The Great Gatsby: Chapter Three Key Points
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In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence
In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence THESIS Presented in Partial Fulfillment of the Requirements for the Master of Arts Degree in the Graduate School of The Ohio State University By Crystal Joesell Radford, BA Graduate Program in Education The Ohio State University 2011 Thesis Committee: Professor Beverly Gordon, Advisor Professor Adrienne Dixson Copyrighted by Crystal Joesell Radford 2011 Abstract This study critically analyzes rap through an interdisciplinary framework. The study explains rap‟s socio-cultural history and it examines the multi-generational, classed, racialized, and gendered identities in rap. Rap music grew out of hip-hop culture, which has – in part – earned it a garnering of criticism of being too “violent,” “sexist,” and “noisy.” This criticism became especially pronounced with the emergence of the rap subgenre dubbed “gangsta rap” in the 1990s, which is particularly known for its sexist and violent content. Rap music, which captures the spirit of hip-hop culture, evolved in American inner cities in the early 1970s in the South Bronx at the wake of the Civil Rights, Black Nationalist, and Women‟s Liberation movements during a new technological revolution. During the 1970s and 80s, a series of sociopolitical conscious raps were launched, as young people of color found a cathartic means of expression by which to describe the conditions of the inner-city – a space largely constructed by those in power. Rap thrived under poverty, police repression, social policy, class, and gender relations (Baker, 1993; Boyd, 1997; Keyes, 2000, 2002; Perkins, 1996; Potter, 1995; Rose, 1994, 2008; Watkins, 1998). -
'Boxing Clever
NOVEMBER 05 2018 sandboxMUSIC MARKETING FOR THE DIGITAL ERA ISSUE 215 ’BOXING CLEVER SANDBOX SUMMIT SPECIAL ISSUE Event photography: Vitalij Sidorovic Music Ally would like to thank all of the Sandbox Summit sponsors in association with Official lanyard sponsor Support sponsor Networking/drinks provided by #MarketMusicBetter ast Wednesday (31st October), Music Ally held our latest Sandbox Summit conference in London. While we were Ltweeting from the event, you may have wondered why we hadn’t published any reports from the sessions on our site and ’BOXING CLEVER in our bulletin. Why not? Because we were trying something different: Music Ally’s Sandbox Summit conference in London, IN preparing our writeups for this special-edition sandbox report. From the YouTube Music keynote to panels about manager/ ASSOCIATION WITH LINKFIRE, explored music marketing label relations, new technology and in-house ad-buying, taking in Fortnite and esports, Ed Sheeran, Snapchat campaigns and topics, as well as some related areas, with a lineup marketing to older fans along the way, we’ve broken down the key views, stats and debates from our one-day event. We hope drawn from the sharp end of these trends. you enjoy the results. :) 6 | sandbox | ISSUE 215 | 05.11.2018 TALES OF THE ’TUBE Community tabs, premieres and curation channels cited as key tools for artists on YouTube in 2018 ensions between YouTube and the music industry remain at raised Tlevels following the recent European Parliament vote to approve Article 13 of the proposed new Copyright Directive, with YouTube’s CEO Susan Wojcicki and (the day after Sandbox Summit) music chief Lyor Cohen both publicly criticising the legislation. -
Fall 2009 – Spring 2010) • a Refereed Journal • ISSN 1545-2271 • ______
South Central Music Bulletin VIII/1-2 (Fall 2009 – Spring 2010) • A Refereed Journal • ISSN 1545-2271 • http://www.scmb.us _________________________________________________________________________________________ South Central Music Bulletin A Refereed, Open-Access Journal ISSN 1545-2271 Volume VIII, Issues 1-2 (Fall 2009 – Spring 2010) __________________________________________________________________________________________ Editor: Dr. Nico Schüler, Texas State University Music Graphics Editor: Richard D. Hall, Texas State University Editorial Review Board: Dr. Paula Conlon, University of Oklahoma Dr. Stacey Davis, University of Texas – San Antonio Dr. Lynn Job, North Central Texas College Dr. Kevin Mooney, Texas State University Dr. Dimitar Ninov, Texas State University Ms. Sunnie Oh, Independent Scholar & Musician Dr. Robin Stein, Texas State University Dr. Leon Stefanija, University of Ljubljana (Slovenia) Dr. Paolo Susanni, Yaşar University (Turkey) Dr. Lori Wooden, University of Central Oklahoma Subscription: Free This Open Access Journal can be downloaded from http://www.scmb.us. Publisher: South Central Music Bulletin http://www.scmb.us © Copyright 2009 by the Authors. All Rights Reserved. 1 South Central Music Bulletin VIII/1-2 (Fall 2009 – Spring 2010) • A Refereed Journal • ISSN 1545-2271 • http://www.scmb.us _________________________________________________________________________________________ Table of Contents Message from the Editor by Nico Schüler … Page 3 Research Article: Composer Stephen Lias: Biographical Notes, Musical Style, and Analytical Discussion of Songs of a Sourdough by April Stephens … Page 4 Composer Portrait: A Portrait of, and Interview with, Composer Kenneth (Ken) Metz by Aaron Carter-Cohn … Page 21 Book Reviews: Portable Music & Its Functions by A. Williams by Johanna L. Friedrich … Page 45 James K. Wright: Schoenberg, Wittgenstein and the Vienna Circle by Rebekah K. -
