Ravenna Turismo
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Lectionary Texts for March 21, 2021 • Fifth Sunday in Lent
Lectionary Texts for March 21, 2021 •Fifth Sunday in Lent - Year B Jeremiah 31:31-34 • Psalm 51:1-12 or Psalm 119:9-16 • Hebrews 5:5-10 • John 12:20-33 Jeremiah 31:31-34 Jeremiah, 6th century Mosaic Basilica of San Vitale, Ravenna, Italy The focal point of a large mosiac in the Basilica of San Vitale in Ravenna, Italy, depicts the Hospitality of Abraham and the Sacrifice of Isaac (see page 4.) Above and to the left is the mo- saic of Jeremiah while above and to the right is Moses. These scenes and people are connected by the theme of covenant. God had promised Abraham a son, and Abraham was willing to sacrifice him; in return God blessed Abraham with many descendants. On Mount Sinai God told Moses to obey and keep His covenant; the Israelites will be His treasured possession. Jeremiah was promised a new covenant, more intimate and more personal than the one with Moses: “… I will write it in their hearts; and I will be their God, and they shall be my people.” Continued Lectionary Texts for March 21, 2021 •Fifth Sunday in Lent - Year B • Page 2 One of eight structures in Ravenna collectively designated as a UNESCO World Heritage Site, the Basilica of San Vitale (see page 4) is an important example of early Christian Byzantine art and architecture. The church was begun in 526 and completed in 547. The structure has an octagonal plan, combining Roman elements, such as the dome and shape of doorways, with Byzantine elements, such as the polygonal apse, narrow bricks, and an early example of flying buttresses. -
The Neonian Baptistery in Ravenna 359
Ritual and ReconstructedMeaning: The Neonian Baptisteryin Ravenna Annabel Jane Wharton The pre-modern work of art, which gained authority through its extension in ritual action, could function as a social integrator. This essay investigates the figural decoration of the Orthodox Baptistery in Ravenna, in an effort to explain certain features of the mosaic program. If the initiation ritual is reenacted and the civic centrality of the rite and its executant, the bishop, is restored, the apparent "icon- ographic mistakes" in the mosaics reveal themselves as signs of the mimetic re- sponsiveness of the icon. By acknowledging their unmediated character, it may be possible to re-empower both pre-modern images and our own interpretative strategy. The Neonian (or "Orthodox") Baptistery in Ravenna is the preciated, despite the sizable secondary literature generated most impressive baptistery to survive from the Early Chris- by the monument. Because the artistic achievement of the tian period (Figs. 1-5).1 It is a construction of the late fourth Neonian Baptistery lies in its eloquent embodiment of a or early fifth century, set to the north of the basilican ca- new participatory functioning of art, a deeper comprehen- thedral of Bishop Ursus (3897-96?) (Fig. 1).2 The whole of sion of the monument is possible only through a more thor- the ecclesiastical complex, including both the five-aisled ba- ough understanding of its liturgical and social context. The silica and the niched, octagonal baptistery, appears to have first section of this essay therefore attempts to reconstruct been modeled after a similar complex built in the late fourth the baptismal liturgy as it may have taken place in the century in Milan.3 Within two or three generations of its Neonian Baptistery. -
Dreamitaly0709:Layout 1
INSIDE: The Artistic Village of Dozza 3 Private Guides in Ravenna 5 Bicycling Through Ferrara 6 Where to Stay in Bologna 8 Giorgio Benni Giorgio giasco, flickr.com giasco, Basilica di San Vitale MAMbo SPECIAL REPORT: EMILIA-ROMAGNA Bologna: dream of City of Art ith its appetite for art, Bologna’s ® Wcontributions to the good life are more than gustatory. Though known as the “Red City” for its architecture and politics, I found a brilliant palette of museums, galleries, churches and markets, with mouth-watering visuals for every taste. ITALYVolume 8, Issue 6 www.dreamofitaly.com July/August 2009 City Museums For a splash of Ravcnna’s Ravishing Mosaics 14th-century sculp- ture start at the fter 15 centuries, Ravenna’s