CS200 Assignment 2 – Named Styles Due Tuesday May 21, 2019, 11:59 Pm Readings and Resources Typographic Information: Begin
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Transmedia Muppets: the Possibilities of Performer Narratives
Volume 5, Issue 2 September 2012 Transmedia Muppets: The Possibilities of Performer Narratives AARON CALBREATH-FRASIEUR, University of Nottingham ABSTRACT This article examines how the Muppets franchise engages with transmedia narratives, their stories moving fluidly between television, film, comics, the internet and more. Rather than highlight the complexity Henry Jenkins (2006), Elizabeth Evans (2011) and others associate with transmedia, an examination of the Muppets offers insight into a mechanism that allows for simpler coherent connection between texts. The Muppets’ ongoing performer narrative challenges the prevailing understanding of transmedia storytelling. As performative characters (singers, actors, performance artists), any text concerned with Muppets, even those in which they act as other characters, becomes part of an overarching Muppet narrative. A high degree of self-reflexivity further supports transmediality, as most Muppet texts contain references to that text as a performance by the Muppets. Thus the comic Muppet Robin Hood and the film Muppet Treasure Island continue the story of the Muppets as further insight is gained into the characters' personalities and ongoing performance history. Examining different iterations of the Muppets franchise illuminates the ramifications of performer narratives for transmedia storytelling. KEYWORDS Transmedia storytelling, franchise, narrative, Muppets, multi-platform For over fifty-five years the Muppets have been appearing in media texts. They began on local television but have spread across most contemporary mediums, with many of these texts part of the over-arching, ongoing Muppet story. This article explores an alternative framework for defining one form of transmedia storytelling. This model suggests a complication in the understanding of transmedia storytelling put forward by Henry Jenkins (2006) and Elizabeth Evans (2011). -
Graham Walker Film Music Producer / Music Production Supervisor
GRAHAM WALKER FILM MUSIC PRODUCER / MUSIC PRODUCTION SUPERVISOR Graham is one of Britain’s most experienced and active Music Producers specialising in the international film music business. Education Graham studied music at Kneller Hall, the Royal Military School of Music and the Guildhall School of Music in London after which he began his career in the music production business. Graham is also a good musician; a trumpet player. Graham is one of Britain’s most experienced and active Music Producers specialising in the international film music business. After a distinguished career as Musical Director of Yorkshire Television, Head of Music for Granada Television and Head of Film Music Production for Lord Grade’s ITC Films, Graham then became freelance. The first 6 years of Graham’s career were spent at the world famous KPM Production Music Library; that was the day job! The night job was arranging and conducting sessions for various ‘pop’ and variety stars’ singles and albums such as Dickie Henderson, Roy Castle, Nicko McBrain (the drummer from Iron Maiden) and the number 1 hit ‘Grandad’ performed by Clive Dunn(!) plus score takedowns for the BBC’s ‘Top of the Pops’ for US groups such as ‘The Four Tops,’ Diana Ross and The Supremes,’ Otis Redding,’ ‘Marvin Gaye’ and many others. Work: Musical Director - Yorkshire Television, Head of Music - Granada Television, Head of Film Production (Music) - Lord Grade’s ITC Films, Head of Music - Zenith Productions. Over the years Graham has acquired extensive expertise in recording throughout Europe and beyond. He has worked with many composers, musicians and orchestras in the recording centres of London, New York, Paris, Munich, Cologne, Rome, Brussels, Berlin, Budapest, Moscow, Belgrade, Prague, Bratislava, Brandenburg and various locations in South Africa. -
Jim Henson's Fantastic World