The Robust Beauty of Improper Linear Models in Decision Making
The Robust Beauty of Improper Linear Models in Decision Making ROBYN M. DAWES University of Oregon ABSTRACT: Proper linear models are those in which A proper linear model is one in which the predictor variables are given weights in such a way weights given to the predictor variables are chosen that the resulting linear composite optimally predicts in such a way as to optimize the relationship be- some criterion of interest; examples of proper linear tween the prediction and the criterion. Simple models are standard regression analysis, discriminant regression analysis is the most common example function analysis, and ridge regression analysis. Re- of a proper linear model; the predictor variables search summarized in Paul Meehl's book on clinical are weighted in such a way as to maximize the versus statistical prediction—and a plethora of re- search stimulated in part by that book—all indicates correlation between the subsequent weighted com- that when a numerical criterion variable (e.g., graduate posite and the actual criterion. Discriminant grade point average) is to be predicted from numerical function analysis is another example of a proper predictor variables, proper linear models outperform linear model; weights are given to the predictor clinical intuition. Improper linear models are those in variables in such a way that the resulting linear which the weights of the predictor variables are ob- composites maximize the discrepancy between two tained by some nonoptimal method; for example, they or more groups. Ridge regression analysis, an- may be obtained on the basis of intuition, derived other example (Darlington, 1978; Marquardt & from simulating a clinical judge's predictions, or set to Snee, 1975), attempts to assign weights in such be equal. -
The Trevor Project’S Coming Out: a Handbook Are At
COMING OUT A Handbook for LGBTQ Young People CONTENTS IDENTITY 4 HEALTHY RELATIONSHIPS 17 THE BASICS 4 SELF-CARE 18 What Is Sex Assigned at Birth? 5 Checking in on Your Mental Health 19 What Is Gender? 5 Warning Signs 19 Gender Identity 6 RESOURCES 20 Gender Expression 7 Transitioning 8 TREVOR PROGRAMS 21 What Is Sexual Orientation? 9 Map Your Own Identity 21 Sexual Orientation 10 Sexual/Physical Attraction 11 Romantic Attraction 12 Emotional Attraction 13 COMING OUT 14 Planning Ahead 14 Testing The Waters 15 Environment 15 Timing 15 Location 15 School 16 Support 16 Safety Around Coming Out 16 2 Exploring your sexual orientation Some people may share their identity with a few trusted friends online, some may choose to share and/or gender identity can bring up a lot with a counselor or a trusted family member, and of feelings and questions. Inside this handbook, others may want everyone in their life to know we will work together to explore your identity, about their identity. An important thing to know what it might be like to share your identity with is that for a lot of people, coming out doesn’t just others, and provide you with tools and guiding happen once. A lot of folks find themselves com- questions to help you think about what coming ing out at different times to different people. out means to you. It is all about what works for you, wherever you The Trevor Project’s Coming Out: A Handbook are at. The things you hear about coming out for LGBTQ Young People is here to help you nav- may make you feel pressured to take steps that igate questions around your identity. -
Such Stuff Podcast Season 8, Episode 2: Being Vulnerable [Music Plays
Such Stuff podcast Season 8, Episode 2: Being vulnerable [Music plays] Imogen Greenberg: Hello, and welcome to another episode of Such Stuff, the podcast from Shakespeare's Globe. Today, we're continuing with our series on the relationship between the arts and wellbeing. Throughout the series, we'll be exploring the ways the arts can enrich our lives, help us tackle mental health issues and help us find expression and connection again, after a year of isolation. Last week, we chatted to psychotherapist, Rachel Williams, who spoke extraordinarily about the importance of the arts for expression and empathy to help us to look after our brains. In this episode, we wanted to dig a bit deeper into this idea of expression and vulnerability. Whilst the arts and creativity can help us to find release for our feelings, that can also be very exposing, especially after a year when we've been very used to staying in and not expressing ourselves. How can we take care of ourselves as we head out of lockdown and back into the world? What can lessons from the arts teach all of us and how might the arts help us make some of these transitions? This week, Artistic Director, Michelle Terry, is joined by Director, Sarah Bedi and Drama Therapist, Annemarie Gaillard. For a number of years, Sarah and Annemarie have been working together, including here at the Globe, to make sure that wellbeing and mental health practices are part of rehearsal rooms and theater making processes. For theater companies, they have a brief six week window when they must access a lot of feeling, emotion, psychological depth and then share that with the world in a moment of acute vulnerability. -
