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2019 Annual Report
FOUNDATION REPORT 2018.2019 SUPPORT EDUCATION RESEARCH ADVOCACY SUPPORT EDUCATION RESEARCH ADVOCACY LEADERSHIP Board of Directors Global Medical Honorary Global Medical Advisory Board Advisory Board Jim Crone, President Matthew LaRocco, Vice President Kenneth C. Gorson, MD, Chairman Barry, G.W. Arnason, MD Patricia H. Blomkwist-Markens, Bart C. Jacobs, MD, Vice Chairman Arthur K. Asbury, MD Vice President of International Activities Vera Bril, MD Richard J. Barohn, MD Russell Walter, Secretary Peter D. Donofrio, MD Mark J. Brown, MD Jim Yadlon, Treasurer John D. England, MD David R. Cornblath, MD Josh Baer Diana Castro, MD Marinos C. Dalakas, MD Nancy Di Salvo Richard A. Lewis, MD Thomas Feasby, MD Kenneth C. Gorson, MD Robert Lisak, MD Jonathon Goldstein, MD Gail Moore Eduardo Nobile-Orazio, MD, PhD Clifton L. Gooch, MD Shane Sumlin David S. Saperstein, MD Michael C. Graves, MD Kazim A. Sheikh, MD John W. Griffin, MD Executive Director Joel S. Steinberg, MD, PhD Angelika F. Hahn, MD Lisa Butler Pieter A. van Doorn, MD Han-Peter Harting, MD Professor Hugh J. Willison, MBBS, Professor Richard A.C. Hughes Founder PhD, FRCP Susan T. Iannaccone, MD Estelle L. Benson Gil I. Wolfe, MD, FAAN Jonathon Katz, MD Professor Peter Van den Bergh, MD Carol Lee Koski, MD Jeffrey Allen, MD Robert G. Miller, MD Eroboghene E. Ubogu, MD Garreth J. Parry, MD President’s Council Betty Soliven, MD Allan H. Ropper, MD Maureen Su, MD John T. Sladky, MD Jerry L. Jones Mamatha Pasnoor, MD Nobuhiro Yuki, MD Kim Koehlinger Philip H. Kinnicutt Ronald B. Kremnitzer, Esq. Ralph G. -
Honoring Our Nation's Bravest for Their Service and Sacrifice
Honoring our nation’s bravest for their service and sacrifice. Please join us in thanking our local veterans for their sacrifice and service to our country. NOVEMBER 2019 A Special Supplement to 2 The Moultrie Observer SALUTETOVETERANS Sunday, November 10, 2019 Abbott, Carter Eugene Allegood, Julian J. Arnold, Monroe F. Baldwin, Eddie J. Bartley, Robert Louis Bell, Julius Edward Abbott, James E. *Allegood, June *Arrington, Charles F. (Red) Baldwin, Joe M. *Bartley, William D. Bell, Luther E. Abbott, William E., Jr. Allegood, Leonard Van *Arrington, Charles Leonard Baldy, Walter O., Jr. Barton, Harvey Lee Bell, Ralph Abbott, William W. Allegood, Lloyd Wandell *Arwood, Charles R. Bales, Howard L. Barton, Shelby I. Bell, Robert A. Abercrombie, John Allegood, Ogene L. Arwood, Ralph Balkcom, J. B. Barwick, Eric Bell, Robert L., Jr. W.Abercrombie, Marvin Larry Allegood, Ralph E. Arwood, Ralph Waldo, Jr. Ball, Alfred Lynn Barwick, Ronald Bell, Ronald Abercrombie, Sharon Sidney *Allegood Ralph F. *Arwood, William Cecil Ball, Carl W. Barwick, William Henry Bell, Roy Abrams, Russell L. Allegood, Raphard R. M. *Ary, Kermit *Ball, Frank A. Barwick, William M. Bell, W. T. Acuff, E. B. Allegood, Rayburn D. Asbell, Alven Vernon Ball, Frankie Bass, Fannie R. Bell, William J. Acuff, Edward Blackburn, Jr. Allegood, Rodney Van Asbell, Daniel C. Ball, Jessie Bass, Harold *Bell, William T., Jr. Adair, Charles C., Jr. Allegood, Roy D. Asbell, Franklin Paul Ball, John Hill Bass, Harold J. Bell, Willie F. Adair, Charlie C. Allegood, T. F. Asbell, Grady Ball, John W. Bass, James H. Bellflower, Rufus Adair, Roger Allegood, Tommie Lee Asbell, James F. -
Redirected from Films Considered the Greatest Ever) Page Semi-Protected This List Needs Additional Citations for Verification
List of films considered the best From Wikipedia, the free encyclopedia (Redirected from Films considered the greatest ever) Page semi-protected This list needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be chall enged and removed. (November 2008) While there is no general agreement upon the greatest film, many publications an d organizations have tried to determine the films considered the best. Each film listed here has been mentioned in a notable survey, whether a popular poll, or a poll among film reviewers. Many of these sources focus on American films or we re polls of English-speaking film-goers, but those considered the greatest withi n their respective countries are also included here. Many films are widely consi dered among the best ever made, whether they appear at number one on each list o r not. For example, many believe that Orson Welles' Citizen Kane is the best mov ie ever made, and it appears as #1 on AFI's Best Movies list, whereas The Shawsh ank Redemption is #1 on the IMDB Top 250, whilst Star Wars Episode V: The Empire Strikes Back is #1 on the Empire magazine's Top 301 List. None of the surveys that produced these citations should be viewed as a scientif ic measure of the film-watching world. Each may suffer the effects of vote stack ing or skewed demographics. Internet-based surveys have a self-selected audience of unknown participants. The methodology of some surveys may be questionable. S ometimes (as in the case of the American Film Institute) voters were asked to se lect films from a limited list of entries. -