Jim Henson’s Fantastic World A Teacher’s Guide James A. Michener Art Museum Education Department Produced in conjunction with Jim Henson’s Fantastic World, an exhibition organized by The Jim Henson Legacy and the Smithsonian Institution Traveling Exhibition Service. The exhibition was made possible by The Biography Channel with additional support from The Jane Henson Foundation and Cheryl Henson. Jim Henson’s Fantastic World Teacher’s Guide James A. Michener Art Museum Education Department, 2009 1 Table of Contents Introduction to Teachers ............................................................................................... 3 Jim Henson: A Biography ............................................................................................... 4 Text Panels from Exhibition ........................................................................................... 7 Key Characters and Project Descriptions ........................................................................ 15 Pre Visit Activities:.......................................................................................................... 32 Elementary Middle High School Museum Activities: ........................................................................................................ 37 Elementary Middle/High School Post Visit Activities: ....................................................................................................... 68 Elementary Middle/High School Jim Henson: A Chronology ............................................................................................ -
The Future: the Fall and Rise of the British Film Industry in the 1980S
THE FALL AND RISE OF THE BRITISH FILM INDUSTRY IN THE 1980S AN INFORMATION BRIEFING National Library Back to the Future the fall and rise of the British Film Industry in the 1980s an information briefing contents THIS PDF IS FULLY NAVIGABLE BY USING THE “BOOKMARKS” FACILITY IN ADOBE ACROBAT READER SECTION I: REPORT Introduction . .1 Britain in the 1980s . .1 Production . .1 Exhibition . .3 TV and Film . .5 Video . .7 “Video Nasties” & Regulation . .8 LEADING COMPANIES Merchant Ivory . .9 HandMade Films . .11 BFI Production Board . .12 Channel Four . .13 Goldcrest . .14 Palace Pictures . .15 Bibliography . .17 SECTION II: STATISTICS NOTES TO TABLE . .18 TABLE: UK FILM PRODUCTIONS 1980 - 1990 . .19 Written and Researched by: Phil Wickham Erinna Mettler Additional Research by: Elena Marcarini Design/Layout: Ian O’Sullivan © 2005 BFI INFORMATION SERVICES BFI NATIONAL LIBRARY 21 Stephen Street London W1T 1LN ISBN: 1-84457-108-4 Phil Wickham is an Information Officer in the Information Services of the BFI National Library. He writes and lectures extensively on British film and television. Erinna Mettler worked as an Information Officer in the Information Services of the BFI National Library from 1990 – 2004. Ian O’Sullivan is also an Information Officer in the Information Services of the BFI National Library and has designed a number of publications for the BFI. Elena Marcarini has worked as an Information Officer in the Information Services Unit of the BFI National Library. The opinions contained within this Information Briefing are those of the authors and are not expressed on behalf of the British Film Institute. Information Services BFI National Library British Film Institute 21 Stephen Street London W1T 1LN Tel: + 44 (0) 20 7255 1444 Fax: + 44 (0) 20 7436 0165 Try the BFI website for film and television information 24 hours a day, 52 weeks a year… Film & TV Info – www.bfi.org.uk/filmtvinfo - contains a range of information to help find answers to your queries. -
BETWEEN the PAGES a Publication of the Friends of the Allen Public Library
