Aquaman Reference in Man of Steel
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Joker (2019 Film) - Wikipedia
Joker (2019 film) - Wikipedia https://en.wikipedia.org/wiki/Joker_(2019_film) Joker (2019 film) Joker is a 2019 American psychological thriller film directed by Todd Joker Phillips, who co-wrote the screenplay with Scott Silver. The film, based on DC Comics characters, stars Joaquin Phoenix as the Joker. An origin story set in 1981, the film follows Arthur Fleck, a failed stand-up comedian who turns to a life of crime and chaos in Gotham City. Robert De Niro, Zazie Beetz, Frances Conroy, Brett Cullen, Glenn Fleshler, Bill Camp, Shea Whigham, and Marc Maron appear in supporting roles. Joker was produced by Warner Bros. Pictures, DC Films, and Joint Effort in association with Bron Creative and Village Roadshow Pictures, and distributed by Warner Bros. Phillips conceived Joker in 2016 and wrote the script with Silver throughout 2017. The two were inspired by 1970s character studies and the films of Martin Scorsese, who was initially attached to the project as a producer. The graphic novel Batman: The Killing Joke (1988) was the basis for the premise, but Phillips and Silver otherwise did not look to specific comics for inspiration. Phoenix became attached in February 2018 and was cast that July, while the majority of the cast signed on by August. Theatrical release poster Principal photography took place in New York City, Jersey City, and Newark, from September to December 2018. It is the first live-action Directed by Todd Phillips theatrical Batman film to receive an R-rating from the Motion Picture Produced by Todd Phillips Association of America, due to its violent and disturbing content. -
JUSTICE LEAGUE (NEW 52) CHARACTER CARDS Original Text
JUSTICE LEAGUE (NEW 52) CHARACTER CARDS Original Text ©2012 WizKids/NECA LLC. TM & © 2012 DC Comics (s12) PRINTING INSTRUCTIONS 1. From Adobe® Reader® or Adobe® Acrobat® open the print dialog box (File>Print or Ctrl/Cmd+P). 2. Click on Properties and set your Page Orientation to Landscape (11 x 8.5). 3. Under Print Range>Pages input the pages you would like to print. (See Table of Contents) 4. Under Page Handling>Page Scaling select Multiple pages per sheet. 5. Under Page Handling>Pages per sheet select Custom and enter 2 by 2. 6. If you want a crisp black border around each card as a cutting guide, click the checkbox next to Print page border. 7. Click OK. ©2012 WizKids/NECA LLC. TM & © 2012 DC Comics (s12) TABLE OF CONTENTS Aquaman, 8 Wonder Woman, 6 Batman, 5 Zatanna, 17 Cyborg, 9 Deadman, 16 Deathstroke, 23 Enchantress, 19 Firestorm (Jason Rusch), 13 Firestorm (Ronnie Raymond), 12 The Flash, 20 Fury, 24 Green Arrow, 10 Green Lantern, 7 Hawkman, 14 John Constantine, 22 Madame Xanadu, 21 Mera, 11 Mindwarp, 18 Shade the Changing Man, 15 Superman, 4 ©2012 WizKids/NECA LLC. TM & © 2012 DC Comics (s12) 001 DC COMICS SUPERMAN Justice League, Kryptonian, Metropolis, Reporter FROM THE PLANET KRYPTON (Impervious) EMPOWERED BY EARTH’S YELLOW SUN FASTER THAN A SPEEDING BULLET (Charge) (Invulnerability) TO FIGHT FOR TRUTH, JUSTICE AND THE ABLE TO LEAP TALL BUILDINGS (Hypersonic Speed) AMERICAN WAY (Close Combat Expert) MORE POWERFUL THAN A LOCOMOTIVE (Super Strength) Gale-Force Breath Superman can use Force Blast. When he does, he may target an adjacent character and up to two characters that are adjacent to that character. -
The Conjuring
