superman II, 1982 Still of the Night, 1982 Jinxed!, Oscars for Best Actress in a Supporting Role (Estelle 1980 Superman II, 1978 Superman, 1975 “Superman”, 1972 Bad Parsons)and Best Cinematography (Burnett Guffey). Selected for Company, 1972 Oh! Calcutta!, 1972 What's Up, Doc?, 1970 National Film Registry – 1992 There Was a Crooked Man..., and 1967 Bonnie and Clyde. BONNIE PARKER (October 1, 1910-May 23, 1934). ROBERT BENTON (September 28, 1932, Waxahachie, Texas – ) won Best Writing Oscars for Places in the Heart (1984) and (March 24, 1909-May 23-1934). Kramer v. Kramer (1979); he also
    [Show full text]
  • MARCO FERRERI the Director Who Came from the Future
    MASSIMO VIGLIAR presents a production SURF FILM – ORME – LA7 MARCO FERRERI The director who came from the future a documentary film by MARIO CANALE With the participation of: Rafael Azcona, Nicoletta Braschi, Franco Brocani, Jerry Calà, Sergio Castellitto, Pappi Corsicato, Piera Degli Esposti, Francesca Dellera, Maruschka Detmers, Nicoletta Ercole, Sabrina Ferilli, Andréa Ferréol, Enzo Jannacci, Christopher Lambert, Citto Maselli, Gianni Massaro, Ornella Muti, Philippe Noiret, Esteve Riambau, Ettore Rosboch, Dado Ruspoli, Alfonso Sansone, Giancarlo Santi, Philippe Sarde, Catherine Spaak, Lina Nerli Taviani, Ricky Tognazzi, Mario Vulpiani narrator: Michele Placido Music: Philippe Sarde Non contractual credits TECHNICAL DATA Marco Ferreri, the director who came from the future ITALIA 2007, b/w and colour, 90’ Direction: Mario Canale Story and screenplay: Mario Canale, Annarosa Morri Narrator: Michele Placido Music: Philippe Sarde Editing: Adalberto Gianuario, Alessandro Raso Photography: Maurizio Carta, Massimo Coconi, Paolo Mancini, Marcello Rapezzi, Mario Canale Iconography research: Rosellina d’Errico Executive production: Mario Canale, Elena Francot Archive images: Orme Istituto Luce Aamod – Archivio Audiovisivo del Movimento Operaio e Democratico Fondazione Mario Schifano TVE – A fondo - 1978 Argento puro di Pappi Corsicato Giancarlo Santi : facevo er Cinema di Anton Giulio Mancino Italia Taglia di Tatti Sanguineti Antonioni di Gianfranco Mingozzi Period pictures : Jacqueline Ferreri Reporters Associati Images of the film for kind concession of: Jacqueline Ferreri Surf film: Controsesso, La donna scimmia, La Carne, Diario di un vizio, L’uomo dei 5 palloni, Casanova 70, Il fischio al naso, Cronaca di un amore. Myra Film : La Grande abbuffata, Non toccare la donna bianca, Ciao Maschio, Il seme dell’uomo, El Cochecito, La casa del sorriso, Nitrato d’argento.
    [Show full text]
  • HBO: Brand Management and Subscriber Aggregation: 1972-2007
    1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007.
    [Show full text]
  • Italian Films (Updated April 2011)
    Language Laboratory Film Collection Wagner College: Campus Hall 202 Italian Films (updated April 2011): Agata and the Storm/ Agata e la tempesta (2004) Silvio Soldini. Italy The pleasant life of middle-aged Agata (Licia Maglietta) -- owner of the most popular bookstore in town -- is turned topsy-turvy when she begins an uncertain affair with a man 13 years her junior (Claudio Santamaria). Meanwhile, life is equally turbulent for her brother, Gustavo (Emilio Solfrizzi), who discovers he was adopted and sets off to find his biological brother (Giuseppe Battiston) -- a married traveling salesman with a roving eye. Bicycle Thieves/ Ladri di biciclette (1948) Vittorio De Sica. Italy Widely considered a landmark Italian film, Vittorio De Sica's tale of a man who relies on his bicycle to do his job during Rome's post-World War II depression earned a special Oscar for its devastating power. The same day Antonio (Lamberto Maggiorani) gets his vehicle back from the pawnshop, someone steals it, prompting him to search the city in vain with his young son, Bruno (Enzo Staiola). Increasingly, he confronts a looming desperation. Big Deal on Madonna Street/ I soliti ignoti (1958) Mario Monicelli. Italy Director Mario Monicelli delivers this deft satire of the classic caper film Rififi, introducing a bungling group of amateurs -- including an ex-jockey (Carlo Pisacane), a former boxer (Vittorio Gassman) and an out-of-work photographer (Marcello Mastroianni). The crew plans a seemingly simple heist with a retired burglar (Totó), who serves as a consultant. But this Italian job is doomed from the start. Blow up (1966) Michelangelo Antonioni.