lumi- across the region of Emilia-Romagna. Fontana del Nettuno A nous mosaics still shine with the With only a day to explore, I’m grate- in Piazza Maggiore. golden brilliance of the empires that ful that local guide Verdiana Conti Gianbologna’s endowed them. These shimmering Baioni promises to weave art and bronze god — Fontana Nettuno sacred images reveal both familiar and history into every step. locals call him “the giant” — shares the unexpected chapters in Italian history water with dolphins, mermaids and while affirming an artistic climate that We meet at San Apollinaire Nuovo on cherubs. Close by, Palazzo Comunale’s thrives today. Via di Roma. A soaring upper floors contain the Collezioni basilica, its narrow side Comunale d’Arte, which includes opu- Ravenna attracted con- aisles open to a broad lent period rooms and works from the querors from the north nave where three tiers 14th through 19th centuries. -
3 Italian Opera Composers June 2020
Italian Culture June 2020 Dear Italian Culture Friends I thought that it might be interesting to look this week at the work of three Italian Opera Composers who later composed some liturgical works. In the case of two of the composers, we invariably think of their operatic output. These are Giuseppe Verdi and Gioachino Rossini. The third of them, Cherubini, also wrote a number of operas before turning to liturgical music In 1831 Rossini travelled to Spain with a friend, a banker named Alexandre Aguado, owner of Chateau Margaux, famous for its Bordeaux wine (claret). While he was there, he was commissioned by Fernández Varela, a state councillor, to write a setting of the liturgical text, the Stabat Mater. Although he began the work in 1831, it was not until 1841 that the final form was completed. It was premiered on Holy Saturday 1833 in the Chapel of San Felipe el Real in Madrid but this was the only performance of that version. The choice of Holy Saturday was appropriate as the work tells part of the story of the previous day, Good Friday, and perhaps it was the rush to complete it in time for that first performance which caused Rossini’s dissatisfaction with that version and caused him to continue to revise it. In fact, the first version was not solely the work of Rossini. It was a twelve-part piece of which Rossini had written Parts 1 and 5-9. His friend, Giovanni Tadolini, had written the rest but Rossini claimed it as his own work. Rossini, the product of a musical family from Pesaro, on the Adriatic coast - his father was a trumpeter and his mother a singer - had published his first composition at the age of 18 and the next year he was contracted to write operas and manage theatres in Naples. -
Periodic Report 2006
State of Conservation of World Heritage Properties in Europe SECTION II Recommendation: That this property be inscribed on the World Heritage List on the basis of criteria ITALY (i), (ii), (iii), and (iv): The complex of Early Christian religious Early Christian Monuments of monuments in Ravenna are of outstanding Ravenna Significance by virtue of the supreme artistry of the mosaic art that they contain, and also because of the crucial evidence that they provide of artistic and Brief description religious relationships and contacts at an important Ravenna was the seat of the Roman Empire in the period of European cultural history. 5th century and then of Byzantine Italy until the 8th century. It has a unique collection of early Christian Committee Decision mosaics and monuments. All eight buildings – the Mausoleum of Galla Placidia, the Neonian Bureau (June 1996): The Bureau recommended the Baptistery, the Basilica of Sant'Apollinare Nuovo, Committee to inscribe the nominated property on the Arian Baptistery, the Archiepiscopal Chapel, the the basis of criteria (i), (ii), (iii) and (iv) considering Mausoleum of Theodoric, the Church of San Vitale that the site is of outstanding universal value being and the Basilica of Sant'Apollinare in Classe – were of remarkable significance by virtue of the supreme constructed in the 5th and 6th centuries. They show artistry of the mosaic art that the monuments great artistic skill, including a wonderful blend of contain, and also because of the crucial evidence Graeco-Roman tradition, Christian iconography and that they provide of artistic and religious oriental and Western styles. relationships and contacts at an important period of European cultural history. -
