Rome's Historic

Total Page:16

File Type:pdf, Size:1020Kb

Rome's Historic ROME’S HISTORIC Rome’s historic City Hall opened ovaries) in 1872. The surgery in 1916 and was designed by took place in the Omberg House architect A. Ten Eyck Brown. In which is located behind City addition to municipal offices Hall. for the City of Rome, the building has a 1,106 seat Adjacent to City Hall is the auditorium which is home to the Admiral John Henry Towers Rome Symphony Orchestra, the monument. The life-size bronze oldest symphony in the south. statue and surrounding memorial relays the amazing Other monuments on display story of the Rome native known outside City Hall include a as “The Father of Naval Aviation”. granite obelisk given by Medical Society of Georgia, which Capitoline Wolf honors Dr. Robert Battey. Dr. View the historic piece of Battey, a noted surgeon, art located on the front performed the world’s first steps of Rome City Hall & oophorectomy (removal of the Auditorium. Historic Downtown Rome West 3rd St. e v A Ave. N.5th Ave. N.4th m a N.2nd Ave. h Riverside Pkwy. n a r B West 1st St. West 2nd St. 1 West 1st St. Broad St. East 1st St. Broad St. East 1st St. East 2nd St. East 3rd St. 8th Ave. 6th Ave. 1st Ave. 2nd Ave. East 4th St. 4th Ave. 4th Turner McCall 1 Capitoline Wolf 601 Broad Street Glen Milner Blvd. Riverbend Dr. 6.15 Rome-Floyd Visitor Center Download free Georgia’s Rome apps 706-295-5576 | 800-444-1834 for visitor information 402 Civic Center Dr., Rome, GA 30161 & tour challenges. Numerous threats The Capitoline Wolf with Romulus and made against the Remus stands in front of historic City Capitoline Wolf after Hall on Broad Street in downtown Rome. The statue was an official gift from the Italy declared war on Roman Governor, by order of the Italian the Allies prompted its T Dictator, Benito Mussolini and was removal. presented when Chatillion Corporation Silk Mills of Milan, Italy relocated to Georgia’s Rome in 1929. In 1933, one of the twins-no one the statue removed and stored for The statue is an exact replica of the Etruscan art ever knew whether it was Romulus safety. that stands in the Palazzo dei Conservatori on or Remus - was kidnapped from the Campidoglio (Ancient Capitoline Hill) in Rome, pedestal. Neither kidnapper nor the In 1952 a movement was started by Italy. twin was ever found, but through citizens and art lovers to restore the the efforts of the Rome Rotary statue and on September 8, 1952, The mythical tale of Romulus and Remus has all the Club and the International Rotary, after an absence of twelve years, the makings of a modern day epic. The twins were sons another twin was sent from Italy to 1,500-pound statue of the replace the missing one. Capitoline Wolf was again placed on its pedestal in front of City Hall. War left its mark on the Capitoline Wolf and her adopted The Capitoline Wolf was involved human babies. When Italy declared in an event of historic significance war on the Allies in 1940, threats to on July 16, 1996 when the Olympic dynamite and destroy the statue Torch paused at the statue on its became so numerous that the Rome way to the Centennial Olympic City Commission ordered Games in Atlanta. A bronze marker by local artist Tim Rush has been placed on the lawn of City Hall to commemorate this moment in time. Translation: of Mars, the god of war, and Rhea Silvia, daughter This statue of the of King Numitor of Alba Longa. King Numitor was overthrown by his brother, Amulius, who then Capitoline Wolf, as a ordered Romulus and Remus to be cast into the forecast of prosperity Tiber River. They were rescued by a she-wolf who and glory, has been cared for them until a herdsman found and raised sent from ancient them. Romulus and Remus grew and after reclaiming Alba Longa for King Numitor, the Rome to New Rome, brothers began plans for a city near the site of their during the consulship rescue on the banks of the Tiber. During a quarrel of Benito Mussolini in over the city’s name, Romulus killed Remus. He the year of 1929. then built the city giving it his name. The statue’s first years in Georgia’s Rome were not without controversy. While most people appreciated the statue and considered it a work of art, many others were offended by it and felt it was shocking and not something to be viewed by ladies and children. Often, when important events were scheduled at the City Auditorium, the twins were diapered and the wolf was draped. RomeGeorgia.org.