    [Show full text]
  • List of Surveillance Feature Films
    Surveillance Feature Films compiled by Dietmar Kammerer, Berlin Sources of plot descriptions and details: allmovie.com; imdb.com 1984 (Nineteen Eighty-Four) UK 1956 dir: Michael Anderson. George Orwell's novel of a totalitarian future society in which a man whose daily work is rewriting history tries to rebel by falling in love. keywords: literary adaptation; dystopic future http://www.allmovie.com/work/1984-104070 http://www.imdb.com/title/tt0048918/ 1984 (Nineteen Eighty-Four) UK 1984 dir: Michael Radford Second adaptation of George Orwell's novel. keywords: literary adaptation; dystopic future http://www.allmovie.com/work/1984-91 http://www.imdb.com/title/tt0087803/ 23 [23 – Nichts ist wie es scheint] Germany 1998 dir: Hans-Christian Schmid The movie's plot is based on the true story of a group of young computer hackers from Hannover, Germany. In the late 1980s the orphaned Karl Koch invests his heritage in a flat and a home computer. At first he dials up to bulletin boards to discuss conspiracy theories inspired by his favorite novel, R.A. Wilson's "Illuminatus", but soon he and his friend David start breaking into government and military computers. Pepe, one of Karl's rather criminal acquaintances senses that there is money in computer cracking - he travels to east Berlin and tries to contact the KGB. http://www.imdb.com/title/tt0126765/ http://www.allmovie.com/work/23-168222 keywords: conspiracy; internet; true story The Anderson Tapes USA 1971 dir: Sidney Lumet This breathlessly paced high-tech thriller stars Sean Connery as Anderson, a career criminal who's just been released from his latest prison term.
    [Show full text]
  • MIELE Un Film Di
    Buena Onda presenta una produzione Buena Onda con Rai Cinema MIELE un film di Valeria Golino Tratto dal romanzo A nome tuo, di Mauro Covacich, pubblicato da Einaudi Uscita 1° maggio Durata 96 minuti Via Lorenzo Magalotti 15, 00197 ROMA Tel. 06‐3231057 Fax 06‐3211984 ufficio stampa Federica de Sanctis [email protected] I materiali stampa sono scaricabili dall’area press del sito www.bimfilm.com 1 SINOSSI Miele racconta la storia di Irene, una ragazza di trent’anni che ha deciso di aiutare le persone che soffrono: malati terminali che vogliono abbreviare l'agonia, persone le cui sofferenze intaccano la dignità di essere umano. Un giorno a richiedere il suo servizio è un settantenne in buona salute, che ritiene semplicemente di aver vissuto abbastanza. L'incontro metterà in discussione le convinzioni di Irene e la coinvolgerà in un dialogo serrato lungo il quale la relazione tra i due sembrerà infittirsi di sottintesi e ambiguità affettive. 2 CAST ARTISTICO JASMINE TRINCA Irene (Miele) CARLO CECCHI Ing. Carlo Grimaldi LIBERO DE RIENZO Rocco VINICIO MARCHIONI Stefano IAIA FORTE Clelia ROBERTO DE FRANCESCO Filippo BARBARA RONCHI Sandra MASSIMILIANO IACOLUCCI Padre di Irene CLAUDIO GUAIN Ennio ELENA CALLEGARI Carla TERESA ACERBIS Madre di Lorenzo JACOPO CROVELLA Lorenzo VALERIA BILELLO Madre di Irene GIANLUCA DE GENNARO Ragazzo discoteca 3 CAST TECNICO Regia VALERIA GOLINO Soggetto e sceneggiatura FRANCESCA MARCIANO, VALERIA GOLINO, VALIA SANTELLA Tratto dal romanzo A nome tuo, di Mauro Covacich, pubblicato da Einaudi Fotografia GERGELY POHARNOK Montaggio GIOGIO’ FRANCHINI Scenografia PAOLO BONFINI Costumi MARIA RITA BARBERA Fonico di presa diretta EMANUELE CECERE Montaggio del suono LILIO ROSATO Aiuto regista DAVIDE BERTONI Casting FRANCESCO VEDOVATI Organizzatore generale GENNARO FORMISANO Prodotto da RICCARDO SCAMARCIO, VIOLA PRESTIERI Una produzione BUENA ONDA con RAI CINEMA In coproduzione con LES FILMS DES TOURNELLES e CITE’ FILMS In associazione con GIANLUCA DE MARCHI – Strategie di Comunicazione s.r.l.
    [Show full text]