! New Line Cinema presenta il thriller soprannaturale “The Conjuring - Il caso Enfield”, sequel del grande successo “L’evocazione - The Conjuring”, diretto ancora una volta da James Wan (“Furious 7”), che porta sullo schermo un altro dei casi realmente accaduti su cui hanno indagato i famosi studiosi di demonologia Ed e Lorraine Warren. La candidata all’Oscar Vera Farmiga (“Tra le nuvole”) e Patrick Wilson tornano nel ruolo di Lorraine e Ed Warren che, in una delle loro più terrificanti indagini paranormali, si recano a Londra per aiutare una madre single che vive da sola con quattro bambini in una casa infestata da spiriti malvagi. Il film è il sequel di “L’evocazione - The Conjuring” di Wan, che ha incassato oltre 319 milioni di dollari in tutto il mondo, ed è diventato il secondo film horror di maggior successo di tutti i tempi, piazzandosi subito alle spalle di “L’esorcista”. Nel cast anche Frances O’Connor nel ruolo della madre single, con Madison Wolfe e gli esordienti Lauren Esposito, Patrick McAuley e Benjamin Haigh nel ruolo dei figli; Maria Doyle Kennedy, Simon Delaney, Franka Potente e Simon McBurney. La sceneggiatura è di Chad Hayes & Carey W. Hayes & James Wan e David Leslie Johnson, il soggetto è di Chad Hayes & Carey W. Hayes & James Wan. Peter Safran e Rob Cowan, che avevano già collaborato a “L’evocazione - The Conjuring”, sono i produttori con Wan. I produttori esecutivi sono Toby Emmerich, Richard Brener, Walter Hamada e Dave Neustadter. Nel team anche il direttore della fotografia candidato all’Oscar Don Burgess (“Forrest Gump”, “42”), la scenografa Julie Berghoff, il montatore Kirk Morri, la costumista Kristin Burke e il compositore Joseph Bishara. -
Super-Heróis Negros E Negras: Referências Para a Educação Das Relações Étnico-Raciais E Ensino Da História E Cultura Afro-Brasileira E Africana
caminhos SUPER-HERÓIS NEGROS E NEGRAS: REFERÊNCIAS PARA A EDUCAÇÃO DAS RELAÇÕES ÉTNICO-RACIAIS E ENSINO DA HISTÓRIA E CULTURA AFRO-BRASILEIRA E AFRICANA Fernanda Pereira da Silva Dissertação apresentada ao Programa de Pós-graduação em Relações Étnico-raciais do Centro Federal de Educação Tecnológica Celso Suckow da Fonseca, CEFET/RJ, como parte dos requisitos necessários à obtenção do título de Mestre. Orientador (a): Roberto Carlos da Silva Borges Rio de Janeiro Agosto de 2018 SUPER-HERÓIS NEGROS E NEGRAS: REFERÊNCIAS PARA A EDUCAÇÃO DAS RELAÇÕES ÉTNICO-RACIAIS E ENSINO DA HISTÓRIA E CULTURA AFRO-BRASILEIRA E AFRICANA Dissertação de Mestrado apresentada ao Programa de Pós-Graduação em Relações Étnico-raciais do Centro Federal de Educação Tecnológica Celso Suckow da Fonseca, CEFET/RJ, como parte dos requisitos necessários à obtenção do título de Mestre Fernanda Pereira da Silva Banca Examinadora: ______________________________________________________________________ Presidente, Professor Dr. Roberto Carlos da Silva Borges (CEFET-RJ) ______________________________________________________________________ Professora Dra. Talita de Oliveira (CEFET-RJ) ______________________________________________________________________ Professor Dr. Aldo Victório Filho (UERJ) SUPLENTES ______________________________________________________________________ Professora Dra. Glenda Cristina Valim de Melo (UNIRIO) ______________________________________________________________________ Professor Dr. Samuel Silva Rodrigues de Oliveira (CEFET-RJ) Rio de Janeiro Agosto de 2018 AGRADECIMENTOS O percurso de construção de uma pesquisa não é uma tarefa fácil, em muitos momentos precisamos do apoio de outras pessoas, afinal, nada se constrói sozinho. Agradeço, primeiramente, a Deus por ter me dado forças para superar as dificuldades e concluir este sonho, o qual, por tanto tempo, lutei para conseguir. À minha família, em especial meus pais Wilma Figueredo e Francisco Pereira (in memoriam) e a minha irmã Izabel Pereira, que sempre me apoiaram com amor incondicional e incentivo. -
Hawkman in the Bronze Age!