Recommended publications
  • The Legend of Romulus and Remus
    THE LEGEND OF ROMULUS AND REMUS According to tradition, on April 21, 753 B.C., Romulus and his twin brother, Remus, found Rome on the site where they were suckled by a she-wolf as orphaned infants. Actually, the Romulus and Remus myth originated sometime in the fourth century B.C., and the exact date of Rome’s founding was set by the Roman scholar Marcus Terentius Varro in the first century B.C. According to the legend, Romulus and Remus were the sons of Rhea Silvia, the daughter of King Numitor of Alba Longa. Alba Longa was a mythical city located in the Alban Hills southeast of what would become Rome. Before the birth of the twins, Numitor was deposed by his younger brother Amulius, who forced Rhea to become a vestal virgin so that she would not give birth to rival claimants to his title. However, Rhea was impregnated by the war god Mars and gave birth to Romulus and Remus. Amulius ordered the infants drowned in the Tiber, but they survived and washed ashore at the foot of the Palatine hill, where they were suckled by a she-wolf until they were found by the shepherd Faustulus. Reared by Faustulus and his wife, the twins later became leaders of a band of young shepherd warriors. After learning their true identity, they attacked Alba Longa, killed the wicked Amulius, and restored their grandfather to the throne. The twins then decided to found a town on the site where they had been saved as infants. They soon became involved in a petty quarrel, however, and Remus was slain by his brother.
    [Show full text]
  • Livy's View of the Roman National Character
    James Luce, December 5th, 1993 Livy's View of the Roman National Character As early as 1663, Francis Pope named his plantation, in what would later become Washington, DC, "Rome" and renamed Goose Creek "Tiber", a local hill "Capitolium", an example of the way in which the colonists would draw upon ancient Rome for names, architecture and ideas. The founding fathers often called America "the New Rome", a place where, as Charles Lee said to Patrick Henry, Roman republican ideals were being realized. The Roman historian Livy (Titus Livius, 59 BC-AD 17) lived at the juncture of the breakdown of the Roman Republic and the rise of the Roman Empire. His 142 book History of Rome from 753 to 9 BC (35 books now extant, the rest epitomes) was one of the most read Latin authors by early American colonists, partly because he wrote about the Roman national character and his unique view of how that character was formed. "National character" is no longer considered a valid term, nations may not really have specific national characters, but many think they do. The ancients believed states or peoples had a national character and that it arose one of 3 ways: 1) innate/racial: Aristotle believed that all non-Greeks were barbarous and suited to be slaves; Romans believed that Carthaginians were perfidious. 2) influence of geography/climate: e.g., that Northern tribes were vigorous but dumb 3) influence of institutions and national norms based on political and family life. The Greek historian Polybios believed that Roman institutions (e.g., division of government into senate, assemblies and magistrates, each with its own powers) made the Romans great, and the architects of the American constitution read this with especial care and interest.
    [Show full text]
  • Chapter 5 Art Offers a Glimpse at a Different World Than That Which The
    chapter 5 Art Art offers a glimpse at a different world than that which the written narratives of early Rome provide. Although the producers (or rather, the patrons) of both types of work may fall into the same class, the educated elite, the audience of the two is not the same. Written histories and antiquarian works were pro- duced for the consumption of the educated; monuments, provided that they were public, were to be viewed by all. The narrative changes required by dyadic rivalry are rarely depicted through visual language.1 This absence suggests that the visual narratives had a different purpose than written accounts. To avoid confusion between dyadic rivals and other types of doubles, I con- fine myself to depictions of known stories, which in practice limits my inves- tigation to Romulus and Remus.2 Most artistic material depicting the twins comes from the Augustan era, and is more complimentary than the literary narratives. In this chapter, I examine mainly public imagery, commissioned by the same elite who read the histories of the city. As a result, there can be no question of ignorance of this narrative trope; however, Roman monuments are aimed at a different and wider audience. They stress the miraculous salvation of the twins, rather than their later adventures. The pictorial language of the Republic was more interested in the promo- tion of the city and its elite members than problematizing their competition. The differentiation between artistic versions produced for an external audi- ence and the written narratives for an internal audience is similar to the dis- tinction made in Propertius between the inhabitants’ knowledge of the Parilia and the archaizing gloss shown to visitors.