ROBERT GREENHUT Producer
ROBERT GREENHUT Producer TRUST - Millennium - David Schwimmer, director PICASSO & BRAQUE GO TO THE MOVIES - Independent - Arne Glimcher, director BROOKLYN’S FINEST - Warner Bros. - Antoine Fuqua, director AUGUST RUSH - Warner Bros. - Kirsten Sheridan, director FIND ME GUILTY - Yari Film Group - Sidney Lumet, director STATESIDE - First Look Films - Reverge Anselmo, director THE BLACK KNIGHT - 20th Century Fox - Gil Junger, director WHITE RIVER KID - Independent - Arne Glimcher, director WITH FRIENDS LIKE THESE - Independent - Phillip Frank Messina, director THE PREACHER’S WIFE - Buena Vista - Penny Marshall, director EVERYONE SAYS I LOVE YOU - Miramax - Woody Allen, director MIGHTY APHRODITE - Miramax - Woody Allen, director BULLETS OVER BROADWAY - Miramax - Woody Allen, director RENAISSANCE MAN - Buena Vista - Penny Marshall, director WOLF (Executive) - Columbia - Mike Nichols, director MANHATTAN MURDER MYSTERY - TriStar - Woody Allen, director HUSBANDS AND WIVES - TriStar - Woody Allen, director SHADOWS AND FOG - Orion - Woody Allen, director A LEAGUE OF THEIR OWN - Columbia - Penny Marshall, director REGARDING HENRY (Executive) - Paramount - Mike Nichols, director ALICE - Orion - Woody Allen, director QUICK CHANGE - Warner Bros. - Howard Franklin, Bill Murray, directors POSTCARDS FROM THE EDGE (Executive) - Columbia - Mike Nichols, director CRIMES AND MISDEMEANORS - Orion - Woody Allen, director NEW YORK STORIES - Touchstone - Woody Allen, director WORKING GIRL - 20th Century Fox - Mike Nichols, director BIG - 20th Century Fox - Penny -
Sport, Representation and Culture in the Modern World, 1920-2020
8. Representation Steven A. Riess Cultural historians study the change of human civilization over time. They focus on people’s beliefs, rituals, ideas, identity, social norms, institutions, and materials, with particular attention to the meanings of that culture’s elements (Hutton 1981). Cultural historians before World War II focused on high culture, but thereafter, because of the influence of cultural anthropology, they began to study popular culture, that include every day experiences and artifacts that express mass values and attitudes. Since the late 1960s, scholars have studied sport’s interaction with high and low culture, and also sport as an independent element of culture with s symbolic acts, representation, and struggle over meaning of sport’s myths and realities. American cultural historians have relied heavily on anthropologist Clifford Geertz’s concept of “thick description,” a process of studying and contextualizing human behavior. This was modeled by his analysis of the cultural significance of Balinese cock fighting which he called “deep play, ” that illuminated the network of social relationships in that traditional society (Geertz 1973). This process encouraged historians to study the sporting world and individual sports as cultural texts. A new trend that soon followed was an emphasis on memory as a cultural historical category, followed by the “linguistic turn” in the 1980s that emphasized the importance of language, a perspective in far greater vogue in Europe than the US. Cultural scholars outside North America are far more reliant on theory, particularly the polyschematic analyses of Michel Foucault, along with advocates of the visual and audio turns. Culturally minded sport historians employ cultural analysis as a window through which to understand the broader society. -
Empirical Modeling of Regional Stream Habitat Quality Using Gis-Derived Watersheds of Flexible Scale
EMPIRICAL MODELING OF REGIONAL STREAM HABITAT QUALITY USING GIS-DERIVED WATERSHEDS OF FLEXIBLE SCALE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Sanjeev Arya, B.Arch. (Hons.), M.C.R.P. * * * * * The Ohio State University 2002 Dissertation Committee: Approved by Dr. Steven I. Gordon, Adviser Dr. Hazel A. Morrow-Jones __________________________________ Adviser Dr. Carolyn J. Merry City and Regional Planning Program Dr. Kenneth T. Pearlman Copyright © by Sanjeev Arya 2002 ABSTRACT Two new watershed-delineation approaches are used to build statistical regression models that explain the variations in Qualitative Habitat Evaluation Index (QHEI) scores at hundreds of sites in the Eastern Corn Belt Plains ecoregion of Ohio. Hydrologically contributing areas upstream of the sampling stations are delineated using 1) non- overlapping watersheds up to the next upstream sampling station, and 2) custom watershed areas, called localsheds, delineated only up to a user-specified upstream flow- length. Both approaches provide an insight into the scale effects of various stressors. A large