Spelling It out in Lynn
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Mow!,'Mum INN Nn
mow!,'mum INN nn %AUNE 20, 1981 $2.75 R1-047-8, a.cec-s_ Q.41.001, 414 i47,>0Z tet`44S;I:47q <r, 4.. SINGLES SLEEPERS ALBUMS COMMODORES.. -LADY (YOU BRING TUBES, -DON'T WANT TO WAIT ANY- POINTER SISTERS, "BLACK & ME UP)" (prod. by Carmichael - eMORE" (prod. by Foster) (writers: WHITE." Once again,thesisters group) (writers: King -Hudson - Tubes -Foster) .Pseudo/ rving multiple lead vocals combine witt- King)(Jobete/Commodores, Foster F-ees/Boone's Tunes, Richard Perry's extra -sensory sonc ASCAP) (3:54). Shimmering BMI) (3 50Fee Waybill and the selection and snappy production :c strings and a drying rhythm sec- ganc harness their craziness long create an LP that's several singles tionbackLionelRichie,Jr.'s enoughtocreate epic drama. deep for many formats. An instant vocal soul. From the upcoming An attrEcti.e piece for AOR-pop. favoriteforsummer'31. Plane' "In the Pocket" LP. Motown 1514. Capitol 5007. P-18 (E!A) (8.98). RONNIE MILSAI3, "(There's) NO GETTIN' SPLIT ENZ, "ONE STEP AHEAD" (prod. YOKO ONO, "SEASON OF GLASS." OVER ME"(prod.byMilsap- byTickle) \rvriter:Finn)(Enz. Released to radio on tape prior to Collins)(writers:Brasfield -Ald- BMI) (2 52. Thick keyboard tex- appearing on disc, Cno's extremel ridge) {Rick Hall, ASCAP) (3:15). turesbuttressNeilFinn'slight persona and specific references tc Milsap is in a pop groove with this tenor or tit's melodic track from her late husband John Lennon have 0irresistible uptempo ballad from the new "Vlaiata- LP. An air of alreadysparkedcontroversyanci hisforthcoming LP.Hissexy, mystery acids to the appeal for discussion that's bound to escaate confident vocal steals the show. -
Gender-Based Violence, and an Analysis of the Criminal Justice Laws and Policies That Perpetuate This Narrative
UCLA UCLA Women's Law Journal Title Women and Girls' Experiences Before, During, and After Incarceration: A Narrative of Gender-based Violence, and an Analysis of the Criminal Justice Laws and Policies that Perpetuate this Narrative Permalink https://escholarship.org/uc/item/4773j0sp Journal UCLA Women's Law Journal, 20(2) Authors Sangoi, Lisa Kanti Goshin, Lorie Smith Publication Date 2014 DOI 10.5070/L3202021355 Peer reviewed eScholarship.org Powered by the California Digital Library University of California WOMEN AND GIRls’ ExpERIENCES BEFORE, DURING, AND AFTER INCARCERATION: A Narrative of Gender-based Violence, and an Analysis of the Criminal Justice Laws and Policies that Perpetuate This Narrative By Lisa Kanti Sangoi* & Lorie Smith Goshin** I. Introduction Women and girls involved with the United States’ (U.S.) criminal justice system experience gender-based violence (GBV)1 at rates that far exceed the general population. Their experiences with GBV often start in childhood or early adolescence, and may continue through adulthood, producing lifelong histories of abuse. These violent experiences can influence involvement in criminal ac- tivity.2 They may extend throughout incarceration, as correctional staff emotionally, verbally, physically, and sexually abuse women and girls at high rates, or facilitate such abuse by other inmates. Many criminal justice involved (CJI) women reenter their commu- nities debilitated by their time and experiences in detention, and by laws that limit their access to public assistance due to their status as convicted felons. As a cumulative result of their histories of vio- * Lisa Sangoi received her Master’s in Human Rights Studies from Colum- bia University, and is currently pursuing a J.D. -
The Literary Lives of Marginalized Readers: Preadolescent Girls’ Rationales for Book Choice and Experiences with Self-Selected Books