    [Show full text]
  • The Burial of the Urban Poor in Italy in the Late Republic and Early Empire
    Death, disposal and the destitute: The burial of the urban poor in Italy in the late Republic and early Empire Emma-Jayne Graham Thesis submitted for the degree of Doctor of Philosophy Department of Archaeology University of Sheffield December 2004 IMAGING SERVICES NORTH Boston Spa, Wetherby West Yorkshire, LS23 7BQ www.bl.uk The following have been excluded from this digital copy at the request of the university: Fig 12 on page 24 Fig 16 on page 61 Fig 24 on page 162 Fig 25 on page 163 Fig 26 on page 164 Fig 28 on page 168 Fig 30on page 170 Fig 31 on page 173 Abstract Recent studies of Roman funerary practices have demonstrated that these activities were a vital component of urban social and religious processes. These investigations have, however, largely privileged the importance of these activities to the upper levels of society. Attempts to examine the responses of the lower classes to death, and its consequent demands for disposal and commemoration, have focused on the activities of freedmen and slaves anxious to establish or maintain their social position. The free poor, living on the edge of subsistence, are often disregarded and believed to have been unceremoniously discarded within anonymous mass graves (puticuli) such as those discovered at Rome by Lanciani in the late nineteenth century. This thesis re-examines the archaeological and historical evidence for the funerary practices of the urban poor in Italy within their appropriate social, legal and religious context. The thesis attempts to demonstrate that the desire for commemoration and the need to provide legitimate burial were strong at all social levels and linked to several factors common to all social strata.
    [Show full text]
  • Rodolfo Lanciani, the Ruins and Excavations of Ancient Rome, 1897, P
    10/29/2010 1 Primus Adventus ad Romam Urbem Aeternam Your First Visit to Rome The Eternal City 2 Accessimus in Urbe AeternA! • Welcome, traveler! Avoiding the travails of the road, you arrived by ship at the port of Ostia; from there, you’ve had a short journey up the Via Ostiensis into Roma herself. What do you see there? 3 Quam pulchra est urbs aeterna! • What is there to see in Rome? • What are some monuments you have heard of? • How old are the buildings in Rome? • How long would it take you to see everything important? 4 Map of Roma 5 The Roman Forum • “According to the Roman legend, Romulus and Tatius, after the mediation of the Sabine women, met on the very spot where the battle had been fought, and made peace and an alliance. The spot, a low, damp, grassy field, exposed to the floods of the river Spinon, took the name of “Comitium” from the verb coire, to assemble. It is possible that, in consequence of the alliance, a road connecting the Sabine and the Roman settlements was made across these swamps; it became afterwards the Sacra Via…. 6 The Roman Forum • “…Tullus Hostilius, the third king, built a stone inclosure on the Comitium, for the meeting of the Senators, named from him Curia Hostilia; then came the state prison built by Ancus Marcius in one of the quarries (the Tullianum). The Tarquin [kings] drained the land, gave the Forum a regular (trapezoidal) shape, divided the space around its borders into building- lots, and sold them to private speculators for shops and houses, the fronts of which were to be lined with porticoes.” --Rodolfo Lanciani, The Ruins and Excavations of Ancient Rome, 1897, p.
    [Show full text]
  • The Wolf in Virgil Lee Fratantuono
    The Wolf in Virgil Lee Fratantuono To cite this version: Lee Fratantuono. The Wolf in Virgil. Revue des études anciennes, Revue des études anciennes, Université Bordeaux Montaigne, 2018, 120 (1), pp.101-120. hal-01944509 HAL Id: hal-01944509 https://hal.archives-ouvertes.fr/hal-01944509 Submitted on 23 Sep 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Copyright ISSN 0035-2004 REVUE DES ÉTUDES ANCIENNES TOME 120, 2018 N°1 SOMMAIRE ARTICLES : Milagros NAVARRO CABALLERO, María del Rosario HERNANDO SOBRINO, À l’ombre de Mommsen : retour sur la donation alimentaire de Fabia H[---]la................................................................... 3 Michele BELLOMO, La (pro)dittatura di Quinto Fabio Massimo (217 a.C.): a proposito di alcune ipotesi recenti ................................................................................................................................ 37 Massimo BLASI, La consecratio manquée de L. Cornelius Sulla Felix ......................................... 57 Sophie HULOT, César génocidaire ? Le massacre des
    [Show full text]
  • Burial Customs and the Pollution of Death in Ancient Rome BURIAL CUSTOMS and the POLLUTION of DEATH in ANCIENT ROME: PROCEDURES and PARADOXES
    Burial customs and the pollution of death in ancient Rome BURIAL CUSTOMS AND THE POLLUTION OF DEATH IN ANCIENT ROME: PROCEDURES AND PARADOXES ABSTRACT The Roman attitude towards the dead in the period spanning the end of the Republic and the high point of the Empire was determined mainly by religious views on the (im)mortality of the soul and the concept of the “pollution of death”. Contamina- tion through contact with the dead was thought to affect interpersonal relationships, interfere with official duties and prevent contact with the gods. However, considera- tions of hygiene relating to possible physical contamination also played a role. In this study the traditions relating to the correct preparation of the body and the sub- sequent funerary procedures leading up to inhumation or incineration are reviewed and the influence of social status is considered. Obvious paradoxes in the Roman at- titude towards the dead are discussed, e.g. the contrast between the respect for the recently departed on the one hand, and the condoning of brutal executions and public blood sports on the other. These paradoxes can largely be explained as reflecting the very practical policies of legislators and priests for whom considerations of hygiene were a higher priority than cultural/religious views. 1. INTRODUCTION The Roman approach to disposing of the dead in the Republican era and the early Empire (the period from approximately 250 BC to AD 250) was determined in part by diverse cultural/religious beliefs in respect of the continued existence of the soul after death and the con- cept of the “pollution of death”.