BETWEEN THE PAGES A Publication of the Friends of the Allen Public Library July/August 2012 www.allenfriends.org Volume IX, Issue IV FOL Board Upcoming Events at the Library (all free, of course) President - Susan Jackson VP/Community Relations Tuesday, July 3 at 7:00 p.m. "Muppet Treasure Island” Dana Jean Wednesday, July 4 all day Library Closed Secretary - Julie Hlad Friday, August 24 all day Library Closed Treasurer – Tami Alexander Tuesday, July 10 at 7:00 p.m. "An American Tail" Communications Friday, July 13 at 7:30 p.m. Dallas Banjo Band Tom Keener Tuesday, July 17 at 7:00 p.m. "The Great Muppet Caper" Ongoing Book Sale Thursday, July 19 at 7:30 p.m. What Ever Happened to Heroes? Brenda Kiser Tuesday, July 24 at 7:00 p.m. “Stuart Little” Membership Tuesday, July 31 at 7:00 p.m. Armchair Traveler to England Tami Burich Thursday, August 9 at 7:30 p.m. Ponty Bone and the Squeezetones Supply Mgr./Historian Sandy Wittsche Friday, August 17 at 7:30 p.m. Shoot Low Sheriff Arts Alliance Liaison Regina Taylor PLUS, don’t forget Tuesday Nights at the Movies in August. Volunteer Coordinator open And stay tuned for even more activities at the library—see www.allenfriends.org and ALLen Reads www.allenlibrary.org, or check out our Facebook page! Jane Bennett Junior Friends Leader Vandana Bains Newsletter - Bonnie Jay Hello, Friends Members, Bach to Books—open I wanted to take this opportunity to introduce myself. I am Susan Jackson, your recently Endowment Bd. -
Afi European Union Film Showcase November 3–22
ISSUE 54 AFI SILVER THEATRE AND CULTURAL CENTER NOVEMBER 3, 2011– FEBRUARY 2, 2012 AFI EUROPEAN UNION FILM SHOWCASE NOVEMBER 3–22 Festival of New Spanish Cinema More MuppetsTM, Music & Magic Alexander Payne Holiday Classics Washington Jewish Film Festival Pictured: Keira Knightley and Michael Fassbender in David Cronenberg's A DANGEROUS METHOD, one of the centerpiece screenings at the AFI European Union Film Showcase AFI.com/Silver Contents European Union Film Showcase 2011 AFI European Union Film Showcase ......... 2 November 3-22 Special Engagements ..................... 9,16 Now in its 24th year, the AFI European Union Film OPENING NIGHT Festival of New Spanish Cinema ...........10 Showcase features a first-class selection of films from EU member states. This year’s selection of more than The Films of Alexander Payne ...............11 oldwyn Films 40 films includes multiple award-winners, international G More Muppets™, Music & Magic: festival favorites, local box-office hits and debut works Jim Henson's Legacy ...........................12 by promising new talents, plus many countries’ official Oscar submissions for Best Foreign Language Film. Holiday Classics ..................................13 Courtesy of Samuel Highlights of the festival include Opening Night film AFI & Montgomery College/ THE WOMAN IN THE FIFTH, Pawel Pawlikowski’s Kids Euro Festival/ Talk Cinema/ moody thriller starring Ethan Hawke and Kristin Scott Washington Jewish Film Festival ...........14 Thomas; Aki Kaurismäki’s quirkily inspiring charmer Calendar ............................................15 LE HAVRE; the Dardenne brothers’ Cannes Grand Prix THE WOMAN IN THE FIFTH winner THE KID WITH THE BIKE; David Cronenberg’s LOOK FOR THE razor-sharp drama about Sigmund Freud, Carl Jung and THE WOMAN IN THE FIFTH the woman who came between them, A DANGEROUS Scheduled to appear: actress Joanna Kulig AFI Member passes accepted for METHOD, starring Michael Fassbender, Viggo Thu, Nov 3, 7:30, reception to follow designated screenings. -
Building American Puppetry on the Jim Henson Foundation
BUILDING AMERICAN PUPPETRY ON THE JIM HENSON FOUNDATION DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Jennifer Kathleen Stoessner, M.A. ***** The Ohio State University 2008 Dissertation Examination Committee: Approved by Dr. Joy Reilly, Adviser Dr. Beth Kattelman Adviser Dr. Alan Woods Graduate Program in Theatre Copyright by Jennifer Kathleen Stoessner 2008 ABSTRACT Historically the United States, with the exception of ritual performances by indigenous Americans, did not have a distinct puppetry tradition, utilizing instead the imported techniques of its immigrant population. In the twentieth century, puppeteers began to explore puppetry’s capabilities, producing challenging and innovative theatrical work in a distinctly American style. Puppetry was given a stage as popular broadcasting content on the newly invented television. In this media environment, Jim Henson pioneered new techniques, becoming the most famous puppeteer in history. His success enabled him to serve his field as a spokesman and sponsor. In 1982, he established the Jim Henson Foundation, a non-profit organization to support puppetry artists. The Jim Henson Foundation is the only organization in the United States devoted to funding puppet theater and its mission reflects Jim Henson’s commitment to the community of artists who make American puppetry the vivid panorama it has become. Without the Foundation, puppetry in the United States would not be experiencing the explosion of creativity and exposure it currently enjoys. To present a picture of puppetry in the United States and Henson’s work, a brief history of puppetry in America as well as an in-depth scrutiny of Jim Henson’s career is provided. -