THE LITERARY LIVES OF MARGINALIZED READERS: PREADOLESCENT GIRLS’ RATIONALES FOR BOOK CHOICE AND EXPERIENCES WITH SELF-SELECTED BOOKS By JENNIFER MICHELLE GRAFF A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2007 1 © 2007 Jennifer Michelle Graff 2 To “The Girls’ Club” 3 ACKNOWLEDGMENTS I could not have completed this part of my life journey, filled with pit stops, side trips, exciting adventures, and extended stays, without the strength, love, and support of many people. I am extremely appreciative of my dissertation committee members, Dr. Danling Fu, Dr. Dick Allington, Dr. Linda Lamme, and Dr. John Cech, who warmly accepted my idiosyncrasies and kindly helped me channel my passion for research. Without their mentorship, I doubt I would have made it this far. The intellectual acuity and nurturing demeanor of my committee chair, Danling Fu, helped me improve my work and changed my approach to life. Dick Allington and his work with struggling readers was the catalyst for my pursuit of a doctorate. My research apprenticeship with him was invaluable and I still reel at the wealth of knowledge he not only possesses but willingly shares with others without hesitation. I am also thankful to have met and worked with Linda Lamme, with whom I share a passion for children’s literature and commitment to social justice. Our personal chats and email exchanges about children, books, and the powerful effects of their interactions, were enriching and will always be remembered. John Cech’s expertise in children’s culture was also helpful in multiple ways. -
Jon Batiste and Stay Human's
WIN! A $3,695 BUCKS COUNTY/ZILDJIAN PACKAGE THE WORLD’S #1 DRUM MAGAZINE 6 WAYS TO PLAY SMOOTHER ROLLS BUILD YOUR OWN COCKTAIL KIT Jon Batiste and Stay Human’s Joe Saylor RUMMER M D A RN G E A Late-Night Deep Grooves Z D I O N E M • • T e h n i 40 e z W a YEARS g o a r Of Excellence l d M ’ s # m 1 u r D CLIFF ALMOND CAMILO, KRANTZ, AND BEYOND KEVIN MARCH APRIL 2016 ROBERT POLLARD’S GO-TO GUY HUGH GRUNDY AND HIS ZOMBIES “ODESSEY” 12 Modern Drummer June 2014 .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. It is the .580" Wicked Piston!” Mike Mangini Dream Theater L. 16 3/4" • 42.55cm | D .580" • 1.47cm VHMMWP Mike Mangini’s new unique design starts out at .580” in the grip and UNIQUE TOP WEIGHTED DESIGN UNIQUE TOP increases slightly towards the middle of the stick until it reaches .620” and then tapers back down to an acorn tip. Mike’s reason for this design is so that the stick has a slightly added front weight for a solid, consistent “throw” and transient sound. With the extra length, you can adjust how much front weight you’re implementing by slightly moving your fulcrum .580" point up or down on the stick. You’ll also get a fat sounding rimshot crack from the added front weighted taper. Hickory. #SWITCHTOVATER See a full video of Mike explaining the Wicked Piston at vater.com remo_tamb-saylor_md-0416.pdf 1 12/18/15 11:43 AM 270 Centre Street | Holbrook, MA 02343 | 1.781.767.1877 | [email protected] VATER.COM C M Y K CM MY CY CMY .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. -
Billboard-1987-11-21.Pdf
ICD 08120 HO V=.r. (:)r;D LOE06 <0 4<-12, t' 1d V AiNE3'c:0 AlNClh 71. MW S47L9 TOO, £L6LII.000 7HS68 >< .. , . , 906 lIOIa-C : , ©ORMAN= $ SPfCl/I f011I0M Follows page 40 R VOLUME 99 NO. 47 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT November 21, 1987/$3.95 (U.S.), $5 (CAN.) CBS /Fox Seeks Copy Depth Many At Coin Meet See 45s As Strong Survivor with `Predator' two -Pack CD Jukeboxes Are Getting Big Play "Predator" two-pack is Jan. 21; indi- and one leading manufacturer Operators Assn. Expo '87, held here BY AL STEWART vidual copies will be available at re- BY MOIRA McCORMICK makes nothing else. Also on the rise Nov. 5-7 at the Hyatt Regency Chi- NEW YORK CBS /Fox Home Vid- tail beginning Feb. 1. CHICAGO While the majority of are video jukeboxes, some using la- cago. More than 7,000 people at- eo will test a novel packaging and According to a major -distributor jukebox manufacturers are confi- ser technology, that manufacturers tended the confab, which featured pricing plan in January, aimed at re- source, the two -pack is likely to be dent that the vinyl 45 will remain a say are steadily gaining in populari- 185 exhibits of amusement, music, lieving what it calls a "critical offered to dealers for a wholesale viable configuration for their indus- ty. and vending equipment. depth -of-copy problem" in the rent- price of $98.99. Single copies, which try, most are beginning to experi- Those were the conclusions Approximately 110,000 of the al market. -