GIS-intensive database is developed with fine-resolution data on 30 m DEM, 1:24,000 scale roads and streams with network topology, proportionally allocated census block demography, and 30 m land cover characteristics. Stream order, reach sinuosity, and upstream network distances are derived using macro programming. The models explain more than 40% of the variation in habitat quality using stressor-related data within hydrologically connected areas that are only a mile upstream of the sampling sites. The results confirm the utility of the localshed framework and suggest that riparian row crops, commercial, and urban land uses in narrow strips, relatively broad swaths of deciduous forest, stream channelization, reach sinuosity, and stream order have a significant impact on the habitat immediately downstream of stress locations. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
Abstract Taiwanese Identity and Transnational Families
ABSTRACT TAIWANESE IDENTITY AND TRANSNATIONAL FAMILIES IN THE CINEMA OF ANG LEE Ting-Ting Chan, Ph.D. Department of English Northern Illinois University, 2017 Scott Balcerzak, Director This dissertation argues that acclaimed filmmaker Ang Lee should be regarded as a Taiwanese transnational filmmaker. Thus, to best understand his work, a Taiwanese sociopolitical context should be employed to consider his complicated national identity as it is reflected in his films across genres and cultures. Previous Ang Lee studies see him merely as a transnational Taiwanese-American or diasporic Chinese filmmaker and situate his works into a broader spectrum of either Asian-American culture or Chinese national cinema. In contrast, this dissertation argues his films are best understood through a direct reference to Taiwan’s history, politics, and society. The chapters examine eight of Lee’s films that best explain his Taiwanese national identity through different cultural considerations: Pushing Hands (1992) and Eat Drink Man Woman (1994) are about maternity; The Wedding Banquet (1993) and Brokeback Mountain (2005) consider homosexuality; The Ice Storm (1997) and Taking Woodstock (2009) represent a collective Taiwanese view of America; and Crouching Tiger, Hidden Dragon (2000) and Lust, Caution (2007) reflect and challenge traditions of Taiwan Cinema. The eight films share three central leitmotifs: family, a sympathetic view of cultural outsiders, and a sympathy for the losing side. Through portraying various domestic relations, Lee presents archetypal families based in filial piety, yet at the same time also gives possible challenges represented by a modern era of equal rights, liberalism, and individualism – which confront traditional Taiwanese-Chinese family views. -
The Hollywood Sports Film: Visualizing Hidden and Familiar Aspects of American Culture Englert, Barbara
www.ssoar.info The Hollywood Sports Film: Visualizing Hidden and Familiar Aspects of American Culture Englert, Barbara Veröffentlichungsversion / Published Version Zur Verfügung gestellt in Kooperation mit / provided in cooperation with: GESIS - Leibniz-Institut für Sozialwissenschaften Empfohlene Zitierung / Suggested Citation: Englert, B. (2018). The Hollywood Sports Film: Visualizing Hidden and Familiar Aspects of American Culture. Historical Social Research, 43(2), 165-180. https://doi.org/10.12759/hsr.43.2018.2.165-180 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY Lizenz (Namensnennung) zur This document is made available under a CC BY Licence Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden (Attribution). For more Information see: Sie hier: https://creativecommons.org/licenses/by/4.0 https://creativecommons.org/licenses/by/4.0/deed.de Diese Version ist zitierbar unter / This version is citable under: https://nbn-resolving.org/urn:nbn:de:0168-ssoar-57678-6 The Hollywood Sports Film – Visualizing Hidden and Familiar Aspects of American Culture ∗ Barbara Englert Abstract: »Der Hollywoodsportfilm. Eine Visualisierung verborgener und ver- trauter Aspekte der amerikanischen Kultur«. This essay highlights a number of Hollywood sport films from the 1970s focusing on national and personal iden- tity issues. Against the backdrop of contemporary history, the meaning of sports and film, and its pop cultural intertwinement becomes transparent re- vealing a basic pattern. Aspects come into the picture which from a European perspective seem both familiar and, in a way, hidden. Besides being great en- tertainment, sport films like North Dallas Forty (1979), Semi-Tough (1977) or The Bad News Bears (1976) have the quality to serve as a rich and meaningful archive of visual sources for research in the humanities. -
Affirming the American Dream Via the Sports /Film Star