HAWKMAN IN THE BRONZE AGE! July 2017 No.97 ™ $8.95 Hawkman TM & © DC Comics. All Rights Reserved. BIRD PEOPLE ISSUE: Hawkworld! Hawk and Dove! Nightwing! Penguin! Blue Falcon! Condorman! featuring Dixon • Howell • Isabella • Kesel • Liefeld McDaniel • Starlin • Truman & more! 1 82658 00097 4 Volume 1, Number 97 July 2017 EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow Comics’ Bronze Age and Beyond! DESIGNER Rich Fowlks COVER ARTIST George Pérez (Commissioned illustration from the collection of Aric Shapiro.) COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Alter Ego Karl Kesel Jim Amash Rob Liefeld Mike Baron Tom Lyle Alan Brennert Andy Mangels Marc Buxton Scott McDaniel John Byrne Dan Mishkin BACK SEAT DRIVER: Editorial by Michael Eury ............................2 Oswald Cobblepot Graham Nolan Greg Crosby Dennis O’Neil FLASHBACK: Hawkman in the Bronze Age ...............................3 DC Comics John Ostrander Joel Davidson George Pérez From guest-shots to a Shadow War, the Winged Wonder’s ’70s and ’80s appearances Teresa R. Davidson Todd Reis Chuck Dixon Bob Rozakis ONE-HIT WONDERS: DC Comics Presents #37: Hawkgirl’s First Solo Flight .......21 Justin Francoeur Brenda Rubin A gander at the Superman/Hawkgirl team-up by Jim Starlin and Roy Thomas (DCinthe80s.com) Bart Sears José Luís García-López Aric Shapiro Hawkman TM & © DC Comics. Joe Giella Steve Skeates PRO2PRO ROUNDTABLE: Exploring Hawkworld ...........................23 Mike Gold Anthony Snyder The post-Crisis version of Hawkman, with Timothy Truman, Mike Gold, John Ostrander, and Grand Comics Jim Starlin Graham Nolan Database Bryan D. Stroud Alan Grant Roy Thomas Robert Greenberger Steven Thompson BRING ON THE BAD GUYS: The Penguin, Gotham’s Gentleman of Crime .......31 Mike Grell Titans Tower Numerous creators survey the history of the Man of a Thousand Umbrellas Greg Guler (titanstower.com) Jack C. -
The Cw Arrowverse and Myth-Making, Or the Commodification of Transmedia Franchising
PRODUCTIONS / MARKETS / STRATEGIES THE CW ARROWVERSE AND MYTH-MAKING, OR THE COMMODIFICATION OF TRANSMEDIA FRANCHISING CHARLES JOSEPH Name Charles Joseph Arrowverse, a shared narrative space based on DC-inspired Academic centre University of Rennes 2 original series which provided the network with a fertile E-mail address [email protected] groundwork to build upon. The CW did not hesitate to capitalize on its not-so-newfound superhero brand to KEYWORDS induce a circulation of myth, relying on these larger-than- The CW; DC comics; Arrowverse; transmedia; convergence; life characters at the heart of American pop culture to superhero; myth. fortify its cultural and historical bedrock and earn its seat along the rest of the Big 4. This paper aims to decipher how The CW pioneered new technology-based tools ABSTRACT which ultimately changed the American media-industrial The CW’s influence over the American network television landscape of the early 2010s, putting these tools to the landscape has never ceased to grow since its creation test with the network’s superhero series. It will thus also in 2006. The network’s audience composition reflects address how the Arrowverse set of characters has triggered The CW’s strategies to improve its original content as cross-media and transmedia experimentations, how The well as diversifying it, moving away from its image as a CW stimulated rapport with its strong fan base, as well network for teenage girls. One of the key elements which as how the network has been able to capitalize on the has supported this shift was the development of the superhero genre’s evocative capacities. -
Jlunlimitedchecklist
WWW.HEROCLIXIN.COM WWW.HEROCLIXIN.COM WWW.HEROCLIXIN.COM WWW.HEROCLIXIN.COM 001_____SUPERMAN .......................................................... 100 C 001_____SUPERMAN .......................................................... 100 C TEAM-UP CARDS (1 of 2) TEAM-UP CARDS (2 of 2) 002_____GREEN LANTERN .................................................. 65 C 002_____GREEN LANTERN .................................................. 65 C 003_____THE FLASH ............................................................. 30 C 003_____THE FLASH ............................................................. 