History of Architecture: Chapters I-XIX
vii TABLE OF CONTENTS. PAGE PRELIMINARY MATERIAL (separate file) LIST OF ILLUSTRATIONS (Figures 1–157) xi CHAPTER I. PRIMITIVE AND PREHISTORIC ARCHITECTURE 1 CHAPTER II. EGYPTIAN ARCHITECTURE 6 CHAPTER III. EGYPTIAN ARCHITECTURE, Continued 16 CHAPTER IV. CHALDÆAN AND ASSYRIAN ARCHITECTURE 28 CHAPTER V. PERSIAN, LYCIAN, AND JEWISH ARCHITECTURE 35 CHAPTER VI. GREEK ARCHITECTURE 43 viii CHAPTER VII. GREEK ARCHITECTURE, Continued 60 CHAPTER VIII. ROMAN ARCHITECTURE 74 CHAPTER IX. ROMAN ARCHITECTURE, Continued 88 CHAPTER X. EARLY CHRISTIAN ARCHITECTURE 110 CHAPTER XI. BYZANTINE ARCHITECTURE 120 CHAPTER XII. SASSANIAN AND MOHAMMEDAN ARCHITECTURE—ARABIAN, MORESQUE, 135 PERSIAN, INDIAN, AND TURKISH CHAPTER XIII. EARLY MEDIÆVAL ARCHITECTURE IN ITALY AND FRANCE 155 CHAPTER XIV. EARLY MEDIÆVAL ARCHITECTURE IN GERMANY, GREAT BRITAIN, AND SPAIN 172 CHAPTER XV. GOTHIC ARCHITECTURE 182 CHAPTER XVI. GOTHIC ARCHITECTURE IN FRANCE 196 ix CHAPTER XVII. GOTHIC ARCHITECTURE IN GREAT BRITAIN 218 CHAPTER XVIII. GOTHIC ARCHITECTURE IN GERMANY, THE NETHERLANDS, AND SPAIN 237 CHAPTER XIX. GOTHIC ARCHITECTURE IN ITALY 254 RENAISSANCE AND LATER ARCHITECTURE CHAPTERS XX–XXVIII, WITH FIGURES 158–229 (separate file) APPENDIX (separate file) GLOSSARY (separate file) INDEXES (separate file) xi LIST OF ILLUSTRATIONS. A few illustrations include links to larger versions. Figure 24 has been reformatted for this e-text; it was printed vertically, with the Plan below the Section. Figure 138 is shown as printed. THE authorship of the original drawings is indicated by the initials affixed: A. = drawings by the author; B. = H. W. Buemming; Bn. = H. D. Bultman; Ch. = Château, L’Architecture en France; G. = drawings adapted from Gwilt’s Encyclopædia of Architecture; L. = Lübke’s Geschichte der Architektur; W. -
Ravenna Tourist Information 1
refinedcomposition that decorates the Neonian RAVENNA UNIQUE CITY, Baptistery is inspired by cultured Greek tradition, resumed also in the Arian Baptistery WORLD HERITAGE ; the majesty of the Basilica of Sant’Apollinare Ravenna is a showcase of art, history and culture of the Nuovo reveals its origins as a palatine church, first order. The city has ancient origins and a glorious built by Theodoric the Great, king of the Ostrogoths; past; from the 5th to the 8th centuries it was the capital more than one hundred charming little birds lead of the Western Roman Empire, of King Theodoric of the you into the intimate atmosphere of the Chapel Goths and of the Byzantine empire in Europe. of Sant’Andrea , where a triumphant Christ is A considerable patrimony has been passed down to us celebrated; the majestic Mausoleum of Theodoric from that magnificent period. Ravenna is, above all, a , with its enormous monolithic roof covering; the city of mosaics. Its ancient walls conserve mankind’s Basilica of San Vitale , the greatest treasure of the richest heritage of mosaics dating from the 5th and early Christian era, contains a portrait of the imperial 6th centuries. For this reason its early Christian and Byzantine court; outside the city the elegant Basilica Byzantine buildings have been recognised by Unesco of Sant’Apollinare in Classe exalts Christ and TUTTIFRUTTI as world heritage. Sant’Apollinare, the first bishop and church father, in The simple external shell of the Mausoleum of Galla the mosaic of the apse. RAVENNA Placidia conceals an infinite sky of stars; the WORLD HERITAGE Assessorato al Turismo Servizio Turismo e Attività Culturali Comune di Ravenna Tourist Information Office Piazza San Francesco / Piazza Caduti per la Libertà 48121 Ravenna - Italy tel. -
Bologna Welcome Confidential Catalogue