Entertainment Memorabilia Entertainment
Wednesday 18 July 2018 Wednesday ENTERTAINMENT MEMORABILIA ENTERTAINMENT ENTERTAINMENT MEMORABILIA | Knightsbridge, London | Wednesday 18 July 2018 24668 © 1971 Danjaq, LLC and United Artists Corporation. All Rights Reserved. ENTERTAINMENT MEMORABILIA Wednesday 18 July 2018 at 12pm Knightsbridge, London BONHAMS ENQUIRIES The following symbol is used Montpelier Street Head of Department to denote that VAT is due on SPECIAL NOTICE TO BUYERS Knightsbridge Claire Tole-Moir the hammer price and buyer’s London SW7 1HH +44 (0) 20 7393 3984 premium Given the age of some of www.bonhams.com [email protected] the Lots they may have been † VAT 20% on hammer price damaged and/or repaired and you should not assume that VIEWING Consultant Specialist and buyer’s premium Sunday 15 July Stephen Maycock a Lot is in good condition. 11am-3pm +44 (0) 20 7393 3871 * VAT on imported items at Electronic or mechanical parts Monday 16 July [email protected] a preferential rate of 5% on may not operate or may not 9am-4.30pm hammer price and the prevailing comply with current statutory Tuesday 17 July Junior Cataloguer rate on buyer’s premium requirements. You should not 9am-4.30pm Catherine White assume that electical items Wednesday 18 July +44 (0) 20 7393 3871 Y These lots are subject to CITES designed to operate on mains 9am-10am [email protected] regulations, please read the electricity will be suitable information in the back of the for connection to the mains BIDS SALE NUMBER: catalogue. electricity supply and you +44 (0) 20 7447 7447 24668 should obtain a report from +44 (0) 20 7447 7401 fax IMPORTANT INFORMATION a qualified electrician on their [email protected] CATALOGUE: The United States Government status before doing so. -
The Muppets with a Headline That Reads “Who’S the Funniest Muppet.” There Is Also a Row of Framed Photos, the First Is of a Young Boy with a Nondescript Brown Puppet
The Greatest Muppet Movie of All Time by Jason Segel and Nicholas Stoller 10-30-09 TITLE UP: THE FOLLOWING IS BASED ON A TRUE STORY FADE IN: A series of shots of a pristine, classic American small town. Something straight out of Pleasantville. --People walk down the street and say smiling goodmornings as they pass each other. --A milkman drops off milk to a white picket fenced house --Children ride their bikes to school -- People exit a bakery with fresh rolls. TITLE UP: SMALLTOWN, USA INT. BEDROOM - MORNING We pan through a bedroom who’s walls are covered with posters. Muppet posters. Muppet newspaper clippings. A framed photo of a Time magazine cover which features Kermit standing in front of the rest of the Muppets with a headline that reads “Who’s the funniest Muppet.” There is also a row of framed photos, the first is of a young boy with a nondescript brown Puppet. We follow the row of photos as the boy grows progressively older, his puppet always by his side, ageless. We reach the last photo of the row and the boy is now thirty, arm around his puppet. We continue to pan and find the man, Gary, laying in bed peacefully asleep, a contented smile on his face. THE ALARM GOES OFF. Gary lazily wakes up. GARY Walter! Wake up! Today’s the day we go to Los Angeles!!! We widen to reveal Gary’s brown puppet asleep in a smaller bed next to Gary ala Ernie and Bert. WALTER (waking excitedly) Los Angeles!!! I can’t believe it!! We’re gonna get to go to Muppet Studios right!? You promised!? You weren’t pranking me right!!? If you were pranking me that’s a really mean prank!!! 2. -
Statler and Waldorf As Two All-American Hecklers in the Show