Affirming the American Dream via the Sports /Film Star By Seán Crosson Fall 2014 Issue of KINEMA FROM BABE RUTH TO MICHAEL JORDAN: AFFIRMING THE AMERICAN DREAM VIA THE SPORTS /FILM STAR Its drama, its personalities and its worldwide appeal means sport is the new Hollywood - Bell and Campbell (1999: 22) Celebrity is a crucial aspect of contemporary culture and one to which both sport and film make a substan- tial contribution. In film, the ’star image’ that has developed around individual actors is a multifaceted, complicated and sometimes contradictory phenomenon composed of the roles they have played, their care- fully orchestrated public appearances and the depictions of the creation of a star’s image, as well as the actual individual around whom this image has evolved. However, arguably what is most significant about individual stars is the manner through which they express facets of living in today’s society, including the nature of labour in the capitalist world (Dyer, 1986: 7-8). Stars are particularly important in defining what it means to be a person or individual. Indeed, the notion of individuality, so central to contemporary capi- talist culture and in particular the American Dream ideology, is crucial to the star phenomenon. As David L. Andrews and Steven J. Jackson contend regarding contemporary celebrities, drawing on the work of P. David Marshall (1997), The contemporary celebrity is an embodiment of the twinned discourses of late modernity: neo- liberal democracy and consumer capitalism. Indeed, Western liberal democracy represents a political system preoccupied with ’the personal, the intimate, and the individual’; incorporates an equally solipsistic regime of economic (re)production (consumer capitalism); both of which are nurtured by the supreme technology of hyper-individualization (commercial television) (Andrews and Jackson, 2001: 1). -
Conference Program
MARCH 15-17 2012 TABLE OF CONTENTS ACKNOWLEDGMENTS ........................................................................... 4 THE NARRATIVE SOCIETY ..................................................................... 5 AWARDS: CaLL FOR NOMINATIONS ...................................................... 6 FEATURED SPEAKERS ...................................................................... 7–9 Steven Mailloux ....................................................................................................... 7 Ramón Saldívar .......................................................................................................8 Vanessa Schwartz ...................................................................................................9 HOTEL MAP & FLOOR PLANS ........................................................ 10–11 PROGRAM ........................................................................................................ 12–39 WEDNESDAY, MARCH 14 Pre-Conference Reception (6:30PM-10:00PM) ....................................................... 12 THURSDAY, MARCH 15 Contemporary Narrative Theory I (8:15AM-10:00AM) ............................................. 12 Session 1 (10:15AM-11:45PM) ................................................................................. 12 Teaching Narrative (12:00PM-1:00PM) ................................................................... 14 Session 2 (1:15PM-2:45PM) ................................................................................... 14 Session 3 (3:00PM-4:30PM) -
2011 Annual Report
2011 ANNUAL REPORT THE FIELD MUSEUM OF NATURAL HISTORY INTRODUCTORY LETTER New Year’s Day set the pace for The Field Museum. That morning, we began 2011 on the side of an Antarctic mountain excavating dinosaurs. We carried this pioneering spirit throughout the year, as we explored the Earth, inspired young minds, and engaged our visitors in the thrill of scientific discovery. 2011 also brought to a close a series of major projects. First, we launched an all-new website in March following three years of development. We designed the new www.FieldMuseum.org in response to our visitors’ suggestions and loaded it with features that allow us to share our resources as never before. The new website is quickly evolving and we hope that you will check it In just 12 months we: frequently to learn about the latest happenings at the Field. u Undertook more than 60 expeditions, uncovering 200 new plants and animals Second, we opened two new permanent exhibitions focused on u one of the most pressing issues of our time – conservation of the Conserved over 1.1 million acres of rainforest in the Amazon’s headwaters Earth’s resources. The Abbott Hall of Conservation: Restoring Earth tells the story of how Field Museum science is used to save u Welcomed 1.28 million visitors from every some of the world’s most threatened ecosystems – from the state and over 40 countries coral reefs of the Western Pacific, to the rainforests of South u Engaged over 354,000 children and adults America, to Chicago’s prairies.