Keane, for Allowing Us to Come and Visit with You Today
BIL KEANE June 28, 1999 Joan Horne and myself, Ann Townsend, interviewers for the Town of Paradise Valley Historical Committee are privileged to interview Bil Keane. Mr. Keane has been a long time resident of the Town of Paradise Valley, but is best known and loved for his cartoon, The Family Circus. Thank you, Mr. Keane, for allowing us to come and visit with you today. May we have your permission to quote you in part or all of our conversation today? Bil Keane: Absolutely, anything you want to quote from it, if it's worthwhile quoting of course, I'm happy to do it. Ann Townsend: Thank you very much. Tell us a little bit about yourself and what brought you to hot Arizona? Bil Keane: Well, it was a TWA plane. I worked on the Philadelphia Bulletin for 15 years after I got out of the army in 1945. It was just before then end of 1958 that I had been bothered each year with allergies. I would sneeze in the summertime and mainly in the spring. Then it got in to be in the fall, then spring, summer and fall. The doctor would always prescribe at that time something that would alleviate it. At the Bulletin I was doing a regular comic and I was editor of their Fun Book. I had a nine to five job there and we lived in Roslyn which was outside Philadelphia and it was one hour and a half commute on the train and subway. I was selling a feature to the newspapers called Channel Chuckles, which was the little cartoon about television which I enjoyed doing. -
Representations of Education in HBO's the Wire, Season 4
Teacher EducationJames Quarterly, Trier Spring 2010 Representations of Education in HBO’s The Wire, Season 4 By James Trier The Wire is a crime drama that aired for five seasons on the Home Box Of- fice (HBO) cable channel from 2002-2008. The entire series is set in Baltimore, Maryland, and as Kinder (2008) points out, “Each season The Wire shifts focus to a different segment of society: the drug wars, the docks, city politics, education, and the media” (p. 52). The series explores, in Lanahan’s (2008) words, an increasingly brutal and coarse society through the prism of Baltimore, whose postindustrial capitalism has decimated the working-class wage and sharply divided the haves and have-nots. The city’s bloated bureaucracies sustain the inequality. The absence of a decent public-school education or meaningful political reform leaves an unskilled underclass trapped between a rampant illegal drug economy and a vicious “war on drugs.” (p. 24) My main purpose in this article is to introduce season four of The Wire—the “education” season—to readers who have either never seen any of the series, or who have seen some of it but James Trier is an not season four. Specifically, I will attempt to show associate professor in the that season four holds great pedagogical potential for School of Education at academics in education.1 First, though, I will present the University of North examples of the critical acclaim that The Wire received Carolina at Chapel throughout its run, and I will introduce the backgrounds Hill, Chapel Hill, North of the creators and main writers of the series, David Carolina. -
March 2021 Hidden Shamrock?? We Will Be Hiding SEVENTEEN Green Shamrocks Throughout the Community the RESERVE STAFF Common Areas on St
IW-743 - The Reserve At Stone Port - Issue: 03/01/21 Viewed: 03/03/21 09:04 AM 2015 Reserve Circle • Rockingham, VA 22801 • (540) 434-2000 www.liveatstoneport.com Feeling lucky?? Can you find a March 2021 hidden Shamrock?? We will be hiding SEVENTEEN green shamrocks throughout the community THE RESERVE STAFF common areas on St. Patrick’s Day Property Manager- (Wednesday, March 17th). Kehris Snead If you find one, please bring it to the Assistant Property Manager- Clubhouse front doors during office Amy McCracken hours and we will bring your prize out Leasing Consultants- to you! Erica Short Kristin Chapman Nominate Your Neighbor! Kevin Moore We will be gifting those who have Assistant Maintenance Supervisor- been neighborly during this ongoing Jason Kagey pandemic. If you would like to Maintenance Technicians- nominate a neighbor for doing a good Joel Short deed, please let us know. We would Nathan Conley like to thank them with a small gesture Isaiah Kagey of our appreciation! Brodi Hummel We may be experiencing trying times, but it’s touching to see how our community continues to look out for each other. *while supplies last* “Imagine what our real neighborhoods would be like if “May your troubles be less and each of us offered as a matter of your blessings be more & nothing course, just one kind word to but happiness come through another person.” - Mr. Rogers your door.” Office Hours Be Neighborly Monday 10:00 am–6:00 pm Make it a beautiful day in your Newsletter Ideas? Tuesday 10:00 am–6:00 pm neighborhood by celebrating “Won’t Have an idea or pictures to add to our Wednesday 10:00 am–6:00 pm You Be My Neighbor Day” on community newsletter? Thursday 10:00 am–6:00 pm Saturday, March 20, the birthday of Email us at: Friday 10:00 am–6:00 pm Fred Rogers. -