    [Show full text]
  • 1 the Festivals Lupercalia, Saturnalia, and Lemuria Were Three of Rome's
    1 The festivals Lupercalia, Saturnalia, and Lemuria were three of Rome’s most important celebrations. Each were valuable to the empire, as they celebrated the gods that acted as the stitches of Rome that pulled the diverse parts of the land together. The festivals also dealt with the spirits that were thought to haunt the city, whether it was to dispel them or celebrate their memory. This trio of festivals impacted the development of Rome’s culture and influenced holidays celebrated today. Most importantly, though, while Lupercalia, Saturnalia, and Lemuria each honored various gods and had differing rituals, all of them helped to shape Rome into a dominant empire. Lupercalia is one of the oldest Roman festivals, meant to celebrate love, to purify the city from evil spirits, and to aid with fertility. Celebrated from the thirteenth of February to the fifteenth, Lupercalia dates possibly to before Rome was established as a city. Because it is celebrated to honor the she­wolf who nursed Romulus and Remus, the twin founders of Rome, the festival’s name derives from the Latin word for wolf, “lupus” and translates to “wolf festival.” The festival has a number of rites to be performed. The priestly Luperci, who were considered to be brothers of wolves, took command of those rites. The Luperci would only wear goatskins during the festival. There were three sectors of Luperci: the Quinctiliani, the Fabiani, and the Julii (who were created in honor of Julius Caesar). Directed by the Luperci, the festival began with the sacrifice of two male goats and one dog.
    [Show full text]
  • Rome's Perfect Location by Cicero
    Name: ______________________________ Class/Period: ________ Date: ___________________ ROME’S PERFECT LOCATION BY CICERO One reason Rome flourished was its sheltered location some 15 miles from the Mediterranean coast. In addition, it lay at one of the major crossing points on the Tiber River. In the excerpt below from On the Commonwealth, first century orator and philosopher Marcus Tullius Cicero explains the importance of the cityʼs geographic location. As you read the excerpt, note the advantages of Romeʼs location mentioned by Cicero. Then, answer the questions. The location (Romulus; the mythical co-founder of Rome) chose for the city… was NOTES unbelievably favorable. For he did not move his city down the coast, a step very easy for him to take with the forces at his command, either by invading the territory of the Rutuli or of the Aborigines, or by himself founding a city at the mouth of the Tiber… But with singular foresight Romulus saw and divined that a location upon the seaboard was not the most advantageous for cities intended to enjoy permanence and imperial sway, chiefly because maritime cities are exposed to dangers both numerous and impossible to foresee. A city surrounded on all sides by land receives many warnings of an enemy’s approach…such as the crashing (of the forest) and even the noise (of marching troops). No enemy, in fact, can arrive by land without enabling us to know both his hostile intent and who he is and whence (from where) he comes. On the contrary, an enemy who comes by ships over the sea may arrive before anyone can suspect his coming, and indeed, when he appears, he does not show any signs of who he is, whence he comes, or even what he wants… In addition, cities located on the sea are subject to certain corrupting influences and to moral decline, for they are affected by alien (unfamiliar) forms of speech and by alien standards of conduct.