Sayhername: Making Visible the T/Terrors Experienced by Black and Brown Girls Article 14 and Women in Schools
Occasional Paper Series Volume 2017 Number 38 #SayHerName: Making Visible the t/Terrors Experienced by Black and Brown Girls Article 14 and Women in Schools October 2017 #SayHerName: Making Visible the t/Terrors Experienced by Black and Brown Girls and Women in Schools Follow this and additional works at: https://educate.bankstreet.edu/occasional-paper-series Part of the Curriculum and Social Inquiry Commons, Educational Psychology Commons, Educational Sociology Commons, Education Policy Commons, Family, Life Course, and Society Commons, Race and Ethnicity Commons, and the Social and Philosophical Foundations of Education Commons Recommended Citation (2017). #SayHerName: Making Visible the t/Terrors Experienced by Black and Brown Girls and Women in Schools. Occasional Paper Series, 2017 (38). Retrieved from https://educate.bankstreet.edu/occasional- paper-series/vol2017/iss38/14 This Full Issue is brought to you for free and open access by Educate. It has been accepted for inclusion in Occasional Paper Series by an authorized editor of Educate. For more information, please contact [email protected]. #SayHerName Making Visible the t/Terrors Experienced by Black and Brown Girls and Women in Schools Introduction Jeanine Staples and Uma Jayakumar Essays by Wendi Williams Connie Wun Fahima Ife Pamela M. Jones Danielle Walker, Cheryl Matias, and Robin Brandehoff Bettina L. Love and Kristen Duncan Veronica Benavides Amanda E. Lewis and Deana G. Lewis Joanne N. Smith Charisse Jones 7 s 1 e Gloria Ladson-Billings i 0 r 2 e Leigh Patel S r e p Oct. a P l a n io s a 8 c c 3 O Occasional Paper Series | 1 Table of Contents Introduction ...................................................................................................................................................... -
CED Digest, Vol. 7
************************************************************************ ************************************************************************ CED Digest Vol. 7 No. 1 1/5/2002 ------------------------------------------------------------------------ 20 Years Ago In CED History: January 6, 1982: * Archbishop Jozef Glemp, the Roman Catholic primate of Poland, tells a congregation in Warsaw's St. John's Cathedral that those who signed oaths renouncing Solidarity were coerced by the government and the oaths have no validity. January 7, 1982: * Presidential counselor Edwin Meese III reads a statement that reverses President Reagan's pre-election stand against the registration of 18-year-old males for a possible future military draft. * The Winter 1982 Consumer Electronics Show begins in Las Vegas, Nevada. While a year earlier the RCA VideoDisc system had been one of the most prominent introductions, at the 1982 show the VHD VideoDisc holds the spotlight with a large display space sporting the slogan "There's More to See on VHD." Other notable video-related introductions include the Technicolor CVC mini-cassette VCR system, the first tubeless consumer video camera, and the first Pioneer LaserDisc player with CX noise reduction. A picture of the VHD booth at the Winter 1982 CES can be seen at this URL: http://www.cedmagic.com/history/vhd-1982-ces.jpg January 8, 1982: * Spokesmen for the American Telephone & Telegraph Company (AT&T) and the U.S. Department of Justice announce the settlement of a seven-year-old antitrust case which will result in AT&T divesting itself of 22 telephone companies, effectively breaking up the monopoly. * Future CED title in widespread theatrical release: Four Friends. January 9, 1982: * A frigid blast of artic air arrives in the United States bringing with it a week of record low temperatures. -
The Girl in the Letter