The Mockingbird's Nest
The Mockingbird’s Nest A Play in One Act by Craig Bailey Craig Bailey 350 Woodbine Rd Shelburne VT 05482-6777 ©2020 Craig Bailey (802) 655-1197 All rights reserved [email protected] CHARACTERS DAISY In her 80s. ROBYN In her 50s. SETTING/TIME Scene 1 A home. Sometime in the future. Scene 2 The same. Decades later. SYNOPSIS Elderly shut-in DAISY begins to suspect her daughter and live-in caregiver, ROBYN, isn't what she seems to be. 1. SCENE 1 (In the darkness, MUSIC plays. It's a music box-like rendition of "Daisy Bell [Bicycle Built for Two].") (AT RISE: The living room of a modest home. ROBYN sits in an easy chair R. DAISY sits in a wheelchair L.) DAISY (Holding a music box and singing.) Daisy, Daisy, give me your answer do. I'm half crazy, all for the love of you. It won't be a stylish marriage, I can't afford a carriage. But you'll look sweet, Upon the seat, Of a bicycle built for two. ROBYN (Clapping.) Bravo! DAISY The girls would sing it to me incessantly. Every day they would sing it to me. Walking to school. Walking home from school. During recess. Under their breath during class. They thought they were tormenting me, but of course they weren't. As a matter of fact, I liked it! They were meant to be teasing me, but I liked the song! Though I never let those girls know. ROBYN It's a beautiful melody. A beautiful name. DAISY Old fashioned, I'm sure. -
Such Stuff Podcast Season 7, Episode 1: She's Behind You! [Music Plays
Such Stuff podcast Season 7, Episode 1: She’s behind you! [Music plays] Imogen Greenberg: Hello and welcome to another episode of Such Stuff the podcast from Shakespeare's Globe. Now that it's officially December the festive season can truly begin. With all the promise of a new year and the renewal it brings on the horizon we wanted to spend a few weeks cosying up against the dark nights and the frosty mornings and take a look at some of the theatre and the storytelling that brings us together at this time of year. So this week on the podcast we'll be turning our attention to that great theatrical festive tradition panto. With the return of our very own festive show Christmas at the (Snow) Globe, we decided to delve into the rich history and contemporary stylings of panto in all of its many forms. So we chatted to artists and theatre-makers creating panto today, about why this convivial form is so important this year of all years. We reminisced about pantos of Christmas past and discussed the joys and the pitfalls of tradition. So stay tuned for the first of our advent offerings here on Such Stuff. [Music plays] First up Christmas at the (Snow) Globe. Last year Sandi and Jenifer Toksvig created this extraordinary festive show bespoke for the Globe Theatre to celebrate all the joyous wonders of the season. This year we're bringing it back, though with some substantial changes due to current restrictions. So we caught up with Jen and Ess Grange who was part of the company for Christmas at the (Snow) Globe last year as an audience elf, ushering the Christmas spirit into the yard, to talk about audience participation and how we're ushering the warm embrace of the Globe Theatre into people's homes this year. -
Wonderful! 143: Rare, Exclusive Gak Published July 29Th, 2020 Listen on Themcelroy.Family
Wonderful! 143: Rare, Exclusive Gak Published July 29th, 2020 Listen on TheMcElroy.family [theme music plays] Rachel: I'm gonna get so sweaty in here. Griffin: Are you? Rachel: It is… hotototot. Griffin: Okay. Is this the show? Are we in it? Rachel: Hi, this is Rachel McElroy! Griffin: Hi, this is Griffin McElroy. Rachel: And this is Wonderful! Griffin: It‘s gettin‘ sweaaatyyy! Rachel: [laughs] Griffin: It‘s not—it doesn‘t feel that bad to me. Rachel: See, you're used to it. Griffin: Y'know what it was? Mm, I had my big fat gaming rig pumping out pixels and frames. Comin‘ at me hot and heavy. Master Chief was there. Just so fuckin‘—just poundin‘ out the bad guys, and it was getting hot and sweaty in here. So I apologize. Rachel: Griffin has a very sparse office that has 700 pieces of electronic equipment in it. Griffin: True. So then, one might actually argue it‘s not sparse at all. In fact, it is filled with electronic equipment. Yeah, that‘s true. I imagine if I get the PC running, I imagine if I get the 3D printer running, all at the same time, it‘s just gonna—it could be a sweat lodge. I could go on a real journey in here. But I don‘t think it‘s that bad, and we‘re only in here for a little bit, so let‘s… Rachel: And I will also say that a lot of these electronics help you make a better podcast, which… is a timely thing.