    [Show full text]
  • OVID and the APOTHEOSIS of ROMULUS.* Anne Gosling
    ACTA CLASSICA XLV (2002) 51-(,9 ISSN0065-IUI SENDING UP THE FOUNDER: OVID AND THE APOTHEOSIS OF ROMULUS. * Anne Gosling University ofNatal, Durban ABSTRACT A comparative reading of Ovid's accounts of the apotheosis of Romulus (Mer. 14.805-28 and Fasti 2.481-512) reveals significant echoes and variatious. Striking divergences from other sources (Cicero, Livy and Dionysius ofHalicamassus) are also apparent. Ovid shows no (overt) interest in the political background, suppresses Romulus' military aspect, and is more concerned with fabulous elements. Yet his own stylistic emphases. and a nexus of resonances between the Metamorphoses and Fasti, with echoes ofAen. 6.851-53 and Aen. 1.292-93, pointedly siluate Romulus in the civil sphere as lawgiver, an interesting perspective in the light ofAugustan propaganda and the inescapable elements of fraternal strife and murder in Rome's foundation legend. By ellipsis and allusion Ovid constructs an image of Romulus which interrogates the AUguSUln ethos WId connects with the wider themes ofthe Fasti, particularly the rejection ofmilitarism and the celebration ofthe arts of peace. Recent readings of Ovid's later poetry - Metamorphoses, Fasli and the poems of exile - have concentrated on two aspects in particular: the situatiou ofhis work within the broader historical and cultural context of the Augustan age, and his intertextual resonances with earlier and • An earlier version of this paper was read at the conference on Augustan Poetry and the Traditions ofAncient Histariography beld at the University of Durham from 31 August 10 3 September 1999. I am grateful to the University of Nata! for l\mding to enable me to attend this conference, and to the conference participants in Durham and in the Classics Graduate Colloquium at the University ofNata! in Durban for stimulating and challenging discussion.
    [Show full text]
  • Reading Death in Ancient Rome
    Reading Death in Ancient Rome Reading Death in Ancient Rome Mario Erasmo The Ohio State University Press • Columbus Copyright © 2008 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Erasmo, Mario. Reading death in ancient Rome / Mario Erasmo. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8142-1092-5 (cloth : alk. paper) ISBN-10: 0-8142-1092-9 (cloth : alk. paper) 1. Death in literature. 2. Funeral rites and ceremonies—Rome. 3. Mourning cus- toms—Rome. 4. Latin literature—History and criticism. I. Title. PA6029.D43E73 2008 870.9'3548—dc22 2008002873 This book is available in the following editions: Cloth (ISBN 978-0-8142-1092-5) CD-ROM (978-0-8142-9172-6) Cover design by DesignSmith Type set in Adobe Garamond Pro by Juliet Williams Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI 39.48-1992. 9 8 7 6 5 4 3 2 1 Contents List of Figures vii Preface and Acknowledgments ix INTRODUCTION Reading Death CHAPTER 1 Playing Dead CHAPTER 2 Staging Death CHAPTER 3 Disposing the Dead 5 CHAPTER 4 Disposing the Dead? CHAPTER 5 Animating the Dead 5 CONCLUSION 205 Notes 29 Works Cited 24 Index 25 List of Figures 1. Funerary altar of Cornelia Glyce. Vatican Museums. Rome. 2. Sarcophagus of Scipio Barbatus. Vatican Museums. Rome. 7 3. Sarcophagus of Scipio Barbatus (background). Vatican Museums. Rome. 68 4. Epitaph of Rufus.
    [Show full text]
  • 3. Etruscans Romans
    The Etruscans 8th to the 5th century B.C (900/700-500 B.C) Triclinium – formal dining room Interior of the Tomb of the Triclinium, from the Monterozzi necropolis, Tarquinia, Italy, ca. 480–470 BCE Italy in Etruscan times Important sites: Tarquinia Cerveteri Vulci Villanova Brief History • The Etruscans occupied the region to the north of Rome, in what is today known as Tuscany (Central). • The Romans (still considered a tribe, yet the Empire it would become) were first a subject people of the Etruscans and later their conquerors. • The Etruscan culture was well-developed and advanced but distinctively different from the cultures of the other peoples in the region. This distinctive difference immediately led to the question of “where did the Etruscans originate?” Where did the Etruscans originate? • Some Greeks held that the Etruscans came from Lydia, a kingdom of western Anatolia (or modern day Turkey). • In the 19th c, it was discovered that most of the languages of Europe belonged to one big language family called Indo- European but Etruscan was not one of them. – The Etruscan language is unique in the ancient Greco- Roman world. There are no known parent languages to Etruscan, nor are there any modern descendants. As Romans took control, Latin became the dominant language. – We have no surviving histories or literature in Etruscan. Science vs. Art • The American Journal of Human • Villanovan Culture: 900-700 BC. Genetics reports finding 11 A culture of Northern Italy, they lineages of human mitochondrial were first identified by their DNA in Tuscany that occur in the cemeteries.
    [Show full text]