30 C SUPERMAN GREEN ARROW 004_____DR. FATE .........................................................65 - 10 C 004_____DR. FATE .........................................................65 - 10 C 001.01 _____TEAM UP: GREEN LANTERN 026.01 _____TEAM UP: SUPERMAN 005a____BATMAN .................................................................. 70 C 005a____BATMAN .................................................................. 70 C 001.02 _____TEAM UP: BATMAN 026.02 _____TEAM UP: GREEN LANTERN 005b____BATMAN .................................................................. 40 P 005b____BATMAN .................................................................. 40 P 001.03 _____TEAM UP: WONDER WOMAN 026.03 _____TEAM UP: BATMAN 006_____CADMUS LABS SCIENTIST ................................... 15 C 006_____CADMUS LABS SCIENTIST ................................... 15 C 001.04 _____TEAM UP: THE FLASH 026.04 _____TEAM UP: WONDER WOMAN 007_____S.T.A.R. -
Comic Books Vs. Greek Mythology: the Ultimate Crossover for the Classical Scholar Andrew S
University of Texas at Tyler Scholar Works at UT Tyler English Department Theses Literature and Languages Spring 4-30-2012 Comic Books vs. Greek Mythology: the Ultimate Crossover for the Classical Scholar Andrew S. Latham Follow this and additional works at: https://scholarworks.uttyler.edu/english_grad Part of the English Language and Literature Commons Recommended Citation Latham, Andrew S., "Comic Books vs. Greek Mythology: the Ultimate Crossover for the Classical Scholar" (2012). English Department Theses. Paper 1. http://hdl.handle.net/10950/73 This Thesis is brought to you for free and open access by the Literature and Languages at Scholar Works at UT Tyler. It has been accepted for inclusion in English Department Theses by an authorized administrator of Scholar Works at UT Tyler. For more information, please contact [email protected]. COMIC BOOKS VS. GREEK MYTHOLOGY: THE ULTIMATE CROSSOVER FOR THE CLASSICAL SCHOLAR by ANDREW S. LATHAM A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in English Department of Literature and Languages Paul Streufert, Ph.D., Committee Chair College of Arts and Sciences The University of Texas at Tyler May 2012 Acknowledgements There are entirely too many people I have to thank for the successful completion of this thesis, and I cannot stress enough how thankful I am that these people are in my life. In no particular order, I would like to dedicate this thesis to the following people… This thesis is dedicated to my mother and father, Mark and Seba, who always believe in me, despite all evidence to the contrary. -
Activity Kit
Activity Kit Copyright (c) 2011 DC Comics. All related characters and elements are trademarks of and (c) DC Comics. (s11) ACTIvITy KIT wORD SCRAMBLE Help Batman solve a mystery by unscrambling the following words! Nermusap __ __ __ __ __ __ __ __ Barrzio __ __ __ __ __ __ __ Matbna __ __ __ __ __ __ Eth Kojre __ __ __ __ __ __ __ __ Redwon Waomn Wactnamo __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ Raincaib __ __ __ __ __ __ __ __ Neerg Nerltan Hheecat __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ Ssrtonie __ __ __ __ __ __ __ __ Eht Shafl __ __ __ __ __ __ __ __ Slirev Naws __ __ __ __ __ __ __ __ __ __ Quamnaa __ __ __ __ __ __ __ Hte Ylaid Neplta __ __ __ __ __ __ __ __ __ __ __ __ __ __ Slio Anle __ __ __ __ __ __ __ __ Msliporote __ __ __ __ __ __ __ __ __ __ Nibor __ __ __ __ __ Maghto Ycti __ __ __ __ __ __ __ __ __ __ Ptknory __ __ __ __ __ __ __ Zamona __ __ __ __ __ __ Vacbtae __ __ __ __ __ __ __ Repow grin __ __ __ __ __ __ __ __ __ Elx Ultroh __ __ __ __ __ __ __ __ __ Copyright (c) 2011 DC Comics. -
Universidade Federal Fluminense
1 UNIVERSIDADE FEDERAL FLUMINENSE INSTITUTO DE CIÊNCIAS HUMANAS E FILOSOFIA PROGRAMA DE PÓS-GRADUAÇÃO EM HISTÓRIA GUSTAVO MONTALVÃO FREIXO SOB A SOMBRA DO APOCALIPSE: O MEDO DO FIM DO MUNDO NAS REVISTAS EM QUADRINHOS DA GUERRA FRIA REAGANISTA (1980-1989) Orientadora: Professora Cecília da Silva Azevedo NITERÓI 2016 2 UNIVERSIDADE FEDERAL FLUMINENSE INSTITUTO DE CIÊNCIAS HUMANAS E FILOSOFIA PROGRAMA DE PÓS-GRADUAÇÃO EM HISTÓRIA GUSTAVO MONTALVÃO FREIXO SOB A SOMBRA DO APOCALIPSE: O MEDO DO FIM DO MUNDO NAS REVISTAS EM QUADRINHOS DA GUERRA FRIA REAGANISTA (1980-1989) Dissertação apresentada ao Curso de Mestrado do Programa de Pós- graduação em História da Universidade Federal Fluminense, como requisito para a obtenção do título de Mestre em História. Área de Concentração: Contemporânea Orientadora: Professora Cecília da Silva Azevedo NITERÓI 2016 3 Ficha Catalográfica elaborada pela Biblioteca Central do Gragoatá F866 Freixo, Gustavo Montalvão. Sob a sombra do Apocalipse: o medo do fim do mundo nas revistas / Gustavo em quadrinhos da Guerra Fria reaganista (1980-1989) Montalvão Freixo. – 2017. 