Bologna Welcome Confidential Catalogue Bologna Welcome Srl Piazza Maggiore, 1/e T +39 051 65 83 190 [email protected] 40124 Bologna F +39 051 65 83 132 bolognawelcome.com Index Intro Bologna Welcome Incoming Travel Agency 3 E-commerce 4 Bologna Welcome for MICE events 5 Marconi Express 6 Getting to Bologna 7 Visitor Center 10 Bologna Welcome Card 11 How to consult the catalogue 12 Tour 2-hour guaranteed 14 2-hour on request 29 Half-Day guaranteed 47 Half-Day on request 52 Full-Day guaranteed 66 Coming soon 72 Packages Bologna Welcome Srl Piazza Maggiore, 1/e T +39 051 65 83 190 [email protected] 40124 Bologna F +39 051 65 83 132 bolognawelcome.com Bologna Welcome Incoming Travel Agency Who we are We respond quickly to requests for Bologna Welcome Incoming Travel Agency is an incoming tour operator specialized in marketing the tourist destination of Bologna and its territory. The agency manages the entire tourism services chain and assists clients throughout the whole organizational process. Transportation Accommodation: Motor tours: The agency consists of two units: 5-star, 4-star, museums, factories • Business unit resorts, holiday and test-drives • Leisure unit farms, etc. Music tours and Food & Wine tours: Cultural and tickets for the tastings, cooking historical tours Italian opera classes… Outdoor activities: Incentive and team Itineraries and trekking, biking building school tour tours packages Bologna Welcome Srl Piazza Maggiore, 1/e T +39 051 65 83 190 [email protected] 40124 Bologna F +39 051 65 83 132 bolognawelcome.com E-commerce Our leisure products How to purchase our products All the tourist offer of Bologna Welcome is available on the e-commerce platform, created in collaboration with the Trekksoft Company, which allows tourists to plan or buy the packages or experiences they want. -
Presentazione Standard Di Powerpoint
The perfect destination Consorzio Costa Hotels / Mare Collina Tour Travel Tel. +39 0541 607636 [email protected] About us Why with us? Quality and variety of the services Renovated and valuable Hotels Moderate and competitive rates Passion and attention to the details Detailed knowledge of the region Original and «tailor made» tours Assistance and great attention to clients’ needs Our Location: Hotels Wine Resort Country House Agriturismo Historical Hotels & Villa Something SPECIAL for your holidays «Food Experiences» Italian Cooking Classes (also with flowers) Grape and Olive harvest Truffle Hunt in the woods Pizza, Espresso and Ice Cream Master class Special Wine Tasting «Suggestive Activities» Vintage Cars Super Car Test Drive (Ferrari, Lamborghini) Vespa Tour Sailboat and catamaran Cruises Hot Air balloon excursion Food Experiences & Suggestive Activities DELICIOUS EMILIA-ROMAGNA DAY 1: Bologna Arrival at Bologna Airport, transfer to BOLOGNA city centre. The guided walking tour starts from the Piazza with Neptune’s Fountain and walk beside the Basilica of San Petronio where you can see the world largest sun dial, then onto cobbled streets of the historical centre, the famous 2 Towers, and finally in the FOOD QUARTER where your taste buds will be put to the taste with the Aperitivo with delicious Mortadella di Bologna with a nice glass of wine. Transfer to the hotel. Dinner & overnight. DAY 2: Reggio Emilia & Parmigiano Reggiano Visit to the King of cheeses, Parmigiano Reggiano made exactly in the same way as the monks who invented the recipe centuries ago. You will see all the different stages in the production line, from the “Salt Pools” to the “Wheel Cathedral” where 20.000 wheels of cheese age and mature for not less than 24 months and up to 36 months and more. -
Arianism and Political Power in the Vandal and Ostrogothic Kingdoms
Western Washington University Western CEDAR WWU Graduate School Collection WWU Graduate and Undergraduate Scholarship 2012 Reign of heretics: Arianism and political power in the Vandal and Ostrogothic kingdoms Christopher J. (Christopher James) Nofziger Western Washington University Follow this and additional works at: https://cedar.wwu.edu/wwuet Part of the History Commons Recommended Citation Nofziger, Christopher J. (Christopher James), "Reign of heretics: Arianism and political power in the Vandal and Ostrogothic kingdoms" (2012). WWU Graduate School Collection. 