Le badaud et le regardeur Jakub Kornhauser & Iwona Piechnik (éds), Kraków : Biblioteka Jagiellońska, 2017 Władysław Chłopicki Jagiellonian University in Kraków Statler and Waldorf as Two AllAll----AmericanAmerican Hecklers in the Show of Life 1. Introduction: Hecklers in the Show of Life In this paper I am going to analyse the interactions of two characters from The Muppet Show , Statler and Waldorf, whose comments in the show illustrate well the on-looker scenario, the main theme of this volume. The comic puppet show, produced for television in the period 1976–1981, was highly popular in its heyday, the evidence of which was the presence of numerous top celebrities as guest stars on particular shows as well as numerous British and American awards it received. The show was re-run on television for the next twenty years, full movies were made, like The Muppets Take Manhattan (1984), and then several new revival attempts were undertaken, including Statler and Waldorf from the Balcony (2005– 2006), where the two hecklers use similar commentary techniques as in the original show, discussing new films and referring to contemporary events and figures. As a blogger on The Guardian website recently pointed out: [T]he Muppets Studio – which is owned by Disney – is actively reaching out to a new audience using digital media. The Muppets have a YouTube channel (Bohemian Rhapsody was watched more than 12m times), a Facebook page, a Twitter account and an iPhone app where you can build your own monster with Elmo. And of course, there is the Muppet Wikia as well, and their news blog the “Muppet Newsflash”. -
LEADER-THESIS.Pdf (1.353Mb)
Copyright by Caroline Ferris Leader 2011 The Thesis Committee for Caroline Ferris Leader Certifies that this is the approved version of the following thesis: The lovers and dreamers go corporate: Re-authoring Jim Henson’s Muppets under Disney APPROVED BY SUPERVISING COMMITTEE: Supervisor: (Thomas G. Schatz) (Mary Celeste Kearney) The lovers and dreamers go corporate: Re-authoring Jim Henson’s Muppets under Disney by Caroline Ferris Leader, BA Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2011 Dedication To my parents, who taught their children to be imaginative and hard working, and who introduced me to Jim Henson’s work. Acknowledgements I would like to thank my supervisor and reader, Thomas G. Schatz and Mary Celeste Kearney, for their invaluable role in facilitating my research and writing process. Their knowledge and experience has inspired me to push myself beyond my own expectations. I would also like to thank my colleagues and friends, especially Charlotte Howell, who for the last 18 months kept me up to date on all Muppet-related news on the Web. These people will always be more connected to current pop culture trends than I am, so I am grateful that they took the time to keep me in the loop. v Abstract The lovers and dreamers go corporate: Re-authoring Jim Henson’s Muppets under Disney Caroline Ferris Leader, MA The University of Texas at Austin, 2011 Supervisor: Thomas G. -
The Muppet Show
The Mup p et Show: Sex and Violence: Inv estig ating the Complexity of the Telev ision Body Rayna D enison (1) ‘I feel p retty, oh so p retty,’ sing s a blue, med ium siz ed Mupp et with small, feminine fea tures w earing a blond wig. Then she pulls off her nose, eyes and ha ir and b eg ins to a dd a new set of fea tures. ‘It’s ala rming how cha rming I feel,’ she wa rb les a s she p la ys w ith a shock of lime g reen foam hair, applying a la rg e g reen nose a nd fa ng ed teeth to her fa ce, her voice cha ng ing from F ra n Brill’s to Jim Henson’s on the pre- record ed song- tra ck. ‘And so p retty, tha t I ha rdly ca n b elieve that I’m real,’ her now g rowling voice continues the Step hen Sond heim song as the blue ‘Wha tnot’ Mup p et finishes her tra nsforma tion from girl to monster w ith a pa ir of mena cing ha iry-b row ed eyes (C ha rles Az na vour Episod e, 17/ 01/1977. See note 1). (2) Und er the d ressing tab le the Mupp et sits at, tw o Mup p eteers work in tand em to sepa ra tely manipula te the head and a rms of the blue Mupp et, creating the imp ression of a single cha ra cter for the ca mera .