216 f.; il. Orientadora: Cecília da Silva Azevedo. Dissertação (Mestrado em História Social) – Universidade Federal Fluminense, Instituto de Ciências Humanas e Filosofia, Departamento de História Social, 2017. Bibliografia: f. 212-216. 1. História em quadrinhos. 2. Reagan, Ronald, 1981-1989; política e governo. 3. História dos Estados Unidos. 4. Política. 5. Medo. 6. Imaginário. I. Azevedo, Cecília da Silva. II. Universidade Federal Fluminense. Instituto de Ciências Humanas e Filosofia. III. Título. 4 GUSTAVO MONTALVÃO FREIXO Dissertação apresentada ao Curso de Mestrado do Programa de Pós- graduação em História da Universidade Federal Fluminense, como requisito para a obtenção do título de Mestre em História. -
Onder De Motorkap Van Het Mcu: Een Onderzoek Naar De Bouwstenen Van Een Cinematic Universe
ONDER DE MOTORKAP VAN HET MCU: EEN ONDERZOEK NAAR DE BOUWSTENEN VAN EEN CINEMATIC UNIVERSE Een wetenschappelijke verhandeling Aantal woorden: 26.833 Tibo Duhamel Studentennummer: 01400216 Commissaris: Prof. Dr. Lennart Soberon Promotor(en): Prof. Dr. Stijn Joye Masterproef voorgelegd voor het behalen van de graad master in de film en televisiewetenschappen. Academiejaar: 2017 – 2018 2 3 Dankwoord Mijn immense dank gaat uit naar mijn familie, vrienden en mijn vriendin Aurélie. Zij waren een grote steun in tijden van stress, dat jammer genoeg onderdeel is van het schrijven van een masterproef. In het bijzonder wil ik mijn ouders bedanken, waarbij mijn moeder zowel mijn spellingchecker als mijn woordenboek was. Tenslotte wil ik professor Stijn Joye bedanken. Hij vormde een gigantische hulp tijdens het schrijven en wist ook altijd snel te reageren met het gepaste advies op eventuele vragen of moeilijkheden. 4 Abstract Sinds het ontstaan van het Marvel Cinematic Universe (MCU) wordt de term “cinematic universe” in talloze contexten gebruikt. De recente aard van dit concept zorgt echter voor een gebrek aan een consistente definitie. Dit werk vormt een nadere blik op de werking van een cinematic universe, dit aan de hand van de literatuur rond het MCU. In het bijzonder werden drie kernthema’s bekeken: de intertekstualiteit tussen de films, het voortzetten van het narratief via transmedial storytelling en de invloed van de identiteit van de studio op het uiteindelijke universum. In het onderzoeksgedeelte werden deze begrippen uit de literatuurstudie vergeleken met twee andere cases: het DC Extended Universe (DCEU) en het Dark Universe (DU). Hoewel alle drie universums aangeven een ‘cinematic universe’ te zijn, blijken er toch diverse verschillen te bestaan in hun werking. -
The Bad Batch
Presents THE BAD BATCH A film by Ana Lily Amirpour (118 min., USA, 2016) Language: English Distribution Publicity Bonne Smith Star PR 1352 Dundas St. West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1Y2 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com @MongrelMedia MongrelMedia Synopsis: THE BAD BATCH follows Arlen (Waterhouse) after she's left in a Texas wasteland fenced off from civilization. While trying to navigate the unforgiving landscape, Arlen is captured by a savage band of cannibals led by the mysterious Miami Man (Momoa). With her life on the line, she makes her way to The Dream (Reeves). As she adjusts to life in 'the bad batch' Arlen discovers that being good or bad mostly depends on who's standing next to you. Starring SUKI WATERHOUSE (PRIDE AND PREJUDICE AND ZOMBIES), JASON MOMOA (JUSTICE LEAGUE, Game of Thrones), GIOVANI RIBISI (TED, Sneaky Pete), KEANU REEVES (JOHN WICK) ABOUT THE PRODUCTION “All of us here. We weren’t good enough, smart enough, young enough, healthy enough, wealthy enough, sane enough…Freaks, parasites. This here is The Bad Batch. We ain’t good. We’re bad.” – The Dream Writer/director Ana Lily Amirpour’s The Bad Batch brings to fruition a radical and nightmarish view of the margins of America, exploring the limits of survival and human understanding, in this dark adventure-romance, with a soaring musical score. It's an epic quest movie, a psychedelic western, a pop-fairy tale, set in a desert wasteland where human-eat-human has become a way of life for societies rejects.