244. https://cedar.wwu.edu/wwuet/244 This Masters Thesis is brought to you for free and open access by the WWU Graduate and Undergraduate Scholarship at Western CEDAR. It has been accepted for inclusion in WWU Graduate School Collection by an authorized administrator of Western CEDAR. For more information, please contact [email protected]. Reign of Heretics: Arianism and Political Power in the Vandal and Ostrogothic Kingdoms By Christopher James Nofziger Accepted in Partial Completion Of the Requirements for the Degree Master of Arts Kathleen L. Kitto, Dean of the Graduate School Advisory Committee Chair, Dr. Peter Diehl Dr. Amanda Eurich Dr. Sean Murphy MASTER’S THESIS In presenting this thesis in partial fulfillment of the requirements for a master’s degree at Western Washington University, I grant to Western Washington University the non- exclusive royalty-free right to archive, reproduce, and display the thesis in any and all forms, including electronic format, via any digital library mechanisms maintained by WWU. I represent and warrant this is my original work, and does not infringe or violate any rights of others. I warrant that I have obtained written permissions from the owner of any third party copyrighted material included in these files. -
Front Matter
Cambridge University Press 978-0-521-83672-2 - Ravenna in Late Antiquity Deborah Mauskopf Deliyannis Frontmatter More information Ravenna in Late Antiquity Ravenna was one of the most important cities of late antique Europe. Between AD 400 and 751, it was the residence of western Roman emperors, Ostrogothic kings, and Byzantine governors of Italy, while its bishops and archbishops ranked second only to the popes. During this 350-year period, the city was progressively enlarged and enriched by remarkable works of art and architecture, many of which still survive today. Thus, Ravenna and its monuments are of critical importance to historians and art historians of the late ancient world. This book provides a com- prehensive survey of Ravenna’s history and monuments in late antiquity, including discussions of scholarly controversies, archaeological discoveries, and new interpre- tations of art works. As a synthesis of the voluminous literature on this topic, this volume provides an English-language entry point for the study of this fascinating city. Deborah Mauskopf Deliyannis is assistant professor of history at Indiana Uni- versity. She is the editor and translator of Agnellus of Ravenna’s Liber pontificalis ecclesiae Ravennatis, and she is the executive editor of The Medieval Review. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-83672-2 - Ravenna in Late Antiquity Deborah Mauskopf Deliyannis Frontmatter More information Ravenna in Late Antiquity Deborah Mauskopf Deliyannis Indiana -
The Veneto and Friuli Venezia Giulia Regions
DEPAUW SUMMER 2015 Explore Italy REGIONS AND CITIES OF NORTHEASTERN ITALY The Authentic Italy Northeastern Italy is composed of two regions, Veneto and Friuli Venezia-Giulia. At the geographical heart of Europe, the area has played host to many different peoples and cultures, including the Celts, Romans, Huns, Byzantines, Lombards, Franks, Venetians, French, and Hapsburgs, before becoming regions of Italy. The result is an area rich in diverse architecture and art, and one with world-class cuisine and wine. The two regions are home to no less than eight UNESCO World Heritage Sites. The New York Times recently called Friuli “Italy’s Secret Garden,” and the region has only lately been discovered by non- The Veneto and Friuli Venezia Europeans. Giulia Regions “Friuli is the great undiscovered region of Italy: It has beautiful beaches on the Adriatic, stunning undiscovered alps in Carnia, idyllic scenery in the winegrowing district known as Collio, vibrant and handsome cities such as Udine and mysterious Trieste, historical centers such as Aquileia and Cividale del Friuli, wonderful food and wine, great coffee, good cultural facilities, and above all some of the warmest, most welcoming people you will ever meet.” Slovenia & Croatia A town of ancient origins on the coast of the Istrian peninsula, 25 km from Italy, Piran was voluntarily absorbed into the Venetian empire in 1283 when Croatian pirates were continually threatening the Dalmatian coast. Many Venetian artists visited and worked in Piran, including the famed Piranese violinist Giuseppe Tartini (born in Piran) and the Venetian master painter Tintoretto, one of whose paintings can be seen in the local museum.