Copyright © 2018 Emily Gunnis The right of Emily Gunnis to be identified as the Author of the Work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. This Ebook edition first published in 2018 by HEADLINE REVIEW An imprint of HEADLINE PUBLISHING GROUP Apart from any use permitted under UK copyright law, this publication may only be reproduced, stored, or transmitted, in any form, or by any means, with prior permission in writing of the publishers or, in the case of reprographic production, in accordance with the terms of licences issued by the Copyright Licensing Agency. All characters in this publication are fictitious and any resemblance to real persons, living or dead, is purely coincidental. Cataloguing in Publication Data is available from the British Library Edna St. Vincent Millay, ‘First Fig’, 1920 Mary Elizabeth Frye, ‘Do Not Stand at My Grave and Weep’, 1932 Cover images: garden © Tuan Tran/Getty Images and girl © Rekha Garton/Trevillion Images; gate © kzww, shadows © milano1968 and leaves © Mongkol Rujitham, all at Shutterstock. Author photo © Laurie Fletcher eISBN 978 1 4722 5508 2 HEADLINE PUBLISHING GROUP An Hachette UK Company Carmelite House 50 Victoria Embankment London EC4Y 0DZ www.headline.co.uk www.hachette.co.uk Table of Contents Title Page Copyright Page About the Author About the Book Dedication Prologue Chapter One Chapter Two Chapter Three Chapter Four Chapter Five Chapter Six Chapter Seven Chapter Eight Chapter Nine Chapter Ten Chapter Eleven Chapter Twelve Chapter Thirteen -
Success2019 ANNUAL REPORT Contents 2019 ANNUAL REPORT % %
Building Success2019 ANNUAL REPORT Contents 2019 ANNUAL REPORT % % Giving Back The Travelers Way ....... Inside front cover Letter from Chairman and President ......................... 1 68 87 Of Club members live Of parents say our after- Club Impact Numbers ................................................. 2 in single-parent homes school programs enable Southend Capital Campaign News ............................ 3 BGCH Teams up with The Beach Boys ....................... 3 them to work full-time Financial Statements .................................................. 4 Volunteer Profile .......................................................... 4 “My wife and I both work. It gives us great peace of mind Men on a Mission ........................................................ 5 knowing that the kids get right off of the school bus Smart Girl of the Year Update .................................... 5 and go directly to the Club. We know they are in a safe Youth of the Year Update ............................................ 6 environment, they are learning, having fun and getting their Community Partner Spotlight ..................................... 6 homework done. It saves us the worry of them being at home 2018 Young Man of the Year ...................................... 7 unsupervised after school.” – Wayne James, parent of Charisma, In Gratitude to The Hartford ....................................... 7 Cameron and Justin, Southwest Club members since 2016 2018-2019 Contributors ............................................ 8 Boys & -
Pacific Ocean Blue Bambu
Dennis Wilson - Pacific Ocean Blue Produced by Dennis Wilson & Gregg Jakobson Released August 22, 1977 - Caribou PZ 34354 (CBS) Pacific Ocean Blue - Legacy Edition Originial Recordings Produced by Dennis Wilson & Gregg Jakobson Bonus Tracks Produced by Dennis Wilson, John Hanlon & Gregg Jakobson Executive Producer: James William Guercio Released June 17, 2008 - Caribou/Epic/Legacy 88697-07916-2 (Sony/BMG) Disc One Dennis Wilson had always been considered the quintessential "Beach Boy": not in a musical sense (that, of course, was Brian), but in a lifestyle sense. His love of surfing inspired the others to adopt the image that launched the band, and his further adventures in the worlds of fast cars, fast bikes, and fast women continued to fuel the imagination and song catalog of his older brother and cousin. But in the first five or six years of their career, his musical contributions were limited to drumming and singing backup (and sometimes not even that), with an occasional lead vocal opportunity (either covers of other artists or new songs that Brian and Mike would throw his way). However, with Brian Wilson's retreat from full artistic control of the band in 1967, the other members (Dennis included) began to be relied upon more and more for compositional and production efforts. Dennis' first contributions in this respect appear on the 1968 Friends album, and would continue over the next five years; tunes like "Little Bird", "Be With Me", "Celebrate The News", and "Forever" were highlights of the late '60s-early '70s Beach Boys era. In order for Dennis to evolve musically into something more than "just the fun-loving playboy drummer", he needed to master a melodic/chordal instrument well enough to compose on it. -
Kenny Rogers What About Me? Mp3, Flac, Wma
Kenny Rogers What About Me? mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop / Folk, World, & Country Album: What About Me? Country: Canada Released: 1984 Style: Country, Ballad, Vocal MP3 version RAR size: 1722 mb FLAC version RAR size: 1309 mb WMA version RAR size: 1958 mb Rating: 4.8 Votes: 432 Other Formats: VQF AC3 MIDI DTS WMA FLAC ADX Tracklist Hide Credits What About Me? A1 Featuring – James Ingram, Kim Carnes A2 The Night Goes On A3 Dream Dancin' A4 Two Hearts, One Love I Don't Want To Know Why A5 Featuring – Cindy Fee B1 Didn't We? B2 Somebody Took My Love B3 Crazy B4 The Stranger B5 Heart To Heart Companies, etc. Phonographic Copyright (p) – RCA Records Copyright (c) – Kenny Rogers Manufactured By – RCA Inc. Distributed By – RCA Inc. Credits Backing Vocals – Cindy Fee, Herb Pedersen, Ken Cetera*, Kenny Rogers, Kenny Rogers II, Portia Griffin, Richard Marx, Terry Williams Backing Vocals, Bass – Joe Chemay Backing Vocals, Guitar – Kin Vassy Bass – Dennis Belfield, Nathan East, Neil Stubenhaus Drums – Ed Greene , John Robinson Guitar – Billy Joe Walker*, Dan Huff*, Fred Tackett, Michael Landau, Paul Jackson, Jr.* Keyboards – David Foster, Jimmy Cox*, John Hobbs, Randy Kerber, Tom Keane Keyboards, Synthesizer – Erich Bulling Percussion – Michael Temple , Sheila Escovedo, Steve Foreman* Saxophone – Gary Herbig Synthesizer – Marcus Ryle Notes ℗ 1984 RCA Records © 1984 Kenny Rogers Other versions Category Artist Title (Format) Label Category Country Year AJL1-5335, Kenny What About Me? RCA Victor, RCA AJL1-5335, US 1984 AFL1-5043 Rogers (LP, Album) Victor AFL1-5043 Kenny What About Me? SFL10110 Starcall Records SFL10110 Australia 1984 Rogers (LP, Album) Kenny What About Me? PK 85043 RCA PK 85043 Europe 1984 Rogers (Cass) Dreamcatcher Kenny What About Me? Records, Castle CMRCD698 CMRCD698 UK 2003 Rogers (CD, Album, RE) Music, Sanctuary Records Kenny What About Me? AFL1-5043 RCA Victor AFL1-5043 US 1984 Rogers (LP, Album) Related Music albums to What About Me? by Kenny Rogers 1. -
Various Tribute to Tradition Mp3, Flac, Wma
Various Tribute To Tradition mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Tribute To Tradition Country: US Released: 1998 Style: Country MP3 version RAR size: 1271 mb FLAC version RAR size: 1178 mb WMA version RAR size: 1433 mb Rating: 4.5 Votes: 352 Other Formats: MMF DMF MP2 WMA VOX ASF AA Tracklist Hide Credits Stand By Your Man Acoustic Guitar – Paul WorleyBass, Bass [6 String] – Michael RhodesCoordinator [Production] – Deb BoyleDrums – Greg MorrowElectric Guitar – George Marinelli, J.T. Corenflos*Lead Vocals – Natalie MainesMixed –Dixie 1 By – John GuessMixed By [Assisted] – Christopher RowePiano – Matt 3:21 Chicks RollingsProducer – Blake Chancey, Paul WorleyRecorded By – Rodney GoodRecorded By [Assisted] – Tony CastleSteel Guitar – Lloyd MainesVocals, Fiddle – Martie SeidelVocals, Resonator Guitar [Dobro] – Emily ErwinWritten-By – Billy Sherrill, Tammy Wynette Mama Tried Acoustic Guitar – Biff WatsonBacking Vocals – Cindy Walker , Curtis YoungBass – Mike BrignardelloCoordinator [Production] – Abbe Nameche, Doug RichDrums – Eddie BayersElectric Guitar – George MarinelliFiddle – –Randy Aubrey HaynieMixed By – Ricky CobbleMixed By [Assisted] – John 2 2:15 Travis SaylorPiano – Matt RollingsProducer – James Stroud, Randy TravisRecorded By – Julian KingRecorded By [Additional, Assisted] – Koji Egawa, Rich HansonRecorded By [Additional] – Bill SchneeRecorded By [Assisted] – Rich Hanson, Ricky CobbleSteel Guitar – Dan DugmoreWritten-By – Merle Haggard Wine, Women And Song Acoustic Guitar – Randy ScruggsBacking